Social Class and the media The powerful influence most denied in the United States.
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Transcript of Social Class and the media The powerful influence most denied in the United States.
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Social Class and the media
The powerful influence most denied in the United States
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Social stratification
In all societies there is some form of hierarchy Distribution of social rewards/values is not
entirely equal in any society Hierarchy varies
How steep Bases for hierarchy
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Social Class
Stratification within a society based on a number of variables Income Education Breeding (Tastes) Blood (Old rich v. nouveau riche)
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Does class exist in America?
Largely denied by U.S. culture “Classless society”
“The belief that the United States is a classless society or, alternatively, that most Americans are “middle class” persists . . . despite pervasive socioeconomic stratification”
(Bullock, Wyche and Williams, 2001)
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Reasons for denial Meritocracy
Market system Equal opportunity
Legal blindness to most demographic differences Upward mobility Overshadowed by other concerns
Race Sex (Gender) Religion Nationalism
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Yes—social class exists in America
Vast differences among Americans in their incomes, property, power
Life chances are significantly influenced by social class at birth Education Access to technology Network of opportunities
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But things are getting better, right?
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What about social mobility?
Mobility among classes is relatively common in the United States, but: Children of the rich tend to be afforded a great deal of advantage in
education, networking, ability to try and fail, etc. People of different classes have fairly limited personal contact
Geographic segregation PRIZM
Intermarriage across widely differing social classes is uncommon Cinderella Pretty Woman Princess and the Pea The Nanny
Old money tends to maintain the class position of the next generation
Greatest access to higher circles has been through technology
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Social class affects:
Media access/choice Content preferences Interpretation of media content Representation within media content Power over media
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Social class and media use
Access to media More expensive media tend to be used more by the
relatively well-to-do Digital divide
Literacy levels Written materials
Taste cultures “High culture” v. “low culture” (popular culture)
Opera v. hip-hop
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Internet use by household income
0%10%20%30%40%50%60%70%80%90%
LT$15K
$15-25K
$25-35K
$35-50K
$50-75K
$75K+
Use Internet
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Source: Mediamark Research, Inc.
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iPods/MP3 players are gadgets for the upscale. Fully 18% of those who live in households earning more than $75,000 have them; 13% of those living in households earning $50,000 to $75,000 have them; 9% of those living in households earning $30,000-$50,000 own them and 7% of those living in households earning less than $30,000 have them. (20% of respondents did not tell us their household income.)
Source: Pew Internet and American Life Project
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Content Preferences
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Source: NEA 2002 Survey of Participation in the Arts
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0
0.1
0.2
0.3
0.4
0.5
0.6
Primetime Daytime
<$20K
$20-50K
>$50K
Source: 2000 Porter Novelli Healthstyles Survey
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Interpretation of content
Class-based worldview influences interpretations
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Stereotypes
Just as for African Americans or women, etc. there are stereotypes that go with being working class or lower class Usually negative for those lower on the status
hierarchy
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What are lower-class women like?
Trashy Oversexed Unsophisticated Domestic
Kids Dependant/“Golddigger” Focused on men
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What are lower-class men like?
Violent Brutish
Dominant Stupid Ignorant Focused on cars, sports, sex Racist Sexist Engage in hair-brained schemes to get ahead Lack taste
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Representation
Over-representation of professionals and relatively well-to-do on TV Parallel situation in film, though more varied Working class and poor ‘invisibility’
Except as cops and criminals
Occasional representations are often stereotypic
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When lower- and working-class people are depicted
Tend to be portrayed as foolish or ignorant “Trailer trash” can be portrayed in ways that would
cause significant outcry if applied to racial minorities, etc. Archie Bunker Homer Simpson
Seen as sexist, racist, violent, unintelligent and entirely lacking in taste Jerry Springer WWE Blue Collar Comedy
Clampetts go to Maui
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Prime Time programming
Early television included a number of working-class leads Ralph Cramden Marty
More recent examples All in the Family Roseanne
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However, the tone of Prime Time is heavily white-collar/professional or upper class
The main exceptions are law enforcement personnel in “cop shows,” ‘reality’ shows and daytime talk shows Often connect poor and working class with
negative depictions, low culture
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Soap operas
“On soap operas, single mothers are typically portrayed as White, upper-middle-class professionals, with nurturing male friends and an abundance of reliable child care providers (Larson, 1996).” “Teenage girls who were heavy viewers of soap
operas were more likely than lighter viewers to underestimate the relationship between single motherhood and poverty and to overestimate the percentage of single mothers in high-paying jobs.”
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Media facilitate “classless society” myth by:
Presenting the interests of the well-off (e.g., stock, financial portfolios, and leisure time) as general concerns
Downplaying the structural economic concerns (e.g., job security, income) of the working class and poor, and
Emphasizing shared interclass concerns (e.g., safety, crime)
Portraying the middle class as the norm, with little representation of interclass tension
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Content analysis of Newsweek 1993-1995
De Goede (1996) found that “the language used in the articles reinforced strong ingroup-outgroup class-based distinctions, simultaneously extolling the moral superiority of the middle class while degrading the values and behaviors of the poor.” Single African American mothers and teenage
mothers often the focus of these negative articles
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Depictions of drug crimes
“Although the ‘typical’ drug consumer and dealer is an employed, high-school-educated European American man, the majority of arrests depicted on reality-based crime programs involve African American and Latino men in densely populated, urban areas (Anderson, 1994).”
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Tabloid news shows
Tabloid news shows tended to “focus on stories involving upper-class criminals, particularly celebrities, whereas “highbrow” news programs were more likely to focus on stories involving working-class, unemployed criminals.”
Also tend to show “rags to riches” stories or the “hollowness of wealth”
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Welfare Recipients “Welfare recipients are among the . . . the most
hated and stereotyped groups in contemporary society”
Only one among 17 stereotyped groups (feminists, housewives, retarded people, Blacks, migrant workers, etc.) that respondents both disliked and disrespected. Lacking both competence and warmth
However, most common group of welfare recipients is poor children
Media representations concentrate on their mothers
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Connection to race
European Americans greatly overestimate the percentage of African Americans who are poor
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Stereotypes in media and popular culture
African American men—members of “threatening and violent underclass”
African American women—welfare queens or as “ignorant, promiscuous women caught in a self-perpetuating ‘cycle of dependency’”
Emphasis on African Americans tends to render white poor ‘invisible’ in popular culture
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Popular music draws heavily from urban lower class and rural working class Rap Hip-hop
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What does all this lead to?
Blaming the victim Personality failure rather than structural disadvantage
Support for a heavily hierarchical reward system Low self-esteem among ‘lower classes’ Ability of the well-to-do to engage in modern
“Social Darwinism” Don’t have to face their own responsibility for poor
conditions many live under Exultation of self-interest
Mean World (for real)
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Their personal shortcomings lead to a need for care from professionals Problems stem from personal failings (not society,
actions of others) Jerry Springer WWE
Implies that social policy should protect the populace from a dangerous, personally lacking group rather than treating a structural problem
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“By dedicating little broadcast time or print space to stories that openly discuss class privilege, class-based power differences, and inequalities, the poor are either rendered invisible or portrayed in terms of characterological deficiencies and moral failings (e.g., substance abuse, crime, sexual, availability, violence).”
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