Kaip, Dee the Conscious One, UnderCover Crew, Цiна Ритму, Альпачiнськi Панчi, Zombo, Нуар Zulu King Dj BigW, Zulu King Slone, Minister Server Tavares, Represent 8, First Lesson about Hip-Hop

L.I.F.E.T.I.M.E & S.I, Eunike DaBoss, Street Temple, Zulu Queen Ana Rita, SEN ONE6Zulu King Excel, Miranda Writes, Zulu Queen Saphire, Eric Allnat VanNockay

Ice Grill

#26

003 Ice Grill

008 Zulu Queen Ana Rita

013 Zulu King Excel

017 Eunike DaBoss

020 Miranda Writes

024 Zulu Queen Saphire

028 SEN ONE6

033 L.I.F.E.T.I.M.E & S.I

037 Eric Allnat VanNockay

041 Street Temple

Editor:Nelson

Proofreaders:Shooher ShowAhki Dee

Translators:Ahki DeeFederica Lupati

Journalists:NelsonMarianna ChiefShooher ShowMixmastafreak

The cover by Meink Millionshttp://meinkmillions.com

Website:HTTP://SLOVOMAG.COMFacebook Page:https://www.facebook.com/slovomagazineE-mail:slovohiphop@gmail.com

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Ice Grill is an MC, whose music will be a real discovery for you! His new album "Black Chalk" takes us to the time when hip-hop was young, alive and unique! A lot of good albums released these days, impregnated with traditions of an old school. But not all of them manage to pass with the canons of sound and soul of that era! Ice Grill done did it on his album. You can hear that his creativity comes from life. And he has a lot to say on the album, also in this interview.

ICE GRILL

We all know that New York is the birthplace of hip-hop. But what was happening in the 80s and early 90s in the area around New York, including your hometown Rochester?In the 80's I was still a kid but the 90's brought lunch room cyphers battles and some of most influencial albums of my lifetime. Like Wu Tang, Big L, Big Pun, 2Pac to name a few. But in the 90's I became an Emcee I learned how to vent via rhymes my hurt my pain my struggles the whole conundrum of emotions.These life experiences and trials are what shaped me into who I am and What I project on the Mic.

Early 90s is the time, when an atmosphere of "gold standard" hip-hop was formed. What is it that you remember most from those times? How this atmosphere influenced on your first attempts to write rap?I recall solid music from R&B and Hip Hop artists like Nas and AZ painted pictures via song and Rappers Like B.I.G. gave me that I'm not the only one going thru these struggles type a music. The 90's influence me more than any other era I try my best to give people that same nostalgic feeling via my songs. So instead of following these same trends and sounds that everyone else chooses to I stay true to me and what I love about that era of music.

The United States called a melting pot of different nations. I think the same can be said about the rap in the United States in 90s. There were many young MCs, and together they created such a level of quality in rap, that even unknown teams from golden era, who released one single, sound as a high level classic. Do you think high

quality standard has been set there? Was the mass popularity of rap in the 90s a reason for it?Yes I think that there are countless races and beliefs in The U.S. and it's reflected via music we mesh and mix I know People who aren't latin at all that know perfect spanish slang and all this shows that we are products of the melting pot you referenced above. That's what hip hop was and is missing now that it's become a business that reflection via song from poverty to novelty that's a huge transition.They use to rhyme about things that were current for them now they rap about bottle's, cars and being kingpins SMH. The younger Emcees is in the 90's had to give there all plus some thus making classics that much more relevant and that competitive ora of Hip Hop to outdo the next person was prominent. I believe the Golden Era is not the influence of today's music lost it's identity when everybody followed the same recipe less originality if it went platinum then everyone followed that format step by step. But the reason that rap was so huge in that time period was because it was our rock and roll our rhythm and blues the voice of the struggle the neighbor next door that you could easily relate to.

How did life and rap connected for you?My life is my rap I stay true to myself no gimmicks no fluff 90% of my music is real life but that 10% is where I choose to stretch out and have fun. Rap is a way of life for me it dictates me speech my mannerisms my dress and what I know I am and reflect to the world as me I am a 100% bonafide Emcee.

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Street rap is a term that often describes all rap about the hood. But everything can be brought under this definition. What is street rap, in your opinion, and how does it differ from other genres?Street rap is a mirror most glamorize fictitious places cases and events to establish that rap persona. But not everything can be considered street rap there autotune party songs dance concepts that are not normal that make them unique. Street rap is everyday struggles from life's ups and downs though usually from a hustler or shooter's perspective but it can also reflect a young woman's struggles and pitfalls or a feins. Other genres have their niches that are either commercial or easy to sell while street rap is almost a lost art do to how rappers over glorify these false situations and tales.

You have live show with Wu-Tang Clan in the 90's, as well as contacts with the label Death Row Records. Tell us about the situation with the labels of those years, confrontation between east and west coasts and about the groups that immediately became stars.Yes I did a show in 2002 where I was on stage with Raekwon and some other Wu Tang members. He actually sat backstage after I performed and told DJ Green Lantern that he needed to F%$# with me. Let's just say that never materialized but so is life I gained a great experience and got his Phone number so it was a win. And at the end of 2002 I got offered a record deal via Myte Skeem. He shopped my music to a lot of people and they were interested in what they heard from me at that time. But do to a misstep in judgement and keeping it 100 I got caught up the same night I was heading to N.Y. with my Element 5 brothers I ended up catching a gun case.That stopped that deal from going thru because I was fighting in court for my freedom. Needless to

say I lost and got hit with 5 and a half years which felt like an eternity but it sharpened my skills. But labels where very selective during that time frame because they wanted a specific sound from artists I'm just glad that I got the attention of the now defunct Death Row. That era manufactured some great music from artists like Jay Z to Big Pun. The East Coast West Coast thing was crazy it had people breaking tapes and feeling like they really wanted to go to war over rappers words that shows the impact that hip hop had not just local but global.

Why do you think there's whole of underrated artists in the 90-es who haven't reached such popularity as their colleagues? I feel like a lot of emcees never got the proper push from the music machine if they did I feel that music wouldn't be in the state it is now. Those who chose to be different weren't allowed the same avenues as those who were considered hot or marketable.

Tell us how did you came to the Zulu Nation.I was into rapping in any cypher show or stage but I came across a brother by the name a Big Mello who was originally from New York City. He knew everyone I knew from graff artists to DJ's and we clicked he let me know that there was a Zulu Nation chapter in Rochester and the rest is history. We then went to a zulu Anniversary in Harlem at a museum where they had two huge rooms both raw hip hop. There was an Emcee battle Mello kept at Skeem like Ice need to be in that and after them talking I was put in the ring. I ended up tying with a dominican artist who was signed to Kay Slay and from that point forward I was the Emcee and pushed to go to the top.

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There is huge amount of Zulu Nation chapters in New York. Tell us about those, whose representatives you do know personally.There are countless Chapter's Iv met a hand full do to the anniversary I mentioned earlier But to give you exact names would be impossible I mean I met Afrika Bambaataa, his son, Crazy Legs, Kool Herc, Lovebug Starsky, Kidd Capri, The Wonder Twinz and the list goes on.

Is there a Zulu Nation chapter in your hometown? And wthat is the organization activities in small US cities?I am Element 5 which is and was the only chapter In Rochester N.Y. It's no longer active do to the head of the chapter relocating to Florida. But I still remember my lessons and keep each and every jewel it is a way of life to be respected highly.

Tell us more about your releases."Black Chalk" is a project that came into reality do to those fans, fam and supporters asking me to create a darker east coast type a project. I obliged by giving real life situations

and a few lyrical jabs to equate into a hip hop gem. This album formed I and DJ M-80 as BlackChalk we have an undeniable chemistry which you can hear when you take a listen.This is my crown jewel do to the fact that it allowed me to release all my past emotions and experiences via song.It's been reviewed by a lot of Hip Hop critics and the reviews have been outstanding. See for yourself. And this project allowed me the opportunity to get on to Tony Touch Toca Tuesday on Shade 45.

"Blackchalk" album was released this year. This is a very good album, with a juicy New York sound and great lyrics. Tell us about people who worked on it.This was produced mainly by my partner from Black Chalk Dj M-80. 14 out of the 18 songs are produced by him there are 3 other beats from Funeeral Fith and one by INF. As far as emcees I have songs with SkyZoo, Chris Rivers The Son Of The Late Great Big Pun, Golden, R.E.A.L, Young Sleep, OoWop, M-80, J-Lou. Each artist made those songs phenomenal the dynamics we shared is evident via those songs.

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You represent the classic hip-hop sound. How do you think it must develop in future? Whether it's necessary or is it more important to keep the traditions?Yes and no. I represent key points of the classic Hip Hop Sound with my own personal twist of the here and now. It has to grow but in a creative way by not sacrificing for the norm and the what's hot now once it makes that transformation the world will notice and respect the music for what it truly is a voice piece. Yes without traditions there's no positive future for hip hop if they don't know the history how can they create there own?

What producers from your region you can note?The Alchemist, AraabMuzik, 9th Wonder, Ill Mind, Prodegy, Trackmasters, Just Blaze, Dj Premiere, Pete Rock to name a few those producers mentioned are the creme de la creme in my opinion.

The new generation of MCs and beatmakers increasingly chooses contemporary sound. Do you think that will change hip-hop over time, or it's just

one of directions, along with the classic sound that will not go away?No, I like the direction some newer producers are going in but to not acknowledge the beginning and grow in his or her own way would be unacceptable. So yes it will cause a lot of the older sounds of hip hop to fade away but as long as theres a hungry producer somewhere in the world that sample heavy boom bap will never fully die. But each type of music has to grow but we just can't ignore or forget the greats as long as we stay true to our inspirations feelings and tatstes the golden era of hip hop will live forever.

Thank you for this interview and for asking these questions you allowed me to see hip hop from younger eyes a flash back thru time but in the here and now so salute and Peace...

Interviewed by Nelsonhttps://www.facebook.com/nelson.slovo

Thanks to Zulu King Mighty Skeem for organizing interview

http://www.icegrilla.comhttp://www.blackchalkhiphop.com

http://undergroundhiphopblog.com/2015/07/26/album-review-icegrill-blackchalk

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Zulu Queen Ana Rita is a founder of Zulu Nation Portugal. It is one of the most active chapters in the Europe. Zulu Nation Portugal creates projects not only in Hip Hop music, dance or graffiti, but also deals with social issues. Their projects helped many people from pure districts, from prisons and people, who haven't alternative of deviant life. Zulu Nation Portugal is an example of important role of our organization in society.

History of Hip Hop and Zulu Nation in Portugal

I am Zulu Queen. I come from Brazil, where Zulu Nation has been existing for a long time, for about 15 years. The founder of Brazilian UZN chapter is Zulu King Nino Brown. I became a Zulu Nation member in Brazil, but I became Zulu Queen in Portugal. I came from Brazil to Portugal with the objective of creating the Portuguese Zulu Nation chapter.The Hip hop culture in Portugal was more focused on the commercial aspect, and there was a lack of unity within it. One of the most important goals of Zulu Nation is to create a more conscious and profound sense of hip hop. Also our goal is to find people who are interested in a personal, conscious, way, and who want to take part to hip hop projects here. This is the one of things I have been working on since I have arrived to Portugal. Zulu Nation was created in Portugal in 2008.I noticed that in Portugal there were some people who practiced hip hop, and who didn't know about the message, about the conscious of hip hop.We started to invite people to take part here to the Zulu Nation. I started to explain what Zulu Nation was and told about the history of Zulu Nation. Some people reacted positively to this invitation. Zulu Nation Portugal focuses on the new generation. We are trying to do something for the future, and we work in this direction. My projects in Brazil and in Portugal focused on young people in socially difficult situations and young people who came from prisons.There have been three important projects. The First of these was focused on women, because we felt that women were excluded from this culture. This project is called "Hip Hop de Batom" (Hip Hop with lipstick) and it focused on women conditions (violence on women, women citizenship and women rights), involving them and their art.The second important project is called "Hip Hop pela Paz" (Hip Hop for Peace). It involved young people who came from the peripheries. The main idea was to make them cooperate and this to interact with each other. Basically this project worked through workshops, meetings, and it was possible thanks to the support of the Caluste Gulbenkian Foundation, an important organization which focuses on social working, social cooperation. The project used the Foundation's spaces, and we organized concerts, workshops, where people could meet and discuss important themes and situations about their lives. We recorded two CDs from these first two projects. These two projects connected with music and creativity. The third project we are working on is called "Tomando Rumo". It means "Finding a direction". It focused on young people in prison and, through the five elements of hip hop, we want to involve them and

help them through this moment. The project focuses on the idea of the "U-born", this is, the idea of having a new life when coming out of prison. We also want to help them and support them when they come out from prison. This project in process now and the idea is to record a CD too.

The specific of Brazilian and Portuguese Hip Hop

I will talk about every element of Hip Hop and try to see the difference between them in the two countries – Brazil and Portugal – in order to understand how the culture interacts with the society.For example, the graffiti element in Brazil is used mainly by the your people coming from the communities, who are socially marginalized and not wealthy. In Portugal the graffiti element is for rich people, so it is more for an elite. It's not only for rich, but it is mainly used by people who come from wealthy families. This is one difference between Brazil and Portugal.

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The rap element is more similar between the two areas, Brazil and Portugal. The message is very similar, the goals are similar, the rapper come from peripheries and suburban districts, the majority is afrodescendent. And development of the element in the two areas is also similar.The djing has some similarities between Brazil and Portugal. We can say that the world of djs is made by mixed components. Some people come from commercial are, some from a more popular one in both places (Brazil and Portugal).The dance element has strong differences, probably because of the different social realities. In Portugal dancers focus on battles, competitions and like to make money out of it. In Brazil dance represents an important alternative for young people. Dancers are involved in social actions, and are concerned about the young generations coming from the world of drug dealing. They are conscious about this and work in order to create a safe alternative to this life. There is much stronger social involvement in Brazil than in Portugal.In Portugal there is old school crew called Doze Macacos (Twelve Monkeys). It was founded by Zé Carlos. He is a community leader. Actually they are not part of Zulu Nation, but they actually have the "Zulu vein". They have the attitude and the goals of Zulu. They have been forming young people from the new generation on the four elements of hip hop. They are focused on social working and evolving young people in activities through Hip Hop. He is one of the important active people from old school scene in Portugal.

Females in Brazil and Portugal Hip Hop

The reason why probably Hip Hop is apparently a more masculine movement is because it was founded by men. Men founded the initial movement, and this could be the reason of the lack of visibility for women in it.In Brazil actually the situation is different: it has been almost fifteen years that women took action, and started using Hip Hop as a way to fight for their rights. At one point in Brazil a new law came out called "Maria da Penha", against violence on women, and that was one of the most important moments for women who had started using hip hop for their rights. And they r really started having an active attitude. The also started passing the message to the new generations, and the new generation started understanding Hip Hop and being more interested on the hip hop movement, because people from their families were dancing or singing or organizing party events. In Brazil the female component has always been more active and women have taken action and use hip hop to express their voice.In Portugal the situation is different. If we start observing Portugal from 2008, when I arrived here, we notice that the female element is not so active on the public way. But from 2010 the female element in Hip Hop became stronger and stronger. The female Hip Hop has been growing and building itself in a stronger way.

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Women are the stronger in rap, as well as in graffiti, even if not that much. In the dance element there are many women, but they are more focused on the commercial side. And this makes them they lose the truth, and the sense why hip hop exists and why it is important.All elements in Portugal are disunited. In Brazil all elements cooperate with each other. In Portugal it is very different, and there is still a sense of division. In our project we have a DJ, DJ Gato, who was part a project "Hip Hop de Batom" in Portugal. She was the first woman in Portugal, who participated in the DJ's contest DMC World Champ.The first female rapper in Portugal was Capicua, who is from Porto. She is very famous now. In this area rap is a very strong element. In the Lisbon area we have MC Gata, she is very active and a very strong leader here, from 2009. Now she went to London and is part of the Zulu Nation there. Another female MC is Lady N. She is also very active and very strong here.Another strong artist is G Fema. She sings in creole, from Capo Verde. Many rappers in Portugal use creole in their songs.

The results of Zulu Nation Portugal projects

I am very happy of results of the Zulu Nation in its social interventions. What happens is that young people from poor districts start seeing the future for them. And people from prisons are too. For me it's very important to have a feedback from everybody who is involved in our projects, after prison. We have had really amazing achievements, like the fact that many young people who came out prison went

to university. They actually started thinking about themselves and about the future. Our intervention created alternative possibilities for people and new life options.

The actual social problems in Portugal

Actually compared to the time when I arrived to Portugal, a lot of people say that the situation is much better today. 25 years ago in Portugal there were disputes between gangs and drug dealing and the situation was very dangerous and problematic. But in the past ten years the situation has become better.One of the biggest problems in Portugal regards young people who come from African families who live in Portugal. They were born here, but they don't have a Portuguese nationality, nor an African one. If they happen to go to prison, they are automatically deported. The problem is that they don't have a Portuguese citizenship and neither they have the citizenship of their countries in Africa. They can't go back to Africa and they are illegal in Portugal. They also have many other problems as illegal citizens.

Ana Rita about her Hip Hop way

My hip hop experience started as an art producer. I started working with young people from the streets and the favelas. My first project was focused on them. Many young people in Brazil work as drug dealers. They live on the streets in the favelas. A lot of them were in prison. And I stared the project trying to help them finding themselves, finding their families and entering the professional world.

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That project was very successful. As a result of the project, young people found themselves in the hip hop culture. That's the reason why it started involving more and more people. King Nino Brown noticed this work and the Zulu Nation starting supporting it. And I go closer to the hip hop more and more. I have been working with young people and working with hip hop and King Nino Brown offered me to take part of Zulu Nation.

The reasons of crisis in some Zulu Nation chapters

I connect with different representatives of Zulu Nation around Europe. And one of the reason why problems is that they didn't help for real intervention. They did demonstrations, the djing, rapping, dancing. That isn't really work with consciousness, with information and real active intervention. Many representatives of Zulu Nation started looking in Brazil the examples of work as Zulu. This is example of really good results and achievements. Even Afrika Bambaataa called Zulu Nation Brazil most important example of good results in intervention. And many Amazulu looking on Brazil started building more conscious projects. And when we start talk about chapters we can exchange information and take other people experience and other examples and learn each other. Brazil social realities are very complex and it is reason of a lot of needs. People really need something and it's reason why it's cultural population is strong.They need in the interventional differences in some

countries. Zulu Nation work must include different spaces and intervention must beginning from social reality and problematic and find own way. And people must exchange ideas and interact. Concluding, I see that people in many countries have interest in creating of competitions, battles and events and focused on commercial side of Hip Hop. In other countries as Portugal and Brazil all five elements are really important and help to intervention more people and the results are invisible. And Hip Hop culture in Brazil and Portugal represent real alternative and future for some people. And they see it before Zulu Nation existed. It is philosophical view on Hip Hop. For Zulu Nation are important consciousness, unity, citizenship and peace. If you don't have this global view you must understand that be in Hip Hop isn't only be from pure district. You can be rich, but if you have a project and understand sense of unity, consciousness, you can represent Hip Hop.The Universal Zulu Nation should be observing and cooperate more projects, because exactly some projects apply in other places. Zulu from France should have project in Brazil and Zulu Nation Brazil should have project in France. They should have more cooperation and communication. High level of cooperation will give many results.

Translated by Federica Lupati (PhD student in Portuguese Studies in the Nova University of Lisbon)

https://www.facebook.com/ken.sidio

https://www.facebook.com/ZuluPortugalhttps://www.facebook.com/groups/1402490233327389https://www.youtube.com/watch?v=DNii0cQEHaU

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Zulu King Excel is a legend in the international hip-hop community. Many years of his active work on development of Universal Zulu Nation in Australia has brought a lot of results that gained recognition from Universal Zulu Nation, including the founder – Afrika Bambaataa. Zulu King Excel told us about hip-hop development and Zulu Nation in Australia.

Peace King! Tell us about yourself, about your acquaintance with the Universal Zulu Nation and how did you came into organization.Peace and Blissings! I am known by many as a Father and a Student, I am a proud and dedicated member of the Universal Zulu Nation, my name is Excel (given that name because all throughout my life when I dedicate myself to anything I give it my all to go better than I would normal go hence to Excel). In the great organization I have worked hard helping and reaching out to all those seeking to better themselves and to do my general part contributing to the growth of our community through culture. For decades I have devoted my life to helping those few in building the culture to see it flourish and develop into a great means for all walks of life to enjoy and feel a part of something great. My peers/mentors noted this and in the year of 2005 I was awarded the Universal Zulu Nation /kingship award in recognition to my years of selfless giving to help develop and growth of the culture in Australia. In the UZN my title is Minister King Excel, C.E.O./President of the ZULU61 Australia Chapter/Branch of UZN Worldwide and also hold rank as the South Pacific Regional Zulu Director. My first encounter with the UZN was in July of 1992 in New York City whilst I was attending a music conference named the New Music Seminar aka NMS. It was at this seminar I was privileged to meet my mentor and peer the Amun Ra of Hip Hop Culture, Lord Afrika Bambaataa who proceeded to hand me the Universal Zulu Nation member Application, it was at this time I became interested and always wanted to be a part of.

Tell us about the development of Universal Zulu Nation in Australia. Who and when started Australian Chapter?ZULU61 Chapter first became official in the year of 2005, it was formed with the assistance of Afrika Bambaataa and the original first founding members of ZULU61 was Akhi Fairooz and Akhi Lamaroc and Akhi Jumps1-(Cat Empire).

Zulu61 is the Chapter branch name known by however our Chapter has an original name blessed upon and permission from the elders the custodians of our country, our Chapter original name is called Djindi Worabak which is indigenous meaning to "Join, Unite" Australia consists of only 1 chapter with members living in every state of this country and some honorary members living globally.

Who came up with the logo for UZN Chapter Australia? Tell us about the meaning of its structural elements.The original logo was first designed by myself and then we changed it in 2007, I sat down with Zulu members Akhi Peril and Akhi Paris and we brainstormed for a universal logo the would be something of a professional logo that would be universal for all media and formatting, we liked the idea of how the NYC Breakers logo stood the test of time and well remembered, so the 3 of us went that direction and having an indigenous background I feel it correct to incorporate the signifying colors of the original custodians of Australia's lands the Indigenous Elders and all the peoples of the land as a mark of respect and honor.

Where is the center of Hip Hop in Australia?In Australia there is no real center for Hip Hop if that is what your question means, no one place, Hip Hop the Culture spans across the entire country, it does not discriminate, it reaches all walks of life here, if your questions pertains to the origins it could be debated greatly however to generalize it without getting into some huge debate, in Australia the generalized theory is that Hip Hop's earliest beginnings we founded in Melbourne and Sydney, Melbourne being known more for the East Coast (NYC) flavor and Sydney known for a more West Coast (L.A.) flavor.

Which element of Hip Hop in Australia spread the most? And why?In the early days of the Culture in Australia it began with the Aerosol Art and the Dance along came the DJ and then the Emcee, us as kid's back in the early 80's never had the internet and most didn't have much so when the culture came to our part of this Planet Rock we embraced it and we all got involved in many of the elements that make up Hip Hop Culture. Over the decades the Culture has begun to segregate and divide with only a handful of events and organizations doing their best to keep the elements as one still just like the Universal Zulu Nation. Today in Australia the elements are all there still they just are not unified under the one banner of Hip Hop Culture.

Is there some qualities you should have in order to be accepted in ZULU61?The qualities we look for when recruiting is one of good nature a tendency to live selfless to be giving and reaching outward towards others and one who is confident in helping build as a family in our community. One who is willing to learn and teach and be there for his brother or sister in need. One who shares the original vision of Afrika Bambaataa to bring Peace and greatness to uplifting the communities of this Planet.

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Do you know people who came in UZN not through Hip Hop culture?Most of our members have come to us from a Hip hop cultured background, we are always seeking to reach those outside of the culture and continue to do so, however most of the time many people approach us stemming from Hip Hop events or generally through connections and their own research on who is Universal Zulu Nation.

Do you consider Zulu Nation as the next step in understanding of Hip Hop culture after its art forms? Knowledge is the key to all. Universal Zulu Nation may be the founding family of Hip Hop Culture, but it is more than just Hip Hop, it is knowledge and helping develop yourself to be a better person in your community its common sense really. The next step is reaching the kids, its no use trying to reach those adults, you see the kids in schools are still learning their brains are like a sponge absorbing up all the knowledge willing to listen and take it in, this is where we need to be giving our attention to our youth to reach them to become more and be great leaders of tomorrow, that is where UZN is going forth now, if it means we utilize our tool "Hip Hop culture" to reach then so be it.

For UZN members important to have certain personality traits and personal qualities or to submit elements (art forms) of Hip Hop?Members in UZN do not have to be skilled in any particular Hip Hop element, we look for all walks of life, we believe every person has something to offer in their own way that can enrich many of us, we are all born different and we do not pass judgment on anyone that reaches out to us. In the words of Zulu King Mark Luv, Zulu is for everybody, but not everybody may be for Zulu.

In Australia, ordinary people treat Hip Hop as an entertainment or as a serious culture?Generalizing once again most people these days tend to see Hip Hop more as an entertainment thing rather than an important development tool a culture itself. Those embedded into our culture see it for what it truly is and that is a great community of like-minded people keeping it alive and thriving.

How ordinary people respond to UZN philosophy?Most general people who I come across and discuss what it is being a Zulu and our organization a generally interested and kind of surprised to know that we are more than just a music hip hop entertainment thing in their view, we are more they then see this after I explain and they only then feel this is a positive thing, it has assisted us in opening many doors over the years that would normally not open for us. I feel information and more knowledge of what Universal Zulu Nation does globally is needed to reach out to these general populous and businesses in the now and the future.

How do the older generation of Australians perceive Hip Hop?Which generation are you referring to, I'm older generation

and I live Hip hop, I am Hip Hop, older than my generation don't say too much, I think my peers the older generation are more concerned for the kids of today as times have changed yet again and there seems to be somewhat a lacking of respect and manners in many I do say many NOT ALL but many that need an attitude adjustment, social media and the changing times are teaching and twisting our kids to live a fast life where there is no longer any longevity in the culture and no respect, they only interested in looking like a rock star what's hot today is gone tomorrow so forth, it's a shame and that's the generation we as Zulu are trying to slowly work through and build with to bring back some sensibility to their minds.

You are personally familiar with KRS-One. Tell us how did he became a member of ZULU61?KRS One is an Honorary Member of ZULU61 Chapter. It was discussed at a meeting I held here with a couple of my chapter family including our ZULU61 Council and it was agreed in Honor for his great work and history we wanted to award him a great honor of respect and I thought it would be a great thing to reach out to the Teacher and award him honorary membership to the ZULU61, which he was very humbled and excited and emotional and respectful. He is a great man and father and husband and a great humanitarian whom we greatly respect.

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How do you feel about the philosophy of Temple of Hip Hop?To be quiet honest I cannot comment too much however its like anything, a real discipline that you commit yourself to for life forever developing yourself to be all you can be and help your family your brother your sister to be all they can be.

Is it possible to make a living within Hip Hop in Australia?It would be nice and I have a dream, seriously though for some there is opportunity but as a general whole hip hop community making a living from it I cannot see in the for seeable future that coming to fruition in this country.

There is a certification commission, which checks and censors media products in your country Does it have any impact on Hip Hop?Only in the general definition i.e. media on packaging of products, etc. Generally all Hip Hop is not censored here.

What do you do besides Universal Zulu Nation? What is your education and occupation?My work is Hip Hop culture, my day JOB is a health & safety officer and I'm also a Sound Engineer/Producer/DJ as professional qualifications go.

What are the the main ways to spread Hip Hop and Zulu knowledge in your country?

We feel it is important to make a better understanding to the greater community that we Universal Zulu Nation is there for everyone and that by us reaching out sharing the wealth of knowledge through events and workshops reaching our youth, we can give the greater community a better overstanding of who we really are and not just some entertainment organization putting on shows etc. We are a serious and worthy entity that has been around for decades worldwide and have helped save many lives during that time and Knowledge being our first element that binds all of the elements together is our key factor that makes UZN who we are today.

Why do you think, people leave Hip Hop when they grow up?In Australia I feel generally people grow up and get married and have children, real world issues come into play such as buying a house and kids schooling etc life becomes expensive so you are forced to get work for a living to survive the pressure mount and slowly that life of no responsibility and just living Hip Hop becomes more and more distant before you know you meet new friends with your spouse and life moves on. I am very fortunate to have a wonderful loving and most importantly Supportive wife of my commitment to UZN and Hip Hop Culture for a good 51% of my natural living life.

Interviewed by Shooher Showhttps://www.facebook.com/shooher.show.7

http://www.zulu61.com

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Eunike DaBoss is a female MC and producer from New York City. You will remember her style from the very first track you've listened. It's that good quality Hip Hop music, which combined classical traditions with contemporary sound stuff.

What was your start in Hip Hop culture like? When I was a very little girl my aunt worked in a record shop and it was her job to play all the latest and hottest songs. It was then that became exposed to Hip Hop and as I watched its evolution from the pioneers like Afrika Bambaataa, Roxanne Shante and UTFO to the making of the greats like Rakim, Queen Latifah and Doug E. Fresh. To name a few I fell in love with hip hop then and have been rocking with it ever since.

You started to listen to rap from old school MCs. But nowadays rap is different. How did your preferences in rap music changed?I can't say that I have a real preference. I like the quality of old school hip hop, but I also love the creativity of the new stuff.

Which contemporary Hip Hop artists do you like?LOL, none! No seriously I appreciate good music so it doesn't matter if it's Jay-Z, Drake or Macklemore, Beyonce or Nicki for that matter, if it falls into the category of what I think good music should sound like then I like it and them, and am supportive of that particular movement.

What music do you listen except Hip Hop?I like all kinds of music. I would consider myself to be lyrically inclined, so any type of music that speaks to me, for me or I can relate, I find I am easily connected to.

Contemporary Hip Hop has lots of violence promotion. What do you think about it and what are the reasons of this phenomenon?I don't think promoting violence is good at all whether in hip hop or not. However, I do understand how it has found its way into a popularity amongst the culture. Hip Hop has a forum with allows for expressions of emotion and anger is in fact an emotion. Unfortunately most anger is expressed by violence and therefore we find it within Hip Hop.

Hip Hop is not only music, but also a way to speak about the social problems. One of the pressing problems of our time is a war. What are your thoughts?Wars at times, can be a necessary evil. But it does have its downside because war usually accompanied with violence and killing and innocent lives shed and food shortages etc. So while I can understand it.

What role does Universal Zulu Nation play in contemporary Hip Hop?

I think that Universal Zulu Nation has been key in the survival of Hip Hop. They have, in my opinion kept the movement going and on a worldwide scale. Tell us about your visions on the future of Hip Hop.I think that it's time for a full circle before take off again cycle, LOL! Does that make sense? I see it coming back around to variety – as far as more mainstream female artist are concerned and I see it broadening out in a diverse way, to include other ethnic interpretations of the movement. And ultimately I'd hope to be a part of its advancement into a combination of what's will generate from the combining of those two factors with my contribution being the emphasis on the voice it has as the capability to positively influence and motivate others.

Where do you dig the inspiration and ideas for your music?I am generally inspired by life and its situations. I sometimes draw inspirations from others and their creativity or problems. Especially if I feel a certain way on the matter or it's a relatable topic. I find that when those situations are current it is often easier to translate my thoughts into Hip Hop.

Do you practice any elements of Hip Hop except mcing?Yes, I write lyrics, produce and MC.

Tell us about your cooperation with beatmakers and about your approach to the creation of the lyrics?I get beats from all angles producers send me beats. My label provide beats sometimes my friends share their beats. And I sometimes make my own beats. And as far as writing I prefer to build a song around a beat but there are time when I am just creating a whole song, beats hook and all and then it's off to the lab...

In the 80s was common stereotype that rap can be written only in English. What do you think about rap in different languages? English is not the only language I am familiar with. I have been to other countries and find it always helpful too, especially when I am able to speak to a native in their own tongue so to be able to create Hip Hop and expressions of it in native languages to me, is dope!

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In rap tracks many emcees talk about cash. In one side it's indivisible part of our life, but in other side many people reproach commercial rap for excessive materialism. Do you think it's a problem? And how it must be decided in rap lyrics?I think that too much of anything is no good for anyone. I do believe that there are people who live the excessive life-style and people who want to live it and so they rap about it. I believe it's important for people to understand through my voice in hip hop that there is a lot more to life and the world around us than just spending money or only rapping about it.

In USA many teenagers write rap hoping to become famous. How many of them continue rapping when they grow up and understand that it won't bring any fame or money? Is there a problem that in adult

age this people leave Hip Hop?Most teenagers start rapping with the goal of "making it big". But they are teenagers. They are still in school (maybe). But what happens when it's time to grow up? When it's time to get a job? And there are so many rappers these days, making it is like making the Olympics it takes time and dedication, skill, hard work and alignment with more experienced people. When these things are not present it can be very difficult with Hip Hop and therefore discouraging.

What is your life philosophy?Life is a gift cherish it, value it and live it for you.

Interviewed by Mixmastafreakhttps://www.facebook.com/mixmasterfreak

https://www.facebook.com/EunikeDaBosshttps://www.facebook.com/MsEunike

https://www.reverbnation.com/eunikedabosshttps://www.youtube.com/channel/UCEycc2fJ6952CXsO22EYTTA

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Miranda Writes is young MC from New York. Her story shows how a person can develop harmoniously within hip-hop, creating her music is not for the sake of imitation fashion, but to talk about essential things and to contribute to the development of culture.

Peace Miranda! Tell us about yourself and your hip hop?Well, I've always been a huge Hip Hop head with a great appreciation of the culture and a strong believer in the freedom of expression. Hip Hop has this organic crazy way of hitting the soul. My parents had a great influence on me being that I grew up in a household constantly blasting classic "old school" Hip Hop. I've always loved the art of poetry… Words are so powerful which is why Hip Hop will forever speak volumes! Towards the end of high school after writing for a while, and keeping my work on paper only I decided to kick one of my pieces over a beat. After that... It was history!�Please tell us, about rap and your job?Hip Hop definitely isn't a hobby for me, I love what I do and I would love to do this for the rest of my life. I balance work, music and school however the goal is to focus on music solely. I feel like everyone is born with a gift and purpose and I KNOW this is my purpose it's just a consistent grind to get there.

Do you agree that if people lost positive in Hip Hop, they destroy Hip Hop?Absolutely. Hip Hop has always been a positive and expressive outlet for people in the struggle and forum of freedom and truth. If people don't embrace the core of Hip Hop, then you're not really Hip Hop! You can't go against the core and say you're down with the movement.

Today many young people do Hip Hop, but of

course, not all of them would make for a living within Hip Hop. They need a job. How do you think, what qualities help people save Hip Hop during the life and don't lost it in everyday routine?I think it's important for young people to have their vision before focusing on how they can live off of something. For instance, Hip Hop is a culture a lot of people rhyme and partake in the elements but to some it's more of a hobby and love and that's ok. Not everyone is going to make a living doing this because the entertainment business is not for everyone. However I think Hip Hop as a genre is powerful because a lot of Hip Hop heads have the "hustle" mentality and put in work to get the results they're looking for.

You are an official representative of the Universal Zulu Nation. Tell us about your history in this organization.I got into Zulu because Zulu Nation is the core and grassroots of Hip Hop. I'm part of 5:1 Scandinavia. How can you "be" Hip Hop and not know Zulu? I feel like Knowledge is by far the most important element of Hip Hop and that's exactly why I joined the nation. I wanted to learn more about this culture I was a part of, I wanted to build with others who are like minded, and I wanted to do everything the right way. When I say that I mean I wanted to go about being great by knowing the greats, learning from them so I can teach others. It's all about passing the torch. I've been part of the nation about 3 years now. I actually joined the nation with my family which I think is pretty dope. Hip Hop touches everyone.

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Do you divide Hip-Hop and Universal Zulu Nation, or maybe it's the same thing for you? I don't really look at it as division but it's more of a respect thing. Not every Hip Hop head is a member of the Zulu Nation but often times that's because people don't have the full knowledge on it. I also know a lot of Hip Hop heads who aren't legit members but have mad love and respect for the nation. I guess to each its own, but the beautiful thing is anyone can love Hip Hop and anyone who is willing to learn can join the nation. They are both global and spiritually connected in a way.

What future of Zulu Nation do you see? Is there some changes needed in organization at your opinion?I think Zulu Nation will continue to rise and stand it's ground being that it's the foundation and preservation of the Hip Hop culture. The Nation stands for so much, it's just up to us to read into it. I think the only changes necessary should come from our Zulu brothers and sisters themselves. I think we must continue to pass the torch and teach people about the nation and get them involved. Everyone should be Zulu. Peace, Unity, Love, & Having fun. Who can argue with that?

Your songs sound great. Tell us about your music? I write all of my lyrics and I'm always the brain behind all of my projects. I take pride in creativity. I also take

pride in writing all of my music because unfortunately that's not as common today. I work with a few producers who are amazing as well.

Where do you get your inspiration from? Who has the most influence on your work? I get my inspiration from life. I feel like I'm a sponge I receive and have an open mind to everything. Daily activities, encounters, music, experiences is what inspires me. That's the beautiful thing about life, every day is an experience it's all about how you take it in. I love a lot of different artists but I wouldn't say there's only one who influences me. The list could go on and on when it comes to the artists I like and why.

What kind of music do you like? I'm a big fan of Hip Hop of course, Alternative, House, R&B even Rock. I have a deep appreciation for all genres. Great music comes from everywhere.

Today Hip Hop collaborates with many different music styles. Which experiments do you like most?I love when different styles collaborate, I think that's what music is all about. It's really cool to see different people, different vibes, different talents blend as one and put out the ultimate product... Now that's art, that's music!

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Do you think those experiments will be a menace to traditional Hip Hop? Or will it be the same love from new generation of fans?I don't think the music styles is what's destructive to Hip Hop, it's what's being said and the lack of respect for Hip Hop. I don't think it's destructive when different kind of artists collaborate I think it's destructive when there's no real feelings involved in the project itself. The new wave of Hip Hop is definitely different because the standards of music have changed. People are easily influenced and are quick to accept something when it's popular. On the other hand, there are a LOT of dope emcees out there doing their thing we just don't know about them. It's all about balance and respect for the art.

What do you think about people who say that if your video has not gained 1 million views, it is unworthy? I think people who aren't in the industry don't really understand the "behind the music" scenes that people don't talk about as much. Of course it's dope to have a million views on a video but once you get to that point you have a machine behind you. It doesn't start that way. Every piece of this game is a growing process and unless you're in the game it's hard to understand it. I learn something new every day and it will never stop. Unfortunately it's not only about the music, the business side of this game is huge.

Tell us about your plans for the future. Are you ready to release a music album? I definitely would like to release an album soon but right now I'm just focusing on making good music as it comes, building my brand, and bringing something different to this game. I'm trying to transform energy and connect with as many people as possible. I do have available several free downloads on Soundcloud and a mixtape titled "Beauty Brains & Barz" on datpiff, which is a tribute of dope music from the five boroughs you are sure to appreciate.

Thank you for taking time to answer the questions. What would you like to add in conclusion?In conclusion, I'd like to just give a piece of wisdom and love. Life is too short to not chase your dreams and live out your potential. We hear that all the time but it's true. Passion is the foundation to every great empire, so I'll leave you with this question. What is your passion? Pursue it, there's only one limit and that's you. Live your life in the greatest way possible and that all starts with your heart. Mind, Body, Spirit… Let the soul speak. One love!

Interviewed by Shooher Showhttps://www.facebook.com/shooher.show.7

http://www.mswrites.com http://www.datpiff.com/Miranda-Writes-Beauty-Brains-Barz-mixtape.650900.html

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Zulu Queen Saphire is chief librarian of Universal Zulu Nation. Thanks to her we now have several books of lessons Zulu Nation, written by members of the organization, starting with the 70s.In addition to the preparation of new books, Malika Saphire teaches and works in a number of social programs aimed at combating drug addiction, HIV infection and other problems of contemporary society.

Tell us about yourself. How did you get into UZN?I joined the Zulu Nation When I was 16, a friend that was a Zulu member at the time brought me to my first Universal. I arrived at my first Universal Meeting in Bronx River, the year was 1995. As I stood in the main circle of Bronx River I just felt at home, like I was finally with likeminded people.

You are the founder of the library of the UZN and co-author of several books, stored in it. Tell us how was born the idea came to create this library. What books for you have the greatest value? The author of some books you are?The UZN Lesson Library, started with Zulu King Mark Luv and Myself, coming together on the concept that we were tired of having the lessons scattered around. He had started with the green book and I had started making pamphlets of the lessons. We merged together and stuck with the colors of this great Nation (Red, Black and Green). We named it "The Library" and the rest is history. The Books Greatest Value is they cause Unity! Everyone has the same lessons and the same books, the same message. So, if you ask me they all have equal value! I would like to take a moment to correct this here; I am not the actual author of the lessons within the books. We have taken the lessons that other Zulus or other

authors of value, and compiled it into a collection of books so members wouldn't have to chase or search for lessons. So in essence I am a compiler and archiver of all existing lessons past and present.

The library has many books. Tell us about some of them. Can we buy these books freely in shop?There are a total right now of 14 lesson books right now."The Green Book" is for all people, members of UZN or not."The Black Book" is the original archived lessons from the 1970's (Members Only)"The Red Book" is the leadership book meant only for King or queen or higher."The Gold Book Vol. 1" is infinity plus one lessons. These lessons touch on a wide array of topics. And so does "The Gold Book Vol. 2" the 5:1 charter gave a lot of lessons for these books. "The Brown Book Vol. 1-3". These three brown books are Moorish lessons for anyone interested in sovereignty and for the Zulu Kemetic Moors."Book for the Minds Vol. 1" are nuwabian lessons from Dr York."Book of Health Vol. 1". This one speaks for itself. "Book of Law Vol. 1". This one is American laws that we should be aware of and I hope that I can get other members to add in laws from their countries."Scottish Infinity Lessons Vol. 1-3". These three lessons books were submitted by the Scottish members of the 5:1 charter.The majority of the books are for members only, and at the moment there is no shop to buy them. That is currently something I'm working on.

What do you do as a librarian of Zulu Nation? Does your work in a constant search for new and interesting books?Being the librarian for the Universal Zulu Nation is a big job, as the head librarian I research the validity of lessons old and new. I have a team of two researchers at the moment that help me with this task. We are all avid readers or writers, so we are always looking for new books for our books for the mind list. We also ask members in put about books that they are reading and why they think it's a good book. Afrika Bambaataa also does a lot of research himself and is usually the main contributor of lessons, but in other instances we have entire books for different countries like Scotland 5:1 (a branch of the 5:1 Chapter), the 5:1 Scandinavia chapter ran by Zulu King Life 9 was also a main contributor for our first gold book. Then we have some individuals that upon request they have freely given us written works of theirs like indie Hip Hop Artist/Activist Immortal Technique.

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Another one of my many jobs, I think the hardest one, is getting the lessons translated. Which we have had some great contributors too as well. There are so many now it has become hard to name them all but I am whole heartedly grateful for everyone of the members who took time out of their lives to translate a book for "The Library".

Has your outlook changed, thanks to the work in the library of Zulu Nation?Since I was sixteen years old Afrika Bambaataa has always said to us, "Research everything that's anything", so since a young age I have had this mind frame to not believe everything you read. Get deep into critical reading, find out the sources, read that information and come to a conclusion yourself. To me I have had the advantage of not being to set in my ways when I joined, so really when I think about it my work is a result of that thinking, all that has happened now is I see more and more my own conclusions coming to life.

Tell us about the educational projects, which are conducted by Zulu Nation with your own library?The Library focuses on more than just education but to answer your question directly first. I have a small class of GED Students I am personally teaching. Other projects we are currently working on is providing Emergency Supplies to at risk elderly and a multi-services facility, for drug rehabilitation and HIV/AIDS counseling (and various things of that nature that plague our city streets).

How UZN generally provides educational activities? What are the objectives in this activity? What it looks like in practice?The Universal Zulu Nation Charters usually study and practice their lessons together. Everybody learns differently so we have chosen not to put the constraints of a curriculum. Instead Charters give input on what works for them and if another charter has questions on how to teach I advise on some of the ways other charters choose to learn. These meetings can range from google or skype group meetings, chat rooms, conference calls and face to face meetings. The activities of these meetings range just as much from having members write essays on a chosen rule or lesson, to having them read everything individually and having group discussions. Anyway taken though I have had standard test made by Sen One6, members must pass these tests to proceed to the next color book or next level.

Are there branches of library in different cities and countries?The Library is more like a department I suppose, with a small staff for the moment. I'm always looking for new people to add to the Library staff. We need writers, researchers and people that know how to work the proper programs. Anyone in UZN is more than welcome to contact me to apply.

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Are you the assistant Africa Bambaata & Amad Henderson? What is your joint activity?Now to me this is a fairly difficult question but I will try my best to answer.Yes, I am an assistant to both Amad Henderson and Afrika Bambaataa. I'm also the Supreme World Council Secretary and I work in administrative staff. I try my best to facilitate what they need done. As to individual projects they are too plentiful to start naming here.

As in UZN and hip-hop for you relate to the work and lifestyle? Tell us about your attitude to the hip-hop culture, and your understanding of it.When I listen to Afrika Bambaataa talk about the early days of Hip Hop, I hear him talk about sampling many different kinds of music from Classical to Punk Rock. So for me Hip Hop is in every musical form, you just have to have the mind to look for it. Hip Hop is within your soul!

Your workplace is located at the headquarters in UZN Keskeskek (Bronx)? The library is located in the same place?Yes, my work place is within UZN Headquarters. Yes,

the library resides within headquarters as well.

How does your family think about your work? You're the only representative UZN in your family?My immediate family is very proud of my impact on the world. My extended family I get a wide range of reactions it depends on how awake they are really. Some are still sheeple and won't grasp what I'm doing here and so they choose not to acknowledge my works, others are wide awake and love what I do.My two children grew up within Zulu Nation so I consider them representation.

What are your plans for the development of library UZN now stand in the first place?One of my goals is to get all of the lessons translated, put them together and bury them in a time capsule to preserve the Hip Hop culture thousands of years into the future. The culture that stands the test of time is the culture that strives and survives!

Interviewed by Shooher Show and Nelsonhttps://www.facebook.com/shooher.show.7

https://www.facebook.com/nelson.slovo

https://www.facebook.com/saphire.zuluhttp://www.zulunation.com/books-for-the-mind

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SEN ONE6 is representative of Universal Zulu Nation, and creator of the magnificent TV show "Visual Caffeine". Every hiphopper will like of video clips collections, interviews and reports from the parties, which SEN ONE6 broadcasts in their show.

Tell us about yourself.Peace and bliss. My name is Pedro "SEN ONE6" Soler. Producer, Director, Editor and I do the graphics for my TV show "Visual Caffeine". I live in Brooklyn, NY.

How long have you been in the Zulu Nation? Tell us about your activity in UZN.I've been a card carrying member since 2009. Mainly I've done logos and flyers for the UZN. Including 6 UZN Anniversary flyers as well as 50-60 event flyers for UZN events.

Zulu Queen Saphire told that you developed a test for the young members UZN. Tell us about it.The test I developed is for the "Green Book". I did this to make sure that, when asked, members are able to speak on Zulu history and philosophy. The test I wrote is intended not just to show that you can memorize certain things. It's designed to see if you live what you study. How do you bring this info into your everyday life?The worst thing is when you are asked about something you claim to represent, and don't know the answer!

You make video show "Visual Caffeine". Tell us about its history."Visual Caffeine" was put into motion after speaking with Lord Yoda X. We were discussing how corporate media represents Hip Hop. He advised me that instead of complaining, we can create own media!With his advice I went to Brooklyn Free Speech TV (Brooklyn public access TV) and started the TV show. The great thing about Public Access TV is that your media is considered your intellectual property. It really is a great outlet to get the message out.No program directors to tell you what content to release!

Now, 5 years later, "Visual Caffeine" is hosted by John Robinson and DJ 2Fast, and we have included live acts as well!

Already you published 50 issues. And they are very diverse. Some of them are the mixtapes of video clips, others issues include interviews with hiphoppers. How you choice the themes and format of "Visual Caffeine" issues?There really is no process – just whatever comes to mind.

There are some types of graphics and cartoon characters in your show. Who creates the visual part of the show?I do.

Everybody who loves and remembers the classic hip-hop, love the issues of "Visual Caffeine", which include video clips of famous MCs from 1980-90s years. How these videos are perceived by young people who have not seen these clips before?My goal is not only to reach the youth. There are many adults who are exposed to Hip Hop culture through "Visual Caffeine". So far I have gotten good responses. Once the youth are actually exposed to the Culture of Hip Hop – they enjoy it.

"Visual Caffeine" issues also include live videos of Zulu Nation parties. How popular these parties among young people? Do they help to young people changing their understanding Hip Hop culture?Young people love these parties. They not only help with understanding Hip Hop. It ensures that the culture is passed on correctly.

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Zulu Nation is a great organization that unites people around the world. But how many of us, UZN members, in comparison with those people who simply listens popular rap?Simple – Peace, Unity, Love, Work and Havin' fun! Hip Hop is an intelligent movement (hip-to know Hop-movement)Pop-Hop as I like to call it is there to make money for people not from the culture of Hip Hop.

Changes in hip-hop is good and is search of innovations. But it is bad when we forget about the principles of culture. Do you think the use of the art form of Hip Hop in the entertainment industry has brought more benefits by allowing young people to see a benchmark for their own development? Or is it caused more harm, because it replaced the principles of hip-hop culture on the showbiz stereotypes?In many ways it has caused harm. When the early Zulu park jams were rockin, speeches by Malcolm X or Martin Luther King were played over music to educate the people. Now they play quotes from the movie "Scarface" (a movie that had Al Pacino playing a Cuban with the most stereotypical accent ever) – just one example. It all can't be blamed on the "industry" - many people that were shown true Hip Hop culture, never shared this knowledge.

How we must fight against it, except own example?By being the example. EACH ONE TEACH ONE. Support those artists who are representing the culture of Hip Hop. Create your own media. With the technology out today you can do it from your living room.

Do you cooperate with the Guerrilla Republic. Tell us about this organization.I support Guerrilla Republik and their message. As Zulu's

we need to support and expose our own first.

In the USA there are many organizations that use hip-hop to deal with juvenile crime. How effective is this activity? Tell us about such organizations in New York.In my own experience – youth will listen if approached in a way they can understand. And that goes for all youth, wherever they live. It just takes time. You can't just show up once and expect youth to listen. There are many groups that do this. What we have to do is stop waiting for a group and go out individually to help our communities.

"Visual Caffeine" is not only popularization of hip-hop, but also the educate of the audience. In your show often talk about serious topics of our culture. How do you see the role of the show? Not only yours, but in general – TV shows, online shows. What they should bear, in addition to entertainment?The role of "Visual Caffeine" is simple – EACH ONE TEACH ONE. I am fortunate to have been exposed to this culture from those that created it. My job as a Zulu is to share what I've been taught.In terms of other shows – be you, stay creative and do it independently.

What are your plans for the future? What the next issuu of "Visual Caffeine" will be devoted?The plan is to keep exposing the culture of Hip Hop to the residents of Planet Rock.All I'll say about the next episode is that it will not disappoint. You can check out next episode on May 1, 2015 at www.viscaff.com!

Interviewed by Nelsonhttps://www.facebook.com/nelson.slovo

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http://www.viscaff.comhttp://www.vimeo.com/visualcaffeine

http://facebook.com/SEN.UZNhttp://www.uznbuildingfund.blogspot.com

http://zulunation.com

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L.I.F.E.T.I.M.E & S.I is hip hop duo from New York. Most recently, they released a new album "From the Hart". This album takes you in the days of the golden era. L.I.F.E.T.I.M.E & S.I true to the traditions of hip hop, as in the sound of music, and in their lyrics.

Tell us about yourself and your music. When you started do rap, which releases you issued?F rom the ha r t mus i c cons i s t s o f mys e l f (L.E.F.E.T.I.M.E) and my brother (S.I). And we create a sound that I would define as soulful mixed with some rugged backdrops with lyrical content pertaining to everyday life. Reality raps and creative concepts is what we do. We have been making music since 2004 and have remained independent the entire time. Our catalogue can be found on our website.

Your new album "From the Hart" returns listeners to hip hop traditions in music, in mcing and in lyrics. Tell us about this album."From the hart" is a project that we have dedicated a great amount of time and thought into as well as carefully selecting the correct beats to convey our messages. We wanted to add some personal elements as well as some creative concepts to tie the soulful yet gritty sound of endemic beats into one experience.

The entire album was produced by Endemic? Tell us about this beatmaker.Endemic is a very talented producer from Nottingham UK that I had the pleasure of linking up with through my friend Dj 456 also from the UK. Endemic currently resides in Brooklyn (NY) where he is working with many veteran and up and coming underground artists. I chose him to handle the entire album (except track 12) because our styles are so compatible and his diversity in sound made it a nice fit.

The album's cover refers us to the history of ancient Egypt. Tell us what scales on the cover symbolize, and what role Egyptian mythology plays in the lyrics of the album?Very good question. I have been studying ancient Egyptian culture for a while now and although I have much more knowledge to do on the subject the idea for the cover stuck with me. It's a representation of the "weighing of hearts ceremony" where the scale containing a heart on one end and a feather on the other was used to judge one soul after their life had ended. You were judged based of the scale (either your heart was as light as the feather good or heavier bad). The idea is symbolic to the good nature and positive vibrations we represent in life and our music.

You collaborated with the hiphoppers from different countries, including Belarus. Tell us about international collaborations.International collaborations are great because they demonstrate the unity that there can be between

people of different countries, races, cultures even languages all through music. That is a beautiful concept so if your making good music from your heart I would be open to work with you regardless where your from. We have been blessed to meet many artist and producers from other countries and continue to meet others and link those who we meet together also. Hip hop is worldwide and that's amazing to think about.

Today many people talk about the revival of the old s c h o o l , c i t i n g t h e p o p u l a r i t y o f s o m e representatives of the "beast coast". In your opinion, this is a temporary popularity or hip hop really tired of various electronic dance subgenres, which were in trends of last years?I really feel that the classic feel is coming back to hip hop more and more recently. I do know it's always been around and had never left but major labels have flooded the airwaves over the past several years. I do appreciate the fact there are so many forms of hip hop but it has to contain the cultural elements or else I don't get down with it. There is a lane for everyone these days so I stay in mine, but yea I do think the authentic sound is more on the rise these days.

How do you see the development of classic hip hop sound in the near future?I see the classic sound remaining similar to the ways it's always been as far as song structure and the use of the Dj. The changes I feel are more about the beats with all the new equipment options there are for producers now as well as all the genres hip hop has blended with over time.

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Rap of old school was based on the philosophy of hip hop culture. Today there are many genres of rap, far from it. This is logical consequence of the expansion of rap music audiences. How it affects the hip hop culture?Very true. This is a tough one for me because it's beautiful to me how hip hop has expanded so far from where it started. It's a bad thing however because it's so accessible to try to do the music from home with all the technology available that now I feel the music is being flooded. In New York and the states everybody wanna rap or produce and this is not for everyone. Like you said it's a culture and more to it than wanting to rap because you see it on tv.

Will release video clips to support of your album?We are traveling to California in June to do a few new videos. We are deciding on which record to create a visual to but there should be a few new videos in the next few months.

What are the opportunities to promote own creativity to the representatives of underground rap in the USA? As far as the development of live shows

industry, and how it is available for young Mcs?There are opportunities for shows in the states if you network yourself to the right people and connect with them. It comes down to how much you want it because it's all done on your own. Remember everyone wants to rap now so the chances are fewer but if you put our hear into it and your music is felt then the chance is all yours.

What are your plans for the near future?Our plans for the near future are going out to California for an annual event we perform at "Elements 4 Peace" in sanger California to raise money and awareness against violence in the communities. Also shooting a few videos while we are out there like I said earlier. Currently working on a new EP for S.I with French producer Old beats records. You can check out our entire catalog of music videos and more on our website and Bandcamp's page.Thank you very much for your interest in us and we hope you enjoy the music! Peace and blessings!

Interviewed by Nelsonhttps://www.facebook.com/nelson.slovo

http://fromthehartmusic.comhttp://fromthehartmusic.bandcamp.com

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Eric Allnat VanNockay is a graffiti writer, member of the UZN and worker from one of the USA plants. In his vision about UZN he mixed the experience of the creative personality and the worldview of a common man, who lives and works among people, distant from art forms of Hip Hop.

Tell us about yourself.I grew up in the late 70s early 80s at the peak of the Hip Hop/ Zulu era in a city not far from the Bronx New York, called New Haven, Ct. I moved to the Bronx in 1984 until 1989 when I joined the Army.When I joined the Army in '89 I went overseas to Germany for 4 years and I introduced them to Hip Hop and American culture at the clubs. The DJ would let me rock the Mic and even though I was in the Army I still did graffiti over there and wore the Hip Hop clothes so they got a taste of that style when I was over there.Now I work in a place that makes parts for Airplanes with people of many cultures and races. Most of them are older people who have no interest or idea about UZN or Hip Hop.

Your work on a factory and Hip Hop art forms are not connected. But most people come to UZN through Hip Hop. What attracted you?I always was connected to Hip Hop and UZN even though I didn't join UZN until 3 years ago. I was always down with Zulu brothers since I was a teenager. I was and still am graffiti writer, I used to MC (rock the mic), I was a DJ and I also used to break dance. So I was involved in every aspect of Hip Hop. My state was influenced greatly by Hip Hop and UZN because we were only 45 minutes away from the Mecca of Hip Hop.I was attracted to UZN through graffiti. I was taught by a Bronx born and bred artist named CINE one of the original TAT Cru. He was a Zulu king but I didn't join yet.

How many people in UZN, who aren't directly

associated with Hip Hop?Most if not all people in UZN in my chapter and Worldwide are directly associated with Hip Hop in some form or fashion. There aren't many who didn't come in it that way. Once in UZN they use their different talents, jobs and skills to better help UZN and our communi t ies . Some are lawyers , Accountants, Nurses, Teachers, students etc.

The UZN trying to attract people not only from the Hip Hop culture. Is there any success at your opinion? And what exactly people of different interests, professions and life views can find in UZN?I work now for a company that makes parts for Airplanes and Automobiles. Since I am Older (50) there aren't many people I recruit or are interested in UZN like back in the day. So I leave the recruiting up to the younger members of my Chapter. I concentrate on talking to the youth about how Hip Hop kept me out of trouble. And being a part of Zulu has prepared me on ways to reach the youth through Hip Hop. There is a lot of racism over here in America, we don't have civil wars like where you live but things are bad everywhere.In order to attract people to the Hip Hop culture we must show them that UZN care about people, all people, our youth and older people. We must show them we care and how Hip Hop has helped us. By educating them in everyday problems so they don't look at us as just Hip Hoppers but people with problems just like them but show how Hip Hop and UZN has united all of us together and help us to deal with problems in a better way.

Which philosophical questions in the basis of UZN principles are the most important for you?The most important principle in UZN to me is Faith in a higher power to help me become a better person. Helping my fellow man, self elevation causes expansion. Lifting them up not knocking them down.

How does UZN affect your life?UZN has helped me realize my potential to be someone who can teach and reach others with a positive message of peace, love, unity and having fun.

What are the problems American workers have? And how do they trying to solve them?The problems we have with workers here is low wages, unemployment is high, discrimination. Which leads a lot of our youth and young men to drug selling, gangs and violence.

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Does UZN membership help you to solve everyday problems?Participation in UZN helps me understand people from all walks of life. Allows me to learn from those who came before me and paved the way. Not to judge or think I'm better. Which helps me understand who I am.

What do you like to do in free time?In my free time I like to travel, do graffiti, bowling and reading. I'm always hungry for knowledge. Knowledge is power.

What is your attitude to Hip Hop? Is it still interesting for you?Hip Hop is a lifestyle, a way of life it will always be here. I love hip hop it's who I am even at 50 years old. I am still rappin', Hip Hop and the old school.

How do you see the development of UZN outside the realm of Hip Hop?

UZN has changed a lot from back in the days. Now its Universal but back then it was just New York, Ct. New Jersey. It was called the Mighty Zulu Nation. But as Afrika Bambaataa traveled all over the world with B Boys, graffiti Artist, MCs, and DJs introducing the world to the Hip Hop culture people all over the world embraced Zulu and Afrika Bambaataa became the face Hip Hop worldwide. So it changed to the Universal Zulu Nation with chapters all over the world. UZN has united people from all races, cultures, and beliefs more than governments have. This is what we must continue to do if we want peace and equality and maybe then governments can learn from this.I don't think UZN can develop outside of Hip Hop, UZN was developed from Hip Hop. Hip Hop gave birth to UZN so it will always have its origin there.

Interviewed by Shooher Show and Nelsonhttps://www.facebook.com/shooher.show.7

https://www.facebook.com/nelson.slovo

https://www.facebook.com/rvannockay

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At March 29 in Moscow went a charity concert "AFRICA KIDS STORIES", which goal was to draw attention to the problems of children in Uganda and raise funds to build a school in that East African country. It was attended by Kornelia Mango, Moscow Gospel Team, Hip Hop artists MC Princip ZM, Stuff Bro, AEDEE, afrobeat dancers Donga Girls and Lil Jazz. Also film "Bouncing Cats" with the main character Abraham Tekya was presented during the concert.

The rally was organized by Street Temple team, to present the project of a school in Uganda. They are planning three trips during this year – in April, July and December. The purpose of organization is salvation and rehabilitation of children who became victims of the civil war unleashed by Joseph Kony's rebels in Uganda. For many years, kids are being abducted and recruited as soldiers to "Lord's Resistance Army". Some manage to escape and return to their former life, some were rescued, and some remain prisoners of war and hate for life.An ideologist of the Street Temple charity movement is Natalia Gerasimova – a delicate creature with a huge heart and an open mind to the world - shares her story, her thoughts and emotions:

Was that a first concert of this kind? How long was you preparing to it?It was first time such of a kind. Before that, we did a

couple of presentations, but on a small scale. It took us one month sharp to set the concert.

Are you satisfied with the work?I am very grateful to people who came to support us. I am sincerely grateful to the artists, each of them is a great value for me. I am grateful to our team of dedicated people who invest all their time and efforts. They are the real heroes. In general, everything went well.

Tell us about creating Street Temple.I've been doing charity work for several years. I worked with drug addicts, took the children from orphanages and street children to my home, so they could understand what a family and home is. We went to Uganda last summer, so it's a new experience for us. I did not expect that this country will have me so involved!

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How was the process of finding the right contacts in Uganda?Originally the plan for the summer was a trip to Chicago, to the ghetto, where I have been teaching breaking in the studio at local church, where the work was carried out with children's gangs, kids did come to dance and it distracted them from the street crime. But Lisa, with whom we have worked together, was denied a visa and for 10 days we had to decide where to go yet.We chose Uganda when we heard of a child-soldiers there. I searched for contacts everywhere but unfortunately couldn't find Russian. Very few people in Russia are engaged in aid to Africa.One day I just heard one girl mentioned Uganda, I came and asked if there's any contacts of people engaged in children care. Those people happened to be Pastor Jose and his wife Dora who has a school for dependent children and orphans.

Who is responsible for security of volunteers in this project?During our first trip to Uganda Lisa and me had a military-guard who followed us everywhere, even while riding with children on the carousel, he sat next to us. But after a week of such close supervision, we

asked the pastor to move around without protection. Because everything is quite calm after war ended in Uganda. In Sudan, we will have guards from local organization.

What helps you to move forward and do not stop in front of the difficulties?The purpose moves me. My goal is to save the children. The pain and love are my perpetual motion. I see an injustice, and it undermines me to do something. If someone of our team is tired, wants to sleep, wants to go for a walk, others say: "What do you mean to sleep?! What do you mean to walk?! Fisheries has been not built! Kids still eat porridge on the water! We cannot rest!" (But sometimes we do sleep and walk).

Tell us about the role of Hip Hop in your life and in your business.Since the age of 13 I am fully in Hip Hop. I used to dance breaking, taught dances, performed rap and draw graffiti. I believe all of it can be used as a way to touch children who are in trouble. Hip Hop itself is a great method if you add your personal love for the kids.

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http://www.streettemple.comhttps://vk.com/streettemplehttps://vk.com/id4918312

How do you see yourself and your team within 5-10 years?I was alone for many years. Nobody wanted to go to Chicago, and deal with gangs. People refused to visit hospices, where young guys were dying, very few people went to group homes in the middle of nowhere. It's not an one-off trip or project. It's dedication 24 hours a day. No matter the mood, problems, your financial and personal affairs.Therefore I have no illusions. There's a lot of people who are able to make this project. But units of those who ready to dedicate themselves to the ones in trouble or abandoned children. I am grateful to God for my small team right now. They are heroes. They go through a lot of stress and difficulties. They see wild, terrible things that we have not covered in the social networks.

People refuse to see pain. That's why I have only few with me.

If you would like to help the project, it can be done in several ways. First-off, to become a volunteer, give up, for example, your usual vacation trip to Thailand, and fly to Uganda for 2-3 weeks to work with local children. Secondly, to take sponsorship for the child and pay for his school. Third, to transfer money for the school construction needs. Any information about Street Temple is available at official website and social networks.

Interviewed by Marianna Chiefhttps://www.facebook.com/marianna.osipova.1

https://www.facebook.com/slovomagazineslovohiphop@gmail.com

HTTP://SLOVOMAG.COM