DIZDAREVIĆABAZslike

paintings

Galerija Centar, Podgorica, Septembar 2011

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Abaz Dizdarević – SLIKE / PAINTINGS

Izdavač / PublisherCentar za očuvanje i razvoj kulture manjinaZa izdavača / In behalf of publisherMirsad Mulić, direktor/director

Tekst/ TextPavle GoranovićPrevod na Engleski jezik/ Translation into EnglishMila KoraćDizajn i priprema / Design & PrepressAna MatićŠtampa/Print:Štamparija / Printing Studio „Kujević“, RožajeTiraž / Printing no.500Godina / Year2011

Oprema slika / FramingGalerija „Lidija” Bijelo Polje

COBISS.CG-ID ISBN

Naslovna strana / Front page:Mjesec iznad Obrova(detalj) / Moon over Obrov(detail)

slikepaintings

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DIZDAREVIĆ

Neprestano istraživanje slikarskog svijeta svojstveno je Abazu Dizdareviću, koji se kroz razne načine iskazivanja i već prepoznatljiv umjetnički rukopis, legitimisao, između ostalog, i kao dosljedni tumač svjetla u našoj umjetnosti.

Skale raznovrsnih osjećanja i doživljaja svijeta, on svrstava u nekakve zagonetne rukoveti, opasane neizbježnom melanholijom. To je na momente lirika koja nas podsjeća na ritam odmotavanja životâ koji se odigravaju pred našim očima. Kao da slikar nečiju sjetu, nečiju zapitanost, dodiruje. Njegove stvaralačke opsesije zalaze u unutrašnjost bića, ostavljajući nas da se odredimo prema prizorima koji nijesu niotkuda došli. Tu tihu borbu, Dizdarević obavija mističnim štitom. Tamo vidimo sklupčana bića što žele izaći iz svojih ljuštura, vidimo i trajne ogrebotine po njima, kao mjesta na kojima se vješto zapisuju znakovi njihovih (ali i naših!) sudbina.

Možemo zamisliti da se sve to dešava u nekom nijemom jutru koje nepredvidivo dugo traje, koliko upornim maglama treba da, u onim jutrima iznemoglim i sivim, odu ponad Abazovog grada.Ali, prije će biti da nam umjetnik sugeriše da je čovjek, a stvaralac posebno, uvijek u nekom grču i da se to utišano sučeljavanje dešava ispod sveprisutne mjesečine. Jer, i stvari i pojave, i umjetnikova viđenja u funkciji su svjetla. Ili mjesečine kao nezaobilaznog dijela slike.

Pristup metafizičkoj dimenziji svjetlosti mjeri se i rasporedom boja na Dizdarevićevim radovima. Iz njih isijava i neka unutrašnja svjetlost i zato se posmatraču može pouzdano ukazati da jedna iz druge slike izlaze. Možda i nije tako, ali igrama s

neuhvatljivim valerima, ovaj umjetnik predstavlja se svakako nesvakidašnjim koloritom. U taj rizičan postupak, pri mogućnosti da sklizne u ležerne zone svakidašnjosti, u predjele nezahvalnih boja, Dizdarević ulazi samosvjesno. I sa sigurnošću svojih osjećaja.

Možda je i on, poput velikog pjesnika njegovog kraja, vidio kako po moru teče Lim. U toj mješavini boja i voda, tonova i svjetova, kao svoj upečatljiv izraz pronalazi put do svojih boja, recimo da je jedna od njih - kraljevsko plava. A time nas zapravo vodi u kraljevstvo sjete u kome se ravnomjerno gomilaju sentimenti, likovi, atmosfere... Tragajući za tom tajnovitom rijekom djetinjstva, slikar nam pruža nagovještaje jedne zavodljive tišine. Ogledanje u toj vodi djetinjstva skriva šifre Dizdarevićevog slikarstva.

Eto, tako se potvrđuje onaj znameniti Vilijamsov stih: I nijedna bjelina nije bijela / kao sjećanje na bjelinu. Tako je, naravno, i sa mjesečinom. Tako je sa svjetlom.

I što je onda slikar do - čuvar svjetla!

I konačno, kako neobično raduje to što nam Abaz Dizdarević, na zbilja osoben način, pokazuje da je slikarstvo - umijeće osvajanja svjetlosti, osvajanja prostora.

Pavle Goranović

Slike Abaza Dizdarevića

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Continual exploring of the world of painting is characteristic of Abaz Dizdarevic, who is trough various ways of expressing and already recognizable artistic handwriting already legitimized, among other things, also a consistent interpreter of the lights in our art.

The scales of different feelings and experiences of the world, he puts in some mysterious garland, surrounded with inevitable melancholy. It is a poetry that at times reminds us of the pace of unwinding of lives taking places before our eyes. It is as if the painter touches someone’s sadness, someone’s curiosity. His creative obsession delves into the interior being, leaving us to determine the scenes that haven’t come out of nowhere. This quiet struggle, Dizdarevic covers with mystical shield. There we see beings curled up, beings who want to get out of their shells. We see also permanent scratches on them, and they are the places where the skillfully signs of their (but also our) destiny are written.

We can imagine that all this happens in a silent morning that lasts unexpectedly long, no matter how long persistent fogs should take in those mornings, faint and gray, to go above Abaz’s town. But, it would rather be that the artist suggests us that he’s a man, and that the creator is especially always in a spasm, and that this silent confrontation occurs under ubiquitous moonlight. Since, the things and the phenomena as well as the artist’s visions are in the function of the light, or the moonlight as an inevitable part of the painting.

Access to the metaphysical dimension of the light is measured by the arrangement of the colors in Dizdarevic’s work. An inner light radiates from them,

and because of that, the viewer can be shown that one painting is coming out of the other. Perhaps not so, but by the games with elusive hues, this artist represents himself with surely unusual colors. In this risky procedure, Dizdarevic enters confidently and with the certainty of his feelings into the possibility to slip into casual zone of triviality, and in the areas of ungrateful colors.

Perhaps he, like the great poet from his place, saw how the river Lim flows over the sea. In that mix of colors and water, tones and worlds, at his impressive output he finds the way to his colors; say that one of them is – royal blue. And by this he actually leads us into the kingdom of gloom in which sentiments, characters, atmospheres are gathered. In searching for that mysterious river of the childhood, painter gives us hints of a seductive silence. Reflecting in that water of the childhood is hiding the code of Dizdarevic’s painting.

There, that’s how is confirmed the famous verse of William’s; and none of whiteness is white / like the memory of the whiteness. That is how it is, of course, with the moonlight. That is how it is with the light.

And what is it the painter then – but the guardian of the light!

And finally, what an unusual joy gives us Abaz Dizdarevic, who on the really peculiar way, shows us that the painting is - art of conquering light, conquering the space.

Pavle Goranovic

Paintings of Abaz Dizdarevic

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Mjesec iznad Obrova / Moon over Obrov / 70x100cm, 2010.

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Jakamoz / Yakamoz / 100x120cm, 2011.

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Mel

anho

lija

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elan

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y /

80x6

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Dobro drvo / Good tree / 70x70cm, 2011.

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Isčekivanje / Awaiting / 24x49cm, 2010.

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Putovanje / Journey / 14.5x19.5cm, 2010.

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Čuvari svjetla / Guardians of light / 50x70cm, 2009.

naredna strana / next page Montenegrina / Montenegrina / 100x180cm, 2008. /13/

Lutka / Puppet / 29x38cm, 2008.

Sim

biot

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ymbi

ot /

120

x100

cm, 2

008.

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prethodna strana / previous page Nijemo jutro / Morning of silence / 100x180cm, 2007.

Usponi i padovi / Risingsand fallings / 40x90cm, 2002.

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Nagovještaj / Advente sign / 60x120cm, 1999.

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Dimitrije, pečat jednog vremena / Dimitrije, life-time story / 100x140cm, 1998.

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Mačka / Machka / 34x40cm, 2000.

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Rođen 21.05.1978. godine u Bijelom Polju, Crna Gora.

Urednik likovnih programa, JU Centar za kulturu, Bijelo Polje. Docent na Internacionalnom Univerzitetu, Novi Pazar, Departman umjetnosti (Crtanje i Slikanje).Završio Fakultet likovnih umjetnosti na Cetinju, Crna Gora, 2002. Postdiplomske studije, Cetinje. (magistar slikarstva, 2010). Potpredsjednik ULUCG (Udruženje likovnih umjetnika Crne Gore) Podgorica, član SULU (Sandžačko udruženje likovnih umjetnika), Novi Pazar.

Samostalne izložbe: Priboj na Limu, Srbija, 2001. Zagreb, Hrvatska, KDBH »Preporod« 2004. Podgorica, Crna Gora, »Al – gallery«, 2004. Kotor, Crna Gora, »Stari grad«, 2004Plav, Crna Gora, Dom kulture, 2004. Rijeka (sa Karailo Dinom),Hrvatska ,gen. Konzulat Crne Gore, 2005. Skoplje, Makedonija, KIC Skoplje, 2010. Antalya, Turska, ArtExpo Center, 2011. Ankara, Turska, AnkArt, Cagsav, 2011. Kolektivne izložbe:Podgorica, Bijelo Polje, Cetinje, Bar, Mojkovac,Kolašin, Novi Pazar, Nikšić, Perast, Edirne (Turska), Pernik (Bugarska), Istanbul (Turska), Zagreb(Hrvatska), Beograd(Srbija), Rennes(Francuska) itd. Učestvovao na više likovnih kolonija i simpozijuma: Ressamlar Bulusmasi, Edirne (Turska); Art Gatherings, Beton (Francuska); Plener, Pernik(Bugarska), I Mevlana Art Days, Konya (Turska) itd. Učesnik mnogobrojnih kolonija i panel diskusija organizovanih na području Crne Gore.

Adresa: Ul. Muha Dizdarevića 3, 50 000 Bijelo Polje, Crna Gora e- mail: abazdiz@hotmail.com

Born 21th of May 1978, in Bijelo Polje, Montenegro

Work as an Editor of art programme in Center of Culture, Bijelo Polje and as a Assistant professor on International University, Novi Pazar, Art Department (Drawing and Painting). Graduate at Faculty of Fine Arts Cetinje, Paint Department, Cetinje, Montenegro at 2002.Postgraduate (Master of Fine Arts), Faculty of Fine Arts Cetinje, Montenegro at 2010. Vice president of ULUCG (Association of artists of Montenegro), Podgorica, Montenegro. A member of SULU (Sandžak artists association), Novi Pazar, Serbia.

Individual ExhibitionsPriboj, Serbia, 2001Zagreb, Croatia, KDBH »Preporod«, 2004Podgorica, Montenegro, »Al – gallery«, 2004 Kotor, Montenegro, »Stari grad«, 2004 Plav, Montenegro, Dom kulture, 2004 Rijeka (with Karailo Dino), Croatia, Gen. Consulat of Montenegro, 2005 Skoplje, Makedonija, KIC Skoplje, 2010 Antalya, Turkey, ArtExpo Center, 2011 Ankara, Turkey, AnkArt, Cagsav, 2011 Collective ExhibitionsPodgorica, Bijelo Polje, Cetinje, Bar, Mojkovac, Kolašin, Novi Pazar, Nikšić, Perast, Edirne (Turkey), Pernik (Bulgaria), Istanbul (Turkey), Zagreb(Croatia), Belgrade(Serbia), Rennes(France) itd. Participated in many Art Simposiums: Ressamlar Bulusmasi, Edirne (Turkey); Art Gatherings, Betton (France); Plener, Pernik (Bulgaria), I Mevlana Art Days, Konya(Turkey) etc. Participated in a lot of art colonies and panel discussions in Country.

Address: Montenegro, Bijelo Polje 50 000, St. Muha Dizdarevića 3 e- mail: abazdiz@hotmail.com

Abaz Dizdarević