SL Shakespeare Company: The SLCC Introduction

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The SLCC Introduction SL Shakespeare Company the Ina Centaur

description

Overview of technological and other accomplishments in productions of Ina Centaur SL Shakespeare Company to virtual theatre. SLCC

Transcript of SL Shakespeare Company: The SLCC Introduction

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The SLCC Introduction

SL Shakespeare Company

the

Ina Centaur

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Atonement After the Passing of a FriendLive entertainment without boundaries

Got Internet? No geographical boundaries.Got Voice? No physical discrimination. Revive the Bard!

Environmental Reasons!

Introduction: Why Virtual Theatre?

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Pre-SLIRC – 90’s Adobe Atmosphere – 2000 ActiveWorlds – 00’s World of Warcraft – 2006 Skype Shakespeare Radio – 2006

SLVarious models of the Globe, even before voiceFirst voice auditions held the day SL Voice available“Rose and Fell” between 2006-20074-sims acquired in February 2008 for permanent setup

Introduction: Beginnings

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Artistic Despot (References provided on request!)

Head fundraisers mostly for PRMake up for everything where anything

lacks… Hmm…

Artistic Director: Ina Centaur

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a tyrannical fairy…

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We are known for our visual appeal, but:With every production, we create and

introduce a new technology in the nascent field of virtual theatre.

This is how we create and revolutionize the Art:

Productions & Technologies

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Integrated Real-Time Multi-Language Subtitles SystemOn-stage HUD

Scripted Lip-synch systemPhotorealistic skins Sculpted talking facesOptimized texturesHistorically-accurate Elizabethan attire4-sim SL Globe Theatre live performance

Feb 2008 – "Hamlet 1-1 Extended"

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In conjunction with “Shakespeare 24”Consulted RL Shakespearean scholars

from around the world“Comprehensive Review” of over 100 SL

stores for attireUsage of “piped” Elizabethan-accurate

era music in SL theatre, composed by SL musician

Maintained standard for actor alt’s(And, everything from before)

Apr 2008 – "Hamlet 3-2 Mousetrap"

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Fully-costumed staged reading seriesFully utilized SL’s ease to change

visual personalities completelyDeveloped a grayscale outfit style,

“devoid of the color of motion.”Utilized viewer built-in lip-synch. “Moving cast”, tag-team performance

of Shakespearean playUnabridged, first folio performance

Jun 2008 – Twelfth Night Costumed Staged Reading Series

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An unlikely contemporary play with time travel to grace the Globe stage

“Seamless advertisements” Interactive, too!Real equations incognito…

Box-set on the Globe stageFits the GlobeClotheslines above the pit?!

Real-time director-controlled dynamic camera controlsFirst with synch across 4-sims

Sept 2008 – One's A Pawn of Time

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Global lighting changed for each scene

Multiple sets, sans rezzer“Archetypal Attire”Usage of a “real storm” on stage

(exemplified in upcoming Demo)“Preview Season”

Nov 2008 – Twelfth Night: Act 1 AP1

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24-hour “silent” text-chat performance by “Bot-actors” and Celebrities…

Completely scripted choreography Self-guided paths across entire simSL Shakespeare Skates!

Prior to SL Voice, these “actors” might have passed the Turing Test…

Dec 2008 – Shakespeare on Ice

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All the tech goodies from Twelfth Night, Act 1 in Nov ‘08

First open-ended run of a play on SL

Guided-Moving lightsVariations, such as Switched

Gender and Super Spoof!Live Demo @ NAST Conference to

3000 RL theatre admin’s

Mar 2009 – Twelfth Night: Act 1 OEP

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To Set the Show and Create the LegendThe 4-Sim SL Globe TheatreBlackfriars TheatreAdditional Architecture Prominent in

Shakespeare’s Lifetime (Pics in sLiterary Presentation)Bard’s BirthplaceAnne Hathaway’s HouseArden’s HouseGarrick’s Inn / Harvard HouseNash House / New Place

Venues

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