Síntomas psiquiátricos de Batman

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    Media Column

    Holy PTSD, Batman!:An Analysis of the Psychiatric Symptoms

    of Bruce Wayne

    S. Taylor Williams, M.D.

    Batman: A trauma powerful enough to create an alternatepersonality

    leaves the victim. . .

    Dr. Chase Meridian: . . .in a world where normal rules of right and

    wrong no longer apply.

    Batman: Exactly.

    Dr. ChaseMeridian:

    Likeyou. Well, lets justsay I could write a hell

    of a paper on a grown man who dresses like a flying rodent.

    Batman Forever (1)

    Asuperhero is defined as a fictional hero having ex-traordinary or superhuman powers (2). Superheroesare beloved by modern society, and serve a variety of func-

    tions, notably as modern-day deities (3), moral models (4),

    and vessels for our fantasy lives (5). One of the aspects of

    superheroes that most endears them to society is that they,

    like us, are not perfectthey have flaws.

    Batman wasfirst introduced in May of 1939, asDetective

    Comics #27 (6). The reader is first introduced to socialite

    Bruce Wayne (created by Bob Kane). Later, Batman foils

    the villain, and the story ends with the revelation to the reader

    that BruceWayneand Batman are the same person. Since that

    time, the Bruce Wayne/Batman character has been depicted

    in a variety of media, including graphic novels, television,

    animation, video games, andfilm. With regard to the cine-

    matic depictions of the character, Batman (7) was released in

    1989, followed by Batman Returns (8), Batman Forever(1),

    and Batman and Robin (9). These movies create a unified

    timeline, and, subsequent to their release, the Batman movie

    franchise underwent a reboot, with the release of Batman

    Begins (10) andThe Dark Knight(11), which retell the story

    and are not a part of the original movies timeline.

    It has been previously observed (12, 13) that Bruce

    Wayne appears to exhibit some symptoms of posttraumatic

    stress disorder (PTSD). According to the Diagnostic and

    Statistical Manual of Mental Disorders (DSM-IV-TR)

    (14), the diagnosis of PTSD requires that symptomatic

    criteria be met within clusters of symptoms: traumatic

    event, re-experiencing, avoidance, and increased arousal.

    Method

    The aim of this article is to systematically consider each

    of the individually-listed DSM-IV symptoms, citing exam-

    ples from various media incarnations of the character, in order

    to demonstrate that Bruce Wayne experiences an adequate

    number of symptoms to meet criteria for the diagnosis of

    PTSD. The specific argument will be made that the crea-

    tion of the Batman persona can be viewed as a symptom of

    Bruce Waynes PTSD. Last, the case will be made that

    there is a valid rationale for this exercise beyond literary

    discussion.

    Results

    The A criteria of PSTD read as follows: the person

    has been exposed to a traumatic event in which both of the

    following were present: 1) The person experienced, wit-

    nessed, or was confronted with an event or events that

    involved actual or threatened death or serious injury, or

    a threat to the physical integrity of self or others; and 2) The

    persons response involved intense fear, helplessness, or

    horror.The back-story of Batman first appeared in Detective

    Comics #33 (15), in November 1939. The reader is shown

    Bruce Wayne as a boy, walking home from a movie with his

    parents, when a mugger demands his mothers necklace.

    Waynes father pushes the mugger and is shot and killed.

    Waynes mother starts calling for the police and is shot and

    killed herself. The text reads The boys eyes are wide with

    the terror and shock as the scene is spread before him (15).

    Bruce Wayne is pictured with tears streaming down his

    Received March 29,2010;revised April 14,2010;acceptedApril30, 2010.

    From the Dept. of Psychiatry, Univ. of Tennessee, Memphis, TN. Send

    correspondence to Dr. Williams; e-mail: [email protected]

    Copyright 2012 Academic Psychiatry

    252 http://ap.psychiatryonline.org Academic Psychiatry, 36:3, May-June 2012

    mailto:[email protected]:[email protected]
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    cheeks stating Dead! Theyre D-Dead (15). The traumatic

    experience of witnessing the murder of both parents clearly

    meets the A criteria for PTSD.

    The B Criteria for PTSD readthe traumatic event is

    persistently re-experienced in one or more of the following

    ways: 1) Recurrent and intrusive distressing recollections ofthe event, including images, thoughts, or perceptions; 2)

    Recurrent distressing dreams of the event; 3) Acting or

    feeling as if the traumatic event were recurring (includes a

    sense of reliving the experience, illusions, hallucinations,

    and dissociative flashback episodes, including those that

    occur on awakening or when intoxicated); 4) Intense

    psychological distress at exposure to internal or external

    cues that symbolize or resemble an aspect of the traumatic

    event; and 5) Physiological reactivity on exposure to in-

    ternal or external cues that symbolize or resemble an aspect

    of the traumatic event.

    The first symptom, frequent recurrent and distressing

    recollections of the event, are especially noteworthy in cin-

    ema depictions, as the traumatic memories are themselves

    depicted on-screen; thus, the audience sees what Bruce

    Wayne is thinking and seeing. In the literature, the reader has

    access to Batmans internal monologue, and, in several story

    arcs, he recalls his parents deaths. In one sequence, while on

    the way to a crime scene, Batman thinks to himselfIts

    a .45-caliber bullet; hollow-point; it explodes in his chest.

    I feel the shock through his fingers. For the hundred-

    thousandth timemy father dies (16).

    Bruce Wayne meets criteria for Symptom 2 as well,

    and is depicted awakening from a distressing dream with

    traumatic content, in both cinema (10), as well as graphic

    novels (16, 17).

    In the movieBatman Forever, the character indicates that

    flashbacks, Symptom 3, are occurring when he states my

    dreams are coming to me when Im awake now (1). In the

    movie Batman Begins, a villain causes Batman to inhale

    a hallucinogen, and he experiences flashes of his parents

    murder while intoxicated (10). In the video game Batman:

    Arkham Asylum (18), the Batman character relives the

    deaths of his parentshearing their last words, then seeingthem lying dead in the alley. At this point, the character

    of Batman transforms into an 8-year-old Bruce Wayne, and

    it is this character whom the player must control through

    the game.

    Symptoms 4 and 5 of the B criteriapsychological

    distress and physiological reactivity to cuesappear to be

    present. Bruce Wayne experiences psychological distress

    at being reminded of what his parents killer said to him (7)

    and upon the image of a pearl necklace (1), which his mother

    had on that night. Physiological reactivity is harder to gauge,

    given that one cannot take Waynes vital signs. Nevertheless,

    an adequate number of symptomsare present forthe B criteria

    for PTSD to be met.

    The C criteria for PTSD read as follows: persistent

    avoidance of stimuli associated with the trauma and numbingof general responsiveness (not present before the trauma), as

    indicated by three (or more) of the following: 1) Efforts to

    avoid thoughts, feelings, or conversations associated with the

    trauma; 2) Efforts to avoid activities, places, or people

    that arouse recollections of the trauma; 3) Inability to recall

    an important aspect of the trauma; 4) Markedly diminished

    interest or participation in significant activities; 5) Feeling of

    detachment or estrangement from others; 6) Restricted

    range of affect (e.g., unable to have loving feelings); and 7)

    Sense of a foreshortened future.

    In theoriginal back-story comic, in the next panel after his

    parents are killed, we are told thatDays later, a curious and

    strange scene takes place. Bruce Wayne swears by his

    deceased parents spirits to avenge them by dedicating his

    life to fighting crime. Finally he sits pondering his need for

    a disguise when a batflies into his study window, and he is

    inspired. A bat! Thats it! Its an omen. I shall become a

    BAT! (15) The dedication of his life to vengeance and the

    creation of the Batman character constitute the conscious

    efforts of Bruce Wayne to avoid the feelings of help-

    lessness and horror associated with the trauma, meeting

    the first symptom criterion. In the movieBatman and Robin,

    the character of Alfred voices a similar sentiment, telling

    Wayne:

    Death and chance stole your parents, but, rather than become

    a victim, you have done everything in your power to control the

    fates. For what is Batman if not an effort to master the chaos that

    sweeps our world? (9)

    Whereas the creation of alternate personalities, as is seen

    in dissociative identity disorder, is often the result of a

    severe trauma, this does not seem to be the case with Bruce

    Wayne, because the creation of Batman is a conscious,

    planned act.

    In the literature, Bruce Wayne does not exhibit Symptom2efforts to avoid activities, places, or people that arouse

    recollections of the traumaas Batman does the opposite,

    patrolling the sky and streets of Gotham City, looking for

    criminals upon which to exercise vengeance.

    Evidence that Bruce Wayne meets criteria for Symptom

    3inability to recall an important aspect of the traumais

    provided in the movie Batman Forever. Wayne says I

    dont remember a lot of what happened; what I do, comes

    to me in my dreams, flashes. Theres a new element now,

    Academic Psychiatry, 36:3, May-June 2012 http://ap.psychiatryonline.org 253

    WILLIAMS

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    though. He goes on to describe events immediately after

    his parents wake, which he had previously been unable to

    remember (1).

    Bruce Wayne meets criteria for Symptom 4markedly

    diminished interest or participation in significant activities.

    Given that the creation of the persona of Batman is anavoidance symptom, this leaves the non-Batman activities

    of Bruce Wayne as those for which participation must be

    ascertained. Bruce Wayne has markedly diminished interest

    and participation in average activities (friends, romantic

    relationships, raising a family, having hobbies) preferring to

    dedicate his time to the Batman role (16, 20).

    Bruce Wayne, especially when adopting the Batman

    persona, exhibits Symptom 5feelings of detachment or

    estrangement from others. He limits his interpersonal rela-

    tionships to a few confidantes (Robin, Alfred), and is noted

    to not trust even other superheroes when interacting with

    them in the Justice League of America (19).

    Last, for the C criteria, Bruce Wayne frequently demon-

    strates Symptom 6restricted range of affect. Batman, es-

    pecially as acted by Michael Keaton (7, 8) and Christian

    Bale (10, 11), rarely smiles, although Bruce Wayne is seen

    smiling socially when out of the Batman costume/character.

    Batmans restricted range of affect is commented on by the

    Joker, who is frustrated by Batmans lack of a sense of

    humor and tells him to lighten up (20). The affect re-

    striction even extends to Batman action figures (21).

    The D Criteria for PTSD read persistent symptoms of

    increased arousal (not present before the trauma), as indicated

    by two (or more) of the following: 1) Difficulty falling or

    staying asleep; 2) Irritability or outbursts of anger; 3) Diffi-

    culty concentrating; 4) Hypervigilance; and 5) Exaggerated

    startle response.

    There are many examples of Bruce Wayne/Batman

    meeting criteria for Symptoms 1, 2, and 4. Waynes sleep

    difficulties, Symptom 1, appear in both print and cinema

    incarnations. In The Dark Knight, Waynes butler Alfred

    jokes thatwhen Wayne Manor is rebuilt, [he] can swap not

    sleeping in a penthouse for not sleeping in a mansion (11).

    Bruce Wayne becomes a very angry person after thetrauma, and exhibits Symptom 2anger outbursts. When

    confronted by supervillains who have hurt the people of

    Gotham City, Batman has difficulty controlling his anger,

    taking it out physically on the perpetrators. On extreme

    occasions, individuals such as Commissioner Gordon have

    had to beg him to exercise restraint (22, 23).

    Neither Symptom 3difficulty concentrating, nor Symp-

    tom 5exaggerated startle response, seem to be present

    for Bruce Wayne. His training for the Batman role, both

    intellectual and physical, required great ability to con-

    centrate. Batman is frequently, in both print and on screen,

    exposed to loud noisesgunshots, explosions, motor ve-

    hicle collisionsand is not seen to startle to these noises.

    Symptom 4, howeverhypervigilancecould sum up

    Batmans character in a nutshell. He is vigilant about his

    own surroundings, but also about the entirety of Gotham

    City. He watches over the city at night, ever-vigilant.

    Discussion

    Although many have discussed the philosophical func-

    tion of superheroes in society (5, 24), we may raise the

    question of the usefulness of arguing that Bruce Wayne

    meets diagnostic criteria for PTSD; assuming the diagnosis

    is valid, is there any value to this exercise? First, there is

    didactic utility in using pop-culture characters to teach

    medical students and psychiatry residents how to recognize

    the symptoms of this diagnosis. Batman is a character with

    whom students are likely to be already familiar, so discus-

    sing PTSD in this context allows the students to practice

    viewing the world through a psychiatrists eyes. Previous

    work has been published on the use of fictional movie

    characters to illustrate psychiatric diagnoses (25, 26) in

    medical school curricula. Options for presentation of ma-

    terial of this type could include showing a Batman movie

    during a psychiatry interest-group meeting, showing clips in

    a classroom setting, or presentation of Bruce Wayne as

    a case.

    Second, with the diagnosis of PTSD highly prevalent in

    society today (27, 28), finding a superhero who also meets

    criteria for the diagnosis could be of comfort to those ex-

    periencing the symptoms themselves. Especially in light of

    depictions of supervillains, which focus on negative ster-

    eotypes of mental illness, as recently described (29) in the

    Joker character, to have a hero with a mental illness por-

    trayed in a positive light could provide hope and encour-

    agement, or lessen the feeling of isolation in those fighting

    mental illness. In this respect, Batman is not alone among

    superheroes: in the universe of Marvel Comics, BruceBanner/The Incredible Hulk struggles with dissociative

    identity disorder (called multiple personality disorder)

    stemming from childhood abuse (30). Also, Tony Stark/Iron

    Man is an alcoholic and has been depicted binge-drinking to

    deal with stress, as well as making efforts to maintain his

    sobriety including attending Alcoholics Anonymous meet-

    ings (31).

    Being orphaned is also common among heroes

    Superman, Spiderman, Luke Skywalker, and Harry Potter

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    PSYCHIATRIC SYMPTOMS OF BRUCE WAYNE

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    all share the common past of parental loss (3235). In my-

    thology, both modern and ancient, heroes are forged by

    adversity. Traumatic events are requisite as catalysts for

    personal development, allowing heroes to triumph over

    adversity and thus act as role-models for the mortals who

    imagine them. But it is the flaws of heroes, from Achilles

    heel to Supermans kryptonite, which allow us to connect to

    them on a personal level. By seeing superheroes struggle

    with inner demons as well as supervillainswith mental

    illness despite their physical strengthwe, the audience,

    can see ourselves in the characters.

    The author acknowledges Renate H. Rosenthal, PhD., Brian

    Wakefield, Steven Allen, Blair Walden, and Elizabeth Campbell

    for their contributions.

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