Shred Music
Transcript of Shred Music
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2 GUITAR DVD
1. Introduction2. Ultimte Wrm-Up3. Rinforest HarmonicMinor/Phrygian-Dominant
inOddMeter
MoreonOddMeter
IncorporatingSweepsintoMelodicIdeas
4. Prog Part1:SoloinginFsPhrygian Part2:MoreSoloinginFsPhrygian
5. Sclr Riffs DividingScalarRunsintoThree-NoteGroups
6. Sweep Picking UsingSweepsinConjunctionwith
ArpeggiatedMelodicIdeas TheFinishLine
7. Using Wide Stretcheswith Unusul Scles nd
String Skipping TheWhole-ToneScale
DiminishedArpeggios
8. Tpped RiffsIncorporting String
Skipping9. Tpped Riffs Executed
s Sweeps AlternatingMinorandMajor
SweepArpeggios
TheRandyRhoadsInfuence10. How to Brek
out of Rut11. Symmetricl Riffs
with Wide Stretches12. How to Crete
Hrmonized Lines StackingThirds
HandsWithoutShadows
CONTENTS
LernSHRED GUITaR
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GUITAR DVD 5
FIGURE 10
12 13 16 13 1215 13
(repeat many times)
12 13 1512 13 16
5 5
FIGURE 11
13:2
12 13 16 13 1215 13 12 13 15
12 13 16
13:2
13 16 17 16 1317 15 13 15 17
13 16 17
13:2
16 17 19 17 1618 17 15 17 18
16 17 19 19
FIGURE 9 main theme w/connecting riff
N.C.(E)
7 67 5
7 6 67 5
7 67 7
F5
0 133
G#5
133
466
N.C.
0 2 30 2 3
1 2 4 2 13 2 0
3 2 04 1 0 1 4
verse
Am
3 2 04
0
etc.
3 3
FIGURE 10
12 13 16 13 1215 13
(repeat many times)
12 13 1512 13 16
5 5
FIGURE 11
13:2
12 13 16 13 1215 13 12 13 15
12 13 16
13:2
13 16 17 16 1317 15 13 15 17
13 16 17
13:2
16 17 19 17 1618 17 15 17 18
16 17 19 19
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8 GUITAR DVD
FIGURE 20 A Dorian mode, three notes per string
Tune down one half step (low to high: E A D G B E ).
5 Scalar Riffs
= downstroke
4 5 74
= upstroke
5 75 7 8
5 7 8
FIGURE 21a
4 5 74 7 5 4
7 5 4 5 74 5 7
Moderately Slow = 88
FIGURE 19 second solo
F 5
9 10 129 12 10 9
12 10
= downstroke
10
= upstroke
9 10 129 10 12
9 12 11 9
10
12 10 9 10 129 11 12
9 11
9
FIGURE 17 melody
N.C.(F 5)
14 15 16
14 ( )14( )14 16 16 ( )
( )16 14
17 16 16 17 16 1417 16 14
17 15
14 ( )14 15 14 12 14 12 10 12 10 9 10 9 7 9 7 5 7 5 3 5 3 2 3 2 3 2 0 2 3 52 5 4 4
10
129 11 12 9 11 12 14 12 11
14 12 11 12 1411 12 14
1215
14 1512 14 15
9
FIGURE 18 fast picking run
N.C.(F 5)
P.M. throughout
sim.
2 3 52 4 5
2 4 5 4 2
5 4 2 4 5 4 5 7
4 5 74 6 7 6 4
7 5 4 5 74 6 7
5 7 96 7 9
7 9 1 17 9 11
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7 95 7 9 7 5
9 7 5 7 95 7 9
7 9 107 9 11 9 7
10 9 7 9 107 9 11
9
10 129 11 1 2 11 9
12 10 9 10 129 1 1 12
10 12 1411 12 14 12 11
14 12 10 12 1 411 12 14
12
14 1612 14 16 14 12
16 14 12 14 1612 14 16
14 16 1714 16 17 16 14
17 16 14 16 1714 16 17
16
17 1916 17 19 17 16
19 17 16 17 1916 17 19
17 19 2117 19 21 19 17
21 19 17 19 2117 19 21
FIGURE 21b
5 7 95 7 9 7 5
9 7 5 7
FIGURE 21c
97 5 9
4 5 74 7 5 4
7 5 4 5 74 5 7
5
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12 GUITAR DVD
FIGURE 29 B whole-tone scale riff
7 Using Wide Stretches with Unusual Scales and String Skipping
sim.
13:2
= downstroke
7 9 118 10 12
9 11 13 11 912 10
= upstroke
11:2
8 10 129 11 13
10 12 1412 14 16
13 15 17 19
FIGURE 30a B whole-tone scale in two octaves
1
7
2
9
4
11
1
8
2
10
4
12
1
9
2
11
4
13
1
10
2
12
4
14
2
12
FIGURE 30b B augmented chord and arpeggio
chord tone:
0654
root
7
3
6
5
10
root
9
3
8
5
12
FIGURE 31
6 8 107 9 11 9 7
10 8 6 8 107 9 11 9 7
10 8 6 8 107
89
1011
12
3 5 5 5 5
FIGURE 32
3 5 74 6 8 6 4
7 5 3 5 74 6 8 6 4
7 5 3 5 74
56
78
9
3 5 5 5 5
FIGURE 33 wide stretches and string skipping
14 16 2014 16
20 14 16 2014 20 16 14
20 16 14 16 2014 16 20
14 20 16 14
20 16 1420 16
6
14
20 16 14 16 2014 16
!20
14 16 2014 16 20 20
FIGURE 34
C dim7
1 2 4 2 1
9 12 15 12
4 2 1 2
9
15 12 9
4 1 2 4
12 15
9 12
2 1 4 2
15 12 9
15
1 4 2 1
12 9
16 13
2 4 1 2
10 13 16
9
4 1 2 4
12 15
9 12 15
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= 132
FIGURE 43
Gtr. 1
1 2 1
F 5
4
67
5
1 2 1 2 1
9 57
67
5
4 1 2 2 2 1
D5sim.
4
9 57
77
5
1 2 2 2 1
10 57
77
5
4 1 2 2 2 1
10 57
99
7
3 3 3 3 3 3 3 3 3
Gtr. 2 Rhy. Fig. 1
244
553
FIGURE 42c
1 1 1 4
Em
1212
12
1 1 1 1 1
15 1212
1212
12
4 1 1 1 2 1 4
C
15 1212
1213
12
1 2 1 2 1
15 1213
1213
12
4
15
3 3 3 3 3 3 3
FIGURE 42d
w/Rhy. Fig. 1
1
sim.
2 1 4
Em
1617
15
1 2 1 2 1
19 1517
1617
15
4 1 2 2 2 1 4
C
19 1517
1717
15
1 2 2 2 1
19 1517
1717
15
4
19
3 3 3 3 3 3 3
FIGURE 42e
w/Rhy. Fig. 1
3 2 1 4
Em
2120
19
1 2 3 2 1
24 1920
2120
19
4 1 1 2 1 1 4
C
24 1920
2120
20
1 1 2 1 1
24 2020
2120
20 24
3 3 3 3 3 3 3
FIGURE 42f 22-fret version of previous phrase
w/Rhy. Fig. 1
3 2 1 4
Em7
2120
19
1 2 3 2 1
22 1920
2120
22
4 1 1 2 1 1 4
Cadd922 19
2021
2020
1 1 2 1 1
22 2020
2120
20 22 20
3 3 3 3 3 3 3
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= 104
FIGURE 45a
10 How to Break out of a Rut
Cm7
8 10
)1
8 10
)1
811
811 8
108
811 8
11 10 810 8
)1
10 8
3
FIGURE 45b
Cm7
8 1 0 118 11 10 9 8
118
11 10 9 810
10 810 8
)1
10 8
3
E5
4 1 2 2 2 1 4
12 79
99
7
1 2 1 2 1
A5
4
12 79
910
9
1 2 1 2 1 4
12 910
910
9
1 2 3 2 1 4
12 910
1110
9
1 2 3 3 4 1
14 910
1111
12
4 3 3 2 1
!
4
9 1211
1110
9 14
3 3 3 3 3 3 3 3 3 3 3 3
end Rhy. Fig. 1
7799
577
244
0244
= 132
FIGURE 44
Gtr. 1
Gtr. 2 plays Rhy. Fig. 1
1 1 1
Fm
4
1414 14
1 1 1
17 14 14
1 1
1414 14
sim.
4 1 1 1
17 14 14
2 1
D5
4
1415 14
1 2 1
17 14 15
2 1
1415 14
4 1 2 1
17 14 15
2 1
1617 16
3 3 3 3 3 3 3 3 3
E5
4 1 2 2 2 1 4
19 1617
1617
16
1 2 1 2 1
A
4
19 1617
1817
17
1 2 1 2 1 4
21 1717
1817
17
1 2 3 2 1
F m
4
21 1717
1819
17
1 2 1 2 4
21 1719
1819
2 1 2 1
!
4
2119
1819
17 21
3 3 3 3 3 3 3 3 5 5
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Tune down one half step (low to high: E A D G B E ).All notes and chords sound one half step lower than written.
Fast = 184FIGURE 48
11 Symmetrical Riffs with Wide Stretches
Gtr. 1
E5
1112
= downstroke
151211
15
sim.
12111512
= upstroke
11
15121112151 1 12 1 5
111215( )111215 15
F 5
1214 171412
171412171412
17141214171214
171 2 1 4 1 7
( )1 2 1 4 17 17
*1st time only
*
FIGURE 49
Gtr. 111 12
E516 17 19 17 16
1 9 1 7 1 61 9 1 7 1 6
1 9 1 7 1 6 17 1 916 17
1916 17 19
( )16 17 19 19F 5
17 19 21 19 17
21 19 1721 19 17
21 19 17 19 2117 19 21
17 19 21( )
*1st time only
17 19 21 21
*16 17
FIGURE 50
Gtr. 1 E519 16 14
19 16 14
18 15 13
18 15 13
17 14 12
17 14 12
16 13 11
16 13 11
15 12 10
15 12 10
1 4 1 1
F 59
14 11 9
15 12 10
15 12 10
16 13 11
16 13 11
17 14 12
17 14 12
18 15 13
18 15 13
19 16 14
19
FIGURE 46
Cm7
10 11 1210 11 10
1210
12 11 10 810
1010
8 10 810 8
)1
10 8
3 3
FIGURE 47
Cm7
8 10 118
11 10 811
811 10 8
1010
108 10
88
1
)11 11
3
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= 100
1
Tune down one half step (low to high, E A D G B E ).
12 How to Create Harmonized Lines
FIGURE 51
Am
2 3 1
7 9 10
2 4
= downstroke
1
7 9 11
2 4 1
= upstroke
8 10 12
2 4
(repeat prev. bar)8 10 12
3 3 3 3
1 2 3 1 2 4 1
7 9 10
7 9 11
2 4 1 2 4 1
8 10 1 28 10 12
2 3 1 2 4 1
7 9 10
7 9 11
2 4 1 2 4 2
!8 10 1 28 10 12
10
3 3 3 3 3 3 3 3
1
FIGURE 52
2 4 1
10 12 14
2 4 1
sim.
11 12 14
2 4 1
12 13 15
3 4
12 14 15
3 3 3 3
1 2 4 1 2 4 1
10 12 1411 12 14
2 4 1 3 4 1
12 13 1512 14 15
2 4 1 2 4 1
10 12 1411 12 14
2 4 1 3 4 2
!12 13 1512 14 15
13
3 3 3 3 3 3 3 3
E5
16 14
20 17 15
20 17 15
21 18 16
21 18 16
22 19 17
22 19 17
23 20 18
23 20 18
24 21 19
24 21 19
F 5
2 3 2 0 1 8
2 3 2 0 1 8
2 2 1 9 1 7
22 19 17
21 18 16
21 18 16
2 0 1 7 1 5
2 0 1 7 1 5
19 16 14
19!
E5
15 1 7 1 9
15 17 19
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ascending descending
scaledegree: 1
(root)
FIGURE 54 A harmonic minor
7
2
9
3
10
4
7
5
9
6
10
7
9
8(octave)
10
7
9
6
10
5
9
4
7
3
10
2
9
1(root)
7
fingering: 1
FIGURE 55a melody
= 190
*Am
3 4 1 3
12 14 1512
4 1 2 4
14 1513 14
2 1 4 3
16 14 1315
1 4 3 1
14 1215 14
3 2 3 2
12
14 13 14
3 1 3
13 14 12 14
fingering: 1
FIGURE 55b first harmony (a third higher than the melody)
2 4 1 3
sim.
15 17 1915
4 1 2 4
18 1916 17
2 1 4 3
19 17 1619
1 4 2 1
18 1519 17
2 1 2 2
15
17 16 17
2 4 2
1717 19 17
fingering: 1
FIGURE 55c second harmony (a fifth higher than the melody; a third higher than the first harmony)
* = downstroke; = upstroke
2 4 1 3
sim.
14 15 1814
4 1 3 4
16 1715 17
3 1 4 3
18 17 1517
1 4 2 1
16 1418 15
3 1 3 3
14
17 15 17
3 4 3
1717 18 17
1
FIGURE 53
2 3 1
14 16 17
2 3 1
sim.
14 16 17
2 4 1
15 17 19
2 4
15 17 19
3 3 3 3
1 2 3 1 2 3 1
14 16 1714 16 17
2 4 1 2 4 1
15 17 1915 17 19
2 3 1 2 4 1
14 16 1714 16 17
2 4 1 2 4 2
!15 17 1915 17 19
17
3 3 3 3 3 3 3 3