Shot Scale Psycho , Alfred Hitchcock (1960)
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Transcript of Shot Scale Psycho , Alfred Hitchcock (1960)
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Shot Scale Psycho, Alfred Hitchcock (1960)
Definition: How close or how far the subject of the shot is from the
camera
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Extreme Close Up (ECU): A framing that is comparatively tighter than a close-up, singling out a specific detail of a person or object
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Close up (CU): Framing that shows details of a person or object, such as a character’s face
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Medium Shot (MS): A middle-ground framing in which we see the body of a person from approximately the waist up
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Medium Long Shot (MLS): A framing that increases the distance between the camera and the subject compared to a medium shot; it shows most of an individual’s body
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Long Shot (LS): A framing that places considerable distance between the camera and the scene or person so that the object or person is recognizable but defined by the large space and background
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Extreme long shot (ELS): A framing from a comparatively greater distance than a long shot, in which the surrounding space dominates human figures, such as in distant vistas of cities or landscapes.
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Camera AngleCitizen Kane, Orson Welles (1941)
The Shawshank Redemption, Frank Darabont (1994)
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High Angle: A shot directed at a downward angle on individuals or a scene
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Low Angle: A shot from a position lower than its subject
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"Breaking Bad“ (Vince Gilligan, creator, 2008-2013)
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Overhead Shot: A shot that depicts the action from above, generally looking down on the subject; the camera may be mounted on a crane
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Canted Angle: Framing that is not level, creating an unbalanced appearance
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Mission Impossible (Brian De Palma, 1996)
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Inglorious Basterds (Quentin Tarantino, 2009)
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