[Intro] 00:00-00:21

1. 0:01-0:04 Fade in establishing shot of band set up0:04-0:12 Same shot, titles for Grand Mono and Caro Emerald with the track title appear above the band. As they appear a man is at the microphone introducing the act, saying exactly what is on the titles as they appear. The titles appear to be part of the world, moving with the camera and casting a shadow.

2. 0:12-0:16 Tracking low following the singer’s feet as she walks towards the performance space. The camera tracks up to her back and the back of her head as she walks.

3. 0:16-0:19 Establishing shots of the band and crowd. Various shots in this sequence.

4. 0:19-0:20 MCU caro from the side preparing to sing, looking sultry5. 0:20-0:21 CU from directly in front of caro. She looks up into the camera to begin

singing. Cuts before she does.

Baby, pass the aspirin, something’s gotta work 0:21-0:25

6. 0:21-0:23 Caro sits up quickly in bed, looking a mess. She sings the lyrics towards, but not into, the camera.

7. 0:23-0:25 Similar angle but slightly to the side of caro. She looks down and caresses her temples with her fingers in pain as she sings.

I know I did it to myself but man, oh man, it hurts 0:25-0:29

8. 0:25-0:27 Tries to get up and out of bed on “I know I did it to myself”9. 0:27-0:29 Falls back onto the bed, lying down in pain again, eyes closed singing to

the ceiling. Arms stretched out wide.

That second last Martini, the one that went down real smooth 0:29-0:34

10. 0:29-0:34 Shot of caro wiping her mouth, camera moves right revealing two other women doing the same

Set me on the bender with nothing left to lose 0:34-0:38

11. 0:34-0:36 Shot of all three of their hands in a rough triangle sharing their money.12. 0:36-0:38 Shot of one or two of their faces looking at the money then at each

other

I just can’t apologize 0:38-0:42

13. 0:38-0:42 Caro performing, looking out to audience. The camera rotates around her, less than 180 degrees.

For what I did to myself 0:42-0:46

14. 0:42-0:46 Still moving but more static than the last shot. Shows caro thinking about what she’s saying, looking down a little.

My bed’s an ocean liner 0:46-0:51

15. 0:46-0:48 Close up, caro’s head sideways on the pillow.16. 0:48-0:51 Longer shot, caro in bed. She slowly moves her arms and legs over the

duvet in discomfort.

And I can’t call for help 0:51-0:55

17. 0:51-0:55 Jump cutting of caro in different positions all over the bed stretched out, last one she is the other way round with her head at the foot of the bed.

Yea baby, it hurts a bunch 0:55-0:57

18. 0:55-0:57 Caro upside down at the foot of the bed, her head hanging off slightly, singing into the camera.

The girls got going and we had a munch

19. 0:57-1:00 Mid-shot of the girls in a line, when a passerby walks past and all their heads immediately turn to look at the passing stranger.

I promise on a dime, it’s the last time

20. 1:00-1:02 Caro right aligned to the mid-shot frame as she turns to show a smile/smirk towards her band.

I’ll ever have a liquid lunch

21. 1:02-1:04 Close mid-shot, the passerby walks in front/past the camera, and then Caro begins to follow behind.

Yea baby, it hurts a bunch

22. 1:04-1:06 Caro centre framed, roles over and begins to lift herself up, slowly.

The girls got going and we had a munch

23. 1:06-1:08 Mid shot of Caro approaching the stranger, is right behind him when the shot cuts. Emphasis on street lamp lighting.

I promise on a dime, it’s the last time

24. 1:08-1:10 Handicam long shot of audience, dancing and smiling, seem to be enjoy themselves.

I’ll ever have a liquid lunch

25. 1:10-1:12 Extreme close up of victim’s neck

1:12-1:17 (instrumental)

26. 1:12-1:13 Reaction shot of caro about to attack27. 1:13-1:17 Close shot of caro launching onto the man, biting his neck. Her head

blocks the connection with the neck, we see his reaction of shock and pain.

I think I’ve got the symptoms and none of them will leave

28. 1:17-1:20 Mid close-up, shot of her arms which fall weak and she falls down so her head becomes in frame, eyes shutting.

They think that it’s a party to laugh at all my grief (She sings this wryly to the band.)

29. 1:20-1:25 Long shot of the stage, she dances turning to the right and smirking at her band, before turning round and laughing.

It must’ve been a doozy,

30. 1:25-1:27 Cuts to mid shot of a band member performing, who then makes eye contact/smiles at Caro.

I had two hundred dreams

31. 1:27-1:29 Extreme close-up, eyes flash open and she rolls out of frame.

At least I found my pillow ‘cause I can’t find my keys

32. 1:30-1:34 Mid shot of Caro rolling off the bed, grabbing her pillow as she falls. Cuts to shot of the clock show a specific/late time.

It’s hard to remember

33. 1:34-1:38 Long shot of the room, handicam, she jumps up from the floor and comically runs out the room.

All of the events

34. 1:38-1:1:42 Close up, her face in focus behind his (out of focus) shoulder, she pulls her face away from the shoulder, the shoulder falls downwards (out of shot) and she wipes her mouth, smile on her face.

But I must’ve paid the tab

35. 1:43-1:46 Cuts to long shot of Caro scattering money onto a body on the floor and walking down a dark alley/out of shot.

‘Cause all that’s left is fifty cents

36. 1:46-1:48 Mid shot of Caro singing and slowly dancing. 37. 1:48-1:51 Cuts to shot of audience dancing, socializing and interacting.

Yea baby, it hurts a bunch (This is connected to another human reeling in pain from being bitten.)

36. 1:51-1:53 Cuts to another shot of victim on the floor, two vampires, centre frame, stood around him.

The girls got going and we had a munch

38. . 1:53-1:55 Handicam shot of the band, moving in a semi-circular motion.

I promise on a dime it’s the last time

39. 1:55-1:57 Long shot, Caro centre frame, in the bathroom, hurriedly pulling tights on.

I’ll ever have a liquid lunch

40. 1:57-2:00 Close up over the shoulder shot in the mirror of her putting her makeup on.

Yea baby, it hurts a bunch (Refers to her pain after having drunk too much blood.)

41. 2:00-2:02 Handicam shot behind a victim, following them up a dark pathway alone.

The girls got going and we had a munch (She walks away from biting someone, wiping her mouth with a napkin.)

42. 2:02-2:04 Cuts to long shot of Caro walking wiping her mouth, with someone face down on the floor.

I promise on a dime it’s the last time

43. 2:04-2:06 Close up shot of her hands holding only a few notes (compared to previous money shot which had lots).

I’ll ever have a liquid lunch

44. 2:06-2:08 Extreme close up of her lips, smeared, faded lipstick, using her hand to wipe the blood.

2:08-2:12 (instrumental)

45. Performance shots

Maybe, I can call the pharmacy

46. 2:13-2:15 Handicam 45-degree angle mid shot positioned between the mirror and the side of her body shows her examining her fangs in the mirror looking sad and anxious.

47. 2:15-2:16 Cuts to a close up of her hand dropping a bloody tissue (shot in the mirror reflection?)

They’ll bring something up, something up 'toute suite'

48. 2:16-2:18 Long shot from outside the bathroom, shows her leaning against a wall with her head in her hands.

49. 2:18-2:21 Cuts to her struggling to stand up, leaning against the sink (angle/distance?)

Some exotic medicine to cure my every ill

50. 2:21-2:23 Tracking backwards shot of her walking/staggering out of the bathroom.51. 2:23-2:26 Cuts to shot of a mid-shot of her in her bedroom falling, tripping just in

front of her bed.

With some kind of magic pill

52. 2:26-2:29 Shot positioned at the end of the bed in level with the mattress. She falls onto the mattress coming into shot, head facing the camera, her eyes shut.

HARRY’S SECTION

I just can’t apologize 2:30-2:34

53. Caro walking away from the mirror and towards the bathroom door, she slips slightly and looks down at what she slipped on

For what I did to myself 2:34-2:37

54. Shot of the blood covered handkerchief from the night before, she leans down and picks it up

My bed’s an ocean liner 2:37-2:42

55. Caro walks into the bedroom and falls onto the bed backwards, sniffing the handkerchief

56. Close up of her sniffing it

And I can’t call for help 2:42-2:47

57. She remembers what she was doing and drags herself away from the handkerchief58. She throws the handkerchief across the room, jumps up and leaves the room in a hurry

Instrumental 2:47-3:21

59. 2:47-2:50 Caro hurries down the stairs, stumbling or dropping something as she goes, obviously in a state

60. 2:50-2:52 She hurries to the door and exits by it61. 2:52-2:56 Shot starting low then moving upwards of caro running down a pavement, hands

full of things. Camera is in front of her moving backwards.62. 2:56-3:00 Various shots of the band setting up and talking to one another63. 3:00 – 3:02 Side shot tracking with caro as she runs. Shot zooms as objects pass her, zoom is

masked by objects.64. 3:02 – 3:06 While running caro trips slightly and loses a shoe, she hobbles back to it and

fumbles to put it on again using just her foot. 65. 3:06-3:09 After retrieving the shoe she begins to run again not looking where she is going,

she bashes into a man by accident, she turns to apologise while still moving66. 3:09-3:11 Shot of the man, it is one of the men she bit the night before, he has a plaster or

bandage covering his neck, he looks at her for a moment and his face indicates that he begins to recognise her

67. 3:11 – 3:13 Caro realises that the man is recognising her and in a panic covers her face and turns while speeding up to a run again.

68. 3:13-3:15 More shots of the band setting up and waiting for caro. One shot will include a band member looking at their watch and back at the microphone set up for caro.

69. 3:15-3:16 shot of caro running, she has progressed in her journey and it is a little darker than before. She is visibly out of breath and tired.

70. 3:16 – 3:18 Caro while running passes a person and it captivated by their neck again71. 3:18-3:19 Shot highlighting the neck as in the attack sequences72. 3:19-3:21 Caro shakes her captivation and visibly tries to restrain herself from biting the

person and continues to run

Yea baby, it hurts a bunch 3:21-3:23

73. Caro and the band performing, they are very much into the swing of the performance now. Lots of camera movement

The girls got going and we had a munch 3:23-3:25

74. Similar action continues

I promise on a dime, it’s the last time 3:25-3:227

75. Continues

I’ll ever have a liquid lunch 3:27-3:30

76. Continues. Caro looks towards the band, a member licks his lips a little as he looks at the audience, band are becoming transfixed by the audience

Yea baby, it hurts a bunch 3:30-3:332

77. Caro looks with intent at the audience while singing

The girls got going and we had a munch 3:32-3:34

78. The band begin to prepare to attack

I promise on a dime, it’s the last time 3:34-3:36

79. Caro looks back at the band again, a band member shows his fangs

I’ll ever have a liquid lunch 3:36-3:38

80. Caro looks back to the audience with new intent, shots of the audience realising what’s happening and panicking, starting with the front row of the crowd and moving back through it

Yea baby, it hurts a bunch 3:38-3:40

81. Caro stops singing and begins to prepare herself, she takes off a necklace or similar slowly and calmly as panic builds in the audience

The girls got going and we had a munch 3:40-3:42

82. Shots of her prep and the band closing in on the audience, they are being penned in, mode vampires are behind them

I promise on a dime, it’s the last time 3:42-3:44

83. Panic and prep

I’ll ever have a liquid lunch 3:44-3:47

84. The audience are being herded into a tightly backed group

Yea baby, it hurts a bunch 3:47-3:49

85. Someone tries to run, they are pounced on and bitten on the ground

The girls got going and we had a munch 3:49-3:54

86. Caro walks slowly to the front of the crowd

I promise on a dime, it’s the last time 3:51-3:54

87. She caresses the first person’s face

I’ll ever have a liquid lunch 3:54-4:00

88. Caro sings the line to the person then moves in and bites them