Shakespeare Coll A4L-Virtual - Taylor & Francis · Shakespeare and Intertextuality ... the Mind and...

Shakespeare CollectionTo celebrate ‘The Year of Shakespeare’ Routledge has put together a FREE article collection covering seven key topics.

Explore each topic by clicking on the titles below:

� Shakespeare and Gender

� Shakespeare and Performance

� Shakespeare and Intertextuality

� Shakespeare and Language

� Shakespeare and History

� Intercultural Shakespeare

� Shakespeare, the Mind and Reality

� Shakespeare Books from Routledge

Shakespeare Collection

� Shakespeare and Gender

Women & Performance: a journal of feminist theoryVolume 2, Issue 2, 1985

Shakespeare and the feminist actor

Women’s History ReviewVolume 4, Issue 4, 1995

New woman meets Shakespeare woman: the struggle over the figure of Portia in England in the late nineteenth and early twentieth centuries

Women’s WritingVolume 8, Issue 2, 2001

“you are pictures out of doore … saints in your iniuries”: picturing the female body in Shakespeare’s plays

ShakespeareVolume 7, Issue 1, 2011

“A woman’s hide”: The presentation of female characters in Michael Boyd’s The Histories

Women: A Cultural ReviewVolume 18, Issue 2, 2007

‘It’s not about gender’: Cross-gendered casting in Deborah Warner’s Richard II

Contemporary Theatre ReviewVolume 2, Issue 3, 1995

Shakespeare’s Cleopatra, the Male Gaze, and Madonna: Performance Dilemmas

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Go to � Shakespeare and Gender � Shakespeare and Performance � Shakespeare and Intertextuality � Shakespeare and Language � Shakespeare and History � Intercultural Shakespeare � Shakespeare, the Mind and Reality � Shakespeare Books from Routledge

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� Shakespeare and Performance


France’s ‘Other’ National Playwright? The Performance of Shakespeare in France and the Shakespeare Myth

Performance Research: A Journal of the Performing ArtsVolume 16, Issue 1, 2011

Acting Out Trauma in the Theatre of Embarassment: George Tabori’s Shylock Improvisations

Performance Research: A Journal of the Performing ArtsVolume 16, Issue 2, 2011

Making Mourning Show Hamlet and affective public-making


The Politics of Location in Othello, Djanet Sears’s Harlem Duet, and Ong Keng Sen’s Desdemona


“Their eyes more attentive to the show”: Spectacle, tragedy and the structure of All is True (Henry VIII)

Textual PracticeVolume 19, Issue 1, 2005

Shakespeare live: reproducing Shakespeare at the ‘new’ Globe Theatre

English Studies in AfricaVolume 7, Issue 2, 1964

Early Shakespeare Productions in South Africa


‘A Shakespeare for the people’? Negotiating the popular in Shakespeare in Love and Michael Hoffman’s A Midsummer Night’s Dream


Unsettling AustrIllyria: Twelfth Night, Exotic Englishness and Empire

Quarterly Review of Film and VideoVolume 23, Issue 4, 2006

Star Power: Al Pacino, Looking for Richard and the Cultural Capital of Shakespeare on Film

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� Shakespeare and Intertextuality

Journal of the Royal Musical Association (Proceedings of the Musical Association) Volume 43, Issue 1, 1916

The Purpose Behind Shakespeare’s Use of Music

Journal of the Royal Musical Association (Proceedings of the Musical Association)Volume 86, Issue 1, 1959

The Use of Song in Shakespeare’s Tragedies

FolkloreVolume 92, Issue 2, 1981

Folklore and Shakespeare

Shakespeare Volume 5, Issue 1, 2009

“Author! Author!”: Shakespeare and biography


Jane Austen and celebrity culture: Shakespeare, Dorothy Jordan and Elizabeth Bennet

ANQ: A Quarterly Journal of Short Articles, Notes, and ReviewsVolume 25, Issue 2, 2012

Traces of Shakespeare’s Cymbeline in Poe’s “Politian”

English Studies Volume 88, Issue 4, 2007

Blood, barbarism, and belly laughs: Shakespeare’s Titus and Ovid’s Philomela

New Review of Children’s Literature and LibrarianshipVolume 15, Issue 2, 2010

“I could a tale unfold…”: Adaptations of Shakespeare’s Supernatural for Children, from the lambs to Marcia Williams

FolkloreVolume 73, Issue 2, 1962

Shakespeare and the Fairies

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� Shakespeare and Language


Archbishop William Sancroft’s Emendation of 3 Henry VI: Rereading “rook’d”


On Nicknaming God’s Creatures in Hamlet


Dietetics as a Key to Language and Character in Shakespeare’s Comedy


The Semantics of Passion in Shakespeare’s Comedies: An Interdisciplinary Study


Proverbial Shakespeare: The print and manuscript circulation of extracts from Love’s Labour’s Lost

Text and Performance QuarterlyVolume 31, Issue 1, 2011

Descanting on Deformity: The Irregularities in Shakespeare’s Large Chiasms

Word & Image: A Journal of Verbal/Visual EnquiryVolume 4, Issue 3-4, 1988

Recovering Shakespeare’s images

Word & Image: A Journal of Verbal/Visual EnquiryVolume 4, Issue 3-4, 1988

Shakespeare’s comedies of shadow and substance: word and image in Henry IV and Twelfth Night


Carrying Tempest in his Hand and Voice. The Figure of the Magician in Jonson and Shakespeare


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� Shakespeare and History

Rethinking History: The Journal of Theory and PracticeVolume 3, Issue 1, 1999

Shakespeare’s ‘whole history’: Drama and early modern historical theory


Discoveries from archaeology: Dealing with the past in the present


Shakespeare and the uses of the past: Critical approaches and current debates


Without remainder: ruins and tombs in Shakespeare’s Sonnets

European Journal of English StudiesVolume 15, Issue 2, 2011

Shakespearean Medievalism

European Journal of English StudiesVolume 13, Issue 1, 2009

The Third Citizen: Shakespeare’s Theater and the Early Modern House of Commons

History of European IdeasVolume 16, Issue 4-6, 1993

Shakespeare’s georgic nationalism


Thatcher’s Shakespeare?

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� Intercultural Shakespeare

Language and Intercultural CommunicationVolume 3, Issue 2, 2003

Shakespeare, Chekhov and the Emergence of the Transcultured Self in Denmark

Current WritingVolume 5, Issue 1, 1993

The politics of editing the Shakespeare text in South Africa

Current WritingVolume 5, Issue 2, 1993

Writing caliban: Anticolonial appropriations of The Tempest

English Studies in AfricaVolume 47, Issue 2, 2004

Race, body, and language in Shakespeare’s sonnets and plays

Journal of Literary StudiesVolume 14, Issue 1-2, 1998

A postcolonial reading of colonial strategies in Shakespeare’s plays

Journal of Literary StudiesVolume 15, Issue 1-2, 1999

From the globe to globalisation: Shakespeare and Disney in the postmodern world

Journal of Postcolonial Writing (formerly World Literature Written in English)Volume 23, Issue 1, 1984

Re-writing The Tempest

Scrutiny2: Issues in English Studies in Southern AfricaVolume 1, Issue 1-2, 1996

Shakespeare – the cultural weapon

South African Theatre JournalVolume 21, Issue 1, 2007

Approaching Macbeth through representation, participation and facilitation—a theatre-in-education ‘adventure’

WasafiriVolume 11, Issue 22, 1995

Shakespeare in Africa: Reflections on the teaching of English literature abroad

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� Shakespeare, the Mind and Reality

Critique: Studies in Contemporary FictionVolume 50, Issue 1, 2008

“Tell My Story”: Remembrance and Revenge in Atwood’s Oryx and Crake and Shakespeare’s Hamlet

LIT: Literature Interpretation TheoryVolume 21, Issue 4, 2010

Back to the Future: Ecological Crisis and Recalcitrant Memory in The Tempest and Tar Baby


The cultural politics of perversion: Augustine, Shakespeare, Freud, Foucault


Shakespeare, Human Nature, and English Literature

History of European IdeasVolume 1, Issue 3, 1981

Realistic convention and conventional realism in Shakespeare


Presentism, Walter Benjamin, and the Search for Meaning in King Lear


“Shaping Fantasies”: Responses to Shakespeare’s Magic in Popular Culture

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� Shakespeare Books from Routledge

Routledge offers a wide range of books for students and researchers interested in all aspects of Shakespeare Studies. From The Routledge Guide to William Shakespeare, a textbook that demystifies and contextualises Shakespeare for the twenty-first century, to Shakespeare: The Basics, an insightful and informative introduction to Shakespeare’s work, there is something for everyone. Our Routledge Studies in Shakespeare series is our home for cutting-edge, upper-level scholarly studies and edited collections.

The Routledge Companion to Actor’s Shakespeare provides a window onto how today’s actors contribute to the continuing life and relevance of Shakespeare’s plays. Its twin volume, The Routledge Companion to Director’s Shakespeare describes in illuminating detail how some of theatre’s most talented directors have brought Shakespeare’s plays to the stage. In How to do Shakespeare, Adrian Noble draws on several decades of top-level directing experience to shed new light on how to bring some of theatre’s seminal texts to life.

You can find our full range of Shakespeare books in our online catalogue.

Until 30th June 2013 you can get a 10% discount on your purchase of any of our Shakespeare books when you buy via our website. Simply enter the discount code YSHA12 at the checkout.


http://www.routledge.com/books/details/9780415682800/

http://www.routledge.com/books/series/RSS/




http://www.routledge.com/catalogs/routledge_shakespeare_books/

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Shakespeare Coll A4L-Virtual - Taylor & Francis · Shakespeare and Intertextuality ... the Mind and...

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