September Violoncello Piano Percussion Wind quintet Box/brochure-2014... · The 63rd ARD...

63rd ARD Internationaler Music Competiton Munich 2014

Internationaler Musikwettbewerb der ARDBayerischer RundfunkRundfunkplatz 1 80335 MünchenDeutschlandTel. ++49 89 5900-2471Fax ++49 89 5900-3573E-Mail [email protected] Vi

olon

cello

Pi

ano

Perc

ussio

n W

ind

quin

tet

Viol

once

llo

Pian

oPe

rcus

sion

Win

dqu

inte

t

September 1 to 19, 2014

The 63rd ARD International Music Competition 2014 in Munich is open for the following categories:

VioloncelloPianoPercussionWind quintet

The invitation to participate in this competition is extended to young musicians, who are ready to launch an international career.

The competition is open to musicians of all nations born between 1985 and 1997 in the categories Violoncello, Piano and Percussion.

Wind quintet: the total age of all musicians is allowed to be 150 years maximum, the member may not be older than 35.

The competition will be conducted during the period from September 1 to 19, 2014 (including the prize winners’ concerts).

The auditions are open to the public.

Deadline for registration: March 31, 2014 (Date stamp does not apply!)

The 63rd ARD International Music Competition in Munich – 2014 – is presented by the Association of Public Broadcasting Corporations in the Federal Republic of Germany (ARD).

Bayerischer Rundfunk Munich

Hessischer Rundfunk Frankfurt /Main

Mitteldeutscher Rundfunk Leipzig

Norddeutscher Rundfunk Hamburg

Radio Bremen

Rundfunk Berlin-Brandenburg

Saarländischer Rundfunk Saarbrücken

Südwestrundfunk Stuttgart

Westdeutscher Rundfunk Cologne

Deutsche Welle Bonn/ Berlin

Deutschlandradio Cologne/Berlin

Member of the World Federation of International Music Competitions, Geneva

Gen

eral

Con

ditio

ns |

Org

aniz

ers

2General Conditions Organizers

Contents 1 Title 2 General Conditions | Organizers 3 Prizes 4 Special Prizes 6 Concert Invitations 7 Further Concert Engagements 8 Conditions of Participation 9 Conduct of the Competition 10 Presence | Accommodation 11 Prize Winners

Repertoire and Jury 12 Violoncello 14 Piano 16 Percussion 18 Wind Quintet

19 Schedule 20 Honorary Committee | Patrons 21 Main Committee | Directors 22 Upcoming Competitions

Violoncello First Prize c 10,000 Second Prize c 7,500 Third Prize c 5,000

Piano First Prize c 10,000 Second Prize c 7,500 Third Prize c 5,000

Percussion First Prize c 10,000 Second Prize c 7,500 Third Prize c 5,000

Wind quintet First Prize c 25,000 Second Prize c 20,000 Third Prize c 15,000

The prize winners will be determined by the jury.

3Prizes

Priz

es




SpecialPrizeU21The Special Prize U21 totalling c 2,000, underwritten by the Dr. Marianne Kunkel Fund will be awarded by the BR-KLASSIK young people’s program “U21 – Your Program. Your Music” for an outstanding performance by a very young participant.

AliceRosnerPrizeThe Alice Rosner Foundation awards the Alice Rosner Prize in the amount of c 1,000 for the best interpretation of a 20th century work.

OsnabrückMusicPrizeThe Osnabrück Music Prize, made possible by the Werner Egerland Foundation, in the amount of c 7,500 is awarded to a finalist in the categories violoncello, piano or wind quintet. It is linked to a concert with the Osnabrück Sym-phony in January/February 2015.

SpecialPrizePalazzettoBruZaneThe Special Prize in the amount of c 7,500 will be award-ed by the Foundation Bru Zane for the best interpretation of a work of the French romanticism in the categories vio-loncello, piano or wind quintet. It is linked to an invitation for a recital in the Palazzetto Bru Zane in Venice.

SpecialPrize“Primalamusica”The Prize in the amount of c 5,000 will be awarded by Krista Pfleiderer to a prize winner or finalist in the cate-gories violoncello or piano. It is linked to three concerts with orchestra.

BuschBrothersPrizeThe Busch Brothers Circle awards the Busch Brothers Prize in the amount of c 3,000 – in collaboration with the South Westphalian Philharmonic – to an outstanding finalist in category percussion. It is linked to a concert appearance at the Busch Brothers Circle and potential subsequent concerts with the South Westphalian Phil-harmonic.

AudiencePrizesAudience prizes totaling c 6,000 made possible by the Theodor Rogler Foundation will be awarded in the final round as follows:– Violoncello in the amount of c 1,500– Piano in the amount of c 1,500– Percussion in the amount of c 1,500– Wind quintet in the amount of c 1,500

SpecialPrizesfortheBestInterpretationofaCommissionedCompositionSpecial prizes totaling c 4,000 for the best interpre-tation of the individual commissioned compositions, made possible by the Alice Rosner Foundation, will be awarded in the category:– Violoncello for the composition by Tobias PM Schneid

in the amount of c 1,000– Piano for the composition by Marc-André Hamelin

in the amount of c 1,000– Percussion for the composition by Johannes Fischer

in the amount of c 1,000– Wind quintet for the composition by Giya Kancheli

in the amount of c 1,000 SpecialPrizefromtheMunichChamberOrchestraThe Special Prize from the Munich Chamber Orchestra totaling c 1,000 will be awarded by the members of the Munich Chamber Orchestra for an outstanding inter-pretation by a semi-finalist in the category violoncello or piano.

BR-KLASSIKOnlinePrizeThe BR-KLASSIK program division of Bayerischer Rundfunk will be presenting the BR-KLASSIK Online Prize in the amount of c 1,000 for the winner of the online voting during the finals.

Special Prizes 4

Spec

ial P

rizes

Continued on page 5




5

Spec

ial P

rizes

Special PrizesifpMusicPrizeThe special prize from ifp Cologne in the amount of c 3,000 is awarded for outstanding achievement in the category wind quintet.

SpecialPrizefromSchwarzwaldMusikfestivalThe Schwarzwald Musikfestival will present a Special Prize in the amount of c 3,000 to an outstanding finalist. It is linked to a concert in the series “Junge Elite” in collaboration with the Hotel Bareiss, in the Christuskirche zu Mitteltal between April and September 2015.

BärenreiterUrtextPrizesSheet music vouchers with a value of c 1,000.




Prize winners may be invited to give concerts or make recordings.

BroadcastAppearancePrize winners will receive invitations from ARD broad-casters to perform concerts or make recordings under the usual radio conditions.

Prizewinnersmaybeinvitedassoloists:– by the Symphonieorchester des Bayerischen Rundfunks– by the Frankfurt Radio Symphony Orchestra– by the MDR Symphony Orchestra– by the Deutsche Radio Philharmonie

Saarbrücken Kaiserslautern– by the Radio Symphony Orchestra Stuttgart

of the Südwestrundfunk

6Concert Invitations

Conc

ert I

nvita

tions




Possible concert engagements may be offered by the following institutions:

Apollon Musagète FestivalAuditorium du LouvreBurghofspiele im Rheingau SommerCamerata AndechsCarl Orff Festspiele AndechsCentral European Music Festival ŽilinaChor des Bayerischen RundfunksCollegium Musicum BaselDavos FestivalEuregio Musikfestival Festival Classic OberfinningFestival der Nationen, Bad WörishofenFestival EuroArt PrahaFestspiele Mecklenburg-VorpommernFolkwang Kammerorchester Essen Frankfurter Museums-GesellschaftFreunde der Musik, LandshutGebrüder-Busch-KreisHapag-Lloyd KreuzfahrtenHeidelberger FrühlingHofer SymphonikerH&S Artists, NiederlandeIffeldorfer Meisterkonzerte Inselfestival HombroichInselKonzerte – Kammermusik auf

HerrenchiemseeInternational Festival of Young Music

Competition Laureates KatowiceInternationales Musikfestival

Český KrumlovJunges Podium AltripJuventudes musicales de EspañaKaisersaalkonzerte Frankfurt/MainKammermusik-Gemeinde HannoverKammermusikalische Vereinigung –

Städtischer Musikverein TrierKirchbergforum Hessen

Kissinger SommerKlavier-Festival RuhrKonzerte auf Henkellsfeld, WiesbadenKonzerte im Deutschen Elfenbein-

museum ErbachKonzertgesellschaft WuppertalKonzerthaus BerlinKulturamt der Stadt MarlKulturdienst WeimarKulturverein Zorneding-BaldhamKunstfreunde BensheimKurpfälzisches KammerorchesterLandesbank Saar, SaarbrückenLeitheimer SchlosskonzerteLiesborner Museumskonzerte Lions Club Schwäbisch GmündLudwigsburger SchlossfestspieleMeister von morgen, HerdeckeMeistersolisten im Isartal, IckingMosel MusikfestivalMozart-Gesellschaft DortmundMünchener KammerorchesterMünchner Konzertdirektion HörtnagelMünchner RundfunkorchesterMünchner SymphonikerMusical Olympus Festival of

St. PetersburgMusik und Sprache,

HessenbrückenmühleMusik & Theater Saar Musikverein Bamberg Nordwestdeutsche Philharmonie Osnabrücker SymphonieorchesterPhilharmonie Merck, DarmstadtPhilharmonie SüdwestfalenPhilharmonisches Orchester FreiburgRheingau Musik FestivalSchleswig-Holstein Musik FestivalSchleswig-Holsteinisches Landes-

theater und Sinfonieorchester Schlosskonzerte Mannheim

Schlosstheater FuldaSchwarzwald Musikfestival Schweizer MusikfestwochenSchwetzinger SWR FestspieleStiftung Mozarteum SalzburgSüdwestdeutsches Kammerorchester

PforzheimSymphonieorchester »Wilde Gungl«

MünchenTheaterforum – Klassikforum GautingTicino Musica, LocarnoTonhalle DüsseldorfTonicale Musik & Event, MünchenVaterstettener Rathauskonzerte Weilburger SchlosskonzerteWeingartner Musiktage

Junger KünstlerWetzlarer KulturgemeinschaftWiener KonzerthausWinners & Masters/Kulturkreis

Gasteig, MünchenWürttembergische Philharmonie

ReutlingenWürttembergisches Kammer orchester

HeilbronnZeughauskonzerte, Neuss

Concert managers, concert agencies and representatives of the music industry will be invited to the final rounds and the prize winners’ concerts.

Further Concert Engagements 7

Furt

her C

once

rt E

ngag

emen

ts




8RegistrationDeadlineThe registration deadline for applications: March 31, 2014 (date stamp does not apply!) The application can be sent by e-mail or by post mail.

Internationaler Musikwettbewerb der ARDc/o Bayerischer RundfunkRundfunkplatz 1D-80335 MünchenGermany

ApplicationThe following documentation should be enclosed:– application form (download expected from February

2014 at: www.ard-musikwettbewerb.de)– for the pre-selection, a personally recorded CD: the CD

may not be edited, may not be processed and may not be older than one year (the works required for the pre-selection can be found in the repertoire conditions). Cuts, editing or other technological manipulation of pitches or lengths of held notes within the sections performed are not permitted.

– a declaration by the recording studio/engineer on the recording of the CD – cf. application form

– in the case of students, the approval of the teacher– an artistic curriculum vitæ– a portrait photograph of the applicant, which will

appear in the competition program – black&white or color (without copyright).

Important for Shipping: Do not declare the recording with any value, due to a large sum of customs charges thereby incurred!

AdmissionOnce the selection has been made, the decision of the pre-selection jury, made up of members of the com - pe tition jury along with the artistic director, on admission to the competition will be released by June 15, 2014 at the latest. Its decisions are final and incontestable. No explanations will be provided.

The chosen competitors will receive written notifica-tion of their selection. Competitors from abroad can, if necessary, use this confirmation to apply for an entry visa.

RecognitionofConditionsWith the application for the competition the participant acknowledges acceptance of the participation and com-petition conditions as well as the decision of the pre-selection jury and the competition jury as binding. There is no right of appeal.

Participation is only possible in one of the competition categories.

Applications that do not meet the requirements of the competition can be rejected. Submitted documents and sound recordings cannot be returned.

ParticipationFeeFollowing receipt of the admission confirmation, the participation fee of c 100 for soloists and c 250 for wind quintets must be transferred “free of bank charges for the recipient” at the latest by July 31, 2014. Should the competitor be prevented from attending, or should he or she cancel his or her participation, this participation fee cannot be refunded.

Subject to alterations!In cases of doubt, the German text applies.

The text of this invitation is available in the Internet in German, English and French, the invitation can be downloaded with repertoire and application form (expected from February 2014): www.ard-musikwettbewerb.de

8Conditions of Participation

Cond

ition

s of P

artic

ipat

ion




JuryThe jury will be selected from among personalities with international reputations without regard to ethnic, ideological, political or linguistic considerations.

The decisions of the jury cannot be contested.

StudentsofaJuryMemberIf there is a student of a jury member among the participants, this jury member may not take part in the appraisal of this competitor.

Jury members are not allowed to teach their students during the competition itself, otherwise the student, the jury member, or both may be disqualified. To this end, a student is defined as someone who studied with a jury member for a lengthy and continuous period, and such study was completed less than three years before the beginning of the competition. Participation in master classes is not affected.

CompetitionRoundsFour competition rounds are obligatory in all categories.The semi-final for the categories violoncello and piano will be accompanied by the Munich Chamber Orchestra without conductor. A maximum of six soloists in cate-gories violoncello, piano and percussion and six wind quintets will be admitted to the semi-final.

The final round for the categories violoncello, piano and percussion will be accompanied by the Symphonieorches-ter des Bayerischen Rundfunks.

A maximum of three soloists in categories violoncello, piano and percussion as well as three wind quintets will be admitted to the final round.

FirstAuditionDateAll participants will receive notification of the scheduled date and time of their first audition – along with the admission to the competition – in writing.

CompetitionProgramThe following repertoire lists and the conditions therein contained are binding for the competition program.

The competition program submitted by the competi-tors is binding. Subsequent alterations are not permitted.

No works in the competition program may be repeated except on the express wish of the jury. The sequence of performance is at the participant’s discretion. If possible, original text editions should be performed.

Participants will not be allowed to perform their own compositions.

In certain cases, the jury may allow only selections of individual works to be performed in the first two com-petition rounds, or may select works from the submitted repertoire.

PianoAccompanistsOfficial piano accompanists are available at no charge to the competitors in the category violoncello. Each competitor will receive at least two rehearsals with the accompanist.

Participants may bring along their personal accom-panist at their own expense.

9Conduct of the Competition

Cond

uct o

f the

Com

petit

ion




PresenceoftheParticipantattheCompetitionEach participant has to register personally at the central competition office one day before the first audition and present his or her passport, ID card or officially recognized birth certificate, and should not leave Munich as long as he or she is an active participant in the competition without the express approval of the competition management (prize winners may first depart after September 19, 2014).

Each participant accepts the obligation to remain free of all professional obligations or concerts throughout the duration of the competition.

AccommodationduringtheCompetitionFor the duration of the first round, reasonably priced hotels will be recommended to the participants. All competitors who reach the second round will be provided by the competition management with the cost of accommodation and meals from this point for the dura-tion of their further participation in the audition process. This does not apply to piano accompanists or other companions.

All competitors who reach the semi-final will be guests of the competition until the prize winners’ concerts.

Pres

ence

| Ac

com

mod

atio

n

10Presence Accommodation




AwardsCeremonyThe awards ceremony will take place during a festive concert.

Competitors will be expected to receive their awards in person.

PrizeWinners’ConcertAt the prize winners’ concerts, chamber music works and works for soloists with orchestral accompaniment will be performed. The decision regarding the program and at which concert specific participants will appear will be made by the competition management in conjunction with the jury and the music department of Bayerischer Rundfunk.

Prize winners will receive no fee for their participation in the prize winners’ concerts.

MediaExploitationThe Competition, including the prize winners’ concerts, will be recorded by Bayerischer Rundfunk. These record-ings can be used for broadcasting (radio or television, including on-line) in full and/or in selections, live or at a later time, and also provided for individual access independent of the type of receiver and also be made publicly available. Other broadcasters in Germany and abroad can make use of these recordings simultaneously or at a later time. Further use of our broadcasts and availabilities regardless of time and place (in full, in part or in selections) are possible.

The administration of the Competition reserves the right to use the recordings of the Competition rounds and prize winners’ concerts for the production of a CD and/or a DVD to serve as publicity for the prize winners and doc-umentation of the Competition. The administration of the Competition further reserves the right to release or have released, and/or distribute or have distributed, itself or through third parties, commercially or non-commer-cially, any and all material from the Competition in audio or audio-visual form, on analogue or digital sound/image/sound-image data carriers including platforms, regardless of format or process. The declaration of agree-ment required from the prize winners is regarded as given with the application to the ARD Music Competition, the same applies to the transfer of rights in accordance with the aforementioned stipulations. The prize winners have no claim to additional compensation of any kind.

11Prize Winners

Priz

e W

inne

rs




Pre-selection

a) One sonata from the 18th century

b) A freely chosen virtuoso work. This work may not be repeated in subsequent rounds.

FirstRound

1. Johann Sebastian Bach, the Prélude and one more movement from one of the Suites for Violoncello solo (except for the Suite in C minor, BWV 1011)

2. One of the following works:Alfredo Piatti, one of the Caprices op. 25 no. 3, no. 6, no. 7 or no. 12David Popper, one etude from op. 73

3. Robert Schumann, Fantasy Pieces op. 73

SecondRoundA freely chosen program from the following works, which covers all three groups. The program may not exceed a maximum of 45 minutes.

4. One of the sonatas byLudwig van Beethoven orJohannes Brahms orFelix Mendelssohn Bartholdy

5. One of the following works for solo violoncello:Benjamin Britten, Suite no. 1 op. 72 or no. 2 op. 80 or no. 3 op. 87Luigi Dallapiccola, Ciaconna, Intermezzo e AdagioHenri Dutilleux, “3 Strophes sur le nom de Sacher”Paul Hindemith, Sonata op. 25 no. 3György Ligeti, SonataToshiro Mayuzumi, Bunraku (Peters)Krzysztof Penderecki, Divertimento (1994/95) or Capriccio per Siegfried Palm (1968)Bernd Alois Zimmermann, Sonata for solo violoncello (1960)

6. One of the following sonatas:George Enescu, op. 26 no. 2Gabriel Fauré, op. 109 or op. 117Alexander Gretschaninow, op. 113Arthur HoneggerVincent d’Indy, op. 84Zoltán Kodály, op. 4 Charles Koechlin, op. 66Albéric Magnard, op. 20Bohuslav Martinu, no. 2Nikolai Miaskovsky, op. 81Francis PoulencSergei Prokofiev, op. 119 Sergei Rachmaninov, op. 19Joseph Guy Ropartz, no. 2*Nikolai Roslavets, no. 1 or no. 2Dmitry Shostakovich, op. 40

Semi-finalwiththeMunichChamberOrchestra(withoutconductor)

7. One of the following concertos:Carl Philipp Emmanuel Bach, in B flat major Wq 171 or in A major Wq 172Joseph Haydn, in C major Hob. VIIb:1 or in D major Hob. VIIb:2

8. Tobias PM Schneid, composition commissioned for the ARD International Music Competition 2014The sheet music will be supplied along with the admission to the competition. The commissioned composition may be performed with the music, it may not be publicly performed prior to the competition.

12Violoncello

Repe

rtoi

re

Continued on page 13




Head

Repe

rtoi

re

13FinalwiththeSymphonieorchesterdesBayerischenRundfunks

9. One of the following concertos:Antonín Dvorák in B minor op. 104Edward Elgar, in E minor op. 85Dmitry Shostakovich, no. 1 in E flat major op. 107

The works from no. 1, 3 and 7 are to be performed from memory.

* The best interpretation of one of the marked works will be awarded the special prize by the association Bru Zane (information regarding the sheet music can be found at: www.ard-musikwettbewerb.de).

Violoncello

JuryVioloncelloWolfgang Boettcher Chairperson GermanyNatalia Gutman RussiaIvan Monighetti Russia / SwitzerlandDaniel Müller-Schott GermanyRaphael Pidoux FranceChristian Poltéra SwitzerlandKristin von der Goltz Norway / Germany




Repe

rtoi

re

14PianoPre-selection

a) One sonata by Joseph Haydn or Wolfgang Amadeus Mozart

b) One Etude, which may not be repeated in the subsequent rounds

FirstRoundThe performance time may not exceed a maximum of 25 minutes even if the program is longer. If necessary, the jury will make a selection.

1. Domenico Scarlatti, one Sonata free of choice

2. One Etude by Frédéric Chopin

3. One of the following works: Alban Berg, Sonata op. 1Béla Bartók, Sonata Sz 80 (1926) Béla Bartók, “Out of doors”, Sz 81 Claude Debussy, Images, Book 1 or 2 Claude Debussy, Estampes Claude Debussy, 3 Préludes to be freely selected Sergei Prokofiev, Sonata no. 4 in C minor, op. 29 Olivier Messiaen, 4 Préludes to be freely selected Maurice Ravel, 3 pieces from “Miroirs” to be freely selected Alexander Skryabin, one of the sonatas from no. 4 to no. 10 Arnold Schönberg, Five piano Pieces, op. 23

SecondRound(50Minutes)

4. Ludwig van Beethoven, one of the following sonatas: op. 2 no. 3 in C major / op. 10 no. 3 in D major / op. 22 in B flat major / op. 31 no. 1 in G major / op. 31 no. 2 in D minor / op. 31 no. 3 in E flat major / op. 53 in C major / op. 57 in F minor / op. 101 in A major / op. 109 in E major / op. 110 in A flat major / op. 111 in C minor

5. One of the following works: Johannes Brahms, Sonata no. 1 in C major, op. 1 Johannes Brahms, Variations and Fugue on a theme by Handel, op. 24 Johannes Brahms, one of the cycles from op. 116 to op. 119 Théodore Dubois, Sonata for piano* Felix Mendelssohn Bartholdy, Variations sérieuses in D minor, op. 54 Franz Schubert, Three Piano Pieces D 946 Franz Schubert, Fantasy in C major, D 760 “Wanderer Fantasy” Franz Schubert, Sonata in A minor, D 784 Robert Schumann, Sonata in G minor, op. 22 Robert Schumann, Carnaval op. 9 Robert Schumann, Symphonic Etudes op. 13 (Setting 1852) Robert Schumann, Humoreske in B flat major, op. 20 Robert Schumann, Faschingsschwank aus Wien, op. 26 Franz Liszt, Ballade no. 2 in B minor Franz Liszt, Variations on “Weinen, Klagen, Sorgen, Zagen” Franz Liszt, Tre Sonetti di Petrarca

6. One freely chosen piece for piano (duration 5 minutes at the maximum)

Semi-finalwiththeMunichChamberOrchestra(withoutconductor)

7. One of the following concerts by Wolfgang Amadeus Mozart: K. 246 / K. 414 / K. 415 / K. 488

8. Marc-André Hamelin, composition commissioned for the ARD International Music Competition 2014The sheet music will be supplied along with the admission to the competition. The commissioned composition may be performed with the music, it may not be publicly performed prior to the competition.





FinalwiththeSymphonieorchesterdesBayerischenRundfunks

9. One of the following concertos: Ludwig van Beethoven, no. 3 in C minor, op. 37 Ludwig van Beethoven, no. 4 in G major, op. 58 Robert Schumann, in A minor, op. 54 Frédéric Chopin, no. 2 in F minor, op. 21 Peter Tchaikovsky, no. 1 in B minor, op. 23 Camille Saint-Saëns, no. 2 in G minor, op. 22 Maurice Ravel, Concert in G major

The works from no. 1 to 7 are to be performed from memory.

* The best interpretation of one of the marked works will be awarded the special prize by the association Bru Zane (information regarding the sheet music can be found at: www.ard-musikwettbewerb.de).

Only instruments from the Steinway & Sons Company are available for the competition.

Repe

rtoi

re

15Piano

JuryPianoGerhard Oppitz Chairperson GermanyHomero Francesch SwitzerlandMichie Koyama JapanCristina Ortiz BrazilAlfredo Perl GermanyMarianna Shirinyan ArmeniaFou Ts’ong China / Great Britain




16

Repe

rtoi

re Pre-selection

a) One slow and one fast movement from one of the Suites for Violoncello by Johann Sebastian Bach

6) One work of free choice (not for Mallet!)

FirstRound(about20minutesperformancetime)

1. Elliott Carter, one movement from “Eight pieces for four timpani”

2. One of the following works for solo Snare Drum:Alexej Gerassimez, Asventuras Nicolaus A. Huber, Dasselbe ist nicht dasselbeNicolas Martynciow, TchikAskell Masson, PrimWolfgang Reifeneder, CrossoverArnold Riedhammer, The ChallengeNebojsa Zivkovic, Pezzo da concerto no. 1 Michael Colgrass, Six Unaccompanied Solos for Snare Drum (Free selection of single movements) Dan Heslink, Theme and Variations

3. One of the following pieces for solo marimba:Keiko Abe, Variations on Japanese Children’s SongsJacob Druckman, Reflections on the Nature of Water (Free selection of single movements)Anna Ignatowicz, ToccataPeter Klatzow, InyangaKazunori Miyake, ChainTakatsugu Muramatsu, LandMarta Ptaszynska, Blue LineEric Sammut, Four RotationsEmmanuel Séjourné, Prélude no. 1John Thrower, True Colours (short version)Nebojsa Zivkovic, Ilijas

SecondRound(about45minutesperformancetime)

4. One of the following pieces for solo marimba:Hans Werner Henze, Five Scenes from the Snow CountryToshi Ichiyanagi, The SourcePeter Klatzow, Dances of Earth and FirePaul Lansky, Three MovesBruno Mantovani, Moi, jeuAkira Miyoshi, RippleJohn Psathas, One Study One Summary (without Junk Percussion)Joseph Schwantner, VelocitiesSalvatore Sciarrino, Il legno e la parolaAndrew Thomas, MerlinAlejandro Vinao, Khan Variations Nebojsa Zivkovic, Magma op. 37 or Ultimatum 1

5. One of the following works for solo vibraphone:Christopher Deane, Mourning Dove SonnetEdison Denisov, Black Clouds (Schwarze Wolken)Franco Donatoni, OmarBruce Hamilton, InterzonesPhilippe Hurel, Loops IIPhilippe Manoury, Le livre des claviers IVFrederick Martin, Encore le style de l’acierHelmut Oehring, Foxfire drei (kaliumchlorid)Boguslaw Schaeffer, Constructions Josep Soler, I com el cant del rossinyolBen Wahlund, Hard-Boiled Capitalism and the Day Mr. Friedman realized Google is a Verb

6. One of the following works for percussion:Javier Álvarez, TemazcalGeorges Aperghis, Le corps à corpsPierluigi Billone, Mani. De LeonardisHeinz Holliger, Voi(es)x metallique(s) (Zinngeschrei)Nicolaus A. Huber, Clash Music (from Herbstfestival)François Sarhan, Home WorkGiacinto Scelsi, Ko-Tha IKlaus Hinrich Stahmer, Erinnerungen an einen HolzsammlerNebojsa Zivkovic, To the Gods of Rhythm

Percussion





FinalwiththeSymphonieorchesterdesBayerischenRundfunks

10. One of the following works:Tobias Broström, Arena – Percussion Concerto no. 1 Ferran Cruixent, Focs d’artifici Joseph Schwantner, Percussion Concerto Avner Dorman, Frozen in Time Christopher Rouse, Der gerettete Alberich

There is no obligation to perform the works from memory. The given time of performance may not be exceeded or undercut significantly!

Semi-final(about30minutesperformancetime)

7. Johannes Fischer, composition commissioned for the ARD International Music Competition 2014The sheet music will be supplied along with the admission to the competition. The commissioned composition may be performed with the music, it may not be publicly performed prior to the competition.

8. One of the following works for multiple percussion:Minas Borboudakis, Evlogitária Peter Eötvös, Psalm 151 Morton Feldman, The King of Denmark Brian Ferneyhough, Bone Alphabet Vinko Globokar, Dialog über Erde or Toucher Hans Werner Henze, Prison Song Maki Ishii, Thirteen Drums Michael Jarrell, Assonance VII Michio Kitazume, Side by Side Helmut Lachenmann, Intérieur I David Lang, The Anvil Chorus Askell Masson, Frum – a Drum Song Matthias Pintscher, Nemeton Karlheinz Stockhausen, no. 9 Zyklus Kevin Volans, She who sleeps with a small blanket Christian Wolff, Percussionist Songs Iannis Xenakis, Rebonds A & B or Psappha Walter Zimmermann, Riuti (Rodungen und Wüstungen)

9. One solo piece of free choice (also with electronics)

Repe

rtoi

re

17Percussion

JuryPercussionPeter Sadlo Chairperson GermanyRaymond Curfs NetherlandsWilfried Hiller GermanyMarta Klimasara PolandRobyn Schulkowsky USAEmmanuel Séjourné FranceJan Williams USA




Pre-selection

Wolfgang Amadeus Mozart, Allegro and Andante for Organ K. 608

FirstRound

1. Wolfgang Amadeus Mozart, Andante in F major K. 616

2. Samuel Barber, Summer Music op. 31

3. Mátyás Seiber, Permutazioni a cinque

SecondRound

4. Anton Reicha, Quintet in D major, op. 91 no. 3 or Quintet in E flat major, op. 88 no. 2

5. Giya Kancheli, composition commissioned for the ARD International Music Competition 2014The sheet music will be supplied along with the admission to the competition. The commissioned composition may be performed with the music, it may not be publicly performed prior to the competition.

6. One of the following works:Pavel Haas, Wind Quintet op. 10Paul Hindemith, Kleine Kammermusik op. 24 no. 2Heitor Villa-Lobos, Quintette en forme de chôros

Semifinale

7. One of the following wind quintets:Paul Taffanel, in G minorFranz Lachner, no. 2 in E flat major

8. One of the following wind quintets:George Onslow, in F major, op. 81 no. 3*Franz Danzi, op. 68 no. 2

Finale

9. Carl Nielsen, Wind Quintet op. 43

10. One of the following works:György Ligeti, 10 Pieces for Wind QuintetLuciano Berio, Ricorrenze

* The best interpretation of one of the marked works will be awarded the special prize by the association “Bru Zane” (information regarding the sheet music can be found at: www.ard-musikwettbewerb.de).

18Wind Quintet

Repe

rtoi

re

JuryWindQuintetGeorge Caird Chaiperson Great BritainPirmin Grehl GermanyKarl Leister GermanyWolfgang Meyer GermanyRamón Ortega-Quero SpainMarc Trénel FranceSzabolcs Zempléni Hungary




VioloncelloTuesday, September 2: 1st round beginsSaturday, September 6: 2nd round begins Tuesday, September 9: semi-final Friday, September 12: final

PianoThursday, September 4: 1st round beginsMonday, September 8: 2nd round beginsThursday, September 11: semi-final Sunday, September 14: final

PercussionMonday, September 1: 1st round beginsThursday, September 4: 2nd round beginsSunday, September 7: semi-final Wednesday, September 10: final

WindquintetThursday, September 4: 1st round beginsSunday, September 7: 2nd round beginsWednesday, September 10: semi-final Saturday, September 13: final

PrizeWinners’ConcertsConcert with the Münchner RundfunkorchesterWednesday, September 17, 8:00 P.M.

Concert with the Munich Chamber OrchestraThursday, September 18, 8:00 P.M.

Concert with the Symphonieorchester des Bayerischen RundfunksFriday, September 19, 8:00 P.M.

19Schedule 2014

Sche

dule




Thomas GoppelPresident of the Bavarian Music Council

Wolfgang HeubischFormer Bavarian State Minister of Science, Research and Culture

Winrich HoppArtistic Director of “musica viva” at Bayerischer Rundfunk

Mariss JansonsChief Conductor of the Symphonieorchester und Chor des Bayerischen Rundfunks

Martin Maria KrügerPresident of the German Music Council

Zubin MehtaConductor

Kent NaganoConductor

Peter Ruzicka Head of the Biennale Music Theater Festival, Munich

Albert ScharfFormer Director General of Bayerischer Rundfunk

Christian UdeLord Mayor of the State Capital of Munich

TheGeneralDirectorsoftheARD

Ulrich WilhelmBayerischer Rundfunk

Helmut ReitzeHessischer Rundfunk

Karola WilleMitteldeutscher Rundfunk

Lutz MarmorNorddeutscher Rundfunk

Jan MetzgerRadio Bremen

Dagmar ReimRundfunk Berlin-Brandenburg

Thomas KleistSaarländischer Rundfunk

Peter BoudgoustSüdwestrundfunk

Tom BuhrowWestdeutscher Rundfunk

Peter LimbourgDeutsche Welle

Willi SteulDeutschlandradio

20Honorary Committee Patrons

Hon

orar

y Co

mm

ittee

| Pa

tron

s




Ulrich Wilhelm, ChairmanDirector General of Bayerischer Rundfunk, Munich

Dorothea EnderleHead of the Music Division, Südwestrundfunk, Baden-Baden

Brigitte FassbaenderArtistic Director of the Richard-Strauss-Festival Garmisch-Partenkirchen

Siegfried MauserPresident of the Academy of Music and Theatre, Munich

Christoph PoppenConductor

Detlef RentschProgram Director of the Mitteldeutscher Rundfunk Cultural Division, Leipzig

Werner WittersheimHead of the Music Program Group, Westdeutscher Rundfunk, Cologne

ArtisticDirectoroftheCompetitionAxel Linstädt

AdministrativeDirectorElisabeth Kozik

AssistantAmelie Krause

IncollaborationwithBR-KLASSIKDirector: Oswald Beaujean

Mai

n Co

mm

ittee

| D

irect

ors

21Main Committee Directors




2015CompetitionVoice – Flute – Trombone – Piano Duo

2016CompetitionDouble Bass – Harp – Horn – String Quartet

Informationen:Internationaler Musikwettbewerb der ARDc/o Bayerischer RundfunkRundfunkplatz 180335 MünchenDeutschlandTelefon ++49 89 5900-2471Fax ++49 89 5900-3573E-Mail: [email protected]

Upc

omin

g Co

mpe

titio

ns

22Upcoming Competitions

Imprint

Responsible for the contentAxel Linstädt

Editorial officeElisabeth Kozik, Amelie Krause

Design and compositionGorbach, Büro für Gestaltung, Utting

Editorial deadlineOctober 1, 2013

Subject to alterations!In cases of doubt, the German text applies.

The text of this invitation is available in the Internet in German, English and French, the invitation with reper-toire can be downloaded (application will be available in February 2014): www.ard-musikwettbewerb.de




September Violoncello Piano Percussion Wind quintet Box/brochure-2014... · The 63rd ARD...

Documents

Transcript of September Violoncello Piano Percussion Wind quintet Box/brochure-2014... · The 63rd ARD...