SEO Portfolio

: past: present: future= I < >changbae. seo

Contents

Fashion Design

Watermark, 2009Function Follows Form 3D, 2008Function Follows Form 2D, 2008Creative Swarm, 2007La Bargargerie, 2006Elite ModelÕ s Fashion, 2006Silk Road, 2004Chaos, 2004Hanbok, 2003SpiderÕ s Web, 2003Reborn, 2003

Freelance Works

Digital Fashion Print Book Publication, 2010JAGUAR XF 11 Brouchure, 2010FlashDress, 2010

Alexander McQueen

Prints Development, 2010 S/S RTWPattern Placement, 2010 S/S RTWPrints Development, 2010 S/S RESORTPattern Placement, 2010 S/S RESORTColour Up, 2010 S/S RTWSkulls, 2010 S/S RTW, RESORTScarf, 2010 S/S RTW, RESORTEngineered Print, 2010 S/S RTW, RESORT

3F Project

Flower typography, 2009Daily Laundry, 2009Kill UR Speed, 2009Smoking Kills Font, 2009

Digital Fashion Prints Book PublicationBird Print, 2010

Digital Fashion Prints Book PublicationMetal body Print, 2010

Digital Fashion Prints Book PublicationCosmos Print, 2010

Digital Fashion Prints Book PublicationButterfly Eagle Print, 2010

Digital Fashion Prints Book PublicationFlower and Butterfly_Circle Print, 2010

Digital Fashion Prints Book PublicationFlower and Butterfly Print, 2010

Digital Fashion Prints Book PublicationVinetree Print, 2010

Digital Fashion Prints Book PublicationSeaweed Lace Print, 2010

Digital Fashion Prints Book PublicationGeometric Print, 2010

T H E X F C O L L E C T I O N

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다이내믹 팩 **

재 규어의 어댑티브 다이나믹스 시스템 및 S H A D O W 혹 은 S P A R K L E S I L V E R 로

마 감한 2 0 인 치 5 - 스 포크 V O L A N S A L L O Y W H E E L S

에어로다이나믹 팩은 Polaris White, Botanical Green, Spectrum Blue, Ultimate Black, Lunar Grey, Liquid Silver 중에서 선택 가능합니다.52

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가슴이 터질 듯한 드라이빙의 반응은

즉각적입니다. 더욱 강해진 XF의 새로운 3.0

리터 디젤 S 엔진의 폭발적인 61.2kg.m의

토크를 당신의 온 몸으로 느끼실 수 있습니다.정지 상태에서 100km/h까지의 가속을 6.4초에 가능하게 하는 것은 대단한 에너지입니다. 안전과 속도에 대한 즉각적인

반응도 마찬가지입니다. 275마력의 3.0리터 디젤 S엔진과 240마력의 3.0리터 디젤엔진 모두 새롭고 혁신적인 트윈터보

시스템을 적용하고 있습니다. 다른 사이즈의 터보 차저가 차례대로 움직이며 함께 이러한 퍼포먼스를 만들어냅니다. 배기

가스 투입량이 낮을 때에는 낮은 엔진 스피드로 큰 터보가 작동하며 저속에서 강력한 힘을 발휘 합니다.

엔진의 회전이 증가하면, 두 번째로 작은 터보 차저가 V6를 통해 중간 정도의 퍼포먼스를 만들어 냅니다. 그 결과 Turbo

Lag 현상을 줄이고 낮은 스피드에서의 반응성과 높은 스피드에서의 터보 차저의 최대 효율을 높일 수 있게 되었습니다. 이런

폭발적인 퍼포먼스에도 복합 회전 평균이 6.81/100km이고 뛰어난 179g/km의 이산화탄소 배출량을 유지합니다. 최대한으로

힘을 활용하고 효율성을 잃지 않으면서 귀하가 XF에 기대하는 다이내믹한 퍼포먼스를 가능하게 합니다.

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*공장 설치 옵션 혹은 액세서리 가능.

액세서리에 관한 더 많은 정보는 가까운 전시장으로 문의바랍니다.

I L L U M I N A T E D S I L L T R E A D P L A T E SB R I G H T F I N I S H P E D A L K I T

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X F A C C E S S O R I E S C H R O M E S I D E P O W E R V E N T *

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Upper facia

Polaris White Ebony Botanical Green*

*Metallic paint

Caviar* Liquid Silver* Lunar Grey* Vapour Grey* Pearl Grey* 2010년 중순까지 가능

Spectrum Blue* Stratus Grey* 2010년 중순까지 가능

Frost Blue* Indigo* Ultimate Black* Claret* Cashmere*

19D Artura 19D Caravela 20D Selena 20D Senta

Engine3.0 V6 페트롤 2 O O O 2 기본

2 O O O O 옵션2 O O O – 불가능 2 O O O

E X T E R I O R C H O I C E

A L L O Y W H E E L S

E X T E R I O R C O L O U R S

I N T E R I O R C H O I C E

H E A D L I N I N G SV E N E E R S I N T E R I O R E N V I R O N M E N T

Knurled Aluminium with Figured Ebony

Knurled Aluminium with Satin American Walnut

Knurled Aluminium with Burr Walnut

Knurled Aluminium with Rich Oak

Warm Charcoal seats with Warm Charcoal and Ivory contrast stitch and Dove

Barley seats with Truffle and Barley contrast stitch and Canvas

Spice seats with Warm Charcoal and Spice contrast stitch and Canvas

Ivory seats with Truffle and Ivory contrast stitch and Canvas

Ivory seats with Oyster and Ivory contrast stitch and Canvas

Canvas Jaguar Suedecloth Premium Headlining

Dove Jaguar

Suedecloth Premium Headlining

I N T E R I O R S H O W N I V O R Y S O F T G R A I N L E A T H E R S E A T S

K N U R L E D A L U M I N I U M W I T H

F I G U R E D E B O N Y

O Y S T E R S O F T G R A I N L E A T H E R

W I T H I V O R Y C O N T R A S T S T I T C H

O N I N S T R U M E N T P A N E L U P P E R

A N D D O O R T O P R O L L S

T W I N N E E D L E C O N T R A S T S T I T C H I N G W I T H U N I Q U E

C O L O U R W A Y S

S U E D E C L O T H P R E M I U M H E A D L I N I N G

D E E P P I L E C A R P E T M A T S W I T H C O N T R A S T

E D G E B I N D I N G

U N I Q U E F I G U R E D E B O N Y V E N E E R

A C T I V E V E N T I L A T E D F R O N T S S E A T S -

H E A T E D / C O O L E D

Softgrain leather with twin needle contrast stitchUnique Figured Ebony veneer19D Artura Alloy Wheels

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X F P r e m i u m

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X F R 5 . 0 V 8 S u p e r c h a r g e r D i r e c t I n j e c t o n 5 1 0 마 력 6 3 . 8 k g . m

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X F R 5 . 0 L i t r e V 8 S u p e r c h a r g e r 0 - 1 0 0 k m / h 4 . 9 초

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Flash Dress Print and typeface, 2010

2010ÊS /SÊREA DYÊT OÊW EAR

In Alexander McQueen 2010 S/S RTW, each dress was a work of computer-generated art. Most prints were developed from snake, metal body, rose, coral, bug, mantis, moth, octopus and jellyfish. Each print source is engineered into body and garment shape.

PRINTS DEVELOPMENT

VERDIGRISÊ BODYÊ /Ê FRONT GOLDÊ ROSEÊ BODYÊ /Ê FRONT SILVERÊ SNAKEÊ BODYÊ /Ê FRONT SNAKE GREENÊ MOTHÊ CAMOUFLAGE SANDYÊ MOTHÊ PIXELATEÊ

JELLYFIHSÊ PIXELATEÊ /Ê BLUE GREENÊ MOTHÊ CAMOUFLAGEÊ CIRCLE MANTISÊ CIRCLEJELLYFISHÊ &Ê OCTOPUS ABYSSÊ JELLYFISH JELLYFISHÊ ANDÊ SNAKEÊ CIRCLEÊ V2

In Alexander McQueen 2010 S/S RESORT, prints has mixed geometric pattern with handcraft drawing. Eagle, fox, camouflage, optical illusion, gaffer tape, bug, geometric pattern, spin art and handcraft painting are used to develop prints.

PRINTS DEVELOPMENT

GEOMETRIC THIN PATTERN / YEL & BLk GEOMETRIC THIN PATTERN / BLUE & RED GEOMETRIC ILLUSION V2 GEOMETRIC PATTERN FACE V1 GEOMETRIC PATTERN FACE V2GEOMETRIC ILLUSION V3

PLANE CAMOUFLAGE HEXAHEDRON PATTERN CUBE TO FADE PATTERN AFRICAN DRAWING PATTERNILLUSION CIRCLE PRINT GEOMETRIC COMBINATION JACQUARD V2

2010ÊS /SÊÊRES ORT

Pattern placement is the process to replace prints on new graphic documents, ac-cording to the real size garment patterns or to place patterns into right position on print fabrics. It can prohibit mistakes to cut out prints fabrics wrongly, also can give perfect matching between seam to seam.

PATTERN PLACEMENT

2010ÊS PRINGÊ/ÊS UMMERREADYÊT OÊW EAR&ÊRES ORT

Embroidery Jacket Placement1400x2000

Organza

GreenMoth Big sleeve Top Placement

1400x2500Satin Organza

Gold Body Rose DressPlacement / Front

1400x3000Organza / Chiffon

Gold Body Rose DressPlacement / Back

1400x3000Organza / Chiffon

Jellyfish Jacket / Skirt Placement

1400x2500Leather

Geometric Pattern Jacket and Leggins / Blue & Red

Placement1400x2000

Organza / Lycra

Geometric Pattern Dress / Yellow & Black

Placement1400x2000

Organza

Geometric Pattern Dress / Yellow & Black

Placement

Geometric Pattern Jacket and Leggins / Blue & Red

2010ÊS PRINGÊ/ÊS UMMERREADYÊT OÊW EAR

Colour_up is the way to give an efficiency in garment design process. Through the colour_up process, designers can save time and expenses. Also designers can try lots of different design ways including different colours, shapes and prints without painting, drawing, cutting and sewing.

COLOUR UP

Optical Jacquard Pattern Skull250x350

Blue Camouflage Skull250x350

Colour-Blind Dot Skull250x350

Optical Jacquard Pattern Skull Pixelate90x900

2010ÊS PRINGÊ/ÊS UMMERREADYÊT OÊW EARRESORT

Skull is the key factor to symbolize Alexander Mcqueen. Every season skulls have been developed different ways, according to the catwalk concepts. In 2010 S/S RTW and RESORT, skulls are generated from snake, jellyfish, octopus, greenmoth, nurave, rose, optical pattern, geometric pattern and camouflage. These developed skulls are used to make T-shirts and scarves in McQueen commercial line.

SKULLS

Jellyfish & Octopus Skull250x350

Green Moth Skull250x350

Nurave Skull250x350

Net Camouflage Skull250x350

2010ÊS PRINGÊ/ÊS UMMERREADYÊT OÊW EARRESORT

Scarf design is the next step after developing skulls. All skulls are placed on scarf templates or are mixed with different colour background, new prints and catwalk concepts. In 2010 S/S RTW and RESORT, scarves are developed to use snake, jellyfish, octopus, greenmoth, nurave, rose, camouflage, optical pattern and geo-metric pattern.

SCARF

2010 S/S RTWGreenmoth Skull ScarfSilk1000x1000

2010 S/S RTWCamouflage Skull ScarfSilk1000x1000

2010 S/S RTW, Jellyfish & Octo-pus Skull ScarfSilk1000x1000

2010 S/S RESORTBlue Camouflage Skull ScarfSilk1400x1400

2010ÊS PRINGÊ/ ÊS UMMERREADYÊT OÊW EARRESORT

When digital prints are developed, print elements are engineered into body shape: neck, shoulder, bust, waist, hip and leg. This process are very important to make engineered print textile in the beginning. After this step, 2 or 3 engineered body are placed on 1400mm width graphic document. The gap between engineered body shapes is filled out, using print elements

ENGINEERED PRINT

2010 S/S RESORTEngineered Green Metal Body V1

450x1100

2010 S/S RTWEngineered Gold Metal Body

450x1100

2010 S/S RESORTEngineered Green Metal Body V2

450x1100

2010 S/S RTWEngineered Silver Metal Body

450x1100

2010 S/S RTWEngineered Penguin Body V1

450x1100

2010 S/S RTW Engineered Seaweed lace Body V1

450x1100

2010 S/S RTW Engineered Penguin Body V2

450x1100

2010 S/S RTWEngineered Seaweed lace Body V2

450x1100

3F Project_Daily Laundry, 2009

3FÕ s visual language, we arranged with our clothes turn toÔ Function Follows FormÕ

3F Project_Cooking Time, 2009

3FÔ s visual language, we used with chips, a bites of carrot andbeans turn to Ô Function Follows FormÕ .

3F Project_Kill UR Speed, 2009

3f project want to give a message to drivers Ô kill ur speedÕ .Using POST IT, the typography was made on the fence in traffic lane near by school.

3F Project_Smoking Kills Font, 2009

Smoking kills Font is one of project in 3F project.Ô Smoking killsÕ is made by cigarette butts.

Watermark, 2009

Watermark is the work to find my own style of illustration. Basically, I draw idea sketch on paper after then add effects, using illustrator and photoshop in computer. The concept is to give strong contrast with black and white, but black and white are connected with layered gray tone watermarks.

Illustrator: Changbae SeoIllustrator cs3+Photoshop cs3

Project Description

Computer power and digital technology have developed exponentially within the last decade. 3D visualisation has played a significant role across a diverse range of design sectors including architecture, product design and the digital games industry. In fashion however, most designers still use traditional design methods which inhibits creativity, manufacturing efficiency and associated profitability. My investigation explores a number of formative design processes utilising new technology, appropriate aspects of 3D visualisation and how these aspects can inform and extend the boundaries of fashion design and innovation.

Proposal

To identify the symbiotic relationship between fashion and contemporary design processes that use 3D digital technology in order to develop new meaning and possibilities for the future of fashion. The methodology which draws on the intellectual principles and concepts inherent in Ô high designÕ including architecture and automobile design also reflects the evolution of my personal design process and skills. The resultant virtual catwalk provides an insight into the advantages of migrating to a 3D environment from a design, manufacturing and consumer orientated prospective.

This project explores how the application of 3D digital technologies can be utilised within the fashion design process to improve visualisation, extend creativity and satisfy future manufacturing requirements. It demon-strates specific applications of 3D technology already established in other areas of the creative industries and how this can be applied to extend contemporary practices in fashion design.

Function Follows Form_3D, 2008Fashion Futures:Extending Creativity within 3D Space

Function Follows Form 3D Project, 2008

Exhibited at Bargehouse gallery Oct 29 to Nov 2, 2008Designer: Changbae SeoProgrammes: Maya, Photoshop

Function Follows Form_3DDesign Process

Modeling > UV mapping > Texturing > Rigging> animation> Lighting> Camera> Rendering

Design, Modeling, Texturing, Animation, Rendering by Changbae SeoMaya+PhotoShop cs3+FinalCut Pro 5.0

Function Follows Form_3DGarment Designs

Based on Function Follows Form 2D garments design, designs are redesigned as 3D garments, using Maya. 3D programme has various advantages to design garments because of rapidly modification, real-time rendering, UV texturing, adapting real size fabric and various render views. In the future, 3D programmes will provide efficient ways of garment design to fashion designer and fashion industries.

Modeling: MayaRendering: MayaTexturing: Photoshop, Maya

Function Follows Form 3D garment design, 2008

Modeling: MayaRendering: Maya

Texturing: Photoshop and Maya

Function Follows Form, 2008 Ô Function follows FormÕ is a quotation of Postmodernism Architecture Robert Venturi. Accord-ing to the way of designing products and using materials, we can give a new function or not. If we use the things which are we usually throw away in trash can, When we think a different way of designing and using, it is important not only how to make it but also, how to use it.

To design products, form and function are important factors. There is close correlation between form and function. Designers design the form of products, consumers use the functions. Same functions can be changed differently, according to form. Also, new function can be created, as form is changed. Good function can follows good design. Ô Function Follows FormÕ is the combination of 3 concepts: Postmodernism, 60Õ s Culture, and Sustainability. Dissymmetric, mini, and recycling are key elements to design Ô Function Follows FormÕ garments. Change new form of garment to use recycing materials, and the dissymmetric form of detail, shape, and line is added to mini concept.

The Sixties

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Postmodernism

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Sustainability

Function Follows Form 2DConcept Board, 2008

Photoshop cs3

left2D Design GarmentPhotoshop+Illustrator

right3D Design GarmentPhotoshop+Maya

Function Follows Form_2D Design, 2008

Based on concept of the mixture of Ô The SixtyÕ , Ô PostmodernismÕ and Ô SustainabilityÕ , mini, see-through, military, metal, dissymmetry, pop art, hippie, sustain-able fabric, layered look, and recycling material are combined together.

Function Follows Form 2DGarment Designs, 2008

Designer: Changbae SeoIllustrator cs3+Photoshop cs3

Printed Canvas+Cowlether

L>R220x450x300180x420x300250x550x350

LA BAGAGERIE, 20062007 S/S Collection

These bag designs were the works when I worked in Belmont Korea ltd. La bagagerie is the bag brand in Paris. These designs for LA BAGAGERIE 2007 S/S. Printed canvas and light tone colours leather were combined together.

Cow leather+Goat Leather+Silver Print+Linen

L>R180x450x300100x280x150130x380x180

LA BAGAGERIE, 20062007 F/W Collection

These designs were for LA BAGAGERIE 2007 F/W. Cow leather and goat leather are combined together. Design con-cept is buckle and protruding thick line in the middle of bag. Silver logo printed on leather gives a point.

Elite ModelÕ s Fashion, 2006 2007 F/W Collection

Pocket and Ô eÕ logo zipper puller is the point of these bag. It give sporty in design. Suede-touching PU was used mainly and cow leather was mixed in trim of the bag. Bright colour thick tread was stitched on top of various colours: Green, Yellow, Brown. It gives sporty and casual feeling in design.

Cow Leather+Suede touching PUL>R

100x300x450150x350x200150x450x250


Big Elite logo medal accessory and printed logo is main concept of design. Cross suede line give a point in design.

Suede+PUL>R

120x250x320100x300x35080x200x150


These designs were Elite ModelÕ s Fashion 2007 S/S. Casual, colourful and sporty is the concept of the Elite ModelÕ s Fashion bag design. These designs used washing soft PU. Washing PU had different colour levels in different parts of PU. The way of matching different colour levels of PU makes design interestingly.

Washing PUL>R

120x280x150180x450x250150x350x180

Silk+Satin+Wool+Suede+Synthetic leather

Photographer: Changbae SeoModel: Younglang Ko

Silk Road, 2004

The Silk Road was an extensive interconnected network of trade routes across the Asian continent con-necting East, South, and Western Asia with the Mediterranean world, including North Africa and Europe. Silk Road was not only conduits for silk, but also for many other products. They were very important paths for cultural and technological transmission for thousands of years. This work inspired from Silk Road. All garments has the concept the mixture of culture, fabric, shape and colours.

Silk Road garment designs were exhibited at GANA Art Centre in Seoul Korea in Oct, 2004

Silk+Satin+Wool+SuedePhotographer: Changbae Seo

Model: Younglang Ko

Silk+Satin+Wool+Suede+Knitting WoolPhotographer: Changbae Seo

Model: Younglang Ko

Chaos, 2004

Sometimes people trap themselves in various rules. The rules can give efficiency in work process, but sometimes these rules prohibit designers’ creativity. I want to try escape the rule of pattern making and draping. This work has no rules. Just tear gauze and connect each gauze together. I spend 40yards of gauze and 60hours to make this work. Even I spent more time and fabric to make one garment, but it has different meaning compare with other works.

Gauzedye blue-greencolour in gauze

Hanbok, 2003

Ô HanbokÕ is the Korean traditional costume. The shape of Hanbok start from box shape and made shape as fold and sew it. Ancient didn’t want to cut fabric as much as possible because it can be modified as different shape later according to changing body shape or age.

This work inspired from the way of making Ô HanbokÕ , but I added changeable form in it. It can be changed differently as skirt, shawl, dress, and coat, according to how people want to wear it.

Changeable shape is added on Hanbok. Layered skirt can be changed as a shawl.

Designer: Changbae SeoPhotographer: Changbae SeoLinen+Silk+Poly

Changeable shape is added on Hanbok. Dress can be changed as a skirt when several panels of upper part of dress are got loose.

Designer: Changbae SeoPhotographer: Changbae SeoLinen+Silk+Poly

Designer: Changbae SeoPhotographer: Changbae SeoWool+PolyDark Green, Vergandy

SpiderÕ s web, 2003

This work started from Ô break formal formÕ . I want to change traditional jacket form. I want to change the back side of jacket, because I could not find any differences normal jacket. This work inspired from spiderÕ s web. I changed the back side of jacket as the spider net. Each panel twist the others and sew it together, but the connection of each panel is not strong enough to make good shape. The reason is panels were not enough to fix together. However, it break formal jacket form even it need development.

Re-born, 2003

Can-tabs are regenerated as a recycling garment. Can-tabs are connected with knitting thread. Even the things are regarded as useless, put meaning into it, it can get new function as a garment. Later this work has developed as Ô Function Follows Form 2D & 3DÕ

Designer: Changbae SeoPhotographer: Changbae SeoCan opener+Knitting Wool

Contact

+web sitehttp://changbaeseo.comhttp://fffproject.com

[email protected]

+m.phone+44(0)7971244978 _UK+82(0)1099886005_South Korea

http://changbaeseo.com

http://fffproject.com

[email protected]

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