SEE WHAT I WANNA SEE - Dramatists Play Service · Words and Music by Michael John LaChiusa...
Transcript of SEE WHAT I WANNA SEE - Dramatists Play Service · Words and Music by Michael John LaChiusa...
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SEE WHAT I WANNA SEE
Words and Music by
Michael John LaChiusa
Piano/Vocal
This score has been downloaded from
www.dramatists.com and is for perusal only.
No performance or use of this score is
allowed without written authorization
from Dramatists Play Service, Inc.
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Piano
Œ
‹
@
cym. rollf
f
Cue 1
œ
>
œœ œ
.˙
U
‹
Œ Ó
U
Cue 2
œ
>
œœ œ
.˙
U
Œ Œ Œ
U
‰‹>
Kabuki blocks
‹>
Cue 3j
œ œj
œ .˙
UAd lib Japanese flute
oU
Rainstick Segue
0. OpeningMichael John LaChiusa
2005
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No performance or use of this score is
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##
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c
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Piano
Moderato
P sensual
∑
Œ
Ú90
.œ
>
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>
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KESA4
∑
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7
œœ
œn œ œœ
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night I kiss my lo - ver for the7
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last time. He
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comes for me at mid - night; -
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c 2004, 2005
1.Kesa and Morito (Kesa) Michael John LaChiusa
2
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10
œ œœ œn œ
Œ
Slip-ping past the gate;
10Œ .
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5
œ œ#œ œ œ
Float - ing to my bed.
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13 5œ
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let his hands car - ess
13Œ
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me for the last time.
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16
œnœ œ œ
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knifes in to my bo - dy;
16Œ .
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lo-ver is in - cre - di-bly en -
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19
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dowed. Thick er than my
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hus band.)
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3
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No performance or use of this score is
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21
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as I kiss my lo - ver for the
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room dis-solves a - round me;
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24œ œ#
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I de - sert my bo - dy;
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All of time is
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Dusk is dawn;
27
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Dawn is noon;
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Late is now;
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30
J
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Now is soon;
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This is what it's like
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to be
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1. Kesa and Morito (Kesa)4
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33
œœ .˙
God.
33
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Í
lightly percussive, rapid triplets
sustained
35œ
Meno (in 2)
.œ
œn œ œ
watch my - self out -
35 wwww
‰
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œœœœ‰
œœœœ
‰
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œœœœ‰œœœœ
3
Œœœ
œœ
3
œœnn
œœ
œœ
w
w&
œ
.œœn ˙
side my - self
‰œœnœœ
‰ œœœœ
‰œœœœ
‰
œ
œ
œ
œ ‰œœn œœ ‰ œ
œnœœ
3
œœ
œœ
œœ
3
œœnn
œœ
œœ
&
&
&
###
###
###
37
œ œn œ œ
Sleep and breathe and
37‰œœ œœ
‰œœn œœ
‰œœœœ
‰
œ
œ
œ
œ ‰
œœnn
œœ ‰
œœ œœ
3
œ
œ
œ
œœœ
3
œœnn
œœ
œœ
œ.œ œ ˙
wake and sigh
‰œœnœœ‰
œ
œn
œ
œ ‰œœœœ ‰
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œ
œ
œ‰ œœ œœ
3
œœ
œ
œœœ
3
œœœ
nn
œœ
œœ
?
&
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##
#
###
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42
42
42
c
c
c
39œ œ œ œ
Laugh and kiss and
39‰ œœœ
œœœ
‰ œœœœ‰ œœœ
œœœ
‰ œœœ
œœœ‰œœœœœœ‰ œœœœ
3œ# œ œ
3
œ œ œ˙
˙
molto crescendo
œ œ ˙
fuck and lie,
‰ œœœœn
œœœœ
‰œœœœnœœœœ‰œœœœ
œœœœ‰
œœœ
œœœ ‰œœœ
œœœ‰œœœœœœ
3Œ œ
œœn
œœœ
3
œ
œ
œ
œ
œ
œ
w
wn
n
>
œ œ œ œ
My god, it's
‰
œœœ
n œœœ ‰
œœœn
œœœ
‰
œœœ#œœœ
3œ
œ
poco ritard
œ
œ
œ
œ
n
1.Kesa and Morito (Kesa) 5
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c
c
c
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.
.
.
.
.
.
.
.
.
.
.
.
.
.
.
.
bb
bb
bb
~~~~~~~~~~~~~~~~~~~~~~~~~
Fast Swing (edgy, urban---50's noir)
∑
q»™™º
∑
∑
Y
@
U
p
cym. roll
Play 2x
∑
∑
∑
x
Drums (sticks) Ad lib Be-bop
+ Gamelan
x x x
‰
x x x
œ œ œ œ
∑
∑&
∑
x x x x
‰
x x x
œ œ œ œ
∑
œœ
Vibes
œœ
œœ
œœbb
œœœœ œœ
œœ
À À À À
Bb7
∑
+quasi be-bop ride cymbal
&
&
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ã
bb
bb
bb
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
~~~~~~~~~~~~~
5
∑
œœ
œœ
œœ
œœbb
œœ
œœb
5
À À À À
Eb7
5
∑
∑
∑
Vibes cont'd (add marimba---dueling)
À À À À
Bb7
∑
∑
∑
À À À À
Eb7
∑
œ
(swing 8ths)
add Tenor Sax, ad lib---wilder and wilder, out of timeœn œ# œn œ œ
œœ
∑
À À À À
Bb7
∑
∑
∑
À À À À
Eb7
∑
R Shomon Transition 1AMichael John LaChiusa
2005
10
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No performance or use of this score is
allowed without written authorization
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&
&
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ã
bb
bb
bb
.
.
.
.
.
.
.
.
.
...
.
...
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
◊
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
add Bar. Sax, sustain through vampvamp till cue
10
w
∑
10
À À À À
Bb7
10
∑
∑
∑
À À À À
"Eb7
∑
Ï
Ï
Ï
Ï
Immediate Cut-Off on Janitor's Reveal. Segue
Immediate Cut-Off on Janitor's Reveal. Segue
Total chaos
∑
"
∑
À À À À
Bb7
∑
"
R Shomon Transition 1A 11
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&
&
&
bb
bb
bb
bb
bb
bb
c
c
c
Janitor
ß
strike hard, harshlylet ring over next measure
Moderato-Swing 8's
dialogue
∑
‰œn
œœ
œœœ
n œœœœ
n ....
˙˙˙˙
U
œ œœœœœ
œœœœ
œœœœ
.
.
.
.
˙˙˙˙
U
∑
U
wwww
U
wwww
U
?
&
&
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bb
bb
bb
bb
bb
bb
Jan.
p
3
∑
JANITOR:"Big premiere. Japanese pic."
3‰
Ú120
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œb
>
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‰
J
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w
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‰
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7
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>
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w
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‰
J
œn
>
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>
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‰J
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R shomon 2. The Janitor
c 2004
12
This score has been downloaded from
www.dramatists.com and is for perusal only.
No performance or use of this score is
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bb
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Jan.
JANITOR11
‰
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œœœ
So what - cha want me to say?11
‰
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œœb
œœœ
‰
J
œ .˙
Œ .j
œ ˙
w
œ
œœ
œœb
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I told ya all that I know.
œ
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œœb
œœœ
‰
J
œ .˙
Œ .j
œœb ˙
˙
w
œ
œnœ
œœb œ œ œ
I told ya all that I seen.
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‰
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w
&
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bb
bb
bb
bb
bb
bb
Jan.
14
œœb
œ œ œb œ œœn
I on - ly told ya the truth.14
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‰J
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Œ .
j
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w
P
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The park.
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j
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A scarf.
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bb
bb
bb
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bb
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Jan.
17
Œ ‰ j
œn
3j
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A bo-dy.17
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‰
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œn .˙
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>
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The blood...
"I didn't see any knife. His knife, probably...His?
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&
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bb
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Jan.
F
20
∑
I mean, whoever did it--- with the knife you keep talking about. Which I didn't see".
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Direct Segue
I on - ly told ya the truth...
∑
∑
2. The Janitor13
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No performance or use of this score is
allowed without written authorization
from Dramatists Play Service, Inc.
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&
&
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c
c
c
c
Janitor
Thief
Piano F
˙Ó
(truth...)
∑
THE THIEF: "1951 will be remembered as the year Jimmy Mako terrorized New York City. Huh?"
ww
∑
∑
U
∑
U
"And you caught me. Get your names in the papers..."
ww
U
∑
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&
&
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Thief
Pno. P
not too slow, colla voce
THE THIEF3
‰ œ œ œ œ œ œ œ
So what-cha want me to say?3
‰
Ú120
œJ
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Œ
.˙w
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You got me.
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J
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Yeah,
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F
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I killed him. So
6
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wb
‰œ
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&
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Thief
Pno.
√
7
J
œ œ
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what - cha want me to do?7
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Why lie
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now? Why bo -
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ther?
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3. The Thief(She Looked at Me)
2003
14
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www.dramatists.com and is for perusal only.
No performance or use of this score is
allowed without written authorization
from Dramatists Play Service, Inc.
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&
&
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Thief
Pno.
√
piu mosso
11
‰œ
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I'll get the chair an - y - way;11
‰ œœœ.
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b.
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That's how it goes;
.
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Boo - Hoo. Was -
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n't the first time I14 w
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killed some - one;
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Ngggg
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Won't be the last time for
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Thief
Pno. P
17
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you.17
‰
accel.
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∑
"'Cept you do it dif'frent. You do it legally."
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Thief
Pno. F
more rhythmically
21
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such a big deal; it's ea -21 œ
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Mur - der is what I do best.
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j
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œb. œb
.œ.
3. The Thief (She Looked at Me) 15
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from Dramatists Play Service, Inc.
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Thief
Pno.
24
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Where I24
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grew up, it's
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some - thing you learn; Like pass -
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27œ œb
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in' your dri-ver's test.27
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n
#
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poco rall.
∑
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ä
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So what-cha wait- in' to hear?
‰
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wn
œ œŒ ‰ œ œ
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The de - tails?
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Thief
Pno.
√
31j
œ ‰ ‰J
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got it.
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Like all the screams and the fear?
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&
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Thief
Pno. f
34
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I know34
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you: You like
.
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pick up tempo
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it.
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3. The Thief (She Looked at Me)16
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No performance or use of this score is
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.
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.
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...Wife
Piano
Allegro (swing 8ths)
no pitch (perc.)
fingersnapsÍ
∑
∑
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THE WIFE
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THIEF: "...where baby performed."
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Vamp
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Fri - day night down on Hou -
Œ
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Wife
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5
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ston in a spot5
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called Bam - boo Jack's
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Wife
Pno.
9
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bo and drink - in'9
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2003
4. (See What I Wanna See) (A Major)
24
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&
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##
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Wife
Pno.
12
œ œ œ œ œœ
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ly was there with her Dad -12
‰
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ly met up with and took
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a shine to a hunk
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from East Po - dunk.18
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do - in'? What's he21
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4.The Thief (See What I Wanna See)25
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Wife
Pno.
24
œ œ œœn œ œn
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I see's A- mer -24
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i - can cheese; He'll melt
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when you get hot!"
j
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Wife
Pno.
27
œ ‰ . r
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And Sal - ly said: "I27
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see what I wan - na see;
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Wife
Pno.
30
œ œ œ œn œ œ
œ
know what I wan - na know.30
‰
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>....
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n
.
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j
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don't need you to tell
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&
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##
#
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#
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Wife
Pno.
33
œ œ œœ œ œ œ œ
me what's true; if you don't33
œœœœ.
‰ ‰œœœœ.
Œ Œ
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j
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œn œ œ œ
J
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like it, Dad-dy, you can
‰ œœœœ#
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crescendo
.œ
j
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blow, blow,
.
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˙˙
œ
œ
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>
œ
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>
4.The Thief (See What I Wanna See)
26
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No performance or use of this score is
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&
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##
#
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4
2
4
2
4
2
c
c
c
4
2
4
2
4
2
c
c
c
Wife
Pno.
◊
36
.œn
j
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blow, blow,36
.
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blow!"
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Pno.
(◊)
THIEF40
œn œœ œ
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Ev - er seen a ba - by like that?40
w
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œ
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>
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3
œ œ œ#œ œ
3
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rapid arpeggio (like an echoplex)
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Shak - in' her ass
6
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2
4
2
4
2
Pno.
(◊)
42
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like that.42
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.
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6
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.
.
œ
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3
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3
œ œn œ#
THIEF: "Gives me the ole Bethlehem Steel...Who is she?"
œb œœ œ# œ œn œ#
They don't make tits like that.
œœœn
œœ##
>œœ
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>
.
.
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3
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3
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4
2
4
2
4
2
.
.
.
.
.
.
.
.
.
... c
c
c
Wife
Pno.
(◊)
Safety
45
∑
CUE OUT (HUSBAND):"My wife."
45
˙˙
œ œ
3
œ œn œ#
f
∑
3
œ
œ
fl
œ
œ
fl
œ
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fl
3
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fl
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fl
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fl
œ
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n
>
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>
F rock it
œ œ œ œ œœ
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Sa - tur - day night at the same
‰
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.
‰
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.
‰
3
œ œœ œ œ
. .œ
r
œn œ œ# œ# œ
4.The Thief (See What I Wanna See)27
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No performance or use of this score is
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&
&
?
##
#
##
#
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Wife
Pno.
48
œ œnŒ Œ
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place, they roll48
‰
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nn
.
‰
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NN
.
‰
3
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j
œn œ œ# œ#œn
œ œ œ œœ
œ
up the bam - boo
‰
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##
.
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.
‰
3
œ œœ œ œ
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j
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˙n
Ó
rug;
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n
n.
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‰
3
œ œ œnœ#œ
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##
#
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Wife
Pno.
◊
51
œ œ œ œ œœ
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Ev' - ry - one was do - in' the lim -51
‰
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##
.
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œ œnŒ ‰ .
r
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bo ex-cept for
‰
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nn
.
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j
œn œ œ# œ#œn
œ œ œ œ œn œb œ
Sal - ly and her Po - dunk plug.j
œ
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Pno.
(◊)
54
œ
Œ Œ ‰ .r
œ
Seems -54 3
‰ œn œ#
3
œ#œn œn
3
œ œœ
3
œ#œ œ
3
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3
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œ œ œ œ œœ
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he took a shine to some chick -
‰
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.
‰
œœœœœ
>
˙˙
˙˙˙
.œ
j
œn œ œ# œ#œn
4.The Thief (See What I Wanna See)28
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No performance or use of this score is
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from Dramatists Play Service, Inc.
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c
c
.
.
.
.
.
.
.
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.
.
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.
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.
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.
.
.
◊
Vamp
1
∑
THIEF: "2 drinks later..."
.œb
Ú104
j
œb œ œb œn œb
Vamp
1A∑
HUS: "A lot."
.œ#
j
œn œ œn œ œ#
Vamp
1B∑
THIEF: "Jimmy Mako"
.œ
j
œn œ œn œb œn
Moderate funk
(under dialogue) Vamp
1Cœœœ
#
>
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##
>œ.
‰...
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bn
>
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j
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.
.
.Thief
Pno.
1D∑
1Dwww
"Cash, cash."
&
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j
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Play 2X's
2∑
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bb œ
œb œ
œb
œ
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œ
œ
b
b
.œ
j
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∑
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bb œ
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œ
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œ
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b
b
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j
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.
.
.
...Thief
Pno.
5∑
5 œœœ
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nn
>
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#>
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.œ
j
œb œ œ œ# œ
5A∑
5A∑
.œ
j
œb œ œ œ# œ
5B∑
5B∑
.œ
j
œb œ œ œ# œ
∑
THIEF: "Two more vodka martinis, straight up, three olives."
∑
.œ
j
œb œ œ œ# œ
THIEF7
˙ J
œb œ
J
œ
Big mon-ey; Wait -
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n>
oily, stealthy
œ.
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#>
œ.
J
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b
bb
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J
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>
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j
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&
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Thief
Pno.
8œ œ œ œb
j
œ.œ
in' for the tak - in'.
8 œœœ
J
œœœ
.
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j
œb œ œ œ# œ
˙ J
œb œ
J
œ
Big Mon - ey; It's
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n>
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bb
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J
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n
>
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j
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œ œ œ œbœ
‰j
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your luck - y day. Your
œœœ
J
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.
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œœœ
b
bb
>
&
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j
œb œ œ œ# œ
5. (Big Money)
c 2004
THIEF: (spoken over) "There's a little boathouse; right asides the Pond.
Over by the statue. Coupla steps beyond..."
33
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No performance or use of this score is
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&
&
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Thief
Pno.
11
˙ œ œb
‰œn
mon - ey; Up
11
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.
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b
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>
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n
>
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j
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œ œbœn
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to us to grab it; You wan -
œ
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j
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œœ œb
na, we can cab it; I'll lead
œœœ
bb œn œ
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b œnœ
œ œb
.œ
j
œb œ œ œ# œ
&
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Thief
Pno.
14
œ œ œ œ œ œ œ
the way. You know you
14œ
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#
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n
.
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j
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j
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j
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need mon - ey, to
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.
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.
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j
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j
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keep your ba - by hap - py.
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n œ
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b œ
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j
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.
.
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œ
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j
œb œ œ œ#œ
&
&
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Thief
Pno. crescendo poco a poco
17˙
j
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j
œ
Cold mon - ey, to
17‰ œ
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.
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œœœœ.
j
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# .
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j
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keep her in the ice; Well, there's - Big
œ
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n
#
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n
>
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j
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˙J
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J
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Mon - ey; Just
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.
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b
bb
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j
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>
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j
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&
&
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Thief
Pno.
20œ œ œ œb
j
œbœ
j
œn
hold out your mit - ten; Bring
20œ
œœœ
œ
œ
œ
œ
œ
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bj
œ
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b.
.
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œ
.œ
j
œb œ œ œ# œ
P
œœb
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a - long the kit - ten and don't
‰ œœ
bœœ
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bb œ
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n œœ
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nb
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bb
>
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j
œb œ œ œ# œ
œ œ œ œ
Œ
think twice.
œœ
œœœ#.
œœœN
>
œœœ
Œ
.œ
j
œb œ œ œ# œ
5. The Thief (Big Money)34
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No performance or use of this score is
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&
&
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Thief
Pno. piu mosso
23‰
œ œœ œ œ œ
œ
You don't know me from A - - -
23œœœ.
œœœ.
œœœ.
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j
œ œ œ œbœ
.œ
J
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dam, but we both
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.
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.
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.
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j
œ œ œ œbœ
F
œ œb œ œ œ
3
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was born - of Eve.
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b
>
‰ œœœœ.
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#
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j
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Thief
Pno.
26˙ Œ œ œ
And you
26‰
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.
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>
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b
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n
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can count on me, Bro - - -
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molto crescendo
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ther, when I say
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Thief
Hus.
Pno. f
29 .œ
J
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J
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J
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you must be -
∑
29
J
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5
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j
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HUSBAND
f
J
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J
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lieve that - there is...
∑
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b>
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‰
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>œœœœ
œ
œ
> œ
œ
> œ
œ
>
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b
>
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#
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n
>
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J
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Shh!
˙b>
J
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Big Mon - ey!œœœœ
>
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. œœœœ
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>
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.
‰
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. œœœ
.œœœ
.
.œ
j
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5. The Thief (Big Money) 35
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&
&
&
?
Thief
Hus.
Pno. p
32œ œ œ œb
j
œ.œ
Keep it to your-self, man.
∑
32∑
?
.œ
j
œb œ œ œ# œ
˙ J
œb œ
J
œ
Hard mon-ey; Ea -
∑
‰œœœ
N
. œœœ
#
.
œ. Œ Œ
.œ
j
œb œ œ œ# œ
œ œ œ œbœ
Œ
sy to be got.
∑
Œ
J
œœœ
N
.
‰ Œ Œ
.œ
j
œb œ œ œ# œ
˙b œ œb
‰œn
Our mon - ey; Chew
˙b
j
œ .œ
Our mon-ey...˙
˙
b
b
J
œ
œ
.
.
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œb
.œ
j
œb œ œ œ# œ
&
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Thief
Pno.
36
œœb
œ œbj
œnœ
j
œn
on it and swal-low All
36 œ
œ Œ Ó&
.œ
j
œb œ œ œ# œ
œœb
œ œbœ
œœ œb
you do is fol - low, I'll lead
∑
.œ
j
œb œ œ œ# œ
œ œ œ
j
œ
œbj
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the way; I'll lead
Œ
œœœ#
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j
œœœ
.
.
.
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b
bb
>
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j
œb œ œ œ# œ
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Thief
Pno.
° *
39j
œ œ
j
œ ˙
the way...
39 j
œœœ
œœœ
#
>
j
œœœ
nn
˙˙˙
.œ
j
œb œ œ œ# œ
‰
œ œ œ œ
j
œ.œ
Gon-na eat that o - live?
∑
.œ
j
œb œ œ œ# œ
‰ ‹
(spoken)‹ ‹ Œ Œ
Mind if I?
œœ
bb œ
œb œ
œb
œ
œbœœ
œœ
Nœ
œ
œ
b
b
.œ
j
œb œ œ œ# œ
5. The Thief (Big Money)36
This score has been downloaded from
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No performance or use of this score is
allowed without written authorization
from Dramatists Play Service, Inc.
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&
?
c
c
Piano
1 www
UU
P
(low tom roll under)
dictated
(thrust)
www
b
bb
UU
(thrust)
wwwb
U
(thrust)
www
www
#
UUUUUU
>ƒ (stab)
&
&
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Thief
Pno.
5
∑
5
3
œ
P slowly, diminishing
œœ
œœœ
œœœ
3
œ œœ
œœœ
œœœ
3
œb œœb œœœb
œœœ
3
œb œœb œœœb
∑
œœœ
Œ Ó
U
&
&
?
.
.
.
.
.
.Thief
Pno.
7, 11
‰
THIEFœ
(vocal 2x only)œ œ œ œ œ œ
So, what - cha want me to say?
"...terrorized NYC, won't it?"
7, 11
‰
Moderato Ú100
œ
1X underscore, slightly rubato2X vocal, a tempo
J
œ ˙
Œ
p
.˙
w
J
œ œ‰ Œ ‰
J
œ
I
‰œ J
œb
J
œ
.œ
THIEF (1st X): "...bluebears."
Œœ
˙
w
&
&
?
.
.
.
.
.
. bb
bb
bb
bb
bb
bb
Thief
Pno.
9, 13œ
œ œ Œ Œ
told ya.
9, 13
‰ œ
œœ
˙
"Her stiletto?"
Œ
œ#
œ
œ#
w
Œ ‰J
œb œœb
I killed him.
6
œ>
F
œ œbœœ œ œ
˙b
>
"By the statue." CUE for 2nd X: "You don't believe me?"
‰
œ
œœ
˙>
wb
477. (Murder)
2003
[The Thief stabs the HUSBAND through the heart. The HUSBAND dies. The WIFE screams and runs off.][The THIEF fights the HUSBAND.
This score has been downloaded from
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No performance or use of this score is
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&
&
?
bb
bb
bb
bb
bb
bb
Thief
Pno.
piu mosso
15
Œ ‰ j
œœ œ œ œ œ œ
œnœ
Be - lieve what - cha wan - na be - lieve;
15‰ . r
œœ
œ˙b
.œ
P
j
œN
.œ j
œ
œŒ
3œ œb
œœ
What do I care?
‰ . r
œnœ
œ˙n
.œ J
œ.œb
J
œ
&
&
?
bb
bb
bb
bb
bb
bb
Thief
Pno.
17
˙ œ œ œœb
You want the truth,
17‰ . r
œnœœ˙A
.œ J
œœ œ
.œ œb œb œ œ œ-
˙-
so here, take the truth.
Œ
colla voce
.
.
.
˙˙˙
#nn>
w
w
>
‰œ-ten.
J
œ-
J
œ
œn-
j
œ-
I'll take the chair....
www
w
w
p
wu
∑
U
∑
U
7. The Thief (Murder)48
This score has been downloaded from
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No performance or use of this score is
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&
&
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c
c
c
4
2
4
2
4
2
Janitor
Piano
∑
U
JANITOR: "That's the whole point of this, right? The body?"
∑
U
∑
U
∑
‰
P
Ú130
j
œ.
œb.
Presto
œn.
‰J
œ. œb
.œn.
∑
"I told you, the guy was dead."
∑
∑
∑
‰j
œ.
œb.
œn.
‰J
œ. œb
.œn.
∑
œ.
accel.
œ
œ
. œ
œb
b.
œ
œn
n.
œ.
œ. œb
.œn.
∑
œ
œ
. œ
œb
b.
Œ
œ. œb
.
Œ
∑
"...supposed to do in situations like this."
∑
∑
∑
‰
J
œ
œ
.
Tempo I accel.œ
œb
b.
œ
œn
n.
‰J
œ. œb
.œn.
∑
œ
œ
. œ
œb
b.
œ.
œb.
œ. œb
.
œ
œ
. œ
œb
b.
JANITOR
∑
"I went home."
J
œn.
‰ Œ
J
œ
œn
n.
‰ Œ
&
&
?
Jan.
Pno. F
11
‰j
œœb œn
In this town11
‰
J
œ
œ
>
(œ
œb
b>
œ
œn
n>
)
‰J
œ>
(œb>
œn>
)
œ œ œœ
œ
one thing leads to a -
J
œ
œ
.
Í
‰ Œ
J
œ.
‰
right hand
œ
>
œb œn œ
left hand
œ œ ‰œ
œ
no - ther; then a -
‰
P
j
œœœ.
Œ
œœ œ
frantic, agitated
œbœ
œ œn œ
œ œ ≈œ œ
œb
no-ther; and then a -
j
œœœ.
‰ ‰j
œœœ
b
.
œœ œ œb
œœ œn œ
œ œ ‰
J
œ>
no - ther; One
Œj
œœœ
n
.
‰
œœ œ œb
œœ œn œ
&
&
?
Jan.
Pno.
16
œ œ œœ
œ
thing leads to a -16
‰j
œœœ.
Œ
œœ œ œb
œœ œn œ
œ œ ‰ j
œ
no - ther; Best
j
œœœ.
‰ Œ
œœ œ œb
œœ œn œ
œ œ œ œ œ
not to get in -
j
œœœ.
‰ j
œœœ.
‰
œ œ œ œœ œ œb œb
j
œ
‰ Œ
U ,
volved.
j
œœœ.
‰ ‰
J
œœ
U,äP
short pause
œ œb œb œbj
œ
>
‰
U ,
8. The Janitor (Best Not to Get Involved)
c 2004
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No performance or use of this score is
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&
&
?
Jan.
Pno.
20
‰j
œœb œn
In this town20
‰
J
œ
œ
>
(œ
œb
b>
œ
œn
n>
)
‰
j
œ
œ
>
(œ
œb
b>
œ
œn
n>
)
œ œ œ œœ
œ
some guys al-ways got a....
œœœœ
>
a tempoJ
œœœœ
>
œœ
œœb œn œb
œœ
œ œ ‰œ
œ
bro-ther who's a
Œ
J
œœœœ
>
‰
œœ
œœb œn œb
œœ
œ œ ≈œ œ
œb
bro-ther who's got a
‰
J
œœœœ
>
Œ
œœ
œœb œn œb
œœ
œ œ ‰j
œ
bro-ther who'd
J
œœœœ
b>
‰ ‰J
œœœœ
>
œœ
œœb œn œb
œœ
&
&
?
Jan.
Pno.
25
œ œ œ œ œ œœ
ea - si - ly shoot his own25 œ
œœœ
J
œœœœ
>
‰
œœb œn œ
œœ œ œb
œ œ ‰ j
œ
mo - ther; Best
‰
J
œœœœ
>
Œ
œœb œn œ
œœ œ œb
œ œ œ œ œ
not to get in -
J
œœœœ
.
‰
j
œœœœ
#
.
‰
œœb œn œ
œœN
œb œn
œ
œ œ œ
volved. You ne - ver
j
œœœœ
#
.
‰
j
œœœœ.
‰?
J
œ>
‰ Œ
&
?
?
Jan.
Pno.
29
œ œ œ œ œ œ œ
know when you bump in - to a29
œ œ œœ œ œ
œ œ
œ#
pedal a bit
œ# œ#œ œ œ
œ œ
œ œ œ œœb
stiff whose stiff it is.
œ œ# œ# œ# œ œ œ œ
œb œ œ œ œ œ œ œb
œ œb œ œ
and how it
œ œ# œ#œ œ œ
œ œ
œb œ œœ œ œ
œ œ
J
œ œJ
œb
got there; My -
œb œb œ œ
œ œ# œ# œ#&
œ œ œ# œ#œb œ œ œ
&
&
&
&
Jan.
Pno.
33œ œb œ œ
ster-ies all33
œ œ œœ œ œ
œ œ
œ# œ# œ#œ œ œ
œ œ
œ œœ
œ
got an un - der -
œ# œ# œ#œ œ œ
œ œ
œb œ œ œ œ# œ#œ œ
f
˙
tow.œ>
œ œ œ œ œ œ œ
œ>
œ œ œ œ œ œ œ
‰
J
œ œ œ œ
And when you go
œ œ œ œ
œ œ œ œ
œ œ œ œ
œ œ œ œ
œ œ>
œ œ œ œ
snoop - in' 'round the
œ#
P
œ œœ œ œ
œ œ
œb œb œbœ œ œ
œ œ
8. The Janitor (Best Not to Get Involved)50
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No performance or use of this score is
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&
&
&
Jan.
Pno.
38
œ œ œ œœb>
facts the facts may turn38
œ œ œb œb œbœ œ œ
œbœ œ œ
œb œb œbœ?
œ œb œ œ
out to be
œb œb œbœ œ œ
œ œ
?
œ œ œbœ œ œ
œ œ
œ œœb
œ
stran - ger than the
œbœ œ œ œb œb œ œ
œb œb œbœ œ œ œ œ
œb œ œ œ œ œ
my - ster - y you was -
œ œ œ#œ œ œ
œ œ
œb œb œbœ œ œ
œ œ
&
?
?
Jan.
Pno.
42
œ œ œb œb
n't s'pose - ta42
œb œb œbœ œ œ
œ œ
&
œb œ œœ œ œ
œ œ
j
œ‰ ‰
J
œb
know. Don't
œ.
œb.
œn.
œ
œ.
œn.
œ.
œ. œb
.
Œj
œ‰
stop.
Œ
œ.
œb.
ŒœN.
œ.
‰
J
œb Œ
Don't
œ.
œ
œ.
Œ
œ. œb
.
Œ
J
œn ‰ ‰j
œ
touch Don't
œœb œn œ
œœb œn œ
ŒJ
œ‰
ask
œ œbœ
œ
œ œbœ
œ
‰ .œ
Go
œn
œ
œn
n>
Œ
œn
œ
œn
n>
Œ
&
&
?
Jan.
Pno.
49
œ œ œ œ
home, go home, go49
œ
œ.
œ
œb
b
.
œ
œn
n
.
œ
œ.
œ.
œb.
œn.
œ.
œ
œœb œn
home! In this town
œ
œ.
œ
œ
>
œ
œb
b
>
œ
œn
n
>
œ.
œ
œ
>
œ
œb
b
>
œ
œn
n
>
œ œ œœ
œ
one thing leads to a -
.œ œ
Œ
6
œœ
œœ
œœ
Œ
œ
>
F
œœb œn œ œ œb
œ
œ œ ‰œ
œ
no - ther; then a -
6
≈
œœ
œœ
œ
Œ
œ
œœb œn œ œ œb
œ
&
&
?
Jan.
Pno.
53
œ œ ≈œ œ
œb
no - ther, and then a -53 6
œœ
œœ
œœ
5≈
œœ
œbœ
œ
œœb œn œ œ œb
œ
œ œ ‰
J
œ
no - ther; Liv - - -
5
≈
œœ
œbœ œ œ
œb œb œ œ œ œ
œ
œœb œn œ œ œb
œ
œ œ œ œ œœ
in' here you got - ta
6
œœ
œœ
œœ .œ œ
œ
œ
œœb œn œ œ œb
œ
8. The Janitor (Best Not to Get Involved) 51
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&
&
&
bb
bb
bb
bb
bb
bb
8
9
8
9
8
9
.
.
.
.
.
.
.
.
.
...Wife
Piano
THE WIFE
sustained
Play 2x's
1
∑
1
œ
ModeratoÚ80
œ œn œ œ œbœ œ œ
.œ
P
.œ œj
œ
œœœ
œbœœ
.œ
What do you want me to say?
œœœ
œbœœœœ œ
.
.
.
œ
œœn
.
.
.
œœ
œ
bœœœ
œ œ
Œ
j
œ œ
j
œ .œ
I killed him;
œœœ
œbœœ
œœ œ
.
.
.
œ
œœn
.
.
.
œœ
œ
bœœœ
œ œ
?
&
&
?
bb
bb
bb
bb
bb
bb
4
3
4
3
4
3
Wife
Pno.
4
Œ
j
œ œ
j
œ .œ
My hus - band.4
œœ œn œ œ œb
œ œ œ
.
.
.
œœ
œ#
n ..
.
œœ
œ
.
.
.
œœ
œ
∑
.˙
.
.
.
˙˙
˙#
n
œ œnœ
Look at me;
œ
œ
colla voce
œ
œ
n
nœ
œ
.
.
.
˙˙
˙
˙
Œ
.
.
˙
˙
.
.
.
˙˙
˙
3
œ œnœ œ œ
What can I do?
.
.
˙
˙
.
.
.
˙˙
˙
œ
Œ Œ
.
.
˙
˙
∑
&
&
?
bb
bb
bb
bb
bb
bb
nn
nn
nn
nn
nn
nn
c
c
c
8
9
8
9
8
9
Wife
Pno.
10
œ œnœ
Look at me...10
œ
œœ
œ
n
nœ
œ
∑
.˙
.
.
˙
˙
∑
∑
w
wu
wwu
12A∑
U
12A∑
U
∑
U
13∑
CUE TO GO ON (WIFE): "After that monster...after he..."
13 œ
p
Ú80
œ#
not too slow, eerie
œ.œ .œ
ww
(blur, with pedal)
‰Œ .
.œ.œ
&
∑
œœœœ# œ
œ ..œœb
.
.œœ
.œ.œ
.œ
&
&
Pno.
15..œœ
œœœb œ
œnb
œ
œ
bœœ
.œ.œ
.œ
.œ œ
œ
n œbœ
.
.œœ
.œ.œ
.œ
Molto Lento
.
.œœ œ œ# œ
.œ
.œ.œ
.œ
.œœœœœ# œœ .œ
.œb.œb
.œ
.œ
.
.
œ
œ
..
.
œ
œ
.
.œbœœ œn œb
œœ
c 2004
539. The Wife (Louie)
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&
&
c
c
Pno.
√
20.
.
œ
œ
..
.
œ
œ
. .
.
œ
œ
.
.œ œn œbœ
.œ
π rall.
.
.
œ
œ
. .
.
œ
œ
.
.
.
œ
œ
.U
WIFE: "I don't know. I saw Louie."
(to 26)
.œœœœœ# œ
œ .œu
?
Allegro (still 'in 4')
P agitated
26
œ
Ú100
œ œœb œ œb œ œ
∑
27
œ œœ œb
œ œb œ œ
∑
28
œ œœ œb
œ œb œ œ
w
w
#>
P
&
&
?
Wife
Pno.
29Ó Œ ‰ j
œ
He
(to 31)
29
œ œœ œb
œ œb œ œ
w
w
#
31
œ# œ
œ œ
Œ
looked at me;
31
œ œœ œb œ œb œ œ
˙#>
˙
>
(Poco accel.)
œ#œ œ
œœ
œ œ
Si - lent as a sta - tue; He
œ œ œ œb œ œb œ œ
œ‰
J
œ œ œ œ œ
œ# œ
œ œ œ œ œ
looked at me; A look I'd
œ œ œ œb œ œb œ œ
˙#>
˙
>
&
&
?
Wife
Pno.
34
œ#œ œ
œ˙
ne- ver seen be- fore:
34
œœ œ#
œ œ œœ œn
ww
Ó ‰
œ œ œ
œœ#
œ œ
Œ
Cold and hot;
œ
Piu mosso (in 2)
œ œ#œ œ œ
œ œn
ww#
œ# œn œœ#
˙
Glar - ing in the dark;
œœ œ#
œ œ œœ œn
œ# œn œœ#
˙
j
œ œ#
j
œ œ œ
œ
Freez - ing my in - sides; Burn -
œœ œ#
œ#œœœ œn
w
wb
b
cres.
Ó˙˙#
(sp.)"Unclean."
&
&
?
bb
b
bb
b
bb
b
4
3
4
3
4
3
Wife
Pno.
(Rit.)
38œ œ
œœ
.œ
j
œ
ing down the Park; I
38
œœ œ#
œ#œœœ œn
œœ
˙˙˙#
œœœ
(Meno mosso)F
œ œbj
œ œ#
j
œ
felt un - clean; I
œœ œ
œb œb œb
œœ
www#
>
P
œ Œ Ó
felt...
œœb œb œb
œ
rit.
œ œœ
˙˙˙
œ œ#
∑
œ
œ>
play fast, harsh
œn œœA œ
U ,
(CUE TO GO ON) WIFE "And all that we'd ever been was gone. Gone..."
œ œ>
F
œ# œU
,
&
9. The Wife (Louie)54
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JANITOR: "This woman, she was hungry."
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61
10. The Medium and The Husband
c 2004
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7
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law - yer; who is des' prate;
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Wants to speak with a loved one; His
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sis - ter A- lice Sue.
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A - lice Mae...
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10. The Medium and The Husband62
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Thought I should get in - volved...
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CUE OUT (MEDIUM): "The husband. And so... restless..."
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Hus.
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HUSBAND
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Dark...
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Dark...
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Not too slow
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It's dark here;
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It's dark here;
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Hus.
Pno.~~~~~~~~~~~~~~~~~~~~~~~~~
25œ ˙n œb
No where
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No where
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I re-mem - ber
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rapid arp.
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My life
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mem - ber My
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10. The Medium and The Husband 63
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Piano
Allegro non troppoPlay 4X's
2
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HUSBAND: "...crap went right down the toilet."
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CUE OUT: "R Shomon"
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Last X Only
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CUE FOR LAST X: "Where had the 'A' on the marquee gone? Gone.."
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"'A' for 'Anger', 'Ambition'."
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Thief
Hus.
Pno.
HUSBAND
7
∑
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An-drew Sis-ters;7
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molto crescendo
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I'll go a-way with you;
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I don't care where.
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You'll go a-way with me;
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Wife
Thief
Med.
Hus.
Pno.
MEDIUM
11
w
j
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You know you will.
∑
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11
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I'll go a - way with you;
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65 11. (Quartet)
2003
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No performance or use of this score is
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####
Wife
Thief
Med.
Hus.
Pno.
14
j
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J
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J
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And not look - - -
‰ œ œ œ œœ œ
You'll go a - way with me
∑
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14
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back.
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and not look - back.
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Wife
Thief
Med.
Hus.
Pno.
17
œ œœ
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real - ly rise in the East?
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real - ly rise in the East?
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real - ly spin a- round the
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real - ly spin a- round the
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sun?
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Ass - hole.
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Ass - hole.
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11. The Medium and The Husband (Quartet)66
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####
####
####
####
####
####
Wife
Thief
Med.
Hus.
Pno.
21
œn œ œœ œ œ
What's it mat - ter in the
œn œ
J
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What's it mat-ter;
∑
∑
21
Œ ....
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nggggg
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least? What's
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J
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It don't mat-ter; What's
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j
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œ œ œœ œn
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real for me ain't real for ev'-ry -
œ œ œ œ œ œœ œ
real for me ain't real for ev'-ry -
∑
∑
Œ ‰j
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>
j
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>
j
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p
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molto crescendo
œ œ
œ
œ
œ
œ
œ
œ
œ
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accel.
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one
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one
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Wife
Thief
Med.
Hus.
Pno.
25
œ œ œ œ œœ œ
I want to stay with you;
˙‰œ œ œ
You wan-na
w
>
ban - - - - - -
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ban - - - - - -25 œ
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I don't
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stay with me; You know
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doned.
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œ
j
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>
.
.
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j
œœ
>
œœ
j
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J
œ œ>
J
œ>œ œ
œ
have a choice.
œœ ˙
Œ
you do.
‰J
œ.˙
An-nul - - - - - - -
‰J
œ.˙
An-nul - - - - - - -
œœœœœ
œœœœ
œœœœ
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œœœœ
j
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.
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j
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.
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.˙Œ
‰j
œ œœ œ œ
You know you do.
.˙ œœ
ment.
.˙ œœ
ment.œœœœ
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>œœœœ
œ
œ
œ
œ
œ
œ
j
œœ
>
.
.
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j
œœ
>
œœ
j
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11. The Medium and The Husband (Quartet) 67
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&
&
&
&
&
?
####
####
####
####
####
####
Wife
Thief
Med.
Hus.
Pno.
29
‰
œœ œ œ
œœ
You took a - way my right
œ
Œ Ó
œ
Œ Ó
œ Œ Ó
29œ
œ
œ
œ
œ
œ
œ
œ
˙
˙
P
j
œœ
>
.
.œœ
j
œœ
>
.
.œœ
j
œ œ
j
œ
j
œœn
J
œb
to think and choose.
∑
∑
∑
‰j
œœœ#
>
.
.
.
˙˙˙
j
œœ>
.
.
œœ
j
œœ>
œœ
j
œœ
˙ œn œb œ
‰œn
J
œb
J
œ.œb
You know the
‰œn
>
œn
>
œ
>
œ
>
Œ
A - dul - ter - y.
‰œn
>
œb
>
œb
>
œ
>
Œ
A - dul - ter - y.
Œ
œbœn œ
œ
œn
b
>
œ
œbœn œ œ
œœ
œb
wb
&
&
&
&
&
?
####
####
####
####
####
####
Wife
Thief
Med.
Hus.
Pno.
32
œ Œ Œ ‰j
œ
You
œn œb ˙ ‰j
œ
truth. You
‰œn
>
œn
>
œ
>
œ
>
Œ
Am - bi - va-lence.
‰œn
>
œb
>
œb
>
œ
>
Œ
Am - bi - va-lence.32
œœb œb œ
œ
œn
b
>
œ#
j
œ
poco crescendo
.œb œ œ œ
œb
wb
œ# œœ
j
œœ
j
œ
knew what I need-ed; You
œ# œœ
j
œœ
j
œ
knew what I need-ed; You
Œ.˙
>
Ache.
Œ .˙#
>
Ache.
j
œ œœœ
#J
œœœœ
#>˙˙˙˙
˙˙
>
F
‰ œœ
>
œ œ
F
œ# œœœ
œ œœ
knew what I want-ed to find. - - - - -
œ# œœœ
œ œ
œ
knew what I want-ed to find - - - - -
‰j
œ
>
.˙#
>
A-base.
‰j
œ
>
.˙>
A-base.
‰ œœœœ
#
>
J
œœœœ
#>˙˙˙˙
Œ
œœœ
>
œœœ œ œ
œ
ww
>
&
?
.˙ œn œ
w
Œ œ#
>
Ó
Art.
Œ œ>
Ó
Art.
Œ œœœœ
#œ
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n œ
œ
œ
œ
œ
œ
œ
œ
j
œœ#
a
>
.
.
œœ
j
œœ
>
.
.
œœ
11. The Medium and The Husband (Quartet)68
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&
?
bb
bb
b
bb
bb
b
c
c
Piano
Allegro∑
œ
>
P
Ú150
œ
>
heated, intense
‰j
œ.
Œ
∑
WIFE: "Do something for me."
‰
œ œœœ
>
œ
>
∑
œ
>
œ
>
‰j
œ.
Œ
∑
‰
œ.
œ.
œ.
j
œ
>
‰ Œ
∑
œ
>
œ
>
‰j
œ.
Œ
&
&
&
&
?
bb
bb
b
bb
bb
b
bb
bb
b
bb
bb
b
bb
bb
b
Thief
Med.
Hus.
Pno.
HUSBAND
THIEF
MEDIUM
6
∑
Ó œ œœ œ
Look at her eyes.
∑
6
Ó
œ œœ œ
>
‰
œ œœœ
>
œ
>
Ó œ œœ œ
Look at your eyes.
w
œ œœ œ ˙
Look at her eyes.
.œJ
œ
œ
>˙
˙
œ
>
œ
>
‰j
œ.
Œ
˙
Ó
˙
Ó
˙
Ó
w
w
‰
œ.
œ.
œ.
j
œ
>
‰ Œ
&
&
&
&
?
bb
bb
b
bb
bb
b
bb
bb
b
bb
bb
b
bb
bb
b
Thief
Med.
Hus.
Pno.
~~~~~~~~~~~~~~
~~~~~~~~~~~~~~~~~~~
9
Œ Œœ
œœ
I - cy heat.
∑
∑
9
œ œœœ œœœ œŒ Ó
œ
>
œ
>
‰j
œ.
Œ
˙Ó
Œ Œœ
œœ
I - cy heat.
œœ
œ ˙
I - cy heat.
w
‰
œ.œ.
œ. œ
>
œ
>
∑
˙Ó
∑
œ∫ œœbœ œ
œœ œ
Œ Ó
œ
>
œ
>
‰j
œ.
Œ
12. (No More)
c 2004
70
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No performance or use of this score is
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&
&
&
&
?
bb
bb
b
bb
bb
b
bb
bb
b
bb
bb
b
bb
bb
b
Thief
Med.
Hus.
Pno.
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
F
12
∑
∑
∑
12
‰
œ.œ.œ.œ
œ
œ
œ
>œ
œ
>œ
œ
>
‰
œ.
œ.
œ.
j
œ
>
‰ Œ
∑
∑
Ó ‰œ
J
œ
A de -
Ó ‰
.
.
.
œœ
œ
>
œ
>
œ
>
‰j
œ.
Œ
Ó ‰œ
J
œ
A de -
∑
œ œœ œ .œ
j
œ
vil re - leased.
œ œœœ œœœ œŒ Ó
‰
œ.
œ.
œ. œ
>
œ
>
œ œœ œ
j
œ
œ
J
œ
vil re - leased; A de -
Ó ‰œ
J
œ
A de -
˙ ‰œ
J
œ
A de -
∑
œ
>
œ
>
‰j
œ.
Œ
&
&
&
&
&
?
bb
bb
b
bb
bb
b
bb
bb
b
bb
bb
b
bb
bb
b
bb
bb
b
4
2
4
2
4
2
4
2
4
2
4
2
c
c
c
c
c
c
Wife
Thief
Med.
Hus.
Pno.
16
∑
œ œœ œ œ
Œ
vil re - leased.
œ œœ œ œ
Œ
vil re - leased.
œ œœ œ œ
Œ
vil re - leased.16
‰œœœœ
∫
.œœœœ
.œœœœ
.
‰œœœœ
.œœœœ
.œœœœ
.
‰
œ.
P
œb.
œ.
‰
œ.
F
œ.
œ.
THE WIFE∑
∑
∑
∑
‰J
œ
œ
>œ
œ
>œ
œ
>
‰j
œ
>
f
œ
>
œ
>
œ œ œœ
œ œ
No more try-ing not to
∑
∑
∑
∑
œ
>
Í
œ
>
‰j
œ.
Œ
œ œ œ
j
œ œ
j
œ
laugh as you strug-gle to
∑
∑
∑
∑
‰
œ.œ.
œ. œ
>
œ
>
12. The Medium and The Husband (No More) 71
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&
&
?
bb
bb
b
bb
bb
b
bb
bb
b
Wife
Pno.
20
œ œ œ œ œ∫ œ œ œ
squeeze in - to your trou - sers as you20
∑
œ
>
œ
>
‰j
œ.
Œ
œ œbœ
œ
Œ
slow - ly go bald.
∑
‰
œ.
œ.
œ.
Ó
œ œ œœ
œ œ
No more list - en - ing to
∑
œ
>
œ
>
‰j
œ.
Œ
&
&
?
bb
bb
b
bb
bb
b
bb
bb
b
Wife
Pno.
23
Ϻ
œ œ
j
œ œ
j
œ
Dan - ny Kaye al-bums; or23
∑
‰
œ.
œ.
œ. œ
>
œ
>
œ œ œ œ œ∫ œ œ
leap - ing to your voice or jump -
∑
œ
>
œ
>
‰j
œ.
Œ
œ œbœ
œ
Œ
ing when called.
∑
‰
œ.
œ.
œ.
Ó
&
&
?
bb
bb
b
bb
bb
b
bb
bb
b
Wife
Pno.
26
œ œ œœ
œ œ
No more sleep - ing through your26
∑
œ
>
œ
>
‰j
œ.
Œ
œ œ œ œ
j
œ.œ
bor - ing for - eign mo-vies.
∑
‰
œ.
œ.
œ. œ
>
œ
>
œ œ œ œ œœ
What was it the last time?
∑
œ
œ
>
œ
œ
>
‰
œ.
œ.
œ.
&
&
?
bb
bb
b
bb
bb
b
bb
bb
b
Wife
Pno.
◊
29
œ œ œ œ œ
Œ
Some-thing Ja - pan - ese?29
∑
œ
œ
>
œ
œ
>
œ
œ
>
œ
œ
>
œ
œ
>
Œ
œ œ œœ
œœ
No more sit - ting still while
Œ .
.˙˙
>
œ
>
œ
>
‰j
œ.
Œ
œ œ œ œ
j
œ œn
j
œ
you and all your law - yers drone
˙˙
˙˙
>
‰
œ.
œ.
œ. œ
>
œ
>
12. The Medium and The Husband (No More)72
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&
&
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c
c
c
Janitor
Piano
Moderato
1
∑
PRIEST: "..And so mean."
1 6
œ
π
œ œbœœ œ ˙b œ
∑
P
∑
w
Ú100
.œœœ
lightly rhythmatic, simply
.œ
œ .œ œ
∑
w
.œbœœ
.œb
œ .œ œ
∑
(to 7)
Ó ˙˙˙
>
.œbœ.˙
∑
˙˙˙
>
˙
˙
>U
w
7∑
(OPT CUT m.7-8)
7w
w
.œœœ
.œ
œ .œ œ
&
&
?
Jan.
Pno.
8∑
"5 AM, Sunday Morning."
8∑
.œœœ
.œ
œ .œ œ
JANITOR.œœ
.œ œ œ‰ .
R
œ
Light in the East. Got
.œœ
.œ œ œ
‰ . r
œ˙˙
œ .œ œ
.œ
P
œœ
.œ
œ .œ œ
.œœ
.œ œ œ .œ œ
a new day. If you
.œœ
.œ œ œ .œ œœ .œ œ œ .
.œœ œ
œb
.œœœ
.œ
œ .œ œ
.œ œ .œ œ.œœb .œ
œ
lis-ten you can hear it, miles
œ œ.œœb .œ
œ
œœb
œœb
œœ .
.œœ
œœ
.œœ
.œ œ.œbœ
.œ œ
&
&
?
Jan.
Pno.
12.œ œ .œ œ œ
‰ . r
œ
and miles a-way: The
12
œ œ ˙œœ œ
œb ˙˙b
.œœ
.œ œ.œbœ
.œ œ
œ œ.œœb .œ œ
low, low rum - ble of the
œ œ.œœb œ
œœb
œœb
œœœ
œœœ
.œbœœ
.œbœ
.œ œ
.œ œ .œ œ .œ œ.œb œ
town wak - in' up with the light
.œ œ .œ œ .œ œ.œb œ
.
.œœb
œœ
.
.œœb
œœ .
.œœ
œœ
.
.œœ
œœ
.œ œœ .œ
œ .œ œ
8314. The Janitor (Light in the East)
c 2004
This score has been downloaded from
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No performance or use of this score is
allowed without written authorization
from Dramatists Play Service, Inc.
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&
&
?
Jan.
Pno.
15.œœ
.œ œ œ‰ .
R
œ>
in the East. Night
15.œœ
.œ œ œ
‰ . r
œ
>
œœ
‰ .
R
œœ
œœ .
.œœ
œœœ
.œœ
œ
.œ
œ .œ œ
.œœ .œ
œ œ.œ œ
in the West. There's the
.œœ .œ
œ
œ
˙
˙
˙˙˙
œ œ
.œœœ
.œœ
.œ œ
.œ œ .œ œ.œ
œb .œ œ
moon, all pale and ti - red like she
œ œ ˙
œœb
œœb
˙˙
Ó .œ
œb
b
.œœ
.œ œ
.œ
œ.œ œ
&
&
?
bb
bb
bb
bb
bb
bb
Jan.
Pno.
√
18.œ œ .œ œ
.œb œ.œ œ
needs a lit- tle rest; Cuz the night's
18
œ
œœb
poco crescendo
œ
œœ
.
.
.
œ
œœ
b œ
œ
.
.
œ
œ
œ
œ
‰ .r
œb .œ œ .œ œ .œb œ
w
w
b
blight accent
œœ
.œœ .œ
œ
been bu - sy; You
w
w
F
Œœ
œb
b œ
œ
.
.
œ
œ
œœœœ
>
w
w
‰ .
R
œ>
.œœb>
.œ œ> .œ œ
>
P
.œ œ.œ œ
.œœ .œ
œ
can hear it ec - ho: Boun -œœœœ œ
œb
b œ
œ ‰ . R
œœœœ
>
w
.œœ> .œ
œ>
.œ œ> .œ œb
>
&
&
?
bb
bb
bb
bb
bb
bb
Jan.
Pno.
√
21.œ œ
.œ œ.œ œ .œ
œ
cin' off - a build - ings like a
21œœœœ œ
œb
b œ
œ
œ
œ
‰ .r
œ .œ œ .œ œ .œœ
wb
w
˙ ‰ .r
œ .œ œ
ghost. Yeah, the
œ
œb
bœ
œ
œ
œ
œ
œ
w
wb
‰ .
r
œb
>
.œœ
>
.œ
œb
>
.œœ
œœ
.œœ œ
night's been bu - sy;
Ó .
‰ .
r
œœœœ
>
œ
œ
œ
œ
˙
˙
w
.œ
œ
>
.œœ
>
.œ œ
>
.œ œ
>
14. Janitor (Light in the East)84
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&
&
?
bb
bb
bb
bb
bb
bb
Jan.
Pno.
24.œ œ
.œ œ.œœ .œ œ
Tear - in' up the ci - ty like a
24....
œœœœ
œœœœ
.
.
.
.
˙˙˙˙
Ó
œ
œ
œ
œ
.œœ
>
.œœ
>
.œ œ
>
.œ œ
>
œ œ œb .œ œ
too drunk guest who steals
œœ
œœ
œœb .
.œœ
œœœœ
>
.
.
œ
œ
>
œ
œ
˙
˙Œ
Œ ‰ .
r
œœœ
.
.
.œœœ
œœœ
œœœ
ritard
.œ œb .œ œ œ ‰ .
U
R
œ
from his host. And
wwww
F
Œ 3œœœœ
b œœœœ
œœœœ
œœœœ
U
Œ3
œœb
>
œœ
>
œœ
>
œœ
U
>
w
w
&
?
&
&
?
bb
bb
bb
bb
bb
bb
Jan.
Pno.a tempo P
27œ
.œœ ˙
leaves be - hind
27Ó
œ
œ
.œ
œ .˙
w
Œ ‰ . r
œb .œ œ .œ
œ
>
œ œœ œn œ
‰ .
R
œ
Blear - y eyes. The
œœ
˙
.œ
œb
>
.œœ
>
.œ œn>
.œœ>
&
&
&
&
bb
bb
bb
bb
bb
bb
Jan.
Pno.
29œ
.œœ œ
‰ . r
œ
smell of sex. And
29˙˙˙b
10
œn œ œœ œ
œ∫ œ œ œ œ œ
Œ
‰ .r
œœ
>
œœœœœb
>
.œ
œ
>
.˙
œ .œ œb ˙
whis - key lies...
Œ
10
œn œ œœb œ œ∫ œ œ œ œ ‘ ‘
œœœœ œ œ œb œ œ
10œ œ œ œ œ
œ œœnœb œn
w
&
&
&
bb
bb
bb
bb
bb
bb
nn
nn
nn
nn
nn
nn
Jan.
Pno.
31
w
31
10
œn
rapid glissandos, play fast, ad ib
œ œœb œ œ∫ œ œ œ œ ‘ ‘
œ
œb œ œœ œ
œ œœ œ œ ˙
w
œ œ
U
œ
U
œ
U
Then comes the
œ
Œ Ó
U
œ
œ
Œ Ó
U?
Primo Tempo
P
.œœ
.œ œ œ‰ .
R
œ
light in the East. Time
œœœœ
.
.
.
.
œœœœ
œœœ
˙˙˙
.œœœ
.œ
œ .œ œ
14. Janitor (Light in the East)
85
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&
&
&
&
&
&
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bb
b
bb
b
bb
b
bb
b
bb
b
bb
b
bb
b
c
c
c
c
c
c
c
Husband
Wife
Thief
Medium
Janitor
Piano
Tempo Primo
P
MEDIUM
JANITOR
∑
∑
∑
‰ . r
œ.œœ
.œbœ .œ
œ
And that was all that he said;
.˙
Œ
(truth)
‰ .
Ú110
r
œ.œœ
.œbœ .œ
œŒ
.˙
w
w
∑
∑
∑
.œ
œ.œœ
.œbœ .œ
œ
I'm - just re - peat - ing his words;
‰ . r
œb œn
Œ Œ
The park.
.œ
œ.œœ
.œbœ .œ
œ
Œ .˙
Œ . . r
œœb
>
˙˙
w
∑
∑
∑
.œ
œn.œœ
.œb œ .œ œ
You ev - er talk to the dead?
‰ . r
œb œn .œ
Œ Œ
A sta-tue.
.œ
œn.œœ
.œb œ .œ œ
Œ .˙n
Œ . . r
œœ
>
˙˙
w
&
&
&
&
&
&
?
bb
b
bb
b
bb
b
bb
b
bb
b
bb
b
bb
b
nn
nbb
bb
bb
nn
nbb
bb
bb
nn
nbb
bb
bb
nn
nbb
bb
bb
nn
nbb
bb
bb
nn
nbb
bb
bb
nn
nbb
bb
bb
Hus.
Wife
Thief
Med.
Jan.
Pno.
THIEF
4
∑
∑
∑
.œœb
.œ œ.œb œ .œ œ
I on - ly told you the truth;
‰ . r
œb œn
Œ Œ
A thief;
4
.œœb
.œ œ.œb œ .œ œ
Œ.˙b
Œ . .r
œœb
>
˙˙
w
∑
∑
‰ . r
œ.œœ
.œ∫œ .œ
œ
It happ - ened just as I said
œ
‰ . r
œn œ
Œ
The truth.
‰ . r
œn œ
Œ Œ
The truth.
.œ
Accel. poco a poco
œ.œœ
.œ∫œ .œ
œ
‰ .r
œ
œ
>
.
.œ
œ
œ
œ
>
˙
˙
∑
∑
.œ
œ.œœ
.œ∫œ .œ
œ
Whatgood is ly-ing to you
Œ ‰ . r
œn œ
Œ
Hiswords.
‰ . r
œn œ
Œ Œ
His wife.
.œ
œ.œœ
.œ∫œ .œ
œ
Œ . . r
œœb
>
˙˙
.˙ Œ
87
c 2004
15. (Finale)
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&
&
&
&
&
&
?
bb
bb
bb
bb
bb
bb
bb
bb
bb
bb
bb
bb
bb
bb
bb
bb
bb
bb
bb
bb
bb
Hus.
Wife
Thief
Med.
Jan.
Pno.
7
∑
∑
.œ
œn.œ
œ.œ∫ œ .œ œ
I'll get the chair an - y way
Œ ‰ . r
œn œ .œ
Œ
His spi- rit.
‰ . r
œn œ .œ
Œ Œ
Her beau- ty.
7
.œ
œn.œ
œ.œ∫ œ .œ œ
‰ .
R
œœ
œ
>˙˙
˙‰ .
r
œ
WIFE
∑
∑
.œœ∫
.œ œ.œ∫ œ .œ
œb
I on - ly told you the truth.
Œ ‰ . r
œn œ
Œ
The dark.
‰ . r
œn œ
Œ Œ
His grief.
.œœ∫
.œ œ.œ∫ œ .œ
œb
Œ . .r
œœœ
∫
∫
>
˙˙˙
˙
‰ .
R
œ .œ œ
∑
‰ . r
œ.œœ
.œ∫œ .œ
œ
What do you want me to say?
œ
Œ ‰ .r
œn œ
The truth.
Œ ‰ . r
œn œ
Œ
The truth.
‰ . r
œn œ
Œ Œ
The truth.
.œ
œ
œ
.
.
œ
œ
œ
œ
.
.
œ
œ
œ
œn
n .
.
œ
œ
œ
œb
b
Œ ...
œœœ
œœœ
>
.
.
.
œœœ
œœœ
3
œœœ œ
œw
&
&
&
&
&
&
?
bb
bb
bb
bb
bb
bb
bb
bb
bb
bb
bb
bb
bb
bb
bb
bb
bb
bb
bb
bb
bb
Hus.
Wife
Thief
Med.
Jan.
Pno.
√
piu mosso
10
∑
.œ
œ.œœ
.œ∫œ .œ
œ
I tried the best I know how.
Œ Œ ‰ .r
œn œ
Her eyes.
Œ ‰ . r
œn œ
Œ
A thief.
‰ . r
œn œ
Œ Œ
Her knife.
10œ
œ
.
.
œ
œ
œ
œ
3
œ
œ
œ
œ
œ
œn
n
.œ
œœb œ
œ.œ
œœb œ
œ
∑
.œ
œn.œ
œ.œ∫ œ .œ œ
I told you all that I know.
Œ Œ ‰ .r
œn œ .œ
Her bod-y.
Œ ‰ . r
œn œ .œ
Œ
A wo-man.
‰ . r
œn œ .œ
Œ Œ
A boat-house.
3
œ
œ
œ
œ
œ
œn
n
3
œ
œ
œ
œœ
œ
œ
œn
œ
œb
b
‰ .r
œœ
.
.œœ
œœ
.œ
œœ
.
.œœ
œœ
w
w
∑
.œœ∫
.œ œ.œ∫ œ .œ
œb
I on - ly told you the truth.
Œ Œ ‰ .r
œn œ
Her knife.
Œ ‰ . r
œn œ
Œ
His blood.
‰ . r
œn œ
Œ Œ
His blood.
.
.
œ
œ
œ
œœn
n .
.
œ
œ
œ
œ
.
.
œ
œ
œ
œn
n .
.
œ
œ
œ
œ
.
.œ
œ
>
j
œ
œ
>
œ
œ
œ
œ
>
88 15. Finale
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&
&
&
&
&
&
?
bb
bb
bb
bb
bb
bb
bb
bb
bb
bb
bb
bb
bb
bb
bb
bb
bb
bb
bb
bb
bb
Hus.
Wife
Thief
Med.
Jan.
Pno.
HUSBAND
F
13
‰ . r
œ.œ
œ.œ∫
œ .œœ
There's noth - ing more af - ter that.
œ
Œ Œ ‰ .r
œ
The
Œ Œ ‰ .r
œn œ
The truth.
Œ ‰ . r
œn œ
Œ
The truth.
‰ . r
œn œ
Œ Œ
The truth.
13 ....
œœœœ œ
œ
.
.
œ
œ
œ
œ
.
.
œ
Ϻ
∫œ
œ
.
.
œ
œ
œ
œ
œ
œ
.
.œ
œ
œœœ
.
.
.
œœœ
œn œ
w
.œ
œ.œ
œ.œ∫
œ .œœ
There's noth - ing more that I knew.
œŒ Œ ‰ .
r
œ
truth. My
Œ Œ ‰ .r
œn œ
Her skin.
Œ ‰ . r
œn œ
Œ
Her knife.
‰ . r
œn œ
Œ Œ
A lie.
.
.
œ
œœ
œ
.
.
œ
œ
œ
œ
.
.
œ
Ϻ
∫œ
œ
.
.
œ
œ
œ
œ
.
.
.
œœ
œ
b
>
œœ
œ
œœ
œ
.
.
.
œœ
œ
œœ
œ
b
>
.
.
.
œœ
œ
œœ
œ
&
&
&
&
&
&
?
bb
bb
bb
bb
bb
bb
bb
bb
bb
bb
bb
bb
bb
bb
bb
bb
bb
bb
bb
bb
bb
Hus.
Wife
Thief
Med.
Jan.
Pno.
√
15
.œ
œn.œœ
.œ∫ œ .œ œ
There's noth - ing more of my life.
œŒ Œ ‰ .
r
œ
love. My
Œ Œ ‰ .r
œn œ .œ
Her tem-per.
Œ ‰ . r
œn œ .œ
Œ
A sta- tue;
‰ . r
œn œ .œ
Œ Œ
Her hus-band;
15.
.
œ
œœ
œn
n.
.
œ
œ
œ
œ
.
.
œ
Ϻ
∫ œ
œb
.
.
œ
œ
œ
œ
Œ . .
r
œœœœ
n
>
.
.
.
.
œœœœ
œœœœ
>
.
.
.
.
œœœœ
œ
œ
>
w
w
.œœ∫
.œ œ.œ∫ œ .œ
œb
I on - ly told you the truth.
œ .œ Œ Œ ‰ .r
œ
hus-band. The
Œ Œ ‰ .r
œn œ
A fool.
Œ ‰ . r
œn œ
Œ
A lie.
‰ . r
œn œ
Œ Œ
The dark.
.
.
œ
œ
œ
Ϻ
∫.
.
œ
œ
œ
œ
.
.
œ
Ϻ
∫ œ
œ
.
.
œ
œ
œ
œb
b
.
.œ
œ
œœœ
∫
∫
>
.
.
.
œœœ
œ
œ
>
.
.œ
œ
œœœ
>
œœœ
Œ Œ Œ ‰ .r
œ
The
œ
.˙
Œ Œ ‰ .r
œn œ
The truth.
Œ ‰ . r
œn œ
Œ
The truth.
‰ . r
œn œ
Œ Œ
The truth.
.
.
œ
œ
P
œ.œœ
.œ∫œ
.œœ
Œ . . r
œ ˙
w
8915. Finale
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?
?
##
#
###
c
c
Piano
Moderato
P sensual
Œ
Ú90
.œ
>
œ
>
œ œ.œ.
≈œ.
≈œ.
Œ . j
œ
>
œ.œ œ œ
w
>
Œ.œ
>
œ
>
œ œ.œ.
≈œ.
≈œ.
Œ . j
œ œ.œœ
œœ
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˙ ‰
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>
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>
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.
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œ
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œ
œœ ≈
œ
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Œ . j
œ
>
œ.œ œ œ
w
>
&
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###
###
###
Morito
5∑
5Œ
.
.
œ
œ
œœœœœ
œ
œ
œ ≈
œ
œ ≈
œ
œ
Œ . j
œ
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p
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œ
MORITO
To -
Œ
.
.
.
œ
œœ
œ
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œ
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œ
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œ
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œ
œœ ≈
œ
œœ
Œ . j
œ
>
œ.œ
œ œ
œ
>
œ
>
.˙
>
p
œœ
œn œ œœ
œ œ
night I kiss my lo - ver for the
Œ.œ œ œ œ œ
≈œ≈œ
Œ . j
œ
>
œ.œ œ œ
w
>
&
?
?
###
###
###
Morito
8
œ ˙
‰j
œ
last time. I8
Œ.œ œ œ œ œ
≈œ≈œ
Œ . j
œ
>
œ.œœ
œœ
>
œ
>
˙ ‰
J
œ
.
œ œœ œn
.œ œ œ
go to her at mid - night;
Œ.œ œ œ œ œ
≈œ≈œ
Œ . j
œ
>
œ.œ
œ œ
œ
>
œ
>
.˙
>
œ œœ œn œ
Œ
Slip ping past the gate;
Œ .
.
œœ
œœ
œœœœœœ≈ œœ≈ œœ
Œ . j
œ
>
œ.œ œ œ
w
>
c 2004, 2005
16. Kesa and Morito (Morito)
92
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&
?
?
###
###
###
Morito
115
œ œ#œ œ œ
Float - ing to her bed.
11Œ .
.
œœ
œœœœ
œœœœ≈ œœ≈ œœ
Œ . j
œ
>
œ.œ
œ
œœ
>
œ
>
˙ ‰
J
œ
.
˙Œ ‰ j
œ
I
Œ ..
œœ
œœœœ
œœœœ≈ œœ≈ œœ
Œ . j
œ
>
œ.œ
œ œ
œ
>
œ
>
.˙
>
P
5œ
œ
œ œ œ
let her hands car - ess
Œ
.
.
.
œœœ
œœœ
œœœ
œœœ
œœœ≈
œœœ ≈
œœœ
Œ . j
œ
>
œ.œ œ œ
w
>
&
?
?
###
##
#
###
Morito
14 5
œœ œ
œ œ
me for the last time.
14Œ
.
.
œ
œ
œœœœœ
œ
œ
œ ≈
œ
œ ≈
œ
œ
Œ . j
œ
>
œ.œ
œ
œœ
>
œ
>
˙ ‰
J
œ
.
.˙
‰ j
œ
I
Œ
.
.
œ
œ
œœœœœœ œœ
≈œ
œ
≈ œœ
&
Œ . j
œ
>
œ.œ
œ œ
œ
>
œ
>
.˙
>
œnœ œ œ
.œ œ œ
knife in - to her bo dy;
Œ ....
œœ
œœ
n
>
œœn
j
œœ
œœn.œœ
.
≈
œœ
.
≈œœ
.?
&
Œ . j
œ
>
œ.œ œ œ
w
>
&
&
?
##
#
##
#
###
Morito
17
œnœ œ œ
.œ
j
œ
For-ci - bly and proud; (She
17Œ .
.
.
.
œœœœ
n
>
œœn
j
œœ
œœn.œœ
.
≈
œœ
.
≈œœ
.?
&
Œ . j
œ œ.œ
œn
œœ œ ˙ ‰
J
œ
œnœ œ œ
œ œ
œn œ
says that I'm in - cre - di - bly en -
Œ ....
œœœœ
n
>
œœn
j
œœ
œœn.œœ
.
≈
œœ
.
≈œœ
.?
Œ . j
œ œ.œ
œn œ
œ œ .˙
.œ
j
œ# œ œnœ œ
dowed. Thick er than her
Œ
.
.
..
œœœœ#>
œ œ œ.œ.
≈œ.
≈œ.&
Œ . j
œ# œ.œ œ œ
w
16. Kesa and Morito (Morito)
P/V
93
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&
&
?
##
#
##
#
###
Morito
20
œ ˙
Œ
hus - band.)
20
Œ .
.
.
œ
œœ
œ
œœ#‹
>
˙
œœ œœœœœœœœœœ
Œ . j
œ# œ.œ
œ œ
œ œ .˙
20A
Ó Œ ‰j
œ
And
20A
Œ .
.
.
œ
œœ
œ
œœ#‹
>
˙
œœ œœœœœœœœœœ
Œ . j
œ# œ.œ
œ œ
œ œ .˙
P
21
œ
œ
œ œ œ
œœ œ#
as I kiss my lo - ver for the
21
Œ
.
.œœ
œ
œ
>
œ
œœ œ
œ
œ œ#
Œ . j
œ# œ.œ œ œ
w
&
&
?
##
#
###
###
Morito
22
œ ˙
‰j
œ
last time The
22
œ
œ#
.
.œœ
œœœ>
œœœœ œ
œ
œ
#œœ
Œ . j
œ# œ.œ
œ
œœ œ ˙ ‰
J
œ
P
œ œ#œ œ œ œ
world dis- solves a - round me;
Œ
.
.œœ
œ
œ
>
œ
œœ œ
œœ œ#
Œ . j
œ# œ.œ œ œ
w
crescendo
œ œ#œ œ œ œ
I de - sert my bo - dy;
œ
œ#
.
.œœ
œœœ>
œœœœ œ
œ
œ
#œœ
Œ . j
œ# œ.œ
œ
œœ œ ˙ ‰
J
œ
&
&
?
###
###
##
#
Morito
f
25
œœ
œN œ œ
All of time is
25
Œ...
.
œœœœ#
Nœœœœ œ
œœœœœœœœ
œ
Œ .j
œ œ.œ#
œ œ
w
w
œ œ ˙ Œ
gone.
œ
œ
.
.
.
œœœ
>
œœœœ
œœ# œœœœœ
œ
œœ
Œ .j
œ œ.œ#
œ
œœ
œ
>
œ
œ
>
.
.
˙
˙
F
œœ
˙N
Dusk is dawn;
œœ
.
.
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>
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>
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.
.
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>
&
&
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##
#
###
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Morito
28
J
œœ
j
œ
j
œ .œ
Dawn is noon;
28
Œ ...œœœ#
œœœ
N ˙˙˙
˙
‰
œ œ œ
œ
œœ
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œ# œ .œœ œ
w
w
œ
œ
˙
Late is now;
Œ....
œœœœ
#
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.
.
˙
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J
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j
œ
j
œ .œ
Now is soon;
Œ....
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#
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>
˙˙˙
˙
‰
œ œ œ
œ
œœ
Œ .
j
œ# œ .œœ œ
œ œ .˙
16. Kesa and Morito (Morito)94
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&
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?
##
#
##
#
###
Morito
F
31
œ œ‹œ#
œ ˙
This is what it's like
31 Œ
.
.
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.
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>
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>
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˙ œ‹œ#
to be
Œ ....
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œ
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&
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###
###
###
Morito
33
œœ .˙
God.
33
Œ
.
.
.
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˙˙˙
6≈œ œ‹
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7
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##
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#
Morito
ÍÍ
lightly percussive, rapid tripletslightly percussive, rapid triplets
sustained
35
œ
Meno mosso (in 2)
.œ
œn œ œ
watch my - self out -
35 wwww
‰
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œ
œ
œ
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3
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3
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œ
œ
œ
œ
ww
&
œ
.œœn ˙
side my - self
‰œœnœœ
‰ œœœœ
‰œ
œ
œ
œ
‰œ
œ
œ
œ ‰œœn œœ ‰ œ
œnœœ
3
œœ
œœ
œœ
3
œœnn
œ
œ
œ
œ
&
&
&
##
#
###
##
#
Morito
37
œ œn œ œ
Sleep and breathe and
37
‰œœ œœ
‰œœn œœ
‰œ
œ
œ
œ
‰
œ
œ
œ
œ ‰
œœnn
œœ ‰
œœ œœ
3
œ
œ
œ
œœœ
3
œœnn
œ
œ
œ
œ
œ.œ œ ˙
wake and sigh
‰œœnœœ‰
œ
œn
œ
œ ‰œ
œ
œ
œ ‰
œœœ
œœœ‰œ
œ
œ
œ‰ œœ œœ
3
œœ
œ
œœœ
3
œœœ
nn
œ
œ
œœ
16. Kesa and Morito (Morito) 95
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&
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bb
bb
C
C
.
.
.
.
.
.
.
.
Piano ßç
(let chord ring )
1wwww
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u
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¨
uww
wb
bb
>
°
U
&
Moderato
(sustained, glassy)p
Vamp
2 5
œn
q = 100
(sustained, glassy)
œn œ# œ#œn
wwww
CUE OUT (PRIEST): "...not yet, Monsignor..."
œAœA œN
œ
w
2A ˙
˙
˙
˙
œAœA œN
œ
w
2B ˙
˙
˙
˙
œAœA œN
œ
w
2C˙
˙
˙
˙
œAœA œN
œ
w
&
&
&
bb
bb
bb
Pno.
2D
∑
.
.
˙
˙
œ
œ
œAœA œN
œ
w
2E
∑
˙
˙
˙
˙
œAœA œN
œ
w
2F
∑
˙
˙
˙
˙
œAœA œN
œ
w
2G
∑
w
wn
n
œAœA œN
œ
w
2H
∑
˙
˙Ó
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œ
w
&
&
&
bb
bb
bb
.
.
.
.
.
.
.
.
.
...
Pno.
Safety
CONFESSORS (to m. 5)3
˙A ˙
Bless me
CUE OUT (PRIEST):"...every word seems to bemissing a letter."
5
œnœn œ# œ#
œn
œœ œ
œ
w
5
˙N ˙N
Fa - ther,
5
œnœn œ# œ#
œn
œAœA œN
œ
w
6
˙˙
I have
5
œnœn œ# œ#
œn
œœ œ
œ
w
.˙ œ
sinned My
5
œnœn œ# œ#
œn
œœ œ
œ
w
17. (Confession/Last Year)100GLORYDAY
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No performance or use of this score is
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&
&
&
bb
bb
bb
Pno.
√
8
˙ ˙
last con -8
5
œnœn œ# œ#
œn
œœ œ
œ
w
˙ ˙
fes - sion
5
œnœn œ# œ#
œn
œœ œ
œ
*
w
?
ß
(let chord ring )
wn
was...
wwww
n
¨
w
wn
n
¨
°
∑&
˙Ó
5
œnœn œ# œ#
œn
wwww
œAœA œN
œ
w
∑
5
œnœn œ# œ#
œn
œAœA œN
œ
w
∑
5
œnœn œ# œ#
œn
œœ œ
œ
w
&
&
V
?
&
&
bb
bb
bb
bb
bb
bb
.
.
.
.
.
.
.
.
.
...
.
...
.
...
.
...
A
T
B
Pno.
Vocal Last XSafety
Safety
P
14
˙S S
˙
Bless me
∑
∑
∑
145
œnœn œ# œ#
œn
œœ œ
œ
w
3
˙ ˙b ˙
Fa
∑
˙ ˙
Bless me
∑
5
œnœn œ# œ#
œn
œœ œ
œ
w
3
˙b ˙ ˙
˙ ˙
Bless me3
˙ ˙b ˙
Fa
∑
5
œnœn œ# œ#
œn
œœ œ
œ
w
(begin speaking, ad lib)
F
˙Ó
ther...3
˙ ˙b ˙
Fa 3
˙b ˙ ˙
˙ ˙
Bless me
5
œnœn œ# œ#
œn
œœ œ
œ
w
(begin speaking, ad lib)
∑S
3
˙b ˙ ˙
(Fa)
˙Ó
ther...3
˙ ˙b ˙
Fa
5
œnœn œ# œ#
œn
œœ œ
œ
w
17. Confession/Last Year 101
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&
?
&
&
bb
bb
bb
bb
.
.
.
.
.
.
.
.
.
...
.
...
.
.
.
.
.
.
.
.
A
B
Pno.
(begin speaking, ad lib)
19
˙Ó
ther...3
˙b ˙ ˙
195
œnœn œ# œ#
œn
œœ œ
œ
w
(begin speaking, ad lib)
∑
˙Ó
ther...
˙ Ó
œœ œ
œ
w
Safety
∑
∑
∑
CONFESSOR: "Why doesn't God help me?"
œœ œ
œ
w
?
p
∑
∑
Œ
œ
œ
>
œ
œ
œb
>
PRIEST: "I was eighteen when I entered the seminary..."
œœ œ
œN
w
∑
∑
œœœ
>
œ
œ œ
>
œœ œ
œ
w
&
&
?
bb
bb
bb
.
.
.
.
.
.
Pno.
24
∑
24
w
œœ œ
œ
w
∑
w
œœ œ
œ
w
∑
w
œœ œ
œ
w
∑
w
œœ œ
œ
w
∑
˙ ˙
œœ œ
œN
w
∑
˙ ˙
œœ œ
œ
w
∑
˙˙
œœ œ
œ
w
&
&
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bb
bb
bb
.
.
.
.
.
.
.
.
.
...
.
.
.
.
.
.
.
.
.
...
Pno.
31
∑
31w
Play 3X's
œœ œ
œ
w
∑
˙ ˙
œœ œ
œ
w
∑
˙ ˙
œœ œ
œ
w
∑
w
œœ œ
œ
w
Play 3X's
∑
w
œœ œ
œ
w
17. Confession/Last Year102
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&
&
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bbb
bbb
bb
b
c
c
c
Aunt
Piano P
Moderato
∑
PRIEST: "...Entering the priesthood."
‰ .
Ú120
r
œ
œ.
˙
.œ
œ.Œ
3
œ
œœ
3
œ œ œ
AUNT MONICAÓ Œ ‰ .
r
œ
The
‰ .r
œ
œ.
˙
.œ
œ.Œ
3
œ
œœ
3
œ œ œ
.œœ
3
œ œ œœ
Œ
great - est prac - ti - cal joke
∑
.œ
œ.
Œ
3
œ
œœ
3
œ œ œ
&
&
?
bbb
bbb
bbb
Aunt
Pno.
43
œœœ .œ œ
œ .œ œ
played on the com mon folk is God.4
∑
.œ
œ.Œ
3
œ
œœ
3
œ œ œ
œ
Œ Œ ‰ . r
œ
(You
‰ .r
œ
œ.
˙
.œ
œ.Œ
3
œ
œœ
3
œ œ œ
.œ œ œ œœ
Œ ‰ .r
œ
want some man - i-cot'?) - The
Œ
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œœœ.
Ó
.œ
œ.
Œ
3
œ
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3
œ œ œ
&
&
?
bb
b
bb
b
bb
b
Aunt
Pno.
7
.œœ
3
œ œ œœ
Œ
worst po - li - ti - cal prank7
.œœ.
3
œ.œ.œ.
3
œ.œ.œ.
3
œ.œ.œ.
.œ
œœœœ
.
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œ
.œ
œœœn
.
‰ .
R
œ
3
œœ
œ .œ œœ .œ œ
pulled by the file and rank is Christ3
œ.
œ. œ
..œ.
œ.
3
œœ œ
3
œ œ œ
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œœœœ
.
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œœœn
.
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R
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&
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bb
b
bb
b
bbb
Aunt
Pno.
9
.œ œ.œ œ
.œ œ.œ œ
Mo - ham - med. Bud - dha, Vish - nu,9
.
.
œœ
œœ
.
.
œœ
œœ
.
.
œœ
œœ
.
.
œœ
œœ
.œ
œœœ. ‰ . r
œ.œ
œœœ
.
‰ .r
œ
.œ œ .œ œ .œ œ .œ œ
Jo - seph Smith and all his angels.
.
.œœb œœ
.
.œœ œœ
.
.œœ œœ
.
.œœ œœ
.œ
œœœb.
‰ .
R
œ
.œ
œœœn
.
‰ .r
œ
111
18. The Greatest Practical Joke
c 2004
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No performance or use of this score is
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&
&
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bb
b
bbb
bbb
Aunt
Pno. F
11
‰ .r
œ .œ# œ œn .œ# œ
To keep the poor in check11
‰ .
R
œ
œn
.
.œœ## œ
œœ
œ
n .
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œ
>
j
œ
>
‰ ‰J
œœœœn
>
‰ . r
œ
œ.
‰ . r
œ.
œŒ ‰ . r
œ.œn œ
the biz - ness
3
œœ œn
œ
3
œœb œ
3
œnœ œ œ
j
œ
‰ ‰ .R
œœœœ
n>
Œ
œ
&
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bbb
bbb
bbb
Aunt
Pno.
13
.œ# œ .œ œn .œ# œ .œ œ
of - fers Ho - ly Mass - es and threat -13
.
.
.
œœœ#
##
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.
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b œ
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.
.
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j
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>
‰ ‰ . R
œœœbn
N.
‰ .. R
œœœ
Œ
f
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3
œœ
œ œ Œ
ens Hell and heck.
‰ .
R
œœœœnn
>
Œ ‰ .
R
œœœœ
>
Œ
j
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œœœœn
>
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œ
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&
&
?
bbb
bbb
bbb
Aunt
Pno. P
153
œ œ œ .œ œ
3
œ œ œ .œ œ
Look at the world. You think there's a God? There15
∑
œ
‰ . r
œ œ
‰ . r
œ
3
œ œ œ œ
3
œb œ œ
3
œ œ œ
is - n't a God. Not when you got all those -
∑
œ
‰ . r
œœ
‰ . r
œ
&
&
?
bbb
bbb
bbb
Aunt
Pno.
17 3
œb œ œ .œ œ .œ œ
3
œ œ œ
cri - mi - nal types like Hen - ry Kis - sin - ger17
∑
œ
‰ . r
œ œ
‰ . r
œ
3
œbœ
œ.œ œ
3
œ œ œn œ
sneak- ing a - round and ped - dl - ing nukes.
∑
œ
‰ . r
œ
œ
œ
>
.
.
œ
œ
>
œ.
112 2. The Greatest Practical Joke
This score has been downloaded from
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No performance or use of this score is
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&
&
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bb
b
bbb
bbb
Aunt
Pno.
◊
19
Œ
3
œn œ œ ˙
Look at the world.19
3
œn œœœœœ
>
‰ .
R
œœœ
#.
Œ
œ
‰ .r
œ
œ
‰ .
R
œ
3
œ œ œ .œœb
3
œ œ œ
3
œ œ œb
If there's a God, you'd think he'd do some - thing to -
‰ .r
œœœb
>
œœœ
‰ . r
œœœb
>
œœœ
œ
‰ .
R
œ
œ
‰ .r
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&
&
?
bbb
bbb
bbb
Aunt
Pno.
21 3
œN œbœ
3
œ œœ
3
œn œbœ
3
œ œ œn
stop all the war and the crime and the graft and he'd21 3
œN œbœ
3
œ œœ
3
œn œbœ
3
œ œ œn
œ
‰ . r
œ œ
‰ . r
œ
&
&
?
bbb
bbb
bbb
Aunt
Pno.
223
œ œnœ
3
œb œnœ
3
œ œœ
3
œbœ œ
pu - nish those son - o - va - bitch - es who write all those22
3
œ œnœ
3
œb œnœ
3
œ œœ
3
œbœ œ
œ
‰ . r
œ œ
œ
>
œ
œ
>
3
œœb œn
3
œ œn œ œ Œ
stu - pid new T V shows.
Ó ‰ .
R
œœœœ
n#>
œœœœ
œ
‰ . r
œ œ
‰ . r
œ
&
&
?
bbb
bbb
bbb
Aunt
Pno.
24
Œ
3œ
œœ
œ ‰ .
R
œ
Look at the world: There24 ˙
˙˙˙Nb
>
F
Œ
3
œbœ
œb
œ
‰ . r
œœ
‰ . r
œ
3
œ œ œ œ
3
œn œ œ .œ œ
can't be a God. Not when you got those
˙
˙n
N ˙
˙
n
˙b ˙
.œb
J
œ .œ
J
œ
113
b
2. The Greatest Practical Joke
This score has been downloaded from
www.dramatists.com and is for perusal only.
No performance or use of this score is
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2003
23. Gloryday
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23. Gloryday 149
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bb
bb
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Priest
Pno.
28
J
œ œj
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j
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bye Lourdes; the28
j
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>
j
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>
˙
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œ œ œ œ œ œ œ œ
crescendo poco a poco
œ œ œ œ
J
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world has a new re - li -
œ œ œ œ
j
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j
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œ œ œ œ œ œ œ œ
J
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J
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gious shrine. The
j
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œ œ œ œ œ œ œ œ
&
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bb
bb
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Priest
Pno.
31œ œ œ
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poor and the weal - thy are com -31
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>
J
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ing in hordes;
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Priest
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Pno.
◊
34
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a line for the34
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T - shirts. Fun-ny
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T - shirts.
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hats. Pam - phlets.
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23. Gloryday150
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b
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c
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.
.
.
.
.
.
.
.
.
...Aunt
Piano
Moderatonever rushed, with a steady pulse
1
∑
AUNT: "...from somewhere bigger..."
1
‰ j
œ
.
Ú100
.˙
>
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œ
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œ
.
‰
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œ œ œœ œ œ
There will be a mi ra-cle;
‰ j
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&
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b
b
b
Aunt
Pno.
4
œ œ œ œ œ œ œ œ œ œ
Stick a round and see.
4
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&
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b
b
b
Aunt
Pno.
6
œœ œ œ
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pa- tience for a mi - ra-cle
6
‰ j
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>
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œ
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.
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Tim- ing is the key.
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b
b
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Aunt
Pno.
9
Ó Œ ‰j
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Could
9
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Œ ‰
r
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r
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J
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œ œ œ œ œ œ œœ œ
not have hap - pened yes - ter day;
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œ
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>
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œ œœœ œ œ
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.
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And to -
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>
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R
œ œœœ œ œ
Œ
‰ R
œ
≈ ≈ R
œ
‰
œ œ
w
175
c 2004
26. There Will Be A Miracle
This score has been downloaded from
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b
b
b
Aunt
Pno.
12
j
œœ
j
œ
j
œœ
j
œ
mor- row is too late;
12j
œ
œ
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J
œ
œ
J
œ
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J
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w
w
.˙
‰ j
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The
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J
œ
j
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œ
j
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P
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œ œ œ œ
j
œ œ
j
œ
mo - ment has to be ex - act
‰
j
œ
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>
‰ .R
œb œœœ œ œ
Œ ‰j
œ œ.œ œ œ
wwb
&
&
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b
b
b
Aunt
Pno.
15j
œ œ
j
œb
j
œ œ
j
œ
and un - til then,
15
‰
j
œ
.˙œ
‰ .
R
œb œœœ œ œ
Œ ‰ j
œb œ.œ
œ œ
w
poco cres.
j
œ œ
j
œ
j
œ œj
œ
we have to wait.
‰ j
œ
.˙
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œ œœœ œ œ
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œ..œœ
# œœ œ
œww
slight rit.
˙
j
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>
j
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>
You can
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R
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>
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-
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&
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b
b
b
Aunt
Pno.
A tempo
F
more sustained
18
œœ œ œ
œ œ œœ œ œ
ne-ver rush a mi - ra-cle;
18
‰
j
œ
.˙
>œ
œ ‰ .
R
œ>
œœœ œ œ
Œ ‰j
œ œ .œ œ œw
w
P
œ
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j
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>
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j
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w
w
œ œ œ œ œœ œ œ œ œ
force a thing to be;
‰
j
œ
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œ>
œ
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œ
‰
j
œ œ .œ œ œ
w
w &
&
&
&
b
b
b
Aunt
Pno.
21
œŒ Œ
œ œ
I am
21
‰
j
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>
œ
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œ>œœœ œ œ
œ‰j
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w
w
>
?
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œ œ œœœ œ
des - p'rate for a mi - ra-cle;
‰
j
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œ
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œ
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œ
‰
j
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˙
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But it won't
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œ
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œ
‰
j
œ
>
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w
w &
?
176 26. There Will Be A Miracle
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No performance or use of this score is
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b
b
b
Aunt
Pno.
24
j
œœb
j
œ
j
œ œb
j
œ
come just for me;
24
‰
j
œ
.˙bœ
‰ .
R
œ
œ
>œ
œœœœ œb
œ
‰
j
œb œ.œb œ œ
w
w
˙Œ
œ œb
We will
‰
j
œb
˙
˙
>
Œœ
‰ .
R
œ
œb
b>œ
œ œœœ œb
w
w
w
bœb
‰J
œ œ
.œœ œb
crescendo
œ œ œ œb œ œ .œ
all share the mi - ra-cle;
‰ j
œ
.˙
œ ‰ .
R
œ
œ
>
œ
œ œ
œ œ œ
œb ‰
j
œb œ .œ œ œ
w
w
b
b
&
&
?
b
b
b
Aunt
Pno.
27
œ‰ j
œb œ œ œ œ
As ev' - ry - bo - dy
27 ‰
j
œ
.˙œ
‰ . R
œb
>
œ
œbœb œ
œ
œ‰
j
œ œ .œb œ œww
F
wb
should;
œœ
.˙
Œ ‰ .
R
œ
œb
b>œ
œ œœb œ œ
œ‰ J
œ>
œ .œ>
œb œwwbb
.˙ Œ
œ
œb
˙bŒ
œ ‰ .
R
œb
>
œ
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œb
œ
‰ J
Ϻ>
œ.œb>
œb œ
wb
&
&
?
b
b
b
Aunt
Pno. P
colla voce
Í
30
œœ
œ .˙
Lit - tle ones;
30
www
n
N>
Ó
œ
œ œ
œ
ww
w
n>
PÍ
31
œœ
œ .˙
Gro- cery-clerks;
31wwww
Ӝ
œ
œ
œ
www
>
PF
31A
œœœ .˙
C P A's;
31AwwwwÓ
œ
œ
ww
w
PF
31B
œœ
œ .˙
Mov - ie stars;
31Bwwww
Ó
œ
œ
œ
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www
&
&
?
b
b
b
Aunt
Pno. broadening
32
œœ
œ œ œ œœ œ
Bat - tered wives; Dy - ing boys;
32‰
j
œN
.
.˙˙
N
‰ . R
œœbœœ
œbœ œ
œb œ
Œ
‰
j
œ œ .œb
œ œN
w
w
b
b
>
œœ œ œ œ
œ œ œœ œ œ
Hun - gry souls; the worst of men a -
œœ
œb
.
.
.
˙˙˙
Œ ‰ .R
œœœb
œœœ œ
œœb œ
.œj
œ œ .œœb œbw
w
b
>
17726. There Will Be A Miracle
This score has been downloaded from
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&
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b
b
b
Aunt
Pno.
34
˙
>
œœ œ œ
>
long with the good;
34‰
œ
œ
œ
j
œ œ
>
j
œ
>
˙
˙
#>
œn
>
œ#
>
w
œ œ
œ
œ œœ
>
œ œ
˙
˙
>
˙
˙
>
pull back
œ œ œ œ
j
œ-
œ-
J
œ>
I al-ways knew there would
‰œ œ
œ-
j
œ
œ
ϊ J
œ
œ
â
œ
œ
>
œ
œ
>
œ
œ
> œ
œ
>
A tempo
f
.œ œ œ
j
œ œj
œ
be a mi - ra -
œ
œœ
.
.
˙
˙
Œ‰ .
R
œ œ
œœ œ œ
.œ
j
œ œ .œ œ œ
w
w
&
&
?
b
b
b
Aunt
Pno. F
38
.œ
j
œ œ œ œ œ œ œ
cle; I've won dered when and how;
38 ‰j
œ
.˙
œ ‰ . R
œ œ
œœ œ œ
.œ
j
œ œ .œ œ œ
ww
P
œ œ œ .˙
‰j
œ
.˙
œ ‰ .R
œ œ
œœ œ œ
.œ
j
œ œ .œ œ œw
w
œŒ Œ
œ
And
‰
j
œ
.˙œ
‰ .R
œ œ
œœ œ œ
.œ
j
œ œ .œ œ œ
w
w
&
&
?
b
b
b
Aunt
Pno.P
41
œœ œ œ
œ œ œœ œ œ
I will see a mi - ra-cle;
41
‰
j
œ
.˙œ
‰ .R
œ œ
œœ œ œ
.œ
j
œ> œ.œ
œœ
w
w
œ
Œ Ó
‰
j
œ
.˙œ
‰ .R
œ œ
œœ œ œ
.œ
>
J
œ œ
.œœœ>
w
w
œœ œ œ
œ œ œœ œ œ
There will be a mi - ra-cle;
‰
j
œ
.˙œ
‰ .R
œ œ
œœ
J
œ
.œ
J
œ>
œ.œ
œœ
w
w
&
&
?
b
b
b
8
6
8
6
8
6
Aunt
Pno.
44
œ
Œœ- œ-
If not
44ww
Ó
˙
˙
w
w
ritardp
w
soon;
w
ww
ww
˙b-
Ó
wwwb
,â
w
ww
Primo Tempo
œ œ œ .˙
Now...
‰
p
j
œ
.˙
‰ .R
œ œœœ œ œ
‰J
œ
≈ R
œ
‰
œ œ
J
œ‰
œŒ Ó
‰ j
œ
.˙
‰ .R
œ œœœ œ œ
‰J
œ
≈ R
œ
‰
œ œ
J
œ‰
178 26. There Will Be A Miracle
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No performance or use of this score is
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&
V
?
&
&
c
c
c
c
c
Actress
Reporter
CPA
Piano 1
~~~~~~~~~~~~
~~~~~~~~~~~~~
f
f
f
f
f
rapid arp.
rapid arp.
∑
∑
∑
wwwwn
nnn
u
Ó
˙˙˙nnn
U
Ó
6
œœœ
U
œœœ
www###
u
Ó
˙˙˙bb
U
Ó
6
œœœœ
U
œœ
p
Moderato
sostenuto, poco ten.
∑
∑
∑
œœ
Ú110
.
.˙˙-
w
w
CPA
∑
∑
Ó Œ ‰J
œ
The
œœ-
.
.˙˙-
∑?
&
?
&
?
Aunt
CPA
Pno. 1 P
4
∑
J
œœ
J
œ
J
œ œ
J
œ
sky goes grey then turns
4ww-
w
w
-
∑
œœ œ œ
J
œ œ
J
œ
in - to black - ness, e -
‰
j
œœ
ä
˙˙
‰J
œœœ
â˙˙˙
∑
J
œœ
J
œ ˙
ra - sing day.
‰
j
œœœ
ä
˙˙˙
‰J
œ
œ
â˙
˙
AUNTÓ Œ ‰
j
œ
A
Ó Œ ‰J
œ
A
˙
˙
˙
-
ww-
ww
-
184
c 2004
28. Rising, Up/Finale
This score has been downloaded from
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No performance or use of this score is
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&
V
?
&
?
Aunt
Rep.
CPA
Pno. 1 P
8j
œœ
J
œ
J
œ œ
J
œ
wind be - gins and builds
∑
J
œœ
J
œ
J
œ œ
J
œ
wind be gins and builds
8
œ
œ
œ ˙
Ó ‰
œœ œ œ
œœ .˙
w
œœ œ œ
j
œ œ
j
œ
to the howl of a
∑
œœ œ œ
J
œ œ
J
œ
to the howl of a
‰
œ
œ
œ ˙
Ó ‰
œœ œ œ
œ
œ .˙
w
j
œœ
J
œ ˙
mil - lion sins.
∑
J
œœ
J
œ ˙
mil - lion sins.
.
.
.
œ
œœ
j
œ
œœ
˙
˙˙
Ó ‰
œœ œ œ
œœ .˙
w
REPORTER
Ó Œ ‰j
œ
A
Ó Œ ‰j
œ
A
Ó Œ ‰J
œ
A
‰ œ
œ
œœ œ
œ œ
‰
œœœ œ œ
œ œ
w
&
&
V
?
&
&
?
Act.
Aunt
Rep.
CPA
Pno. 1
Pno. 2
√ √
P
piu mosso
l.h.
r.h.
12
∑
j
œœ
J
œ ‰ œ
J
œ
Light ning flash, then more
j
œœ
J
œ ‰ œ
J
œ
Light ning flash then more
J
œœ
J
œ
‰
œ
J
œ
Light ning flash then more
12
≈œ.
œ
.
R
≈œ.
œ
.
R
≈œ
.
œ.
j
≈
œ
.
œ.
j
12
‰
œœ
œœœœ
œ
w
∑
œœ œ œ
j
œ œ
j
œ
and the clouds writhe with
œœ œ œ
j
œ œ
j
œ
and the clouds writhe withœœ œ œ
J
œ œ
J
œ
and the clouds writhe with
≈
œ
.
œ.
j
≈
œ
.
œ.
j
≈
œ
.
œ.
r
≈
œ
.
œ
.
j
‰
œœ
œœ
œœœ
w
loco
∑
j
œœ
J
œ Ó
ev- ry slash.
j
œœ
J
œ Ó
ev' ry slash.
J
œœ
J
œ
Ó
ev' ry slash.
≈œ.
œ
.
R
≈ œ.
œ
.
R
≈œ
.
œ.
j
≈
œ
.
œ.
j
‰
œœ
œœœœ
œ
w
ACTRESSÓ Œ ‰
j
œ
A
Ó Œ ‰j
œ
A
Ó Œ ‰j
œ
A
Ó Œ ‰J
œ
A
≈
œ
.
œ.
j
≈
œ
.
œ.
j
≈
œ
.
œ.
r
≈
œ
.
œ
.
j
‰
œœœœ
œœœ
w
18528. Rising, Up/Finale
This score has been downloaded from
www.dramatists.com and is for perusal only.
No performance or use of this score is
allowed without written authorization
from Dramatists Play Service, Inc.
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&
&
V
?
&
?
&
?
Act.
Aunt
Rep.
CPA
Pno. 1
Pno. 2
◊ ◊
F
F
16j
œœ
J
œ
J
œ œ
J
œ
mistap - pears and hangs
j
œœ
J
œ
J
œ œ
J
œ
mistap - pears and hangs
J
œ œ
J
œ
J
œœ
J
œ
mistap - pears and hangs
J
œœ
J
œ
J
œ œ
J
œ
mistap - pears and hangs
16
≈œ.œ
.
œ.
R
œ.
œ
.
œ.
œ
.
œ.
œ
.
œ.
œ
.
œ.
œ
.
œ.
œ
.
w
16
‰œœ
j
œ
œ
>
j
œ
œ
œ
œ
>
j
œ
œ
>
‰ œœœ
œœœœ
w
œœ œ œ
j
œ œ
j
œ
in the air like a
œœ œ œ
j
œ œ
j
œ
in the air like a
œœ œ œ
J
œ œJ
œ
in the air like aœœ œ œ
J
œ œ
J
œ
in the air like a
≈œ.œ
.
œ.
R
œ.
œ
.
œ.
œ
.
œ.
œ
.
œ.
œ
.
œ.
œ
.
œ.
œ
.
w
j
œ
œ
œ
œ
>
j
œœ
>
j
œœ œœ
>
j
œ
œ
>
‰œœœœœœœ
w
j
œœ
J
œ ˙
spi-der's tears.
j
œœ
J
œ ˙
spi-der's tears.
J
œœ
J
œ ˙
spi-der's tears.
J
œœ
J
œ ˙
spi-der's tears.
≈œ.œ
.
œ.
R
œ.
œ
.
œ.
œ
.
œ.
œ
.
œ.
œ
.
œ.
œ
.
œ.
œ
.
w
j
œ
œ
œœœ
>
J
œœœœ
>
J
œœœœ
œœœœ
>
J
œœœœ
>
‰œœ
œœœœ
œw
Ó Œ ‰j
œ
A
Ó Œ ‰j
œ
A
Ó Œ ‰j
œ
A
Ó Œ ‰J
œ
A
≈œ.œ
.
œ.
R
œ.
œ
.
œ.
œ
.
œ.
œ
.
œ.
œ
.
œ.
œ
.
œ.
œ
.
w
J
œœœœ
œœœœ
>
J
œœœœ
>œœœœ
œœœ
>œœœ
>œœœ
>
‰
œœœ˙
˙
˙
>
‰ œœœ
>
œœœ
>
>
œœœ
>
186 28. Rising, Up/Finale
This score has been downloaded from
www.dramatists.com and is for perusal only.
No performance or use of this score is
allowed without written authorization
from Dramatists Play Service, Inc.
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&
&
V
?
&
?
&
?
Act.
Aunt
Rep.
CPA
Pno. 1
Pno. 2 F
F
F
20j
œœ
J
œ œ œ œ œ
vio-lent shake and a churn -
j
œœ
J
œ œ œ œ œ
vio-lent shake and a churn -
J
œ œ
J
œ œ œ œ œ
vio-lent shake and a churn -
J
œœ
J
œ œ œ œ œ
vio-lent shake and a churn -
20
Œœ
œ
œ
œœ
œ
œ
œ
œ
œ
œ
œ
œ
œ
>
œ
œ
>
.
.
˙
˙
20
J
œœœ
œœœ
>
J
œ
œœ
>
J
œ
œœ
œœœ
>
J
œœœ
>
œ
œ
>
œ
œ
>
.
.
˙
˙
J
œœ
J
œ
J
œ œ
J
œ
ing - twis - ter con -
J
œœ
j
œ
j
œ œ
j
œ
ing twis - ter con -
j
œ œJ
œ
J
œ œJ
œ
ing twis - ter con -
J
œ œ
J
œ
J
œ œ
J
œ
ing twis - ter con -
œ
œ
œ
œ
œ
œœ
œ
œ
œ
œ
œ
œ
œ
œ
œ>
œ
œ>
.
.
˙
˙
J
œœœ
œœœ
>
J
œœœ
>
J
œœœ
œœœ
>
J
œœœ
>
œ
œ
>
œ
œ
>
.
.
˙
˙
J
œ œ
J
œ œ œ œ œ
sumes the lake.
j
œ œ
j
œ ˙
sumes the lake.
J
œ œ
J
œ ˙
sumes the lake.
J
œœ
J
œ ˙
sumes the lake.
œ
œ
œ
œ
œ
œœ
œ
œ
œ
œ
œ
œ
œ
œ
œ
>
œ
œ
>
.
.
˙
˙
œœœ
J
œœœ
œ
œœ
>œœœ
>
J
œ
œœ
>
œ
œ
>
œ
œ
>
.
.
˙
˙
.˙ ‰j
œ
The
.˙ ‰j
œ
The
.˙ ‰J
œ
Theœ œ œ œ œ
‰J
œ
The
J
œ
œ
œœœ
>
J
œœœ
>
J
œœœ
œœœ
>
J
œœœ
>
œ
œ
>
œ
œ
>
.
.
œ
œ
>
j
œ
œ
>
œ
œ
>
œ
œ
>
J
œ
œœ
œœœ
>
J
œœœ
>
J
œœœ
œœœ
>
J
œœœ
>
?
œ
œ
>
œ
œ
>
.
.
œ
œ
>
j
œ
œ
>
œ
œ
>
œ
œ
>
18728. Rising, Up/ Finale
This score has been downloaded from
www.dramatists.com and is for perusal only.
No performance or use of this score is
allowed without written authorization
from Dramatists Play Service, Inc.
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&
&
V
?
&
?
?
?
Act.
Aunt
Rep.
CPA
Pno. 1
Pno. 2
◊
f
f
f
24j
œœ
J
œ œ œ œ œ
rain pours hard as the cy -
j
œœ
J
œ œ œ œ œ
rain pours hard as the cy -
j
œ œ
J
œ œ œ œ œ
rain pours hard as the cy -
J
œ œ
J
œ œ œ œ œ
rain pours hard as the cy -
24œ
œ
>
œœ
>œœ
>œ
œ
>
œœ
>œœ
>œ
œ
>
œœ>œœ>œ
œ
>
œœ
>œœ
>œ
œ
>
œœ
>œœ
>œ
œ
>
j
œ
œ
>
œ
œ
>
j
œ
œ
>
j
œ
œ
œ
œ
>
j
œ
œ
>
24 6
œœœ œ œ
œ
6
œœœœœœ
6
œœœœœ
œ
6
œœœœœœ
6
œœœ œ œ
œ
6
œœœœœœ
6
œœœœœ
œ
6
œœœœœœ
J
œ œ
J
œ œ œ œ œ
clone grows and the leaves
J
œœ
j
œ œ œ œ œ
clone grows and the leaves
J
œ œ
J
œ œœ œ œ
clone grows and the leaves
J
œ œ
J
œ œ œ œ œ
clone grows and the leaves
œœ>œœ>œ
œ
>
œœ>œœ>œ
œ
>
œœ
>œœ
>œ
œ
>
œœ
>œœ
>œ
œ
>
œœ>œœ>œ
œ
>
œœ
>
j
œ
œ>
œ
œ>
j
œ
œ>
j
œ
œ
œ
œ>
j
œ
œ>
6
œœœœ œœ
œœœœœœœœœœœœœœœ œœ œ
6
œœœœ œœ
œœœœœœœœœœœœ
œœœ œœ œ
˙ ˙
are
j
œ œ
J
œ œ œ œ œ
are ripped off the crack -
J
œ œ
J
œ œ œ œ œ
are ripped off the crack -
J
œ œ
J
œ œ œ œ œ
are ripped off the crack -
œœ
>œ
œ
>
œœ
>œœ
>œ
œ
>
œœ>œœ>œ
œ
>
œœ>œœ>œ
œ
>
œœ
>œœ
>œ
œ
>
œœ
>œœ
>
j
œ
œ
>
œ
œ
>
j
œ
œ
>
j
œ
œ
œ
œ
>
j
œ
œ
>
œœœœœ
œ
œ œœœœœœœœœœ
œœœœœ œœ
&
œœœœœ
œ œ œœœœœœœœœœ
œœœœœ œœ
18828. Rising, Up/Finale
This score has been downloaded from
www.dramatists.com and is for perusal only.
No performance or use of this score is
allowed without written authorization
from Dramatists Play Service, Inc.
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&
&
V
?
&
?
&
?
Act.
Aunt
Rep.
CPA
Pno. 1
Pno. 2
◊
√
◊
◊
27
˙
5
œ œ œœ œ
ripped. Glow - ing
J
œœ
j
œ
j
œ œ
j
œ
ing branch - es; Screams
J
œ œJ
œ
J
œ œ
J
œ
ing branch - es; Screams
J
œ œ
J
œ
J
œ œJ
œ
ing branch - es; Screams
27œ
œ
>
œœ>œœ>œ
œ
>
œœ>œœ>œ
œ
>
œœ
>œœ
>œ
œ
>
œœ
>œœ
>œ
œ
>
t
j
œ
œ
>
œ
œ
>
j
œ
œ
>
j
œ
œ
œ
œ
>
j
œ
œ
>
27
6
œ œœœ œ œ
œ
œ
œ
œ
J
œ
œ ‰
œ
œ
>
œœ
>œœ
>œ
œ
>
?
6
œ œœœ œ œ
‰
j
œ
œ
j
œ
œ
œ
œ
j
œ
œ
f
f
f
f
˙ ˙
Glow - ing,
j
œ œJ
œ œ œ œ œ
and shouts and the flight
J
œ œ
J
œ œ œ œ œ
and shouts and the flight
J
œ œ
J
œ œ œ œœ
and shouts and the flight
6
œ œœ œ œ
œ
6
œ œœ œœ œ
6
œ œœ œ œ
œ
6
œ œœ œœ œ
&
J
œ
œ
œ
œ
J
œ
œ
J
œ
œ
œ
œ
J
œ
œ
6
œ œœ œ œ
œ
6
œ œœ œœ œ
6
œ œœ œ œ
œ
6
œ œœ œœ œ
&
J
œ
œ
colla Piano 1 to ending
œ
œ
J
œ
œ
J
œ
œ
œ
œ
J
œ
œ
˙ ˙
Glow - ing,
J
œœ
j
œ
j
œ œJ
œ
of mas - ses; Spin-
J
œ œ
J
œ
J
œ œ
J
œ
of mas - ses; Spin-
J
œ œ
J
œ
J
œ œJ
œ
of mas - ses; Spin-
6
œœœœœœ
6
œœœœœœ
6
œœœœœœ
6
œœœœœœ
j
œ
œ
œ
œ
j
œ
œ
j
œ
œ
œ
œ
j
œ
œ
6
œœœœœœ
6
œœœœœœ
6
œœœœœœ
6
œœœœœœ
j
œ
œ
œ
œ
j
œ
œ
j
œ
œ
œ
œ
j
œ
œ
18928. Rising Up/Finale
This score has been downloaded from
www.dramatists.com and is for perusal only.
No performance or use of this score is
allowed without written authorization
from Dramatists Play Service, Inc.