Section 76 as Literature in the Doctrine and Covenants
Transcript of Section 76 as Literature in the Doctrine and Covenants
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Theses and Dissertations
1993
Section 76 as Literature in the Doctrine and Covenants Section 76 as Literature in the Doctrine and Covenants
William H. Brugger Brigham Young University - Provo
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section 76 as literature in the doctrine and covenants
A thesispresented to the
department of english
brigham young university
in partial fulfillmentof the requirements for the degree
master of arts
by
william H brugger
december 1993
OL
t 79537993
decbec
this thesis by william H brugger is accepted in itspresent form by the department of english of brigham young
university as satisfying the thesis requirement for the
degree of master of arts
idec mjdate
fe aelarpycarpy eahl committee member
C jay fox aduateadu coordinatorateata
11
ste e awerwwer committee chair
lar E ahlahi
i-cgrad at6acuate
acknowledgments
many people have assisted me in this project first andforemost I1 have to thank my wife christine for believing inme when I1 did not believe in myself for encouraging me whenI1 did not want to be encouraged and for loving me when I1 didnot deserve to be loved mallory my daughter lifted myspirits often throughout the duration of this project andcontinues to do so after its completion she is my singlegreatest contribution to humanity my parents in lawrichard and joyce heaps both academiciansacademic providedians agenerous amount of advice counsel and support I1 love themas though they were my own my brother don who was writinghis thesis at the same time offered a sympathetic ear andmade me feel better by telling me I1 was further along in mywriting and research than he was
from brigham young university I1 thank steven walkerwho maintained a level of excitement about this project whichoften exceeded my own and from whom I1 received not only theoriginal idea but direction and vision to see this projectto its completion may he now catch up on his sleep eugeneengland a friend and mentor whom I1 admire tremendously wasparticularly helpful in educating me about poetry as well asmy own religion to larry dahl I1 am indebted for giving memuch needed research and writing experience and for teachingme most of what I1 know about the doctrine and covenants tolarry porter for offering numerous source materials and forteaching me all I1 know about church history thanks goes tojay fox for keeping me on the MA track to joyce baggerlyfor keeping the track clear of obstacles and for insuring mysafe arrival and to gloria cronin who put me on the track inthe first place thanks also to jeff knight at microsoft forretrieving my third chapter and to that kindly HBLLcustodian whoever you are for letting me dig through thenumerous trash bins in search of lost notes and photocopiessomething needs to be done about the food violations
finally I1 thank my heavenly father who held out hishands even when I1 sometimes placed mine out of reach and whopicked me up and carried me when I1 dragged my feet I1 hopethis project if only in some small or indirect way bringssomeone closer to him who is the author of authors and poetof poets
111ililii
table of contents
chapter 1 the doctrine and covenants as literature 1
the bible as literature 1
the book of mormon as literature 2
literary studies of the doctrine and covenants 3
the doctrine and covenants as literature 8
narrative 9
short story 13
saga 18
biography 20
parable 21
proverbs 24
apocalypse 26
tragedy 28
poetry 31
theme 4 2
an undervalued text 43
chapter 2 section 76 as poetry 46
overview 46
the vision 46
literary quality of section 76 48
biblical parallels 51
structure of section 76 56
chiasmus 63
parallelism 70
synonymous parallelism 74
antithetic and synthetic parallelism 76
climactic parallelism 78
word motifs 81
figures of speech 82
dac adaptations of figures of speech 86
understatement and overstatement 91
iv
42
chapter 3 the poetic version of section 76 95
overview 95
vade mecum 95
the other poem 101
comparison of A vision and section 76 103
evaluation of A vision 136
parallels between the two texts 138
differences between A vision and section 76 141
conclusion 145
works cited 147
v
chapter 1
THE DOCTRINE AND COVENANTS AS literature
the bible as literature
it is not surprising that the bible has been cherishedfor its literary value for centuries combed over carefullyfor its literary insights the bible is an anthology ofliterary genres there is poetry in the books of psalms song
of solomon and lamentations wisdom literature in job
proverbs and ecclesiastes apocalyptic literature in
ezekiel zechariah and revelation narrative as carefullywrought and psychologically engaging as modern short story in
ruth esther and jonah not only is the bible literatureit is clearly great literature heroic narrative in the
stories of deborah and daniel and gideon rich saga in the
histories of abraham joseph and moses profound tragedy in
the narratives of david saul and samson
and the bible is as literarilylitera finerily in its details as in
its larger forms anyone who has read them knows how
powerful jesuss parables are how they change like modern
laser holographsholographyholo asgraphs readers alter perspectives or shiftstances in the parable of the prodigal son for example
the same readers from different perspectives in their livesdepending on age disposition circumstance can relate to
the profligate prodigal to the compassionate parent or to
the accountant mentality of that elder son such biblicalpassages are universally recognized as classic pieces of
literature captivating audiences regardless of age race or
gender
that widespread literary recognition has made biblicalliterary studies well established and recently expansive
the 1981 publication of robert alters the art of biblicalnarrative triggered a renaissance of literary study of the
bible in such recent distinguished critical assessments as
northrop fryes the great code the bible and literaturemeir sternbergs the poetics of biblical narrative harold
blooms audacious the book of J and a landslide of other
literary studies of the bible by such scholars as frankkermode adele berlin phyllis tribble geoffrey hartman and
robert polzin
the book of mormon as literature
another volume of ancient scripture the book of mormon
has also undergone recent extensive research including
studies into its value as literature despite the bookscomparatively short existence an increasing amount of
material has emerged treating various literary aspects of the
book of mormon through such supportive channels as the
foundation for ancient research and mormon studies recent
literary studies have examined the book of mormon for hebrew
idiom similarities to biblical patterning such as chiasmic
2
and other structural forms word usageusaqe ana aisiriduialstrioutphrase repetition the use of code language and the use of
such stylistic and rhetorical devices as figures of speech
and imagery issues concerning translation and authorshiphave also been discussed to a considerable degree
such studies of the book of mormon tend to demonstrate
that the book of mormon is as rich in literary content as the
bible readers enjoy it for the same reasons the bible isenjoyed it is accessible personally adaptable and
illuminating if church membership projections are accurate
it may be that the literature of the book of mormon whose
circulation increases exponentially every year is destined
to have as great an impact in shaping thought in the futureas the bible has had in the past
literary studies of the doctrine and covenants
despite the widespread acceptance of scripture as
literature however and the strides being made in its study
literary studies of the doctrine and covenants have been
limited taking a distant back seat to historical and
doctrinal analyses despite a published history virtually as
old as that of the book of mormon only a handful of scholars
have taken interest in literary approaches to the doctrine
and covenants A scant handful of sections have been
examined by any kind of systematic literary analysis
studies that treat the doctrine and covenants as literature
number less than a dozen and most of these treat the topicsuperficially and briefly
the earliest exploration of the doctrine and covenantsas literature is found in T edgar lyons 1948 introductionto the doctrine and covenants and the pearl of great price
the books fourteenth chapter appreciative interpretationsof selected passages from modern revelation presentsportions of the revelations that are valuable not only forthe beauty of the doctrines in them but for their beauty of
expression lyon classifies many passages as inspirationalreadings scriptures that are extraordinarily successful in
providing emotional relief in lifting the spirit in
offering insight and perspective and in promoting a sense of
self worth in the concluding pages of the chapter devoted
to poetic utterances lyon provides examples of psalms and
anthems from the doctrine and covenants
ellis rasmussensRasmus 1951sens masters thesis textualparallels to the doctrine and covenants and book of
commandments as found in the bible explores the textualrelationship between the two volumes of scriptureidentifying phrases and clauses that are similar in
construction and meaning rasmussensRasmus analysissens includes
statistical research into the number of textual parallelsthat exist between the doctrine and covenants and the bible
the frequency with which they appear per revelation and
verse how closely the parallels compare to each other the
various types of parallels that exist where the texts
4
super iciallyscially
parallel each other most often and what purposes such
parallels might serve rasmussen originally had intended toexamine all the revelations in the doctrine and covenants
but stopped at section 64 twenty years later in 1971
another graduate student lois jean smutz continued thestudy by examining sections 65 to 133 using rasmussensRasmus
research
sensmethods these early efforts have proven helpful in
studying the doctrine and covenants as literature patterns
of repetition sometimes reveal similarities to hebrew
parallelism an important characteristic of hebrew poetry
that is discussed in more detail in the next chapter neitherrasmussen nor smutz however directly relate their findings
to literary studies of the doctrine and covenants
in 1969 two significant works were published which
examined the doctrine and covenants as literature john A
widtsoesWidt volumesoes the message of the doctrine and covenants
includes as its seventeenth chapter the book as literaturebut of the chapters eleven pages commentary is provided on
only four the remaining pages list examples of concise
sayings other forms of prose and poetry
steven C walkers 1969 article the voice of theprophet in brigham young university studies represents the
only in depth literary analysis of the doctrine and covenants
to date he explains that revelation is given in differentways and forms and that experiences so unique and personal
will show marked variations in emotional intensity and
language when they are recorded to prove his point he
5
f
explicates section 121 comparing and contrasting the two
distinct literary styles which comprise it walkersubsequently shows how section 128 as a dictated letter to
scribe william clayton employs a literary style quitedifferent from that of section 121 other sections in the
doctrine and covenants he suggests display a vast array of
stylistic variations that reveal considerable insight intothe nature of revelation the literary abilities of joseph
smith and the beauty of scriptural language
richard C shipps 1975 thesis conceptual patterns of
repetition in the doctrine and covenants and theirimplications is an exhaustive work identifying chiasmic
structures in certain sections of the doctrine and covenants
shipp relying on similar studies performed on the old and
new testaments finds that two forms emerge a directrepetitive structure and a reverse structure he argues thatthese patterns constitute an inherent system of commentary
that promotes scriptural understanding through repetitionbut shipp like rasmussen and smutz does not explore the
impact his findings have on literary study of the doctrineand covenants
roger K petersenspetersonsPeter dissertationsens joseph smith prophet
poet A literary analysis of writings commonly associatedwith his name was completed in 1981 petersen demonstrates
that the prophet joseph smith was literary minded that his
writings in addition to being prophetic and inspirationalare also structural and lyrical DAI 4450 A chapter nine
6
of his dissertation the doctrine and covenants thecovenant restored through the music of the king james biblesong lyric and jeremiad illustrates using section 88
how the language of the king james bible became the parentlanguage of the doctrine and covenants petersen shows how
sacvansacaan bercovitchs definition of the american jeremiad
applies to the development of the new and everlastingcovenant and how the prophets writings concerning the new
zion establish him as a poet prophet
the most recent commentary on the literary value of
doctrine and covenants is steven walkers article doctrineand covenants as literature in the encyclopedia of
mormonism published in 1992 although necessarily briefwalker compares the literary quality of the doctrine and
covenants to that of the bible like earlier scripture the
doctrine and covenants offers a rainbow of literary genres
1 427 he praises its straightforwardness its frequent
reliance on metaphor and its benefit of immediacy 1
427 that an article such as this is included in theencyclopedia of mormonism is encouraging for at least two
reasons first it helps to substantiate the legitimacy of
literary studies of the doctrine and covenants second the
anticipated placement of the encyclopedia of mormonism in
libraries throughout the english speaking world will increase
awareness of this area of study
7
the doctrine and covenants as literature
to date however there are no extensive studies thatexclusively treat the doctrine and covenants as literatureonly chapters of books and articles there seems to be some
hesitation if not lack of interest in this area lyon
thinks a careful reading and study of the forms and theteachings of our more recent scriptural acquisitions should
reveal much value as literature but he laments we have
been slow to sense this fact 181
this neglect may be understandable there seems to
exist among its readers a limited perception as to thepurpose and design of the doctrine and covenants
traditionally it has not been considered particularlyliterary in either content or form the doctrine and
covenants has been understood to be has been explicitlydefined as a compilation of instructions for church
establishment and governance whose purpose is to ensure
order in the church as an institution and to encourage
obedience among church membership that definition issuggested on the very title page of the book the doctrineand covenants is a collection of divine revelations and
inspired declarations given for the establishment and
regulation of the kingdom of god on the earth in the lastdays there is of course nothing wrong with thisdefinition the doctrine and covenants is without question
8
is
a collection of divine revelations designed to regulate the
church
but the doctrine and covenants is much more than thiswithin the doctrine and covenants are revelations and within
the revelations is literature like other scriptural works
the doctrine and covenants includes numerous sections or
parts of sections that qualify as literature the doctrineand covenants includes a wide array of both traditional and
modern literary genres to establish a foundation for thisproject and to place it in perspective it may be helpful to
introduce the rich literary content of the doctrine and
covenants by providing examples of the various literarygenres represented in it from poetry wisdom literature and
most obviously narrative
narrative
narrative is story an account either actual or
fictional of an event or series of events the doctrine and
covenants in its entirety is narrative and straightforward
narrative readily recognized as such with the exception of
sections 1 10 11 99 133 134 137 and officialdeclaration 1 the doctrine and covenants follows a strictchronological order the beginning sections correspond
chronologically to the history of the early church the loss
of the 116 pages of manuscript by martin harris section 3
oliver cowderys desire to translate the book of mormon 8
9
the lords counsel to oliver concerning the translation 9
the ordaining of joseph smith and oliver cowdery to theaaronic priesthood 13 and the revelation to the threewitnesses 17 are all in order of their occurrence in earlychurch history later sections follow church history with
that same chronological exactness as can be seen in such
typical sections as the revelation concerning the kirtlandtemple 95 the revelations on the persecution suffered by
the missouri saints 98 101 and 103 the prayer of the
prophet while in liberty jail 121 and the lords answer
121 and 122 john taylors description of the martyrdom of
the prophet 135 and the revelation given to brigham young
concerning winter quarters and the camp of israel 136
this chronological character emphasizes that the doctrine and
covenants like all scriptural and many literary works is
historical narrative literary approaches to historicalnarrative can provide important insights into the narrative
into the history and even into the narratoran example of the interpretive richness generated by
literary approaches can be seen in a 1980 journal of mormon
history article by neal lambert and richard cracroft entitledliterary form and historical understanding joseph smiths
first vision lambert and cracrofts literary analysis
traces a succession of significant textual alterations in
four versions of joseph smiths account of the first vision
they conclude that a close examination of these accounts
10
reveals that in these renderings of the visionjoseph smith jr made literary structural and
stylistic changes which not only reflect hischanging understanding of the event in the sacredgrove but also demonstrate that in the accounts
of 1832 1835 1838 and the 1841 wentworth
letter joseph moved from writing of histranscendent experience as a young man influencedby the protestant tradition of spiritualautobiography to writing profoundly of the event as
the leader restorer and prophet of a unique
religious movement destined to growth and
greatness 32332
the
3
1832 version lambert and cracroft assert ischaracterized by an elaborate complicated syntax and a
highly elevated florid diction set in long convoluted and
soaring sentences 37 8 by 1835 the prophet had acquired
a better capacity for expressing the uniqueness of his
experience to his prophetic role and the destiny of the
restored church as evidenced by a simple and more confident
style of the narration 37 the 1838 version isdistinguished by a restrained straightforward matter of
fact style consisting of long sentences which lack
embellishment affectation and rhetorical flourish 38
in some ways the prophets experience is not unlike
that of beginning writers who often imitate models of what
version
they assume to be good writing instead of letting theirwriting reveal their thoughts and feelings in a personal way
they produce material that is detached and impersonal
material that to some extent misrepresents them theprophet early in his call relied upon a style similar to thatof his contemporaries both in and outside the church As
time passed and the prophet gained writing experience his
style changed accordingly he became more comfortable with
his writing ability no longer concerned with imitatingothers styles he recognized the need for clear writing as
insurance against misunderstanding and confusion potentialbarriers that had to be overcome as new religious socialeconomic and political ideas were introduced such insightscan be focused through the lens of a literary approach in
this case a traditionally formalistic approach to a
historical narrativeA similar approach has yet to be taken with the doctrine
and covenants lambert and cracroft used four accounts of
the first vision to trace changes in literary style thereare more than 130 revelations in the doctrine and covenants
most of which follow a chronological order thereby making
the task of tracking textual variations easier this is not
to suggest of course that such an undertaking would by any
means be simple but examinations of this type could revealmuch information about the nature of revelation the prophet
joseph smith and the historical situation of doctrine and
covenants events
12
the doctrine and covenants firm grounding in historymakes it possible to view its sections as episodes in earlychurch history and the book as a whole as the larger story
those episodes compose on that larger scale the doctrineand covenants is primarily the story of the rise and
development of the church from 1823 to 1847 in a sense the
church is the protagonist the world the antagonist the
tension or conflict necessary to every great story comes
between the forces of good and evil as a good institutionis established in an evil world hyrum M smith and janne
M sjodahl observe that the doctrine and covenants with itsinherent narrative form enables us to follow the tenderwatch care of god over the infant church during its days of
numerical weakness and the incessant assaults of theadversary ir the form of persecution temptations and
apostasy and to watch the retreat of the people of god into
the wilderness xiii
short story
closer up the doctrine and covenants may be viewed as a
collection of short stories the explanatory introduction to
the doctrine and covenants provides an overview of thoseepisodic individual historical events that combine to createthe larger history
13
i
in the revelations ones sees the restoration and
unfolding of the gospel of jesus christ and theushering in of the dispensation of the fulnessfalness of
times the westward movement of the church from
new york and pennsylvania to ohio to missouri to
illinois and finally to the great basin of western
america and the mighty struggles of the saints in
attempting to build zion on the earth in modern
times are also shown forth in these revelations
though many of the narrative revelations of the doctrineand covenants may be considered short stories to some degree
it should be noted that the term short story is used
loosely here by stricter definition these doctrine and
covenants events more closely parallel tales than shortstories short stories are brief concise usually fictionalnarratives which often include an epiphany some moment of
insight discovery or revelation by which a characterslife or view of life is greatly altered kennedy 11
although many of the revelations relate such crucialepiphaniesepiphanios indeed many are epiphaniesepiphanios in and of themselves
many doctrine and covenants sections do not meet other
criteria generally expected of the short story such as the
traditional reliance on details for character and plotdevelopment the revealing of a character through a series of
events or the creation of vividly rendered scenes
14
is
these sections tend to be closer in form to the tale a
story true or fictitious that sets forth strange and
wonderful events in a more or less bare summary without
detailed character drawing its goal is revelation of the
marvelous rather than revelation of character kennedy 5
because many of the revelations read like tales yet relatemoments of epiphany they may be read to advantage from thecomplementing vantage points of both short story and tale
A good example may be found in section 121 where joseph
smith while being held prisoner in liberty jail during the
winter and spring of 1838391838 pleads39 with the lord for relieffor the suffering saints and revenge on those causing thesuffering elray L christiansen describes the conditions
they were confined in one room with two small
windows no provision had been made to heat theroom there was no chimney to draw out the smoke
the brethren slept on piles of straw on the floor
their food was of the coarsest kind 394039
dramatic
40
as these circumstances are details concerning the
incarceration are sketchy in the revelation itself indeed
much of it is summary in describing the events surrounding
the incarceration the prophet mentions only the wrongs of
his people and his servants and that they have cried to
the lord for help v 2 the account of the abuse gets no
more specific than general reference to unlawful
15
oppressions v 3 labeling the oppressors enemies v
5 and the barest mention of suffering saints v 6
that there is considerable additional information can be seen
in such volumes as joseph smiths historyhistorv of the church of
jesus christ of latter day saints parley P prattsautobioqraphyautobiography dean C jessees the personal writingsWri oftinosjoseph smith or even the section heading the lack of
historical details in section 121 may serve to emphasize theanswer provided by the lord rather than the question posed by
the prophet certainly that answer is stressed by thestructure the first six verses comprise the plea while the
subsequent forty verses constitute the response a ratio of
almost 17 characterization is slight readers may sense
the prophets anguish and frustration and something of his
consolation less is revealed about the prophet than the
lord who in a scathing rebuke of the prophets enemies
reveals much about their character and personality
but if there are aspects of tale in section 121 thereare also illuminating short story elements the moment of
epiphany in this section is in the first verse of the lordsresponse to the prophets plea thine adversity and thine
afflictions shall be but a small moment v 7 As evidence
of this epiphanal moment walker notes a crescendo of
intensity in language complexity in syntax and lyricism in
technique suggesting a definite increase in spiritualinfluence throughout the prayer it is as though from his
16
oppress ions
simple opening question to his final rhapsodic plea theprophet were being filled increasingly with the spirit 98
christiansen shares walkers respect for the language of
section 121 from that prison came some of the most
beautiful and sublime thoughts and writings ever given to the
world they will endure among sacred literature of the
church for all time 394039 stephen40 L richards similarlyobserved I1 cannot forbear to read to you those well known
verses of the conclusion of the 121st section of the doctrineand covenants which express in such beautiful language I1
sometimes think the most beautiful to be found in allliterature 12
yet section 121 for all its impressive short storyaspects embodies enough elements of a tale that it istreated as such by church members many of whom consider itamong the most satisfying messages from church historyconcerning adversity it is likely the most frequency
consulted and referenced revelation when comfort is sought
it is for example included in lyons work as one of the
doctrine and covenants inspirational readings readersare immediately sympathetic to the prophets condition in
oppressive and depressing circumstances missing family and
friends the section is circulated widely likeilke a taletaie as a
story about a righteous person unrighteously judged and
punished who at wits end when he could tolerate no more
abuse sought and received divine consolation
17
12 1 F rom mos t
i s
taleas
illiii inoisanois
saga
saga in the sense of a historical account of heroic
adventure among members of historically important familiesis also found in the doctrine and covenants adventure isprevalent in the accounts related in the doctrine and
covenants with regard to the family of joseph smith and such
other prominent families as the youngs and the taylors and
the pratts and the richardsesRichardrichardsen the saga like qualities of the
prophets adventurous life are highlighted by john henryevans in joseph smith an american prophet
here is a man who was born in the stark hills of
vermont who was reared in the backwoods of new
york who never looked inside a college or high
school who lived in six states no one of which
would own him during his lifetime who spent months
in the vile prisons of the period who even when
he had his freedom was hounded like a fugitivewho was covered once with a coat of tar and
feathers and left for dead who with hisfollowing was driven by irate neighbors from new
york to ohio from ohio to missouri and from
missouri to illinois and who at the unripe age of
thirty eight was shot to death by a mob with
painted faces yet this man became mayor of the
biggest town in illinois and the states most
18
ses
prominent citizen the commander of the largestbody of trained soldiers in the nation outside the
federal army the founder of cities and of a
university and aspired to become president of the
united states he wrote a book that has baffledthe literary critics for a hundred and sixtyyears and which is today more widely read than any
other volume save the bible he established themost nearly perfect social mechanism in the modern
world and developed a religious philosophy thatchallenges anything of the kind in historyhe set up the machinery for an economic system thatwould take the fears out of the heart of man
in nearly every nation are men and women
who look upon him as a greater leader than moses
and a greater prophet than isaiah and hisdisciples now number in the millions prologue
while the restrained tone of the doctrine and covenants
tends to play down these adventures most of them are in the
book joseph smith performs sacred ordinances translates and
interprets and publishes scripture preaches the gospel
utters prophecies and receives visions entertains angelicmessengers confounds enemies acquires land makes plans for
the building of cities and temples organizes conferences
stakes and missions establishes a health code and designs
an economic system and there are narratives in the doctrine
19
and covenants as tragic as any saga when the prophet must
confront associates about false doctrines and impure
practices lose many close friends through apostasy face
persecution endure incarceration and suffer martyrdom
biography
closely associated with saga is biography a writtenaccount of an individuals life centered on the characterand career of its subject holman and harmon 56 while
dozens of biographies have been written on various persons
mentioned in the doctrine and covenants this volume is in
itself a biography and in many cases may be the firstbiography of some of the most prominent personalities of the
restoration reynolds cahoon jared carter james covilloliver cowdery martin harris orson hyde luke and lyman
johnson william law thomas marsh edward partridge william
phelps orson and parley pratt sydney rigdon the smith
family john taylor ezra thayre the whitmer family newel
whitney lyman wight frederick williams wilford woodruff
and brigham young
granted most of these people are discussed incidentallyor at most sporadically references to individuals in the
doctrine and covenants usually constitute mere snapshots of
their lives but in the case of joseph smith the biography is
fuller section 135 in itself may be considered a briefbiography written by john taylor who witnessed the
20
martyrdom of joseph and hyrum smith at carthage in 1844
section 135 is essentially a eulogy honoring the prophetjoseph smith but it also reviews his life and evaluates his
contribution to the world joseph smith the prophet and
seer of the lord has done more save jesus only for thesalvation of men in this world than any other man that lived
in it v 3 taylor recounts the prophets most
significant achievements the translation of the book of
mormon the spreading of the gospel the publication of the
doctrine and covenants the gathering of the saints and the
founding of nauvoo though biographical details are sketchy
in this section apart from the account of the martyrdom
many more can be found throughout the doctrine and covenants
parable
other doctrine and covenants literary forms are more
scripturally specific apocalypse prophecy parable the
doctrine and covenants relates seven parables the parable of
the twelve sons 3826273826 the27 parable of the wheat and the
tares 8617861 the7 parable of the servants in the field8851618851 the61 parable of the nobleman and the olive trees101436210143 the62 parable of the woman and the unjust judge
101819110181 and91 in severely condensed versions the parable
of the fig tree from matthew 24 mark 13 and luke 21
3516 and the parable of the ten virgins from matthew 25
4556
21
three of the doctrine and covenants parables are found
elsewhere in scripture the parable of the wheat and thetares in matthew 13 the parable of the woman and the unjustjudge in luke 18 and the parable of the nobleman and theolive trees in both isaiah 5 and matthew 21 as well as jacob
5 in the book of mormon two remaining parables the parable
of the twelve sons and the parable of the servants in thefield are unique to the doctrine and covenants in the form
in which they are written although their messages may be
reflected in other scriptural parables
parables can reveal insights not only into doctrine but
also into individuals events and circumstances theparable of the twelve sons in section 38 short as it is isilluminating
for what man among you having twelve sons and isno respecter of them and they serve him
obediently and he saith unto the one be thou
clothed in robes and sit thou here and to the
other be thou clothed in rags and sit thou there
and looketh upon his sons and saith I1 am justbehold this I1 have given unto you as a parable and
it is even as I1 am I1 say unto you be one and ifye are not one ye are not mine vv 26726
this
7
parable might be speaking not only of familialtogetherness but of the necessity of unity among church
22
in
membership as well as the quorum of the twelve apostlesalthough this body would not be fully formed until 1835
by june 1829 the office and responsibilities of theapostleship had been revealed 1826 36 and joseph smith
and oliver cowdery ordained to the apostleship the parablemay serve to dramatize the lords expectation regarding the
twelve and their interactions with each other one message
is that the lord is no respecter of persons that the twelve
are equal in standing before him and that they are to act as
a unified body esteeming each other as they do themselves
what would happen in a family where some children should be
clothed in rags and made to suffer want while others livesumptuously every day there would be discontent revoltperhaps crime smith and sjodahl 2056205 using6 the family
unit in this parable is clever the twelve are to be
brethren like the twelve sons in the parable
the carefully etched facets of doctrine and covenants
parable refract considerable light into church history and
theology four of the seven parables focus on farming
practices like the audience to whom many of the new
testament parables were aimed the saints to whom theseparables were addressed were a farming people a largelyagrarian society and therefore a people who could more
easily extract meaning from such parables as the parable of
the wheat and the tares the parable of the servants in the
field the parable of the nobleman and the olive trees and
23
the parable of the fig tree because of their firsthandfirstexperience
hand
with agriculture
proverbs
wisdom literature a formulaic expression of moral
wisdom and truth holman and harman 529 is also found in
abundance in the doctrine and covenants it most often takes
the form of concise proverbs aphorisms or maxims it isliterature characterized by reflection on life by one who
has observed it at length and is passing on valuableconclusions karleen 111 walker referring to wisdom
literature observes the doctrine and covenants isimpressive for a simple condensed straightforwardness thatlends itself to statements remarkably rich in implication
427
in relating wisdom literatures applicability to liferoy W doxey writes the doctrine and covenants containsnumerous teachings and pithy sayings that powerfully
influence the daily lives and feelings of latter day saintswhich set the tone for church service and instill vitalityinto the work 407 widtsoeWidt insoe his chapter on the
doctrine and covenants as literature compiled a list of some
fifty six such statements A sampling follows
for I1 the lord cannot look upon sin with the leastdegree of allowance 131
24
concise
remember the worth of souls is great in the sightof god 1810
he that keepethkeeneth the laws of god hath no need tobreak the laws of the land 5821
and in nothing doth man offend god or against none
is his wrath kindled save those who confess not
his hand in all things and obey not hiscommandments 5921
I1 the lord will forgive whom I1 will forgive but
of you it is required to forgive all men 6410
I1 the lord am bound when ye do what I1 say but
when ye do not what I1 say ye have no promise
8210
what doth it profit a man if a gift is bestowed
upon him and he receive not the gift behold he
rejoices not in that which is given unto him
neither rejoices in him who is the giver of the
gift 8833
and truth is knowledge of things as they are and
as they were and as they are to come 9324
25
whatever principle of intelligence we attain unto
in this life it will rise with us in theresurrection 13018
it is impossible for a man to be saved in ignorance
1316
other typical doctrine and covenants proverbs are found
on pages 1437143 of7 widtsoesWidt worksoes the messageMes ofsacre the doctrineand covenants doxey lists those included here plus eleven
more in his article doctrine and covenants overview in theencyclopedia of mormonism 1 407 As these examples show
the prophet joseph smith had considerable skill with the
poetic language of the religious experience lambert and
cracroft 41 and nowhere is this skill demonstrated more
fully than in the doctrine and covenants
apocalypse
apocalyptic literature predicts the ultimate destiny
usually destruction of the world often through a kind of
symbolism that is obscure strange or difficult holman and
harmon 32 john gabel and charles wheeler note five
criteria of apocalyptic literature four of which apply to
apocalyptic portions of the doctrine and covenants firstthe level of conflict in apocalypses is cosmic where
heaven earth and hell comprise the stage 132 second
26
the drama of apocalypse presents two mighty opposites who
must meet in mortal combat these two forces one good and
the other evil are so closely matched that only with the
greatest of difficulty will one ultimately overcome the
other 132 the forces of good will ultimately triumph
but in the meantime evil forces appear to have theadvantage
third this body of literature is less concerned with
actual history than with the end of history death
resurrection judgment reward and punishment 1323132
fourth
3
apocalyptic literature frequently takes the form of
a report of a vision experienced by the speaker in the work
133 there is usually a heavy reliance on imagery and
symbolism and the responsibility of the seer is thereforetwofold to describe the vision and then to interpret it
A considerable number of revelations in the doctrine and
covenants meet these criteria and therefore qualify as
apocalyptic literature 1 29 33 45 63 65 76 77 86
88 130 133 treat this topic almost exclusively while
dozens of other sections discuss apocalyptic events to some
extent section 1 as the preface to the doctrine and
covenants sets the stage for coming events as a voice of
warning v 4 the first twenty eight verses of section 29
describe the events comprising the apocalypse section 33
strongly encourages repentance and preparation for thekingdom of heaven is at hand v 10 section 45 emphasizes
events preceding the second coming while section 63
27
describes the behavioral differences between the faithful and
the wicked in the last days section 65 provides assurance
that the lord will appear and subdue his enemies section76 the vision of the three degrees of glory focuses almost
exclusively on the rewards and punishments to be given to the
righteous and unrighteous respectively while section 77
received one month later clarifies obscure passages in the
book of revelation sections 86 and 88 received within
three weeks of each other both describe the processes by
which the wicked will be separated from the righteous
section 130 sheds more light on the celestial kingdom and
section 133 as the appendix to the doctrine and covenants
reiterates the apocalyptic message given in the preface
tragedy
another aspect of the literary richness of the doctrineand covenants is its tragic dimension although this term
has many definitions in literature in general tragedy
recounts the fall of persons of high degree holman and
harmon 505 tragedy in religious literature inevitablyinvolves succumbing to sin failing to appropriate the
things of god to avail oneself of revelation to
accept gods offer of grace karleen 110 leland ryken a
noted scholar in biblical literary studies makes a
distinction between biblical and non biblical tragedy
between the unsympathetic sinner and the sympathetic
28
victim 106 the scriptural tragic figure triggers tragicconsequences through his own actions the secular herostragedy the result of being acted upon elicits more readercommiseration
but the doctrine and covenants contains examples of
both some of the trials heaped upon the saints were a resultof their disobedience others were instances in which the
lord permitted them to suffer for various reasons following
the loss of the book of lehi manuscript joseph smith was
warned
behold thou art joseph and thou wast chosen to do
the work of the lord but because of transgression
if thou art not aware thou wilt fall but
remember god is merciful therefore repent of thatwhich thou hast done which is contrary to thecommandment which I1 gave you and thou art stillchosen and art again called to the work except
thou do this thou shaltshallshailshait be delivered up and become
as other men and have no more gift 391139
martin
11
harris was similarly warned I1 the lord foresee
that if my servant martin harris humblethhum notbleth himself and
receive a witness from my hand that he will fall intotransgression 532
sections 39 and 40 outline the tragedy of james covillwho covenanted with the lord that he would obey any command
29
receive
that the lord would give to him through joseph the prophet
and to whom the lord said I1 have looked upon thy works and
I1 know thee and verily I1 say unto thee thine heart is now
right before me at this time and behold I1 have bestowed
great blessings upon thy head 3978397 the8 lord reminds
james of his reluctance due to pride and worldly concerns
to follow him he is then commanded to seek the lordsforgiveness and to be baptized in preparation for hismission to ohio where he is to call people to repentance
baptize them and give them the gift of the holy ghost
within a few weeks however james covill rejected the word
of the lord and returned to his former principles and
people because satan tempted him and the fear of
persecution and the cares of the world caused him to rejectthe word 402
the doctrine and covenants story of james covill isdefinitively tragic covill was a deeply religious person
having been a baptist minister for nearly four decades he
had at one time made up his mind to follow the savior and
to help others do the same in what can be interpreted as an
attempt to promote a smooth transition between his former
lifestyle and his new one the lord called james on a
mission giving him an opportunity to use what were
undoubtedly his greatest strengths working with people and
teaching them gospel principles he was accustomed to thedemands of a christian lifestyle and understood something of
how the spirit could change lives it is also probable that
30
he was familiar with the adversarys abilities and efforts in
stifling spiritual progression james was promised a number
of gifts power faith guidance and the lords protectionas he served unable to recognize the brightness of hisfuture and lacking faith in the lords promises james
turned away from the lord and is never mentioned again in
the doctrine and covenants
jamess fall is hard as he seems to have been held in
unusually high esteem by the lord and the prophet his climb
to the heights began forty years earlier the revelationsregarding him came in 1831 and it not unreasonable to assume
that covill had the potential to serve in the highestcouncils of the still young church he was important enough
in the eyes of both the prophet and the lord to warrant two
personal revelations concerning him yet james broke hiscovenant within one month of receiving the revelations in a
fall as final as that of the once mighty lucifer whose own
fall from grace is perhaps the most tragic of all
poetry
perhaps more than any other literary form the doctrineand covenants lends itself most readily to poetry section65 reads much like a biblical psalm a portion of section 84
like an anthem many passages have successfully been set to
music arguably poetry of some kind can be found on
virtually every page of the text and at least twenty
31
revelations contain distinctly poetic passages that may rivalthe best religious poetry ever written sections 18 25 38
43 46 50 65 84 85 88 93 109 110 121 122 123 128
133 137 and 138 include particularly poetic passages
A small number of scholars have recognized the poeticpotential of the doctrine and covenants among the first was
lyon who in 1948 wrote portions of the revelationscontained in the doctrine and covenants contain beautifulpoetry although the form in which the book is printed tends
to obscure such expression 199200199 taking200 his admiration
a step further he suggested that some of the poetry in
doctrine and covenants is even musical at times the
prophet joseph smith under the inspiration of the lord rose
to the heights of spiritual illumination and when so
stimulated wrote words that make edifying anthems 202
more recently cracroft and lambert have written about
joseph smiths poetic abilities using section 110 as an
example of the prophets skillful use of metaphor they
conclude
joseph had written with eloquent and poeticgrandeur his eyes were as a flame of fire the
hair of his head was white like the pure snow his
countenance shone above the brightness of the sun
and his voice was as the sound of the rushing of
great waters even the voice of jehovah the
metaphorical language and the elaborate figures of
32
speech are not only appropriate in this vision of
1836 but as language are remarkably successfulonly a poetic diction and a figurative language can
carry the burden of the extraordinary experiencebeing rendered here and in that sense themetaphors and similes that joseph uses are rightthe eyes of fire for instance remind us of the
frequent use of light and lightning to describe the
face of the divine indeed the heavenly pillar of
josephs first vision is interchangeably referredto as one of light or of fire furthermore the
equation of the voice with the rushing of greatwaters suggests not only irresistible power and
volume but a terrible beauty and in the end a
source of life as well 38
other sections warrant consideration as poetrypetersen asks readers to consider particularly sections 76
and 88 which exhibit an organicism that would satisfy the
most critical of poets or section 93 for thatsublimity and transcendence of thought that marks the truepoet joseph smith poet prophet 269 walker observes in
section 85 a crescendo in style from simple journalisticreporting to one of eloquent and magnificent poeticprophesying 105
clearly the doctrine and covenants contains poetry the
crucial literary question is how successful that poetry is
33
for
for petersen who examined joseph smiths literary abilitiesthe single most important criterion of successful poetry isemotional intensity all great poets must depict vividly the
passion and agony of the soul during lifes most tryingmoments 267 ryken observes poetry like the rest of
literature is the interpretive presentation of human
experience in an artistic form 187 whose primary goal isto raise the readers consciousness about the issues of
life 220 orson F whitney in his treatise oratorypoesy and prophecy says that the essence of poetry is in
thought sentiment symbolism and power of suggestion itis the music of ideas as well as the music of language
531
using these definitions it is not difficult to findpassages in the doctrine and covenants that can be classifiedas first rate poetry some of that poetry is buried in what
at first glance appears to be pedestrian prose
seek to bring forth and establish my zion
keep my commandments in all things
and if you keep my commandments
and endure to the end
you shall have eternal lifewhich gift is the greatest of all the gifts of god
1467146 7
34
there is a loose pattern hidden in this passage an
alteration in line length the longer lines 1 3 and 5
are separated by the shorter lines 2 and 4 the resultingalternation lends a sense of rhythm to these verses which
tend to focus the reader on its chiasmic internalproposition keep my commandments in all things you shallhave eternal life
this poetic structure is deftly reinforced by sound
patterns the alliteration in the last line knits togethergods gifts through the recurring g of gift greatestgifts and god the alliterative interweavings of establishendure end and eternal similarly tie together thelastingness of those godly gifts keep my commandments
the emphatic central message of the passagepassagerpas issagersaget appropriately
repeated twice
these elements simple as they are combine to make thisscripture poetic vivid telling memorable formally apt for
its message yet the poetry of the passage is so subtly
understated we might not have noticed if george H durham had
not used these verses for a musical composition thegreatest gift of god published in the first volume of a
collection entitled festival anthems lyon 205
often doctrine and covenants poems are more obvious
0 ye nations of the earthhow often would I1 have gathered you togetherAs a hen gatherethgat herhereth chickens under her wings
35
but ye would not
how oft have I1 called upon you
by the mouth of my servants
and by the ministering of angels
and by mine own voice
and by the voice of thunderingsthunde
and
rings
by the voice of lightnings
and by the voice of tempests
and by the voice of earthquakes
and great hailstormshailstorkshailand
storms
by the voice of famines
and pestilences of every kind
and by the great sound of a trump
and by the voice of judgment
and by the voice of mercy all the day long
and by the voice of glory and honor
and the riches of eternal lifeand would have saved you
with an everlasting salvationbut ye would not
behold the day has come
when the cup of the wrath
of mine indignation is full 4324264324
the
26
parallelistic reiterations of those by the voices
of enact the poems central premise of how often the lord
reached out to save us the passage is impressively
36
orchestrated eight repetitions of by the voice of
demonstrate how far the lord is willing to go in saving hispeople the lords compassion is implicit in the pattern of
the poem he tries spiritual approaches in warning his
children before resorting to physical warnings moving from
less drastic to more drastic signs thunderingsthunde andringslightnings then tempests then earthquakes and hailstormshailstorkshailand
storms
finally famines and pestilences the poems emotion
too is reflected by poetic structure lines are longer where
the destruction is greatest then the lines tail off intowistful wishes of promise descending through ever shorter and
quieter lines to the culminating thundering fullness of thatfinal apocalyptic clause
some sections are poetic in their entirety notably
section 65
hearken and lo10
A voice as of one sent down from on high
who is mighty and powerful
whose going forth is unto the ends of the earthyea whose voice is unto men
prepare ye the way of the lordmake his paths straight
the keys of the kingdom of god
are committed unto man on the earthand from thence shall the gospel roll forth
37
unto the ends of the earthAs the stone which is cut out
of the mountain without hands
shall roll forth
until it has filled the whole earth
yea a voice cry ing
prepare ye the way of the lordprepare ye the supper of the lamb
make ready for the bridegroom
pray unto the lord
call upon his holy name
make known his wonderful works among the people
call upon the lord
that his kingdom may go forth upon the earth
that the inhabitants thereof may receive itand be prepared for the days to come
in the which the son of man
shall come down in heaven
clothed in the brightness of his glory
to meet the kingdom of god
which is set up on the earth
wherefore may the kingdom of god go forth
that the kingdom of heaven may come
38
crying
that thou 0 god mayest be glorifiedin heaven so on earththat thine enemies may be subdued
for thine is the honor power and glory
forever and ever amen 161
section
6
65 may constitute the closest example of a psalm
in the doctrine and covenants A careful study of section 65
will indicate that it contains the literary elements of
a true psalm A comparison of this section and one of the
biblical psalms will prove interesting from the point of view
of literary similarity lyon 200 201 if C S lewis isright that the psalm is enjoyment that spontaneously
overflows into praise a kind of inner health made audible
90890 section8 65 with its rhapsodic praise of that stone
rolling forth to fill the earth qualifiessection 84961028496 has102 also been extolled as a psalm
lyon 202 this passage is unique in that verses 969896
serve
98
as a prelude to the following four verses 9910299
each
102
of which forms its own stanza and is presented in verse
form in the doctrine and covenants requiring no additionalversification comprising the psalm are three stanzas of five
lines followed by a four line concluding verse lyon notes
that arthur shepherd set the words of this passage to music
in the form of an anthem published under the title the lord
hath brought again zion 202 this musical arrangement
he writes has been widely used by choirs of many christian
39
denominations as well as those of our own church note the
grandeur of the thought as well as the beauty of its form
202
verses 192319 of23 section 128 have been put to similar use
as the text for song of praise also an anthem composed by
B cecil gates lyon 203 verse 23 is particularly fine
let the mountains shout for joy
and all ye valleys cry aloud
and all ye seas and dry lands
tell the wonders of your eternal king
and ye rivers and brooks and rillsflow down with gladness
let the woods and all the treesof the field praise the lordand ye solid rocks weep for joy
and let the sun moon
and morning stars sing together
and let all the sons of god shout for joy
and let the eternal creations declare his name
forever and ever
walker cites this passage as evidence not only of the
prophets rhetorical ability but also his poetic competence
much of this final segment of section 128 is not
only remarkable prose but sheer poetry notice
40
for example how facilely verse 23 adapts itself to
poetic form the concluding passage of the
revelation verse 23 is exultant exhilarated and
profound a masterpiece of stylistic craftsmanship
1034103
verse
4
23 is a nature psalm a psalm in which nature as
the subject is used to praise god as creator its inclusionin the doctrine and covenants may be for the same reason thatcertain parables are included the earliest readers of the
volume were farmers who like the earliest readers of
biblical psalms had both a utilitarian and aestheticappreciation of nature ryken 250 consider how closely itparallels the king james version of psalm 148
praise ye the lordpraise ye the lord from the heavens
praise him in the heights
praise ye him all his angels
praise ye him all his hostspraise ye him sun and moon
praise him all ye stars of lightpraise him ye heavens of heavens
and ye waters that be above the heavens
let them praise the name of the lord
for he commanded and they were created 151 5
41
231
praise the lord from the earthye dragons and all deeps
fire and hail snow and vapourjapourstormy wind fulfilling his word
mountains and all hillsfruitful trees and all cedars
beasts and all cattlecreeping things and flying fowl 7 10
theme
at least as important as these formal elements in the
literary aspect of the doctrine and covenants is theme
the literary qualities of the bible are accounted
for partly by the themes treated the themes
of biblical literature are among the greatest thatliterature can treat god humanity the physical
universe and their interrelations such problems
as morality relationship of human beings to theunseen world and ultimate human destinies are
treated with an intensity and vigor seldom matched
in world literature holman and harmon 515251
the
52
doctrine and covenants like the bible succeeds as
literature at least partly because of the themes it explores
42
compare the catalogue above with the one from the explanatory
introduction to the doctrine and covenants
in the revelations the doctrines of the gospel are
set forth with explanations about such fundamental
matters as the nature of the godhead the origin of
man the reality of satan the purpose of
mortality the necessity for obedience the need
for repentance the workings of the holy spiritthe ordinances and performances that pertain to
salvation the destiny of the earth the futureconditions of man after the resurrection and the
judgment the eternity of the marriagerelationship and the eternal nature of the family
A single theme alone justifies the study of the doctrine
and covenants as literature the testimony that is given of
jesus christ his divinity his majesty his perfection his
love and his redeeming power makes this book of great value
to the human family and of more worth than the riches of the
whole earth explanatory introduction
an undervalued text
As long as the doctrine and covenants is perceived as a
kind of manual rather than a collection of beautifullycrafted prose and poetry worthy of literary analysis there
4 3
may be a tendency however unintentional to underestimate
the value of this volume not only in the governance of thechurch but in human life these revelations were received
in answer to prayer in times of need and came out of reallife situations involving real people people whose only
consolation was the tender but firm voice of the lord jesus
christ speaking anew in the dispensation of the fulnessfalness of
times explanatory introduction stories and sayings and
poems such as these demand and deserve literary explication
it is true the revelations were received individuallyand intermittently and only later published as a collection
it is true that the doctrine and covenants is formally and
thematically diverse even fragmented almost every sectioncould require a different literary approach add to that a
general confusion concerning the nature of revelation and
the task of explicating the doctrine and covenants as
literature becomes daunting
but literary and scriptural studies centuries old have
already faced these challenges and have overcome them
methods have already been developed which have paved the way
for productive doctrine and covenants studies the notion
that literary approaches somehow lend themselves more readily
to explications of the bible and the book of mormon isinaccurate after all the manner in which both volumes were
created is not dissimilar to the origin of the doctrine and
covenants all three scriptural works were created through
similar methods and for similar purposes the bible and the
44
in
book of mormon are anthologies that contain the inspiredreligious and historical writings of individuals whose
responsibility it was to teach gospel principles and
encourage adherence to those principles for all the
differences of historical condition and cultural milieu thesame is true of the doctrine and covenants
the time is right for more serious and more thorough
research into the doctrine and covenants as literaturethese studies should be initiated for the same reasons thatother scriptural literary analyses have been performed theking james version of the bibles literary greatness was
originally discovered and recently resurrected mainly through
scholarly explication literary study of the doctrine and
covenants could yield all the benefits that such scholarship
offers this thesis will attempt to demonstrate the value of
literary approaches to what seems to be an undervalued text
45
is
chapter 2
SECTION 76 AS POETRY
overview
this second chapter will attempt to serve two purposes
first it will introduce the reader to section 76 of thedoctrine and covenants as poetry second it will analyze
this revelation through the identification classificationand explication of portions of section 76 that contain
traditional features characteristic of hebrew poetry theanalysis will be predominantly formalistic in approach and
will rely on the 1981 edition of the doctrine and covenants
the vision
section 76 is one of the best known revelations in the
doctrine and covenants for it presents some of the most
beautiful and inspiring doctrines ever revealed dubbed the
vision section 76 was given to joseph smith and sidney
rigdon on february 16 1832 while the two were in hiram
ohio circumstances concerning the reception of therevelation are sketchy as only a few reports have survived
in the preface to section 76 joseph smith states that upon
his return from a conference he continued his translation of
the bible while translating st johns gospel myself
46
and elder rigdon saw the following vision 136 more
specifically it was during the translation of john 529 thatthe vision was received A written account of the vision was
published in the evening and the morning star in july of1832 approximately five months after its reception and was
included in the 1835 edition of the doctrine and covenants
some sixty years after the revelation was firstpublished philo dibble published his account of theexperience in the may 15 1892 issue of the juvenileinstructor dahl 280 dibble recalls that the visionoccurred in the home of john johnson located about thirtyfive miles from kirtland johnson had opened his home tojoseph smith and his family so the prophet could work on the
translation from september 1831 to march 1832 the johnson
home functioned as the headquarters for the church backman
and cowan 63
at the time of the vision dibble claims that there were
other men in the room perhaps twelve among whom I11 was
one dibble did not see the vision but says that he saw
the glory and felt the power commenting on that glory
dibble wrote a second account entitled philo dibblesnarrative published in 1882 also by the juvenijuvenile ieinstructor he states that joseph wore black clothes but
at this time seemed to be dressed in an element of glorious
white and his face shone as if it were transparent dahl
281 dibble and the others watched joseph and sidney who
conversed among themselves as the vision progressed
47
joseph would at intervals say what do I1 see
as one might say while looking out the window and
beholding what all in the room could not see then
he would relate what he had seen or what he was
looking at then sidney replied I1 see the same
presently sidney would say what do I1 see and
would repeat what he had seen or was seeing and
joseph would reply I1 see the same dahl 280
the vision according to dibble lasted the duration of
the time he was there which he calculated to be over an
hour earlier in his account he states that he was present
during the event probably two thirds of the time assuming
this information is accurate dibble would have been present
for about sixty minutes or two thirds of a ninety minute
vision larry E dahl concludes that dibble was probably
present during the latter two thirds of the vision 281
literary quality of section 76
that ninety minute vision is recorded in part as
section 76 a revelation recognizable by virtually any
definition as among the most inherently poetic revelations in
the doctrine and covenants the poetic aspect of the section
is acknowledged by several scholars who have examined the
doctrine and covenants for its literary quality the vision
recorded in this revelation replete with poetic elements
48
similar to those that comprise the finest biblical poetrynyman 105 6 has been compared to some of the most striking
visions in the bible including pauls vision of the gloriesmoreover this section was considered by the prophet joseph
smith to be intrinsically poetic enough in its original form
to warrant his subsequent transformation of it into the poem
discussed in the next chapter yet section 76 has never been
explicated as poetry has never enjoyed the benefit of any
sort of literary analysis
the prophet himself immediately recognized therevelations literary excellence
that document is a transcript from the records of
the eternal world the sublimity of the ideas the
purity of the language the scope for action the
continued duration for completion are so much
beyond the narrow mindedness of men that every
honest man is constrained to exclaim it came from
god 1 2523252
B
3
H roberts who served as editor of the six volume
comprehensive history of the church thought enough of the
revelation to reprint its first ten verses as a footnote to
his discussion of the history surrounding its reception 2
72 robertss additional commentary as an indication of his
fondness for the revelation requires more space on the page
than the main text it is footnotingfoot precedingnoting the note he
49
writes in evidence of the lofty spirit in which the
revelation is pitched and the sublimity of its style as
literature the opening paragraphs are here reproduced which
may be regarded as the preface to the noble theme in the body
of the revelation 2 72 following the reproduction he
offers his appraisal
neither the psalmist nor isaiah has anything more
noble or sublime in their contemplation of god than
this and paul has nothing superior in all hiswritings neither joseph smith nor any of hisassociates uninspired of god were equal to itthere is but one way of accounting for it it came
of the inspiration of god 2 72
john A widtsoe similarly admired the language of the
revelation so much that he reproduced the same verses in hisbook the message of the doctrine and covenants as an
example of poetry asking his readers to consider thethought and expression 495049 alfred50 durham includes the
first six verses of the revelation in the lyrics of hisanthem hear 0 ye heavens and give ear 0 earth a hymn
that lyon claims has won acclaim both within our church and
abroad throughout the land 204 steven C walker praises
section 76 as without question the epitome of stylisticaccomplishment in the doctrine and covenants it is
50
preeminent among the revelations both in its stylisticmajesty and in its sustained spiritual fervor 105
biblical parallels
there is little doubt that section 76 is inherentlypoetic the question is how is it poetic what poetic
characteristics does section 76 possess because of thecircumstances under which it was produced and because itcontains numerous close textual parallels to biblicalpassages section 76 may have more in common with hebrew
poetry than it does with contemporary poetry for thisreason analyses in this chapter will examine section 76 as
biblical rather than contemporary poetry focusing on
chiasmic and repetitive structures parallelism imagery and
figures of speech characteristics commonly found in biblicalpoetry treatment of these elements will be based on models
and discussions of hebrew poetry presented in leland rykensaykens1987 work words of delight A literary introduction to the
bible as well as richard C shipps thesis conceptualpatterns of repetition in the doctrine and covenants and
their implications which organizes certain sections of the
doctrine and covenants into chiasmic structures commonly
found in the bible
excellent treatments of textual parallels between the
doctrine and covenants and the bible are ellis T rasmussensRasmus
textualsens
parallels to the doctrine and covenants and book of
51
in
commandments as found in the bible and lois J smutzsmutzssmutts s
thesis textual parallels to the doctrine and covenants
sections 65 to 133 as found in the bible a nearlyexhaustive listing of clauses and phrases of the two textsthat are similar in diction syntax or meaning thesestudies are nearly identical in their approach as smutzssmuttswork is a continuation of rasmussensRasmus projectsens their mutual
objective was to determine the number of textual parallelsthat exist between the two texts the closeness of
resemblance between the parallel passages the locations in
the texts where parallels occur most frequently and thepurposes served by these textual parallels
both authors point out that the term textual parallelis a vague description requiring definition when discussing
their studies generally a textual parallel is a phrase or
clause similar in construction and meaning or
construction and meaning only to another phrase or clausesmutz 3 but portions of texts can parallel each other to
varying degrees depending on diction syntax context and
phrase length for example to improve accuracy rasmussen
created a code by which to determine how and to what extent
certain scriptural phrases or clauses paralleled each other
343 in4 the final computations he classified parallelsinto five groups verbatim groups slightly changed groups
considerably changed groups parallels in wording only and
parallels in meaning only 5 smutz used the same
classifications in her study
52
l- ii- i iiiili
both rasmussen and smutz reach similar conclusions
there is much correlation and continuity in the settingforth of gospel doctrine laws prophecy and eschatological
material as contained in the bible and doctrine and
covenants smutz 255 there are genuine relationships in
terms of subjects treated as well as language employed
rasmussen 352 rasmussen finds that
examination of key words in about five thousand
word groups yielded about 2 parallels out of every
five examined for a total of 2123 found in the
first 64 sections of the doctrine and covenants
nine of the sections have 2 or more parallels per
verse 38 of them have from 1 to 2 per verse 17
have less than 1 the range of frequency is from
.3333 per verse to 5.00500 per verse the median isabout 1.30130 310
smutz found a total of 2663 parallels eighteen of the
sections have two or more parallels per verse thirty two
have between one and two parallels eighteen have less than
one the range of parallels per verse varies from a ratio of
.1111 per verse to 11.1111 the median is 1.33133 194
53
3- 3 50-0
13-0
13-3
i- il- i iiiili
author section no par range freqverse med freqfrea
rasmussen 1641 212364 .3333
54
3- 3 50-0 13-0
13-3
13-15
5.00500 1.30130smutz 6513365 2663133 .1111 11.1111 1.33133
total number of parallels in sections 11321 4786132
median frequency of parallels per verse 1.3151315
total sections with 2 parallels per verse 27
total sections with 121 parallels2 per verse 70
total sections with 010 parallels1 per verse 35
if these figures are correct then there are nearly 4800
identifiable textual parallels between the doctrine and
covenants and the bible and rasmussen admits that hismethod did not produce an exhaustive list 352 by
extension neither did smutz within the doctrine and
covenants there are at least 97 sections whose verses contain
at least one textual parallel to the bible smutz adds that62 of the verses in the latter half of the doctrine and
covenants contain two or more parallels 254
the analysis in this chapter is based on the premise
that section 76 has a great deal to do with biblical poetry
therefore the results of smutzssmutts analysis of section 76
become significant
total number of parallels in section 76 256
total number of old testament parallels 60
total number of new testament parallels 196
ratio old testament to new testament 13.3133
books in the old testament with the most parallels to
section 76 include in descending order isaiah psalms and
genesis twelve other books had fewer parallels books in
the new testament with the most parallels include in
descending order 1 corinthians hebrews revelationmatthew and john thirteen other books had fewer parallelsthe higher proportion of new testament parallels isconsistent with the ratios found throughout the doctrine and
covenants by both authors smutz 225 rasmussen 342
number of new parallels in section 76 143
ratio of new parallels per verse 1.20120
verbatim parallels in section 76 14
smutzssmutts calculations indicate after factoring inrasmussensRasmus thatsens the section containing the greatest number
of both new and verbatim parallels is section 76 254
verbatim parallels as defined by both rasmussen and smutz
have the same words used in same arrangement and connote
the same general meaning in both sources smutz 3 thehigh number is due in part to references to 1 corinthians1540 41 in which paul discusses the degrees of glory new
55
factor ing
in
in
133
12-0
parallels by their definition are those which are located
for the first time in a given revelation 194 thesestudies clearly demonstrate that the doctrine and covenants
parallels the bible to a considerable degree theseparallels underlie this chapters approach to section 76 as
biblical poetry section 76 as will be shown resembles
hebrew poetry to a considerable degree even though it iscomposed of many new testament phrases
structure of section 76
section 76 of the doctrine and covenants relates thevision given to joseph smith and sidney rigdon concerning the
degrees of glory the culmination and completion of the plan
of salvation a plan that was thoughtfully and intelligentlyconceived and which is effectively and skillfully managed
it should come as no surprise therefore that the revelationgiven and recorded in section 76 is a reflection of the
perfection of the plan just as the plan is a reflection of
the perfection of the designer
structurally section 76 consists of a series of sixvisions a vision of jesus christ a vision of satan a
vision of the sons of perdition then visions of the
inheritors of the celestial terrestrial and telestialkingdoms the section is outlined below with corresponding
verses in parentheses
56
vision of the son of god vv 1241
praise24
of god vv 141
rewards
4
of the righteous vv 5105
power
10
by which the vision was given vv 111311 18191813
testimony
19
of christ vv 14 22 24
john 529 vv 151715
vision
17
of christ and worshippingshippingwor angels vv 202120
vision
21
of satan vv 252925
satansgatans29
authority rebellion and expulsion
vv 25 272927
satansgatans29
other names defined v 26
vision of the sons of perdition vv 304930
definitions
49
and consequences vv 303830
how
38
the resurrection is made possible through christvv 394339
punishment
43
of the wicked v 44
limitations concerning the understanding of theirpunishment vv 454945
vision
49
of the celestial kingdom and its inhabitantsvv 507050
definition
70
of the resurrection of the just and
qualifications for attaining celestial glory vv 50 53
rewards for celestial beings vv 547054 70
57
vision of the terrestrial kingdom and its inhabitantsvv 718071
definition
80
of terrestrial beings and qualifications for
attaining terrestrial glory vv 71 75 79
rewards for terrestrial beings vv 76 78
end of the vision noted v 80
vision of the telestial kingdom and its inhabitantsvv 818881
definition
88
of telestial beings and qualifications for
attaining telestial glory vv 81 85
reward for telestial beings v 86
description of the order of ministration vv 878887
summary
88
of the vision vv 8911389
description
113
of the glory of the telestial kingdom
vv 899089
terrestrial90
kingdom compared vv 91 97
additional information concerning the celestial kingdom
vv 929692
additional
96
information concerning the telestial kingdom
vv 9810698 109112109106
end
112
of the vision noted v 113
58
conclusion vv 114119114
praises119
to the lord vv 114 119
limitations concerning the understanding of the
mysteries of the kingdom vv 115118115
at
118
first glance the ordering of section 76 seems
somewhat loose it is not obviously climactic or emphatic
with events that are least important described first and
those that are most important follow for impact if thiswere the case one would expect a sequence such as this
vision of satan
vision of the sons of perdition
vision of the telestial kingdom
vision of the terrestrial kingdom
vision of the celestial kingdom
vision of the son
neither is the structure obviously chronological where
events occur according to a time sequence a technique
commonly used in narrative writing using the chronological
ordering of the resurrection for example would yield thisorder
vision of the son
vision of the celestial kingdom
vision of the terrestrial kingdom
59
vision
vision
vision
vision
vision of the telestial kingdom
vision of the sons of perdition
vision of satan who will not of course beresurrected
upon closer inspection however there may be a clearorder after all monte nyman in studying the structure of
section 76 makes this observation
in this revelation the sons of perdition are
treated first and then the celestial terrestrialand telestial kingdoms there may be purpose for
this order the sons of perdition had known and
experienced the principles of exaltation necessary
for the celestial kingdom and had rejected them
choosing to follow satan therefore laws designed
for exalting gods children will result in onesbecoming a son of perdition if he meets the
requirements for exaltation and then commits the
unpardonable sin this concept is supported by
there being a definition of the gospel see verses
404340 inserted43 within the description of the
vision concerning the sons of perdition 110
this interpretation adds a sense of order to the
sequence of the visions that the vision of the sons of
perdition is described after the vision of the son makes
60
sense because some of them those who became sons ofperdition in mortality came close to exaltation the firstvision in section 76 is that of an exalted being the thirdof those who came close the vision of satan placed second
before the vision of the sons of perdition also makes sense
using nymans approach consider satansgatans other name
lucifer which means torch bearer or bringer of lighthe was a son of the morning which could either mean son
of light or an early born spirit child of our father in thepre earth life obviously he had great capacity and promise
and influence dahl 284 it is reasonable to assume thatat the height of his power and authority satan also knew the
principles of exaltation he had after all beheld the
exalted and glorified state of the father and has not
forgotten what pre earth conditions were like the sequence
of section 76 makes sense in terms of acquired and potential
exaltation
vision of the son
vision of satan
vision of the sons of perdition
vision of the celestial kingdom
vision of the terrestrial kingdom
vision of the telestial kingdom
something should also be said in terms of contrast in
the sequence contrast for literary effect is the placing
61
satl-an
of opposing elements next to each other for clarity oremphasis the placing of the visions of satan and the sons of
perdition adds emphasis to the visions of the son and the
celestial kingdom described visually the light appears
brighter next to the darkness similar to the noticeabledifference in brilliance between the moon at midnight and atdawn or the stars as seen from the mountains as opposed to a
brightly lit city this contrast in terms of light versus
darkness is visually and symbolically appropriate to section
76s contrasts of good with evilperhaps the most thorough investigation into the
structure of the doctrine and covenants is shipps work
conceptual patterns of repetition in the doctrine and
covenants and their implications relying on similarstudies performed on the old and new testaments shipp
analyzes selected revelations to determine how and to what
degree the revelations are structured and finds that two
pattern forms emerge a simple or direct repetitivestructure A B C D A B C D and a reverse
repetitive structure A B C D D C B A or a
combination of the two his thesis is that these structures
constitute an inherent system of commentary that promotes
scriptural understanding through repetition
shipps study of repetitive patterning in the doctrine
and covenants is valuable not only does it furtherunderstanding of the text it also heightens appreciation for
the text patterns incorporated into language can imply
62
among other things intelligence harmony balance and
direction all patterns demonstrate the intelligence of
creation and therefore are an evidence of their creatorsshipp 14
chiasmus
rhythm in poetry is notoriously impossible to translatefor this reason instead of the usual superficial rhyme and
meter repetitions of sound that are characteristic of english
poetry hebrew poetry relies on conceptual repetitionrepetition of ideas to achieve its rhythm D G kehl
describes the rhythm in hebrew poetry as dependent upon an
inner pulse rather than upon external rule ebbing and
flowing and carrying through its powerful beat theimpelling emotion into the readers mind 15 As a resultbiblical translators were less concerned about retainingoriginal poetic effect through diction and syntax as the form
of the thought itself retained it it was this simple
repetitive rhythmic eloquence independent of internal word
or grammatical structuring that contributed largely to
hebrew poetryspoet enduringrys literary greatness shipp 9
repetition in english and hebrew poetry is alsodistinguishable in another way in english poetry
repetition is usually found on the level of diction where
words are employed based on the sounds that comprise them
resulting in various rhyme schemes and metrical arrangements
63
rhymerhymes concepts can echo or contradict or supplement
related lines anywhere in the poem
one example of this complex patterning is reverse
repetition or chiasmus also called a crossing structureor ring composition which presents a theme or centralmessage through the strategic positioning of textspecifspecia icallyicalla
in hebrew poetry however where repetition occurs at the
level of thought the repetition is syntactic entire linesare organized into various patterns for emphasis
that syntactic patterning allows for powerful rhetoricaleffects by means of hebrew parallelism patterns of
repetition may be constructed within a text to convey
additional insights to the reader through clarificationsexpansions definitions by matching areas of textshipp 1213 in other words in hebrew poetry lines can
specifically a particular line order followed by a
subsequent reversal of that order this poetic pattern used
extensively in biblical texts such as the psalms has been
helpful in revealing central messages within those texts thatmight otherwiseother havewisevise gone unnoticed
shipp finds many chiasmic structures in section 76 A
few visual examples of the patterns he discovered may be
helpful in bringing attention to the structure within the
revelation it should be noted that the identification of
repetitive patterns in hebrew poetry is similar to the
identification of rhyme schemes in english poetry and the
marking system used in determining patterns in both forms is
64
12 13
identical with a letter of the alphabet assigned to eitherindividual rhyming sounds or in the case of hebrew poetry
individual thoughts or concepts prime marks are used to
indicate repetition the identification and marking system
used by shipp has been simplified here for simplicity and
clarityperhaps the single best illustration of chiasmic
patterning occurs interestingly enough in the portion of
the section that describes the vision of the celestialkingdom verses 515351 placed53 on the next page for form
retention
65
and again we bear record for we saw and heard and this is
the testimony of the gospel of christ concerning them who
shall come forth in the morning of the first resurrection of
the just
A they are they who received the testimony of jesus
B and believed on his name
C and were baptized after the manner of his burial
D being buried in the water in his name
E and this according to the commandment
which he has given
E that by keeping the commandments
D they might be washed and cleansed from all their
sins
C and receive the holy spirit by the laying on of the
hands of him who is ordained and sealed unto this
power
B and who overcome by faith
A and are sealed by the holy spirit of promise which the father
sheds forth upon all those who are just and true
within these three verses are five pairs of lines thatexpress parallel ideas lines A and A concern two phenomena
related to the influence of the holy ghost the gaining of a
testimony and the assurance of exaltation in the celestialkingdom lines B and B emphasize belief and faith in
christs power to save lines C and C treat the third and
66
fourth principles of the gospel baptism and the reception of
the gift of the holy ghost lines D and D allude to thesymbolism behind the cleansing ordinances lines E and E
the central message of this passage emphasize that theseprinciples and ordinances are commandments given by god
the structure of this passage points to that centraltheme focusing the reader in on that doubled injunction tokeep the commandments the peeling away of outer layerseventually revealing a central core seed or heart in thispassage once the center is discovered everything else fallsmore clearly into place and makes more sense in terms of
application once the commandments are understood and kept
the ordinances discussed may be performed and the promises
made regarding salvation and exaltation will be kept
the sequence of this passage is also noteworthy even
though it has been presented as an example of reverserepetition simultaneously there is direct progression here
the hearing of the gospel message leads to the exercising of
faith which in turn leads to repentance leading to baptism by
immersion as a demonstration of obedience to thecommandments this leads to the reception of the holy ghost
by the laying on of hands leading to faithful endurance to
the end leading to the overcoming of the world leading to
ultimately exaltation in the celestial kingdom
the structure in this passage is unified and complete
it is both linear and circular regressive and progressive
it is repetitive without being redundant and it effectively
67
summarizes the entire gospel message into three versescontaining about one hundred words its placement in the
vision of the celestial kingdom testifies of that kingdom s
order and echoes its inherent beauty
A second example of chiasmic patterning in section 76
climaxes the revelations closing verses 114119114 As119 the
conclusion to the revelation this passage appropriatelyreiterates the sections main theme or message the prophet
encourages readers to purify themselves to be worthy of the
spirit this purification anticipates the promise of
exaltation in the celestial kingdom and of seeing the
savior thus what matters most to both the revealer and the
recipient of the revelation is stressed by the carefullyordered structure of this climactic chiasmus also placed on
the next page for form retention
68
A but great and marvelous are the works of the lord and the
mysteries of his kingdom which he showed unto us which surpass
all understanding in glory and in might and in dominion
B which he commanded us we should not write while we were yet
in the spirit and are not lawful for man to utter neither
is man capable to make them known for they are only to be
seen and understood by the power of the holy spiritC which god bestowsbestons on
D those who love him
D and purify themselves before him
C to whom he grants
B this privilege of seeing and knowing for themselves that
through the power and manifestation of the spirit while in
the flesh they may be able to bear his presence in the
world of glory
A and to god and the lamb be glory and honor and dominion forever
and ever amen
lines A and A are praises to the lord line A praises
his works and the mysteries of the kingdom which surpass
all understanding in glory and in dominion
similarly line A ascribes glory and dominion to god and
jesus christ lines B and B discuss limitations concerning
the understanding of the mysteries of the kingdom these
mysteries are only comprehensible by the manifestation of the
spirit lines C and C emphasize god the father as the giver
of the holy ghost
69
here again the sequence is as illuminating as thechiasmus it is the saviors atonement that makes
purification possible in turn purification and a love forgod are required before the spirit can be bestowed by the
father in turn the spirit makes further purificationpossible so that the savior and the father can be seen by
man the patterning is beautifully cyclical as seen by the
subjects of each line lord spirit god humankind
humankind god spirit lord christs role in settingthe process in motion then warrants the praise he receives
at both ends of the poem
the patterns are not limited to individual lines as
shown here rather there are a number of chiasmic patternsfound at all levels of section 76 and other revelations in
the doctrine and covenants as well but section 76 is unique
as a magnificent example of nearly every variety of patternstructuring found with the revelations of the doctrine and
covenants shipp 93
parallelism
closely associated with structure in biblical poetry isparallelism the verse form in which all biblical poetry is
written ryken 180 unlike modern english poetry with itsrhyme and meter hebrew poetry depends for its form primarily
on parallelism sentence structure in which two or more lines
of similar grammatical form express similar ideas but with
70
variations in diction and syntax unlike sound repetitionwhich rarely survives translation repetition in biblicalpoetry occurs at the meaning level and therefore can be
translated leland ryken defines parallelism as a thought
couplet thought triplet when three clauses are used
instead of two 181
an important aspect of parallelism is balance and
symmetry which promote the rhythm within poetic lines theparts of a parallel construction in some sense balance each
other and set up a rhythm they require each other tocomplete the unit of thought ryken 182 in addition to
balance and a rhythmic form parallelism in hebrew poetry
increases a statements impact by reiterating a message
twice and by resisting advancement of a subsequent idea
parallelism focuses attention on a thought and
resists immediate shift to another idea the
complimentary parts of a parallel constructionreinforce an idea in our consciousness there can
be no doubt that if we read biblical poetry as
slowly as it is meant to be read it is a very
affective form of discourse the meanings sink
into our consciousness with great force because of
the element of repetition and retardation the two
parts of a parallel construction say more together
than either would alone 184
71
such poetry is typically found in the books of jobpsalms proverbs ecclesiastes song of solomon isaiahjeremiah lamentations and ezekiel in the old testamentbut parallelism also exists in the doctrine and covenants
definitively for our purposes in section 76 we may well
wonder what ancient hebrew poetry is doing in this modern
volume
the existence of parallelism in the bible is usuallyexplained in terms of its beginnings as oral literature thevery style of the bible is an oral style ryken 356
section 76 of the doctrine and covenants on the other hand
was published soon after it was received in july of 1832
and was not intended to be related orally robert woodford
indicates that the prophet actually discouraged missionariesfrom relating the account instructing them for the time
being that they were to remain silent concerning thegathering the vision and the book of doctrine and
covenants 932
circumstances surrounding the recording of the
revelation seem to indicate its written form to have been a
matter of concern the lord four times commanded the prophet
to write particular portions of the vision vv 28 49 80
113 and in verse 115 he is told not to write certainthings in three of the four verses where joseph smith isinstructed to write he is commanded to write while in the
spirit exactly how long the prophet remained in the
spirit following the vision or how soon this revelation was
72
recorded after its reception is indeterminable but that the
lord commanded its documentation numerous times suggests some
urgency perhaps to assure its preservation amid thepersecution but perhaps to insure its accuracy as well
joseph smiths experience with hebrew through histranslation efforts with the bible does not seem to have had
much to do with the inclusion of hebrew poetry in therevelation the new testament translation was completecompleted in
february of 1833 and the old testament translation was
finished five months after that nearly a year and a halfafter section 76 was received had the prophets hebrew
studies begun earlier these may have had some influence but
the prophet did not incorporate hebrew studies into the
curriculum of the school of the prophets until the earlyarlyariymonths of 1836 zucker 46746
the
7
clear presence of poetic parallelism in section 76
despite the impossibility of hebrew language influence on the
prophet and notwithstanding its definite non oral statusseems to suggest rhetorical even aesthetic purposes for the
poetry the parallelism encourages the comprehension of
certain messages as suggested by the summary of the visionprovided in verses 8911389 the113 parallelism makes the
revelation memorable and enhances the beauty of section 76
73
d libirl
hebrew
e
synonymous parallelism
there are four basic types of parallelism found in
hebrew poetry synonymous antithetic synthetic and
climactic synonymous or balanced parallelism occurs when two
or more consecutive lines having similar forms in grammar or
sentence structure present the same message synonymous
parallelism occurs throughout section 76 but there is an
unusual concentration of this form of poetry in verses 1101
great
10
shall be their reward
and eternal shall be their glory v 6
and their wisdom shall be great
and their understanding reach to heaven v 9
and before them the wisdom of the wise shallperish
and the understanding of the prudent shall come to
naught v 9
note how in these instances as in synonymous parallelismgenerally the lines are similar not only in meaning but in
syntax grammar and even diction that many layered
interlocking contributes to subtle in fact oftensubliminal ramifications of significance even in the most
straightforward verses
74
HEAR 0 ye heavens
and give ear 0 earth v 1
to hear and to give ear both relate the same idea both
lines employ emphatic alliteration and share the oratoricalinterjection 0 but the real rhyme of this couplet is the
repetition of the concept listen up this is more thansimpleminded repetition for the sake of repetition much more
than a kind of divine nagging that tells us exactly the same
thing twice because we failed to listen the first time thissynonymous couplet is an expansion of the idea into broader
perspectives
the final line not only picks up poetic resonances but
assumes additional meanings meanings its preceding mate
though it seems to say essentially the same thing did not
include gods speaking suggests that second line is meant
to be heard not only in the heavens where we would expect
angels to listen but on the less attentive earth and theremay be in that give ear even more demand of carefullistening than in the first lines imperative to hear
that sort of formal amplification of meaning occurs
everywhere synonymous parallelism occurs however monotonous
the repetition may at first sound
75
I1 the lord am merciful and gracious
unto those who fear me
and delight to honor those who serve me
in righteousness and in truth unto the end v 5
fearing the lord and righteously serving him both forms of
demonstrating respect are clearly synonymous the lord issimilarly synonymous in return honoring the respectful and
being merciful and gracious to them the message here of
mutual respect is obvious enough but it may be less obvious
how emphatically the mutuality of that reciprocal respectgets underlined by the unanimity of the parallel concepts
within their parallel syntactic forms
antithetic and synthetic parallelism
A second type of parallelism antithetic or contrastiveparallelism has a second line that reiterates the message of
the first in an opposing manner
let no man glory in man
but rather let him glory in god v 61
though the first line here is negative the second positive
antithetic parallelism usually works the other way around
either way it works dramatically note in this instance how
the play upon man and man and him heightens the
76
contrast of the shift to god lifting us out of our usual
mortal view into a transcendent perspective in such a
subtly poetic context even the let of the first clausebecomes something more in the second adding to the negative
senses of forbid or refuse the positive dimensions of
invite or provide opportunity the second time around
A third type of parallelism is synthetic or growing
parallelism in this type of poem subsequent lines complete
or expand or advance the thought of the first line togetherthey form a thought that would be semantically different were
one of the lines removed As ryken observes to call thisparallelism is something of a misnomer since strictlyspeaking nothing in the second line parallels the first but
these units are obviously thought couplets in which the two
lines together form a unit as in the other types of
parallelism 182 consider a section 76 example
for the lord is god
and beside him there is no savior v 1
in this pair the second line expands on the definitionoffered in the first not only is the lord god he is also
savior and the only savior this type of parallelistic poem
is different from synonymous parallelism not so much in kind
as in degree expanding the natural tendency of parallelismto complicate meaning through repetition to the point that
77
subsequent lines seem more a progression from the originalline than a repetition of it
from eternity to eternity he is the same
and his years never fail v 4
the second line extends those discrete eternities into an
infinity of years god is changeless better yet he isalways there
climactic parallelism
the final form of parallelism is climactic parallelisma collection of short repetitive phrases that lead to a
climax of some kind the climaxes in these examples are
italicized though the pattern is sometimes difficult to
detect because of statements intervening between the repeated
elements the interventions are omitted here for ease in
perceiving the pattern section 76 thrives on this pattern
having denied the holy spirit after having received
it and having denied the only begotten son of the
fatherhaving crucified him unto themselves and put him to
an open shame
these are they who shall go away into the lake of
fire and brimstone vv 35635 6
78
IS
that he came into the world even jesus
to be crucified for the world
and to bear the sins of the world
and to sanctify the world
and to cleanse it from all unrighteousness
that through him all might be saved vv 41 2
wherefore he saves all except them
they shall go away
into everlasting punishment
which is endless punishment
which is eternal punishment
to reign with the devil
and his angels in eternityand the end thereof
neither the place thereofnor their torment
no man knows
neither was it revealed
neither isneither will be
revealed unto man vv 44 45645
and
6
are priests of the most high
after the order of melchizedek
which was after the order of enoch
which was after the order of the only begotten son
79
sins
some of christand some of john
and some of moses
and some of eliasand some of esaiasand some of isaiahand some of enoch
but received not the gospel
80
whereforetherefore as it is written they are gods
even the sons of god vv 57857
and
8
the glory of the celestial is one
even as the glory of the sun is one
and the glory of the terrestrial is one
even as the glory of the moon is one
and the glory of the telestial is one
even as the glory of the stars is one
for as one star differs from another star in glory
even so differs one from another in glory
in the telestial world
for these are they who
are of paul
and of apollos
and of cephas
these are they who say they
are some of one
and some of another
neither the testimony of jesus
neither the prophets
neither the everlasting covenant vv 96 101
word motifs
in addition to the larger syntactic patterns of
parallelism and chiasmus the doctrine and covenants includes
considerable repetitive patterning of individual words
section 76 features dozens of words that are repeatedthroughout the revelation often incrementally with
accumulation of meaning from each additional echo
there is for example an abundance of referencesthroughout the revelation to the senses fifteen words
relate to hearing and listening hear ear voice
seen saw vision beheld that stress on perception
seems thoroughly appropriate in this vision and a vision
intent on raising reader perceptions to transcendent levels
those word motifs subliminally stress the most important
matters in the revelation creating patterns indicatingsignificant themes references to the father and the son
for example collectively total ninety six this means thateighty percent of the verses in section 76 include such
references the name jesus christ alone is mentioned
fifty one times an average of almost one reference every
other verse
81
ssightight repetitions of eyethirty five words concern rerepetitpetit ionslonsp-repetit
figures of speech
section 76 features poetic elements beyond formal
repetition perhaps the single most important characteristicof the revelations poetry is the use of figurative language
the intentional departure from the normal orderconstruction or meaning of words to gain strength and
freshness of expression to create a pictorial effect to
describe by analogy or to discover and illustratesimilarities in otherwise dissimilar things holman and
harmonhannon 202 the poetic texture of section 76 is enriched by
figures of speech ranging from antithesis to apostrophe from
hyperbole to irony from metaphor to personificationmost common in the doctrine and covenants as in the
bible are similes and metaphors forms of comparison which
establish a correspondence between two phenomena
securing an effect on one level and asking us to transferthat meaning to another level ryken 166 A simile is an
explicit comparison of two objects which often uses the words
like or as to suggest that comparison A metaphor on
the other hand is an implicit comparison of two objects a
more direct assertion that one thing is another similes
thus tend to refer to a single characteristic common to the
objects described while metaphors are likelier to touch upon
multiple characteristics shared
metaphors and similes like other figures of speech
permit poets to invite reader participation placing the
82
in
burden of discovery and connection on the readers thereby
making them active rather than passive contributerscontributors to the
reading process
because metaphor and simile are distinctive ways of
speaking they achieve freshness of expression and
overcome the clicheclich6 effect of ordinary discoursemetaphor and simile possess arresting strangeness
that both captures a readers initial attention and
makes a statement memorable they also have
another builtinbuilt tendencyin that accords well with a
lyric poets intention they force a reader to
ponder or meditate on a statement they contain a
retarding element that resists immediateassimilation ryken 168
the heavy reliance on figurative language in section 76
reveals much about the intentions of the author given the
newness of this revelations message even to the prophet and
rigdon and the subsequent difficulty many of the saints had
in understanding and accepting it the extensive use of
metaphor and simile in the section with the tendency of
those figures of speech to force a reader to ponder or
meditate on a statement may have helped readers assimilatethe doctrine of multiple heavens
and it was a challenge to assimilate robert woodford
notes that section 76 while taken at face value today was a
83
i m m e d i a t e
departure from the common thought in josephs day and so
revolutionary to the accepted christian concept of life afterdeath that many members of the church were hesitant or even
opposed to accept this vision as truth 929 in his
historical development of the doctrine and covenants
woodford provides verification of this struggle among church
members even such stalwartsstal aswarts brigham young after all my
traditions were such that when the vision came first to me
it was so directly contrary and opposed to my former
education I1 said wait a little I1 did not reject it but I1
could not understand it 929
we can catch a glimpse of the difficulty in absorbing
this shockingly new perspective of the heavens from philo
dibbles picture of the expression on sidney rigdons face as
he heard the news the first time joseph sat firmly and
calmly all the time in the midst of a magnificent glory but
sidney sat limp and pale apparently as limber as a rag
observing which joseph remarked smilingly sidney is not
as used to it as I1 am woodford 927
the use of figurative language in section 76 may have
helped and may still be helping readers become used to itin the prophets terms metaphor and simile in thisrevelation is effective in bringing the heavens closer to
earth within the mental grasp of readers these figures of
speech may help to reduce interference between divinecommunication and mortal reception to make the unimaginable
imaginable the unfathomable fathomable george caird
84
observes that comparison is one of our most valuable sources
of knowledge the main road leading from the known to theunknown it comprises almost all the language of
theology 144
section 76s numerous similes are almost exclusivelycomparisons among the kingdoms themselves or comparisons to
astronomical objects
and the glory of the celestial is one even as the
glory of the sun is one and the glory of the
terrestrial is one even as the glory of the moon
is one and the glory of the telestial is one
even as the glory of the stars is one for as one
star differs from another star in glory even so
differs one from another in glory in the telestialworld vv 96896
it
8
is interesting to compare verses 71 and 78 which
describe the terrestrial kingdom and verse 81 which
describes the telestial kingdom to verse 70 these are they
whose bodies are celestial whose glory is that of the sun
even the glory of god the highest of all whose glory thesun of the firmament is written of as being typical each
of the earlier verses uses a simile to compare their gloriesto their respective astronomical objects but verse 70 which
describes the celestial kingdom employs a metaphor whose
glory is that of the sun in addition to a simile the
85
is
is
ultimacy of things celestial is further suggested poeticallyin that the celestial is the only comparison where there may
be some potential word play on sun as in son also the
glory of god
the similes in this revelation while repetitive are
still highly successful as telling and memorable as paulssimiles were to the corinthians these comparisons make the
most of familiarity and accessibility consistency and
orderliness simplicity and beauty the comparisons are
constantly present able to be brought immediately to mind atany time day or night all the reader has to do is look
upward into a clear sky all objects used in the comparison
are unmistakably related as heavenly orbsarbs yet they are
distinct in their radiance testifying of an establishedpattern or order designed by a intelligent creator
doctrine and covenants adaptations of figures of
speech
other figures of speech are more original to section 76
notice for example the unique use of a kind of synesthesia
in verse 19 with its imaginative application of the sense of
touch to the function of thought
and while we meditated upon these things the lordtouched the eyes of our understandings and they
86
were opened and the glory of the lord shone round
about
the metaphor in this passage works beautifully on a
number of levels first the touch suggests a gesture of
love the image of physical contact reinforcing the intimacy
of the lords spiritual closeness second that the lordtouched their eyes intimates that he had to reach out tothem extend his arms hands and fingers toward joseph and
sidney finally this image of intimate closeness recallsthe historical jesus by mirroring the manner in which jesus
healed the blind during his mortal ministry when the two
blind men begged of jesus lord that our eyes may be
opened jesus very much as in this situation had
compassion on them and touched their eyes and immediately
their eyes received sight and they followed him matthew
203242032 thus4 the entire episode works as a buried metaphor
suggesting a curative eye opening for those to whom the
vision is given and for us for whom it is given like the
entire revelation of which it is a part this synestheticmoment offers us the gift of seeing
As effective as this metaphor is the metaphoric
illumination of section 76 may be at its best not so much in
creating new images as in enlivening old ones observe for
example how the revelation handles the ancient symbol of
satan as serpent
87
and while we were yet in the spirit the lordcommanded us that we should write the vision forwe beheld satan that old serpent even the devilwho rebelled against god and sought to take thekingdom of our god and his christ v 28
satan imaged as serpent is so familiar a metaphor as toapproach scriptural cliche here the author plays upon thatfamiliarity by pushing it to an extreme which renews theimage for us satan in section 76 is an old serpent one
who has been around a long time longer than we would have
liked in addition to refreshing the numerous associationsbuilt up scripturally between a serpent and the devil the
added old connotes a devil who is frighteningly wise
through long experience threateningly imposing old snakes
get dangerously huge and very very tiring to us an old
story we have heard too many times this image is not newnevinewinewl
revelation 129 also has an old serpent called the devil
and satan which deceivethdeceive the whole world but in thispoetic context the image is powerfully renewing
that kind of renewing of symbolic cliche is frequent in
section 76 vessels as an image of people is a common
biblical metaphor but the slant it receives in the doctrineand covenants tends to enliven the image to revive itsoriginal energy
88
th
for they are vessels of wrath doomed to suffer the
wrath of god with the devil and his angels in
eternity v 33
A vessel is a hollow container whose sole function is to be
filled the awful thing about this doctrine and covenants
vessel image is that it conveys not only a sense of theongoing interminable wrath of the sons of perdition but thatof the lord filled to the brim with their own anger they
will find little comfort in discovering their personal wrath
has brought down upon them the wrath of god severalpassages in the bible use the word vessel to describepeople collectively and individually as easily broken or
destroyed psalms 3112 jeremiah 1911 revelation 227the closest parallel verse is romans 922 what if god
willing to shew his wrath and to make his power known
endured with much longsufferinglong thesuffering vessels of wrath fittedto destruction all that accumulated poetic wrath in such
fragile vessels suggests for the sons of perdition a very
precarious position in the eternitiessection 76 makes equally imaginative use of other
figures of speech observe how deftly for example section76 uses what may be the hoariesthoarsesthoa ofriest poetic devicesapostrophe verse 1 is a clear instance of the apostrophic
mode speaking to someone or something absent invisible or
not ordinarily spoken to an oratorical stance none too
popular among us modern readers hear 0 ye heavens and
89
in
give ear 0 earth and rejoice ye inhabitants thereof for
the lord is god and beside him there is no savior but
the doctrine and covenants energizes this figure of speech by
turning it directly on its head in section 76 that absent
audience is present though the form is apostrophic the
statement is literalthat such multivalent readings of doctrine and covenants
metaphor are implicit in the text and not merely read in by
modern readers is made clear by another section 76 poem
wherefore he saves all except them they shall go
away into everlasting punishment which Is endlesspunishment which Is eternal punishment to reign
with the devil and his angels in eternity where
their worm dieth not and the fire is not quenched
which is their torment v 44
by revelation the lord himself interprets the metaphor
presented here and in verse 105 stating in section 19 thatthe central terms endless and eternal have sufferedmisinterpretation the lord declares I1 will explain unto
you this mystery for behold I1 am endless and the
punishment which is given from my hand is endless punishment
for endless is my name wherefore eternal punishment isgods punishment endless punishment is gods punishment
vv 8 101210 what12 was originally punishment described in
terms of time is now described in terms of the giver of the
90
punishment the metaphor was permitted to operate that itmight work upon the hearts of the children of men v 7
clearly for sons of perdition gods punishment will seem
very long indeed
understatement and overstatement
As strong as these poetic images are in isolation they
are stronger in the context of section 76 often an image or
set of images gets repeated with accumulating force in a
crescendo of metaphor
these are they who are not valiant in the testimony
of jesus wherefore they obtain not the crown over
the kingdom of our god v 79
A crown is not in itself a particularly forceful image itsassociations with coronation are so commonplace as to be
banal nor does this image force itself upon ourimaginations this metonomymetonymymet withonomy its technique of
substituting an associated word works by way of hint almost
by misdirection the image is quietly understated but the
decibel level of images of kingliness is very loud indeed by
the time section 76 has added another crown in verse 108
thrones in verses 21 92 93 108 and 110 and explicitmention of kingdom in verses 7 28 79 107 and 114
91
in
that understatement accumulating to persuasive force istypical of the rhetorical strategy of section 76 hyperbole
as ryken points out appears frequently in biblicalstatements 177 section 76 by contrast seldom indulges
in hyperbole perhaps only in the lake of fire and
brimstone of verse 36 and the innumerable of verses 67
and 109 and the restraint of exaggeration in even these
instances is readily apparent in that in both cases
literality rather than symbolism could be argued the
literary style of the doctrine and covenants is exemplified
by section 76 its poetic richness is a little like teddy
roosevelts presidential style it speaks softly and carriesa big message
92
chapter 3
THE POETIC VERSION OF SECTION 76
overview
this final chapter will analyze ways section 76s poetic
dimensions are illuminated by the vision a poetic version
of section 76 attributed to the prophet joseph smith itwill include a line by line comparison of the scriptural and
poetic versions with an emphasis on the identification of
textual differences between the two since much of the
poetic version of section 76 quotes the revelation verbatim
and the arrangement of ideas is nearly identical in both
versions this chapter will attempt to determine to what
extent the poem parallels the revelation it will alsoexamine variations in content between the two textsexploring whatever literary implications those differencesmay suggest since the poetic version so closely parallelsthe revelation comparing the two may reveal insights intothe poetry of section 76
vade mecum
in the fall of 1842 joseph smith went into hiding to
avoid arrest as a purported accessory in the attempted murder
of former missouri governor lilburn boggs under the
93
protection of newly elected illinois governor thomas ford
the prophet was eventually released from the custody of the
circuit court of the united states district of illinois by
judge nathaniel pope because of a faulty requisition and
warrant the prophet returned to nauvoo in january 1843 As
part of the city festivities celebrating his return williamW phelps who was serving as a clerk for joseph smith
presented the prophet with his poem vade mecum
go with me will you go to the saints that have
died
to the next better world where the righteous
residewhere the angels and spirits in harmony be
in the joys of a vast paradise go with me
go with me where the truth and the virtues prevail
where the union is one and the years never failnot a heart can conceive nor a natralfatral eye see
what the lord has epardpreparedpr for the justgo with me
go with me where there is no destruction or war
neither tyrants or slandrers or nations ajarwhere the system is perfect and happiness freeand the life is eternal with god go with me
94
chapter 3
THE POETIC VERSION OF SECTION 76
overview
this final chapter will analyze ways section 76s poetic
dimensions are illuminated by the vision a poetic version
of section 76 attributed to the prophet joseph smith itwill include a line by line comparison of the scriptural and
poetic versions with an emphasis on the identification of
textual differences between the two since much of the
poetic version of section 76 quotes the revelation verbatim
and the arrangement of ideas is nearly identical in both
versions this chapter will attempt to determine to what
extent the poem parallels the revelation it will alsoexamine variations in content between the two textsexploring whatever literary implications those differencesmay suggest since the poetic version so closely parallelsthe revelation comparing the two may reveal insights intothe poetry of section 76
vade mecummecunt
in the fall of 1842 joseph smith went into hiding to
avoid arrest as a purported accessory in the attempted murder
of former missouri governor lilburn boggs under the
95
protection of newly elected illinois governor thomas ford
the prophet was eventually released from the custody of the
circuit court of the united states district of illinois by
judge nathaniel pope because of a faulty requisition aridandarld
warrant the prophet returned to nauvoo in january 1843 As
part of the city festivities celebrating his return williamWilliEW phelps who was serving as a clerk for joseph smith
presented the prophet with his poem vade mecum
go with me will you go to the saints that have
died
to the next better world where the righteous
residewhere the angels and spirits in harmony be
in the joys of a vast paradise go with me
go with me where the truth and the virtues prevail
where the union is one and the years never failnot a heart can conceive nor a natralfatral eye see
what the lord has prepardepardpreparepr for the justgo with me
go with me where there is no destruction or war
neither tyrants or slandrers or nations ajarwhere the system is perfect and happiness free
and the life is eternal with god go with me
96
is
tm
go with me will you go to the mansions above
where the bliss and the knowledge
the light and the love
and the glory of god do eternally be
death the wages of sin is not there go with me
phelpss poem whose latin title translates go withme is poetically interesting its prosody is competent
the poems four quatrain structure immediately stresses order
and lalanceralanceoa aslance does the consistency of its anapesticanapaestic
tetrameter metrics four quatrainsqua oftrains four lines four feetto the line that orderliness is emphasized by theregularity of the rhymed couplets and by the framing
repetition of go with me at the beginning and end of every
stanza a reiteration that focuses the entire poem on
phelpss lyric theme longing for the prophets accompaniment
to heaven
phelpss poem echoes section 76 its ideas stronglyparallel the revelation the parallels become explicit in at
least two places the phrase years never fail comes
directly from verse four of the revelation from eternity to
eternity he is the same and his years never fallfailfali and the
phrase nor a natralfatral eye see resembles verse ten yea
even those things which eye has not seen
go with me is dated january 1843 one month shy of the
tenth anniversary of the reception of section 76 thefebruary 1 1843 issue of times and seasons the churchs
97
official publication at the time printed phelpss poem under
the heading from W W phelps to joseph smith the prophet
below phelpss poem is a response in the form of anothermuch lengthier poem whose heading reads the answer to W
W phelps esq this poem is entitled in direct referenceto section 76 A vision
below the 312 line poem appears the name joseph smith
and its date of composition is given only as february 1843
even though the papers date is february 1 1843 theprophets entry in history of the church suggests an earliercomposition date in reply to W W phelpss vade mecum orgo with me of 20th of january last I1 dictated an answer
5288 richard N holzapfel in a recent articleconcerning the poem notes that this date was chosen as the
day of composition and is the same day phelps gave
joseph his poem 160 these dates leave a gap of twelve or
thirteen days between the reception of phelpss poem and the
printing of the prophets response whether the poem was
completed or signed the same day the paper was printed or
the paper was simply antedated is virtually impossible to
determine these details are important however as there issome question concerning the authorship of this poem in
addition to the prophet another likely candidate is williamW phelps
in the prophets favor are four factors his name isattached to the poem and his entry in history of the church
states that he dictated an answer a phrase which is open
98
to interpretation furthermore as holzapfel notes times
and seasons editor john taylor seems to accept joseph smith
as the author judging from his introduction to the poem
and the first line of the eleventh stanza employs the firstperson singular pronoun form I1 joseph the prophet 142
as do other lineson the other hand phelps wrote the catalyst poem
dedicated to the prophet in a nearly identical form he was
in nauvoo at the time A vision was written serving as the
prophets clerk As such phelps wrote numerous essays
concerning church doctrine and even gathered and prepared
the prophets revelations for publication as the doctrine and
covenants van orden 85 phelpss calling in the church as
stated in sections 55 57 67 and 70 had to do with printingchurch materials writing church books and publishing thebook of commandments he began writing a history of thechurch in 1842 and continued writing under the direction of
willard richards through 1844 van orden 86786 and7 by the
time the poem was written phelps was an accomplished poet
having written dozens of poems and hymns
richard cracroft and neal lambert in their book A
believing people literature of the latter day saints assert
that phelps is the likely author based on close textualcomparisons but offer no evidence 184 perhaps a more
plausible explanation however is that the two collaboratedon the poem with joseph smith providing the raw materialand william phelps polishing it into poetic form in this
99
100loo
mainmaln
way the two could take advantage of each others strengths
it was customary for the prophet to request the assistance of
others in the production of written materials as holzapfelobserves
joseph often depended upon others to produce
material under his direction at one time he may
have simply asked someone to compose an item forhim at another time he may have given someone themainmaln ideas in other instances he was involved
heavily in the final literary creation many
of the editorials in the timestunes and seasons were not
josephs own words the prophet indicatedthat only those editorials having my signaturewere those for which he was personally responsible
142
ideally a thorough word analysis such as a wordprintwoodprintword
study
printwould likely provide more conclusive data A vision
could be compared to phelpss other poetic works forexample to look for patterns in form diction syntax
style or grammar comparing the poem to the prophets prose
writings would be ineffective of course because of the
dramatic differences in form between prose and poetry the
prophets revelation concerning the degrees of glory is the
only text to which the poem can be compared
101loi
the other poem
joseph smith apparently wrote poetry on one otheroccasion cracroft and lambert write that A vision is theonly extant poem written by the prophet 184 but dean C
jessee in his work the personal writings of joseph smithsmiths
includes a short poem penned in joseph smiths handwriting
to a young woman named barbara matilda who had along with
her parents met the prophet in nauvoo during this visitwhile staying in the mansion house between may 8 and 13
1844 twenty two year old barbara collected autographs
from prominent nauvoo citizens among those who wrote in her
book were william W phelps and joseph smith 5756575
phelps
6
poem is presented first followed by the
prophets
to miss barbaralbarbara matilda neff
two things will beautify a youth
that is let virtue decorate the truthand so you know every little helps
yours W W phelps
occasion
is
the truth and virtue both are good
when rightly understood
but charity is better miss
that takes us home to blissand so forthwithremember joseph smith
on page 577 of his text jessee includes a photograph of thepage on which these lines appear both the handwriting and
the signatures appear to be those of the respective authors
these two short poems were written more than a year after the
publication of go with me and A vision and there aresome interesting similarities concerning the composition of
the two pairs of poems in both cases phelps initiates thesequence and the prophet follows suit the poems aresimilar in form and content for example the poems here
consist of rhyming couplets which extol the virtues of young
womanhood and employ the iamb as the metrical foot although
in varying numbers of feet per line go with me and A
vision also use the same meter and are similar in theme and
content unfortunately neither of matildas poems is long
enough to make further comparisons to A vision
102
comparison of A vision and section 76
traditionally the poetic version of section 76 has been
used primarily to examine and interpret the doctrine of the
revelation but the poem may prove valuable for reasons
other than doctrinal interpretation the followingcomparison of A vision reproduced here as it originallyappeared in times and seasons with the revelation itselfwill focus on textual differences between the scriptural and
poetic versions of section 76 emphasizing textual deletions
additions or rearrangements variations in grammar
spelling punctuation or mechanics will not be highlighted
while it could be argued that editorial changes such as these
have as much impact on meaning as the textual changes they
are too numerous to comment on within the scope of thisproject differences in word usage are set off in boldfacetype numbers in the left margin correspond to versificationin section 76 lines from the poem that correspond to the
revelation appear below the verses and are italicized to
aid in the comparison verses from the revelation are
occasionally combined to fit the lines of poem and vice
versa
A brief commentary noting interesting or significantvariations is offered following the linear comparison
again emphasis is placed only on the textual differencesnuances in meaning and doctrinal interpretations are largely
avoided here
103
104
1 will go I1 will go to the homebornehormehomme of the saintswhere the virtues the value and life the reward
but before I1 return to my former estateI1 must fulfilfulfill the mission I1 had from the lord
1 HEAR 0 ye heavens and give ear 0 earth and rejoice ye
inhabitants thereof for the lord is god and beside him
there is no savior
wherefore hear 0 ye heavens and give ear 0 ye earthand rejoice ye inhabitants truly again
for the lord he is god and his life never ends
and besides him there neer was a saviour of men
2 great is his wisdom marvelous are his ways and the
extent of his doings none can find out
his ways are a wonder his wisdom is great
the extent of his doings theres none can unveil
3 his purposes fail not neither are there any who can
stay his hand
his purposes fail not
4 from eternity to eternity he is the same and his years
never fail
from age unto age
he still is the same and his years never fail
his throne is the heavens hisbisbighig lifetimelife istime allof eternity now and eternity then
his union is power and none stays hisbis handhandyhande
the alpha omega for ever amen
5 for thus saith the lord- i the lord am merciful and
gracious unto those who fear me and delight to honor thosewho serve me in righteousnessrighteousnes and in truth unto the end
for thus saith the lord in the spirit of truthI1 am merciful gracious and good unto those
that fear me and live for the life thatsthatfthalf s to come
my delight is to honor the saints with repose
that serve me in righteousness true to the end
6 great shall be their reward and eternal shall be theirglory
eternals their glory and great their reward
1
105
righteousnes s
mystriesmysteries
7 and to them will I1 reveal all mysteries yea all thehidden mysteries of my kingdom from days of old and forages to come will I1 make known unto them the good pleasureof my will concerning all things pertaining to my
kingdom
ill surely reveal all my mystriesmysteriesmys totries themthein
the great hidden mysta hesnes in my kingdom stordstored
from the council in kolobkolobycolobydolob to time on the earthand for ages to come unto them will I1 show
my pleasure & will what the kingdom will do
8 yealea even the wonders of eternity shall they know and
things to come will I1 show them even the things of many
generations
eternitys wonders they truly shall know
great things of the future ill show unto them
reateayeateeree things of the vast generations to rise
9 and their wisdom shall be great and their understanding
reach to heaven and before them the wisdom of the wise
shall perish and the understanding of the prudent shallcome to naught
106
mys tries
1I joseph the prophet in spirit beheld
for their wisdom and glory shall be very greatand their pure understanding extend to the skies
and before them the wisdom of wise men shall cease
and the nice understanding of prudent ones failfallfali
10 for by my spirit will I1 enlighten them and by my
power will I1 make known unto them the secrets of my willyea even those things which eye has not seen nor ear
heard nor yet entered into the heart of man
for the light of my spirit shall light mine electand the truth is so mighty twill ever prevail
and the secrets and plans of my will ill revealthe sanctified pleasures when earth is renewdreneldren
what
ewdthe eye hath not seen nor the ear hath yet heard
nor the heart of the natural man ever hath viewdviewed
11 we joseph smith jun and sidney rigdon being in
the spirit on the sixteenth day of february in theyear of our lord one thousand eight hundred andthirty two
107
12 by the power of the spirit our eyes were opened and
our understandings were enlightened so as to see and
understand the things of god
and the eyes of the inner man truly did see
eternity sketchdsketchy in a vision from god
13 even those things which were from the beginning
before the world was which were ordained of the fatherthrough his only begotten son who was in the bosom of
the father even from the beginning
of what was and now is and yet is to be
those things which the father ordained of old
before the world was or a system had run
through jesus the maker and savior of allthe only begotten messiah his son
14 of whom we bear record and the record which we bear isthe fulnessfalness of the gospel of jesus christ who is the son
whom we saw and with whom we conversed in the heavenly
vision
of whom I1 bear record as all prophets have
and the record I1 bear is the fulnessfalnessfulness yea even
the truth of the gospel of jesus the christwith whom I1 conversdconversaconver insd the vision of heavnhearn
108
is
109log
15 for while we were doing the work of translation which
the lord had appointed unto us we came to the twenty ninthverse of the fifth chapter of john which was given unto us
as follows
for while in the act of translating his word
which the lord in his grace had appointed to me
I1 came to the gospel recorded by john
chapter fifth and the twenty ninth verse which youllsee
which was given as follows
16 speaking of the resurrection of the dead concerning
those who shall hear the voice of the son of man
speaking of the resurrection of the dead
concerning those who shall hear the voice of
the son of man
17 and shall come forth they who have done good in the
resurrection of the just and they who have done evil in the
resurrection of the unjust
and shall come forththey who have done good in the resurrectionof the just
110llolio
and they who have done evil in the resurrec-
tion of the unjust
18 nowmow this caused us to marvel for it was given unto
us of the spirit
I1 marvelmarveldbarveldmar atveldveid these resurrections indeed
for it came unto me by the spirit direct
19 and while we meditated upon these things the lordtouched the eyes of our understanding and they wereopened and the glory of the lord shone round about
and while I1 did meditate what it all meant
the lord touchdtoucha the eyes of my own intellect
hosanna for ever they opendolend anon
and the glory of god shone around where I1 was
20 and we beheld the glory of the son on the right hand
of the father and received of his fulnessfalnessful
and
ness
there was the son at the fathers right hand
in a fulnessfalness of glory and holy applause
in
d
21 and saw the holy angels and them who are sanctifiedbefore his throne worshippingshippingwor god and the lamb who
worship him forever and ever
I1 beheld round the throne holy angels and hostsand sanctified beings from worlds that have been
in holiness worshippingshippingwor god and the lamb
forever and ever amen and amen
22 and now after the many testimonies which have been
given of him this is the testimony last of all which we
give of him that he lives
and now after all of the proofs made of him
by witnesses truly by whom he was known
this is mine last of all that he lives yea he lives
23 for we saw him even on the right hand of god and we
heard the voice bearing record that he is the only begotten
of the father
and sits at the right hand of god on his throne
and I1 heard a great voice bearing record from heavnhearnhes the saviour and only begotten of god
is
Godigodl fiedfled
24 that by him and through him and of him the worlds are
and were created and the inhabitants thereof are begottensons and daughters unto god
by him of him and through him the worlds were all made
even all that career in the heavens so broad
whose inhabitants too from the first to the lastare savddavd by the very same saviour of ours
and of course are begotten gods daughters and sons
by the very same truths and the very same powrpowr
25 and this we saw also and bear record that an angel of
god who was in authority in the presence of god who
rebelled against the only begotten son whom the fatherloved and who was in the bosom of the father was
thrust down from the presence of god and the son
and I1 saw and bear record of warfare in heavnhearnfor an angel of light in authority great
rebelldbelldrebellaRe against jesus and sought for his powr
but was thrust down to woe from his godifiedcodifiedmodified state
26 and was called perdition for the heavens wept over
him he was lucifer a son of the morning
112
in
and the heavens all wept and the tears dropddrood like dew
that lucifer son of the morning had fell
27 and we beheld and lo10 he is fallen is fallen even
a son of the morning
reateayea is fallen is falln and become oh alasthe son of perdition the devil of hell
28 and while we were yet in the spirit the lord commanded
us that we should write the vision for we beheld satan
that old serpent even the devil who rebelled againstgod and sought to take the kingdom of our god and his
christ
and while I1 was yet in the spirit of truththe commandment was write ye the vision all out
for satan old serpent
29 wherefore he mabethmaketh war with the saints of god and
encompassethencompass themeth round about
the devils for war
and yet will encompass the saints round about
113
in
30 and we saw a vision of the sufferings of those withwhom he made war and overcame for thus came the voice
of the lord unto us
and I1 saw too the suffringsuf andfring mismls ry of thoseovercome by the devil in warfare and fight
in hellfirehell andfire vengeance the doom of the damnddamand
for the lord said the vision is further so write
31 thus saith the lord concerning all those who know my
power and have been made partakerspar thereoftakers and sufferedthemselves through the power of the devil to be overcome
and to deny the truth and defy my power
for thus saith the lord now concerning all those
who know of my power and partake of the same
and suffer themselves that they be overcome
by the power of satan despising my name
defying my power and denying the truth
32 they are they who are the sons of perdition of whom I1
say that it had been better for them never to have been
born
114
misrysiffring masry
115lib
they are they of the world or of men most forlornthe sons of perdition of whom ah I1 say
T were better for them had they never been born
33 for they are vessels of wrath doomed to suffer thewrath of god with the devil and his angels in eternity
theyre the vessels of wrath and dishonourdis tohonour god
doomddooma to suffer his wrath in the regions of woe
through all the terrific night of eternitys round
with the devil and all of his angels below
34 concerning whom I1 have said there is no forgiveness in
this world nor in the world to come
of whom it is said no forgiveness is givngianin this world alas nor the world thats to come
35 having denied the holy spirit after having received itand having denied the only begotten of the father having
crucified him unto themselves and put him to an open shame
for they have denyddemyd the spirit of god
after having receivdreceivedrece itivd and misrysmis theirrys doom
and denying the only begotten of god
and crucify him to themselves as they do
and openly put him to shame in their fleshfleshy
by gospel they cannot repentance renew
36 these are they who shall go away into the lake of fireand brimstone with the devil and his angels
they are they who must go to the great lake of firewhich burneth with brimstone yet never consumes
and dwell with the devil and angels of his
while eternity goes and eternity comes
37 and the only ones on whom the second death shallhave any power
these are they who must groan through the great second
death
38 yea verily the only ones who shall not be redeemed
in the due time of the lord after the sufferings of hiswrath
and are not redeemed in the time of the lord
39 for all the rest shall be brought forth by the
resurrection of the dead through the triumph and the
glory of the lamb who was slain who was in the bosom
of the father before the worlds were made
i i b
while all the rest are through the triumph of christmade partakerspar oftakers grace by the power of his word
the mystrymystfrymastry of godliness truly is greatthe past and the present and what is to be
40 and this is the gospel the glad tidings which the voice
out of the heavens bore record unto us
and this is the gospel glad tidings to allwhich the voice from the heavens bore record to me
4146 that he came into the world even jesus to be
crucified for the world and to bear the sins of theworld and to sanctify the world and to cleanse it from
all unrighteousness that through him all might be saved
whom the father had put into his power and made by him
who glorifies the father and saves all the works of hishands except those sons of perdition who deny the son
after the father has revealed him wherefore he saves
all except them they shall go away into everlastingpunishment which is endless punishment which iseternal punishment to reign with the devil and his angels
in eternity where their worm dieth not and the fire is not
quenched which is their torment and the end thereofneither the place thereof nor their torment no man
knows neither was it revealed neither is neither will
117
41 46
be revealed unto man except to them who are made partakerspar
thereoftakers
that he came to the world in the middle of time
to lay down his life for his friends and his foes
and bear away sin as a mission of love
and sanctify earth for a blessed repose
tis decreed that hell save all the work of his hands
and sanctify them by his own precious blood
and purify earth for the sabbath of restby the agent of fire as it was by the flood
the savior will save all hisbis father did giveeven all that he gave in the regions abroad
save the sons of perdition theyre lost ever lostand can never return to the presence of god
they are they who must reign with the devil in hellin eternity now and eternity then
where the worm dieth not and the fire is not quenchquenchdquenched d
and the punishment still is eternal amen
and which is the torment apostates receive
but the end or the place where the torment began
save to them who are made to partake of the same
was never nor will be revealed unto man
118
is
47 nevertheless I1 the lord show it by vision untomany but straightway shut it up again
yet god by a vision shows a glimpse of their fateand straightway he closes the scene that was shown
48 wherefore the end the width the height the depth
and the misery thereof they understand not neither any
man except those who are ordained unto thiscondemnation
so the width or the depth or the misery thereofsave to those that partake is forever unknown
49 and we heard the voice saying write the vision for
lo10 this is the end of the vision of the sufferings of theungodly
and while I1 was pondering the vision was closedand the voice said to me write the vision for lo10
TIS the end of the scene of the sufferings of those
nhowho remain filthy still in their anguish and woe
50 and again we bear record for we saw and heard and
this is the testimony of the gospel of christ concerning
them who shall come forth in the resurrection of thejust
i 19
beliebellebeilevd
and again I1 bear record of heavenly thingswhere virtues the value above all that is pricdpricaof the truth of the gospel concerning the justthat rise in the first resurrection of christ
51 they are they who received the testimony of jesusand believed on his name and were baptized after themanner of his burial being buried in the water in hisname and this according to the commandment which he
has given
who receivdreceivdyreceived and believdbelievdybelieved and repentedrepeated likewiseand then were baptizdbaptizedbapti aszd a man always was
who askdasad and receivdreceivedrece aivd remission of sinand honored the kingdom by keeping its laws
being buried in waterywater as jesus had been
52 that by keeping the commandments they might be washed
and cleansed from all their sins and receive the holy
spirit by the laying on of the hands of him who isordained and sealed unto this power
and keeping the whole of his holy commands
they received the gift of the spirit of truthby the ordinance truly of laying on hands
120
in
i s
receivd
izi121
53 and who overcome by faith and are sealed by the holy
spirit of promise which the father sheds forth upon allthose who are jusejust and true
for these overcome by their faithfalth and their works
being tried in their lifetimelife astime purified gold
and sealdsea2dseard by the spirit of promise to lifeby men called of god as was aaron of old
54 and they are they who are the church of the firstbornFirst
they
born
are they of the church of the firstbornfirst ofborn god
55 they are they into whose hands the father has given
all things
and unto whose hands behe committethcommit allteth things
for they hold the keys of the kingdom of heavnhearn
56 they are they who are priests and kings who have
received of his fulnessfalnessful andness of his glory
and reign with the savior as priests and as kings
57 and are priests of the most high after the order of
melchizedek which was after the order of enoch which
was after the order of the only begotten son
j useust
1
122izz
theyre priescspriests of chethedhe order of melchisedekmelchisedecMelchi
likesedek
jesus from whom is this highest reward
receiving a fulnessfalness of glory and light
58 wherefore as it is written they are gods even thesons of god-
as written theyre gods even sons of the lord
59 wherefore all things are theirs whether life ordeath or things present or things to come all are theirsand they are christs and christ is gods
so all things are theirs yea of life or of deathyea whether things now or to come all are theirsand they are the saviors and he is the lords
60 and they shall overcome all things
having overcome all as eternitys heirs
61 wherefore let no man glory in man but rather lethim glory in god who shall subdue all enemies under his
feet
tis wisdom that man never glory in man
but give god the glory for all that he hath
is
in
for the righteous will walk in the presence of god
while the wicked are trod under foot in his wrath
62 these shall dwell in the presence of god and his christforever and ever
yearea the righteous shall dwell in the presence of god
and of jesus forever from earths second birth
63 these are they whom he shall bring with him when he
shall come in the clouds of heaven to reign on the earthover his people
for when he comes down in the splendor of heavnhearnall these hell bring with him to reign on the earth
646564 these65 are they who shall have part in the firstresurrection these are they who shall come forth in
the resurrection of the just
these are they that arise in their bodies of fleshwhen the trump of the first resurrection shall sound
6667 these are they who are come unto mount zion and
unto the city of the living god the heavenly place the
holiesthollest of all these are they who have come to an
66 67
innumerable company of angels to the general assembly and
church of enoch and of the firstbornFirst
these
born
are they that come up to mount zion in lifewhere the blessings and gifts of the spirit abound
these are they that have come to the heavenly place
to the numberless courses of angels above
to the city of god een the holiesthollest of alland the home of the blessed the fountain of love
to the church of old enoch and of the firstbornfirstand
born
genral assembly of the ancient renowndrenownedrenow
68
nd
these are they whose names are written in heaven
where god and christ are the judge of all
whose names are all kept in the archives of heavnhearnAs chosen and faithful and fit to be crowndbrowndcrow
69
nd
these are they who are just men made perfect through
jesus the mediator of the new covenant who wrought out
this perfect atonement through the shedding of his own
blood
these are they that are perfect through jesus own blood
124
thtaht
70 these are they whose bodies are celestial whose
glory is that of the sun even the glory of god thehighest of all whose glory the sun of the firmament iswritten of as being typical
whose bodies celestialcelest arelallaiial mentiondmentionsmenti byond paul
where the sun is the typical glory thereofand god and his christchristy are the true judge of all
71 and again we saw the terrestrial world and behold
and lo10 these are they who are of the terrestrialwhose glory differs from that of the church of thefirstbornFirst whoborn have received the fulnessfalness of the fathereven as that of the moon differs from the sun in thefirmament
again I1 beheld the terrestrial world
in the order and glory of jesusy go on
twas not as the church of the firstbornfirst ofborn god
but shone in its place as the moon to the sun
72 behold these are they who died without law
behold these are they that have died without law
rh heathen of ages that never had hope
and those of the region and shadow of death
the spirits in prison that light has brought up
125
jesus
73 and also they who are the spirits of men kept inprison whom the son visited and preached the gospel unto
them that they might be judged according to men in the
flesh
to spirits in prison the savior once preachdpreacheand taught them the gospel with powers afreshand then were the living baptizdbaptizedbapti forzd their dead
that they might be judgdjudged as if men in the flesh
748074 who80 received not the testimony of jesus in the
flesh but afterwards received it these are they who
are honorable men of the earth who were blinded by the
craftiness of men these are they who receive of hisglory but not of his fulnessfalnessful theseness are they who receiveof the presence of the son but not of the fulnessfalness of the
father wherefore they are bodies terrestrial and
not bodies celestial and differ in glory as the moon
differs from the sun these are they who are not
valiant in the testimony of jesus wherefore they
obtain not the crown over the kingdom of our god and now
this is the end of the vision which we saw of the
terrestrial that the lord commanded us to write whilewe were yet in the spirit
these are they that are honrablehonorablehon menrable of the earthwho were blinded and dupdduad by the cunning of men
i 2 b
receiveelve
they receivdreceivedrece notivd the truth of the savior at firstbut did when they heard it in prison again
not valiant for truth they obtaindobtains not the crown
but are of that glory thats typdtydd by the moon
they are they that come into the presence of christbut not to the fulnessfalness of god on his throne
818281 and82 again we saw the glory of the telestialwhich glory is that of the lesser even as the glory of
the stars differs from that of the glory of the moon in
the firmament these are they who received not the gospel
of christ neither the testimony of jesus
again I1 beheld the telestial as thirdthe lesser or starry world next in its place
for the leaven must leaven three measures of meal
and every knee bow that is subject to grace
these are they that receivdreceivedrece notivd the gospel of christchristy
or evidence either that he ever was
As the stars are all diffrentdiffrientdif infrent glory and lightso differs the glory of these by the laws
83 these are they who deny not the holy spirit
127
heceireceiI1 ve
these are they that deny not the spirit of god
8485 these are they who are thrust down to hell theseare they who shall not be redeemed from the devil untilthe last resurrection until the lord even christ thelamb shall have finished his work
but are thrust down to hell with the devil for sinsAs hypocrites liars whoremongers and thievesand stay till the last resurrection begins
till the lamb shall have finishdfinishedfinis thehd work behe begun
shall have trodden the winepresswine inpress fury aloneand overcome all by the powr of his might
he conquers to conquer and save all his own
868886 these88 are they who receive not of his fulnessfalness in the
eternal world but of the holy spirit through theministration of the terrestrial and the terrestrial through
the ministration of the celestial and also the telestialreceive it of the administering of angels who areappointed to minister for them or who are appointed to
be ministering spirits for them for they shall be
heirs of salvation
these are they that receive not a fulnessfalness of lightfrom christ in eternitys world where they are
128
84 85
receive
the terrestrial sends them the comforter though
and ministringministeringmini angelsstring to happify thereand so the telestial is ministerdministered to
by ministers from the terrestrial one
As terrestrial is from the celestial throne
and the great greater greatest seems stars moon
and sun
89 and thus we saw in the heavenly vision the glory of
the telestial which surpasses all understanding
and thus I1 beheld in the vision of heavnhearnthe telestial glory dominion and blisssurpassing the great understanding of men
90 and no man knows it except him to whom god hasrevealed it
unknown save revealdrevealrevealsrev inealdeaid a world vain as this
91 and thus we saw the glory of the terrestrial which
excels in all things the glory of the telestial even inglory and in power and in might and in dominion
and lo10 I1 beheld the terrestrial too
which excels the telestial in glory and light
129
d
in splendour and knowledge and wisdom and joy
in blessings and graces dominion and might
92 and thus we saw the glory of the celestial which
excels in all things where god even the father reignsupon his throne forever and ever
I1 beheld the celestial in glory sublime
which is the most excellent kingdom that iswhere god een the father in harmony reignsalmighty supreme and eternal in bliss
9395 before whose throne all things bow in humble
reverence and give him glory forever and ever theywho dwell in his presence are the church of thefirstbornFirst andborn they see as they are seen and know as they
are known having received of his fulnessfalness and his grace
and he makes them equal in power and in might and indominion
where the church of the firstbornfirst inborn union resideand they see as theyre seen and they know as theyre known
being equal in power dominion and might
with a fulnessfalness of glory and grace round his throne
130
93 95
makes
in
96 and the glory of the celestial is one even as theglory of the sun is one
the glory celestial is one like the sun
97 and the glory of the terrestrial is one even as theglory of the moon is one
the glory terrestralterrestrialterr isestral one like the moon
98 and the glory of the telestial is one even as theglory of the stars is one for as one star differs from
another star in glory even so differs one from
another in glory in the telestial world
the glory telestial is one like the starsand all harmonizeharmona like the parts of a tune
As the stars are all different in lustre and sizeso the telestial region is mingled in blissfrom the least unto greatest and greatest to leastthe reward is exactly as promisdpromispromised in this
9910099 for100 these are they who are of paul and of apollos
and of cephas these are they who say they are some of
one and some of another some of christ and some ofjohn and some of moses and some of ellaseliaseilas and some of
esaias and some of isaiah and some of enoch
131
is
is
ze
esaiI1 as
these are they that came out for apollos and paul
for cephas and jesus in all kinds of hope
for enoch and moses and peter and john
for luther and calvin and even the pope
101 but received not the gospel neither the testimony of
jesus neither the prophets neither the everlastingcovenant
for they never received the gospel of christchristynor the prophetic spirit that came from the lordnor the covenant neither which jacob once had
they went their own way and they have their reward
102 last of all these all are they who will not be
gathered with the saints to be caught up unto the church
of the firstbornFirst andborn received into the cloud
by the order of god last of all these are they
that will not be gathergatherfdgatherdgathardgat withherd saints here belowbelowybelomy
to be caught up to jesus and meet in the cloud
in darkness they worshipworshiped dpd to darkness they go
103 these are they who are liars and sorcerers and
adulterers and whoremongers and whosoever loves and
makes a lie
132
worshippd
fd
these are they that are sinful the wicked at large
that glutted their passion by meanness or worth
all liars adulterers sorcrerssorcerers and proud
104 these are they who suffer the wrath of god on earth
and suffer as promisdpromise gods wrath on the earth
105108105 these108 are they who suffer the vengeance of eternalfire these are they who are cast down to hell and
suffer the wrath of almighty god until the fulnessfalness of
times when christ shall have subdued all enemies under
his feet and shall have perfected his work when he
shall deliver up the kingdom and present it unto the
father spotless saying I1 have overcome and have
trodden the winepresswine alonepress even the winepresswine ofpress the
fierceness of the wrath of almighty god then shallhe be crowned with the crown of his glory to sit on the
throne of his power to reign forever and ever
these are they that must suffer the vengeance of hell
till christ shall have trodden all enemies down
and perfected his work in the fulnessfalness of time
and is crowned on his throne with his glorious crown
109 but behold and lo10 we saw the glory and the
inhabitants of the telestial world that they were as
andproud
innumerable as the stars in the firmament of heaven or
as the sand upon the seashore
the vast multitude of the telestial world
As the stars of the skies or the sands of the sea
110 and heard the voice of the lord saying these allshall bow the knee and every tongue shall confess to him
who sits upon the throne forever and ever
the voice of jehovah echoddechod far and wide
evry tongue shall confess and they all bow the knee
111 112 for they shall be judged according to theirworks and every man shall receive according to his own
works his own dominion in the mansions which areprepared and they shall be servants of the most high
but where god and christ dwell they cannot come
worlds without end
evry man shall be judgdjudged by the works of his lifeand receive a reward in the mansions prepardepardpreparepr
for his judgments are just and his works never end
As his prophets and servants have always clarddeclaredde
113 119 this is the end of the vision which we saw
which we were commanded to write while we were yet in
134
in
I1 will go I1 will go with you brother farewell
the spirit but great and marvelous are the works of
the lord and the mysteries of his kingdom which he
showed unto us which surpass ailallali understanding in gloryand in might and in dominion which he commanded us we
should not write while we were yet in the spirit and
are not lawful for man to utter neither is man capable tomake them known for they are only to be seen and
understood by the power of the holy spirit which god
bestonsbestows on those who love him and purify themselves
before him to whom he grants this privilege of seeingand knowing for themselves that through the power and
manifestation of the spirit while in the flesh theymay be able to bear his presence in the world of
glory and to god and the lamb be glory and honorand dominion forever and ever amen
but the great things of god which he showdshawd unto me
unlawful to utter I1 dare not declarethey surpass all the wisdom and greatness of men
and are only seen as has paul where they are
I1 will go I1 will go while the secret of lifeIs blooming in heaven and blasting in hellIs leaving on earth and abudding in space
13 b
f or
evaluation of A vision
john taylor as editor of the times and seasons wrote
an introduction to A vision entitled ancient poetry he
compares it to poetry found in the old testament but in a
somewhat mixed review on the positive side he praises thepoem as both novel and interesting dignified and
exalted written in a style that exhibits a nativesimplicity a brilliance of thought and an originality of
composition 81 while he is generous in his praise of thepoem taylor does raise a couple of mild criticisms he
comments that in the poem the common landmarks of modern
poetry are entirely disregarded but cushions thathesitation between additional comments of praise
his other negative reaction to the poem is even more
qualified taylor discusses the poetry of ancient prophets
who paid little or no attention to the rules of poeticcomposition but whose poetry nevertheless excels because
they were moved by the holy ghost whose influence ensured a
a richness a dignity and a brilliancy of ideas and an
exuberance of thought that ran through all their productions
81 by extension taylor evaluates josephs poem
similarly it succeeds much more than it fails the poems
disregard for standard convention a relatively minor flaw
may not be a flaw at all in taylors estimation to the
person who has seen the glories of the eternal world the
dry forms and simple jingling of rhyme alone will seem
136
11
insipid 81 if the poem is as literarilylitera valuablerily as
taylor thought it to be comparison with its originalsection 76 of the doctrine and covenants could be
illuminating
contrary to taylors assessment however A visionadheres to many standard poetic conventions like phelpsspoetically successful go with me A vision is likewisearranged in quatrainsqua andtrains has a metrical foot pattern of
anapesticanapaestic tetrameter in the first line of the second
quatrain wherefore hear 0 ye heavens and give ear 0 ye
earth the stress falls on the words hear heavens
ear and earth the two verbs and the two nouns of the
line As a pair hear and heavens is alliterative thatis initial consonant sounds are the same the pair ear
and earth constitute assonance which occurs when initialvowel sounds are the same each pair of words is alsostrongly similar in spelling more importantly however the
structure and the syntax of this line combine to reiteratethe message of the prologue of the revelation
the rhyme scheme of A vision is A B C B throughout
that is only the second and fourth lines employ end rhyme a
slight variation from the scheme of go with me the
refrain go with me has been replaced with I1 will go
repeated six times twice in the beginning stanza and four
times in the concluding stanza and emphasizes the prophetswillingness to accompany phelps hence his answer
whereas phelpss poem echoes section 76 in only two places
137
A vision echoes the entire section often quoting itverbatim and while the content of go with me hints at the
doctrines presented in the revelation the prophets poem
recasts virtually every significant concept in section 76
larry dahl considers the prophets piece a poetic re-
phrasing of dacd&c 76 with some interpretive commentary 294
parallels between the two texts
the connections of A vision with section 76 extend
from the title through every line the poem runs intoseventy eight quatrainsqua excludingtrains the first and laststanzas a frame responding to phelpss poem leaves exactlyseventy six stanzas an intriguingly appropriate number even
if the revelation now known as section 76 was formerly known
as section 91 in the 1835 edition of the doctrine and
covenants
it is obvious that the poem relies a great deal on the
revelation the structure is the same the ordering of the
visions in the poem follows the same sequence found in the
revelation only minor deviations in arrangement are found
between the verses of the revelation and the lines of thepoem notably in vv 41641 647646 7488747 105810588 and8 1119111 and9
their corresponding stanzas
the poem and the revelation are nearly the same length
section 76 consists of approximately 2880 words while A
vision consists of approximately 2750 a difference of
138
in
in
isin
roughly 130 words including the introductory and concluding
stanzas however narrows the gap even more- to a mere 50
words of the words comprising the poem nearly 1300 of
them are found in the revelation either as individual words
standing alone or as phrases the poem then quotes the
revelation approximately 46 of the time
the extent of shared wording between the poem and the
revelation is striking nearly 100 phrases from therevelation appear in the poem the poetic version has some
of these phrases slightly rearranged but most of them are
identical and they are crucial phrases such centralstatements as
hear 0 ye heavens and give ear 0 earthhe is the same and his years never faileternalsexternalseter theirnals glory and great their reward
worshippingshippingwor god and the lamb for ever and ever
lucifer son of the morning is fallen is fallendefying my power and denying the truthwhich the voice of the heavens bore record
where the worm dieth not
and the fire is not quenched
the width the depth the misery thereofwho received and believed and were baptized
those hell bring with him to reign on the earth
to the church of enoch and of the first born
these are they who are perfect
139
is
through jesus own blood
behold these are they that died without law
that they might be judged men in the fleshthese are they are who are
honorable men of the earththese are they who received not
the gospel of christand they see as theyre seen
and know as theyre known
and suffer as promised gods wrath on the earththese are they who suffer the vengeance of helluntil christ shall have trodden all enemies down
crowned on his throne with his glorious crown
every tongue shall confess and all bow the knee
but the great things of god
which he showed unto us
this heavy dependence on the revelation for wording so
extensive as to qualify as plagiarism by modern standardssays something for the poetic nature of section 76 with
only minor adjustments these phrases have been made intolines of poetry many of them are inherently rhythmic even
prosodic on the principle that imitation is the highest
form of flattery the deliberate borrowing from the
revelation is convincing evidence that section 76 is poetic
apparently it was considered intrinsically poetic enough in
its original form to warrant joseph smiths andor W W
140
phelpss subsequent transformation of it into a poem with a
little alteration
differences between A vision and section 76
but there are differences between the two texts and the
differences can be illuminating for example there is in
the poem a disproportionate amount of material dedicated to
the first half the revelation the poem seems to emphasize
the most startling visions more than their comparatively
tamer counterparts of the 76 stanzas which directlyparallel the revelation 46 of them or 61 parallel the
first 50 of the revelation the remaining 30 stanzas or
39 parallel the last 50 of the revelation three fifthsof the poem therefore is dedicated to the visionsconcerning the son satan sons of perdition and the
celestial kingdom two fifths of the poem recounts the
visions of the terrestrial and telestial kingdoms thesummary and conclusion
besides that difference in structural emphasis there isone characteristic in the poetic version which is altogetherabsent from the scriptural version one which may lead some
to favor the style of the section over that of the poem the
poetic version employs numerous contractions contractionsare used in the poem for maintaining meter and rhythm and
they are one way the poet condenses text certain letters are
strategically removed to reduce the number of syllables
141
comprising the word in A vision many contractions are
used this way diffrentdiffrientdif eenfrent evry genral honrablehonorablehon
ministringministeringmini
rablemisriesmiseriesmisstring mystrybystrymyries neerstry suffringsuf thefring
omission of letters reduces the number of syllablescomprising the word insuring that the meter is maintained
but more often than not the poem contains contractionsthat seem unnecessary to conform to meter askdasad baptizdbaptizedbapti
conversdconversaconverzd
denyddemydsd dropddrood echoddechod finishdfinishedfinis gatherdeatherdgathdheavnhearn
herdjudgdjudged marveidmarveldlarveldmar obtaindobtainsveidveldveldveid preachdpreache quenchdquenched
rebelidrebelldbelldrebelinrebellareb touchdtouchaelid viewdviewed worshippdworshipedworship andpd about twenty
others functionally useless these contractions might have
been added for variety or consistency but they ultimatelydetract from the poems beauty rather than enhance it no
contractions are found in the revelation
there is a significant grammatical distinction between
the two versions the use of the personal pronoun in stanza11 the first person plural form we used exclusively in the
revelation becomes the first person singular form I1 in thepoem this alteration in which the composer seemingly
disregards rigdons participation in the vision and becomes
the sole receiver continues throughout the poem not once
does the poem employ we according to the poem the prophet
is the only mortal to have seen the vision recorded as
section 76
this referential mishap may serve as evidence of
phelpssphelps involvement in the writing of the poem bruce van
orden notes that phelps was so used to representing joseph
142
s
re
versions
siffring
as his clerk that he employed his favorite literary device
poetry to promote the prophets image 90 phelps may be
attempting this by listing the prophet as the sole receiverof the vision and it seems unlikely that the prophet would
think to exclude rigdon who fulfilled the law of witnessesby seeing the vision himself
there are in addition some noteworthy differences in
diction between the two versions generally the poems
changes are clear comedownscome fromdowns the revelation as in the
addition of happify in stanza 62 in a more typicalexample the third stanza of the poem which corresponds to
the fourth verse of the revelation inserts the phrase age
unto age in place of eternity to eternity while themonosyllabic age fits the meter it connotes a limit a
finite period of time whereas the word eternity implies an
inclusiveness of time without beginning or end
often the relative effectiveness of the revelationsdiction vis a vis the poems diction is more subtle in
stanza four of the poetic version the addition of now to
the first eternity places god in a present eternity or
the eternity in which we now exist but eternity then can
refer to either a past eternity or a future eternity or
even both depending on how it is read the scripturalversion from eternity to eternity is more effective in
suggesting one unbroken stretch ranging across all time from
one end of the chronological continuum to the other
143
the poem emphasizes neither jesus christ nor god the
father to the same extent as the revelation nor does itfocus on their relationship as much as the revelation one
of the most endearing moments in the revelation is thedescription of christ in the bosom of the father as
mentioned in verses 13 25 and 39 through these verses
the revelation emphasizes the emotional and spiritualcloseness of the relationship between the father and the son
the son being in the immediate intimate presence of the
father this descriptive image is not included in the poem
in a similar vein verse 53 highlights the fathers rolein sealing blessings via the holy ghost while the poems
corresponding stanza highlights mans involvement in theprocess god is not referred to except as the one who callsa man to perform the ordinance in other words the
revelation is god centered the poem man centered thatemphasis is seen graphically in that references to deity are
more abundant in the revelation than they are in the poem
reference to deity poem revelationgodlordspiritjesuschristsaviourfatherfirstbornFirstson
born
lamb
26111110
994432
281615
812
1
175
104
total 89 116
144
A final distinction the poem repeats less than the
revelation that could make the revelation more redundant
but it might make it more educational important repetitiveforms are missing in the poem for example the phrase
having denied used in an instance of climactic parallelismdescribing the qualifications for becoming a son of perdition
vv 35635 is6 absent in the poem the lords use of
multiple adjectives to describe his punishment vv 44644 are6
likewise omitted as is the phrase after the order of used
in emphasizing the authority of the melchizedek priesthoodvv 57857 if8 one purpose of section 76 is to instruct
through repetition then the revelation serves that end
better than does the poem
conclusion
oh lord the prophet lamented in 1832 deliver us in
due time from the little narrow prison almost as it were
total darkness of paper pen and ink and a crooked
broken scattered and imperfect language 1 299 section76 with its impressive literary credentials may in some
measure represent that delivery from the imperfectness of
language
the purpose of this thesis is to promote recognition of
the doctrine and covenants as profound literature by exposing
its rich literary content it is meant to encourage furtherliterary and religious studies of the doctrine and covenants
14 5
and to foster a greater appreciation for scripture through
literary explication it is hoped that this literaryanalysis of section 76 will result in the examination of
other sections other types of literary analysis could
further add to this formalist approach
with literary studies of the doctrine and covenants the
field is white already to harvest d&c 44 it is the
authors desire that this project will promote the growth of
scholarship in the field of literary scriptural studies a
field that needs only a little attention in order to
flourish
146
dac
19601980
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152
dialo32
section 76 as literature in the doctrine and covenants
william H brugger
department of english
MA degree december 1993
ABSTRACT
this project attempts to demonstrate the value ofliterary approaches to the doctrine and covenants using apredominantly formalistic approach to establish afoundation the first chapter discusses the rich literarycontent of the doctrine and covenants providing examples ofthe various literary genres represented in it such asnarrative saga parable and poetry the second chapterpresents portions of section 76 that contain featurescharacteristic of hebrew poetry such as figures of speechand parallelism the third chapter analyzes ways in whichsection 76s poetic dimensions are illuminated by thevision a 312 line poem attributed to joseph smith thepoetic version closely parallels the revelation and revealsinsights into the poetic quality of section 76 this studyincludes a line by line comparison of both the scriptural andpoetic versions and notes both textual similarities anddifferences between them
COMMITTEE APPROVALS Cctak&lker committee chair
L E ahlahi comifiittee member
C jay fox9oraduatecoordinator