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Faux Iron, Style

Warming a stark window wall

hen Vickie Sperry’s clients first walked into Luxe Home Inte-riors, the full service

furniture store she works at in West Melbourne, FL, they were looking for lamps for their master bedroom. They didn’t purchased any lamps then, but

the visit but it did result in several pieces of wonderful custom furniture and some pretty spectacular window treatments, including the design for this double-height window.

“My clients have a magnificent home on the water that they helped design. They wanted this window to be the focal point of the room that would then draw your eye outside,” said Sperry. The original window design was a full glass window wall, but building codes require hurricane-proof glass that was not available in such a large size. The redesign resulted in four feet of drywall between the upper and lower windows.

“When I first entered the room, I saw that drywall area and knew I

had to come up with something that would pull these two window areas together and provide that focal point the clients desired,” said Sperry. The client had envisioned two long drap-eries swagged back from the center window to the sides with large tassels. In working up this concept Sperry showed the client, that while lovely, the design would cover up much of the windows they wanted to accent. The 23-foot-long draperies would have been very heavy and require

a lot of fabric to achieve the neces-sary draping effect. “I decided that to unite the upper and lower sections of the windows, I would use Tableaux faux iron designs,” said Sperry. “It’s lightweight, elegant and completely customizeable. And, because my cli-ents are of Indian descent, we wanted a design that would reference the beautiful decorative arts heritage of the Indian sub-continent.”

Because the room was pretty much a blank slate, except for a wrought iron and golden glass chandelier, a rich red and gold theme was selected as a nod to India. Sperry specified a swirl-patterned silk in red and gold for the cornice, a red silk with a gold embroidered stripe for the drapery, and a solid gold silk to accent both of the main fabrics.

Detail DecisionsWith the fabrics chosen, and a gen-eral design direction selected—an arched cornice that would accentuate the shape of the windows—Sperry knew she needed to confer with her fabricator. “Richard Rupe from Rupes Creative Interiors is an amazing engineer,” explained Sperry. “He and I began to determine what could and could not be done as far as weight and being able to make the design. One of the key issues was the weight of the cornice, transporting the cornice and, of course, the installation.”   “Richard came up with the idea of making the cornice into two pieces that would butt against each other at

ABOVE LEFT: Vickie Sperry, photo by Leslie Cornelius.

ABOVE AND OPPOSITE: The bare windows are a stark contrast to the warmth conveyed by the fully dressed windows.

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26 | VISION

the center of the window,” she contin-ued. Each piece is was seven feet wide by four feet long with a medallion positioned to cover the seam.

As the design evolved, Sperry de-cided she wanted to incorporate the Tableaux on the cornice itself, so she added a padded accent, shaped to follow the arch. She then had the workroom inset a variation of the faux iron design that runs between the two rows of windows.

To help further link the two sets of windows there are a pair of double jabots lined in gold silk—one in same fabric as the cornice and the other in the same as the drapery. Gold tassels are attached to the points of the arches with jeweled brooches, “a little addi-tional sparkle,” said Sperry, “that gives another nod to their Indian heritage.”

Final StepsThe installation required multi-level scaffolding, but was essentially a one man job. “I would hand certain pieces up to him,” said Sperry. “But at one point I had to climb half-way up in my heels—an adventure I do not want to repeat!” To add more of the faux iron element to the room, a curved niche in one of the walls was painted with a mural, designed as if the viewer were look-ing out over the rooftops of an Indian village. The faux iron shutters help complete the illusion.

“I always say that window treatments are the jewelry of the room, they com-plete a room like a necklace adorns a beautiful dress,” said Sperry. “This amazing window was a great opportuni-ty to put my philosophy into practice.” V

TOP: A detail of the cornice with the faux iron insert and the brooch-pinned tassel.

BELOW: The hand-painted ‘Indian window’ niche with faux iron shutters.

DETAILSCREdITS: designer: Vickie Sperry, Luxe Home Interiors, West Melbourne, FL. Work-room: Richard Rupe, Rupes Creative Inte-riors, Melbourne, FL. Installer: Gary Guida, Window Harmony, Melbourne, FL. Artist and Muralist: Frank Rao, Melbourne, FL.

SOuRCES: Fabrics and trims: RM Coco, East-ern Accents and Fabricut. Tableaux custom faux iron: Faux Iron Solutions, Austin, TX

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Relearning the art of by Susan Schultz

Maison & Objet, January 2013

t the most recent edition of this famed Paris show, a group of trend

research professionals called the Maison&Objet Observatory, selected Vivant as the overall trend theme. The French word translates as ‘alive’ or ‘living’ and the three trend vignettes cre-ated around this concept reflect new ways of defining and living ‘the good life.’ The main focus for all three themes seemed to be that the new art of living is about living better—in the world and in our homes. A better that is defined by a life that balances nature- and bio-inspired designs with the benefits of scientific advance-ments and that provides com-fort in an increasingly complex world. An underlying aspect of the three presentations was that while there may be some restrictions to design, based on reducing the use of resources or other concerns, design itself should never seem restricted.CLOCKWISE, from top left: The Vivant icon, the overall trend theme for the Janu-ary 2013 edition of Maison&Objet. Nour-ritures Premières (First Foods) celebrated the sensory pleasure of basic foods and how artists and designers are using these new ‘raw’ materials in the home. Pion-nier (Pioneer) addressed the ‘craftman-ship’ trend through a focus on timeless, luxurious designs that provide emotional satisfaction. Renaiscience looked at a world filled with constant mutation and evolution, where intriguing metamorpho-ses inspire new designs.

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The Nourritures Premières trend pavilion took a new approach to ‘playing with your food.’ One section was devoted to a mock butcher’s shop, with porcelain hoof casks and other animal-inspired serving pieces. Hanging on hooks in the meat locker were quilted and embroidered sides of ‘beef.’ In another area plates and cutlery made with pastry dough (left) and a range of platters and other serving pieces (above) that looked as if they came from some previously undiscovered family of sea creatures, kept com-pany with pot au feu (stew meat) animals.

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The Pionnier booth was filled with smart, utilitarian designs made with natural materials. Handcrafted looks, repurposed materials, innovative ‘found-object’ solutions and an emphasis on timeless, trendless design meant this was the most restrained of the three presentations. The overall mood was to show how living lightly in the modern world doesn’t mean a spartan or minimalist approach. The idea was almost a contemporary update on 18th c. campaign furnishings, with the elaborate canvas tents replaced by sleek, high-tech fabrics while the folding wooden furniture was streamlined to the pure essentials.

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Dark, moody and mysterious, the interior of Renaiscience was a strange labora-tory of design ideas where the macabre and the magical where often one and the same. Small reflective surfaces and quiet touches of metallics helped light the shadowy areas and close inspection of every vignette was needed to discover the many subtle details. A theatrical update on the ‘cabinet of curi-ousities’ trend from several seasons ago.

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FEAT

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N erik Bruce, erik Bruce Inc., New York, NY

Curtaineer Erik Bruce was a keynote speaker at last year’s IWCE show in Chi-cago. His approach to design and the love he has for custom window treatment so-lutions was so inspiring we are thrilled to have him back again for IWCE: VISION’13. Some recent projects from his portfolio will give those of you who may be unfamili-lar with his work an idea of what to expect from his presentation.

Working with designer Sasha Cutter, who is also the client, Bruce created the win-dow treatments for a recently renovated seven-story townhouse in the Gramercy Park neighborhood of New York City.

The wool challis curtains in the client’s studio had a large 12" hem detail that re-lated to the height of the step out to the terrace. “We used tiny 1/8" side hems and seams to reduce any heavy shadows and the header was an uncontrolled s-fold which could be pulled flat or stacked with fullness,” explained Bruce.

A wool nuns-veiling from Maharam was used for the living room curtains.“The leading edge was frayed instead of turned and stitched. This provided detail without changing the drape of the fabric because it was a 20-ft high curtain,” said Bruce. “We then created a stripped warp stripe as a complementary detail.”

In the bedroom, a baby camel hair fabric, also from Maharam, was created with a recessed seam detail carefully aligned to the 1/4" architectural reveal.

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For a four-story Brooklyn townhouse, Bruce worked with designer Amy Lau. These soft-fold Roman shades were made of silk backed with a synthetic organza to provide transparent, lightweight struc-ture for attaching the rings and bottom weights.

ERIk BRucE at IWcE: VISION ’13

Erik Bruce will be the keynote speaker on Friday, April 19, 1:00 - 2:15 with his presentation “Innovative Curtaineer.”

Drawing from his background in theatri-cal costume and scenic design, as well as art history, Erik will discuss his approach to sourcing and using interesting materi-als for use in modern window treatments.

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IWCE

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’13 Easy Elegance With a

Definite An interview with keynote speaker Bryan Batt

ryan Batt’s second book, Big Easy Style, is a decorating love letter to his muse, the city of New Orleans. A brightly colored, entertain-ing mix of advice and encouragment, the book

is not just an overview of Batt’s talents as a self-taught designer, but a generous look at rooms by other designers who inspire him.

Filled with good humor right from the start, the opening line is: “Some may argue that having opposable thumbs or a soul is what separates us from the beasts. But I’ll always argue that our ability to choose a paint color, artfully acces-sorize a coffee table, or toss a fabulous pillow is a gift from the gods.” Batt confesses that designing a room is a daunt-ing challenge, but that shouldn’t stop anyone from enjoying the process. Given his busy schedule, Vision was fortunate enough to get an interview with Batt prior to his keynote address at IWCE: Vision ’13.

Vision: How did you develop your personal style? How would you summarize your design approach?

Bryan Batt: I think that personal style takes years of devel-oping and is best when it is innate, unstudied and organic. My style morphs and changes as I grow, just as life and the world changes around me.

There will always be some constants: I will never tire of a rich chocolate mohair velvet, a heavy green duchess satin, or gray cashmere/flannel. I will always love columns, terra cotta busts and obelisks…I am a boy after all! I would describe my design aesthetic as ‘easy elegance with a definite twist’ …and that twist can be theatrical, whimsical or even glamorous.

Vision: In 2003 you opened Hazelnut, a retail design store in New Orleans, with your partner Tom Cianfichi. How much does Hazelnut reflect your preferences and design outlook? How has the design retail business changed in the 10 years since Hazelnut has been open?

BB: We never buy anything for the store that we don’t truly like or appreciate on some design level. Nothing is allowed across the threshold of either location just on the basis of “it will sell”. Over the years it’s been fun growing the business, and taking more progressive design chances, also getting to know what our clients like…challenging both ourselves and our clients.

Vision: What types of interior design projects most interest you and why?

BB: Since we opened our doors, my acting career has kept me so busy that I’ve only been able to tackle smaller ‘quick fix’ projects. But if I had my druthers, the perfect projects would involve people who generally have an idea of what they like and don’t like.

Author, actor and decorator Bryan Batt, photograph by Kerri McCaffety.

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The dining room from Batt and Cianfichi’s own home features a mix of contemporary and classical touches—check out the scalloped nailhead trim on the upholstered chairs! Colums of cool blue silk line the French windows on this ground floor room. Photography by Kerri McCaffety.

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Vision: How do approach window fashions in your plan for a room? Do you find some clients don't think they need or want anything at the window? Or something as minimal as they can get away with?

BB: Many factors come into play here, but creating window treatments that are appropriate to the room and its décor while satisfying the desires of the home owner are paramount.

To take an example from my own life, our home is a raised cottage and the upstairs living room and bedroom feel as if

they are nestled in a tree house. My partner loves natural light, so believe it or not he convinced me that no treatments were needed—and he was right. I love the way the light is part of our décor at all hours of the day.

However, in our downstairs dining room and den, the French doors are literally street level, and people stroll on the sidewalk just three feet away from the windows. It’s easy for passerbys to look inside at eye level, therefore I pretty much insisted that these windows have treatments that could com-pletely block out the street view. In the dining room we put

Batt and Cianfichi’s den, where glossy grey walls are offset by Donegal tweed drapery panels. Photography by Kerri McCaffety.

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opaque grass cloth shades with a great Kelly Werstler trim. These let in light while still providing the necessary privacy.

In the den the walls are a serious gray with heavy gray, nubby Donegal tweed draperies affixed with big grommets on a thick dark pewter rod.

The main thing to keep in mind about window treatments is that they must serve their purpose as well as look good. That being said, I can’t help but always want to employ my love of fashion when it comes to window treatments, such as lining draperies with a interesting contrasting color, just like an Etro suit. I also love the idea of a military-style drapery adorned with brilliant gold buttons. Just like couture fashion, or almost anything when it done well, it’s all about the details, that little extra bit of cleverness, style and flair, which may go unno-ticed by many but will be adored by a discerning few.

Vision: How do you convince doubting clients of the value of window fashions? Do you have a "fail-safe" look that most clients will accept at their window?

BB: People usually know that a window needs some sort of treatment, what they do not realize is that to create the proper look, draperies eat money, there is no way around it!A good solution and a simple personal favorite is crisp, clean linen draperies on a classic self-return or simple rod. I love the smart look of classic natural linen. Or even simple lacquered bamboo shades. There really is no way to get an expensive, opulent look without spending appropriately, so unless you have the budget, it’s always best to keep it simple, classic and clean. But if you have the budget, let your imagi-nation go!

Vision: What are some of common misperceptions clients have regarding window fashions?

BB: As I said, they never realize what goes into the cost—the fabric, labor, trim, hardware, installation—it all adds up. I always advise them to pick and choose to start with the windows that demand a treatment first, and I often suggest to start in the master bedroom; you are going to spend a lot of time there, so make it the nicest! As much as I do enjoy natural light, when I want to sleep, I love it to be extremely dark, so okay.… I’m somewhat of a caveman.

Vision: Do you have a preferred type or style of curtains or drapery? A style that you think is underused? Is there anything you really hate to see at the window?

BB: If I never see another balloon shade, it’s okay by me. I do, however, love dressy couture and sophisticated draperies; it’s just that balloon shades have been so overdone. I can-not stand when draperies are ‘high water’ like a pair of Jerry Lewis’ slacks. And the same for the opposite: I’m not crazy about draperies that over billow and flood the banks of a

window like a debutant’s curtsy. A slight puddle is all that’s needed so they gently graze the floor.

The treatment should be appropriate to the window and for the room; it should support the décor and never detract or try to be the main event in the room. Too much fuss is just that, fussy. This is my personal taste, but if you have a room with beautiful art, gorgeous furniture covered in fabulous fabrics and everyone’s eyes are on the draperies…Houston, we have a problem.

Vision: What is the most common mis-take you see at the window?

BB: Skimping…ei-ther do it or don’t!

Vision: Is there something you wish you could specify for a window treatment, but it just doesn't seem to exist? A cer-tain type of material, or a technology? Or type of hardware?

BB: It would be interesting if there was the technol-ogy to control the clarity and tint of a window’s glass via remote...but then we would be out of busi-ness.

Vision: The 'cobbler's children' scenario—what is one thing in your house that needs done or finished right now?

BB: Oh, the list!! If I had to choose one, it would be finding the perfect painting or sculptural wall décor for above the bed. V

BRyaN Batt at IWcE: VISION ’13

Bryan will be the keynote luncheon speaker on Saturday, April 20. His presentation “Rooms You Love to Live In” is not to be missed!

Don’t be afraid of color is one of Batt’s mantras from his book Big, Easy Style. He de-scribes this room “as a striking study in red.” Photography by Kerri McCaffety.

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’13

hile there have been a great many beautiful and innovative new fabrics introduced

for the ever-popular roller shade, the same cannot necessarily be said for most roller shade components. Recognizing a market opportunity, Vertilux began development of a new clutch system, the result of which is the newly launched VTX™.

Understanding What’s NeededBased on comments from its world-wide client base, the goal was to create a strong and reliable clutch, with looks that appealed to the end consumer. In order to balance strength and beauty, the design and engineering team at Vertilux researched materials from other industries and settled on a polymer frequently used for high-end consumer electronics.

Vertilux develops an innovative clutch system

clutch Decisions The use of this polymer makes the VTX clutch practically unbreakable, cutting down on repairs and replacements that come from clutches damaged in shipping or during installation. “Better materials provide better performance, and provide a better look,” said Jose A. Garcia, CEO/Chairman of Vertilux. “We has chosen materials never used before in clutches for roller shades to upgrade the performance and look—benefitting both our customers and the end consumer.”

Testing to Ensure QualityVertilux intensively tested the final

version of the VTX clutch system before introducing it to the market. The com-pany built special testing equip-ment to measure the strength and resistance of the springs under dif-ferent circumstances and temperatures. Vertilux engineers also built a special-ized structure and the necessary equip-ment to operate all versions and sizes of the VTX clutches at their maximum capacity. Shades

were raised and lowered every three minutes for a span of four months—a total of more than 58,000 cycles.

“The clutches ended the test without showing any signs of neither fatigue or malfunction,” said Garcia. “The average household will operate their blinds an average of four times daily, which means this test is equivalent to 40 years of regular use.”

“Fabricators are looking for returning customers, not returning blinds, ser-vice calls or angry customers,” Garcia continued. “We developed the VTX roller blind clutch system to be du-rable and reliable, so our clients don’t need to worry about their shades after they’ve left the workshop.”

Elegant Engineering and Stylish DesignThe VTX clutch design was devel-oped in Europe by a team of design and window treatment specialists.

VTX is also available in hook mount, giving clients an abundance of options.

VTX Elegant tab mount comes in four sizes, in five colors each, making for 20 possible combinations.

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The goal was to have the VTX be-come the top choice of architects and designers due to both its good looks and superior functionality.

The VTX clutch line is engineered in the United States and offers in-novative solutions such as a closed bottom design that prevents the stopper ball from getting jammed in the clutch, which is one of the most common reasons for service calls. Its patented design eliminates friction of the chain over the clutch, significantly reducing noise and making even the largest and heavi-est shades easy to draw. The result is a smooth, even feel, requiring less pulling force and allowing for the use of heavier shades than other

mechanisms. Made to fit the most common tubes and brackets used in the American market, the VTX line offers four different pulling capacities, ranging from 10-30 pounds. It is available in two different design styles, the VTX Elegant Clutch and the VTX Design-er Clutch, both offered in white, ivory, brown, grey or black. There is also a choice of hook mount or tab mount for every size and color, giving fabri-cators freedom to choose the system that best fits their needs.

The VTX clutch system has U.S. and international patents and a 10-year warranty by Vertilux. V

VERtILuX at IWcE: VISION ’13

Veritlux will be sponsoring the WiFi Café at IWCE: Vision ’13, offering a convenient place for all attendees to get guaranteed Internet connectivity without having to the leave the show. Stop in for coffee, water, cookies and, of course, the chance to see and try the new VTX roller shade clutch sys-tem in person.

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’13 Let the good times

Explore the best the Big Easy has to offer

the French Quarter This neighborhood includes Canal St. to Esplanade Avenue and the Mississippi River waterfront to Rampart Street. Known for its row homes adorned in elaborate iron fencing and balconies, this is the reason most people visit New Orleans. Sure, it’s home to salacious Mardi Gras crowds, but also fantastic Southern cooking and loads of hand-made art.

Arnaud’sFor almost 100 years, Arnaud’s has been known for its Creole fine dining. The fourteen dining rooms at Arnaud’s offer a taste of 19th-century elegance and history. Visit the second-floor Mardi Gras Museum, or stop by the French 75 bar for a cocktail and cigar after dinner.813 Bienville Ave., 504-523-5433Opens daily at 6:00 pm but the closing time is variable!ArnaudsRestaurant.com

Bar ToniqueThis friendly but refined bar on the edge of the French Quarter is stocked with house-made tonic, ginger beer, a variety of syrups and fresh-squeezed juices, plus many rare liquors and mix-ers. The menu offers original creations and reboots of classics. 820 N. Rampart St., 504-324-604512:00 pm—2:00 am dailyBarTonique.com

by Sarah Sinkie

All of us at Vision are excited to be going back to New Orleans, it’s a city unlike any other in the United States with doz-

ens of great finds in every neighborhood. Vision’s social media expert and current New Orleans resident Sarah Sinkie

put together the following list of places to eat, drink, savor and shop while visiting for the show.

Bevolo Gas and electric lightsThose enticed by the charming New Orleans–style lanterns that are part of the city's classic architecture can find them at this third-generation French Quarter store.521 Conti Street, 504-522-9485.Hours: Mon.-Fri. 8:00 am-5:00 pm, Sat. 9:00 am-4:00 pmBevolo.com

Café Amelie The restaurant is set in a 150-year-old carriage house, but the place to be is the elegant, leafy garden courtyard. Expect a slight variance from the typical southern fare with farm-to-table bites such as the Cochon de Lait sandwich or their trademark Amelie cocktail made with vodka, fresh lime juice and mint.

912 Royal St., 504-412-8965Lunch: Wed.-Fri. 11:00 am-4:00 pm Dinner: Wed.-Sat. 5:30-9:00 pm and Sun 6:00-8:00 pm Weekend brunch: 11:00 am-3:00 pmCafeAmelie.com

Café Du mondeCome to enjoy some of their world famous beignets and a café au lait and stay to crowd watch. Not only is this a great place to grab a quick bite to eat, it’s a guaranteed spot to catch some free entertainment. It’s right across from Jackson Square where you’ll find street performers and artists. 800 Decatur St., 504-525-4544 Open 24 hours, everyday.CafeDuMonde.com

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Carousel Bar at the Hotel monteleoneFamous for the revolving bar, where bartenders in the stationary center mix and pour drinks as the bar top and barstools slowly spin around them. There also is ample stationary seat-ing around the lounge and live piano music most nights. 214 Royal St., 504-523-3341Opens 11:00 am daily, but closing time varies.HotelMonteleone.com

Faulkner House BooksNo southerner can go without a decent library of Southern authors. This charming bookstore contains new and used books including fine literature and rare editions, and of course, books by and about Mr. Faulkner.624 Pirate’s Alley, 504-524-2940Daily, 10:00 am-5:30 pmFaulknerHouse.net

Irvin mayfield's Jazz PlayhouseGrammy-win-ning trumpeter Irvin Mayfield’s club brought contemporary live jazz back to Bourbon Street. Best

of all, there’s no cover charge. A great lineup every night keeps guests

entertained from the moment they walk in the door. On Friday nights, the Burlesque Ballroom recalls another variety and era of Bourbon Street entertainment. 300 Bourbon St., 504-553-2299 Shows begin at 8:00 pm nightlySonesta.com

Joy TheaterThis historic landmark staged a mag-nificent comeback in 2011 after falling into disrepair and closing in 2003. A massive renovation—complete with the restoration of the theater’s iconic marquee sign and return to its Art Deco styling—transformed the former movie theater into a multi-purpose venue for live music, theatrical pro-ductions, cultural events and private functions.1200 Canal St, 504-528-9569Hours vary by show.TheJoyTheater.com

orleans GrapevineThis French Quarter gem is hidden behind the Saint Louis Cathedral. It offers 82 wines by the glass and a menu of French bistro fare with a Southern twist. 720 Orleans St., 504-523-1930Bar opens daily at 4:00 pm Dinner: Sun.-Thurs. 5:00–10:30 pm, Fri.–Sat. 5:00–11:30 pmOrleansGrapevine.com

Patrick’s Bar VinPatrick Van Hoorbeeck is a New Or-lean’s bon vivent and wine connoisseur who some may remember from the last time IWCE was in the Big Easy—he opened the show by sabrage, slicing the top off a bottle of champagne with a sabre. Over the years he has become of a friend of publisher Grace McNamara and she’s thrilled he now has a place of his own. Set in a private

courtyard away from the madness of Bourbon St., Patrick’s Bar Vin was named one of the top 10 wine bars in the U.S. by both Gayot and Fox News. 730 Bienville St. 504-200-3180Sun.-Thurs. 4:00-11:00 pm, Friday 2:00 pm-1:00am, Saturday 4:00 pm-1:00 amPatricksBarVin.com

garden District This neighborhood includes St Charles to Magazine St. and Jackson Ave through Toledano. Even though the French Quar-ter is the reason most people visit New Orleans, the Garden District is just as fantastic. Lined with elaborate Southern mansions and rose gardens, the walk from the streetcar to Magazine Street, where most of the shops are, feels like a step back in time. This area is known for its fabulous antique stores, but that’s not all it has to offer.

Ann Koerner AntiquesA fantastic source of elegant country furnishings—worn surfaces, faded paint and chipped gesso have never looked so appealing—the store also carries a carefully curated assortment of more modern pieces as well.4201 Magazine Street, 504-899-2664Call for hours.AnnKoerner.com

eiffel SocietyParty like a Parisian in this avant-garde wonderland. This nightclub is set inside a structure removed from the Eiffel Tower in Paris. During the week you can learn salsa or watch a comedy show, but on the weekends this becomes a public rendezvous with guests indulging cocktails and concep-

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tual arts, while lounging comfortably or dancing ’til the wee hours of the morning.2040 St. Charles Ave. 504-525-2951Tue.-Wed. 7:00-11:00 pm Thur.-Sun. opens at 11:00 pm, closing time varies.EiffelSociety.com

HazelnutFilled with interesting finds that combine the Big Apple with the Big Easy, Hazelnut offers new and vintage furniture and tabletop goods. This is the retail store run by Bryan Batt, one of this year’s keynote speakers.5515 Magazine Street, 504-891-2424Mon-Sat 10:00 am-6:00 pmHazelnutneworleans.com

Perch HomeEven better than the wide array of fur-niture and textiles in this antique store is the work they do with the commu-nity. You will find local art on the walls and plenty of helping hands here.2844 Magazine Street, 504-899-2122Mon-Sat 10:00 am-6:00 pmPerch-Home.com

Piranesi New Orleans is famous for its antique shops and Piranesi is one of the best, hands down. From Louis XVI bed frames to Regency armchairs and ev-erything in between, with good prices to match. 2104 Magazine Street, 504-523-2000Open everyday from 11:00 am-5:00 pmPiranesiantiques.com

Shadyside Pottery of New orleansShadyside is a refreshing departure from the sterling and stemware of the nearby boutiques. Charlie Bohn brings you a variety of works from Raku vessels to utilitarian stoneware to pieces made to order. Each piece is hand-thrown, signed and fired on site. Anything fro here would be a fantastic addition to any home. 3823 Magazine Street, 504-897-1710Tue.-Sat. 12:00-5:00 pmShadysidePottery.com

uptown/River Bend This encompasses the area from Broad-way to River Road and from the Missis-sippi to Claiborne. A little out of the way, but well worth the trip. If you hop on the St. Charles Streetcar almost to the end you can enjoy the views of the splendid garden district and Tulane and Loyola Universities. This takes you all the way to Oak St. where you will find a small town all its own right inside the city. There are coffee shops, bookstores, bars, restaurants, clothing stores and tons more that will definitely catch your eye. Jaques-imos

If you’re looking for real Southern food and hospitality this is the place to go. You will not find an ambiance like this anywhere else in the world, from the two-top table in the pick-up truck out front to the alligator and shrimp cheesecake. If you’re really lucky, Jacques might make one of his unannounced, but very over the top, appearances.8324 Oak Street, 504-861-0886Mon.-Thur., 5:00-10:00 pm Fri.-Sat., 5:00-10: 30 pm jacques-imos.com

maple leaf BarRight next door to Jacques-imos, this is a great place to go while you are waiting on your table, but also if you’re craving funky New Orleans music that never stops. Grammy award winning Rebirth Brass Band has made this their home on Tuesday evenings but you can find different genres of music every night of the week.8316 Oak St., 504-866-9359MapleLeafBar.com

For more to see and do in New Orleans during IWCE: Vision ’13, go to wf-vision.com/GoodTimes.

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Iron Drapery HardwareORION ORNAMENTAL IRON, INC.

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Seminars at a Glance

Thursday, april 18 TIME SPEAKER TOPIC CODE ROOM #

2 - 5pm Deb Barrett Magazine Street Tour MS Hilton Hotel Lobby

5:30 - 7:30pm Deb Barrett Wine & Design: Invitation Only WD

Friday, april 19showFloor hours: 10am - 5pm

TIME SPEAKER TOPIC CODE ROOM # 8am -12pm WCMA Energy Committee 219

1 - 3pm WCMA Annual Meeting 219

3 - 5pm WCSC Annual Meeting 219 9:15-10:30am Susan McHugh Website Design: 5 Key Elements 1A 208

9:15-10:30am Susan Schultz Innovative Display & Presentation Ideas 1B 217

Super Session 9:30am - 12:15pm Jeanelle Dech Need for Speed: Development of Best Fabrication Methods 1CC 212

Super Session 9:30am-12:15pm Susan Woodcock Selling Design Ideas: Learn to Sketch Soft Furnishings 1DD 213 11am -12:15pm Gillian Wendel Decorative Knots: Couture Technique 1E 214

11am -12:15pm Deb Barrett iPad for Design Pros Overview 1F 218

11am-12:15pm Jill Ragan Scully The Great Imagination Heist: Inspiration from 2012 Ingenuity Award Winners 1G 222

11am -12:15pm Susan Schultz Future Views: Color & Design Trends for 2014 1H 217 Vendor Presentation 1 - 2pm Panel Design Directions 2013 & Beyond 1VP1 208

1 - 2pm Q-Motion Fabric Selection in Shading 1VP2 213 1 - 2:15pm Erik Bruce WFCP Keynote: Innovative Curtaineer 1WFCP 214

FRIDAY, APRIL 19 - continued

TIME SPEAKER TOPIC CODE ROOM # Super Session 2:30 - 5:15pm Cathy Tucker Don’t Be Afraid of Shades: Safe Soft Shade Solutions 1JJ 212 4 - 5:15pm Susan Woodcock The Interlined English Curtain Method 1K 213

4 - 5:15pm Susan McHugh Marketing Strategies That Work 1L 208

4 - 5:15pm Ann Johnson Panel Tracks 1M 214

4 - 5:15pm Susan Kostelecky CSI for Windows: Successful Solutions to Problem Combinations, Sizes & Impediments 1N 222 5:15 - 7pm Envision Design and Ingenuity Workroom Competitions 1W 209/210

Seminars at a Glance

SATURDAY, APRIL 20SHOWFLOOR HOURS: 10AM - 5PM

TIME SPEAKER TOPIC CODE ROOM # 8 - 9am Future of the Industry Panel 2VP1 214 9:15-10:30am Susan Kostelecky The Bespoke Image 2A 220

9:15-10:30am Susan McHugh Photographing Your Work: DIY Beautifully 2B 208

9:15-10:30am Jill Ragan Scully Window Design Portmanteau: Flaunting Your Talent 2C 222

Super Session 9:30am-12:15pm Ann Johnson Secrets to Perfecting Couture Cording & Banding 2DD 212

Super Session 9:30am-12:15pm Barrett & Schultz How to Design Your Own Fabrics, Wallpapers and Window Shades 2EE 218 Business Success Session 9:30am - 4:30pm Business Success Workshop - All Sessions 2BW 217

Business Success Session 9:30-10:30 Business Success: Showroom Panel 2BW1 217 11am - 12:15pm Susan Woodcock Trend: Shawl Inspired Window Fashions 2F 214

11am - 12:15pm Susan Kostelecky The I’s Have It: Inspiration + Involvement = Increased Business 2G 220

11am - 12:15pm Nicole Shields Get Control of Your Content: Blog Posts, Social Media and Newsletters 2H 208

11am - 12:15pm Jill Ragan Scully The Unconventional Window: Using Unique Materials to Create Functional and Artistic Solutions for Windows 2J 222 Business Success Session 11am - 12:30pm Business Success: Moving Up to a Million Dollar Business 2BW2 217

sunday, april 21showFloor hours: 10am - 5pm

TIME SPEAKER TOPIC CODE ROOM # 9:15 - 10:30am Susan Woodcock Creating Table Skirts 3A 214

9:15 - 10:30am Deb Barrett Window Fashions Design Lab 3B 217

9:15 - 10:30am Gillian Wendel Inspiring Panels 3C 218

Super Session 9:30am - 12:15pm Jeanelle Dech Dimensional Anatomy of Window Treatments 3DD 213 11am - 12:15pm Ann Johnson The Art of the Mock Hobble Valance 3E 214

11am - 12:15pm Nicole Shields “They Said What” Online Reviews, Are They Helping or Hurting Your Business 3F 218

11am - 12:15pm Susan Schultz Connecting with the Modern Affluents 3G 217

saTurday, april 20 - continued

TIME SPEAKER TOPIC CODE ROOM #

Keynote Luncheon 12:30 - 2pm Bryan Batt Rooms You Love to Live With 2LL 209/210 Vendor Presentations 1 - 2pm K. Galvin Oppisites Attract: Creating Dynamic Color Moods: Sherwin Williams Colormix 2013 2VP2 214

1 - 2pm T. Coawell Web Site Success Revealed by iEdit 2VP3 208 Business Success Session 1:30 - 2:30pm Business Success: World’s Best Home- Based Business Model 2BW3 217 Super Session 2:30 - 5:15pm Ann Johnson Swag Solutions: The Next Level 2MM 212 Business Success Session 3 - 4pm Business Success: Driving Appointments 2BW4 217 4 - 5:15pm Jeanelle Dech Classic Linen Slipcovers 2N 214

4 - 5:15pm Deb Barrett Window Fashions Inspiration: Showcase 2P 218

4 - 5:15pm Nicole Shields 23 Essentials to Attract and Convert New Business with Your Website 2Q 208

4 - 5:15pm Gillian Wendel Embellishments: Simple to Sublime 2R 222 5:30 - 7pm 2013 WCMA Product Awards & Reception 209/210

5:30 - 8pm French Quarter Walking & Haunted History Tour 2T Hilton Lobby