Sebastien Erard, Harp, Japaned and gilded beech and pine; h.170.3cm.
-
Upload
beverly-reed -
Category
Documents
-
view
217 -
download
0
Transcript of Sebastien Erard, Harp, Japaned and gilded beech and pine; h.170.3cm.
![Page 1: Sebastien Erard, Harp, Japaned and gilded beech and pine; h.170.3cm.](https://reader035.fdocuments.in/reader035/viewer/2022062410/56649e595503460f94b533a5/html5/thumbnails/1.jpg)
Sebastien Erard,Harp,Japaned and gilded beech and pine;h.170.3cm
![Page 2: Sebastien Erard, Harp, Japaned and gilded beech and pine; h.170.3cm.](https://reader035.fdocuments.in/reader035/viewer/2022062410/56649e595503460f94b533a5/html5/thumbnails/2.jpg)
Domestic and Industrial Design
![Page 3: Sebastien Erard, Harp, Japaned and gilded beech and pine; h.170.3cm.](https://reader035.fdocuments.in/reader035/viewer/2022062410/56649e595503460f94b533a5/html5/thumbnails/3.jpg)
Joseph Marie Jacquard
Loom
programmable loomPunch cards
1801 Paris Industrial Products Fair
![Page 4: Sebastien Erard, Harp, Japaned and gilded beech and pine; h.170.3cm.](https://reader035.fdocuments.in/reader035/viewer/2022062410/56649e595503460f94b533a5/html5/thumbnails/4.jpg)
The Paris Exhibition: The Prince of Wales' Indian Collection in 1878
![Page 5: Sebastien Erard, Harp, Japaned and gilded beech and pine; h.170.3cm.](https://reader035.fdocuments.in/reader035/viewer/2022062410/56649e595503460f94b533a5/html5/thumbnails/5.jpg)
Napoleon
Patron of the textile arts and design
Chateau de Saint-Cloud, near Paris
![Page 6: Sebastien Erard, Harp, Japaned and gilded beech and pine; h.170.3cm.](https://reader035.fdocuments.in/reader035/viewer/2022062410/56649e595503460f94b533a5/html5/thumbnails/6.jpg)
Hippolyte Le Bas, designerDoves and Wild Boar,1816-18Toile de Jouy,cotton
![Page 7: Sebastien Erard, Harp, Japaned and gilded beech and pine; h.170.3cm.](https://reader035.fdocuments.in/reader035/viewer/2022062410/56649e595503460f94b533a5/html5/thumbnails/7.jpg)
Jean Démosthène Dugourc,
Textile woven in Lyons at the factory of Camille Pernon,
Silk brocade on blue ground;Each panel h.54cm/24”
Intended for Empress Josephine’s apartments at Saint-Cloud
![Page 8: Sebastien Erard, Harp, Japaned and gilded beech and pine; h.170.3cm.](https://reader035.fdocuments.in/reader035/viewer/2022062410/56649e595503460f94b533a5/html5/thumbnails/8.jpg)
François Gérard,
Empress Josephine, early 19th century;Oil on canvas;80x64.5cm/ 31 x 25”
Malmaison
Chateau for the Emperor Napoleon and the Empress Josephine, 1799-1803
![Page 9: Sebastien Erard, Harp, Japaned and gilded beech and pine; h.170.3cm.](https://reader035.fdocuments.in/reader035/viewer/2022062410/56649e595503460f94b533a5/html5/thumbnails/9.jpg)
Malmaison
Chateau for the Emperor Napoleon and the Empress Josephine, 1799-1803
Charles Percier and P F L Fontaine
![Page 10: Sebastien Erard, Harp, Japaned and gilded beech and pine; h.170.3cm.](https://reader035.fdocuments.in/reader035/viewer/2022062410/56649e595503460f94b533a5/html5/thumbnails/10.jpg)
![Page 11: Sebastien Erard, Harp, Japaned and gilded beech and pine; h.170.3cm.](https://reader035.fdocuments.in/reader035/viewer/2022062410/56649e595503460f94b533a5/html5/thumbnails/11.jpg)
Charles Percier and P F L Fontaine,Plate from Recueil de décorations intérieures,Engraving; 12.7x17.2cmInfluence of John Flaxman
![Page 12: Sebastien Erard, Harp, Japaned and gilded beech and pine; h.170.3cm.](https://reader035.fdocuments.in/reader035/viewer/2022062410/56649e595503460f94b533a5/html5/thumbnails/12.jpg)
Departure of Briseis from the Tent of Achilles, from the Iliad,Engraving18.2x31.5cm
John Flaxman
Electra and Chorus of Trojan Women Bringing Oblations, from Aeschylus’s Choephorae,Engraving;19.5x28.1cm
![Page 13: Sebastien Erard, Harp, Japaned and gilded beech and pine; h.170.3cm.](https://reader035.fdocuments.in/reader035/viewer/2022062410/56649e595503460f94b533a5/html5/thumbnails/13.jpg)
Friedrich RehbergPlate from Drawings Faithfully Copied from Nature, showing one of Emma Hamilton’s ‘attitudes’1794Engraving26.9x20.8cm
![Page 14: Sebastien Erard, Harp, Japaned and gilded beech and pine; h.170.3cm.](https://reader035.fdocuments.in/reader035/viewer/2022062410/56649e595503460f94b533a5/html5/thumbnails/14.jpg)
“to spread the principles of taste that we have derived from antiquity”
Principles: are bound “to those general rules of the true, the simple, the beautiful, which ought to govern forever all productions of the kingdom of imitation” and should spread from architecture to “the least works of the industrial arts.”
“ Who cannot distinguish the direction of spirit and taste in each period by the details of domestic utensils, the objects of luxury or necessity to which the worker involuntarily gves the imprint of the shapes, outlines and patterns in use in his day?”
Charles Percier and P F L Fontaine,Recueil de décorations intérieures
![Page 15: Sebastien Erard, Harp, Japaned and gilded beech and pine; h.170.3cm.](https://reader035.fdocuments.in/reader035/viewer/2022062410/56649e595503460f94b533a5/html5/thumbnails/15.jpg)
Wallpaper panel depicting an allegory of Autumn,Block-printed panel
Jean-Baptiste Rèveillon
Paris, 1785
France’s particular contributionTo the “spirit and taste” of the Neoclassic period
Wall paper
![Page 16: Sebastien Erard, Harp, Japaned and gilded beech and pine; h.170.3cm.](https://reader035.fdocuments.in/reader035/viewer/2022062410/56649e595503460f94b533a5/html5/thumbnails/16.jpg)
Jean Zuber (painter Mongin)
Arcadia,18117 tones og grey wallpaper,
Greek arcadia and Gessner’s Idylls (virtue, love, childhood innocence)
Tomb of Mikon
After 1804 “panoramas”
Jean Zuber
Joseph Dufour
![Page 17: Sebastien Erard, Harp, Japaned and gilded beech and pine; h.170.3cm.](https://reader035.fdocuments.in/reader035/viewer/2022062410/56649e595503460f94b533a5/html5/thumbnails/17.jpg)
Scene One, original Dufour: 7 ft 6 in wide x 6 ft 2 in high, 46.25 sq. ft.
Joseph Dufour
![Page 18: Sebastien Erard, Harp, Japaned and gilded beech and pine; h.170.3cm.](https://reader035.fdocuments.in/reader035/viewer/2022062410/56649e595503460f94b533a5/html5/thumbnails/18.jpg)
Scene Three, original Dufour: 7 ft 3 in wide x 6 ft 2 in h, 44.7 sq. ft.
Also called View of the Port of Rhodes
![Page 19: Sebastien Erard, Harp, Japaned and gilded beech and pine; h.170.3cm.](https://reader035.fdocuments.in/reader035/viewer/2022062410/56649e595503460f94b533a5/html5/thumbnails/19.jpg)
Karl Friedrich SchinkelDetail of carpet design from Vorbilder, Coloured lithograph
Ministry of Trade committee
Prussia, 1819
Peter Christian Wilhelm Beuth, ditector Karl Friedrich Schinkel, member
Beuth and Shinckel, Vorbilder für Fabrikanten und Handwerker (Examples for Manufacturers and Craftsmen), 1830 and 1837
Schinkel: “principles originating from the days of antiquity”
Going on to include Renaissance and Islamic art - ecleticism
![Page 20: Sebastien Erard, Harp, Japaned and gilded beech and pine; h.170.3cm.](https://reader035.fdocuments.in/reader035/viewer/2022062410/56649e595503460f94b533a5/html5/thumbnails/20.jpg)
Karl Friedrich Schinkel
Chair, garden h.80cm
Prussian ironworks, Cast-iron technique
Norwegian stove surmounted by Vestal Virgin,h.225cm, 88”
![Page 21: Sebastien Erard, Harp, Japaned and gilded beech and pine; h.170.3cm.](https://reader035.fdocuments.in/reader035/viewer/2022062410/56649e595503460f94b533a5/html5/thumbnails/21.jpg)
Franz Ludwig Catel,Schinkel in Naples1824Oil on canvas;62x49cm
![Page 22: Sebastien Erard, Harp, Japaned and gilded beech and pine; h.170.3cm.](https://reader035.fdocuments.in/reader035/viewer/2022062410/56649e595503460f94b533a5/html5/thumbnails/22.jpg)
'The Magic Flute', 1816. Stage design by Karl Freidrich Schinkel
![Page 23: Sebastien Erard, Harp, Japaned and gilded beech and pine; h.170.3cm.](https://reader035.fdocuments.in/reader035/viewer/2022062410/56649e595503460f94b533a5/html5/thumbnails/23.jpg)
Merlin’s Gouty Chair Plate in Ackermann’s RepositoryColoured aquatint
Vienna (Austria)
Habsburg ruleBefore the 1848 revolution
Unique contribution to the Neoclassical style
The Age of Shubert
The middle classes
The Biedermeier style
admired in the Art Nouveau and early Modern Art movements
Joseph Ulrich Danhauser
Combination of plainness and imaginativenessIndividual, stark, idiosyncratic style
![Page 24: Sebastien Erard, Harp, Japaned and gilded beech and pine; h.170.3cm.](https://reader035.fdocuments.in/reader035/viewer/2022062410/56649e595503460f94b533a5/html5/thumbnails/24.jpg)
Diana and Callisto Austrian glass beakercut and engraved by F Gottsteinh.13.3cm
J C Loudon,Plate from Encyclopaedia of Gardening, design for a swingWood engraving2.8x1.9cm
![Page 25: Sebastien Erard, Harp, Japaned and gilded beech and pine; h.170.3cm.](https://reader035.fdocuments.in/reader035/viewer/2022062410/56649e595503460f94b533a5/html5/thumbnails/25.jpg)
Viennese writing desk,95x124x79.5cm
![Page 26: Sebastien Erard, Harp, Japaned and gilded beech and pine; h.170.3cm.](https://reader035.fdocuments.in/reader035/viewer/2022062410/56649e595503460f94b533a5/html5/thumbnails/26.jpg)
Into the 19th cent.
Larger shops, pictorial advertisements, gas-lighting
reflected Neoclassical taste
English advertisement for Hubert’s Reseate Powder,1809Wood engraving;20.9x14cm
French advertisement for Violet and Guenot’s Soap,1827, Engraving
![Page 27: Sebastien Erard, Harp, Japaned and gilded beech and pine; h.170.3cm.](https://reader035.fdocuments.in/reader035/viewer/2022062410/56649e595503460f94b533a5/html5/thumbnails/27.jpg)
Plate from Frederick Accum’s A Practical Treatise on Gas-Lightshowing a variety of light fittings1815Coloured aquatint15.4x24.4cm
![Page 28: Sebastien Erard, Harp, Japaned and gilded beech and pine; h.170.3cm.](https://reader035.fdocuments.in/reader035/viewer/2022062410/56649e595503460f94b533a5/html5/thumbnails/28.jpg)
James Oatley,Longcase clock,Cedar and pine;h.259cm
Duncan Phyfe (attr.)Side chairc. 1810-15
Mahogany;h.84cm
Thomas HopeChair,Mahogany painted black and gold with bronze mounting;h.121.9cm
Schinckel, ecleticism)
![Page 29: Sebastien Erard, Harp, Japaned and gilded beech and pine; h.170.3cm.](https://reader035.fdocuments.in/reader035/viewer/2022062410/56649e595503460f94b533a5/html5/thumbnails/29.jpg)
The Vase Room
Thomas Hope, Household Furniture & Interior Decoration, London 1807
The Statue Gallery
Beauty consists not in ornament,' he wrote, 'it consists in outline…without a good outline, the richest and most decorated object will only appear tawdry.'
This publication introduced the term “interior decoration” for the first time in English language literature.
Author’s drawings stimulated the taste for academically inspired ornament in Greek, Roman, and Egyptian modes
![Page 30: Sebastien Erard, Harp, Japaned and gilded beech and pine; h.170.3cm.](https://reader035.fdocuments.in/reader035/viewer/2022062410/56649e595503460f94b533a5/html5/thumbnails/30.jpg)
Thomas Sheraton. The cabinet maker and artist's encyclopaedia. London, 1805-06.
To the memory of Lord Nelson Plate 9 of window draperies