Sayres Hanging Gardens

Sayres Hanging Garden

for myparents

and toM-E & M & A & A

Published by BlurbTo purchase copies, go to www.blurb.com

© 2012All rights reserved

No part of this book may be used or reproduced in any manner without permission from the author, except in the context of reviews.

Maziar

Text Box

Sayres House & Hanging Gardens I- Introduction pp. 8-9 II- Process Images: sketches, drawings, photographs of the design and construction phase pp. 10-121 III- Prelude to Cornell sketches pp. 122-123 IV- Cornell sketches pp. 124-148 V- Photographs of completed house pp. 151-185 VI- Credits p. 180

The following pages contain a cross-sectional chronicle of the thousands of JPEGs, TIFFs, DWGs, PDFs, drawings & sketches that together take up 30 gigabytes of space on my office hard-drives, under the folder BERTY. The sampling is abbreviated but not random. On the whole we chose to select images that, when seen in sequence, form a textural tapestry of a process.¶ Rather than opting for descriptive images of the final building, we preferred those that allude to a particular moment in time; a moment when an idea or thought was first drawn or seen in construction. Even the few formal drawings included represent a crystallization, a point of pause, in the process of generating construction documents.¶ By the end of the three years of working on the Berty house, we had all learned to speak its language using its particular vocabulary: non-orthogonal in plan, spatial rather than formal with a tendency away from plain geometry and an inclination for interrupted movement. These forms yielded pocket of space that, once realized and furnished, offered a surprising sense of calm and reverence. Within them, one wants to be still.¶ Against the backdrop of a rigorously geometric existing house, our addition hops and leaps, dancing around it. Its narrative isn’t linear, nor does it end with a crisp conclusion.¶ In the same manner, this presentation jumps across phases, time and ideas. In fact, in the process of pulling these images together, I noticed that this project may have started long ago in Ithaca, New York. While resisting the impulse to couch the fluidity of it into a discursive framework and force a connection, I have simply attached some of the sketches from that period as an addendum, with a few words, in the back.¶ Undoubtedly what you see is the result of a collaboration between many individuals both within and outside of my office. Marie-Eve and Michel Berty’s steadfast love of art and architecture kept us inspired and enabled me to do that which I love. Maziar Behrooz

- - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - -

shape-shifts

226 SF

Roof (1)

239 SF

Roof (1)

288 SF

Roof (2)

Area Legend

Roof (1)

Roof (2)

1827 SF

REDCOMMONAREA 1ST

FLOOR

Building Area Legend

1ST FLOOR EAST PATIO

BEIGE COLOR BEDROOM #2

GREY CARETAKER

RED COMMON AREA 1STFLOOR

WHITE 1ST FLOOR WESTPATIO

YELLOW BEDROOM #1

EXTG. HOUSESUNKEN COURTYARD

GRASS TERRACE

GRASS TERRACE

GRASS TERRACE

GRADE STEPS W/. MOSS

GRASS TERRACE

LIVING ROOM

BEDROOM #3

BEDROOM #4

W.I.CW.I.C ?

CLOSET

ENTRY HALL

COAT CL.

BATH #3SHWR.

LN.

W.I.C

OUTDOOR SHOWER

BATH #1

BEDROOM #1

BATH #2

333 SF

YELLOWBEDROOM

#1

2519 SF

WHITE 1STFLOOR

WEST PATIO

683 SF

GREYCARETAKER

BEDROOM #2

340 SF

BEIGECOLOR

BEDROOM#2

44 SF

1ST FLOOREAST PATIO

1459 SF

Roof (3)


Roof (3)

475 SF

Roof (4)


Roof (4) 2454 SF

Roof (5)&(6)


Roof (5)&(6)

1868 SF

GARAGEFLOOR

Area Legend

GARAGE FLOOR

GREY CELLAR FLOOR

1465 SF

GREYCELLARFLOOR

GARAGE

MECHANICALROOM

LAUNDRY ROOM

CELLAR GALLERY

LOUNGE

WINE STORAGESTORAGE

WINE BAR

CELLAR GALLERY

586 SF

SMOOTHWHITE 2ND

FLOOR

367 SF

SMOOTHWHITE 2ND

FLOORTERRACE

644 SF

REDSECONDFLOOR


RED SECOND FLOOR

SMOOTH WHITE 2ND FLOOR

SMOOTH WHITE 2ND FLOORTERRACE

BEDROOM #5

BATHROOM #5

ELEVATOR

W.I.C (HIS)

MASTERBATHROOM #6

SHWR #6

HALLWAY

W.I.C (HERS)

STORAGE

TOILET#4

MB Architecture

CONSTRUCTION SET

Scale

Date

Drawn by

Checked by

PROPOSED NEW ADDITIONFOR: MICHEL AND MARIE EVE BERTY

PROJECT:

OWNER ADDRESS:

ARCHITECT:

maziar behrooz,AIA

7A Newtown LaneEast Hampton, NY 11937

T: 631-329-2983F: 631-329-4878E: [email protected]: mbarchitecture.com

SHEET TITLE:

CONSULTANTS:

40 Sayres pathWainscott, NY11975

Jeff StrattonGILSANZ MURRAY STEFICEK LLPStructural Engineers129 West 27th Street, 5th FloorNew York, NY 10001212-254-0030212-477-5978 Faxwww.gmsllp.com <http://www.gmsllp.com>

REQUEST UPDATED DRAWING FROMARCHITECT PRIOR CONSTRUCTION

As indicated

11

/3/2

00

9 4

:16

:26

PM

A.105.

Area Calculation

09.30.08

Fred

1/16" = 1'-0"1

1st PL (1)

1" = 20'-0"2

1st FL Resin Area Calculation

1/16" = 1'-0"3

Roof Area Calculation @ 1st PL(2) 1/16" = 1'-0"4

Roof Area Calculation @ 1st PL(3)

1/16" = 1'-0"5

Roof Area Calculation @ 2nd Fl. Plate 2

1/16" = 1'-0"6

Cellar Resin Area Calculation 1" = 20'-0"

72nd Floor Finish Area Plan

Revision Schedule

RevisionNumber

RevisionDate Issued to Issued by

RevisionDescription

19 04.29.09 PCH FD/MB A.105

46 10.19.09 PCH FD/MB Revision 46

46

226 SF

Roof (1)

239 SF

Roof (1)

288 SF

Roof (2)

Area Legend

Roof (1)

Roof (2)

1827 SF

REDCOMMONAREA 1ST

FLOOR




GREY CARETAKER



YELLOW BEDROOM #1


GRASS TERRACE

GRASS TERRACE

GRASS TERRACE


GRASS TERRACE

LIVING ROOM

BEDROOM #3

BEDROOM #4

W.I.CW.I.C ?

CLOSET

ENTRY HALL

COAT CL.

BATH #3SHWR.

LN.

W.I.C

OUTDOOR SHOWER

BATH #1

BEDROOM #1

BATH #2

333 SF

YELLOWBEDROOM

#1

2519 SF

WHITE 1STFLOOR

WEST PATIO

683 SF

GREYCARETAKER

BEDROOM #2

340 SF

BEIGECOLOR

BEDROOM#2

44 SF

1ST FLOOREAST PATIO

1459 SF

Roof (3)


Roof (3)

475 SF

Roof (4)


Roof (4) 2454 SF

Roof (5)&(6)


Roof (5)&(6)

1868 SF

GARAGEFLOOR

Area Legend

GARAGE FLOOR

GREY CELLAR FLOOR

1465 SF

GREYCELLARFLOOR

GARAGE

MECHANICALROOM

LAUNDRY ROOM

CELLAR GALLERY

LOUNGE

WINE STORAGESTORAGE

WINE BAR

CELLAR GALLERY

586 SF

SMOOTHWHITE 2ND

FLOOR

367 SF

SMOOTHWHITE 2ND

FLOORTERRACE

644 SF

REDSECONDFLOOR


RED SECOND FLOOR



BEDROOM #5

BATHROOM #5

ELEVATOR

W.I.C (HIS)

MASTERBATHROOM #6

SHWR #6

HALLWAY

W.I.C (HERS)

STORAGE

TOILET#4

MB Architecture

CONSTRUCTION SET

Scale

Date

Drawn by

Checked by


PROJECT:

OWNER ADDRESS:

ARCHITECT:

maziar behrooz,AIA



SHEET TITLE:

CONSULTANTS:




As indicated

11

/3/2

00

9 4

:16

:26

PM

A.105.

Area Calculation

09.30.08

Fred

1/16" = 1'-0"1

1st PL (1)

1" = 20'-0"2


1/16" = 1'-0"3



1/16" = 1'-0"5


1/16" = 1'-0"6



Revision Schedule

RevisionNumber


RevisionDescription

19 04.29.09 PCH FD/MB A.105


46

226 SF

Roof (1)

239 SF

Roof (1)

288 SF

Roof (2)

Area Legend

Roof (1)

Roof (2)

1827 SF

REDCOMMONAREA 1ST

FLOOR




GREY CARETAKER



YELLOW BEDROOM #1


GRASS TERRACE

GRASS TERRACE

GRASS TERRACE


GRASS TERRACE

LIVING ROOM

BEDROOM #3

BEDROOM #4

W.I.CW.I.C ?

CLOSET

ENTRY HALL

COAT CL.

BATH #3SHWR.

LN.

W.I.C

OUTDOOR SHOWER

BATH #1

BEDROOM #1

BATH #2

333 SF

YELLOWBEDROOM

#1

2519 SF

WHITE 1STFLOOR

WEST PATIO

683 SF

GREYCARETAKER

BEDROOM #2

340 SF

BEIGECOLOR

BEDROOM#2

44 SF

1ST FLOOREAST PATIO

1459 SF

Roof (3)


Roof (3)

475 SF

Roof (4)


Roof (4) 2454 SF

Roof (5)&(6)


Roof (5)&(6)

1868 SF

GARAGEFLOOR

Area Legend

GARAGE FLOOR

GREY CELLAR FLOOR

1465 SF

GREYCELLARFLOOR

GARAGE

MECHANICALROOM

LAUNDRY ROOM

CELLAR GALLERY

LOUNGE

WINE STORAGESTORAGE

WINE BAR

CELLAR GALLERY

586 SF

SMOOTHWHITE 2ND

FLOOR

367 SF

SMOOTHWHITE 2ND

FLOORTERRACE

644 SF

REDSECONDFLOOR


RED SECOND FLOOR



BEDROOM #5

BATHROOM #5

ELEVATOR

W.I.C (HIS)

MASTERBATHROOM #6

SHWR #6

HALLWAY

W.I.C (HERS)

STORAGE

TOILET#4

MB Architecture

CONSTRUCTION SET

Scale

Date

Drawn by

Checked by


PROJECT:

OWNER ADDRESS:

ARCHITECT:

maziar behrooz,AIA



SHEET TITLE:

CONSULTANTS:




As indicated

11

/3/2

00

9 4

:16

:26

PM

A.105.

Area Calculation

09.30.08

Fred

1/16" = 1'-0"1

1st PL (1)

1" = 20'-0"2


1/16" = 1'-0"3



1/16" = 1'-0"5


1/16" = 1'-0"6



Revision Schedule

RevisionNumber


RevisionDescription

19 04.29.09 PCH FD/MB A.105


46

DH 6 DH 6

VS 104.14

DH 6 DH 6

DH 6

DH 6 DH 6

DH 6

25' - 2"

90°

2' -

9 3

/4"

2' -

1 5

/8"

5' -

1 1

/2"

2' -

6 1

/2"

90°

90°

6' -

6 1

/2"

6' -

10 1

/8"

3' -

0 3

/8"

4' - 1"

3' -

4 3

/4"

2' -

11

1/2

"5

' - 3

1/2

"3

' - 1

1/2

"

4' -

5 1

/4"

90°

90°

CEILING SOFFIT LINEFLUSH W/. RAILING

ROOF LINE ABOVETO

FR

AM

E7' -

9 3

/4"

5' - 5 5/8"

14' - 8 5/8"

11' - 7 1/2"

7' - 2 3/8"

5' - 0" 4' - 4 1/4"

6' - 5 3/8" 9' - 3 1/4" 10' - 0 1/4"

10' - 5 1/8"

COR-TEN METALPLANTER

90°

ALIGN W/. BEAM BELOW

90°

90°

1' - 11 3/8"

7' - 2"

7' - 0 3/4"

7' - 1 3/4"

7' - 1 1/4"

7' - 2 1/2"

DOUBLE SLIDERSEE SECTION #1

ON A.355

TA

KE

N IN

FIE

LD

7' -

7 1

/4"

1 1

/2"

SID

ING

CL

CT. TO CT. W/.INTERIOREXTG. COLUMN

AL

IGN

V.I.F LOCATIONOF EXTG.COLUMN.

6' -

0 3

/8"

4' -

3"

12' -

9 3

/4"

5' -

7"

10' -

1 1

/4"

2' -

5 1

/2"

9' -

11 3

/8"

90°

90°

90°

13' - 8 1/2"

16' -

5 1

/4"

11' -

5 1

/2"

5' - 6"

7' - 9 1/2"

3' - 8 3/4"

2' - 3 1/4"

ALIG

N

CEILING.LINE

90°

4' -

10 3

/8"

2' -

7 5

/8"

6' -

3 1

/8"

4' -

4 7

/8"

3' - 9"

7' - 11 3/4"

0' - 0"

EQ

.

EQ

.

CL

28' - 1 1/4"

3' - 7 1/2"

3' -

5 5

/8"

90°

90°

90°

90°

16

' - 5

1/8

"

90°

90°

11' - 0 3/4"

5' - 8 3/4"

8' - 4"

4' - 8"

4' - 1 1/2"4' - 4 1/4"

90°

0' - 10" 2' - 3

1/2"

4' -

7"

7' -

1 1

/4"

3' -

3 1

/2"

2' -

3 1

/8"2' -

3 1

/2"

1' - 1 1/2"

7' - 8 1/2"

3' - 9 3/4"

1' - 11 3/4"

1' - 6 1/2"

0' -

4 1

/8"

2' -

9 5

/8"

CL

15

' - 2

3/4

"

7' - 1 1/4"8' - 6 1/2"

2' - 1"

9' - 1 1/2"

EQ

EQ

ALIG

N

3' - 1"

2' - 7 1/2"

7' - 4 3/4"

CL

CL

CL

CL

CL

3' - 0

3/4

"

3' -

0 3

/4"

13

' - 1

0 1

/4"

REMOVE EXISTINGWINDOWS ANDREPLACE WITHOPENING

FLUSH FINISHFLOOR

CL

CL

CL

CL

CL

CL

90°

4' - 8 3/4"4' - 10 1/2"

9' - 0 1/2"

ALIGN

EQ

EQ

ALIGN

ALIG

N

14' -

11 3

/4"

FIREPLACE TBD.

//

EDGE OF PATIO

//

LINE OF SECONDFLOOR WALL EXT.

FINISH

4' -

4 7

/8"

ALIG

N

OPEN TOBELOW

//

ALIG

N

2' -

6 3

/4"

LINE OF CLG.SOFFIT

STEEL BRACING

STEELBRACING

LINE OFCLG.SOFFIT

90°

CL

AL

IGN

CO

LU

MN

S

LINE OF SOFFIT

LINE OF HIP

AL

IGN

ALIG

N

MILLWORK

90°

STEEL BRACING

TO CT. STL.

0' - 10 7/8"6' - 10 1/4"

6' - 10 1/2"1' - 5"

17' - 7 5/8"

CLCL

36"HIGH TEMPERED GLASS RAILING

11' - 4

3/8

"

CL

CL

CL

CL

CL

3' - 6 1/4"

CL

4' -

1 3

/4"

2' -

3 5

/8"

6' - 3 1/4"

3' - 1

0 3

/4" CL

CL

2' -

11 3

/8"CL

EQ

EQ

CL

3' - 4

5/8

"

CL

CL

8' - 0 3/4"

8' - 4 3/8"

CL

CL

CL

CL

CL

EXT. ALUM. CLADDING MATCH WDW.

REMOVABLE CORNER TOREPLACE SASH

LINE OFSOFFIT

13' - 5 5/16" STUCCO TO STUCCO

90°

NOTES:-ALL DIMENSIONS ARE FROM FRAMING UNLESS INDICATED FROM STEEL(NOT FROM SHEATHING-NOT FROM CONCRETE EXCEPT INDICATED-NOTFROM GYSUM BOARD)

90°

//

//

//

//

//


//

EQCL

CL

EQ

EQ

EQ

EQ

90°4' -

0 5

/8"

CL //

// //

6' - 6 3/4"1' - 9" 2' - 10 1/2"

7' - 5 5/8"

COORDINNATEWALL/DOORPLACEMENT

W/. ELEVATOR

2' - 0

1/4

"

7' - 9 7/8"

2' - 9 3/4"

//

90°

3' -

9 3

/4"

3' - 1 3/4"

0' -

10

3/8

"2

' - 6

"

CL

CL

CL

4' -

3 3

/8"

CL

//

//

0' - 11 3/8"

2' - 10 5/8"

90°

90°

90°

NICHE (SEEFLOOR PLAN)

2' -

5 7

/8"

//

//

90°

90°

//

LINE OFSOFFIT

WALLS ALIGNEDW/. CELLAR WALLS

DIM. WALL ON R.F.5' - 3 7/8"

3' - 0

"

3' - 1

1/8

"

10 7

/8"

CL

CT. TO STL.

1' - 0 5/8"

91°

SOUND INSUL.

10' -

1 1

/4"

2' -

5 1

/2"

8' -

4"

6' - 2 1/4"

28' - 9"

4 1/4"

4 1/4"

25' - 6 1/4"

LOW WALL

SOUND INSUL.IN POCKET

DOOR

SOUND INSUL. INPOCKET DOOR

NICHE

EQEQ

BUILD PITCHFLOOR

BUILDPITCHFLOOR

CT

. ST

L. B

LW

TO

FR

AM

E5"

CT. STL. B

LW TO FRAME

3 1/2"

CT

. ST

L. T

O F

RA

ME

4 1

/4"

CL

CT. STL. TO FRAME5 1/4"

CT. STL. T

O FRAME

3 1/2"

CT. STL. TO FRAME

11"

CONC. FND. T

O FRAME

5' - 0 5/8"

3 1/4" CONC. FROM EDGEFLINGE TO CONC. STEP

BELOW FRAMING WALL-SEE#3 ON A.276 & #8 ON A.355


BELOW FRAMING WALL-SEEA.276



LINE OF SOFFIT



1' - 5

1/4

"

DIM. WALL ON R.F.9' - 2 3/4"

EQEQ

EQEQ

AL

IGN

CL

G.

SO

FF

IT W

/.D

OO

RO

PE

NIN

G

0' - 10 3/8"

WD

WC

LA

DD

ING

AN

DS

IDIN

G F

LU

SH

6' - 1

7/8

"

2' - 4 1/2"

7' - 4

3/8

"

90°

90°CL

FRAME TO FRAME

13' - 5 3/4"

ALIGN

4' - 4 3/8"

ALIG

N

2' -

3 1

/4"

SKYLIGHT

1"

A.357

10

A.357

11

2' - 11 3/4" VIF W/. W

/D

CL

TRIANGULATEDCUSTONWINDOW

MB Architecture

CONSTRUCTION SET

Scale

Date

Drawn by

Checked by


PROJECT:

OWNER ADDRESS:

ARCHITECT:

maziar behrooz,AIA



SHEET TITLE:

CONSULTANTS:




1/4" = 1'-0"

9/1

/20

10

5:2

0:2

2 P

M

A.102D

1st Floor Framing Plan

09.30.08

FRED

MZ

1/4" = 1'-0"1

First Floor Plan A

Revision Schedule

RevisionNumber Revision Date Issued to Issued by

RevisionDescription

3 09.12.08 PCH MB/FD Bid Set

4 09.30.08 Town Of EH MB/FD Permit Set

5 10.14.08 PCH MB/FD Window AndDoor Schedule


45 10.06.09 PCH/ELECCONSULT.

FD/MB Revision 45


48 12.07.09 PCH FD/MB LibraryWall+Chimney

69 04.30.10 PCH/Shine/Berty FD Elec plans

73 06.07.10 PCH FD/MZ Int doorschedule, fl plan,framing

81 08.22.10 PCH FD/MZ W/D 1st Floor,Bridge GallerySoffit

DH 6 DH 6

VS 104.14

DH 6 DH 6

DH 6

DH 6 DH 6

DH 6

25' - 2"

90°

2' -

9 3

/4"

2' -

1 5

/8"

5' -

1 1

/2"

2' -

6 1

/2"

90°

90°

6' -

6 1

/2"

6' -

10 1

/8"

3' -

0 3

/8"

4' - 1"

3' -

4 3

/4"

2' -

11

1/2

"5

' - 3

1/2

"3

' - 1

1/2

"

4' -

5 1

/4"

90°

90°

CEILING SOFFIT LINEFLUSH W/. RAILING

ROOF LINE ABOVE

TO

FR

AM

E7' -

9 3

/4"

5' - 5 5/8"

14' - 8 5/8"

11' - 7 1/2"

7' - 2 3/8"

5' - 0" 4' - 4 1/4"

6' - 5 3/8" 9' - 3 1/4" 10' - 0 1/4"

10' - 5 1/8"

COR-TEN METALPLANTER

90°


90°

90°

1' - 11 3/8"

7' - 2"

7' - 0 3/4"

7' - 1 3/4"

7' - 1 1/4"

7' - 2 1/2"

DOUBLE SLIDERSEE SECTION #1

ON A.355

TA

KE

N IN

FIE

LD

7' -

7 1

/4"

1 1

/2"

SID

ING

CL

CT. TO CT. W/.INTERIOREXTG. COLUMN

AL

IGN

V.I.F LOCATIONOF EXTG.COLUMN.

6' -

0 3

/8"

4' -

3"

12' -

9 3

/4"

5' -

7"

10' -

1 1

/4"

2' -

5 1

/2"

9' -

11 3

/8"

90°

90°

90°

13' - 8 1/2"

16' -

5 1

/4"

11' -

5 1

/2"

5' - 6"

7' - 9 1/2"

3' - 8 3/4"

2' - 3 1/4"

ALIG

N

CEILING.LINE

90°

4' -

10 3

/8"

2' -

7 5

/8"

6' -

3 1

/8"

4' -

4 7

/8"

3' - 9"

7' - 11 3/4"

0' - 0"

EQ

.

EQ

.

CL

28' - 1 1/4"

3' - 7 1/2"

3' -

5 5

/8"

90°

90°

90°

90°

16

' - 5

1/8

"

90°

90°

11' - 0 3/4"

5' - 8 3/4"

8' - 4"

4' - 8"

4' - 1 1/2"4' - 4 1/4"

90°

0' - 10" 2' - 3

1/2"

4' -

7"

7' -

1 1

/4"

3' -

3 1

/2"

2' -

3 1

/8"2' -

3 1

/2"

1' - 1 1/2"

7' - 8 1/2"

3' - 9 3/4"

1' - 11 3/4"

1' - 6 1/2"

0' -

4 1

/8"

2' -

9 5

/8"

CL

15

' - 2

3/4

"

7' - 1 1/4"8' - 6 1/2"

2' - 1"

9' - 1 1/2"

EQ

EQ

ALIG

N

3' - 1"

2' - 7 1/2"

7' - 4 3/4"

CL

CL

CL

CL

CL

3' - 0

3/4

"

3' -

0 3

/4"

13

' - 1

0 1

/4"

REMOVE EXISTINGWINDOWS ANDREPLACE WITHOPENING

FLUSH FINISHFLOOR

CL

CL

CL

CL

CL

CL

90°

4' - 8 3/4"4' - 10 1/2"

9' - 0 1/2"

ALIGN

EQ

EQ

ALIGN

ALIG

N

14' -

11 3

/4"

FIREPLACE TBD.

//

EDGE OF PATIO

//

LINE OF SECONDFLOOR WALL EXT.

FINISH

4' -

4 7

/8"

ALIG

N

OPEN TOBELOW

//

ALIG

N

2' -

6 3

/4"

LINE OF CLG.SOFFIT

STEEL BRACING

STEELBRACING

LINE OFCLG.SOFFIT

90°

CL

AL

IGN

CO

LU

MN

S

LINE OF SOFFIT

LINE OF HIP

AL

IGN

ALIG

N

MILLWORK

90°

STEEL BRACING

TO CT. STL.

0' - 10 7/8"6' - 10 1/4"

6' - 10 1/2"1' - 5"

17' - 7 5/8"

CLCL

36"HIGH TEMPERED GLASS RAILING

11' - 4

3/8

"

CL

CL

CL

CL

CL

3' - 6 1/4"

CL

4' -

1 3

/4"

2' -

3 5

/8"

6' - 3 1/4"

3' - 1

0 3

/4" CL

CL

2' -

11 3

/8"CL

EQ

EQ

CL

3' - 4

5/8

"

CL

CL

8' - 0 3/4"

8' - 4 3/8"

CL

CL

CL

CL

CL

EXT. ALUM. CLADDING MATCH WDW.

REMOVABLE CORNER TOREPLACE SASH

LINE OFSOFFIT

13' - 5 5/16" STUCCO TO STUCCO

90°

NOTES:-ALL DIMENSIONS ARE FROM FRAMING UNLESS INDICATED FROM STEEL(NOT FROM SHEATHING-NOT FROM CONCRETE EXCEPT INDICATED-NOTFROM GYSUM BOARD)

90°

//

//

//

//

//


//

EQCL

CL

EQ

EQ

EQ

EQ

90°4' -

0 5

/8"

CL //

// //

6' - 6 3/4"1' - 9" 2' - 10 1/2"

7' - 5 5/8"


W/. ELEVATOR

2' - 0

1/4

"

7' - 9 7/8"

2' - 9 3/4"

//

90°

3' -

9 3

/4"

3' - 1 3/4"

0' -

10

3/8

"2

' - 6

"

CL

CL

CL

4' -

3 3

/8"

CL

//

//

0' - 11 3/8"

2' - 10 5/8"

90°

90°

90°


2' -

5 7

/8"

//

//

90°

90°

//

LINE OFSOFFIT

WALLS ALIGNEDW/. CELLAR WALLS

DIM. WALL ON R.F.5' - 3 7/8"

3' - 0

"

3' - 1

1/8

"

10 7

/8"

CL

CT. TO STL.

1' - 0 5/8"

91°

SOUND INSUL.

10' -

1 1

/4"

2' -

5 1

/2"

8' -

4"

6' - 2 1/4"

28' - 9"

4 1/4"

4 1/4"

25' - 6 1/4"

LOW WALL

SOUND INSUL.IN POCKET

DOOR

SOUND INSUL. INPOCKET DOOR

NICHE

EQEQ

BUILD PITCHFLOOR

BUILDPITCHFLOOR

CT

. ST

L. B

LW

TO

FR

AM

E5"

CT. STL. B

LW TO FRAME

3 1/2"

CT

. ST

L. T

O F

RA

ME

4 1

/4"

CL

CT. STL. TO FRAME5 1/4"

CT. STL. T

O FRAME

3 1/2"

CT. STL. TO FRAME

11"

CONC. FND. T

O FRAME

5' - 0 5/8"


BELOW FRAMING WALL-SEE#3 ON A.276 & #8 ON A.355





LINE OF SOFFIT



1' - 5

1/4

"

DIM. WALL ON R.F.9' - 2 3/4"

EQEQ

EQEQ

AL

IGN

CL

G.

SO

FF

IT W

/.D

OO

RO

PE

NIN

G

0' - 10 3/8"

WD

WC

LA

DD

ING

AN

DS

IDIN

G F

LU

SH

6' - 1

7/8

"

2' - 4 1/2"

7' - 4

3/8

"

90°

90°CL

FRAME TO FRAME

13' - 5 3/4"

ALIGN

4' - 4 3/8"

ALIG

N

2' -

3 1

/4"

SKYLIGHT

1"

A.357

10

A.357

11

2' - 11 3/4" VIF W/. W

/D

CL

TRIANGULATEDCUSTONWINDOW

MB Architecture

CONSTRUCTION SET

Scale

Date

Drawn by

Checked by


PROJECT:

OWNER ADDRESS:

ARCHITECT:

maziar behrooz,AIA



SHEET TITLE:

CONSULTANTS:




1/4" = 1'-0"9

/1/2

010

5:2

0:2

2 P

M

A.102D

1st Floor Framing Plan

09.30.08

FRED

MZ

1/4" = 1'-0"1

First Floor Plan A

Revision Schedule


RevisionDescription





45 10.06.09 PCH/ELECCONSULT.

FD/MB Revision 45


48 12.07.09 PCH FD/MB LibraryWall+Chimney

69 04.30.10 PCH/Shine/Berty FD Elec plans

73 06.07.10 PCH FD/MZ Int doorschedule, fl plan,framing

81 08.22.10 PCH FD/MZ W/D 1st Floor,Bridge GallerySoffit

TO FRAME4' - 0 1/2"

14' - 7"

TO FRAME10' - 1 1/2"

6" STEELCOLUMN

EXPOSED

CL

EQEQ

2' - 3 1/2"

3' - 11 3/4"

90°

9' -

8 5

/8"

2' -

3"

4' -

2"

29' -

10 3

/4"

FLOORGRILL

FLOOR GRILL TBD.

SLO

PE

AT

1/8

" PE

R F

T.

SLOPE AT 1/8" PER FT.

ROOF LINE

RESIN FLOOR W/.RUBBER ON 3/4"

PITCHED PLYWOOD

FLOOR GRILL

CL

TO FRAME1' - 9 1/8"

FRAME TO FRAME11' -

10"

FRAME TO FRAME1' -

5 3/4"

2' -

5 3

/4"

9' -

2 1

/8"

7' - 5 5/8"

90°

90°

90°

90°

90°

90°

1' -

8 7

/8"

3' -

10 1

/8"

1' -

1 3

/8"

MED.CAB.

LOC. TBD

3' - 3 1/2" 3' - 3 5/8"

CT

. T

O S

TL.

0' -

4 1

/8" //

ALIG

N

CL

CT. S

TL.

0' - 8

"

CL

CT. TO STL.

0' - 7 1/2"

CT. STL. T

O FRAME1' -

9 7/8"

CL

ALIGN

ALIG

N

0' -

9 1

/2"

4' -

10 1

/4"

CL

CL

7' - 10 3/4"

1' - 0 3/8"

90°

11' -

4 3

/4"

90°

90°

90°

3' -

2 3

/4"

3' -

9 1

/4"

CABINETRY AROUNDCOLUMN

8' - 6

7/8

"

CL

LINE OFSOFFIT

9' -

11

1/4

"6

' - 1

1 1

/4"

CL

CL

4' - 9 7/8"

14' - 0 1/4"CL

CL

CL

CL

CL

CL

CL

ALIGN/CT. WALL W/. W8X13 ON 1ST FL.

ROOF LINE.

ROOF LINE

PULL SIDE SHADE

ELEC. CONCEALEDROLL DOWN SHADE

ELEC.CONCEALED ROLL

DOWN SHADE

1' - 6 7/8"

1' - 1

0 7

/8"

CL

CL

3' -

1 5

/8"

7' -

9 3

/4"

10

' - 7

"

5' - 10 1/2"

5' - 8 3/4"

CL

CL

CL

13' - 4 5/8"

3' - 10 3/4" 2' -

8 1/8"

CL

CL

TO

FR

AM

E8' -

6 3

/4"

FR

AM

E T

O F

RA

ME

8' -

1 1

3/1

6"

TO

FR

AM

E2' -

0 5

/16"

RAILING @ 36" ABV. FINISHFLOOR TERRACE TBD.

REMOVABLECORNER TO

REPLACE SASH

73°

104°

49 3/4"

14' - 5 1/16"

12"

SOUND INSUL.

SOUND INSUL.

1S

T R

ISE

R F

.T.F

3' -

6 5

/8"

OPEN TO BELOW

90°

90°

CT. S

TL. TO

FR

AM

E1' -

8 1

5/1

6"

CL

1' - 6 3/4"

PITCH STUCCO 1/4"/FT





16' - 11"

1' -

5 3/

8"

18' - 8 3/8"

3' - 5 1/8"

8' - 0 1/8"

SHOWER GLASS BETWWENWDW MULLION

4' - 2

1/8

"

2' - 4 7/8"

5' - 10 1/2"

4' -

0"

1' - 11 5/8"

3' -

2 3

/4"

7' -

11 5

/8"

2' -

6 5

/8"

2' -

7 7

/8" 9

0°


W/. ELEVATOR

SOUND INSUL.

WALLS ALIGNED W/.1ST FLOOR WALLS

7' - 8 3/8"

CL

6' - 11 3/8"

3' - 3 5/8"

CL

5' - 6 7/8"

1' - 0"

TO

FR

AM

E

10' -

11 1

/8"

4' -

0 1

/2"

90°

90°

90°

90°

6' - 8

1/2

"

2' - 8 3/4"

7' - 3 1/8"

1' -

5 1

/4"

90°

2' - 3 1/8"

6' -

11 3

/4"

12' -

7 3

/8"

70°

71°

EQ

EQ

6' - 1

3/8

"

6' -

8 7

/8"

CL

2' - 3"

11' - 8"

90°

2' - 3

1/2

"

CT. TO STL.

7 1/8"

OPEN TOGALLERY BELOW

90°

9' - 2 1/4"

//

//

//

//

//

//

//

//

LOW WALL

LOWWALL

//

//

//

SOUNDINSUL. INPOCKETDOOR

SOUND INSUL.

SOUNDINSUL.

SOUNDINSUL. INPOCKET

DOOR


NICHE

OPEN TOBEDROOM #1

BELOW

8 3

/4"

89°

FRAME TO EXT. FINISH

0' - 9"

FR

AM

E T

O E

XT. F

INIS

H

9 1

/16"

3' - 4"

90°

2' - 0

"

//

5' - 6

5/8

"5

' - 4 3

/4"

5' - 9"

NOTE:-ATTACHED TO STUD WALL FORCISTERN @ ALL WALL MOUNTED TOILET-ALL DIMENSIONS ARE FROM FRAMING

1' - 0 5/8"

5' - 1 7/8"

2' -

9 3

/8"

1' - 2 1/8" TO FRAME11' - 7 1/4"

CONFIRMDIM. W/.CLIENT

1' - 6 3/4"

SAFE TO BEMOUNTED ON

CONCRETE FLOORVERIFY LOCATION

WITH ARCH.

SAFE

90°

9' -

3 1

/2"

1' -

10 1

/2"

4' -

4 5

/8" 90°

2' -

2"

52 5

/8"

10"

EDGE OFBEAM BELOW

CONCRETEFLOOR

MIN

.

14 5

/8"

3/4" PLYWOODWALL

90°

CHIMNEY FLUE W/.2" SPACE AROUND-

LOCATION TBD

3' -

5 1

/2"

78 5

/8"

3' - 0 1/8"

61"

A.357

12

MB Architecture

CONSTRUCTION SET

Scale

Date

Drawn by

Checked by


PROJECT:

OWNER ADDRESS:

ARCHITECT:

maziar behrooz,AIA



SHEET TITLE:

CONSULTANTS:




1/4" = 1'-0"

9/3

/20

10

1:0

9:4

5 A

M

A.103B

2nd Floor Framing Plan

09.30.08

FRED

Maz

1/4" = 1'-0"1


Revision Schedule


RevisionDescription






51 01.14.10 PCH FD/MB 2nd Fl. FramingPlan

52 01.19.10 PCH FD/MB 2nd Fl.FramingPlan

55 02.01.10 PCH/Tracey FD Framing Plan2nd FL.

TO FRAME4' - 0 1/2"

14' - 7"

TO FRAME10' - 1 1/2"

6" STEELCOLUMN

EXPOSED

CL

EQEQ

2' - 3 1/2"

3' - 11 3/4"

90°

9' -

8 5

/8"

2' -

3"

4' -

2"

29' -

10 3

/4"

FLOORGRILL

FLOOR GRILL TBD.

SLO

PE

AT

1/8

" PE

R F

T.


ROOF LINE


PITCHED PLYWOOD

FLOOR GRILL

CL

TO FRAME1' - 9 1/8"

FRAME TO FRAME11' -

10"

FRAME TO FRAME1' -

5 3/4"

2' -

5 3

/4"

9' -

2 1

/8"

7' - 5 5/8"

90°

90°

90°

90°

90°

90°

1' -

8 7

/8"

3' -

10 1

/8"

1' -

1 3

/8"

MED.CAB.

LOC. TBD

3' - 3 1/2" 3' - 3 5/8"

CT

. T

O S

TL.

0' -

4 1

/8" //

ALIG

N

CL

CT. S

TL.

0' - 8

"

CL

CT. TO STL.

0' - 7 1/2"

CT. STL. T

O FRAME1' -

9 7/8"

CL

ALIGN

ALIG

N

0' -

9 1

/2"

4' -

10 1

/4"

CL

CL

7' - 10 3/4"

1' - 0 3/8"

90°

11' -

4 3

/4"

90°

90°

90°

3' -

2 3

/4"

3' -

9 1

/4"


8' - 6

7/8

"

CL

LINE OFSOFFIT

9' -

11

1/4

"6

' - 1

1 1

/4"

CL

CL

4' - 9 7/8"

14' - 0 1/4"CL

CL

CL

CL

CL

CL

CL


ROOF LINE.

ROOF LINE

PULL SIDE SHADE


ELEC.CONCEALED ROLL

DOWN SHADE

1' - 6 7/8"

1' - 1

0 7

/8"

CL

CL

3' -

1 5

/8"

7' -

9 3

/4"

10

' - 7

"

5' - 10 1/2"

5' - 8 3/4"

CL

CL

CL

13' - 4 5/8"

3' - 10 3/4" 2' -

8 1/8"

CL

CL

TO

FR

AM

E8' -

6 3

/4"

FR

AM

E T

O F

RA

ME

8' -

1 1

3/1

6"

TO

FR

AM

E2' -

0 5

/16"


REMOVABLECORNER TO

REPLACE SASH

73°

104°

49 3/4"

14' - 5 1/16"

12"

SOUND INSUL.

SOUND INSUL.

1S

T R

ISE

R F

.T.F

3' -

6 5

/8"

OPEN TO BELOW

90°

90°

CT. S

TL. TO

FR

AM

E1' -

8 1

5/1

6"

CL

1' - 6 3/4"






16' - 11"

1' -

5 3/

8"

18' - 8 3/8"

3' - 5 1/8"

8' - 0 1/8"


4' - 2

1/8

"

2' - 4 7/8"

5' - 10 1/2"

4' -

0"

1' - 11 5/8"

3' -

2 3

/4"

7' -

11 5

/8"

2' -

6 5

/8"

2' -

7 7

/8" 9

0°


W/. ELEVATOR

SOUND INSUL.


7' - 8 3/8"

CL

6' - 11 3/8"

3' - 3 5/8"

CL

5' - 6 7/8"

1' - 0"

TO

FR

AM

E

10' -

11 1

/8"

4' -

0 1

/2"

90°

90°

90°

90°

6' - 8

1/2

"

2' - 8 3/4"

7' - 3 1/8"

1' -

5 1

/4"

90°

2' - 3 1/8"

6' -

11 3

/4"

12' -

7 3

/8"

70°

71°

EQ

EQ

6' - 1

3/8

"

6' -

8 7

/8"

CL

2' - 3"

11' - 8"

90°

2' - 3

1/2

"

CT. TO STL.

7 1/8"


90°

9' - 2 1/4"

//

//

//

//

//

//

//

//

LOW WALL

LOWWALL

//

//

//


SOUND INSUL.

SOUNDINSUL.


DOOR


NICHE

OPEN TOBEDROOM #1

BELOW

8 3

/4"

89°


0' - 9"

FR

AM

E T

O E

XT. F

INIS

H

9 1

/16"

3' - 4"

90°

2' - 0

"

//

5' - 6

5/8

"5

' - 4 3

/4"

5' - 9"


1' - 0 5/8"

5' - 1 7/8"

2' -

9 3

/8"

1' - 2 1/8" TO FRAME11' - 7 1/4"


1' - 6 3/4"



WITH ARCH.

SAFE

90°

9' -

3 1

/2"

1' -

10 1

/2"

4' -

4 5

/8" 90°

2' -

2"

52 5

/8"

10"

EDGE OFBEAM BELOW

CONCRETEFLOOR

MIN

.

14 5

/8"

3/4" PLYWOODWALL

90°


LOCATION TBD

3' -

5 1

/2"

78 5

/8"

3' - 0 1/8"

61"

A.357

12

MB Architecture

CONSTRUCTION SET

Scale

Date

Drawn by

Checked by


PROJECT:

OWNER ADDRESS:

ARCHITECT:

maziar behrooz,AIA



SHEET TITLE:

CONSULTANTS:




1/4" = 1'-0"

9/3

/20

10

1:0

9:4

5 A

M

A.103B


09.30.08

FRED

Maz

1/4" = 1'-0"1


Revision Schedule


RevisionDescription









ROOF LINE

FLOOR GRILL

CLCLC

TOSTL.

0'

1' -9

8'

PITCH STUCCO 1/4"/FTPITCH STUCCO 1/4"/FT

FRAME TO EX0' -9"

TO FRAME4' - 0 1/2"

14' - 7"

TO FRAME10' - 1 1/2"

6" STEELCOLUMN

EXPOSED

CL

EQEQ

2' - 3 1/2"

3' - 11 3/4"

90°

9' -

8 5

/8"

2' -

3"

4' -

2"

29' -

10 3

/4"

FLOORGRILL

FLOOR GRILL TBD.

SLO

PE

AT

1/8

" PE

R F

T.


ROOF LINE


PITCHED PLYWOOD

FLOOR GRILL

CL

TO FRAME1' - 9 1/8"

FRAME TO FRAME11' -

10"

FRAME TO FRAME1' -

5 3/4"

2' -

5 3

/4"

9' -

2 1

/8"

7' - 5 5/8"

90°

90°

90°

90°

90°

90°

1' -

8 7

/8"

3' -

10 1

/8"

1' -

1 3

/8"

MED.CAB.

LOC. TBD

3' - 3 1/2" 3' - 3 5/8"

CT

. T

O S

TL.

0' -

4 1

/8" //

ALIG

N

CL

CT. S

TL.

0' - 8

"

CL

CT. TO STL.

0' - 7 1/2"

CT. STL. T

O FRAME1' -

9 7/8"

CL

ALIGN

ALIG

N

0' -

9 1

/2"

4' -

10 1

/4"

CL

CL

7' - 10 3/4"

1' - 0 3/8"

90°

11' -

4 3

/4"

90°

90°

90°

3' -

2 3

/4"

3' -

9 1

/4"


8' - 6

7/8

"

CL

LINE OFSOFFIT

9' -

11

1/4

"6

' - 1

1 1

/4"

CL

CL

4' - 9 7/8"

14' - 0 1/4"CL

CL

CL

CL

CL

CL

CL


ROOF LINE.

ROOF LINE

PULL SIDE SHADE


ELEC.CONCEALED ROLL

DOWN SHADE

1' - 6 7/8"

1' - 1

0 7

/8"

CL

CL

3' -

1 5

/8"

7' -

9 3

/4"

10

' - 7

"

5' - 10 1/2"

5' - 8 3/4"

CL

CL

CL

13' - 4 5/8"

3' - 10 3/4" 2' -

8 1/8"

CL

CL

TO

FR

AM

E8' -

6 3

/4"

FR

AM

E T

O F

RA

ME

8' -

1 1

3/1

6"

TO

FR

AM

E2' -

0 5

/16"


REMOVABLECORNER TO

REPLACE SASH

73°

104°

49 3/4"

14' - 5 1/16"

12"

SOUND INSUL.

SOUND INSUL.

1S

T R

ISE

R F

.T.F

3' -

6 5

/8"

OPEN TO BELOW

90°

90°

CT. S

TL. TO

FR

AM

E1' -

8 1

5/1

6"

CL

1' - 6 3/4"






16' - 11"

1' -

5 3/

8"

18' - 8 3/8"

3' - 5 1/8"

8' - 0 1/8"


4' - 2

1/8

"

2' - 4 7/8"

5' - 10 1/2"

4' -

0"

1' - 11 5/8"

3' -

2 3

/4"

7' -

11 5

/8"

2' -

6 5

/8"

2' -

7 7

/8" 9

0°


W/. ELEVATOR

SOUND INSUL.


7' - 8 3/8"

CL

6' - 11 3/8"

3' - 3 5/8"

CL

5' - 6 7/8"

1' - 0"

TO

FR

AM

E

10' -

11 1

/8"

4' -

0 1

/2"

90°

90°

90°

90°

6' - 8

1/2

"

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9' - 2 1/4"

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CONSTRUCTION SET

Scale

Date

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PROJECT:

OWNER ADDRESS:

ARCHITECT:

maziar behrooz,AIA



SHEET TITLE:

CONSULTANTS:




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09.30.08

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In 1990 while enrolled at the Cornell School of Architecture, I set out to extract the subtle ingredients, buried in the sheer mass of Architecture, that constitute our perceptions of home. My goal wasn’t pedantic even though it was conducted under the auspices of a Master’s thesis project. The formality of it was a ruse. More practically, I sought to capture and hold the very essence of a home, only to be able to recreate it at will wherever I chose to live. ¶ Very quickly, and undoubtedly, the journey became personal as it crossed out of Architecture and into the myriad dimensions that make for each of us the sense and non-sense of a house. ¶ The exegesis required an alchemist’s approach. I had to distill matter and memory to their nearly pure state - anymore and they would vanish into thin abstraction. ¶ In the end, they did. And I was left with a residue that has settled in my coat pocket all these years. ¶ Had I succeeded in capturing that essential ingredient, that potion, that like fairy dust would magically transform any place into some place, I would be free to be anywhere. The obviousness of anywhere being nowhere eluded me at the time; and I convinced myself that the way out of the labyrinth was to claim the self-evident truth that home is where the heart is. ¶ As a spatial expression, I described a smaller and smaller, eventually a portable habitat. It would be worn and carried like the tools of a medieval travelling cobbler or an astronaut’s suit - close to the skin. ¶ This was my Architecture of an instant home: projections of images within dark space, urban or rural; and their cross projections, creating intersecting horizontal pyramids of domestic imagery and a refuge for memory. ¶ In the intervening years, I have built many houses. But this last one, shown in the preceding and final pages, found its way back to the labyrinth -casting a Borgesian doubt over whether I had ever left it. Made from nested projections and intersecting triangulated spaces, it unfolds, paper-like, as you cross its interstices and thresholds. It is made of steel and glass and earth and eventually claims that Architecture, built, has the power to extinguish time.

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Project Credits

Architect:Maziar Behrooz ArchitectureEast Hamtpon and New York, NY

Architect’s Team: Maziar Behrooz, AIA, principal architectFrederic Debackere, drawing & designMichael Cafiero, book designMarybeth Finegan, administrative

Client: Mrs. Marie-Eve & Mr. Michel Berty

Project Location: Wainscott, NY

Project Type: Addition to existing house

Project Size: 9500 sf

Mechanical Engineer: Chaleff & Rogers

Structural Engineer:Gilsanz, Murray, Steficek,

Contractor: Joel Bass

Interior Design: Tracey Garrett, library & officeMarie-Eve Berty, colors & finishes

Lighting Design:Caitlin Faron, Shine

Photography:Matthew Carbone

Craftspeople: Cy Ross, library shelves & fireplaceMichael Hastalis, bar

Floors:Fusion Floors

Pool:Pristine Pools

Garden:Steve Torch

HVAC:Temp-ArtFlanders

Windows:Panoramic

Stair:Kitty Hawk Stair

Tiles:Alan Court AssociatesUrban Archeology

Steel:Tebbens Steel

Green Roof:Green Living Roofs

Maziar Behrooz Architecture is a studio of architecture and planning founded in 1990 in New York City, and since 1996, with an office in East Hampton, New York.

Our geographic location has given us a critical opportunity and challenge to carefully observe the interdependent relationship of human settlement with nature and the long-term impact of buildings on the environment.

We start our process by redefining outmoded terminologies that perpetuate non-existent relationships. We don’t design buildings but create integrated environments. In fact the built (or the building) in our work, in particular in our recent design projects, is a mere component, albeit a vital one, of a total environment. This fundamental shift in attitude, a reversal of the conventional relationship between buildings and nature whereby buildings are a component of much larger Architecture of the Environment, characterizes our approach to design.

As architects our specific role is to demonstrate alternative methods of planning and construction that promote this philosophy while helping preserve, sustain and regenerate the environment.

As practitioners, our challenge is to apply this attitude to every project, large or small, affordable or luxurious. While the physical results vary, we consistently aim for the maximization, wherever possible, of contiguous natural habitats. By clustering buildings and increasing managed landscapes, we leave nature to perform its self-healing, self-cleaning processes. We like to explore site layouts that reduce or otherwise draw attention to the impact of buildings on the environment.

The use of passive systems which take advantage of solar orientation, wind direction, and landscaping are fundamental to our decision making process while the examination of efficient and alternative materials and building technologies is a fulfillment of that promise.

Sayres Hanging Gardens

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