Sayre2e ch14 images_cap

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Aerial view Florence, Italy: Cathedral (Duomo), Giotto's bell tower (campanile), and the Baptistry, with the Palazzo Vecchio in the distance.

Begun 1296.


Map: Streets and monuments of Florence, Italy, ca. 1500.


Filippo Brunelleschi. Sacrifice of Isaac, competition relief commissioned for the doors of the Baptistery. 1401-2.

21" × 17-1/2".


Lorenzo Ghiberti. Sacrifice of Isaac, competition relief commissioned for the doors of the Baptistery. 1401-2.

21" × 17-1/2".


Lorenzo Ghiberti. The Gates of Paradise, east doors of the Baptistery, Florence. ca. 1445-48.

Height: 15'.


Lorenzo Ghiberti. The Gates of Paradise, east doors of the Baptistery, Florence: Self-portrait. ca. 1445-48.


Lorenzo Ghiberti. The Gates of Paradise, east doors of the Baptistery, Florence: The Story of Adam and Eve. ca. 1425-37.

31-1/4" × 31-1/4".


Lorenzo Ghiberti. The Gates of Paradise, east doors of the Baptistery, Florence: Meeting of Solomon and Sheba. ca. 1425-37.

31-1/4" x 31-1/4"


Musical Notation: Cantus firmus melody from Dufay's Nuper rosarum flores.


Filippo Brunelleschi. San Lorenzo, Florence, Italy: Nave. ca. 1421-69.


Filippo Brunelleschi. San Lorenzo, Florence, Italy: Plan. ca. 1421-69.


Arnolfo di Cambio, Brunelleschi et al. Closer Look: Brunelleschi's Dome: Plan showing historical development of Florence Cathedral.


Arnolfo di Cambio, Brunelleschi et al. Closer Look: Brunelleschi's Dome: Cross-sections, Baptistry and Cathedral, Florence.


Filippo Brunelleschi. Closer Look: Brunelleschi's Dome: Structural ribs and horizontal bands inside the dome fabric (color drawing).


Filippo Brunelleschi. Closer Look: Brunelleschi's Dome: Dante's circles of hell (Venetian color woodcut).


Leon Battista Alberti. Alberti's perspective diagram (black and white drawing).


Masaccio. Trinity with the Virgin, Saint John the Evangelist, and Donors, Santa Maria Novella, Florence. ca. 1425.

21' × 10'5".


Masaccio. Trinity with the Virgin, Saint John the Evangelist, and Donors, Santa Maria Novella, Florence, with orthogonals and vanishing point of

one-point perspective superimposed. ca. 1425.21' × 10'5".


Masaccio. The Tribute Money, Brancacci Chapel, Santa Maria del Carmine, Florence. 1420s.

8' 1" x 19' 7".


Donatello. St. Mark, Orsanmichele, Florence. 1411.Height of figure: 93".


Donatello. David. 1440s.Height: 62-1/4".


Sandro Botticelli. Adoration of the Magi. 1470s.43-3/4" × 52-3/4".


Michelozzo di Bartolommeo. Palazzo Medici-Ricccardi, Florence.Begun 1444.


Leon Battista Alberti. Palazzo Rucellai, Florence. 1446-51.


Luca della Robbia. Cantoria (choir or organ loft) for Florence Cathedral: Detail, Drummers. 1433-40.

42-1/8" × 41".


Sandro Botticelli. Primavera. Early 1480s.6'8" × 10'4".


Piero della Francesca. Portrait Diptych (recto): Battista Sforza and Federigo da Montefeltro. ca. 1472.

Each 18-1/2" × 13".


Piero della Francesca. Portrait Diptych (verso): Triumph of Federigo and Battista da Montefeltro. ca. 1472.

Each 18-1/2" × 13".


Andrea Mantegna. Camera Picta (Painted Chamber), Palazzo Ducale, Mantua. 1465-74.

Room: 62' 6" square.


Andrea Mantegna. Camera Picta (Painted Chamber), Palazzo Ducale, Mantua: Detail, ceiling with fictive oculus. 1465-74.

Diameter of balcony: 5'.


Leonardo da Vinci. Embryo in the Womb. ca. 1510.11-3/4" × 8-1/2".


Leonardo da Vinci. Last Supper, End wall of Refectory, Santa Maria delle Grazie, Milan. ca. 1495-98.

15'1-1/8" × 28'10-1/2".


Leonardo da Vinci. Refectory, Monastery of Santa Maria delle Grazie, Milan, with Leonardo da Vinci’s Last Supper at far end. ca. 1495-98.


Leonardo da Vinci. Portrait of Cecelia Gallerani (Lady with an Ermine). 1483-85.

21" × 15-1/2".


Leonardo da Vinci. Portrait of Mona Lisa. 1503-15.30-1/4" × 21".


Anonymous. The Execution of Savonarola. 1498 or later.


Michelangelo. David. 1501-4.Height: 17' 3".


Michelangelo. Moses. 1513-15.Height: 7'8-1/2".

Sayre2e ch14 images_cap

Spiritual

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