The complex of Santa Maria of Health was built by Fra 'Joseph Nuvolo between 1602 and 1610, while the dome was completed in 1613 The complex of Santa Maria of Health was built by Fra 'Joseph Nuvolo between 1602 and 1610, while the dome was completed in 1613 maggiore.La facade, stucco decorations of the early eighteenth century, is flanked by a high bell tower built between 1612 and 1614 (the maggiore.La facade, stucco decorations of the early eighteenth century, is flanked by a high bell tower built between 1612 and 1614 (the clock is eighteenth-century majolica). Externally hits the beautiful tiled dome yellow and green, especially for its design and typical of the clock is eighteenth-century majolica). Externally hits the beautiful tiled dome yellow and green, especially for its design and typical of the artist progettò.La circular church is one of the first monumental architecture Counter-claims, it consists of a Greek cross and raised artist progettò.La circular church is one of the first monumental architecture Counter-claims, it consists of a Greek cross and raised presbytery, this trick designed by architect brother preesitente to encompass the early Christian basilica, thus allowing direct access to the presbytery, this trick designed by architect brother preesitente to encompass the early Christian basilica, thus allowing direct access to the catacomb. The interior is vast and simple moldings and in the absence of colored decorations, but complex articulation of volumes: it is the catacomb. The interior is vast and simple moldings and in the absence of colored decorations, but complex articulation of volumes: it is the Greek cross inscribed in a square. Many also are the works of art, the contemporary period, which exist along the nave and chapels Greek cross inscribed in a square. Many also are the works of art, the contemporary period, which exist along the nave and chapels laterali.Ai sides of the wall there are two fonts, multicolored marble, dating from the mid-seventeenth century, with the coat of arms' Order laterali.Ai sides of the wall there are two fonts, multicolored marble, dating from the mid-seventeenth century, with the coat of arms' Order domenicano.La first chapel on the right is dedicated to St. Nicholas, depicted in the altarpiece in the glory of the blessed Ceslao of Krakow domenicano.La first chapel on the right is dedicated to St. Nicholas, depicted in the altarpiece in the glory of the blessed Ceslao of Krakow and St. Louis Bertrand. On the right wall of the chapel was placed, the fresco of the Madonna of Health, from the crypt. The painting, dated and St. Louis Bertrand. On the right wall of the chapel was placed, the fresco of the Madonna of Health, from the crypt. The painting, dated between the fifth and sixth centuries, is the oldest known image of Mary in Naples. The second chapel, dedicated to St. Peter Martyr, keeps between the fifth and sixth centuries, is the oldest known image of Mary in Naples. The second chapel, dedicated to St. Peter Martyr, keeps a table dating from around 1610, depicting the Martyrdom of St. Peter Martyr, a Dominican martyr, by the Florentine Giovanni Balducci. The a table dating from around 1610, depicting the Martyrdom of St. Peter Martyr, a Dominican martyr, by the Florentine Giovanni Balducci. The third right, is St. Vincent Ferrer, Spanish Dominican priest, represented in the painting by Luca Giordano while he was preaching to the third right, is St. Vincent Ferrer, Spanish Dominican priest, represented in the painting by Luca Giordano while he was preaching to the crowd. In the oval side of Vincent Siola, the saint is depicted in the act of performing miracles. In the fourth chapel on the right, dedicated to crowd. In the oval side of Vincent Siola, the saint is depicted in the act of performing miracles. In the fourth chapel on the right, dedicated to Our Lady of the Rosary, is the great altarpiece by Giovanni Bernardino Azzolino (1612), enclosed in a cona of carved and gilded wood in the Our Lady of the Rosary, is the great altarpiece by Giovanni Bernardino Azzolino (1612), enclosed in a cona of carved and gilded wood in the first half of the seventeenth century: the painting, in the middle, depicting the Madonna Rosary and Saints. In the predella is the Episode of first half of the seventeenth century: the painting, in the middle, depicting the Madonna Rosary and Saints. In the predella is the Episode of the sentence and at the top of the Albigenses, in coping, the Eternal Father. In the fifth to the right, dedicated to St Catherine of Alexandria, the sentence and at the top of the Albigenses, in coping, the Eternal Father. In the fifth to the right, dedicated to St Catherine of Alexandria, the painting of the Mystical Marriage of St. Catherine is the work of Andrea Vaccaro. Vaccaro still in the next chapel is the St. Catherine of the painting of the Mystical Marriage of St. Catherine is the work of Andrea Vaccaro. Vaccaro still in the next chapel is the St. Catherine of Siena Receiving the Stigmata, built in 1659 as the previous canvas. The seventh chapel on the right is dedicated to Our Lady of Buonconsiglio, Siena Receiving the Stigmata, built in 1659 as the previous canvas. The seventh chapel on the right is dedicated to Our Lady of Buonconsiglio, depicted in a nineteenth-century painting. Recently there has been replaced with a painting by Luca Giordano Saints Pius V and Albert the depicted in a nineteenth-century painting. Recently there has been replaced with a painting by Luca Giordano Saints Pius V and Albert the Great, dating back to bite 1672.Una beautiful staircase leads to the presbytery dominated by the larger, multi-colored marble in the second Great, dating back to bite 1672.Una beautiful staircase leads to the presbytery dominated by the larger, multi-colored marble in the second half of the eighteenth century. Was placed on the altar of the tabernacle work of the goldsmith Conversely Dominican friar Azaria, dated half of the eighteenth century. Was placed on the altar of the tabernacle work of the goldsmith Conversely Dominican friar Azaria, dated 1628. In the apse, in a stucco and papier-mâché, stands the Lady of Health of the Florentine Michelangelo Naccherino of the first decade of 1628. In the apse, in a stucco and papier-mâché, stands the Lady of Health of the Florentine Michelangelo Naccherino of the first decade of the seventeenth century. In the sanctuary, the beautiful wooden choir was built between 1618 and 1620 by Leonardo and Michelangelo the seventeenth century. In the sanctuary, the beautiful wooden choir was built between 1618 and 1620 by Leonardo and Michelangelo Bozzaotra Cecere. The apse was decorated with the Eternal Father in Glory Crescenzio leg of the mid-eighteenth century. On the left is the Bozzaotra Cecere. The apse was decorated with the Eternal Father in Glory Crescenzio leg of the mid-eighteenth century. On the left is the spectacular marble pulpit made by Dionisio Lazzari (1678 approx). Below the presbytery is the entrance to the early Christian basilica. The spectacular marble pulpit made by Dionisio Lazzari (1678 approx). Below the presbytery is the entrance to the early Christian basilica. The stucco decoration is the work of Arcangelo Guglielmelli and Christopher Schor (1708). The frescoes on the side altars with ten stories of stucco decoration is the work of Arcangelo Guglielmelli and Christopher Schor (1708). The frescoes on the side altars with ten stories of martyrs are the painter Bernardino solimenesco Fera. On the floor and walls are placed several tombstones and inscriptions dates ranging martyrs are the painter Bernardino solimenesco Fera. On the floor and walls are placed several tombstones and inscriptions dates ranging from the fifth to the nineteenth centuryfrom the fifth to the nineteenth century

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