Rustic Romance
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Transcript of Rustic Romance
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RUSTIC ROMANCE
KAVITA MAITREYI NEELAKSHI SWARNIMA
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RUSTIC ROMANCE
1.USE OF STONE AS A BUILDING
MATERIAL2.CONSTRUCTION TECHNIQUES
AND
3.ITS AESTHETICAL APPEAL INTHE HINDU, INDO- ISLAMICAND COLONIAL ERAS.
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ROMANCE IS THE EXCITEMENT
AND MYSTIFYING QUALITYTHAT EVERY CRUMBLING
STONE OF THESE WALLS
NARRATE
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STONE HAS ALWAYS BEEN A DESIRABLE
BUILDING MATERIAL AS IT STANDS IN
SPLENDID GLORY AS A COMBINATION OF
SOBERNESS AND ELEGANCE
THE GRANDEUR AND NOBILITY OF THE
BUILDINGS IN STONE LEAVE US PONDERING IF
ANY OTHER MATERIAL CAN CHALLENGE
STONE FOR ITS MYSTIFYING QUALITY.
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BUILDINGS IN STONE HAVE SUPREMACY AND AUTHORITY
THAT CAN BE VISUALLY FELT DUE TO THE HEFTY
CONSTRUCTION
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USES OF STONE AND
CONSTRUCTION
TECHNIQUES
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Construction Techniques
Construction in stone started as early
as the builiding of Sanchi Stupa where
the Indian mason, unaware of the
properties of the stone copied every
technique of timber architecture
painstakingly on to stone.
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Construction in Stone varies slightly
from Hindu Temples to Mughal toColonial Architecture.
Hindu Temples had Structural elementslike the lintel, beam and columns, built
entirely out of stone blocks.
Onto the surface of these blocks
minute sculptures were laboriously
carved out to give the rich and detailed
appearance.
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The earlier mosques due to being built
by Indian masons were constructed inthe same style as Hindu temples . Only
the surface detailing was different.
The domes of these mosques was built
by applying layers of plaster to a
trabeated stone pyramid and thearches were corbelled arches in which
the unwanted extensions were later on
chiseled off.
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Later this technique was advancedonto the construction of the true arch
with voussiors and double domes .
Also most mosques were built out ofrubble masonry with a facing of stones
like sandstone, marble etc.
Also now there was a use of mortar for
the purpose of binding stone blocks
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AESTHETICS AS A
PHILOSOPHICAL THEORY
TO WHAT IS BEAUTIFUL
DEALS NOT ONLY WITH
VISUAL BEAUTY BUT
WITH
UTILITY ORDERLY DISPOSITION
NOBILITY AND
SUSTAINABILITY
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STONE IN THE HINDU ERA
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LADH KHAN TEMPLE
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VIRUPAKSHA
TEMPLE
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SUN TEMPLE
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THE TEMPLES HAVE A UNIQUE STYLE AS A RESULT OF
BEING INTERWOVEN WITH THE THEN EXISTING
ARCHITECTURAL
FABRIC
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THE MIGHTY SUN TEMPLE SPARKLES UNDER THE CH ARM OFTHE MOON
WITHALL ITS GLORY.
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MUKTESHWARA
TEMPL
E
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BELIEVED THAT GOD EXISTS IN THE DETAILS
THE CRUDENESS AND SIMPLICITY
OF THE CONSTRUCTION WITH ALL
THEINTE
NSE
DET
AILING MAKE
THE STRUCTURES LOOK RUSTIC
GIVING THEM A CHARACTER OF
THEIR OWN.
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STONE IN THE INDOISLAMIC
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FATEHPUR SIKRI
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THE ARCHITECTURAL CHARATER REACHED THE ZENITH
OF BRILLIANCE AS AN OUTCOME OF NUMEROUS
EXPERIMENTS
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ATTENTION DRIFTED TO
FAADE
ART
ICULAT
IONBY
COMPOSING THE
COLOURED STONES
ALONG THE FAADE.
..CALLIGRAPHY , FLORAL
AND GEOMETRIC DESIGNSWEREUSED TO
DECORATETHE FAADE.
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STONE EDIFICES
ATTAIN THEIR
ARCHITECTURALENDEAVOR DUE TO
CLARITY AND
RUSTICITY IN THE
STRUCTURE THAT
COULD BE
PRODUCED ONLY
BY STONE..
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I THE COLONIAL
ERA
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THE VICTORIA MEMORIAL
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THE SUPREME COURT
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H
I
G
H
C
O
UR
T
N
AG
P
U
R
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TO OVERSHADOW
STONE (AS AN
INFERIOR ) IS
BEYOND ALL
POSSIBLE EFFORTSOF MANKIND
THE EFFECT
PRODUCED BY IT
IS OF THE
HIGHEST DEGREEAND RENDERS AN
EMINENT QUALITY
TO THE BUILDING
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THE MONUMENTAL MAGNIFICENCE
OF THE STRUCTURETRULY DEIFIES
THE COMMON MAN..
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THEEYE CANNOT ADMIRE WHAT IS BEYOND ITS
PE
RCE
PT
ION.
CRUDE
AND UNSOPH
IST
ICATE
DREPRESENTATION MAKES THE OBJECTAPPEAR
RUSTIC AND OF RURAL NATURE..WE SEETHAT
IT IS BEAUTIFUL IN ITS OWN WAY.
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THE POWER TO INSPIRE COMES FROM THE SPIRITOF LIFE..
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THANK YOU