Rumsey Brian ignite_slideshowpdf

20
Analog vs. Digital The Final Battle http:// farm5.staticflickr.com/ 4088/4840743279_d7fca 91743_o_d.jpg

description

1st draft of ignite slideshow

Transcript of Rumsey Brian ignite_slideshowpdf

Page 2: Rumsey Brian ignite_slideshowpdf

This battle has raged on

since the dawn of the computer age

http://farm4.staticflickr.com/3414/3281139507_31ca7ceedd_o_d.jpg http://farm1.staticflickr.com/137/344980603_0cb3f818e3_o_d.jpg

Page 3: Rumsey Brian ignite_slideshowpdf

So what’s the difference anyway?

http://farm1.staticflickr.com/48/174688752_7e7f4c2820_o_d.jpg

Page 5: Rumsey Brian ignite_slideshowpdf

Tape Saturation

http://farm3.staticflickr.com/2178/2283706616_1551f57eea_o_d.jpg

Why does it sound so good?

Page 6: Rumsey Brian ignite_slideshowpdf

“...restricted high-frequency performance and a fuller

bottom end...”

(Robjohns, Hugh 2010)-Sound On Sound

“...reduced dynamics of signal transients...”

Page 7: Rumsey Brian ignite_slideshowpdf

“...restricted high-frequency performance and a fuller

bottom end...”

=WARMER!!

(Robjohns, Hugh 2010)-Sound On Sound

“...reduced dynamics of signal transients...”

Page 8: Rumsey Brian ignite_slideshowpdf

Tape can be a hassle!

-Degrades over time

-Hard to edit

http://farm1.staticflickr.com/24/54389823_88dbffdf7d_o_d.jpg

Page 9: Rumsey Brian ignite_slideshowpdf

Digital

http://farm2.staticflickr.com/1125/1408755246_4f26e32fcd_o_d.jpg

Page 10: Rumsey Brian ignite_slideshowpdf

“Samples analog waveforms into a limited set of numbers and

records them”

http://farm4.staticflickr.com/3094/2551366937_4d33f44e57_o_d.jpg

(diffen.com)

Page 11: Rumsey Brian ignite_slideshowpdf

http://farm5.staticflickr.com/4098/4856986697_d26f3f3749_o_d.jpg

ultimate flexibility

Page 12: Rumsey Brian ignite_slideshowpdf

http://farm5.staticflickr.com/4020/4285839237_de8239582d_o_d.jpg

Computer recording has no “sound”

Page 13: Rumsey Brian ignite_slideshowpdf

http://farm5.staticflickr.com/4120/4849563093_184d1e581c_o_d.jpg

What goes inComes out EXACTLY

sterile and harsh

Cold and lifeless

Page 14: Rumsey Brian ignite_slideshowpdf

Which one is

better?

Page 15: Rumsey Brian ignite_slideshowpdf

A combination of both!

http://farm7.staticflickr.com/6107/6347903993_0fd6d46661_o_d.jpg

Page 16: Rumsey Brian ignite_slideshowpdf

Tape + DAW

EVIL GENIUShttp://farm1.staticflickr.com/105/285431899_5c6b81ced1_o_d.jpg

=

Page 17: Rumsey Brian ignite_slideshowpdf

CLASPClosed Loop Analog Signal Processor

http://www.endlessanalog.com/wp-content/uploads/2012/05/HI-RES-CLASP-24-FRONT.jpg

Page 18: Rumsey Brian ignite_slideshowpdf

Tape machine control via DAW

Zero Latency

Quick punch on Tape

Analog sound

Digital Functionality

http://www.endlessanalog.com/wp-content/uploads/2012/05/CLASP-CONNECTION-DIAGRAM.png

CLASP Features

Page 19: Rumsey Brian ignite_slideshowpdf

Use an endless tape system

Your ears will thank youhttp://farm3.staticflickr.com/2622/3796058274_d9f85b7255_o_d.jpg

Page 20: Rumsey Brian ignite_slideshowpdf

ReferencesRobjohns, Hugh. "Analogue Warmth" (2010). http://www.soundonsound.com/sos/feb10/articles/analoguewarmth.htm

diffen.com "Analog vs Digital" Accessed 2013 at http://www.diffen.com/difference/Analog_vs_Digital

Endless Analog "CLASP-24" (2012). http://www.endlessanalog.com/products-page/analog-hybrid/clasp-24

O’Nolan, John. “Stand Together” (2010). Taken from http://farm5.staticflickr.com/4088/4840743279_d7fca91743_o_d.jpg

ajmexico. “Zenith Z-19 Terminal” (2009). Taken from http://farm4.staticflickr.com/3414/3281139507_31ca7ceedd_o_d.jpg

Donovan, Matt. “reel to reel” (2005). Taken from http://farm1.staticflickr.com/137/344980603_0cb3f818e3_o_d.jpg

McKay, Dan. “The Thinker” (2006). Taken from http://farm1.staticflickr.com/48/174688752_7e7f4c2820_o_d.jpg

Hardy, Steve. "Neve 8068 recording console" (2008). Taken from http://farm4.staticflickr.com/3273/2820838763_fd15d9161d_o_d.jpg

Gorski, Shane. "Analog is Warmer II" (2008). Taken from http://farm3.staticflickr.com/2391/2449377038_573c2300e3_o_d.jpg

Hardy, Steve. "Studer tape machine" (2008). Taken from http://farm4.staticflickr.com/3217/2821703218_7abe37b475_o_d.jpg

Solheim, Eirik. “Gammel Bndopptaker” (2008). Taken from http://farm3.staticflickr.com/2178/2283706616_1551f57eea_o_d.jpg

Klein, Zach. "Streeter Seidell, Comedian" (2005). Taken from http://farm1.staticflickr.com/24/54389823_88dbffdf7d_o_d.jpg

Pieroni, Daniele. "The almighty mouse" (2007). Taken from http://farm2.staticflickr.com/1125/1408755246_4f26e32fcd_o_d.jpg

Tambako. “Electronic components” (2008). Taken from http://farm4.staticflickr.com/3094/2551366937_4d33f44e57_o_d.jpg

Louie, Kenny. “Finally” (2009). Taken from http://farm5.staticflickr.com/4098/4856986697_d26f3f3749_o_d.jpg

Vancouver Film School. “The New ICON” (2010). Taken from http://farm5.staticflickr.com/4020/4285839237_de8239582d_o_d.jpg

Gordon, Colin. “Untitled” (2009). Taken from http://farm5.staticflickr.com/4120/4849563093_184d1e581c_o_d.jpg

Grübler, Leo. “we are the world” (2011). Taken from http://farm7.staticflickr.com/6107/6347903993_0fd6d46661_o_d.jpg

Robertson, Randy. “Bright Smile” (2006). Taken from http://farm1.staticflickr.com/105/285431899_5c6b81ced1_o_d.jpg

Endless Analog. “HI Res CLASP 24 FRONT” (2012). Taken from http://www.endlessanalog.com/wp-content/uploads/2012/05/HI-RES-CLASP-24-FRONT.jpg

Endless Analog. “CLASP Connection Diagram” (2012). Taken from http://www.endlessanalog.com/wp-content/uploads/2012/05/CLASP-CONNECTION-DIAGRAM.png

Clark, Sue. “Diagrammatic View of the Ear” (2009). Taken from http://farm3.staticflickr.com/2622/3796058274_d9f85b7255_o_d.jpg