RTI Logo Guidelines ENGLISH

5/25/2018 RTI Logo Guidelines ENGLISH

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RIGHT TO INFORMATION GUIDELINES FOR LOGO1

GUIDELINES

FOR LOGOVERSION 1.0 | 2010

GOVERNMENT OF INDIA

Ministry of Personnel, Public Grievances & Pensions

Department of Personnel & Training


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2010.

D. P & T, G I

N I D, A.

, T D P & T, G I

250 & 130 t

Throughout this document trademarked names are

used. Rather than put a trademark symbol in every

occurrence of a trademarked name, it is stated that

the names are used only in an editorial manner and to

the benefit of the trademark holder with no intention

of infringement of the trademark.


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F o be memorable and have

he desired recall value, i is imperaive ha i

be reproduced across several media o com-

municaion in a consisen manner. Te mos

imporan elemens o be consisenly used is

he logo, is colour and he ypography. Tis

ensures ha he audience experiences he

logo in he same manner across all media.

have been developed

o significanly improve and sandardise he

visual presenaion and applicaion o he logo

o Righ o Inormaion.

I personnel responsible

or communicaion or graphic designers or pro-

essional priners, who may use he logo. Te

conen is specific and echnical. Tis bookle

lays down sandard guidelines and pracices

or he use o logo. Tere are very ew rules bu

please ake he ime o read and undersand

how hey work, and how hey can be used

ogeher o ensure a cohesive visual ideniy.

I is crucial ha he logo appears correcly and

consisenly in every communicaion.

A which is mean o in-

orm, he colours as reproduced in his bookle

may no be accurae due o limiaions o he

prining process used. o mach he colours

during prin producion, please use he specifi-

caions menioned.

why theseguidelines?

who shoulduse this?


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A , big or small, or an even,

a campaign or a programme in he public

domain, needs o have is own disinc visual

ideniy in he communicaion era. A visual or

an image which can ranscend all borders o he

writen and read ex across differen languages

a visual which is disinc and represens

he organisaions objecives, purpose or

philosophy and aciviies. Tis visual ideniy

is he one wih which people associae he

organisaion.

On one hand, here is he angible, physical,

recordable appearance o he organisaion,

represened by he visual shape & orm,colour, ypography and a general relaionship

o elemens unique o he design o is visual

ideniy.

On he oher hand, here is he inangible

visible eel which associaes wih elusive ideas

such as sabiliy, ransparency, growh ec., as

well as evokes emoions relaed o he naure o

aciviies carried ou by he organisaion.

what is visual identity?A L o he overall visual

ideniy. A visual logo is designed bu an

ideniy is creaed by consisen use o he logo

and various design elemens over a period o

ime across several applicaions relaed o he

organisaion.

represening he

organisaion ranslaes on o several planes

o visual inerace wih is arge users.

Tese include he basic saionary, business

cards, envelopes, promoional maerial

such as brochures, flyers, adverisemens,

posers hoardings ec; orms, in-house

prined saionary such as vouchers andbills, environmenal design such as ineriors

and signage sysems, vehicles and uniorms,

exhibiions and all promoional maerial in

he visual media.


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NEED FOR A VISUAL IDENTITY

Te ideniy o an organisaion is like is

personaliy. I is somehing ha conveys hrough

visuals, he disincive characer o he company

and is aciviies.

V cerain vial uncions

or he organisaion, boh inernally as well as

exernally. Wihin he organisaion, he ideniy

provides a common umbrella or is employees. I is

a symbol or associaion and developing a eeling o

camaraderie and o eam spiri. Tis helps reinorce

a group ideniy and loyaly owards he company.

For is public ace, he visual ideniy is he mosimporan and handy ool or an organisaion. I is

he one means o communicaion ha can provide

insan recogniion in he public mind. I also

esablishes a disinc characer ha idenifies he

organisaion and helps i sand ou in a compeiive

inormaion age.

COMPONENTS OF A VISUAL IDENTITY

Te visual ideniy or any organisaion broadly

comprises o hree criical componens:

the logo

the colour scheme

type style (fonts)

eiher a symbol, a wordmark; or a

combinaion o boh he logo and he logoype,

gives he visual ideniy o an organisaion.

A consisen and undisored use o he logo

across various applicaions lend he ideniy

a disincive image, powerul enough o be

idenified, recognised and associaed wih he

organisaion.

C are a vial acor in urhering he

overall image. Trough consisen use o he

same se o he colour palete across differen

mediums, he organisaion can build up a very

unique image in he public mind.

and he ons used consisenly

reinorce he visual ideniy and help inmainaining a consisen image hroughou all

he communicaion maerials produced by he

organisaion.


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THE RI GHT TO INFOR MATION ACT, 200 5

An Ac o provide or seting ou he pracical regime o

righ o inormaion or ciizens o secure access o inormaion

under he conrol o public auhoriies, in order o promoe

ransparency and accounabiliy in he working o every public

auhoriy, he consiuion o a Cenral Inormaion Commission

and Sae Inormaion Commissions and or maters conneced

herewih or incidenal here o.

WHEREAS he Consiuion o India has esablished

democraic Republic;

AND WHEREAS democracy requires an inormed

ciizenry and ransparency o inormaion which are vialo is uncioning and also o conain corrupion and o

hold Governmens and heir insrumenaliies accounable

o he governed;

AND WHEREAS revelaion o inormaion in acual

pracice is likely o conflic wih oher public ineress including

efficien operaions o he Governmens, opimum use o

limied fiscal resources and he preservaion o confidenialiy

o sensiive inormaion;

AND WHEREAS i is necessary o harmonise hese

conflicing ineress while preserving he paramouncy o he

democraic ideal;

NOW, HEREFORE, i is expedien o provide or

urnishing cerain inormaion o ciizens who desire o have i.


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S 1

1.1 The Logo 10

1.2. The Signature 12

1.3. Alternate Configuration / Minimum Sizes 14

1.4. Safe Zone / Clearance Space 16

1.5. Usage with other Logos 18

1.6. Colour 201.7. Incorrect Usage: Do Not Do These 22

1.8. Typography 24

S 2

2. Recommended Applications 28

S 3

3.1. Logo File Formats in CD 383.2. Stencil for Hand Painting 40

3.3. Colour Swatches 43

contents

RTI, INDIA

GUIDELINES

FOR LOGO

VERSION 1.0 | 2010


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section 1


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basic guidelinesfor using the logo.

he philosophy o he

logo, and deails ou he basic se o guidelines

on how o use he logo. I also specifies cerain

dos and dons peraining o he usage o he RI

logo. Tis is o ensure ha he ideniy is used

in a consisen manner across all media, wihou

diluing is essence.


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10RIGHT TO INFORMATION GUIDELINES FOR LOGO

A logo. A shee o

paper wih inormaion on i, and he auhoriy

figure behind i providing he inormaion. Tis

represens he wo key sakeholders in he process

o sharing inormaion under he RI Ac.

on he shee o

paper are rendered in a manner ha makes i look

ransparen, showing hrough he orm o i rom

behind. Te solid orm o i is a very simplisic

porrayal o he human orm and can also be

relaed o he i or inormaion.

As a orm, he logo is very simple in is shape and

srucure making i easy o remember, recall and

replicae wih minimal disorion.

Te brigh blue colour sands or ransparency

and purity (free from malpractices) of process.

SECTION 1. THE LOGO

1.1. THE LOGO


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11RIGHT TO INFORMATION GUIDELINES FOR LOGO

SECTION 1. THE LOGO


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1.2. THE SIGNATURE

SECTION 1. THE SIGNATURE

LOGO T EXT /IDENT IF IER IN DIF F ERENT SCRIPT S

VISUAL IDENT IT Y

Te signaure or Righ o Inormaion

comprises of the logo and the identier (in

dierent Indian scripts).

Te preerred configuraion is shown above

and all he oher scrips should also be used in

he same relaive configuraion wih he logo.

For more deails on ypography and on

syles, please reer page 24.


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SECTION 1. THE SIGNATURE

ORIYA / TAMIL

HINDI / MALAYALAM

ALIGN BOTTOM LINE OF

THE TYPOGRAPHY TO

THE CORNER.

DISTANCE BETWEEN LOGO AND

TYPOGRAPHY IS 3 TIMES THE

THICKNESS OF THE STROKE


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1.3. ALTERNATE CONFIGURATION / MINIMUM SIZES

STANDARD / HORIZONTAL CONFIGURATION

SECTION 1. ALTERNATE CONFIGURATION / MINIMUM SI ZES

LOGO T EXT /IDENT IF IER IN DIF F ERENT SCRIPT S

VISUAL IDENT IT Y

e full signature (preferred) of the RTI logo can

be used upo a smalles size o 15 mm heigh, as

shown alongside. Te widh may vary dependingon he scrip used.

F ,

15 .

15 MM HEIGHT.

15 MM HEIGHT.

Te RI signature identity is designed with two variations1) a standard,

preferred horizontal configuration, as shown on tis page, and second

2) the alternate vertical configuration which may be used when there

is less horizontal space.


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THE ALTERNATE / VERTICAL CONFIGURATION

SECTION 1. ALTERNATE CONFIGURATION / MINIMUM S IZES

15 MM HEIGHT.

TH ELOGO

T EXT /IDENT IF IER

IN D IF F ERENT

SCRIPT S

THE

VISUAL

IDENT IT Y

20 MM

HEIGHT.

Tere may be siuaions where, he horizonal space

may no be enough or opimum visibiliy. In such

cases he alernae configuraion o he signauremay be used. In case he ideniy is o be used in a

urher smaller size, i is recommended o use only

the logo (without the text/identier). ese can be

reduced o a size o 8 mm in heigh; as shown on

his page.

8 MM HEIGHT.

DISTANCE BETWEEN LOGO AND

TYPOGRAPHY IS 2 TIMES THE

THICKNESS OF THE STROKE


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1.4. SAFE ZONE / CLEARANCE SPACE

SECTION 1. SAFE ZONE / CLEARANC E SPACE

o he basic

idenifier in any ideniy, i is very imporan ha he

logo and he ypography be used in such a manner

ha i ges is due imporance.

o ensure is inegriy and visibiliy, he RI visual

ideniy should be kep clear o compeing ex,

images oher graphic elemens. Tere mus be

adequae clear space surrounding he ideniy on

all our sides a space equal o he widh o he 5

horizonal lines, as shown on hese pages.


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SECTION 1. SAFE ZONE / CLEARANC E SPACE


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ere may be sitautions where the RTI identity is placed along with symbols/logos

o oher organisaions. In such a scenario firs atemp should be made o give moreimporance o he RI ideniy, however i depends on he relaionship wih he oher

organisaion and heir own branding guidelines.

Preerred combinaions are shown on his page as suggesions and are purely indicaive.

An atemp should be made o keep he RI ideniy owards he lef during horizonal

layous, and on he op during verical layous, as shown here. Please ensure ha he

specificaions or he sae zones are ollowed properly.

1.5. USEAGE WITH OTHER LOGOS

VERTICAL LAYOUTS HORIZONTAL LAYOUTS

SECTION 1. USEAGE WITH OTHER LOGOS


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SECTION 1. USEAGE WITH OTHER LOGOS


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FOR DIRECT APPLICATION ON WALLSSYNTHETIC ENAMEL PAINT/NEROLAC: PHIROZI

FOR FOUR COLOUR OFFSET PRINTINGC 90. M 57. Y 00. K 00.

FOR SCREEN PRINTING ON PAPER/FABRIC ANDSPOT COLOUR OFFSET PANTONE 660 C

FOR WEBSITE / ON SCREENR 27. G 117. B 188

Colour plays a very important role in establishing the visual identity in the

conscious of people, and is chosen very carefully.

Te house colour identified for Right to Information is a bright sobre blue

(Pantone 660 C). Tis bright blue colour stands for transparency and purity

(free from malpractices) of process. Te basic identity uses a single colour

lending it a cutting-edge personality of integrity and high values.

It is recommended that the logo be used on a white or a lighter background

to enhance its visibility and recall value.

1.6. COLOUR

PANTONE660 C

SYNTHETIC ENAMEL PAINT > NEROLAC: PHIROZI, IN THIS PICTURE ON WOOD / PLY / PAPER / METAL.

SECTION 1. COLOUR


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PLEASE NOTE: The coloursshown throughout this booklet

may not be the correct colour

due to difference in printing

process and pigments used.

For matching the exact shade

of colours, always use the

specifications or refer to the

colour swatches provided with

this document.PANTONE is a registered

trademark of Pantone Inc.

However, in situations where the house colour cannot be used due

to limitations of reproduction processes, it is recommended to use

the entire visual identity (logo and the masthead) in black colour

as shown on this page.

An attempt should be made to maintain maximum contrast with

the background colour.

SECTION 1. COLOUR


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o maintain a cohesive singular image across

all communication material, it is imperative tofollow the guidelines in terms of proportion,

type, and colour. Te use of the identifier

(logo and masthead) should be consistent and

should not be distorted or changed in relative

proportion, colour etc.

Te Logo has been designed with a certain logic.

It is very critical to maintain the same relative

proportions and colour across applications toensure a robust and consistent identity.

1.7. INCORRECT USEAGE : DO NOT DO THESE

Please use the files which are provided in the

accompanying CD of details of file formats,please refer to page 38-39. Please do not attempt

to recreate/redraw the logo. A few examples are

shown on this page, which should not be done in

any situation or for any kind of purpose.

USE THE LOGO IN THE ORIGINAL

PROPORTIONS.

USE THE ELECTRONIC FILEPROVIDED. DONT USE A WEB

DOWNLOAD FOR A PRINTED

PUBLICATION.

USE THE SPECIFIED COLOUR.

DO NOT STRETCH OR CONDENSE.

DO NOT REDRAW THE LOGO. IT WILL BE DIFFICULTTO MATCH THE OFFICIAL SPECIFICATIONS.

DO NOT USE TWO, THREE OR MORE COLOURS.

SECTION 1. INCORRECT USEAGE: DO N OT DO THESE


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DO NOT ROTATE THE LOGO.

DO NOT USE THE LOGO IN REVERSE

AGAINST THE SPECIFIED COLOUR.

DO NOT MAKE THE LOGO HOLLOW.

DO NOT USE THE LOGO AGAINST ANY KIND

OF TEXTURE.

DO NOT ADD OUTLINE OF ANY COLOUR TO THE LOGO.

DO NOT USE THE LOGO AGAINST

A DARK BACKGROUND.

DO NOT ADD DROP SHADOW TO THE LOGO.

DO NOT ADD SPECIAL EFFECTS SUCH AS BEVEL

OR EMBOSS TO THE LOGO.

SECTION 1. INCORRECT U SEAGE: DO NOT DO THESE


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1.8. TYPOGRAPHY

Te basic version of the logo defines that the typography used

should be of uniform thickness and bold letters (sans-serif ) tocomplement the visual form of the logo. Examples are provided

for few of the Indian languages.

It is suggested that for other Indian scripts, a similar bold, sans-

serif type be used, following the instructions of relative size and

positioning. Te preferred typefaces are mentioned alongside,

all of which are provided by C-DAC, Pune, under their multi-

language software called, Leap Office.

FOR ENGLISH, PREFERRED TYPEFACE:BELL GOTHIC, BLACK

SECTION 1. TYPOGRAPHY


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FOR ODIYA, PREFERRED TYPEFACE:ORTT SARALA, BOLD

FOR MALAYALAM, PREFERRED TYPEFACE: MLTT KARTHIKA, BOLD

FOR HINDI & MARATHI, PREFERRED TYPEFACE: DVTT YOGESH, BOLD

FOR GUJARATI, PREFERRED TYPEFACE: GJTT MOHAN, BOLD

FOR PUNJABI, PREFERRED TYPEFACE: PNTT AMAR, BOLD

FOR ASSAMESE, PREFERRED TYPEFACE: ASTT DURGA, BOLD

FOR BANGLA, PREFERRED TYPEFACE: BNTT DURGA, BOLD

FOR TAMIL, PREFERRED TYPEFACE: TMTT VALLUVAR, BOLD

SECTION 1. TYPOGRAPHY


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section 2


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suggesions on how

he logo or Righ o Inormaion may be used

or creaing awareness across various media

boh oudoors, and inhouse saionary.

Te proposed visual language is a very clean,

unclutered look wih lo o whie space. Tis

would give imporance o he logo and help

enhance he recall value, across all media.

Te designs o various iems shown in he

ollowing pages, are no final designs in erms

o acual conen, and are purely indicaive.

how the logocan be used.


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2. RECOMMENDED APPLICATIONS: PUBLICATIONS/PRINT

Te logo is the recognizable face for RI. All designs should be such that the logo

gets more importance. Te cover page of publications, reports, guide books andother material should be free of visual clutter.

Tis logo should be given more (or equal) importance on applications such as

workshop kits folders, notepads etc., made for trainings, seminars, consultations,

workshops on this subject.

SECTION 2. RECOMMENDED APPLICATIONS

A GUIDE BOOK ON RIGHT TO INFORMATION ACT, 2005

Government of India

Ministry of Personnel, Public Grievances & PensionsDepartment of Personnel & Training

THIS PAGE:

COVER OF THE GUIDE BOOK.

FACING PAGE:

NOTEPADS AND CONFERENCE

FOLDERS.


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SECTION 2. RECOMMENDED APPLIC ATIONS

Current Issues on Right to Information:A Consultation of ICs14th October 2010. New Delhi.

Department of Personnel and Training, Govt. of India.

Government of India

Ministry of Personnel, Public Grievances & Pensions

Department of Personnel & Training

Current Issues on Right to Information:

A Consultation of ICs

14th October 2010. New Delhi.


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2. RECOMMENDED APPLICATIONS: PUBLICATIONS/PRINT

A rubber stamp could be made with the words, RI Response. Tis

could be used by the PIOs and other authorised staff on the responsesheet/envelopes which contain the response to the RI applications.

Tis shall lend credibility to the entire process.

A sticker could be made in the appropriate language which can be

distributed to all concerned departments. Tis sticker can be put on the

relevant files within the office/department for easy identification and

retrieval of RI related filing or correspondence.

THIS PAGE:

RTI RESPONSE RUBBER STAMP

FACING PAGE:

STICKERS ON FILING SYSTEMS WITHIN THE GOVT. OFFICES



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Te logo along with an appropriate slogans may be painted in rural as well

as urban offices of the Government setup, such as water tanks, panchayatoffices, hospitals, PHCs, municipal corporation buildings etc. Tis would

enhance the visibility and awareness on the issue.

Posters /Bus panels could be designed with an appropriate slogan and the

RI logo for creating general awareness amongst the masses.

2. RECOMMENDED APPLICATIONS: OUTDOORS


THIS PAGE:

BUS PANELS FOR GENERAL AWARENESS

FACING PAGE:

WALL PAINTINGS WITH LOGO AND SLOGANS


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2. RECOMMENDED APPLICATIONS: OUTDOORS

A sticker may be made in the local language

which can directly be pasted on the door of theInformation Commissioners or Public Information

Officers (PIOs) in several departments without

disturbing their existing signage systems. Tis

would help the public relate to the issue and also

identify the location of correct official.

Te logo could be used on postal stationary of

the Indian Government to create mass awareness

across the country.



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THIS PAGE:

USE OF RTI LOGO ON INDIAN POSTAL STATIONARY

FACING PAGE:

STICKER FOR OFFICE OF PUBLIC INFORMATION OFFICER



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section 3


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deails o he digial

files in he accompanying CD. Tese are broadly

divided ino wo caegories or use on prined

material, and for web/on screen applications.

For ensuring ha he correc logo is used across

all media, please use he digial files rom his

master CD. Do not aempt to re-create/redraw

he logo.

F on oudoor media

such as wall painings, a sencil is provided,

which can be made on card/metal and supplied

o he local vendors.

digital files of logo.

colour swatches.


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PURPOSE / FILE FORMATS EPS AI CDR GIF JPG

MICROSOFT WORD DOCS ?

BROCHURES & POSTERS ? ? ?

DISPLAY BANNERS ? ? ?

SIGNAGE ? ? ?

BOOKS & REPORTS ? ? ?

STATIONERY ? ?

VEHICLE GRAPHICS ? ? ?

POWERPOINT DOCUMENTS ?

WEBSITES & BLOGS ? ?

VIDEOS & TV

? RECOMMENDED

ACCEPTABLE

UNACCEPTABLE DONT USE

3.1. LOGO FILE FORMATS IN CD

SECTION 3. LOGO FILE FORMATS IN CD

While creating any promotional material where the logo is used, it is important

to use the correct file format for getting the correct results. Te accompanyingCD has the master artworks of the logo in English and Hindi both the standard/

horizontal and the alternate/vertical versions. Tese files are categorised as per

their intended use: for printing purposes and for online/on-screen usage.

Te EPS format is preferred for any printed projects such as publications, reports,

posters, signs, booklets, stationery, stickers etc. For on-screen projects such as

PowerPoint presentations, websites, blogs, films, television programmes; GIF or

JPG files (depending on the application) should be used.

EPS FILES ARE A SPECIAL FORMAT

FOR PRINTING THAT ALLOWS LOGOS

TO BE PRINTED CLEARLY AT ANY SIZE.

THESE ARE SCALABLE / ENLARGE ABLE.ALTHOUGH THEY MAY APPEAR JAGGED OR

DISCOLOURED WHEN VIEWED ON SCREEN,

EPS FILES WILL PRINT OUT CLEARLY. A TEST

PRINT IS RECOMMENDED.

ALTHOUGH GIF AND JPG FILES CAN LOOK

FINE ON YOUR COMPUTER MONITOR, THEY

MAY PRINT OUT FUZZY OR PIXILLATED

AND OFTEN LOOK WORSE WHEN

ENLARGED. FOR PRINTING PURPOSE, USE

SCALABLE VECTOR EPS FILES OR ADOBE

ILLUSTRATOR OR COREL DRAW FILES

WHENEVER POSSIBLE.


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SECTION 3. LOGO FILE FORMATS IN CD

NAMING OF THE FILES IN THE CD: RTI_STANDARD_SIGNATURE_ENG_COLOUR.EPS

configuration:standard or alternate

language:Hindi orEnglish

colour: / or black

prefixfile format: / / / /

CMYK / RGB digital files

RTI_alternate_SIGNATURE_ENG_colour.ai

RTI_alternate_SIGNATURE_HINDI_colour.ai

RTI_standard_SIGNATURE_ENG_colour.ai

RTI_standard_SIGNATURE_HINDI_colour.ai

RTI_alternate_SIGNATURE_ENG_colour.cdrRTI_alternate_SIGNATURE_HINDI_colour.cdr

RTI_standard_SIGNATURE_ENG_colour.cdr

RTI_standard_SIGNATURE_HINDI_colour.cdr

RTI_alternate_SIGNATURE_ENG_colour.eps

RTI_alternate_SIGNATURE_HINDI_colour.eps

RTI_standard_SIGNATURE_ENG_colour.eps

RTI_standard_SIGNATURE_HINDI_colour.eps

RTI_alternate_SIGNATURE_ENG_colour.gif

RTI_alternate_SIGNATURE_HINDI_colour.gif

RTI_standard_SIGNATURE_ENG_colour.gif

RTI_standard_SIGNATURE_HINDI_colour.gif

RTI_alternate_SIGNATURE_ENG_colour.jpg

RTI_alternate_SIGNATURE_HINDI_colour.jpg

RTI_standard_SIGNATURE_ENG_colour.jpgRTI_standard_SIGNATURE_HINDI_colour.jpg

1 colour / black digital files

RTI_alternate_SIGNATURE_ENG_black.ai

RTI_alternate_SIGNATURE_HINDI_black.ai

RTI_standard_SIGNATURE_ENG_black.ai

RTI_standard_SIGNATURE_HINDI_black.ai

RTI_alternate_SIGNATURE_ENG_black.cdrRTI_alternate_SIGNATURE_HINDI_black.cdr

RTI_standard_SIGNATURE_ENG_black.cdr

RTI_standard_SIGNATURE_HINDI_black.cdr

RTI_alternate_SIGNATURE_ENG_black.eps

RTI_alternate_SIGNATURE_HINDI_black.eps

RTI_standard_SIGNATURE_ENG_black.eps

RTI_standard_SIGNATURE_HINDI_black.eps

1 COLOUR / BLACK DIGITAL FILES CAN BE USED

FOR SCREEN PRINTING OR FOR PHOTOCOPYING.

THE CMYK FILES CAN BE USED FOR MULTI

COLOUR OFFSET PRINTING OR DIGITAL

PRINTING.

THE RGB GIF / JPG FILES SHOULD BE USED

FOR ONSCREEN PURPOSES SUCH AS WEB,

POWERPOINT PRESENTATIONS.


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3.2. STENCIL FOR HAND PAINTING

SECTION 3. STENCIL FOR HAND PAINTING

For hand painting the logo on vertical surfaces such as walls or

banners, a stencil has been created which can be used at the locallevel. Te digital file can be scaled to any size and a stencil can be

made which can be used by the local painters. Tis shall ensure

the replication of the logo in the correct manner. For colour,

please refer to page 20-21.

INDICATION FORPOSITIONING

AND SIZE OF THE

LETTERING


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SECTION 3. STENCIL FOR HAND PAINTING

scalable files for stencil

RTI_logo_STENCIL.eps

RTI_logo_STENCIL.ai

RTI_logo_STENCIL.cdr


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3.3. COLOUR SWATCHES

SECTION 3. COLOUR SWATCHES

RTI BLUE :

PANTONE 660 C

C 90. M 57. Y 0. K 0.

RTI BLUE :

PANTONE 660 C

C 90. M 57. Y 0. K 0.

RTI BLUE :

PANTONE 660 C

C 90. M 57. Y 0. K 0.

RTI BLUE :

PANTONE 660 C

C 90. M 57. Y 0. K 0.

RTI BLUE :

PANTONE 660 C

C 90. M 57. Y 0. K 0.

RTI BLUE :

PANTONE 660 C

C 90. M 57. Y 0. K 0.

RTI BLUE :

PANTONE 660 C

C 90. M 57. Y 0. K 0.

RTI BLUE :

PANTONE 660 C

C 90. M 57. Y 0. K 0.

RTI BLUE :

PANTONE 660 C

C 90. M 57. Y 0. K 0.

RTI BLUE :

PANTONE 660 C

C 90. M 57. Y 0. K 0.

RTI BLUE :

PANTONE 660 C

C 90. M 57. Y 0. K 0.

RTI BLUE :

PANTONE 660 C

C 90. M 57. Y 0. K 0.

RTI BLUE :

PANTONE 660 C

C 90. M 57. Y 0. K 0.

RTI BLUE :

PANTONE 660 C

C 90. M 57. Y 0. K 0.

RTI BLUE :

PANTONE 660 C

C 90. M 57. Y 0. K 0.

RTI BLUE :

PANTONE 660 C

C 90. M 57. Y 0. K 0.

RTI BLUE :

PANTONE 660 C

C 90. M 57. Y 0. K 0.

RTI BLUE :

PANTONE 660 C

C 90. M 57. Y 0. K 0.

RTI BLUE :

PANTONE 660 C

C 90. M 57. Y 0. K 0.

RTI BLUE :

PANTONE 660 C

C 90. M 57. Y 0. K 0.

RTI BLUE :

PANTONE 660 C

C 90. M 57. Y 0. K 0.

RTI BLUE :

PANTONE 660 C

C 90. M 57. Y 0. K 0.

RTI BLUE :

PANTONE 660 C

C 90. M 57. Y 0. K 0.

RTI BLUE :

PANTONE 660 C

C 90. M 57. Y 0. K 0.

RTI BLUE :

PANTONE 660 C

C 90. M 57. Y 0. K 0.

RTI BLUE :PANTONE 660 C

C 90. M 57. Y 0. K 0.

RTI BLUE :

PANTONE 660 C

C 90. M 57. Y 0. K 0.

RTI BLUE :

PANTONE 660 C

C 90. M 57. Y 0. K 0.

RTI BLUE :

PANTONE 660 C

C 90. M 57. Y 0. K 0.

RTI BLUE :

PANTONE 660 C

C 90. M 57. Y 0. K 0.


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3.3. COLOUR SWATCHES

SECTION 3. COLOUR SWATCHES

RTI BLUE :

PANTONE 660 C

C 90. M 57. Y 0. K 0.

RTI BLUE :

PANTONE 660 C

C 90. M 57. Y 0. K 0.

RTI BLUE :

PANTONE 660 C

C 90. M 57. Y 0. K 0.

RTI BLUE :

PANTONE 660 C

C 90. M 57. Y 0. K 0.

RTI BLUE :

PANTONE 660 C

C 90. M 57. Y 0. K 0.

RTI BLUE :

PANTONE 660 C

C 90. M 57. Y 0. K 0.

RTI BLUE :

PANTONE 660 C

C 90. M 57. Y 0. K 0.

RTI BLUE :

PANTONE 660 C

C 90. M 57. Y 0. K 0.

RTI BLUE :

PANTONE 660 C

C 90. M 57. Y 0. K 0.

RTI BLUE :

PANTONE 660 C

C 90. M 57. Y 0. K 0.

RTI BLUE :

PANTONE 660 C

C 90. M 57. Y 0. K 0.

RTI BLUE :

PANTONE 660 C

C 90. M 57. Y 0. K 0.

RTI BLUE :

PANTONE 660 C

C 90. M 57. Y 0. K 0.

RTI BLUE :

PANTONE 660 C

C 90. M 57. Y 0. K 0.

RTI BLUE :

PANTONE 660 C

C 90. M 57. Y 0. K 0.

RTI BLUE :

PANTONE 660 C

C 90. M 57. Y 0. K 0.

RTI BLUE :

PANTONE 660 C

C 90. M 57. Y 0. K 0.

RTI BLUE :

PANTONE 660 C

C 90. M 57. Y 0. K 0.

RTI BLUE :

PANTONE 660 C

C 90. M 57. Y 0. K 0.

RTI BLUE :

PANTONE 660 C

C 90. M 57. Y 0. K 0.

RTI BLUE :

PANTONE 660 C

C 90. M 57. Y 0. K 0.

RTI BLUE :

PANTONE 660 C

C 90. M 57. Y 0. K 0.

RTI BLUE :

PANTONE 660 C

C 90. M 57. Y 0. K 0.

RTI BLUE :

PANTONE 660 C

C 90. M 57. Y 0. K 0.

RTI BLUE :

PANTONE 660 C

C 90. M 57. Y 0. K 0.

RTI BLUE :PANTONE 660 C

C 90. M 57. Y 0. K 0.

RTI BLUE :

PANTONE 660 C

C 90. M 57. Y 0. K 0.

RTI BLUE :

PANTONE 660 C

C 90. M 57. Y 0. K 0.

RTI BLUE :

PANTONE 660 C

C 90. M 57. Y 0. K 0.

RTI BLUE :

PANTONE 660 C

C 90. M 57. Y 0. K 0.


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I D S

Paldi, Ahmedabad 380007. India

Phone +91 79 2662 3692

Fax +91 79 2662 1167

email [email protected] url www.nid.edu

:

Tarun Deep Girdher,

Associate Sr. Faculty & coordinator, Graphic Design

:

Deepak M Mahavar

RTI Logo Guidelines ENGLISH

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