RONAN & ERWAN BOUROULLEC - Centre Pompidou-Metz · Ronan & Erwan Bouroullec were also awarded this...
Transcript of RONAN & ERWAN BOUROULLEC - Centre Pompidou-Metz · Ronan & Erwan Bouroullec were also awarded this...
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RONAN & ERWAN BOUROULLEC, BIVOUAC
CONTENTS
1. PRESENTATION OF THE EXHIBITION . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 02
2. A BRIEF BIOGRAPHY OF RONAN & ERWAN BOUROULLEC . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 03
3. THE WORK OF RONAN & ERWAN BOUROULLEC . . . . . . . . . . . . . . . . . . . . . . . . 04
4. SELECTED WORKS FROM THE EXHIBITION . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 06
5. PUBLICATIONS . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 08
6. LENDERS . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 09
7. CREDITS . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 10
8. PARTNERS . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 12
9. VISITOR INFORMATION . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 15
10. PRESS VISUALS . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 16
RONAN & ERWAN BOUROULLEC, BIVOUAC
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RONAN & ERWAN BOUROULLEC, BIVOUAC
2.A BRIEF BIOGRAPHY OF
RONAN & ERWAN BOUROULLEC
1.PRESENTATION
OF THE EXHIBITION A fabulous Bivouac, staged across 1,000 square metres in Galerie 3 of the Centre Pompidou-Metz, this exhibition of works by Ronan & Erwan Bouroullec sets out the result of almost fifteen years of mutual collaboration. Their first major solo show in France, Bivouac highlights an exceptional international career, during which the two brothers have worked with some of the greatest names in design, been crowned by numerous awards and the presence of their work in public collections.
Imagined as a temporary encampment - hence its name - Bivouac is deliberately divested of scenographic elements other than the Bouroullecs' work. Movement is imparted by contrasting scales, transparency and superpositions. Visitors are invited to wander around the gallery, moving between prototypes and finished objects, mass-produced and hand-crafted works. Bivouac highlights the immense diversity of these creations and economies achieved in production. It also addresses key concepts in the Bouroullecs' research: objects which are nomadic, ephemeral, modular, organic, flexible.
The exhibition is neither an inventory nor a retrospective of their work. Rather, it illustrates the current state of their designs and research, in constant evolution.
This first solo show at the Centre Pompidou-Metz gives pride of place to design as a fundamental and prolific discipline in contemporary creation, and an open field for research at the junction of experimentation and daily life. In keeping with the Centre Pompidou, it emphasises a determination to embrace "art in all its forms" so that visitors might discover a wide spectrum of creation
Ronan Bouroullec, born 1971 and a graduate of the École Nationale Supérieure des Arts Décoratifs in Paris, and Erwan Bouroullec, born 1976 and a graduate of the École Nationale Supérieure d’Arts in Cergy-Pontoise, began working together in 1999.
Their designs are manufactured by such major names as Vitra, Magis, Alessi, Established & Sons, Axor Hansgrohe, Kartell, Kvadrat, Cappellini, Camper and Ligne Roset. Ronan & Erwan Bouroullec are also involved in more experimental design with Galerie Kreo, and occasionally architectural projects.
Named Designers of the Year at the 2002 Paris Furniture Show and the 2011 Maison & Objet show, their other awards include the City of Paris Grand Prix du Design (1998), the New Designer Award at the New York International Contemporary Furniture Fair (1999) and the Copenhagen Finn Juhl Prize (2008). Their work has been shown in a number of solo shows, including at London's Design Museum (2002), the Los Angeles Museum of Contemporary Art, Rotterdam's Museum Boijmans van Beuningen, La Piscine, Musée d'Art et d'Industrie in Roubaix (2004), Villa Noailles in Hyères (2008) and Le Grand Hornu, Belgium (2009).
Their work is part of the collections at institutions such as the Centre Pompidou - Musée National d'Art Moderne and the Musée des Arts Décoratifs in Paris, the Museum of Modern Art in New York, the Art Institute of Chicago, the Design Museum, London, and the Museum Boijmans van Beuningen in Rotterdam.
For the London Design Festival and in partnership with Kvadrat, their Textile Field installation is on display at the Victoria and Albert Museum in London from 15 to 25 September 2011.
Ronan & Erwan Bouroullec were also awarded this year’s commission to design a contemporary addition to the Gabriel staircase at Château de Versailles.
Exhibition posterGraphic design:
EricandMarie
Photo: © Studio Bouroullec
Erwan & Ronan Bouroullec© Ola Rindal
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RONAN & ERWAN BOUROULLEC, BIVOUAC
Within the space of a few years, Ronan & Erwan Bouroullec have constructed an edifice that towers over the landscape of international design. Since their earliest appearances in the late 1990s, their work has brought a new energy to design. At barely twenty years old, they were driven by a determination that few would expect in such young men.
As part of a generation that works under pressure from time, in constant demand for media projects and high-profile events, the Bouroullecs stand out for their long-term view. The consistency of the objects they produce reflects this extended vision. Partitioning, seats and objects occupy the long transparency of the gallery space, dividing, framing, qualifying, giving character. By questioning our everyday habits, the two brothers raise interesting possibilities as to modern lifestyles. Algues, for example, invites the user to organise their living space how they want, by building their own partitions irrespective of conventional architectural logic. The Bouroullecs create objects for a changing, flexible environment that echoes a peripatetic world. A world where nothing is set in stone. Ronan is captivated by nomadic peoples: "Arriving, leaving, simply, pragmatically. I like the softness of Berber tents, the carpets on the ground… These are practical, self-evident, subtly ergonomic solutions, and at the same time they create a backdrop, an atmosphere. They show respect for the environment, leave no trace. It's refined, light, humble."
This freedom is evident in the materials and textiles they choose. Erwan is fascinated by jersey fabrics that adapt to the body's curves without restricting movement. They used this type of ultra-stretch textile to cover Ploum, a sofa whose homogenous form blurs the transition between seat and back. Its comfort comes from a combination of soft memory foam and this highly elastic fabric. The result is a gentle, nest-like form.
Comfort is one of their foremost concerns; in their eyes a responsibility even. Slow Chair is characteristic of this belief. At first glance, this transparent chair suggests none of the comfort of a traditional leather or fabric armchair, Chesterfield or any other well-stuffed seat, and yet… As Erwan explains, "It has the bounce of a tennis racquet. The impression is more sports shoe than slipper! It's a slightly different comfort that will inspire an inevitably different and, I hope, modern behaviour." These references to sport in a domestic context reveal a sign of the times that also emerges in the growing popularity of sportswear which, thanks in part to technical fabrics, has brought a new brand of elegance and well-being to urban dress. This mix of genres – in this case by introducing a hint of sportswear to the home - is one of the brothers' favourite practices. Their work seeks out variety.
Both brothers are intent on making their contribution to diversity in the world, as this is precisely how the world grows. Hence they devote much of their energy to drawing out an object's singular nature, which they might call "fantasy," "surprise," or "astonishment." This form of difference is important, insists Ronan: "It's like meeting some amazing person." This singularity never occurs by chance; it is never a random attribution. It slowly hatches, emerging from a precise definition of the object and a careful balancing of its constituent parts. Through intense concentration, the two designers pinpoint this singularity which they then take to maturity. Their studio is a laboratory. They and their assistants shape, cut, glue, sew, draw, calculate. They make, undo, make again, putting what they have made to the test to take it further still. Adjusting, improving, perfecting. Every detail is the object of infinite attention. Potentially a process without end…
Constance Rubini, head of cultural programming at the Musée des Arts Décoratifs, Paris; general commissioner for
the 2010 Saint Etienne Design Biennial.
Algues2004 Vitra
Injected polyamide
© EricandMarie
North Tiles2006
Kvadrat
Thermocompressed foam, fabric
Centre Pompidou Paris, Musée national d’art moderne - Centre
de creation industrielle, Paris, purchased in 2006
© Tahon & Bouroullec
Losanges2011
Nanimarquina
Woll
© Archives Ronan et Erwan Bouroullec
Slow Chair2007 Vitra
Knitted textile, tubular steel frame, lacquered aluminium legs, cushions, polyurethane foam, polyester fabric
© Tahon & Bouroullec
Algues
Algues is a system allowing the user to freely build more or less dense partitioning that can either filter light and insulate or instead loosely structure space, by assembling a module. The elemental pieces of this module, a sort of biomorphic pixel, are manufactured in a plastic injection mould from which identical pieces can be reproduced on a large scale. The Algues proliferate quasi organically, addressing architecture at the level of the millimetre.
Slow Chair
The specific properties of knitted textiles inspired the design of the Slow Chair. The designers intuitively felt that a knitted fabric could offer sufficient support while subtly adapting to the contours of the body. Two pieces were industrially manufactured that fulfilled these expectations. The seat and back form one knitted piece, stretched over a tubular frame, the feet attachments providing the piece’s rigidity. Here, form, material and function are interrelated.
North Tiles
Originally conceived for the Kvadrat showroom, the North Tile—like Algues and Nuages—is part of a larger reflection on lightweight options for partitioning spaces. In this example, the fabric “tiles” are formed into suspended partitions, somewhere between a wall and a screen, ensuring complete visual insulation and a muffled atmosphere. The tiles can be assembled by hand using a folding technique, enabling the user to create an endless amount of partitions of all sizes and colours.
Losanges
For Ronan and Erwan Bouroullec, Losanges was an opportunity to use the crafting techniques of the traditional Persian rug, called a kilim, which has always fascinated them. This four-piece collection was produced by carpet weavers from northern Pakistan who spin, dye and weave the wool used in Losanges by hand, bringing out the carpet’s unique colours. Thirteen colours are combined within the geometrical rhombus shape of the rug.
3.THE WORK OF
RONAN & ERWAN BOUROULLEC
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NUAGESThe polystyrene Nuages, designed to create temporary configurations, are reminiscent of a construction set. They interlock organically like “a growing plant, persistently reproducing its articulating nodes”(1). The piece is easy to install, without the need for a set plan or particular skills. Nuages make it possible to intuitively and dynamically partition a space, guided simply by one’s imagination.
(1) Phaidon, 2004.
ALCOVE COLLECTIONThe Alcove collection features an unusually high backrest, allowing the user to withdraw physically and psychologically from surrounding activity. The collection’s comfortable contours introduce new ways to occupy a room. Easy to install, match and move around, these sofas represent an island of calm, a place to relax or enjoy a private conversation, especially in collective environments such as work spaces.
CLOUDSClouds is a fabric-based modular system. With these foam and cloth petals combined with elastic bands, the user can build threedimensional volumes to be suspended in a room or hung on the wall. Similarly to a living organism, Clouds creates surfaces that are both even and chaotic, able to evolve according to user-defined geometries. The system’s infinite possibilities offer complete freedom in creating customized pieces.
OVALE COLLECTIONOvale Collection: the name is misleading, since none of the pièces is perfectly oval-shaped. Though based on the same principle, each piece is slightly different. These containers were not designed for a unique, fixed use or a specific culture; rather, they feature interchangeable and universal shapes. Their familiar appearance and versatility place Ovale within the simplicity of everyday life.
LIANESSpaces such as Galerie Kreo represent an alternative to the constraints of industrial manufacturing by making possible the production of a limited number of experimental objects. Lianes lamps are completely sheathed in leather, concealing the technical aspects behind a natural material and an unusual shape. The sewing technique and the length of cable leave room for a certain amount of adjustment, offering the user a great degree of freedom in their use and composition.
JOYN OFFICE SYSTEMJoyn Office System started off the collaboration between the designers and Swiss manufacturer Vitra. With this first piece of office furniture, they wished to create a common platform for work spaces. Their proposition is both universal and streamlined: a collection of vast, shared tables large enough to accommodate several people, without hierarchical markers. A series of accessories characterized by pure contours enable the user to adapt the table to his needs.
Nuages 2002 Styrofoam
© Ronan & Erwan Bouroullec
Alcove High Back Sofa 2007 Vitra
Fibreglass panels, foam, textile, metal frame
© Tahon & Bouroullec
Clouds2008Kvadrat
Thermocompressed foam, double-injected elastic bands, fabric
© Tahon & Bouroullec
Ovale Collection2010 Museo Alessi
Stoneware, glass and stainless steel
© Studio Bouroullec
Lianes2010Galerie Kreo
Fibreglass, Corian ®, Leather
Collection Galeries Lafayette
© Tahon & Bouroullec
Joyn Office System2002Vitra
Lacquered MDF, metal frame and elements, various materials
© Vitra
PLOUMThe Ploum sofa is an exercise in comfort and combines two materials: stretch-fabric upholstery and ultra-flexible resilient foam. The shape and proportions were specially studied to allow the body to recline in many different positions on the sofa’s supple, quilted surface without edges. According to the designers, "the use of a stretch fabric is symbolic of our contemporary lifestyles, in which versatility and comfort seem to us to be essential."
Ploum2011 Ligne Roset
Polyurethane, knitted textile, metal frame
© studio Bouroullec
4. SELECTED WORKS
FROM THE EXHIBITION
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5. PUBLICATIONS
IPAD-APPA digital catalogue will be published as an interactive presentation of many of their research designs and prototypes. This catalogue provides additional information and images extending the exhibition beyond the gallery and into the creative process behind some of the works. Published as an iPad app, it can be downloaded from Apple's App Store.
It uses the digital medium to provide a new perspective on the subject which other media, print in particular, cannot achieve. This application is an opportunity to explore the work of Ronan & Erwan Bouroullec in an engaging and different way.
The catalogue targets a wide audience. As well as a downloadable application, it can be consulted on iPads inside the exhibition itself.
bouroullec.com/ipad
CATALOGUEA catalogue will accompany Ronan & Erwan Bouroullec, Bivouac.Scheduled for publication early 2012.
Published by Éditions Centre Pompidou-Metz.
Editors in chiefHélène Guenin and Laurent Le Bon
AuthorsAndrea Branzi, Alex Coles, Christine Colin, Valérie Mrejen, Alice Rawsthorn and Eric Troncy
EditorsClaire Bonnevie, Elsa Belaieff
PhotographerPaul Tahon
Graphic DesignEricandMarie
6. LENDERS
LENDERS AND MANUFACTURERS
GERMANYSCHILTACH
AxorPhilippe Grohe, Brand Director
WEIL AM RHEIN-FISCHINGEN
Vitra Design MuseumMateo Kries, Director
DENMARKEBELTOFT
KvadratAnders Byriel, Managing Director
SPAINBARCELONA
NanimarquinaNani Marquina, Director
FRANCEPARIS
Centre PompidouAlain Seban, President
Alfred Pacquement, Director of the Musée National d’Art Moderne
Galerie KréoClémence and Didier Krzentowski, Directors
Groupe Galeries LafayetteGuillaume Houzé Président du directoire, Directeur adjoint du marketing
Archives Ronan & Erwan Bouroullec
BRIORD
Édition Ligne RosetMichel Roset, Chairman of the Roset Group – Managing Director Roset SA
Pierre Roset , Chairman and Chief Executive of Roset SA
SEDAN
TecsomMichel Grosselin, Chairman and Chief Executive
UNITED KINGDOMLONDON
Established & SonsMaurizio Mussati, Managing Director
Sebastian Wrong, Co-Founder and Director of the Design Department
Swarovski Nadja Swarovski, Director of Communications for Swarovski Crystal
Business and Member of the Board of Directors
ITALYBRESCIA- BOVEZZO
Flos Piero Gandini, Chairman and Chief Executive
MAILAN – MEDA
CappelliniGiulio Cappellini, Chairman and Chief Executive
MAILAN – NOVIGLIO
Kartell Claudio Luti, Chairman and Chief Executive
MODENA – FIORANO
MutinaMassimo Orsini, Chairman
Emanuele Marcato, Vice President
Michel Dallafiora, Managing Director
Giuliana Ricci, Brand Director
UDINE - SAN GIOVANNI AL NATISONE
Mattiazzi srlFabiano Mattiazzi, Owner and Company Director
Nevio Mattiazzi, Owner and Company Director
VENICE -TORRE DI MOSTO
MagisEugenio Perazza, Chairman and Chief Executive
Alberto Perazza, Co-Director
Barbara Minetto, Marketing Director
VERBANO-CUSIO-OSSOLA - OMEGNA-CRUSINALLO
Museo Alessi / Alessi SpaAlberto Alessi, Chairman and Chief Executive
SWITZERLANDBIRSFELDEN
Vitra Rolf Fehlbaum, Chairman and Chief Executive
Bitossi Ceramiche (Italy), Coromandel (France), Habitat (United Kingdom)
Japan Brand (Japan), Teracrea (Italy)
RONAN & ERWAN BOUROULLEC, BIVOUAC
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RONAN & ERWAN BOUROULLEC, BIVOUAC
BOARD OF ADMINISTRATORS
Alain Seban
President
Jean-Marie Rausch
Honorary President
Jean-Luc Bohl
Vice-President
Representing the Centre Pompidou
Alain Seban, President, Agnès
Saal, General Director, Jean-Marc
Auvray, Director of Legal and
Financial Affairs, Bernard Blistène,
Director of Cultural Development,
Frank Madlener, Director of
IRCAM (Institut de Recherche
et Coordination Acoustique /
Musique), Alfred Pacquement,
Director of the Musée National
d’Art Moderne, Vincent Poussou,
Director of Educational and Public
Programmes
Representing Metz Métropole
Jean-Luc Bohl, President, Antoine
Fonte, Vice-President, Pierre
Gandar, Community Councillor,
Patrick Grivel, Community
Councillor, Henri Hasser, Vice-
President, Thierry Hory, Vice-
President, William Schuman,
Community Councillor
Representing the Conseil Régional de Lorraine
Jean-Pierre Masseret, President,
Nathalie Colin-Oesterle, Regional
Councillor, Josiane Madelaine,
Vice-President, Roger Tirlicien,
President of the Commission
du Lien Social et des Relations
Interrégionales, Thibaut Villemin,
Vice-President
Representing the State
Christian Galliard de Lavernée,
Prefect of the Lorraine Region,
Prefect of the Moselle Department
Representing the City of Metz
Dominique Gros, Mayor of Metz
Richard Lioger, First Deputy Mayor
Ex-Officio
Frédéric Lemoine, Chairman of the
Wendel Group Executive Board
Patrick Weiten, President of the
Conseil Général de la Moselle
Representing Staff of the Centre Pompidou-Metz
Philippe Hubert, Technical Director
Benjamin Milazzo, Visitor Relations
and Membership Officer
Management
Laurent Le Bon Director
Claire Garnier Personal Assistant
und Project Coordinator
General Secretariat
Emmanuel Martinez Secretary General
Pascal Keller Assistant Secretary General
Julie Béret Administrative Coordinator
Hélène de Bisschop Legal Advisor
Émilie Engler Secretarial Assistant
Department of Administration and Finance
Jean-Eudes Bour Head of Department - Accountant
Jérémy Fleur Accounts Assistant
Audrey Jeanront Human Resources Management
Assistant
Ludivine Morat Administrative Coordinator
Alexandra Morizet Public Contracts Coordinator
Department of Building Maintenance and Operations
Philippe Hubert Technical Director
Christian Bertaux Head of Building Maintenance
Sébastien Bertaux Chief Electrician
Vivien Cassar Technical Coordinator
Jean-Pierre Del Vecchio Systems and Networks
Administrator
Christian Heschung Head of Information Systems
Stéphane Leroy Operations Manager
André Martinez Head of Security
Jean-David Puttini Painter
Department of Communications and Development
Annabelle Türkis Head of Department
Erika Ferrand-Cooper Communications and Events Officer
Marie-Christine Haas Multimedia Communications
Officer
Louise Moreau Communications and Press
Relations Officer
Marine Van Schoonbeek Communications and Public
Relations Officer
Amélie Watiez Communications and Events Officer
Aurélien Zann Multimedia Communications
Officer
Pauline Fournier Public Relations Assistant
(cooperative education programme)
Department of Production
Anne-Sophie Royer Head of Department
Charline Becker Project Manager
Clitous Bramble Galleries Registrar
Géraldine Celli Performing Arts Production Officer
Alexandre Chevalier Galleries Registrar
Jean-Philippe Currivant Technical Registrar
Olivia Davidson Project Manager
Jennifer Gies Project Manager
Thibault Leblanc Performing Arts Registrar
Éléonore Mialonier Works Registrar
Fanny Moinel Project Manager
Irene Pomar Works Registrar
Department of Programming
Hélène Guenin Head of Department
Ada Ackerman Research and Exhibitions Officer
Camille Aguignier Editing Assistant
Elsa Belaieff Editor
Claire Bonnevie Editor
Matthieu Goeury Studio and Wendel Auditorium
Programming Officer
Anaïs Lellouche Programming Assistant and
Assistant to the Director
Alexandra Müller Research and Exhibitions Officer
Dominique Oukkal Manufacturing Coordinator
Aurélia Ongena Studio and Wendel Auditorium
Programming Assistant
Élodie Stroecken Coordinator and Assistant to the
Department
Department of Visitor Relations
Aurélie Dablanc Head of Department
Fedoua Bayoudh Visitor Relations and Tourism
Officer
Djamila Clary Assistant to the Department
Jules Coly Visitor Relations, Information and
Accessibility Officer
Anne-Marine Guiberteau Youth Programming and Activities
Officer
Benjamin Milazzo Visitor Relations and Membership
Officer
Anne Oster Educational Establishments
Relations Officer
Internship Assistants
Ophélie Binet, Evelyne Briand,
Caroline Darcq, Nastasia Gallian,
Nadia Kabbach, Eliane de
Larminat, Sarah Ligner, Juliette
Pollet, Marianne Pouille
FRIENDS OF THE CENTRE POMPIDOU-METZ
Friends of the Centre Pompidou-
Metz is a non-profit organisation
whose purpose is to accompany
the Centre in its cultural projects,
and to enlist the support of
the business world and private
individuals who wish to make their
contribution.
Jean-Jacques AillagonFormer Minister of Culture
President
Ernest-Antoine Seillière
Chairman of the Wendel
Supervisory Board
Vice-President
Lotus MahéArt Historian
Secretary General
Philippe BardPresident of Demathieu & Bard
Treasurer
Charline GuilleAssistant to the Secretary General
7.CREDITS
RONAN & ERWAN BOUROULLEC, BIVOUAC IS A CENTRE POMPIDOU-METZ PRODUCTION
RONAN & ERWAN BOUROULLEC, BIVOUAC EXHIBITIONCurators
Hélène Guenin
Laurent Le Bon
Production Manager Jennifer Gies
Works RegistrarOlivia Davidson
Galleries RegistrarsClitous Bramble
Alexandre Chevalier
Site Operations and Coordination
Stéphane Leroy
Audiovisual RegistrarJean-Philippe Currivant
Texts for Signage, Brochure and iPad Application Atelier Ronan and Erwan Bouroullec,
Hélène Guenin, Juliette Pollet and
Constance Rubini
ATELIER RONAN & ERWAN BOUROULLECProject Manager Felipe Ribon
AssistantsMichel Giesbrecht
Claire Lavabre
Coordination Fanny Morere
Montserrat Alvarez
Printing Charles Petillon
iPad Application notdefined
Alain Bellet
Film Benoit Rossel
Exhibition Signage and Catalogue GraphicsEricandMarie
Eric and Marie Gaspar
Signage CoordinatorAurèlia Monnier
Les Pointilleuses, Céline Derouet
Manufacture and Installation of SignageLDpublicité
Guillaume Lesourd
ConstructionLumideco
Bruno Ischia, Guy Ischia, Icham
Badaoui, Harut Davidtsian, Thomas
Drenntel, Fabien Fraysse, Eric
Jost, Didier Quelquejeu, Bernard
Schutz, Corentin Sitter and Franck
Winterstein
Wood Supply for ShelvingDinesen
Heidi and Thomas Dinesen,
Christine Dinesen, Birgitte Husted
"Cloud Modules" and "Brick"CAPAG
Cyrille Lerouzel
Photographic PrintsCharles Petillon
Corian® iPad Display Stands and FramesCrea Diffusion
Laurent Delles, Thierry Delles
RugsNanimarquina
Nani Marquina
Nathalie Danton
FlagDoublet
Sylvie Davelu and Marion Porzio
LightingTeksas
Axel Bechler, Gérard Calbat,
Laurent Dumas, Pierre
Gammacurta and Laurent
Meylender
Technical InspectionDEKRA inspection
Jean-Michel Hoareau
Works InsuranceBlackwall Green
Robert Graham and Camilla
Stephens
Shipping and Packing
Crown Fine Arts
Hanging ServicesArtrans
Richard Grellier, Wahiba Khenifi,
Ismaël Jullien, Didier Montes,
Christian Muller, Sébastien
Schaeffer, Laurent Tag
Audiovisual ServicesAudiovisuel Solutions
Angélique Attali, Jean-Michel
Ruppert and Lionel Schwarz
Electric CablesCofely and Inéo
Jean-Michel Bersweiler, Christophe
Lere and Olivier Ritleng
RestorersClémentine Bollard, Genovefa Le
Bris du Rest, Lucie Duméry and
Gaël Quintric
Internship AssistantsProduction Department
Evelyne Briand
Marianne Pouille
Programming Department
Juliette Pollet
Ecole Supérieure d'Art de Lorraine
Béranger Barois
François Bellabas
Mathieu Cailotto
Manon Devanant
Anais Frioux
Bernard Gissinger
Cyrielle Levêque
Lucie Linder
Sophie Lux
Lauriane Morize
Pierre Von-Ow
The Centre Pompidou-Metz would
like to thank its service providers
and their teams: Clean Alliance,
Cofely, Flammarion bookshop,
Phone Régie, La Voile Blanche
restaurant and SGP.
RONAN & ERWAN BOUROULLEC, BIVOUAC
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8.PARTNERS
The Centre Pompidou-Metz is the first offshoot of a French cultural institution, the Centre Pompidou, developed in collaboration with a regional authority, the Communauté d'Agglomération Metz Métropole (the combined district council for the Greater Metz area).
Greater Metz was the contracting authority for the project and provided the majority of funding, in association with the City of Metz (agent) and the Centre Pompidou. Construction of the Centre Pompidou-Metz also received funding from the Conseil Général de la Moselle, the Conseil Régional de Lorraine, the French State and the European Union (European Regional Development Fund – ERDF).
The Centre Pompidou-Metz is an Établissement Public de Coopération Culturelle (public establishment for cultural cooperation) whose founding members are the French State, the Centre Pompidou, the Lorraine Region, Communauté d’Agglomération de Metz Métropole and the City of Metz.
The Centre Pompidou-Metz would like to thank all its partners for their essential contribution to the staging of its exhibitions.
We would also like to thank the following companies for their support:Mutina, Dinesen, Tecsom, Crea Diffusion, Apple, Vitra, Kvadrat, Magis, Axor, Alessi.
The exhibition preview was made possible with the participation of: Vranken-Pommery Monopole, Les Tables de Rabelais, Tourism Office in Metz and Lycée Hôtelier Raymond Mondon.
Founding Sponsor
Wendel - Founding Sponsor of the Centre Pompidou-Metz
"A Founding Sponsor since 2010, Wendel is extremely proud to pledge its five-year commitment to the Centre Pompidou-Metz, an initiative which will enable the company to support a flagship project for the Lorraine region, birthplace of the Group and its founding families. We wanted this partnership to adhere to our corporate values of long-term investing, which is a synonym for loyalty and solidarity in our commitments, innovation, which we believe is key to creating not only economic value but also human and artistic activities, and the ambition to step up our international influence in a French region located in the heart of Europe," highlighted Frédéric Lemoine, Chairman of Wendel’s Executive Board, and Ernest-Antoine Seillière, Chairman of the Friends of the Wendel Foundation and a benefactor of the Centre Pompidou-Metz.
Wendel is one of the leading investment companies in Europe, acting as an investor and professional shareholder, promoting the long-term development of companies which are leaders in their sectors: Bureau Veritas, Legrand, Saint-Gobain, Materis, Deutsch, Stahl and Mecatherm.
Founded in 1704 in Lorraine, Wendel Group was committed to the development of the steel industry in France before diversifying its businesses in the late 1970s.
The Group is supported by its reference family shareholder, made up of more than one thousand individual Wendel family shareholders, who are united in the family company Wendel-Participations, which owns 35% of Wendel.
Press Relations: Christèle Lion - + 33 (0) 1 42 85 91 27 - [email protected]
Website: www.wendelgroup.com
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RONAN & ERWAN BOUROULLEC, BIVOUAC
OPENING HOURS Centre Pompidou-Metz is open every day except Tuesday and 1st May. Opening times are as follows (subject to modification):
Monday .................... 11am-6pmTuesday ................... closedWednesday ............. 11am-6pmThursday ................. 11am-8pmFriday ...................... 11am-8pmSaturday .................. 10am-8pmSunday ..................... 10am-6pm
Last ticket sales 45 minutes before closing time.
ADMISSION General admission: €7A ticket gives admission to all the exhibitions showing on the day of your visit.
Free admission (on presentation of an official document) for:— under 26s, — teachers with a Pass Education, — disabled visitors and a companion, — job-seekers who are registered in France
(proof of status must be less than 6 months old),
— beneficiaries of income support (proof of status must be less than 6 months old),
— beneficiaries of a basic State pension, — registered tour guides, — holders of an Icom, Icomos or Aica card, — journalists with a press card, — artists registered with the Maison des
Artistes.
The priority line is for:— holders of a Centre Pompidou-Metz "Pass"
membership card — disabled visitors and a companion— persons with reservations or pre-paid
admission — holders of an Icom, Icomos or Aica card, — journalists with a press card.
For more information:centrepompidou-metz.fr
GROUPS Visit with a Centre Pompidou-Metz guidePrice: €170 Languages: French, English, GermanThe price includes admission, a 90-minute guided tour and group booking fees.Groups are strictly limited to 20 people.
Self-led group visit or with a guide from outside the Centre Pompidou-MetzPrice: €7 per person + €20 booking fee for priority access. Groups are strictly limited to 20 people.
WHERE TO BUY TICKETS On site from the ticket desks or ticket machines.
Online at centrepompidou-metz.fr and from Fnac, Digitick, France Billet and TicketNet.
HOW TO GET TO THE CENTRE POMPIDOU-METZ On foot: a 2-minute walk from the high-speed TGV Metz Ville station; 10 minutes from the historical town centre.
By car: A4 (Paris / Strasbourg) and A31 (Luxembourg / Lyon) motorways, exit Metz Centre. 700-space underground car park on Avenue François Mitterrand, open 24/7.
By coach: A4 (Paris / Strasbourg) and A31 (Luxembourg / Lyon) motorways, exit Metz Centre. Group drop-off zone on Avenue François Mitterrand; reserved coach parking on Avenue Louis Débonnaire.
By train: high-speed TGV Metz Ville station with direct trains from Paris (1hr 20 min) and Luxembourg City (40 min). Lorraine TGV station (29 km from Metz, shuttle service) with direct trains from Lille Europe (2 hrs), Rennes (4 hrs), Bordeaux (5 hrs), and Frankfurt (2 hrs 40 min).
By plane: Metz-Nancy Lorraine Airport (33 km / 20 min), Luxembourg Airport (69 km / 45 min), Sarrebruck Airport (79 km / 1h), Zweibrücken Airport (110 km / 1 hr 20 min).
Centre Pompidou-Metz1, parvis des Droits de L’Homme CS 90490 F-57020 Metz Cedex 1 +33 (0) 3 87 15 39 39 [email protected]
centrepompidou-metz.fr
The Centre Pompidou-Metz is on Facebook and Twitter
9.VISITOR INFORMATION
RONAN & ERWAN BOUROULLEC, BIVOUACOpen to the public 7 October 2011 – 30 July 2012
On 17 March 2011, the PSA Peugeot Citroën sites in Metz and Trémery signed a three-year partnership agreement with the Centre Pompidou-Metz.
The Metz and Trémery sites wish to support the Centre Pompidou-Metz and join local authorities, the Lorraine Region, the City of Metz, and the combined district council for the Greater Metz area in making contemporary art available to all.
This partnership reflects PSA Peugeot Citroën's involvement in its local environment, and contributes to the Group's ambition for responsible development by playing a role within the community.
With over 6,000 employees, the sites in Metz (gearbox manufacture) and Trémery (engine manufacture) are an important part of the PSA Peugeot Citroën Group's industrial platform.
The Metz and Trémery sites opened in Lorraine in 1969 and 1979 respectively. Through them, the PSA Peugeot Citroën Group is the region's biggest private-sector employer. They are proudly rooted in the region's society, economy and industry.
Boasting two world-class brands - Peugeot and Citroën - the Group sold 3.6 million vehicles worldwide in 2010, with almost 40% of sales outside Europe. As the second-biggest European auto maker, in 2010 it generated revenues of €56.1 billion.
PSA Peugeot Citroën has operations in 160 countries and employs 198,000 people worldwide. In 2010 it invested €2.1 billion in R&D, with particular emphasis on new energies. The Group's activities extend to financing (Banque PSA Finance), logistics (Gefco) and automotive equipment (Faurecia).
PSA Peugeot Citroën - Site de Metz PSA Peugeot Citroën - Site de Trémery91 boulevard Solidarité57071 Metz Cedex 03
BP 1008457301 Hagondange Cedex
Contact: Hélène Boulic Contact: Magali LeducTelephone +33 (0)3 87 39 26 0 Telephone +33 (0)3 87 40 35 02Mail: [email protected] Mail: [email protected]
Website: www.tremery.psa.fr
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10.PRESS
VISUALSVisuals for the exhibition can be downloaded at:
centrepompidou-metz.fr / phototheque
Username: presse
Password: Pomp1d57
bouroullec.com/press
Password: moustache
Consider that all the pictures you might get from us pertaining to this exhibition are free for any personal use, public presentation or press publication, but for any commercial use please contact us.
You may not modify or store these images in a retrieval system. Please credit the photographer. Please do not forget to send us a copy of your article when released.
Press Relations
EPCC Centre Pompidou-MetzLouise Moreau
+33 (0)3 87 15 39 [email protected]
Claudine Colin CommunicationValentine Dolla
+33 (0)1 42 72 60 01 [email protected]