Rolando Pérez, Professor, PhD, The Graduate Center of CUNY

OFFICE: 1349A HW

EMAIL: rperez@hunter.cuny.edu

Website: rperez.academia.edu

RESEARCH INTERESTS: While my general specialization is in the area of twentieth century

Latin American literature, my research interests include the relationship between literature and

art and between philosophy and literature. I have, for instance, written on Severo Sarduy and the

Neo-Baroque image of thought, as well as on the very complex Peruvian writer, César Vallejo,

from a philosophical perspective. My on-going projects consist of reading literary texts vis-à-vis

the philosophical concepts of thinkers like Nietzsche, Deleuze, Guattari, Baudrillard, Badiou,

Levinas, and Dussel, to name a few. Lastly, but certainly not least in the order of importance, is

my interest in creative writing. And in 2011 I was honored with the publication of selections

from my literary work in The Norton Anthology of Latino Literature.

PUBLICATIONS

BOOKS

Agorapoetics: Poetics after Postmodernism. Ed. Preface (vii-x). “Introduction: Against Nihilism,

or the Negation of a Negation.” Aurora, CO: The Davis Group, Publishers, 2016. 1-27.

Filosofía y culturas hispánicas: Nuevas perspectivas. Intro and edited with Nuria Morgado.

Newark, Delaware: Juan de la Cuesta-- Hispanic Monographs, 2016.

Severo Sarduy and the Neo-Baroque Image of Thought in the Visual Arts. West

Lafayette: Purdue UP (Purdue Studies in Romance Literatures), 2012.

On An(archy) and Schizoanalysis. New York: Autonomedia/Semiotext(e),1990.

Severo Sarduy and the Religion of the Text. Lanham: University Press of America, 1988.

ARTICLES

“View of Havana/La Habana al Amanecer: Gustavo Pérez Firmat, Severo Sarduy y Pedro Juan

Gutiérrez: Un ensayo bilingüe.” Cuadernos de ALDEEU 31. Primavera 2017. 53-69.

“What is Don Quijote/Don Quixote? And…And…And the Disjunctive Synthesis of Cervantes

and Kathy Acker.” Cervantes ilimitado: cuatrocientos años del Quijote. Ed. Nuria Morgado.

NY: ALDEUU, 2016. 75-100.

“No Poetry Without Poetics: A Manifesto that is a Plea for Manifestos.” Agorapoetics: Poetics

after Postmodernism. Ed. Rolando Pérez. Intro. Aurora, CO: The Davis Group, Publishers, 2016.

175-194.

“The Complicated „colonization‟ of Mr. Cayo: or Miguel Delibes‟ Poetics of Critique and Irony

for a (post)Modern Age.. Co-authored with Nuria Morgado. Agorapoetics: Poetics after

Postmodernism. Ed. Rolando Pérez. Aurora, CO: The Davis Group, Publishers, 2016. 141-165.

“La teología de liberación de César Vallejo vista a través de la ética del otro de Emmanuel

Lévinas y Enrique Dussel.” Filosofía y culturas hispánicas: Nuevas perspectivas. Intro and

edited with Nuria Morgado. Newark, Delaware: Juan de la Cuesta-- Hispanic Monographs, 2016.

283-302.

“La lectura de Nietzsche del Quijote: humor y crueldad.” Cervantes ayer y hoy. Nuria Morgado

and Lía Schwartz, ed.s. New York: Hispanic Society of America, 2016. 93-105.

“Severo Sarduy on Galileo, Kepler, Borromini, and the Coded Language of the Anamorphic

Image.” Romance Notes 56. 2016: 225-233.

“El tungsteno: la fidelidad de César Vallejo y Alain Badiou al Acontecimiento de la Revolución

de Octubre.” A Contracorriente: A Journal on Social History and Literature in Latin America

13. Fall 2016. 178-195.

“Borges and Bruno Schulz on the Infinite Book of the Kabbalah.” Confluencia 31. Spring 2016:

41-56.

“Nietzsche‟s Reading of Cervantes‟ „Cruel‟ Humor in Don Quijote.” eHhumanista 30. 2015:

168-175.

“Los orígenes onto-cosmo-lógicos de Severo Sarduy.” 1616 Anuario de literatura comparada 4.

2014: 253-263.

“Miguel Ángel Zapata y el espacio interior de la poesía.” Anales de la Universidad Central del

Ecuador 372. 2014: 562-567.

“Towards a Genealogy of the Gay Science: From Toulouse and Barcelona to Nietzsche and

Beyond.” eHumanista/IVITRA5. 2014: 546-703.

“Severo Sarduy‟s „Cuba‟: Invented, simulated and crossdressed.” Ciberletras. Vol. 31.

December 2013. 18 pages. http://www.lehman.cuny.edu/ciberletras/v31/perez.htm

“Severo Sarduy and Milan Kundera: On the Matter of Kitsch.” At Whom Are We Laughing?

Humor in Romance Language Literatures. Eds. Zenia Sacks DaSilva and Gregory M. Pell.

Newcastle upon Tyne: Cambridge Scholars Publishing, 2013. 275-285.

“The Cid: War Machine, Self-Made Noble, and Mythic Hero of Menéndez Pidal's

Nationalist Epic.” Heroes and Anti-heroes: A Celebration of the Cid. Ed. Anthony

Cárdenas-Romano. Hispanic Seminary of Medieval Studies. Hispanic Society, N.Y. 2013. 125-

145.

“El barroco de Severo Sarduy: hacia una ética transatlántica.” Galerna: Revista internacional de

literatura X. 2012: 63-69.

___and Nuria Morgado, “La complicada 'colonización‟ del señor Cayo: o el cuestionamiento de

la Modernidad.” Capital Inscriptions: Essays on Hispanic Literature, Film and Urban Space in

Honor of Malcolm Alan Compitello. Ed. Benjamin Fraser. Newark: Juan de la Cuesta-Hispanic

Monographs, 2012. 289-302.

____and Gustavo Pérez Firmat, “El Derecho a la Equivocación: Conversación con Gustavo

Pérez Firmat.” Boletín de la Academia Norteamericana de la Lengua Española. No. 14. New

York: ANLE, Correspondiente de la Real Academia Española, 2011. 351-363.

“Vallejo on Language and Politics.” Letras hispanas: Revista de literatura y cultura 5. (2008):

http://www.modlang.txstate.edu/letrashispanas/previousvolumes/vol5-

2/contentParagraph/0/content_files/file1/perez.pdf

“César Vallejo's Ars Poética of Nonsense: A Deleuzean Reading of Trilce.” Dissidences:

Hispanic Journal of Theory and Criticism 4/5. Fall 2008: http://

www.dissidences/4PerezVallejo.html.

“Irony, Love, and Political Economy in José Asunción Silva's De sobremesa.” Hispanófila 150.

May 2007: 87-102.

“What is 'minor' in Latino Literature.” MELUS: Journal of the Society for the Study of the Multi-

Ethnic Literature of the United States 30. Winter 2005: 89-108.

“The Sadean Poetics of Solitude in Paz and Pizarnik.” Latin American Literary Review 33.

January/June 2005: 5-26.

“Love and Hatred of 'French Theory' in America.” Borderlands e journal 4. (2005):

http://www.borderlandsejournal.adelaide.edu.au/.

“Severo Sarduy.” The Review of Contemporary Fiction 24. Spring 2004: 94-138.

“Bruno Schulz: Literary Kabbalist of the Holocaust.” Occasional papers in Jewish History and

Thought, 1802-0175; no. 20. New York: Hunter College of the City University of New York,

2002.

“Towards a Non-Fascist or An(archical) Way of Life.” Deleuze and Guattari: Critical

Assessments of Leading Philosophers: 3 vol. Ed. Gary Genosko. London: Routledge, 2000: 748-

758.

ENCYCLOPEDIA ENTRIES

“Philosophy.” Co-authored with Linda Martín Alcoff. In Keywords for Latina/o Studies. Eds.

Deborah Vargas, Nancy Raquel Mirabal, and Lawrence La Fountain-Stokes. New York: New

York U P, 2017.

“Bilingual Blues.” (Gustavo Pérez-Firmat). Encyclopedia of Hispanic-American Literature. Ed.

Luz Elena Ramírez. New York: Facts on File, 2008. 37-38.

“Pérez Firmat, Gustavo.” Encyclopedia of Hispanic-American Literature. Ed. Luz Elena

Ramírez. New York: Facts on File, 2008. 267-269.

“Stavans, Ilan.” Encyclopedia of Hispanic-American Literature. Ed. Luz Elena Ramírez. New

York: Facts on File, 2008. 330-332.

“Barroco/Baroque.” The Encyclopedia of Caribbean Literature. Vol. 1: A-L. Ed. Danilo

Figueredo. Westport: Greenwood Press, 2006. 65-67.

“Cuban-American Literature” with D.H. Figueredo. The Encyclopedia of Caribbean Literature.

Vol. 1: A-L. . Ed. Danilo Figueredo. Westport: Greenwood Press, 2006. 200-201.

“Cuban Literature, History of” with D. H. Figueredo. The Encyclopedia of Caribbean Literature.

Vol. 1 A-L. Ed. Danilo Figueredo. Westport: Greenwood Press, 2006. 201-205.

“Teresa Dovalpage (1966-).” The Encyclopedia of Caribbean Literature. Vol. 1: A-L. Ed.

Danilo Figueredo. Westport: Greenwood Press, 2006. 263-264.

“Ricardo Pau-Llosa (1954-).” The Encyclopedia of Caribbean Literature. Vol. 2: M-Z. Ed.

Danilo Figueredo Westport: Greenwood Press, 2006. 611-612.

“Severo Sarduy (1937-93).” The Encyclopedia of Caribbean Literature. Vol. 2: M-Z. Ed. Danilo

Figueredo. Westport: Greenwood Press, 2006. 728-730.

“Cuban-Americans.” Encyclopedia Latina: History, Culture, and Society in the United States. 4

vols. Vol. I. Ed. Ilan Stavans . New York: Grolier, 2005. 424-430.

BOOK REVIEWS

Figurative Inquisitions: Conversion, Torture, and Truth in the Luso-Hispanic Atlantic by Erin

Graff Zivin. Evanston: Northwestern U P, 2014. In Arizona Journal of Hispanic Cultural Studies

20. 2016: 310-313.

Pliegues visuales: narrativa y fotografía en la novela hispanoamericana contemporánea by

Magdalena Perkowska. Madrid: Iberoamericana, 2013. In Arizona Journal of Hispanic Cultural

Studies 19. 2015: 300-303.

Intellectuals and Power: The Insurrection of the Victim by François Laruelle in conversation

with Philippe Petit. Cambridge: Polity, 2015. “Intellectuals in the Age of Capitalist Nihilism” in

Radical Philosophy 193. September/October 2015: 60-62.

Ethics of Liberation in the Age of Globalization and Exclusion by Enrique Dussel. Durham:

Duke UP, 2013. In College Literature 41. Fall 2014: 140-143.

Firefly by Severo Sarduy. Translation of Cocuyo by Mark Freid. Brooklyn: Archipielago Books,

2013. In Review: Literature & Arts of the Americas 88. May 2014: 117-118.

Letras arrebatadas: Poesía y química en la transición española by Germán Labrador Méndez.

Madrrid: Devenir, 2009. In Arizona Journal of Hispanic Cultural Studies 17. 2013: 263-265.

Pensar por lo breve: Aforística española de entresiglos. Antología 1980-2012 by José Ramón

González. Madrid: Ediciones Trea, 2013. In Letras Hispanas 9. Fall 2013: 94-96.

Spanish Fiction in the Digital Age: Generation X Remixed by Christine Henseler. NY: Palgrave

2011. In Siglo XXI: Literatura y cultura españolas 9/10. 2011-2012: 226-229.

Cuban Currency: The Dollar and the "Special Period" Fiction by Esther Whitfield. U. of

Minnesota P, 2008). In Arizona Journal of Hispanic Cultural Studies 15. (2011): 192-195.

Coloniality at Large: Latin America and the Postcolonial Debate. Eds. Mabel Moraña, Carlos A.

Jáuregui, Enrique Dussel. Chapel Hill: Duke UP, 2008. In Arizona Journal of Hispanic Cultural

Studies 13 (2009): 221-223.

Essays on the Literary Baroque in Spain and Spanish America by John Beverly. London:

Tamesis, 2008. In Arizona Journal of Hispanic Cultural Studies 13 (2009): 226-228.

Parable Hunter by Ricardo Pau-Llosa. Pittsburgh: Carnegie Mellon UP, 2008. Review:

Literature and Arts of the Americas 78. May 2009: 147-150.

CREATIVE WRITING

La comedia eléctrica. Translation of The Electric Comedy. Óscar Curieses. Madrid: Armargord

(Transatlantic Literature), 2017.

Selections from The Lining of Our Souls, The Electric Comedy, and The Divine Duty of

Servants. In The Norton Anthology of Latino Literature. Ed. Ilan Stavans. NY: W. W. Norton,

2011. 2225-2230.

“Office at Night” from The Lining of Our Souls (prose poems based on selected paintings by

Edward Hopper (2002). In Arguing about literature: A brief guide. Eds. John Schilb and John

Clifford. Boston: Bedford/St. Martin‟s Press, 2014. 158-162.

“Canto 10” from The Electric Comedy (2000). Portable Legacies: Fiction, Poetry, Drama,

Nonfiction. Second Edition. Eds. Jan Zlotnik Schmidt and Lynne Crockett. Boston: Wadsworth

Cengage Learning, 2013. 139-140.

The Lining of Our Souls: Excursions into selected paintings of Edward Hopper -New/revised

edition. Illustrated. Preface by Gail Levin. New York: Cool Grove Press, April 2002.

The Electric Comedy (poetry, a post-modern version of Dante's Divina Commedia). New York:

Cool Grove Press, 2000.

The Divine Duty of Servants: A Book of Worship (fiction, based on the artwork of Polish

writer/artist and Holocaust victim, Bruno Schulz) New YorkL Cool Grove Press, 1999.

Reviewed in:

Stern, Ariann. The Slavic and East European Journal 46 (2). Summer 2002. 405.

Cited in:

Chrostowska, S.D. “„Masochistic Art of Fantasy‟: The Literary Works of Bruno Schulz in the

Context of Modern Masochism.” Russian Literature LV. 2004. 469-501.

The Lining of Our Souls (prose poems based on selected paintings by Edward Hopper). New

York: Stranger Books, 1995.

The Odyssey (fiction) New York: Brook House Press, 1990).

The Odyssey (fiction) Online. Alexander Street Press: Latino Literature database 2005.

Tea Ceremonies for Winter (poetry). Online. Alexander Street Press: Latino Literature database

2005

H is for Box (play). Online. Alexander Street Press: Latino Literature database 2005

The House that Ate Their Brains (play). Online. Alexander Street Press: Latino Literature

database 2005.

Plays and Playthings (play). Online. Alexander Street Press: Latino Literature database 2005.

Janus Dies? (play). Online. Alexander Street Press: Latino Literature database 2005.

CITATIONS (partial list):

BOOKS

Severo Sarduy and the Neo-Baroque Image of Thought in the Visual Arts. West Lafayette:

Purdue UP (Purdue Studies in Romance Literatures), 2012. Cited in:

Clark, Paula C. “Severo Sarduy a varias voces: análisis musical de „La playa‟ y „Relato.‟”

Hispanófila 175. December 2015. 273-287.

Férez Mora, Pedro Antonio. “La angelología de Severo Sarduy: Aquí y ahora.” Hispanófila 174.

June 2015: 41-56.

Moreno, Alejandro. La Opuesta en Escena: El teatro de la Voz en la dramaturgia de Severo

Sarduy. Dissertation. New York University. 2016.

Park, Paula. “Replaying Joyce: Echoes from Ulysses in Severo Sarduy‟s Auditory Imagination.”

In Price B.L., Salgado C.A., Schwartz J.P. Eds. TransLatin Joyce. Literatures of the Americas.

New York: Palgrave Macmillan, 2014. 155-177.

Quesada, Catalina. “Coronando el Neo(Barroco). Espejos gongorinos en la obra de Severo

Sarduy.” Romance Notes 55(2): 2015: 285-299.

Santucci, Silvana F. “Asimilaciones teóricas de Severo Sarduy, comentarios sobre la analogía

plastic.” Boletim de Pesquisa NELIC. 12(18): 2012. 159-175. DOI:

http://dx.doi.org/10.5007/1984-784X.2012v12n18p159

Santucci, Silvana F. “Participación de Sarduy en la prensa literaria. Una entrevista fuera de lugar

a Mariano Rodríguez.” Orbis Tertuis. XIX(20). 2014: 59-66.

Talley,Virginia Burnice. Hybridity in the Novels of José Donoso, Severo Sarduy, Diamela Eltit,

and Pedro Lemebel. Dissertation. University of Virginia. May 2007.

On An(archy) and Schizonalaysis. New York: Autonomedia/Semiotext(e), 1990. Cited in:

Asensi Pérez, Manuel. “Estructuras descentradas: Para una crítica de la historiografía de la teoría

literaria.” Signa. 13. 2004: 13-37.

Ballif, Michelle. Seduction, Sophistry, and Woman with the Rhetorical Figure. Carbondale:

Southern Illinois U P, 2001.

Beltran, Hilton. Dancing to Death: The Ongoing Movements of Emma Goldman and Differential

Activism. M.A. Thesis. Queens University (Ontario, Canada). January 2007.

Bogost, Ian. Unit Operations: An Approach to Videogame Criticism. Cambridge: MIT P, 2006.

Boundas, Constantin V., and Dorothea Olkowski. Eds. Gilles Deleuze and the Theater of

Philosophy. New York: Routledge, 1994.

Brown, Alison Leigh. Subjects of Deceit: A Phenomenology of Lying. Albany: State U of New

York P, 1998

Call, Lewis. “Toward an Anarchy of Becoming: Postmodern Anarchism in Nietzschean

Philosophy.” Journal of Nietzsche Studies 21: Spring 2001: 48-76.

Call, Lewis. Postmodern Anarchism. Lanham: Lexington Books, 2002.

Cohn, Jesse. I Have Set My Affair on Nothing: Literary Theory, Fiction, and the Politics of

Antirepresentation. Dissertation. State University of New York at Binghamton. 1990.

Cohn, Jesse S. Anarchism and the Crisis of Representation: Hermeneutics, Aesthetic, Politics.

Selinsgrove: Susquehanna U P, 2006.

De la Llata González, Silvano Adrián. Spaces of becoming: Public space in transformation in the

context of the social movements of 2011 (Lessons and questions for planners and urban

designers). Dissertation. Cornell University. 2014.

Doel, M.A. “Deconstruction of the Move: From Libidinal Economy to Liminial Materialism,”

Environment and Planning A 26(7). July 1994: 1041-1059.

Doel, Marcus. “Bodies Without Organs: Schizoanalysis and Deconstruction” in Steve Pile and

Nigel Thrift. Eds. Mapping the Subject: Geographies of Cultural Transformation. London:

Routledge, 1995. 226-240.

Doel, Marcus. “Corpos sem órgãos: esquizoanálise e deconstrução” in Tomaz Tadeu da Silva.

Tradução e organização.” Nunca fomos humanos: nos rastros do sujeito. Rio Janeiro: Autêntica

Editora 2002. 77-110.

Finn, Mitchell Andrew. The Dialectic of Civilization: A Psychoanalytic Approach to the Problem

of Anthropocentrism. Dissertation. Pacifica Graduate Institute. 2012.

Firth, Rhiannon. “Transgressing Urban Utopianism: Autonomy and Active Desire,” Geografiska

Annaler: Series B Human Geography. 94 (2). July 2012: 89-106.

Fischlin, Daniel. Negation, Critical Theory, and Postmodern Textuality. Springer, Dordrecht.

Springer Science+Business Media B.V. 1994.

Foale, Susan. “Blanchot and Nietzsche.” Journal of Nietzsche Studies 18 (71). 1999.

Fombona, Jacinto R. “Julián del Casal: El mal viaje a París o el gozo de su „mal de siglo,”

Revista Iberoamericana LXII (175). April-June 1996: 385-391.

Gordan, Christina Ann. The Accidental Thesis: Playing Go With Deleuze and Guattari.

Dissertation. School of Communications and Cultural Studies. Curtin University. 2004.

McLaren, Peter. Critical Pedagogy and Predatory Culture: Oppositional Politics in a

Postmodern Era. Preface. Paulo Freire. London: Routledge, 1995.

Martin-Jones, David. Becoming-other in time: the Deleuzean subject in cinema. Dissertation.

University of Glasgow. April 2002.

Morgado, Nuria. “Rewriting Classical Myths: Women‟s Voices in „Los motivos de Circe‟ and

„Penélope‟ by Lourdes Ortiz.” Current & History Digital Journal 2(1). June 2013/e014. doi:

http://dx.doi.org/10.3989/chdj.2013.014.

Mushakavanhu, Tinashe. “A Brotherhood of Misfits: The Literary Anarchism of Dambudzo

Marechera & Percy Bysshe Shelley.” In Grant Hamilton, Ed. Reading Marechera. Suffolk:

James Currey, 2013. 11-24.

Nadaud , Stéphane and Kélina Gotman, Eds. The Anti-Oedipus Papers: Félix Guattari. New

York: Semiotext(e), 2006.

Newman, Saul. From Bakunin to Lacan: Anti-Authoritarianism and the Dislocation of Power.

Lanham: Lexington Books, 2001.

Petray, Theresa Lynn. Actions, reactions, interactions: the Townsville Aboriginal Movement and

the Australian State. Dissertation. James Cook University (Australia). July 2010.

Robinson, Andrew. “Symptoms of New Politics: Networks, Minorianism and the Social System

in Žižek, Deleuze and Guattari.” Deleuze Studies 4 (2). 2010: 206-233.

Rossdale, Chris. Anarchism, Anti-Militarism, and the Politics of Security. Dissertation.

University of Warwick. Department of Politics and International Studies. June 2013.

Sibley, D. “Sensations and Spatial Science: Gratification and Anxiety in the Production of

Ordered Landscapes.” Environment and Planning A 30(2). February 1998: 235-246.

Stivale, Charles J. The Two-Fold Thought of Deleuze and Guattari: Intersections and

Animations. New York: The Guildford Press, 1998.

Zechner, Ingo. Deleuze: der Gesang des Werdens. München: Wilhelm Fink Verlag, 2003.

Severo Sarduy and the Religion of the Text. Lanham: University Press of America, 1988. Cited

in:

Gil, Lourdes. “Severo Sarduy (1937-1993): prose writer and poet.” Encyclopedia of Latin

American Literature. Ed. London/Chicago: Fitzroy Dearborn Publishers, 1997. Verity Smith.

753-754.

Hallward, Peter. Absolutely Postcolonial: Writing Between the Singular and the Specific.

Manchester: Manchester U P, 2001.

Kellman, Steven G. “From Cuba With a Song/Sarduy.” Masterplots II. American fiction series.

Ed. Steven G. Kellman. Pasadena: Salem Press, 2000. 873-877.

Majfud, Jorge. “El arte de la paradoja.” Hispamérica 38 (114). December 2009. 101-109.

Quesada Gómez, Catalina. “Incursiones de la metaliteratura en lo fantástico: a propósito de la

metalepsis en Hispanoamérica,” in Teresa López Pellisa y Fernando Ángel Moreno Serrano. Eds.

Ensayos sobre ciencia ficción y literatura fantástica: actas del Primer Congreso Internacional

de literatura fantástica y ciencia ficción (1, 2008, Madrid). Madrid: Asociación Cultural Xatafi:

Universidad Carlos III de Madrid, 2009, p. 293-305. http://hdl.handle.net/10016/8673

Rivero-Porter, Alicia. Actor/Lector: Huidobro, Borges, Fuentes y Sarduy. Detroit: Wayne State

U P, 1991.

Rojas, Rafael. La vanguardia peregrina: el escritor cubano, la tradición y el exilio. D.F.: Fondo

de Cultura Económica, 2013.

Rojas, Rafael. “Sarduy‟s Fluttering.” Trans. Christopher Winks. Review: Literature and Arts of

the Americas 82(4). 2011: 20-28.

Sinfuentes-Jáuregui, Ben. Transvestism, Masculinity, and Latin American Literature: Genders

Share Flesh. New York: Palgrave, 2002.

ARTICLES

“Severo Sarduy on Galileo, Kepler Borromin, and the Coded Language of the Anamorphic

Image.” Romance Notes 56. 2016: 225-233. Cited in:

Antelo, Marcela. La inquietante extrañeza en el cine. Dissertation. Universitat Pompeu Fabra.

Departament de Comunicació. 2015.

“Towards a Genealogy of the Gay Science: From Toulouse and Barcelona to Nietzsche and

Beyond.” eHumanista/IVITRA 5. 2014: 546-703.Cited in:

Howling Pixel: Friedrich Nietzsche. Last updated on 13 October 2017.

https://howlingpixel.com/wiki/Friedrich_Nietzsche.

Brocato, Linde M,. and David Wacks. “Spanish Studies: Medieval Literature. The Year's Work

in Modern Language Studies” 76. 2016 [survey year 2014]: 150-184.

“The Cid: War Machine, Self-Made Noble and Mythic Hero of Menéndez Pidal‟s

“Nationalist Epic.” In Anthony J. Cárdenas Rotuno, Ed. Heroes and Antiheros: A Celebration

of the Cid. Hispanic Seminary of Medieval Studies. Hispanic Society, N.Y. 2013. 125-145.

Cited in:

Brocato, Linde M., and David Wacks. “Spanish Studies: Medieval Literature. The Year's Work

in Modern Language Studies” 75. 2015 [survey year 2013]: 186-203.

David Pattison. Review of Heroes and Antiheros: A Celebration of the Cid. Bulletin of Hispanic

Studies 91. 2014. 317-318.

“César Vallejo‟s Ars Poética of Nonsense: A Deleuzean Reading of Trilce.” Dissidences:

Hispanic Journal of Theory and Criticism 4. 2008: 1-23.

http://digitalcommons.bowdoin.edu/cgi/viewcontent.cgi?article=1079&context=dissidences.

Cited in:

Daly, Tara Ann. Restless Bodies, Unique Minds: Poetry, Performance, and Power in the

Andean Avant-Gardes. Dissertation. University of California, Berkeley. Fall 2010.

“Irony, Love, and Political Economy in José Asunción Silva‟s De sobremesa.” Hispanófila

150. May 2007. 87-102. Cited in:

DeVries, Scott M. A History of Ecology and Environmentalism in Spanish American Literature.

Lewisburg: Bucknell U P, 2013.

“What is „minor‟ in Latino Literature.” MELUS. Journal of the Society for the Study of the Multi-

Ethnic Literature of the United States 30 ( 4). Winter 2005: 89-108. Cited in:

Burrows, Sonja S. Beyond the Comfort Zone: Monolingual Ideologies, Bilingual U.S. Latino

Texts”. Dissertation. Department of Romance Languages and the Graduate School of the

University of Oregon. June 2010.

López, Alejo. “La fruición de lo múltiple: la retórica de la impureza en la poesía de Tato

Laviera,” Anclajes. 2012.

Mahler, Anne Garland. The Writer as Superhero: Fighting the Colonial Curse in Junot Díaz’s

The Brief Wondrous Life of Oscar Wao. Journal of Latin American Studies 19 (2). 2010.

Murillo, Edwin. “Hostile Anxieties: In-House Prejudices in Latino Literature.” The Bilingual

Review 31 (3). September 2012-December 2013. 227-241.

Noell, Tiffany. Confronting Convention: Discourse and Innovation in Contemporary Native

American Women’s Theatre. Dissertation. Theater Department. Arizona State University. May

2011.

Riddle, Frances. Literary Translation in the Digital Age. MA Thesis. Universidad de Buenos

Aires, 2014.

Rock, Brian. Irish nationalism and postcolonial modernity: the “minor” literature and authorial

selves of Brian O’Nolan. Dissertation. English Studies. University of Stirling (UK), May 2010.

Sepúlveda, Fremio. “Coding the Immigrant Experience: Race, Gender and the Figure of the

Dictator in Junot Díaz;s Oscar Wao.” Journal of Caribbean Literatures 7 (2). Spring 2013.

Torres, Linda Renee. The Unsung Stream: the Ethnic Continuum in U.S. Latino Literature and

Film, from John Rollin Ridge to John Sayles. Dissertation. University of California, San Diego.

2012.

“The Sadean Poetics of Solitude in Paz and Pizarnik.” Latin American Literary Review 33

(65). January/June 2005: 5-26.Cited in:

Glover, Adam Gregory. Poetics of Enchantment: Language, Sacramentality, and Meaning in

Twentieth-Century Argentine Poetry. Dissertation. University of Kentucky. Dept. of Hispanic

Studies. December 2011.

Holtus, Gȕnter. Ed. Romanische Bibliographie: Supplement zur Zeitscrhift fȕr romanische

Philologie. Yahrgang 2009. Göttingen: Universität Göttingen, 2011.

“Love and Hatred of „French Theory‟ in America.” Borderlands e journal 4 (1). 2005.

http://www.borderlandsejournal.adelaide.edu.au/. Cited in:

Carroll, Rachel. “How Soon is Now: Constructing the Contemporary / Gendering the

Experimental.” Contemporary Women’s Writing 9 (1). March 2015: 16-33.

Cox, Lara. “Going global: The „stars‟ of French theory and French cinema.” Journal of Romance

Studies. June 2012: 59-74.

“Bruno Schulz: Literary Kabbalist of the Holocaust.” “Bruno Schulz: Literary Kabbalist of

the Holocaust.” Occasional Paper in Jewish History and Thought. No. 20. New York: Hunter

College of the City University of New York, 2002. 1-24. Cited in:

Romanska, Magda. The Post-traumatic Theatre of Grotowsky and Kantor: History and

Holocaust in Akropolis and The Dead Class. London: Anthem Press, 2012.

Agata, Anna Lisiak, Louise O. Vasvári, and Steven Tötösy Zepetnek, Eds. “Bibliography for

Work on Holocaust Studies.” CLC Web: Comparative Literature and Culture 11 (1). 2011: 1-59.

INTERVIEW(S)

“El derecho a la equivocación: Conversación con Gustavo Pérez Firmat.” Boletín de la

Academia Norteamericana de la Lengua Española 14. 2011: 351-363. Cited in:

Aparicio, Yannelys and Ángel Esteban, “Introducción: Writinerarios: los caminos de una

escritura híbrida.” In Pérez Firmat, Gustavo. Sin lengua, deslenguado. Edición crítica. Madrid.

Cátedra-Letras Hispãnicas, 2017.

ENCYCLOPEDIA ENTRIES

“Milan Kundera.” Multicultural Writers since 1942: an A to Z guide. Eds. Alba Amoia and

Bettina L. Knapp. Westport: Greenwood Press, 2004. 299-304. Cited in:

Mândoiu, Ruxandra. Literary Representations of the Family and Nation in the Writings of

Josepth Roth, Gȕnter Grass, Milan Kundera, and Ingeborg Bachmann. Dissertation. Emory

University. 2009.

BOOK REVIEWS

Review of “Ethics of Liberation in the Age of Globalization and Exclusion by Enrique

Dussel.” College Literature 41. Fall 2014: 140-143. Cited in:

González San Martín, Patricia. “The Philosophy of Liberation to Enrique Dussel: an approach

from the analectics‟ formulation,” Estudios de filosofía práctica e historia de las ideas. 16 (2).

2014: 45-52.

PAPERS, LECTURES AND SEMINARS

“Peter Carravetta‟s After Identity and the Ontology of Migration.” Department of Modern

Languages and Literatures, Fordham University. Presentation of Peter Carravetta, After Identity:

Migration, Critique, Italian American Culture (2017). Organizer: Prof. Joseph Perricone. Co-

presenters: Prof. Francesca Cadel, and Prof. Anthony Tamburri. November 30, 2017.

“José Martí y Nueva York: la crítica ambigua de la modernidad urbana.” Transatlantic New

York. Organized by City College of New York, Division of Interdisciplinary Studies in

collaboration with the Cervantes Institute/ Institute Cervantes and The Transatlantic Project at

Brown University. New York. May 23, 2017.

“Las Casas (through Fichte) on the Indians‟ Moral Agency and the Fraser-Honneth Recognition

Debate.” The Department of Hispanic and Luso-Brazilian Literatures and Languages. CUNY

Graduate Center. November 18, 2016.

“Las Casas‟ Articulation of the Indians‟ Moral Agency: Looking Back at Las Casas Through

Fichte.” Panel: The Relevance of Latin American Philosophy Today. Latin American Studies

Association (LASA). New York. May 30, 2016.

“El lenguaje minoritario de Latino Literature.” First congress of the North American Association

of the Spanish Language (ANLE). Library of Congress. Washington, D.C. June 6, 2014.

“Apuntes sobre la economía transatlántica del siglo XVI y la modernidad transnacional actual.”

Centro de Estudios Canarias-América-Hunter College, Dept. of Romance Language. April 25,

2014.

“View of Havana/La Habana at Day Break: Severo Sarduy, Gustavo Pérez Firmat, and Pedro

Juan Gutiérrez (A bilingual paper).” American Comparative Literature Association Conference.

New York University. Mach 23, 2014.

“Severo Sarduy's 'Cuba': Invented, Simulated, and Cross-dressed.” Severo Sarduy and Cuban

Culture. The Graduate Center of the City University of New York. October 18, 2013.

“Entre literatura, artes visuales, y ciencias: La imagen de pensamiento de Severo Sarduy y

Ramon Dachs.” Coloquio-Homenaje Internacional Severo Sarduy. University of Berne

(Switzerland). June 6, 2013.

“Miguel Ángel Zapata and the Interior Spaces of Poetry.” The Rain Always Rises: A Symposium

on the Poetry of Miguel-Ángel Zapata presented by the Department of Romance Languages and

Literature. Hofstra University. April 26, 2013.

“Orígenes and Severo Sarduy's Anti-Ontology.” Positioning Orígenes in World-Literature

Systems. Annual Meeting of the American Comparative Literature Association. Toronto, CA.

April 6, 2013.

“El tungsteno: La fidelidad de César Vallejo y Alain Badiou al evento de la Revolución de

Octubre.” 38tth International Symposium of Hispanic Literature. University of California-

Dominguez Hills. March 8, 2013.

“La economía transatlántica del siglo XVI y la modernidad transnacional actual.” Universidad de

Las Palmas. History Department. Las Palmas, Canary Islands. December 4, 2012.

“Miguel Ángel Zapata y el espacio interior de la poesía.” Coloquio: Temas y problemas de la

poesía latinoamericana actual. Festival Latinoamericano de Poesía-Ciudad de Nueva York

2012: Latin American Poetry Festival-NYC 2012. City College (CUNY)-Center for Worker

Education. October 18, 2012.

“El barroco de Severo Sarduy: hacia una ética transatlántica.” Encuentros entre Literatura,

Filosofía y Artes Visuales. Co-organizer and participant. CUNY/ The Graduate Center.

November 3-4, 2011. Paper presented: November 3, 2011.

“Severo Sarduy's Philosophy of the Neo-Baroque.” Invited Special Guest. The New Baroque

Revisited: An Interdisciplinary Conference on the Baroque. University of Western Ontario

(London, Ontario, CA) in association with The Hispanic Baroque Project. October 13-15, 2011.

Paper presented: October 15, 2011.

Roundtable: On new books/approaches to the (Neo)Baroque. The New Baroque Revisited: An

Interdisciplinary Conference on the Baroque. University of Western Ontario (London, Ontario,

CA) in association with The Hispanic Baroque Project. October 13-15, 2011. Roundtable

discussion: Presentation of my book, Severo Sarduy and the Neo-Baroque Image of Thought in

the Visual Arts. October 13, 2011.

“Severo Sarduy and the Self-Portrait of a Body in Poetry.” The Genre of the Self Portrait in

Hispanic Poetry. NEMLA (Northeast Modern Language Association). Rutgers University, New

Burnswick. April 7, 2011.

“Tungsten and César Vallejo's Fidelity to the Event of Marxism for Latin America.” Visions of

History and Politics. International Association for Philosophy and Literature (IAPL). University

of Regina, Saskatchewan, Regina, Canada. May 27, 2010.

“Borges and Bruno Schulz on the Infinite Book of the Kabbalah.” Borges and Us: Then and

Always. Hofstra University (Hempstead, NY). November 13-14, 2009. Date of lecture:

November 14, 2009.

“The Proto Liberation Theology of César Vallejo and the Philosophy of Emmanuel Levinas and

Enrique Dussel.” Levinas at the Limits of Alterity. International Association for Philosophy and

Literature (IAPL). Brunel University. London, UK. June 3, 2009.

“Sarduy and the Poem-Object.” Latin American Poetic Artifacts, from 19th to the 21st Century. "

NEMLA (Northeast Modern Language Association). Boston. Feb 27, 2009.

“The Cid: Mercenary Soldier, Self-Made Noble, or the Mythic Hero of Menéndez Pidal's

Nationalist Epic?” Current Research in Spanish Medieval Language and Literature. MLA

Conference, San Francisco, CA. Tuesday, December 30, 2008.

“Vallejo on Language and Politics" "Voy a hablar de la esperanza/I'm going to speak about

hope.” International Poetry Symposium Celebrating the Work of César Vallejo. Department of

Romance Languages and Literatures, Hofstra University, Hempstead, N.Y. Friday, October 31,

2008

“Milan Kundera and Severo Sarduy: On the Matter of Kitsch.” At Whom Are We Laughing?:

Humor in Romance Language Literatures . Dept. of Romance Languages and Literatures,

Hofstra University, Hempstead, N.Y. Saturday, April 12, 2008.

“Nietzsche's Reading of Cervantes' 'Cruel' Humor in Don Quixote.” At Whom Are We Laughing:

Humor in Romance Language Literatures. Dept. of Romance Languages and Literatures, Hofstra

University, Hempstead, N.Y. Friday, April 11, 2008.

“No Poetry Without Poetics: A Manifesto that is a Plea for Manifestos.” Beyond the Ancient

Diaphora: Poetics After Postmodernism. SUNY/Stony Brook. Speakers: Peter Carravetta,

Eugenio Mazzarella, Paolo Valesio, and Alessandro Carrera. Moderator: Peter Carravetta, The

Alphonse D'Amato Chair in Italian and Italian American Studies at SUNY/Stony Brook. Friday,

February 29, 2008.

“Severo Sarduy on Kepler, Borromini, and the Anamorphic Image.” Twenty-First Annual

Conference for Literature, Science, and the Arts." Bowdoin College. Portland, Maine. November

3, 2007.

“The Irony of Kitsch in Milan Kundera and Severo Sarduy.” International Society for Humor

Studies. Salve Regina University, Newport, RI. July 1, 2007.

“The Cid: Mercenary Soldier, Self-Made Noble, or the Mythic Hero of Menéndez Pidal's

Nationalist Epic?” 13th Annual Carolina Conference on Romance Literatures. University of

North Carolina-Chapel Hill. March 30, 2007.

“Bruno Schulz and the Double Edged Chiaroscuro of Matter and Spirit.” Presented at the

Graduate Center/Martin E. Segal Theater for The Republic of Dreams, Bruno Schulz Symposium

with the Double Edge Theatre. February 26, 2007.

“César Vallejo's Poetics of Nonsense: A Deleuzean Reading of Trilce I.” Tercer Congreso

Internacional: Escritura, Individuo y Sociedad en España, y las Américas. Universidad de

Puerto Rico/Arecibo. November 17, 2006.

The Electric Comedy. Reading and discussion at the “Critical Conjunctions: Latin American and

Latino Intellectuals at the New Millennium” conference, sponsored by the Department of

Romance Languages and Literatures and the Latin American and Caribbean Studies Program,

Hofstra University. Friday, April 23, 2004.

How to Interpret a Text, or Anything Else. On the occasion of the publication of Dei Parlanti:

Studi e Ipotesi su Metodo e Retorica dell'Interpretare (Valerio Ed., 2002). Peter Carravetta,

Paolo Valesio, and Rolando Pérez. New York University, Casa Italiana Zerilli Marimò.

December 9, 2002.

The Lining of Our Souls: Excursions into Selected Paintings of Edward Hopper. Reading.

English Department. Hunter College. Wednesday. May 8, 2002.

"Bruno Schulz: A Polish-Jewish Kafka." Presented at the Anne Bass Schneider Seminar on

Jewish History and Thought. Hunter College. April 4, 2001.

Semiotext(e): Deleuze and Guattari: On The Edge. Concept/Percept/Language. Speakers: Jean-

Jacques Lecercle, Juan Gil, Claude Imbert, Edouard Glissant. Moderator: Rolando Pérez.

Columbia University, Maison Française. Buell Hall. Friday. April 16, 1999.

ENCYCLOPEDIA CITATIONS

Bibliography, biographical information, and interview in Contemporary Authors, Vol 160. 1998.

Gale Research, Inc; Contemporary Authors New Revisions Series, Vol. 117 2003. Gale

Research, Inc.

The Writers Directory. 15th edition (2000)-20th edition, 2005. Detroit: St. James Press.

Who's Who Among Hispanic Americans, Third Edition, 1994-1995. Gale Research, Inc.

Latinos in English: a Selected Bibliography of Latino Fiction Writers of the United States. Ed.

Ilan Stavans. New York: Mercantile Library of New York, 1992.

FORTHCOMING PUBLICATIONS

Critical reviews of Cannibal Metaphysics: For a Post-Structural Anthropology by Eduardo

Viveiros de Castro. Edited and translated by Peter Skafish (Uivocal 20015) and The Relative

Native: Essays on Indigenous Conceptual Worlds by Eduardo Viveiros de Castro. Afterword.

Roy Wagner (HAU Books, 2015). In Arizona Journal of Hispanic Cultural Studies 21. 2017.

Critical Review of Jorge Luis Borges, Post-Analytic Philosophy, and Representation by Silvia

G. Dapía (Routledge 2016). In Arizona Journal of Hispanic Cultural Studies 21. 2017.

“The Bilingualisms of Latino/a Literatures.” The Oxford Handbook of Latino Studies. Ed. Ilan

Stavans. New York: Oxford U P, 2018.

“Entre literatura, artes visuales y ciencia: la imagen de pensamiento de Severo Sarduy y Ramon

Dachs.” In Cámara de eco. Homenaje a Severo Sarduy. Eds. Gustavo Guerrero and Catalina

Quesada. D.F.: Fondo de Cultura Económica. 2018.

WORK IN PROGRESS

Philo-lit: Doing philosophy with Spanish/American Literature, a book of essays on the interface

between philosophy and Spanish and Latin American literature. And an ongoing research project

to culminate in an Introduction to Latin American Philosophy (monograph).

COURSES TAUGHT AT HUNTER

AFPRL 356: Latino Literature in English

Spanish 101: Elementary Spanish-1

Spanish 102: Elementary Spanish-2

Spanish 207: Intermediate Spanish for Native Speaker

Spanish 208: Advanced Spanish for Native Speakers

Spanish 270: Spanish Composition for Spanish Speaking Students

Spanish 275: Readings in Modern Spanish Literature

Spanish 276: Readings in Modern Spanish-American Literature

HONORS 301: Latin American Thought

Spanish 341: Introduction to Hispanic Literature I (Medieval to Golden Age)

Spanish 342: Introduction to Hispanic Literature II (18th Century to 20th Century)

Spanish 364: Spanish American Modernismo and Postmodernismo

Spanish 365: Survey of Spanish-American Theater

Spanish 367: The Latin American Essay

Spanish 368: Contemporary Latin American Narrative

Spanish 371: Special Topics in Spanish-American Literature: FILOSOFÍA

HISPANOAMERICANA

Spanish 754: The Modern Essay in Spain

Spanish 777: Spanish American Thought I

Spanish 796: Special Topics in Spanish-American Literature: MODERNISMO: POLITICA Y

ECONOMÍA

Spanish 796: Special Topics in Spanish-American Literature: POST-COLONIAL

LITERATURE OF THE HISPANOPHONE ISLANDS