Ric341: A Tribute to Sax_eng
1
RIC 341 2 CD’S Book of 60 pages / Texts in English and French Issue : January 2014 Total time : 02:13:00 THE SAX PLAYERS Christian Debecq : Soprano saxophone (ca. 1860) Guy Goethals : Alto saxophone (ca. 1878) Roland Schneider : Tenor saxophone (ca. 1878) Ulrich Berg : Baritone saxophone (ca. 1878) Guy Penson : Érard piano (ca. 1870) Steve Houben : saxophone alto (Selmer, 1957) Michel Benita : contrebasse CD I Duo concertant op. 55 Jean Baptiste Singelée Fantaisie Pastorale Jean-Baptiste Singelée Sérénade op. 33 Jules Demersseman Concerto op. 57 Jean-Baptiste Singelée Septième solo de Concert op. 93 Jean-Baptiste Singelée Premier Quatuor op. 53 Jean-Baptiste Singelée CD II A Nightingale Sang Sherwin / Maschwitz Out of Nowhere J.W. Green / E. Eymans All the ings You Are Jerome Kern Moon and Sand Alec Wilder Blue Daniel Frank Rosolino A Time for Love Johnny Mandel e Touch of Your Lips Ray Noble I’ve Never Been in Love Before Frank Loesser Too Close for Comfort J. L. Bock / L. Holofcener People Jule Styne It Never Entered my Mind Richard Rodgers You Must Believe in Spring Michel Legrand EmbraceableYou George Gershwin I Concentrate on You Cole Porter As Time Goes By Hupfeld You and the Night Dietz / Schwarz My Old Flame Johnson / Colson e Nearness of You Carmichael / Washington Wen the Sun Comes Out Harold Arlen COLLECTION : INSTRUMENTS Given that this year marks the 200th anniversary of the birth of Adolphe Sax, it is only fitting that Ricercar, with its history of familiarising the world with lesser-known musical instruments, should devote a CD to the genius who invented the saxophone. e instrument’s capabilities are demonstrated by two very different types of music, the first being exemplified by the Romantic works that were composed for the saxophone in Paris in the first years after Sax’s patent had been registered. It was jazz music, however— music which Sax could never have imagined — that gave the instrument and the saxophone family as a whole the fame it enjoys today. As is Ricercar’s custom, the CD’s accompanying booklet includes extensive liner notes. An article by Jérôme Lejeune describes the invention of the instrument and the first works that were composed for it in Paris, these dating from the time when Sax himself was touting for new works for the saxophone as well as publishing them, before his appointment as professor of saxophone at the Conservatoire de Paris. Jean-Pol Schroeder’s article is a highly interesting account of the history of the saxophone in jazz music. Saxophones made by Sax’s own atelier are used for the French Romantic pieces by Singelée and Demersseman, together with copies of the original mouthpieces. eir sound is indeed a revelation, for they are played without any trace of the vibrato that was traditionally applied to the instrument during the 20 th century. e jazz standards recorded here were played by Steve Houben on a Selmer alto saxophone from 1957. eir clear and clean lines are performed without accompaniment and reveal the quality of the musician and his instrument. Some of the pieces make use of double-tracking to create a saxophone duo, whilst others have been given a delicate double-bass counterpoint by Michel Benita.e jazz selections were originally recorded in 1992 and 1999, the Romantic works in 2002. A Tribute to Sax New presentation BOOK with 2 Cd’s
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A Tribute to Sax: Christian Debecq : Soprano saxophone (ca. 1860) Guy Goethals : Alto saxophone (ca. 1878) Roland Schneider : Tenor saxophone (ca. 1878) Ulrich Berg : Baritone saxophone (ca. 1878) Guy Penson : Érard piano (ca. 1870)
Transcript of Ric341: A Tribute to Sax_eng
RIC 341 2 CD’SBook of 60 pages / Texts in English and French Issue : January 2014Total time : 02:13:00
THE SAX PLAYERSChristian Debecq : Soprano saxophone (ca. 1860)
Guy Goethals : Alto saxophone (ca. 1878)Roland Schneider : Tenor saxophone (ca. 1878)
Ulrich Berg : Baritone saxophone (ca. 1878)Guy Penson : Érard piano (ca. 1870)
Steve Houben : saxophone alto (Selmer, 1957)Michel Benita : contrebasse
CD IDuo concertant op. 55 Jean Baptiste SingeléeFantaisie Pastorale Jean-Baptiste SingeléeSérénade op. 33 Jules DemerssemanConcerto op. 57 Jean-Baptiste SingeléeSeptième solo de Concert op. 93 Jean-Baptiste SingeléePremier Quatuor op. 53 Jean-Baptiste Singelée CD IIA Nightingale Sang Sherwin / MaschwitzOut of Nowhere J.W. Green / E. EymansAll the Things You Are Jerome KernMoon and Sand Alec WilderBlue Daniel Frank Rosolino
A Time for Love Johnny MandelThe Touch of Your Lips Ray NobleI’ve Never Been in Love Before Frank LoesserToo Close for Comfort J. L. Bock / L. Holofcener People Jule StyneIt Never Entered my Mind Richard RodgersYou Must Believe in Spring Michel Legrand EmbraceableYou George GershwinI Concentrate on You Cole PorterAs Time Goes By HupfeldYou and the Night Dietz / SchwarzMy Old Flame Johnson / ColsonThe Nearness of You Carmichael / WashingtonWen the Sun Comes Out Harold Arlen
COLLECTION : INSTRUMENTSGiven that this year marks the 200th anniversary of the birth of Adolphe Sax, it is only fitting that Ricercar, with its history of familiarising the world with lesser-known musical instruments, should devote a CD to the genius who invented the saxophone. The instrument’s capabilities are demonstrated by two very different types of music, the first being exemplified by the Romantic works that were composed for the saxophone in Paris in the first years after Sax’s patent had been registered. It was jazz music, however— music which Sax could never have imagined — that gave the instrument and the saxophone family as a whole the fame it enjoys today. As is Ricercar’s custom, the CD’s accompanying booklet includes extensive liner notes. An article by Jérôme Lejeune describes the invention of the instrument and the first works that were composed for it in Paris, these dating from the time when Sax himself was touting for new works for the saxophone as well as publishing them, before his appointment as professor of saxophone at the Conservatoire de Paris. Jean-Pol Schroeder’s article is a highly interesting account of the history of the saxophone in jazz music. Saxophones made by Sax’s own atelier are used for the French Romantic pieces by Singelée and Demersseman, together with copies of the original mouthpieces. Their sound is indeed a revelation, for they are played without any trace of the vibrato that was traditionally applied to the instrument during the 20th century. The jazz standards recorded here were played by Steve Houben on a Selmer alto saxophone from 1957. Their clear and clean lines are performed without accompaniment and reveal the quality of the musician and his instrument. Some of the pieces make use of double-tracking to create a saxophone duo, whilst others have been given a delicate double-bass counterpoint by Michel Benita.The jazz selections were originally recorded in 1992 and 1999, the Romantic works in 2002.
A Tribute to Sax
New presentation
BOOK with 2 Cd’s
