Rhapsody in Blue George Gershwin

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Rhapsody in Blue George Gershwin By: Mike McCann

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Rhapsody in Blue George Gershwin. By: Mike McCann. George Gershwin Bio. Born in 1898 as Jacob Gershvitz to Russian Immigrant Parents Not a real musical intuition until age 12 Dropped out of High School (1914) to join a Tin Pan Alley publishing firm - PowerPoint PPT Presentation

Transcript of Rhapsody in Blue George Gershwin

Page 1: Rhapsody in Blue George Gershwin

Rhapsody in BlueGeorge Gershwin

By: Mike McCann

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George Gershwin BioBorn in 1898 as Jacob Gershvitz to Russian

Immigrant ParentsNot a real musical intuition until age 12 Dropped out of High School (1914) to join a Tin

Pan Alley publishing firm Left job in 1917 to work as a rehearsal pianist Really saw first success with Swanee Died young in 1938 as a result of a brain tumor

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Gershwin’s Musical AccomplishmentsSwanee (1919)Rhapsody in Blue (1924)Concerto in F for Piano and Orchestra (1925)

An American in Paris (1928)

Porgy and Bess (1935)

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Rhapsody in BlueCame to be rather randomly

Paul Whiteman and Aeolian Hall Ferde Grofe and Ross Gorman

Last second finish

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Musical ElementsInstrumentation

Depending on the performance: Piano, Clarinet, Saxophone(s), Violin, French Horn, Trumpet, Tuba, and others

Main instruments are clarinet and piano

Harmonic Shifts and Changes in rhythm

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Musical Elements (cont.) Forceful playingImprovisationJoy of Playing

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Listening Almost irregular sections A-establishes the theme of the pieceBridge from intro to theme…short and cheerfulB-theme from introduction with clarinets backingC-Jazz theme, dynamic shifts…gives piece a lot of

excitementB-piano enters on a much lower note

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Listening (cont.)A-piano provides the “bluesy” themeC-piano shifts to provide jazz theme from earlierD-warm version of the themePiano then plays repeated notes, as they get

faster with each noteD-main orchestra rejoins piano following solo

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Listening (cont.)A-piano plays part A in what almost seems like an

angry tone

B-played again with repeated notes

A-conclusion that incorporates whole orchestra with piano to theme exciting ending

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Pop CultureNew York CityBrian WilsonWoody AllenFantasiaOlympics

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CriticsLeonard Bernstein: “not a composition at all, but a

string of terrific tunes, stuck together with a thin paste of flour and water”

Arthur Schwartz: “more intuition than tuition” Originality American?