Responsive Information Architectures

84
28 March 2014 Responsive Information Architectures IA Summit San Diego, CA Presented by Andy Fitzgerald, PhD

description

My talk from the 2014 Information Architecture Summit in San Diego on March 28th.

Transcript of Responsive Information Architectures

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28 March 2014

Responsive Information ArchitecturesIA SummitSan Diego, CA

Presented by Andy Fitzgerald, PhD

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#ResponsiveIA @andybywire

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#ResponsiveIA @andybywire

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#ResponsiveIA @andybywire

- Sara Wachter-Boettcher. Content Everywhere

“The best we can all do is focus our limited stock of human care and attention toward

designing systems [...] not obsessing over individual pages for individual platforms.”

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Responsive Information Architecture

An information design strategy that allows for the expression of specific meaning across multiple and independent contexts.

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#ResponsiveIA @andybywire

Rich understanding of the information ecology

Content-driven guidelines for interaction

design choices

Articulated information structures based on

multiple modes of meaning making

Embrace ambiguity as a strategy for negotiating

the connected environment

Responsive Information Architecture

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#ResponsiveIA @andybywire

Responsive web design

Meaning-making

Information architecture

Responsive information architectures

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Responsive web design

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#ResponsiveIA @andybywire

- Ethan Marcotte. Responsive Web Design

“We can embrace the flexibility inherent to the web, without surrendering the control we

require as designers.”

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Responsive Grid a model that allows us to write the rules necessary to effectively articulate an instance in the system

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Making meaning

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- Richard Saul Wurman. Hats

“You can only understand something relative to something you already understand.”

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Modes of Signification

Symbolicthe signifier does not resemble the signified; it is arbitrary and conventional

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Text

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= Tree

(signifier)(signified)

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Modes of Signification

Symbolicthe signifier does not represent the signified; it is arbitrary and conventional

Indexicalthe signifier is directly connected to the signified

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Smoke signifies fire

Fever signifies infection

A knock signifies a visitor

Handwriting signifies the writer

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Modes of Signification

Symbolicthe signifier does not represent the signified; it is arbitrary and conventional

Indexicalthe signifier is directly connected to the signified

Iconicthe signifier is perceived as resembling or imitating the signified

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- Daniel Chandler. Semiotics

“Iconic signifiers seem to present reality more directly than symbolic signs.”

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- Louise Barrett. Beyond the Brain

“This innate bias may not be for faces as such, but for the particular kind of geometric

configuration that faces present.”

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Information architecture

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choreography

ontology

taxonomyarrangement of the parts

particular meaning

rules for interaction among the parts

THE NATURE OF INFORMATION ARCHITECTURE

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Ontology

• “Particular meaning”

• “What we mean when we say what we say”

• The argument: how we encourage users to think about the content or functionality we are offering

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Taxonomy

• “Arrangement of the parts”

• “Arrangement of meaning in and across contexts”

• How the pieces of the argument fit together – a method of arrangement conceived to create a particular kind of understanding.

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• “Rules for interaction among the parts”

• “The appropriate unfolding”

• Must respond to context in order to be effective

Choreography

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ONTOLOGY

TAXONOMY

CHOREOGRAPHY

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}ONTO

LOGY

TAXONOMY

CHOREO

GRAPH

Y

When we discuss meaning making, our pace layer model doesn’t describe rate of change; it

describes depth of embodiment. Remembering the “ctrl-z to undo” function is a learned

symbolic (hence arbitrary) association. Touching an icon on a touchscreen (or, indexically, on a

trackpad) and sliding it up is an associative embodied action. If we get these actions right,

we’ve tapped into a level of meaning making that is rooted in one of the slowest of the

physical pace layers: the fundamental way in which we perceive our natural world.This has

obvious advantages to usability. Intuitive interfaces are instantly useable because they

capitalize on the operational knowledge we already have. When an interface is completely

new, in order to be intuitive it must “borrow” knowledge from another sphere of experience

(what Donald Norman in The Psychology of Everyday Things refers to as “knowledge in the world”). The touchscreen interface popularized by the iPhone is a ready example of this. More

recently,Nest Protect’s ”wave to hush” interaction provides an example that builds on

learned physical interactions (waving smoke away from a smoke detector to try to shut it up) in an entirely new but instantly comprehensible

way. An additional and often overlooked advantage of tapping into deep layers of

meaning making is that by leveraging more embodied associations, we’re able to design for systems that fit together loosely and in a natural way. By “natural” here, I mean associations that

don’t need to be overwritten by an arbitrary, symbolic association in order to signify;

associations that are rooted in our experience of the world and in our innate perceptual abilities.

Our models become more stable and, ironically, more fluid at once: remapping one’s use of the

trackpad is as simple as swapping out one easily accessible mental model (the wheel

metaphor) for another (the touchscreen metaphor). This loose coupling allows for

structural alternatives to rigid (and often brittle) complex top-down organizational approaches.

In Beyond the Brain, University of Lethbridge Psychology professor Louise Barrett uses this

concept of “soft assembly” to explain how in both animals and robots “a whole variety of

local control factors effectively exploit specific local (often temporary) conditions, along with the intrinsic dynamics of an animal’s body, to come up with effective behavior ‘on the fly.’”

Barrett describes how soft assembly accounts for complex behavior in simple organisms (her

examples include ants and pre-microprocessor robots), then extends those examples to show how complex instances of human and animal

perception can likewise be explained by taking into account the fundamental constitutive

elements of perception. For those of us tasked with designing the architectures and interaction

models of networked physical spaces, searching hard for the most fundamental level

at which an association is understood (in whatever mode it is most basically

communicated), and then articulating that association in a way that exploits the intrinsic

dynamics of its environment, allows us to build physical and information structures that don’t

have to be held together by force, convention, or rote learning, but which fit together by the

nature of their core structures.

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}ONTO

LOGY

TAXONOMY

CHOREO

GRAPH

Y

QUALIA

When we discuss meaning making, our pace layer model doesn’t describe rate of change; it

describes depth of embodiment. Remembering the “ctrl-z to undo” function is a learned

symbolic (hence arbitrary) association. Touching an icon on a touchscreen (or, indexically, on a

trackpad) and sliding it up is an associative embodied action. If we get these actions right,

we’ve tapped into a level of meaning making that is rooted in one of the slowest of the

physical pace layers: the fundamental way in which we perceive our natural world.This has

obvious advantages to usability. Intuitive interfaces are instantly useable because they

capitalize on the operational knowledge we already have. When an interface is completely

new, in order to be intuitive it must “borrow” knowledge from another sphere of experience

(what Donald Norman in The Psychology of Everyday Things refers to as “knowledge in the world”). The touchscreen interface popularized by the iPhone is a ready example of this. More

recently,Nest Protect’s ”wave to hush” interaction provides an example that builds on

learned physical interactions (waving smoke away from a smoke detector to try to shut it up) in an entirely new but instantly comprehensible

way. An additional and often overlooked advantage of tapping into deep layers of

meaning making is that by leveraging more embodied associations, we’re able to design for systems that fit together loosely and in a natural way. By “natural” here, I mean associations that

don’t need to be overwritten by an arbitrary, symbolic association in order to signify;

associations that are rooted in our experience of the world and in our innate perceptual abilities.

Our models become more stable and, ironically, more fluid at once: remapping one’s use of the

trackpad is as simple as swapping out one easily accessible mental model (the wheel

metaphor) for another (the touchscreen metaphor). This loose coupling allows for

structural alternatives to rigid (and often brittle) complex top-down organizational approaches.

In Beyond the Brain, University of Lethbridge Psychology professor Louise Barrett uses this

concept of “soft assembly” to explain how in both animals and robots “a whole variety of

local control factors effectively exploit specific local (often temporary) conditions, along with the intrinsic dynamics of an animal’s body, to come up with effective behavior ‘on the fly.’”

Barrett describes how soft assembly accounts for complex behavior in simple organisms (her

examples include ants and pre-microprocessor robots), then extends those examples to show how complex instances of human and animal

perception can likewise be explained by taking into account the fundamental constitutive

elements of perception. For those of us tasked with designing the architectures and interaction

models of networked physical spaces, searching hard for the most fundamental level

at which an association is understood (in whatever mode it is most basically

communicated), and then articulating that association in a way that exploits the intrinsic

dynamics of its environment, allows us to build physical and information structures that don’t

have to be held together by force, convention, or rote learning, but which fit together by the

nature of their core structures.

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}ONTO

LOGY

TAXONOMY

CHOREO

GRAPH

Y

QUALIA

Mind Blowing by Luis Prado from The Noun Project

When we discuss meaning making, our pace layer model doesn’t describe rate of change; it

describes depth of embodiment. Remembering the “ctrl-z to undo” function is a learned

symbolic (hence arbitrary) association. Touching an icon on a touchscreen (or, indexically, on a

trackpad) and sliding it up is an associative embodied action. If we get these actions right,

we’ve tapped into a level of meaning making that is rooted in one of the slowest of the

physical pace layers: the fundamental way in which we perceive our natural world.This has

obvious advantages to usability. Intuitive interfaces are instantly useable because they

capitalize on the operational knowledge we already have. When an interface is completely

new, in order to be intuitive it must “borrow” knowledge from another sphere of experience

(what Donald Norman in The Psychology of Everyday Things refers to as “knowledge in the world”). The touchscreen interface popularized by the iPhone is a ready example of this. More

recently,Nest Protect’s ”wave to hush” interaction provides an example that builds on

learned physical interactions (waving smoke away from a smoke detector to try to shut it up) in an entirely new but instantly comprehensible

way. An additional and often overlooked advantage of tapping into deep layers of

meaning making is that by leveraging more embodied associations, we’re able to design for systems that fit together loosely and in a natural way. By “natural” here, I mean associations that

don’t need to be overwritten by an arbitrary, symbolic association in order to signify;

associations that are rooted in our experience of the world and in our innate perceptual abilities.

Our models become more stable and, ironically, more fluid at once: remapping one’s use of the

trackpad is as simple as swapping out one easily accessible mental model (the wheel

metaphor) for another (the touchscreen metaphor). This loose coupling allows for

structural alternatives to rigid (and often brittle) complex top-down organizational approaches.

In Beyond the Brain, University of Lethbridge Psychology professor Louise Barrett uses this

concept of “soft assembly” to explain how in both animals and robots “a whole variety of

local control factors effectively exploit specific local (often temporary) conditions, along with the intrinsic dynamics of an animal’s body, to come up with effective behavior ‘on the fly.’”

Barrett describes how soft assembly accounts for complex behavior in simple organisms (her

examples include ants and pre-microprocessor robots), then extends those examples to show how complex instances of human and animal

perception can likewise be explained by taking into account the fundamental constitutive

elements of perception. For those of us tasked with designing the architectures and interaction

models of networked physical spaces, searching hard for the most fundamental level

at which an association is understood (in whatever mode it is most basically

communicated), and then articulating that association in a way that exploits the intrinsic

dynamics of its environment, allows us to build physical and information structures that don’t

have to be held together by force, convention, or rote learning, but which fit together by the

nature of their core structures.

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#ResponsiveIA @andybywire

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#ResponsiveIA @andybywire

}

Mind Blowing by Luis Prado from The Noun Project

When we discuss meaning making, our pace layer model doesn’t describe rate of change; it

describes depth of embodiment. Remembering the “ctrl-z to undo” function is a learned

symbolic (hence arbitrary) association. Touching an icon on a touchscreen (or, indexically, on a

trackpad) and sliding it up is an associative embodied action. If we get these actions right,

we’ve tapped into a level of meaning making that is rooted in one of the slowest of the

physical pace layers: the fundamental way in which we perceive our natural world.This has

obvious advantages to usability. Intuitive interfaces are instantly useable because they

capitalize on the operational knowledge we already have. When an interface is completely

new, in order to be intuitive it must “borrow” knowledge from another sphere of experience

(what Donald Norman in The Psychology of Everyday Things refers to as “knowledge in the world”). The touchscreen interface popularized by the iPhone is a ready example of this. More

recently,Nest Protect’s ”wave to hush” interaction provides an example that builds on

learned physical interactions (waving smoke away from a smoke detector to try to shut it up) in an entirely new but instantly comprehensible

way. An additional and often overlooked advantage of tapping into deep layers of

meaning making is that by leveraging more embodied associations, we’re able to design for systems that fit together loosely and in a natural way. By “natural” here, I mean associations that

don’t need to be overwritten by an arbitrary, symbolic association in order to signify;

associations that are rooted in our experience of the world and in our innate perceptual abilities.

Our models become more stable and, ironically, more fluid at once: remapping one’s use of the

trackpad is as simple as swapping out one easily accessible mental model (the wheel

metaphor) for another (the touchscreen metaphor). This loose coupling allows for

structural alternatives to rigid (and often brittle) complex top-down organizational approaches.

In Beyond the Brain, University of Lethbridge Psychology professor Louise Barrett uses this

concept of “soft assembly” to explain how in both animals and robots “a whole variety of

local control factors effectively exploit specific local (often temporary) conditions, along with the intrinsic dynamics of an animal’s body, to come up with effective behavior ‘on the fly.’”

Barrett describes how soft assembly accounts for complex behavior in simple organisms (her

examples include ants and pre-microprocessor robots), then extends those examples to show how complex instances of human and animal

perception can likewise be explained by taking into account the fundamental constitutive

elements of perception. For those of us tasked with designing the architectures and interaction

models of networked physical spaces, searching hard for the most fundamental level

at which an association is understood (in whatever mode it is most basically

communicated), and then articulating that association in a way that exploits the intrinsic

dynamics of its environment, allows us to build physical and information structures that don’t

have to be held together by force, convention, or rote learning, but which fit together by the

nature of their core structures.

ONTO

LOGY

TAXONOMY

CHOREO

GRAPH

Y

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- @brad_frost

https://twitter.com/brad_frost/status/443371579645624321

“This makes me want to murder things.”

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}

Mind Blowing by Luis Prado from The Noun Project

When we discuss meaning making, our pace layer model doesn’t describe rate of change; it

describes depth of embodiment. Remembering the “ctrl-z to undo” function is a learned

symbolic (hence arbitrary) association. Touching an icon on a touchscreen (or, indexically, on a

trackpad) and sliding it up is an associative embodied action. If we get these actions right,

we’ve tapped into a level of meaning making that is rooted in one of the slowest of the

physical pace layers: the fundamental way in which we perceive our natural world.This has

obvious advantages to usability. Intuitive interfaces are instantly useable because they

capitalize on the operational knowledge we already have. When an interface is completely

new, in order to be intuitive it must “borrow” knowledge from another sphere of experience

(what Donald Norman in The Psychology of Everyday Things refers to as “knowledge in the world”). The touchscreen interface popularized by the iPhone is a ready example of this. More

recently,Nest Protect’s ”wave to hush” interaction provides an example that builds on

learned physical interactions (waving smoke away from a smoke detector to try to shut it up) in an entirely new but instantly comprehensible

way. An additional and often overlooked advantage of tapping into deep layers of

meaning making is that by leveraging more embodied associations, we’re able to design for systems that fit together loosely and in a natural way. By “natural” here, I mean associations that

don’t need to be overwritten by an arbitrary, symbolic association in order to signify;

associations that are rooted in our experience of the world and in our innate perceptual abilities.

Our models become more stable and, ironically, more fluid at once: remapping one’s use of the

trackpad is as simple as swapping out one easily accessible mental model (the wheel

metaphor) for another (the touchscreen metaphor). This loose coupling allows for

structural alternatives to rigid (and often brittle) complex top-down organizational approaches.

In Beyond the Brain, University of Lethbridge Psychology professor Louise Barrett uses this

concept of “soft assembly” to explain how in both animals and robots “a whole variety of

local control factors effectively exploit specific local (often temporary) conditions, along with the intrinsic dynamics of an animal’s body, to come up with effective behavior ‘on the fly.’”

Barrett describes how soft assembly accounts for complex behavior in simple organisms (her

examples include ants and pre-microprocessor robots), then extends those examples to show how complex instances of human and animal

perception can likewise be explained by taking into account the fundamental constitutive

elements of perception. For those of us tasked with designing the architectures and interaction

models of networked physical spaces, searching hard for the most fundamental level

at which an association is understood (in whatever mode it is most basically

communicated), and then articulating that association in a way that exploits the intrinsic

dynamics of its environment, allows us to build physical and information structures that don’t

have to be held together by force, convention, or rote learning, but which fit together by the

nature of their core structures.

ONTO

LOGY

TAXONOMY

CHOREO

GRAPH

Y

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}

Mind Blowing by Luis Prado from The Noun Project

When we discuss meaning making, our pace layer model doesn’t describe rate of change; it

describes depth of embodiment. Remembering the “ctrl-z to undo” function is a learned

symbolic (hence arbitrary) association. Touching an icon on a touchscreen (or, indexically, on a

trackpad) and sliding it up is an associative embodied action. If we get these actions right,

we’ve tapped into a level of meaning making that is rooted in one of the slowest of the

physical pace layers: the fundamental way in which we perceive our natural world.This has

obvious advantages to usability. Intuitive interfaces are instantly useable because they

capitalize on the operational knowledge we already have. When an interface is completely

new, in order to be intuitive it must “borrow” knowledge from another sphere of experience

(what Donald Norman in The Psychology of Everyday Things refers to as “knowledge in the world”). The touchscreen interface popularized by the iPhone is a ready example of this. More

recently,Nest Protect’s ”wave to hush” interaction provides an example that builds on

learned physical interactions (waving smoke away from a smoke detector to try to shut it up) in an entirely new but instantly comprehensible

way. An additional and often overlooked advantage of tapping into deep layers of

meaning making is that by leveraging more embodied associations, we’re able to design for systems that fit together loosely and in a natural way. By “natural” here, I mean associations that

don’t need to be overwritten by an arbitrary, symbolic association in order to signify;

associations that are rooted in our experience of the world and in our innate perceptual abilities.

Our models become more stable and, ironically, more fluid at once: remapping one’s use of the

trackpad is as simple as swapping out one easily accessible mental model (the wheel

metaphor) for another (the touchscreen metaphor). This loose coupling allows for

structural alternatives to rigid (and often brittle) complex top-down organizational approaches.

In Beyond the Brain, University of Lethbridge Psychology professor Louise Barrett uses this

concept of “soft assembly” to explain how in both animals and robots “a whole variety of

local control factors effectively exploit specific local (often temporary) conditions, along with the intrinsic dynamics of an animal’s body, to come up with effective behavior ‘on the fly.’”

Barrett describes how soft assembly accounts for complex behavior in simple organisms (her

examples include ants and pre-microprocessor robots), then extends those examples to show how complex instances of human and animal

perception can likewise be explained by taking into account the fundamental constitutive

elements of perception. For those of us tasked with designing the architectures and interaction

models of networked physical spaces, searching hard for the most fundamental level

at which an association is understood (in whatever mode it is most basically

communicated), and then articulating that association in a way that exploits the intrinsic

dynamics of its environment, allows us to build physical and information structures that don’t

have to be held together by force, convention, or rote learning, but which fit together by the

nature of their core structures.

ONTO

LOGY

TAXONOMY

CHOREO

GRAPH

Y

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Responsive information architectures

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#ResponsiveIA @andybywire

An information design strategy that facilitates the expression of specific meaning across multiple and independent contexts.

Responsive Information Architecture

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#ResponsiveIA @andybywire

Taxonomic Grid

• Determine the narrative

• Audit content and existing organization

• Identify and build single-dimension structures

• Articulate compound taxonomies to meet goals, accommodate constraints, and leverage opportunities.

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#ResponsiveIA @andybywire

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#ResponsiveIA @andybywire

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#ResponsiveIA @andybywire

Taxonomic Grid

• Determine the narrative

• Audit content and existing organization

• Identify and build single-dimension structures

• Articulate compound taxonomies to meet goals, accommodate constraints, and leverage opportunities.

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#ResponsiveIA @andybywire

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#ResponsiveIA @andybywire

Taxonomic Grid

• Determine the narrative

• Audit content and existing organization

• Identify and build single-dimension structures

• Articulate compound taxonomies to meet goals, accommodate constraints, and leverage opportunities.

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#ResponsiveIA @andybywire

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#ResponsiveIA @andybywire#ResponsiveIA @andybywire

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#ResponsiveIA @andybywire

Taxonomic Grid

• Determine the narrative

• Audit content and existing organization

• Identify and build single-dimension structures

• Articulate compound taxonomies to meet goals, accommodate constraints, and leverage opportunities.

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#ResponsiveIA @andybywire

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#ResponsiveIA @andybywire

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#ResponsiveIA @andybywire

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#ResponsiveIA @andybywire

Taxonomic Grid

• Determine the narrative

• Audit content and existing organization

• Identify and build single-dimension structures

• Articulate compound taxonomies to meet goals, accommodate constraints, and leverage opportunities.

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http://pervasiveia.com/blog/embracing-ambiguity

- Luca Rosati. Embracing ambiguity: Ambiguity as an emerging design pattern

“Embracing ambiguity — embracing the possibility of not understanding exactly how the pieces fit together — means designing systems

that surpass our expectations of them.”

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Rich understanding of the information ecology

Content-driven guidelines for interaction

design choices

Articulated information structures based on

multiple modes of meaning making

Embrace ambiguity as a strategy for negotiating

the connected environment

Responsive Information Architecture

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#ResponsiveIA @andybywire

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Thank you.Responsive Information Architectureswww.linkedin.com/in/andyfitzgerald

@andybywire

#ResponsiveIA