Resolution_color_printing

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    Resolution, Color Management& Printing

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    Resolution

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    Digital Cameras

    Digital cameras measure the image size not in pixels per inch but instead, its

    measured in megapixels. A megapixel is simply 1 million pixels.

    To find out how many megapixels youneed to create a particular image size,

    in Photoshops image size dialog box

    you set the resolution you want and the

    image size you want.

    Multiply the number of pixels together.In the example to the left you would

    need a camera that had 6.5 megapixels

    -

    (2179 x 3000 = 6,537,000)

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    300 pixels per inch (ppi)

    100 pixels per inch (ppi)

    30 pixels per inch (ppi)

    1 inch

    1 inch

    1 inch

    Resolution simply

    means how large a

    pixel is when you print

    it , and it usually is

    measured in pixels per

    inch.

    More pixels per inch

    means higher

    resolution.

    Print Resolution

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    How high of a resolution do you need?

    That will depend on what medium your image is viewed in such as monitors,

    printers, scanners, digital cameras. Unfortunately, there can be confusion becausethe terminology for different devices can vary (ppi, dpi, lpi, megapixels,

    and so on.) Sometimes we use lines per inch because dots arent used to make up

    the image such as in half tones used in newspaper work.

    Some Common lpi Settings:

    85 lpi Newspaper Advertisements

    100 lpi Newspaper Editorial section

    133 lpi Magazines and brochures

    150 lpi High-end magazines and high quality brochures175 lpi Annual reports and high end brochures

    53 lpi 300 dpi Laser printers

    106 lpi 600 dpi Laser printers

    212 lpi 1200 dpi Laser printers

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    Youll get very high quality results on most injet printers if you

    use images with resolution settings between 240 and 360 ppi.Anything over 360 is just overkill.

    You probably wont even notice the difference between 360 ppi

    and one with a higher resolution even if you use a magnifying

    glass to compare them.

    If you work with textured papers you might want to use closer

    to 240 ppi and if you use a glossy paper you might want to use

    360 ppi. My general recommendation is to to split the

    difference and use 300 ppi if you are unsure.

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    Resampling

    Resampling will change how large the pixels are that make up the image. Anychanges you make to the resolution setting when the resample box is checked will

    make the pixels larger or smaller, but the image will stay the same overall size.

    This might be useful if you have a high resolution image going to a low resolution

    medium. By making that change the file size would become less and that can be

    very useful in many different ways. Lowering file sizes for the purposes of the webwill allow images to load faster in a browser and in printing it will lessen the

    time it takes to print.

    Caution is advised however as once the image is resampled to a lower resolution

    you will not be able to resize it back to a larger size since you threw away pixelsto get the image smaller. Trying to make it bigger will result in a pixelated image.

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    Notice in this example that is notresampled. By changing the

    Resolution you change the size of

    the image but the number of pixels

    stays the same.

    Digital cameras frequently give a

    default setting of 72 ppi but the

    image is quite large. If you change

    the resolution to around 300 ppi the

    image size will be quite a bit smaller(typically 4 x6 inches.)

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    Sharpening the Image

    The last thing youll do before sending your image to its final destination may be to sharpen the

    image. Most images NEED sharpening. However, its important to understand what that means. You

    will go to the Filter section under the menu bar to find the Sharpen commands. You do not use

    Sharpen...you will use Unsharp Mask. Oddly named, its is a remnant from techniques used in theprinting industry in the past.

    Unsharp mask puts a halo around each pixel to make

    it appear sharper. If it is done in the correct proportion it

    will improve the appearance of the image. If it is

    overdone it will be apparent and lessen image quality.Different mediums will require different levels of

    sharpening.

    There are 3 settings in the Unsharp Mask dialog box.

    Amount, Radius and Threshold. The Amount is

    measured in percent and you can go above 100%

    without harm to the image. Radius refers to the howmuch space will be used for the contrast boost between

    pixels and the setting should probably should not

    exceed 1.5 pixels. Threshold determines how different

    two colors have to be for sharpening to kick in.

    Threshold set at 0 will sharpen everything. You should

    view your image at 100% size while sharpening.

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    Color Management & Printing

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    How do you make a print that looks the same as it does on the monitor?

    Through color management.

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    The big problem with color is trying to get everyone to agree what color a

    color actually is....Buy three Red felt tip markers from three different

    manufacturers and see if they all look the same. Walk into a store to look at

    different televisions from different manufacturers and see if the pictures alllook the same.

    In order to get accurate color throughout the process, all of the devices used

    must be profiled so that they know how one another interprets color.

    All of the monitors in this lab have been profiled using a sophisticated

    calibration device & software. You should calibrate your monitors at home if

    you intend to work there and expect half way accurate color here.

    All of the printers used here have had all of the papers commonly used hereprofiled with the same sophisticated device and software used on the

    monitors.

    Doing these things is only the beginning.....

    M k i i t d Th h t l b t h ld b t

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    Make sure your image is tagged. The photo labs computers should be set

    up to embed a profile of Adobe RGB 1998 automatically. In Photoshop you

    can set that up under Edit > Color Settings

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    Youll need to make sure that several dialog boxes all are in agreement about what kind of file you are

    using, what kind of paper you are printing on and even what printer you are printing on. Whenever you are

    printing you will want to start the process by clicking on the Print button under File in the menu bar.

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    After you push the Print button youll see this dialogue box.

    Check to make sure that all of these boxes are set as below. One exception is the

    Printer Profile setting....it should state the Type of paper your are using..

    You will change this to a Paper Profile!

    Clicking on the Printer Profile tab brings up a large number of choices You need to select the

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    Clicking on the Printer Profile tab brings up a large number of choices. You need to select the

    one that matches the specific paper your are using. If you dont...your picture will not be color correct.

    The paper & Ink types are listed using a code...Enhanced Matte Paper = EMP

    Premium Luster Paper = PLP, Photo Black ink = PK, Mate Black ink = MK etc.

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    Click on the page set up button to be sure that your printer is selected,

    the right size paper is selected and that the image is properly oriented on

    the paper.

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    When you push the Print button youll be given yet another dialog

    box where you must check a couple of other things. The first is to

    check the Print Settings

    The Print Settings dialog box looks like this You should make sure that the

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    The Print Settings dialog box looks like this. You should make sure that the

    Media Type agrees with the paper you are using, that the ink is set to color if

    you are making a color print and that the Mode is set to the Advanced settings

    with Print Quality at Superfine 1440.

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    You will need to back track to where you saw Copies & Pages and

    go down to Printer Color Management

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    You will see a box that allows you to make color adjustments. But

    you dont want to use them!

    Si ki l dj t t ithi Ph t h d t t

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    Since you are making your color adjustments within Photoshop you do not want

    the printer to do anything other than what youve told it to do. You will click the

    No Color Adjustment tab and then the Print button to start printing.

    If you let Photoshop determine the color

    turn this to OFF

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    If you have followed all of the steps

    mentioned previously you should endup with a print that looks very close to

    what you see on screen. If your print

    looks vastly different than what you

    see on screen... chances are very good

    that youve neglected to make all of

    the proper settings agree with one

    another. You should double check tomake sure that you have selected all of

    the proper settings.