Reservoir Dogs Film Review

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Reservoir Dogs Reservoir Dogs is a film that captures the relationship between men, helping us as the viewer step into the conversations and the bond that men share. The fil m uses interesting cuts to give the audience the information needed, directing their emotional state of mind whether it is compassion or empathy for these characters that have been betrayed by one of their own. The film is fueled with violence and blood and a clever colour pallet that makes the colour red so vibrant. The music in this movie flows smoothly throughout each scene genuinely feeling as if it belongs there. The film s structure starts by engaging with the end of the fil m, cutting from the title sequence off the men walking to their car and then a juxtaposed scene of Mr Orange bleeding in the back seat of a car. Almar Haflidason from BBC movies explains that, Tarantino exploits audience savvy preferring to build anticipation, mesmerize, and then cut away at the climax ( Haflidason, 2000). Tarintino sets up the audience deliberatley throwing the audience directly into the story allowing the audience to wonder what s happening. He feeds the story to the viewer bit by bit uncovering what s happened in the story. When he has us on the edge of our seats he ll cut to something else. He did this with the scene of the officer getting his ear cut off. He builds up to the scene, and the viewer is anticipating for this viscious attack to happen. Then Tarentino pans away not showing us the act of the ear being cut off but through the cheerful music playing loudly and the background screams o f the officer the audience can presume that the act has been done. The pan it self felt as though it was held a bit longer than needed to add to the anticipation of the next scene of this man with one ear. Figure 1. Reservoir dogs after the fight.(1992)

Transcript of Reservoir Dogs Film Review

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Reservoir Dogs

Reservoir Dogs is a film that captures the relationship between men, helping us as the viewer

step into the conversations and the bond that men share. The film uses interesting cuts to give

the audience the information needed, directing their emotional state of mind whether it is

compassion or empathy for these characters that have been betrayed by one of their own. The

film is fueled with violence and blood and a clever colour pallet that makes the colour red so

vibrant. The music in this movie flows smoothly throughout each scene genuinely feeling as if it

belongs there.

The film’s structure starts by engaging with the end of the film, cutting from the title sequence

off the men walking to their car and then a juxtaposed scene of Mr Orange bleeding in the back

seat of a car. Almar Haflidason from BBC movies explains that, “Tarantino exploits audience

savvy preferring to build anticipation, mesmerize, and then cut away at the climax”( Haflidason,

2000). Tarintino sets up the audience deliberatley throwing the audience directly into the storyallowing the audience to wonder what’s happening. He feeds the story to the viewer bit by bit

uncovering what’s happened in the story. When he has us on the edge of our seats he’ll cut to

something else. He did this with the scene of the officer getting his ear cut off. He builds up to

the scene, and the viewer is anticipating for this viscious attack to happen. Then Tarentino pans

away not showing us the act of the ear being cut off but through the cheerful music playing

loudly and the background screams of the officer the audience can presume that the act has

been done. The pan it self felt as though it was held a bit longer than needed to add to the

anticipation of the next scene of this man with one ear.

Figure 1. Reservoir dogs after the fight.(1992)

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The film took place mainly in an abandoned warehouse, the getaway rendezvous. The

environment was empty with pale walls and it seems to add to the tension in the characters

being in this claustrophobic environment with hot headed men. Figure 1 shows one of the

rooms in the warehouse and the walls are a green colour, Mr White and Mr Pink are in the

middle of their argument pointing their guns at one another. The room with the green roomswas a great contrast to the amount of blood seen in this environment, allowing the colour of 

blood to come across very bold and vibrant. This still shows the climax of their argument and is

an example of why being in this environment for long periods of times makes the characters

anxious resulting on them turning on one another.

The film uses humour in a very clever way to undermine the violence used, the music used also

helps to adds to make the punch lines in the film more effective. The Empire review explains

that “the humour is juxtaposed with a series of increasingly harrowing events” (Empire.s.d). The

scene that uses this effectively is the ear scene when Mr Blonde is dancing cheerfully to cheesy

70’s music, cuts of the officers ear and pretends to talk into it. Although this scene is violent

and disturbing the audience is compelled to laugh at his joke.

Figure 2. Reservoir dogs the show down. (1992)

The betrayal revealed in the end added a bit more to the scenes as Tarantino drip feeds us this

information before showing us the final shoot out. Figure 2 shows Mr White, Jo and his son

ready to shoot one another and Mr Orange bleeding to death. The scene has an old western

feel and ends dramatically with everyone being shot. The person that everyone feels sympathy

for is Mr White because he defends Mr Orange to the end even getting shot to save him from

being killed. The final scene when Mr Orange reveals his true identity evokes sadness when you

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see Mr White realize he was wrong to stand up for this man and takes his revenge by shooting

Mr Orange.

The title starts to make sense after the end of the film; the word reservoir means a natural or

artificial water supply that is stored. The reservoir in this film can be seen as the warehouse and

the dogs are the men who one by one are being stored in this environment. Philip French from

the observer further explained the title by saying “Tarantino’s characters are a band of canine

scavengers living by their own values on the outskirts of society.”(French, 1998). The men are a

lot like dogs, dominated by their base animalistic impulses, if they feel threatened they

immediately what to fight instead of rationally talking about their problems. The characters also

separate themselves from society by taking part in this criminal world it appears as if they live

in a parallel universe in their minds where anything outside of their bubble is against them or

easily disposable. This can be seen when they shoot the police and push or shoot the civilians

out of their way when they were escaping from the failed heist.

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Bibliography

Haflidason, A (2000). Reservoir dogs 1992. At:

http://www.bbc.co.uk/films/2000/11/21/reservoir_dogs_1992_review.shtml(12.02.2013)

Empire.(s.d). Reservoir dogs. At:http://www.empireonline.com/reviews/reviewcomplete.asp?DVDID=6455 (12.02.2013)

French, P.(1998). Post-Haste to a bloody post-heist conclusion. At:

http://observer.guardian.co.uk/screen/story/0,6903,796908,00.html (12.02.2013)

Illustration list

Figure 1. Reservoir dogs after the fight.(1992). From Reservoir dogs. Directed by: Quentin

Tarantino.[Film still]. At:

http://whatculture.com/wpcontent/uploads/2008/08/reservoir_dogs_l.jpg (12.02.2013)

Figure 2. Reservoir dogs the show down. (1992) ). From Reservoir dogs. Directed by: Quentin

Tarantino.[Film still]. At: http://static.guim.co.uk/sys-

images/Film/Pix/pictures/2011/4/29/1304086033987/Quentin-Tarantinos-Reserv-007.jpg 

(12.02.2013)