Res Media - Highlights of the Examiners Reports
Transcript of Res Media - Highlights of the Examiners Reports
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RES MEDIA – SUMMARY OF THE EXAMINERS’ REPORTS
A-LevelMedia StudiesCritical Perspectives/Unit 3 – MEST3 Report on theExamination2570 June 2015
General
The unseen extracts in this year’s exam were a Google advertisement for theNexus 5 smartphone and a short film by Bluefish TV, with both texts providing a
range of points for analysis. Students across the ability range were able to access
the products, and provided a range of responses that showed some real
engagement with what they had been presented with. The detail in the vast
majority of the responses suggests that students were well prepared for the
examination in terms of understanding, with the quality of note taking skills in
evidence being particularly impressive.
Equally, the vast majority of students had prepared effective independent case
studies around which to base their responses in Section B. It was evident how
much time and effort had gone into preparing for the exam, with many students
showing the ability to write in a sophisticated manner about a range of different
example products while simultaneously applying media theory effectively and
exploring relevant wider contexts. Weaker students tended to focus on just one
or two example products, and
it was occasionally disappointing to note that a number of case studies were not
contemporary; for example, “Fight Club” (1999) and “Memento” (2000) were
used as the key focus products on more than one occasion. Primarily basing an
individual case study around films of this age meant that students found it
difficult to then explore contemporary wider context issues, thus precludingthem from reaching the higher levels of the mark scheme.
It was frustrating to note that a number of students opted to copy out the
wording of each question in turn, thereby limiting the amount of time that they
had to actually finish the paper. Equally, there were a handful of students who
neglected to put the question number in the margin for each question being
answered; these students placed themselves at huge risk of not being assessed
for each of the four questions that they completed during the examination. It is
always worth reminding students to complete exam papers accurately; it is their
own best interests.
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Section A
The focus of the 3 questions is:
Question 1 - Media concepts
Question 2 - Media issues and debates
Question 3 - Wider contexts
Question 1:
Contrast the techniques used by each product to communicate its message.
This question encouraged students to engage specifically with the unseen
extracts that they were shown at the start of the examination itself, and provided
an opportunity to use those analytical skills that have been developed during the
AS course in analysing unseen material, albeit at the higher level required for A2.
The most successful responses made reference to a range of construction factors
in each product, including:
• the use of sound, both diegetic and non-diegetic, and how this impactedupon an audience’s response to the products
• the use of graphics that appear on screen• representational issues, particularly those that show attitudes of
acceptance and community
• the use of montage to celebrate the universality of marriage
• the use of direct address in the “Who are you?” questioning
• the use of editing, particularly to generate pace in order to create
audience appeal
• the notion that one text creates a desire to own a product, while the other
encourages self- realisation.
High level responses engaged with many of these features, while using
theoretical and conceptual frameworks to reveal detailed knowledge and
understanding of how media products are constructed and what impact they are
likely to have upon an audience.
Weaker students tended to focus on fairly simple points of analysis, in some
cases being limited to brief references to one or two media language examples,
such as the use of a particular camera shot or soundtrack. These answers did not
engage with the specific wording of the question, which encouraged students to
consider what the “message” behind each product might be, and then explorehow this message was communicated. It is useful to set MEST3 topic class work
and case studies to remind students of analysis skills using the concepts. This
will help with the detailed analysis required in Section B, but also assist with
developing skills needed to answer Question 1 effectively.
Question 2: In what ways are issues of personal identity presented in the media?
You may refer to other products to support your answer.
This question provided students with the opportunity to refer not only to the
unseen products shown at the start of the examination, but also some of theirexamples. Students were therefore able to use some of the material that they had
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prepared in their Independent Case Study. Effective answers to this question
included many of the following points:
• identification with celebrity
• response to lifestyle activities and celebration of choices
• modification of audience behaviour
• online identity and manipulation• creation of personal spectacle
• pros and cons of social networks
• increased opportunity for members of the public to control their own
representations.
Stronger responses made reference to a range of products, ranging from the
unseen texts provided to their own use of social media sites such as YouTube,
Facebook and Twitter. Many students made excellent use of particularly
contemporary issues, such as the story of Caitlyn Jenner (which became a news
headline just four days before the date of the actual examination) and the on-
going narrative involving ISIS. These responses revealed a very real awareness
of how individuals are increasingly able to reveal their identity in ways that were
unavailable even a decade ago. They also revealed students to have an interest
in, and on-going engagement with, the world around them as expressed through
a wide variety of media products. Additionally, a number of very good responses
were seen which considered the notion of whether audiences could trust all
identities as they were portrayed, particularly on social media sites; the highest
performing students showed some excellent critical autonomy in debating
whether technological developments, while enabling individuals to express
themselves more fully, were a positive or negative thing.
Weaker responses tended to remain focused on the unseen extracts that were
shown at the start of the exam, and did not involve reference to additional media
products. Students were therefore somewhat limited in their ability to explore
the range of technologies and platforms available to individuals when revealing
their identity. The language of t he question (“may”) invites students to make
reference to other media products, and it would be particularly worthwhile
encouraging students to use that invitation to their benefit.
Question 3:
How important is it to media producers that audiences adopt a positive attitude
to the use of new and digital media?
You must refer to other products to support your answer.
This question encouraged students to consider the relationship between media
producers and media audiences, particularly against a backdrop of ever-
changing technologies and cultural circumstances. The question demands that
they make reference to a broad range of media products, and many students
showed some very good knowledge and understanding in this response.
Stronger responses included reference to many of the following points:
• a positive audience response being key to advertising/marketing revenuefor producers
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• the growth of the e-Media economy and the impact of this upontraditional media producers
• the illusion of empowerment offered by new media technologies and
platforms
• direct audience feedback and how producers used these to their own
ends• demographic targeting
• cross media promotion.Stronger responses made reference to a range of products and companies, with
the bankruptcy of Blockbuster after their refusal to purchase Netflix being just
one of the examples that appeared on a number of occasions. Many students
made use of a broad range of media theory in exploring this question, including
some particularly effective discussion of the idea of “pro-sumers” and some
interesting exploration of the “Cage of Identity”. Students at the higher end of theability range made good use of their own product examples in responding to this
question, showing understanding of a range of examples.
• illusion of empowerment
REPORT ON THE EXAMINATION – A-LEVEL MEDIA STUDIES – MEST3 – JUNE
2015
Weaker students tended to make fairly simplistic points, often referring just tothe presence of Twitter rather than exploring the RAMIFICATIONS of its use for
media producers and audiences, or by only making passing reference to the
opportunity for audiences to express a preference for a performer in “The X
Factor” by voting online. Such responses, being limited to isolated examples,lacked depth and detail required in order to access the higher marks available.
Section B
Candidates had the choice of four questions, of which two were on New and
Digital Media and two were on the new topic of Identities and the Media, which
replaced Representations in the Media for this exam. More students took the
opportunity to respond to the question on New and Digital Media, perhaps
suggesting a lack of confidence or awareness in teachers in the differences
between Identities and Representations as an exam topic. It is hoped that there
will be more balance between responses in future years, now that centres have
an exam paper that should provide greater understanding of the type of
questions that could appear under the heading of Identities and the Media.
Problematic case studies tend to fall into one or more of the following areas:
• it doesn’t have a clear link to the impact of either New and Digital MediaOR Identities and the Media
• they either tried to do too much. Some students had case studies thatcould be best described as sprawling; indeed, one candidate, in exploring the
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identity of teenage girls in the media, made reference to the Disney film “Frozen”,the role of ISIS, the Charlie Hebdo attacks in Paris, a Daily Express article on
exam performance and a Daily Mail website article on body image. It was difficult
to create a coherent and logical argument when making reference to such
disparate products.
• or they did not try to do enough. Equally, some candidates just explored
one product or celebrity, thus limiting the scope of debate available. Responses
were seen that just focused on Beyoncé, the NME and the existence of Twitter. Asa result, students had restricted their own ability to fully answer a question as
they could not explore a range of examples to support their argument.
Question 4:
Access to social media has empowered people to assert their true identity. Does
evidence from your case study suggest that this is the case?
This was a popular question, with stronger responses exploring some of the
following points:
• identification/acknowledgement of problem of ‘true’ identity• multiple and mutable identities
• balance of power producer/audience
• exemplification, via case study, of impact.
Stronger responses tended to focus on the development of Twitter, Instagram,
Snapchat etc and debated how such platforms enabled individuals to express
themselves. A number of students made some insightful comments about the
notion of power within the media, arguing that having 200 Twitter followersdoes not represent real power in comparison to the global presence of Warner
Bros, the BBC or Rupert Murdoch. There was also some astute analysis that
explored the difference between online identity and the image people project to
each other in real life. A wide range of media products were used to support
arguments and it was particularly pleasing to see that students were engaged
with international products rather than merely relying on those that had been
produced in Britain; this enabled students to engage wider contexts on a global
scale.
Weaker students tended to make reference to just one or two examples which,
while being largely relevant to the wording of the question, primarily argued that
people have been empowered just because platforms such as Facebook and
Twitter now exist. Such responses did not have the depth of awareness to
explore wider contexts effectively.
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Question 5:
“To argue that audiences have their identities shaped by the media they consumeis simply to insult them. People are much smarter than that.’’ Does your case
study indicate that people are ‘much smarter than that’?
Not as popular as question 4 for those students who opted to answer in Section Bon Identities and the Media. The better responses to this question included
reference to some of the following points:
• media impact on identities• discriminatory power of audience
• audience passivity versus audience resistance• audience empowerment in consumption
• exemplification via case study.
Stronger answers explored the idea that the life of the vast majority of
individuals is not shaped by the media alone. While offering some very good
consideration of the impact of media products and platforms upon everyday life,
stronger students were able to take a step back from the question and also
consider the role of family, environment etc. They also explored media theory
effectively, including some withering criticisms of Hypodermic Needle theory,
arguing that audiences are entirely capable of independent thought, and that the
role of the media is important but not all- encompassing.
Weaker responses did not use media theory in order to explore the notion
posited in the question. Additionally, they failed to maintain a focus on the
wording of the quotation in the question. Instead, answers tended to discusstheir chosen case study in as much detail as they could before attempting to
shoe-horn specific reference to the question into an, often all too brief,
concluding paragraph. As a result, these students did not actually address the
idea of the actual question.
Question 6:
One of the great benefits of new and digital media is that they have enabled
audiences to set their own agenda in terms of how they use the media. Does
evidence from your case study support this view?
This was probably the most popular question amongst all of those available in
Section B, with stronger answers making reference to points such as:
• agenda setting via consumption
• agenda setting via production
• role of e-commerce• globalisation and media manipulation
• exemplification via case study.
Successful responses to this question explored the issue from the perspective of
both audiences and producers. In doing so, they debated the extent to whichaudiences are now able to set their own agenda and also discuss the ways that
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media producers have had to respond as a result. Students therefore explored
the different ways that audiences could use a variety of media services and
platforms to enhance their individual lives and look at the impact of hashtags,
online voting systems and website forums as part of that debate. This led to the
question being debated from both sides, rather than revolving around a fixed
binary position.
Weaker students, however, tended to take a binary position and run with it,
using their case study to force a point, rather than consider the nuances and
subtleties that exist within the question. Weaker students also tended to explore
the more basic features of new and digital media, such as the ability to create an
individualised avatar as a method of self-expression, rather than explore the
concept of having an agenda. Arguments therefore became quite simplistic,
suggesting that having an individual Snapchat or Twitter account was enough to
allow audiences to be in control of how they use the media.
A range of theories were used by students across the ability range, including
Gauntlett, Uses and Gratifications, Stuart Hall, Marxism and Liberal Pluralism.
Some students continue to throw media theory at a question, seemingly in the
hope that some of it will stick. Some essays are constructed in a list-like fashion,
with each new paragraph detailing a different theory while making sometimes
limited reference to the case study products. It might be worthwhile re-visiting
media theory in preparing students for the A2 exam, and perhaps encouraging
students to only attempt to apply theory if they are confident that they know
how it can be used to progress an analytical argument.
Question 7:
“We stand for a single internet where all of humanity has equal access toknowledge and ideas.’’ Hillary Clinton, former United States Secretary of State,
January 2010. Does your case study suggest that new and digital media have
made a positive contribution to humanity?
There were some very good responses seen here. The best of these made
reference to some of the following points:
• government control of web based technologies
• individual freedom
• global nature of e-Media
• repressive regimes and emergent democracies• information and democracy
• folk devils such as terrorism and paedophilia.
This is perhaps the question in Section B where more students made use of
contemporary news events in order to develop their answer. As a result, many
students explored the on-going narrative of ISIS, and there were some superb
responses which explored western media’s response to the “craze” of terror
groups around the world. Additionally, a number of students took anoppositional response to the quotation in the question, arguing, largely very
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effectively, that new and digital media have actually made a negative
contribution to humanity, primarily because terror groups are able to
communicate far more readily than in previous years. It was pleasing to see that
students were using news stories and media products that were very “current”,
with
one student making excellent use of a Guardianarticle that had been published on June 4th, 24 hours
ahead of the actual exam. Stronger students applied theory in theirresponses with aplomb, considering a range of approaches to how the media
impacts upon our daily lives. While it may not have been the most popular
question in Section B, it did lead to a number of the more successful, and more
engaging, responses. There was some good consideration of the role of
regulation and censorship online, with many students, perhaps surprisingly,
arguing for a change in the amount and type of material that is available online
without restriction.
Weaker responses, meanwhile, seemed to ignore the quotation that was at the
heart of this, instead focusing on the wording of the question itself. As a result,
these answers tended to simply agree with the phrasing of the question, stating
that new and digital media have made a positive contribution to humanity, just
because they exist. These responses failed to debate the issue, and thus did not
engage with wider contexts, and students were unable to show that they
developed a sense of critical autonomy.
SUMMARY
The quality of MEST3 responses suggests that the majority of students are
engaging in their own independent case studies, which are well researched and
have good focus on the set topics of Identities and the Media and/or New and
Digital Media. Some case studies remain too simplistic, however, and do not
provide students with the opportunity to develop an argument making
reference to relevant wider contexts. Now that centres have access to an exam
paper which includes questions under the new topic of Identities and the Media,
it is hoped that students will approach this topic with greater confidence in
future years
A-LEVELMEDIA STUDIESCritical Perspectives/Unit 3 – MEST3 Report on theExamination2570 June 2014
MEST 3 June 2014 Exam Report
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The focus of the 3 questions is:
Question 1 - Media concepts
Use the unseen products to answer a question on concepts – forms (including
media language, genre and narrative), representations, institutions, audiences or
values. This year’s question was on media language.
Students are rewarded for:• analysis of both media products, preferably detailed analysis with
detailed reference to the products
• understanding of concepts, in particular in this question media language.
Question 2 - Media issues and debates
Use the unseen products to answer a question on media issues and debates.
Students may refer to other media products to support their answer. The ‘may’ is
intended to encourage students to move beyond the two unseen exam products
and include examples of and from media products other than the two exam
products. However they can also support their answers with examples from the
two exam products.
Students are rewarded for:
• evaluation using media issues/debates/theories
• supporting their answers with a range of examples.
Question 3 - Wider contexts
Use the unseen products to answer a question on wider contexts. Students
should refer to other media products to support their answer. The ‘should’ is
intended to tell students they will be expected to move beyond the two unseenproducts and include other examples.
Students are rewarded for:
• evaluation using wider contexts• supporting their answers with a range of examples.
For Questions 2 and 3 students can include examples from a wide range of
sources, for example their individual case studies, their MEST4 coursework, AS
work, other AS and A-level class work and from their own media use. It is always
good to see up to date and topical examples that students used to show their
interest in the media, for example this year the Twitter campaign
#bringbackourgirls.
Students should read the introductions to the two media products carefully to
provide useful background that can help answer the questions. For example, the
aims and objectives of Real News would be useful in Question 3. However
students must use the information to answer the question, not just repeat the
information descriptively in their answer.
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Students should also be reminded to take time and care to read the Section A
questions before they view the products and again before they answer the
questions. It is useful for them to underline the key words and make notes using
these key words as they watch the two products. For example, in Question 1 to
consider how media language techniques are used to make the two media
products appear believable and authoritative, not just a general media languageanalysis. Also in Question 3 both advantages and disadvantages were included to
encourage students to debate wider contexts so they could access the higher
levels of the mark scheme.
Students are rewarded if they make a number of different points and for higher
levels a range of different points in each question. They will not achieve as high a
level if they only include one point in an answer, even if that one point is
answered well. This was a weakness in Question 2 where a minority of students
focused only on the valid point of lack of money.
There were lots of good answers in Section A.
1. How are media language techniques used to make the two media products
appear believable and authoritative?
Good answers included reference to some of the following points:
• the use of camera, including straight angles and mid and close ups toposition the audience within the action. This was reinforced by the diegetic
sound of chanting
• the long shot/establishing shot to set the scene, promise an overview ofevents and to emphasise the scale
• hand held camera to claim realism and again position the audience withthe demonstrators • interviews to camera of those involved in the
demonstration, including the use of interviewees with high status jobs
• the use of a non-diegetic voice over to explain the context and persuade
the viewer
• the branding of the news organisations with the logo and slogan repeated
and the mission explained to make it appear trustworthy and to have status • the
use of emotive language in both products
• the serious and formal mode of address. Also the use of direct address in
both the video and website
• the emphasis on transparency and audience involvement, for example theforum, social media links
• the thumbnails with links to a range of hard news stories
• high level answers also analysed the use of many of the conventions of TVnews, news websites and newspapers to claim authority. Very good answers also
considered the use of the conventions of citizen journalist conventions to suggest
realism and lack of mediation. A minority of weak answers didn’t understand themedia concept of media language and only analysed written or spoken language.
It is useful to use MEST3 pre-set topic class work and case studies to remind
students of analysis skills using the concepts. This will help them include
detailed analysis in Section B, but also to practice the skills needed for Question
1
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• the strongest answers often included a range of different codes, not justcamera distance or use of written language, but also sound, lighting, camera
movement and angle.
Some weaker students also failed to include detailed references to the two
products, for example the use of dramatic language but no example of this
language. This would be a good way for students who struggle with analysis to
improve their marks. Stronger students included detailed references to both
products.
2. How successful are audiences in using new and digital media to represent
themselves? You may also refer to other media products to support your answer.
Good answers focused sharply on a range of media debates, issues and theories,
with lots of examples to support their points. Weaker answers described
examples of self-representation, but didn’t develop these in to wider mediaissues or debates points. Question 2 is assessing media issues, debates and
theories so this is what really separates the lower and higher level answers.
Answers should also avoid very basic descriptions of how, for example Twitter
works. Higher level answers included a range of different points and
sophisticated answers explored and debated some of the points in their answers.
Good answers included reference to some of the following points:
• the accessibility of NDM through new technological developments• the opportunity for those to have a voice who may not have one in
mainstream media
• the ability to form online communities and campaigns, especially using
social media
• audiences can have multiple identities and self-representations
• audiences can have control over production and distribution, with
debates about increasing audience power, pluralism and prosumers
• citizen journalism was a popular issue that was discussed and stronger
answers explored and debated it
• the ability for representations to reach a global audience
• the lack of regulation and debates about freedom of speech. Higher level
answers debated the advantages and disadvantages of this
• the cult of the amateur.
Higher level answers included debate and discussed media issues that suggested
audiences aren’t always successful in self -representation. For example – • Different audience receptions.
• Self-representations being lost in a crowd and/or unable to compete with
big mainstream media institutions.
• Loser generated content.
• Unreliable identities and representations, sophisticated answers debatedboth the positive and negatives of this.
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• The digital divide in the UK and worldwide meaning not everyone hadaccess to self-representation.
• The influence of previous and present mainstream representations on
how self- representation is constructed.
• Censorship of forums and social media sites.
• Whether mainstream media still dominates.
Theories that were successfully used to support points included Clay Shirkey
Keen and the Cult of the Amateur, Gautlett Web 2.0 and media Gods, Lister and
O’Reilly. Most answers focused on social media such as Twitter, Facebook andInstagram, but other answers also included points about and examples from
blogs, vlogs and unofficial and campaigning websites. Examples included those
from the exam products such as the use of Twitter and Facebook to organise the
march, the online forum, requests for citizen journalism and the filming of the
march on mobile phones. Examples from outside the exam were mostly used
well, the most popular being the #bringback our girls campaign, the London riots
and Stephen Sutton. Some students used examples from their own Section B case
studies well, for example the Everyday Sexism campaign.
3. What are the advantages and disadvantages for audiences of media products
that do not rely on advertising, government or business funding? You should
refer to other media products to support your answer.
This question was answered well across a range of levels. Good answers focused
sharply on a range of wider contexts, with lots of examples from other media
products to support their points. Straightforward answers tended to focus on
economic wider contexts while higher level answers included political ones aswell. Again as in Question 2 higher level answers included debate and explored
some of their points. However the ‘advantages’ and ‘disadvantages’ of thequestion encouraged most students to include points on both sides.
Good answers on advantages included reference to some of the following points:
• fairly basic but valid points about the appeal to audiences of less
advertising in a product that might get in the way of the content
• independence and editorial independence. Most answers argued thatthose free from such influences could be less biased. Higher level answers had a
more sophisticated take on bias and used the website and introductory
information to explore the political bias of all news sources
• issues of censorship
• marxist and pluralist debates
• less pressure to produce media to please advertisers with products notjust being a device to deliver audiences to advertisers and big business
• less pressure to produce media that makes a profit, with some good
answers explaining the effect this might have on news
• freedom of the press, with examples of some countries with repressive
governments
• freedom of speech
• opportunities for global media
• the dominance of media by majors or the rise of independents
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• public service broadcasting and the BBC’s relationship with thegovernment.
Good answers on disadvantages included reference to some of the following
points:
• fairly basic but valid points on lower budgets and the danger of going outof business
• the risk of extreme or offensive material. Higher level answers debatedwho decides this
• problems with regulation and whether it is possible or desirable• lower production values
• the audience it can reach, especially compared to major mediainstitutions and whether it is just reaching a small audience who agree with the
values anyway.
Popular examples included, Rupert Murdoch and the News of the World hacking
case, The Sun, the BBC often compared to commercial TV companies such as Sky
and ITV, Channel 4 and WikiLeaks.
Theories that were successfully used included Gauntlett Web 2.0 and media
Gods, Gillmor We Media, McLuhan Global Village, liberal pluralism/Marxism
debates, including hegemony.
SECTION B
Students were asked to choose one out of four possible questions, two from each
of the two pre- set topics, Representation and the Impact of New and Digitalmedia.
Students are reminded on the exam paper that they would be rewarded for
showing evidence of independent study by using their:
• own individual case study topic
• own individual media products to answer thequestion.
Students were rewarded for:
It was good to see schools/colleges with a real variety of case studies thatreflected students own interests and it was a pleasure to reward those students
who had obviously worked hard throughout the year.
For Representation, the most popular group was still young people/teenagers.
Other popular social groups were women, people with disabilities and gay men.
Especially popular this year was benefit claimants, politicians, police,
immigration and women in the music industry showing that students and
schools/colleges are responding to media controversies and current issues. Good
representation case studies often had a sharp and original focus, rather than a
very general case study. For example rather than the representation of women, a
sharper focus, would be on the representation of women in the music industry.
Some weaker case studies lost their media focus and drifted into discussions
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about wider social events without clearly applying these to media
representations and products.
For the Impact of New and Digital Media case studies the most popular were
gaming, news and YouTube. Schools/colleges should remind students to study a
number of examples in detail, so not just YouTube but a number of particularvideos or channels. A sharp focus and a selection of a number of actual media
products with detailed analysis would help. Students do need actual detailed
examples and analysis, rather than just a reference to the Arab Spring on
YouTube or the attack on Lee Rigby on Twitter. Some students did not have a
clear case study but did have a range of relevant examples. While these were
rewarded they could lead to an essay that became a list of descriptive examples.
One coherent case study makes it easier for students to construct a fluent
argument and focus on media issues and debates.
Schools/colleges should also tell their students not to choose case studies based
on a technological development, such as the iPhone. There were also a few very
weak case studies on companies such as ASOS or Amazon. These case studies did
not lead to detailed examples of actual media products/texts and often lacked a
media focus.
The best case studies included:
• a range of different media products from a number of platforms, with
different representation/values/genres/producers, etc.
• detailed examples from particular media products with detailed analysisof particular media products
• evidence of research into media debates and issues and relevant wider
contexts
• theory applied to media products used to explain and support
• a genuine interest in the case study they had chosen to do, seen byengagement with the issues and their own opinions.
The main ways students achieved higher level marks was by having their own
individual case study to answer the question. There is still a small minority of
schools/colleges doing centre led case studies with only schools/colleges led
examples.
Students from one school/college shouldn’t all have the same case study. This
doesn’t allow students to show evidence of independent study, which excludesthem from the higher levels. For example a school/college all writing answers on
the representation of youth, with the same or very similar media products is
disadvantaging their students. In addition students who had their own case
study were more engaged and more willing to focus on the question, rather than
repeat a pre learned answer of descriptive points.
Schools/colleges can start the pre-set topics with a class overview on
Representation and The Impact of New and Digital media to introduce the topicand may want to do a mini class case study as an example, but then students
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should do their own individual case study, with their own choice of media
products. Schools/colleges are reminded that Representation has now been
replaced with Identities and the Media.
Good Section B Answers:
• answered the particular question, not writing ‘everything I know aboutmy case study’. Stronger answers identified and addressed the key words from
the question in their answer and answered the question directly in their
conclusion. There is a list of possible question topics in the specification and a
checklist grid on the AQA website. This can be used by students when they are
planning their case studies and also as a revision tool before their exam. Some
solid answers lost marks because they didn’t complete a conclusion meaningthey struggled to show the ‘clear’ or ‘sharp’ focus in Level 3 and 4 of the mark
scheme
• included detailed analysis of and references to particular media products,
rather than just general examples. For example not just YouTube videos about
the Arab Spring, but an example of a particular video with detailed references to
a particular scene, shot, mise en scene, etc. or not just Sherlock, but a particular
scene, shot, mise en scene, etc. from a particular episode
• showed a range in their answers. For example referring to a wide range of
platforms, preferably all three and/or using products from different
genres/institutions/representations/values. Students were also rewarded for
referring to a range of media products to support their answer. Answers couldn’tachieve the higher levels if they only used one or two
• applied media issues and debates, what does their case study suggest arethe current issues in the media? Applying relevant media theories to their case
study and media products throughout their answers, using the theory to answerthe question and support the point they are making, not just describing a theory.
Weaker answers tended to list pre learned schools/colleges led theories, that
although relevant were not clearly applied to media products or used to answer
the question
• included relevant wider contexts and again applying them to their own
case study. Weaker answers tended to include lists of facts and statistics or the
history of a particular topic to introduce their essay but didn’t use them toanswer the question.
REPRESENTATION
Representation in its last year was answered well, it is obviously a topicthat schools/colleges and students have enjoyed studying giving them the
chance to explore issues that they feel strongly about. Good answers showed a
clear understanding of how their group, place etc. was represented and included
a number of different ways they were represented. Higher level answers had a
range of complex representations, both dominant and alternative and often
contradictory. There is a lot for students to do in MEST3, but they should not
forget to analyse and evaluate how their group or place is actually represented.
4. Using your own case study, evaluate the appeal of stereotypical
representations for producers and audiences.
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This question was answered well. All students managed to explain what the
stereotypical representations of their case study were. Good answers explored
the appeal; the why of the question which is what really separates the good
answers.
• Stronger answers analysed and evaluated different stereotypicalrepresentations. Choosing a variety of media products carefully when planning
their case study would help this.
• Weaker answers described and analysed stereotypical representations of
their group or place, but failed to answer the ‘appeal’ of the question. • Higher level answers also had a range of different reasons these
representations appealed and included audience and producer reasons. Weaker
answers tended to repeat the same reason throughout their essay or included
only vague or fairly simplistic appeals such as audiences like them.
• Higher level answers used media issues and debates and social, historical
and economic wider contexts to explain the appeal.
• Popular appeals included – audiences pleasures of being familiar with thestereotypes, stereotypes used as representational shorthand by producers,
stereotypes as a reflection of dominant hegemonic values, elements of truth in
stereotypes to make them plausible to audiences, commercial appeals to
producers, for example repeating successful formulas or not taking risks, the
media’s role in normalising stereotypes.
• Some sophisticated answers explored the appeal of representations that
weren’t stereotypical, especially for some audiences. Able students should be
encouraged to challenge the question.
• Sophisticated answers discussed the role of audiences and used active
audience theories to discuss the different possible readings different audiencescould get, but also the power of preferred readings.
5. Does your case study suggest it is possible to challenge dominant ideologies
and values?
This question was more popular than Question 4 and was answered well.
• This reflected that almost all students had studied a range of differentproducts and representations in their case studies.
• Most students addressed the values and ideologies of the question.
Students should make sure they develop their research and analysis of the
representation of their group or place to values and ideologies.
• The question allowed almost all students to include debate in their
answer. Good answers often came to a complex conclusion arguing it was
possible, but...
• Higher level answers had a good range of social wider contexts in their
answer and used them to evaluate how their own case study reflected or
reinforced values and ideologies in society.
• Good answers discussed the reasons why representations challenged
dominant ideologies. They used media issues, debates and wider contexts, to
explore this.
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• Sophisticated answers discussed the role of audiences and used activeaudience theories to discuss the different possible readings different audiences
could get, but also the power of preferred readings.
THE IMPACT OF NEW/DIGITAL MEDIA
Almost all students showed good understanding of the impact of new/digitalmedia. A minority of weaker students got bogged down in only knowledge of
new/digital media and their answers tended to be descriptive lists of products or
technological innovations. For example a case study on gaming shouldn’t includelengthy descriptions of the features of a particular console or game.
6. New and digital media have contributed to the process of globalisation: the
idea that the world is becoming increasingly interconnected through one global
culture. Using your case study, evaluate the impact new and digital media has
had on globalisation.
This question was answered well by students who had studied the concept of
globalisation.
• Some weaker students only included a very general and repeated pointabout bringing the world together. Stronger answers showed an excellent
understanding of the concept of globalisation and debates around it.
• Almost all students could include examples of globalisation. Weakeranswers however just described these with a concluding sentence saying that it
was proof of globalisation. They did not address the ‘impact’ of the question.
• Stronger answers explored their examples and evaluated the impact ofNDM on globalisation.
• Higher level answers had studied a really wide range of media issues anddebates and wider contexts that they could use to evaluate, for example
commercialisation and the exploration of NDM by large profit driven
multinationals,
hegemonic values,
pluralist debates,
audience power or lack of it,
cultural imperialism or globalisation,
standardised culture or variety.
• Good answers explored a range of ways that NDM had impacted onglobalisation. Higher level answers went on to debate whether this has a positive
or negative impact. Higher level answers are often marked by debate and
complexity.
• Good answers often used a positive and negative impact structure to their
answers.
• Stronger answers always included a conclusion that answered the
question directly, often again summarising different arguments and coming to
their own conclusion.
7. Use your case study to evaluate whether new and digital media are a threat or
an opportunity for media producers.
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This was a popular question and was answered well.
• The ‘threat’ and ‘opportunity’ encouraged almost all students to includearguments for and against and higher level answers to debate.
• Most answers included debates about the changing role and power of
producers. Many good answers included sophisticated debates on the role ofproducers and avoided simplistic arguments of mainstream media being all bad
and user generated content all good.
• Arguments supporting a threat included for example, the increasing
power of audiences with examples of user generated content, specific examples
of industries effected such as the music and newspaper industry, problems with
piracy, competition, lack of regulation and control, democracy.
• Arguments supporting an opportunity included for example, new ways to
reach audiences, convergence and synergy, new marketing opportunities,
particular examples of industries that had adapted for example the TV industry,
opportunities for new producers, the audience as producer, audience
involvement in production of mainstream major production.
• Economic, political and social wider contexts were particularly useful for
this question.
• Some weaker answers got bogged down in an audience essay they had
practiced in class.
Students should read the question carefully, underline the key words, plan their
answer and answer the question asked.
• High level answers came to a complex conclusion, arguing that NDM hadbeen both a threat and opportunity and then explaining their own opinion on
their own case study.
A-LEVELMEDIA STUDIESMEST3 Critical Perspectives Report on the Examination
2570 June 2013
SECTION A
Section A of this year’s exam was the magazine front cover and website homepage of Kerrang!
The questions encouraged students to critically analyse the products and in
Question 2 and 3 to address the more complex ideas of media, issues, debates,
theories and wider contexts.
The focus of the three questions is:
Question 1 Media concepts
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Use the unseen products to answer a question on concepts – forms (includingmedia language, genre and narrative), representations, institutions, audiences or
values. This year’s question was on media language and institution, in particular
branding.
Students are rewarded for:• analysis of both media products, preferably detailed analysis with
detailed reference to the products
• understanding of concepts, in particular in this question media language
and institution – brandimage.
Question 2 Media issues and debates
Use the unseen products to answer a question on media issues and debates.
Students may refer to other media products to support their answer. The ‘may’ isintended to encourage students to move beyond the two unseen exam products
and include examples of and from media products other than the two exam
products.
Students are rewarded for:
• evaluation using media issues/debates/theories
• supporting their answers with a range of examples.
Question 3 Wider contexts
Use the unseen products to answer a question on wider contexts. Students
should refer to other media products to support their answer. The ‘should’ isintended to tell students they will be expected to move beyond the two unseen
products and include other examples.
Students are rewarded for:
• evaluation using wider contexts
• supporting their answers using a range of examples from other relevant
media products.
For Question 2 and 3 students can include examples from a wide range of
sources, for example their individual case studies, their MEST4 coursework, AS
work, other AS and A-Level class work and from their own media use. There
were lots of really up to date and topical examples that students used to show
their interest in the media.
Students should read the introductions to the two media products carefully to
provide useful background that can help answer the questions. For example the
range of platforms used by Kerrang! would be useful for Question 3, the target
audience information would be useful for Question 1 and 3. However students
must use the information to answer the question, not just repeat the information
in their answer. Students who did this wasted valuable time.
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Students should also be reminded to take time and care to read the Section A
questions before they look at the products, and again before they answer the
questions. They should underline the key words and make notes using these key
words as they read the two products. For example in Question 2 students needed
to answer both parts of the question on representation and audience.
Students are rewarded if they make a number of different points. For the higherlevels a range of different points is required in each question. They cannot
achieve a high a level if they only include one point in an answer, even if that one
point is made well. This was a weakness in some answers to Question 3, with
only a general focus on reaching a larger audience.
There were lots of good answers in Section A.
1. How does Kerrang! create a strong brand identity in these print and
online products?
Answers to Question 1 were rewarded for explaining what the brand image is
and then analysing how it was created in detail in the two products.
Good answers included reference to some of the following points:
• explanations of the brand image. Good responses explored a range ofideas linked to words such as individual, rebellious, alternative, against social
norms, self-expression, stand out from the crowd, outsiders, loud, confident.
Sophisticated answers discussed how it created a community of people invited to
buy in to the brand and share the brand values
• media language that communicated the genre, for example the photos,
names and coverlines of rock bands, the advertising, eg The Darkness game, the
use of dark colours to reflect the rock genre, the name Kerrang!
• the repetition of the distinctive Kerrang! logo. Stronger answers analysedit in detail, commenting on the distressed, grunge style font, the exclamation
mark and name that communicated the loud, anarchic and rebellious brand
image
• the use of direct address to encourage an intimate relationship betweenthe brand and their audience
• the names and photos of famous bands from the rock genre were used.
Some students needed to develop this valid but very straightforward point. For
example the use of well known more mainstream bands and smaller up and
coming ones to promise the audience Kerrang! are ‘in the know’. This was
reinforced with words such as, ‘special issue’. The word ‘new’ was repeated onthe website home page promising the audience Kerrang! is an up-to-date brand
• the tattoos that communicated the brand image of rebellion against the
norms of society and of individual self expression. Higher level answers didn’tlose sight of the humour used on the front cover
• the consistent house style across platforms, including the use oflanguage, the logo and brand colours to create and reinforce a strong multi-
platform brand image
• the use of social media logos to promise a community of like-mindedpeople
• sophisticated answers also discussed the more gossipy side of themagazine. Kerrang! showed a brand image of being a serious music magazine but
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still promised the celebrity and gossip side of the music industry with, for
example ‘Rockstar confessions’ and ‘the stars come clean on love, life andregret !’.
2. How is the representation of masculinity constructed to appeal to the
audience? You may also refer to other media products to support your answer.
This question was answered well by almost all students. The best answers
addressed all parts of the question, the representation of masculinity and the
appeal to the audience. Weaker answers just focused on one part.
Good answers focused sharply on a range of media debates, issues and theories,
with lots of examples to support their points. Weaker answers did solid analysis
on the representation and audience appeal of the two exam products, but didn’tdevelop these in to wider media issues or debate points, about for example,
masculinity in the media in general. Question 2 is assessing media issues,
debates and theories so this is what really separates the lower and higher level
answers.
Good answers included reference to some of the following points:
• how the representation of masculinity supported dominant
representations and values. For example the advert for a violent game and the
dominance of men on the cover and in the rock genre. Also the values of
rebellion in the images and coverlines, stronger answers linked this to the appeal
of the rock genre
• how the representation challenged dominant representations and values
about masculinity. For example the sexualisation of men as objects for women tolook at, although this was undercut by the humour. Sophisticated answers
developed this in to a discussion about the use of sex to sell and debates about
increasing sexualisation. Dominant representations were also challenged by the
focus on emotions, ‘confessions’ and the vulnerability in the key image • higher level answers argued that Kerrang! did both and their answer was
complex
• sophisticated answers discussed how the rock genre’s ideal of masculinitysometimes challenged mainstream dominant values, for example with the long
hair and skinny body
• sophisticated answers discussed how masculinity has changed and ischanging, including a range of often contradictory values and ideologies
• higher level answers discussed how representations of masculinity were
constructed to appeal to different audiences. For example the sexualisation of
the male cover star to appeal to women as an object or the appeal to a male
audience as an aspirational or escapist figure.
Good answers also linked this to other products that used a similar or different
representation to appeal to their particular audience
• sophisticated answers evaluated how the alternative representations ofmasculinity were constructed to appeal to an audience that saw themselves as
individual, different, outsiders and against the norms of society. This also fittedin to Kerrang!’s brand image
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• there was a wide range of examples used to support points made. Goodanswers used their examples to explain and support points, weaker answers just
described the example
Examples included, other men’s magazines such as Attitude, Men’s Health, Zoo
and Nuts. Women’s magazines such as Grazia, Comsmopolitan, Vogue and Heatand the website heatworld. David Beckham was used as an example including his
appearance on magazine front pages and advertising campaigns. Action films
such as Skyfall and the James Bond franchise, The Expendables and comic
book/superhero films such as The Avengers, the reboot of the Spiderman
franchise and the new Superman. Reality TV programmes such as TOWIE were
explored. Plus a wide range of music artists and bands and their videos from a
range of different genres, the most popular of which was Rihanna.
Theories that were successfully used to support points included Mulvey Male
Gaze, Butler Gender Trouble was used especially well, Uses and Gratifications,
Hall Encoding Decoding, Dyer Star theory, Perkins Stereotypes, Gammon and
Marshment Female Gaze, Medhurst Stereotypes.
3. How important is it for producers of print products to have a multi-
platform presence? You should refer to other media products to support your
answer.
This question was answered well. Good answers focused sharply on a range of
wider contexts, with lots of examples from other media products to support their
points.
Again what really separated the lower level answers from the mid and higher
level ones was the ability not to just describe what a multi-platform presence
was, but to develop this into wider contexts points, in particular here social and
economic ones.
Good answers included reference to some of the following points:
• the decline of print media and a fall in profits. Sophisticated answers
explored the idea that we are in a transitional phase where print and online both
exist
• a multi-platform presence media could add value to an already
established brand
• online in particular could add more content, be more up to date and easyto access, allow audience interaction and allow commercial opportunities such as
merchandise
• there could be cross promotion between platforms, with concepts such assynergy and convergence explored. A consistent house style and branding
helped this
• expansion in to online media could meet the needs of an increasinglyactive audience who expect audience interaction. Higher level answers explored
the changes in media consumption. Sophisticated audiences developed this into
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the idea of creating or building an imagined community, offering a sense of
community that is used to market the brand
• new platforms can be used to reach out to new audiences and to further
engage and make profit from existing audiences. Social media can offer a goodvalue way of doing this with peer to peer marketing and social media chat
• the rise of tablets and smart phones could signal the return of or help thesurvival of existing magazine brands with online versions
• multi-platform can allow for global reach and extend the brand to othercountries. Sophisticated answers explored the debates about globalisation
including cultural imperialism or global village
• the music industry has moved online so it is important for music
magazines especially to do this
Higher level answers also explored the downsides of having a multi-platform
presence. For example how it could damage profits and lead to the
disappearance of the print version and whether print products have yet
developed a way to make their online versions profitable. The ability to have this
type of complex answer should be encouraged and is a good way of students
accessing the higher levels.
There were lots of good up to date and topical examples to support points. The
Guardian and the Daily Mail were the most popular examples, plus other
newspapers such as The Telegraph, The New York Times, The Independent, The
Times. There were also lots of magazine examples, including Heat and
Heatworld, Vogue, Cosmopolitan and NME. Examples of companies that had gone
out of business because of online competition were included, such as HMV, Gameand Blockbuster.
Theories that were successfully used included Gauntlett Web 2.0, Gillmor We
Media, Anderson New Media and Audiences, Dyer’s Utopian Pleasures of
Community, McLuhan Global Village, Robertson Glocalisation, liberal
pluralism/Marxism debates, post modernism.
SECTION B
Students were asked to choose one out of four possible questions, two from each
of the two pre- set topics, Representation and the Impact of New and Digital
media. Students are reminded on the exam paper that they would be rewarded
for showing evidence of independent study by using their:
• own individual case study topic
• own individual media products to answer the question.Students were rewarded for:
• an individual case study with a range of examples
• understanding of representation or the impact of new and digital media
• application of relevant media issues/debates/theories/wider contexts
• focus on the question
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position. Question 2 Media issues and debates
Use the unseen products to answer a question on media issues and debates.
Students may refer to other media products to support their answer. The ‘may’ isintended to encourage students to move beyond the two unseen exam products
and include examples of and from media products other than the two examproducts.
Students are rewarded for:
• evaluation using media issues/debates/theories• supporting their answers with a range of examples.
Question 3 Wider contexts
Use the unseen products to answer a question on wider contexts. Students
should refer to other media products to support their answer. The‘should’
is
intended to tell students they will be expected to move beyond the two unseen
products and include other examples.
Students are rewarded for:
• a range of different media products from the three platforms, with
different representation/values/genres/producers, etc. detailed examples from
particular media products with detailed analysis of particular media products
evidence of research into media debates and issues and relevant wider contexts
• theory applied to media products used to explain and support
• a genuine interest in the case study they had chosen to do, seen by
engagement with the issues and their own opinions.
The main ways students achieved higher level marks was by having their own
individual case study to answer the question. There is still a minority of
schools/colleges doing centre led case studies with only centre led examples.
Students from one centre shouldn’t all have the same case study. This doesn’tallow students to show evidence of independent study, which excludes them
from the higher levels. For example a centre all writing answers on the
representation of youth, with the same or very similar media products is
disadvantaging their students. In addition students who had their own case
study were more engaged and more willing to focus on the question, rather than
repeat a pre learned answer of descriptive points. All or at least the vast majority
of the media products students use to support their answer should also be
individual.
Schools/colleges can start the pre-set topics with a class overview on
Representation and The impact of New/Digital Media to introduce the topic and
may want to do a mini class case study as an example, but then students should
do their own individual case study, with their own choice of media products.
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Good Section B answers:
• answered the particular question, not writing ‘everything I know aboutmy case study’.
Stronger answers identified and addressed the key words from the question in
their answer and answered the question directly in their conclusion. Studentsshould also answer all parts of the question, not just latch on to a few words. If a
student hasn’t studied a particular topic, for example representation andglobalisation, they should be advised not to answer that question. There is a list
of possible question topics in the specification and a checklist grid on the AQA
website under Key Materials. Good answers always included a conclusion that
answered the question directly, often summarising different arguments and
coming to their own conclusion
• included detailed analysis of and references to particular media products,rather than just general examples. For example not just YouTube videos about
the Arab Spring, but an example of a particular video with detailed references to
a particular scene, shot, mise en scene, etc or not just Sherlock, but a particular
scene, shot, mise en scene, etc from a particular episode
• showed a range in their answers. For example referring to a wide range ofplatforms, preferably all three and/or using products from different
genres/institutions/representations/values. Students were also rewarded for
referring to a range of media products to support their answers. Answers
couldn’t achieve the higher levels if they only used one or two
• applied media issues and debates, what does their case study suggest are
the current issues in the media? Applied relevant media theories to their case
study and media products throughout their answers, using the theory to answer
the question and support the point they are making, not just describing a theory.Weaker answers tended to list pre learned centre led theories, that although
relevant were not clearly applied to media products or used to answer the
question
• included relevant wider contexts and again applying them to their owncase study. Weaker answers tended to include lists of facts and statistics or the
history of a particular topic with no evaluation or link to the question.
REPRESENTATION
Good answers didn’t lose sight of explaining how their group or place was
actually represented in individual products. There is a lot for students to do in
MEST3, but they should not forget to analyse and evaluate how their group or
place is actually represented. This shouldn’t just be one or two points, for
example that women are represented as sexual objects and victims, but should
aim to include a range of ways that group or place arerepresented. Higher level answers also included complex and contradictory
representations. Higher level answers did this in detail, with in depth examples
from media products.
A few weaker answers wrote a very general essay about the representation of
their group or place or re wrote a past question they had obviously done in class,
rather than focusing on the question form the exam paper.
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4. Does globalisation mean that audiences have a wider range of
representations to choose from or does it result in a particular representation
being dominant? Use your own case study to evaluate the impact of globalisation
on media representations.
This question was answered with mixed success. Some students had obviouslynot studied globalisation and their answers showed little understanding of the
concept or the issues. They would have been better choosing Question 5.
• Stronger answers analysed and evaluated a range of differentrepresentations of their group or place to evaluate the ‘wider range of
representations’ of the question. They could then come to a conclusion on widerrange or one dominant. Choosing a variety of media products carefully when
planning their case study would help this.
• Good answers came to a complex conclusion, arguing to varying degrees
depending on their group or place that there was a dominant representation but
also other challenging representations.
• A reasonable case study and satisfactory understanding of representation
usually got students in to Level 2. It was the ‘why’ that really allowed students toachieve the higher level answers. Good answers discussed the reasons why a
particular representation dominated or why there was a wider range. They used
media issues, debates and wider social, political and economic contexts, to
explore this, for example values, ideologies and hegemony, the role and
motivations of media producers, the role of audiences, globalisation and cultural
imperialism.
• Sophisticated answers discussed the role of audiences and used active
audience theories to discuss the different possible readings different audiencescould get, but also the power of preferred readings.
5. How and why does the representation of the group or place you have
studied reflect and reinforce dominant values and ideologies.
This question was more popular than Question 4 and was answered well.
Most students addressed the values and ideologies of the question. Weaker
answers only focused on dominant representations. Students should make sure
they develop their research and analysis of the representation of their group or
place to values and ideologies.
• Higher level answers discussed the range of representations of their
group or place. Higher level answers included some examples that didn’t reflect
or reinforce. When students are planning their case study they should choose a
wide range of examples that represent their group or place in different ways and
communicate different values and ideologies.
• Good answers discussed the reasons why representationsreflected and reinforced or challenged dominant ideologies. They used
media issues, debates and wider contexts, to explore this. Answers really
benefited from economic and social wider context reason for the
representations.
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