Reproductions supplied by EDRS are the best that can be ... · 1.02 Demonstrate the element of...

103
ED 468 408 TITLE INSTITUTION PUB DATE NOTE AVAILABLE FROM PUB TYPE EDRS PRICE DESCRIPTORS IDENTIFIERS ABSTRACT DOCUMENT RESUME SO 034 159 Arts Education Standard Course of Study and Grade Level Competencies, K-12. Scope and Sequence for Dance, Music, Theatre Arts, Visual Arts. North Carolina State Dept. of Public Instruction, Raleigh. 2000-00-00 203p. North Carolina Department of Public Instruction, Room 540, 301 North Wilmington Street, Raleigh, NC 27601-2825. Tel: 919-807-3300; Web site: http://www.ncpublicschools.org. Guides Non-Classroom (055) -- Legal/Legislative/Regulatory Materials (090) EDRS Price MF01/PC09 Plus Postage. Academic Standards; Curriculum; *Dance; Elementary Secondary Education; *Music; National Standards; Public Schools; State Standards; *Student Educational Objectives; *Theater Arts; *Visual Arts *North Carolina; *Scope and Sequence Scope and sequence refers to organization of curriculum content, structuring what is taught against when it is taught. This scope and sequence for the different disciplines that comprise arts education in North Carolina public schools cites various goals to be attained in each grade for each of the following disciplines: dance, music, theater arts, and visual arts. This publication displays the goal in easy-to-read type at the top of the page, and what the student should be able to do or how he/she should be able to perform is listed underneath covering kindergarten through grade 12. (BT) Reproductions supplied by EDRS are the best that can be made from the original document.

Transcript of Reproductions supplied by EDRS are the best that can be ... · 1.02 Demonstrate the element of...

ED 468 408

TITLE

INSTITUTIONPUB DATENOTEAVAILABLE FROM

PUB TYPE

EDRS PRICEDESCRIPTORS

IDENTIFIERS

ABSTRACT

DOCUMENT RESUME

SO 034 159

Arts Education Standard Course of Study and Grade LevelCompetencies, K-12. Scope and Sequence for Dance, Music,Theatre Arts, Visual Arts.North Carolina State Dept. of Public Instruction, Raleigh.

2000-00-00203p.North Carolina Department of Public Instruction, Room 540,301 North Wilmington Street, Raleigh, NC 27601-2825. Tel:919-807-3300; Web site: http://www.ncpublicschools.org.

Guides Non-Classroom (055) -- Legal/Legislative/RegulatoryMaterials (090)EDRS Price MF01/PC09 Plus Postage.Academic Standards; Curriculum; *Dance; Elementary SecondaryEducation; *Music; National Standards; Public Schools; StateStandards; *Student Educational Objectives; *Theater Arts;*Visual Arts*North Carolina; *Scope and Sequence

Scope and sequence refers to organization of curriculumcontent, structuring what is taught against when it is taught. This scope andsequence for the different disciplines that comprise arts education in NorthCarolina public schools cites various goals to be attained in each grade foreach of the following disciplines: dance, music, theater arts, and visualarts. This publication displays the goal in easy-to-read type at the top of

the page, and what the student should be able to do or how he/she should beable to perform is listed underneath covering kindergarten through grade 12.(BT)

Reproductions supplied by EDRS are the best that can be madefrom the original document.

Art

s E

duca

tion

Stan

dard

Cou

rse

of S

tudy

and

Gra

de L

evel

Com

pete

ncie

s,IC

-12

2000

FASC

OPE

AN

DSE

QU

EN

CE

71- rn 0

For

Dan

ce-

Mus

ic-

The

atre

Art

s-

Vis

ual A

rts

PE

RM

ISS

ION

TO

RE

PR

OD

UC

E A

ND

DIS

SE

MIN

AT

E T

HIS

MA

TE

RIA

L H

AS

BE

EN

GR

AN

TE

D B

Y

_E. '

arik

iob_

k-T

O T

HE

ED

UC

AT

ION

AL

RE

SO

UR

CE

SIN

FO

RM

AT

ION

CE

NT

ER

(E

RIC

)

PESYCOPYAVU3LE

3

U.S

. DE

PA

RT

ME

NT

OF

ED

UC

AT

ION

Offi

ce o

f Edu

catio

nal R

esea

rch

and

Impr

ovem

ent

ED

UC

AT

ION

AL

RE

SO

UR

CE

S IN

FO

RM

AT

ION

CE

NT

ER

(E

RIC

)V

Thi

s do

cum

ent h

as b

een

repr

oduc

ed a

sre

ceiv

ed fr

om th

e pe

rson

or

orga

niza

tion

orig

inat

ing

it.

Min

or c

hang

es h

ave

been

mad

e to

impr

ove

repr

oduc

tion

qual

ity.

Poi

nts

of v

iew

or

opin

ions

sta

ted

in th

isdo

cum

ent d

o no

t nec

essa

rily

repr

esen

tof

ficia

l OE

RI p

ositi

on o

r po

licy.

Art

s E

duca

tion

Stan

dard

Cou

rse

of S

tudy

and

Gra

de L

evel

Com

pete

ncie

s, K

-12

2000

SCO

PE A

ND

SEQ

UE

NC

E

For

DA

IVC

E5

Sco

pe a

nd S

eque

nce:

Dan

ce K

-12

Goa

l 1: T

he le

arne

r w

ill id

entif

y an

d de

mon

stra

te e

lem

ents

and

ski

llsin

dan

ce. (

Nat

iona

l Sta

ndar

d 1)

Kin

der.

art

en1!

Gra

de2n

d G

rade

1.01

Iden

tify

body

par

ts a

nd r

ange

of m

otio

n.

1.02

Dem

onst

rate

the

elem

ent o

f spa

ce in

dan

ceth

roug

h ex

plor

atio

n: p

erso

nal/g

ener

al,

loco

mot

or/n

on-lo

com

otor

mov

emen

t, ax

ial

mov

emen

t, sh

ape,

leve

l, di

rect

ion,

and

pat

hway

s.

1.03

Dem

onst

rate

the

elem

ent o

f tim

e in

dan

ceth

roug

h ex

plor

atio

n: te

mpo

and

rhy

thm

.

1.04

Dem

onst

rate

the

elem

ent o

fen

ergy

/dyn

amic

s in

dan

ce th

roug

h ex

plor

atio

n.

1.01

Dem

onst

rate

kin

esth

etic

aw

aren

ess

thro

ugh

iden

tific

atio

n of

bod

y pa

rts

and

rang

e of

mot

ion.

1.02

Dem

onst

rate

and

exp

lore

the

elem

ent o

fsp

ace

in d

ance

: per

sona

l/gen

eral

, loc

omot

or/n

on-

loco

mot

or m

ovem

ent,

axia

l mov

emen

t, sh

ape,

leve

l, di

rect

ion,

and

pat

hway

s.

1.03

Dem

onst

rate

and

exp

lore

the

elem

ent o

ftim

e in

dan

ce: t

empo

and

rhy

thm

.

1.04

Dem

onst

rate

and

exp

lore

the

elem

ent o

fen

ergy

/dyn

amic

s in

dan

ce.

1.01

Dem

onst

rate

kin

esth

etic

aw

aren

ess.

1.02

Dem

onst

rate

and

iden

tify

the

elem

ent o

fsp

ace

in d

ance

: per

sona

l/gen

eral

, loc

omot

or/n

on-

loco

mot

or m

ovem

ent,

axia

l mov

emen

t, sh

ape,

leve

l, di

rect

ion,

and

pat

hway

s.

1.03

Dem

onst

rate

and

iden

tify

the

elem

ent o

ftim

e in

dan

ce: t

empo

and

rhy

thm

.

1.04

Dem

onst

rate

and

iden

tify

the

elem

ent o

fen

ergy

/dyn

amic

s in

dan

ce.

Gra

dem

Gra

de:

1.01

Dem

onst

rate

incr

easi

ng k

ines

thet

icaw

aren

ess.

1.02

Util

ize

and

elab

orat

e on

the

elem

ent o

fsp

ace

in d

ance

.

1.03

Util

ize

and

elab

orat

e on

the

elem

ent o

f tim

ein

dan

ce.

1.04

Util

ize

and

elab

orat

e on

the

elem

ent o

fen

ergy

/dyn

amic

s in

dan

ce.

1.05

Obs

erve

and

des

crib

e th

e in

ter-

rela

tedn

ess

of d

ance

ele

men

ts in

a b

rief m

ovem

ent s

tudy

.

1.01

Exh

ibit

kine

sthe

tic a

war

enes

s: c

ontr

ol,

conc

entr

atio

n, fo

cus,

and

cla

rity

of m

ovem

ent.

1.02

Com

bine

mor

e th

an o

ne e

lem

ent o

f dan

ceto

cre

ate

danc

e se

quen

ces.

1.03

Obs

erve

and

des

crib

e th

e da

nce

elem

ents

in v

ario

us d

ance

mov

emen

t stu

dies

.

1.01

App

ly a

nd u

tiliz

e ki

nest

hetic

aw

aren

ess

inde

velo

pmen

t of m

ovem

ent s

kills

and

dan

cete

chni

ques

.

1.02

Com

bine

the

elem

ents

of s

pace

, tim

e, a

nden

ergy

/dyn

amic

s to

cre

ate

danc

e se

quen

ces

with

a va

riety

of t

hem

es a

nd c

once

pts.

1.03

Obs

erve

and

des

crib

e th

e da

nce

elem

ents

in v

ario

us d

ance

mov

emen

t stu

dies

usi

ngap

prop

riate

mov

emen

t/dan

ce v

ocab

ular

y.

:6(.

":G

rade

'en.

Gra

de.-

in, G

rade

1.01

Exh

ibit

kine

sthe

tic a

war

enes

s in

deve

lopm

ent o

f mov

emen

t ski

lls a

nd d

ance

tech

niqu

es: a

lignm

ent,

bala

nce,

art

icul

atio

n of

isol

ated

bod

y pa

rts,

and

ele

vatio

n an

d la

ndin

g.

6

1.01

Exh

ibit

and

desc

ribe

kine

sthe

tic a

war

enes

sin

dev

elop

men

t of m

ovem

ent s

kills

and

dan

cete

chni

ques

: ini

tiatio

n of

mov

emen

t and

wei

ght

shift

, fal

l and

rec

over

y.

1.01

Exh

ibit

and

expl

ain

kine

sthe

tic a

war

enes

sin

dev

elop

men

t of m

ovem

ent s

kills

and

dan

cete

chni

ques

.

BE

STC

OPY

AV

A9L

AB

LE

7

1.02

Util

ize

the

elem

ent o

f spa

ce in

dan

ce:

expl

ore

way

s to

tran

sfer

a s

patia

l pat

tern

from

the

visu

al to

the

kine

sthe

tic.

1.03

Util

ize

the

elem

ent o

f tim

e in

dan

ce: e

xplo

rew

ays

to tr

ansf

er a

rhy

thm

ic p

atte

rn fr

om th

e au

ral

to th

e ki

nest

hetic

.

1.04

Des

crib

e th

e m

ovem

ent e

lem

ents

obs

erve

din

a d

ance

, usi

ng m

ovem

ent/d

ance

voc

abul

ary.

1.05

Dem

onst

rate

the

repr

oduc

tion

of d

ance

sequ

ence

s fr

om v

erba

l, vi

sual

and

/or

audi

tory

cues

.

1.02

Man

ipul

ate

the

elem

ent o

f spa

ce in

dan

ce:

tran

sfer

a s

patia

l pat

tern

from

the

visu

al to

the

kine

sthe

tic.

1.03

Man

ipul

ate

the

elem

ent o

f tim

e in

dan

ce:

tran

sfer

a r

hyth

mic

pat

tern

from

the

aura

l to

the

kine

sthe

tic.

1.04

Man

ipul

ate

the

elem

ent o

f ene

rgy

in d

ance

:id

entif

y an

d de

mon

stra

te a

ran

ge o

fdy

nam

ics/

mov

emen

t qua

litie

s.

1.05

Des

crib

e th

e m

ovem

ent e

lem

ents

obs

erve

din

a d

ance

usi

ng m

ovem

ent/d

ance

voc

abul

ary.

1.06

Dem

onst

rate

mem

oriz

atio

n an

dre

prod

uctio

n of

mov

emen

t seq

uenc

es fr

omve

rbal

, vis

ual,

and/

or a

udito

ry c

ues.

1.02

Syn

thes

ize

the

elem

ent o

f spa

ce in

dan

ce:

accu

rate

ly tr

ansf

er a

spa

tial p

atte

rn fr

om th

evi

sual

to th

e ki

nest

hetic

.

1.03

Syn

thes

ize

the

elem

ent o

f tim

e in

dan

ce:

accu

rate

ly tr

ansf

er a

rhy

thm

ic p

atte

rn fr

om th

eau

ral t

o th

e ki

nest

hetic

.

1.04

Syn

thes

ize

the

elem

ent o

f ene

rgy:

iden

tify

and

clea

rly d

emon

stra

te a

ran

ge o

fdy

nam

ics/

mov

emen

t qua

litie

s.

1.05

Des

crib

e th

e m

ovem

ent e

lem

ents

obs

erve

din

a d

ance

usi

ng m

ovem

ent/d

ance

voc

abul

ary.

1.06

Dem

onst

rate

acc

urat

e m

emor

izat

ion

and

repr

oduc

tion

of d

ance

seq

uenc

es fr

om v

erba

l,vi

sual

and

/or

audi

tory

cue

s.

:Dan

Ce'

tria

nce

II.D

anbe

.111

1D

an C

eIV

1.01

Rec

ogni

ze a

nd d

emon

stra

teki

nest

hetic

aw

aren

ess

thro

ugh

prop

er b

ody

alig

nmen

t.

1.02

Rec

ogni

ze a

nd d

emon

stra

teth

at d

iffer

ent d

ance

form

s ha

veva

rious

tech

niqu

es a

ndvo

cabu

larie

s.

1.03

Dem

onst

rate

and

def

ine

basi

c m

oder

n da

nce

voca

bula

ry.

1.01

Dem

onst

rate

kin

esth

etic

awar

enes

s th

roug

h th

e co

nsis

tent

use

of p

rope

r bo

dy a

lignm

ent.

1.02

Exp

lore

and

dem

onst

rate

the

use

of a

var

iety

of d

ance

tech

niqu

es a

nd v

ocab

ular

ies.

1.03

Dem

onst

rate

the

use

ofin

term

edia

te m

oder

n da

nce

tech

niqu

e fo

cusi

ng o

n ar

ticul

atio

n,st

reng

th, f

lexi

bilit

y, a

gilit

y, a

ndco

ordi

natio

n.

1.04

Dem

onst

rate

the

abili

ty to

plan

, org

aniz

e, m

emor

ize,

and

accu

rate

ly p

erfo

rm e

xten

ded

mov

emen

t seq

uenc

es.

1.05

Dem

onst

rate

und

erst

andi

ngth

roug

h ap

plyi

ng th

e us

e of

the

1.01

Dem

onst

rate

kin

esth

etic

awar

enes

s w

ith c

onsi

sten

cyth

roug

h th

e us

e of

pro

per

body

alig

nmen

t with

var

ious

dan

cete

chni

ques

.

1.02

Ana

lyze

and

use

diff

eren

tda

nce

tech

niqu

es a

ndvo

cabu

larie

s by

com

parin

g,co

ntra

stin

g, a

nd s

umm

ariz

ing

tom

ake

info

rmed

dec

isio

ns.

1.03

Dem

onst

rate

con

sist

ency

and

relia

bilit

y in

per

form

ing

inte

rmed

iate

to a

dvan

ced

mod

ern

danc

e te

chni

que.

BE

STC

OPY

AV

A0

1.01

Dem

onst

rate

kin

esth

etic

awar

enes

s w

ith a

hig

h le

vel o

fco

nsis

tenc

y an

d re

liabi

lity

thro

ugh

the

use

of p

rope

r bo

dy a

lignm

ent w

hile

perf

orm

ing

danc

e.

1.02

Cho

reog

raph

dan

ces

exem

plify

ing

a se

lect

ed d

ance

tech

niqu

e.

1.03

Dem

onst

rate

a h

igh

leve

l of

cons

iste

ncy

and

relia

bilit

y in

per

form

ing

adva

nced

mod

ern

danc

e te

chni

que.

1.04

Rev

ise,

ref

ine,

and

eva

luat

e fo

rac

cura

cy th

e pe

rfor

man

ce o

f a s

elec

ted

danc

e.

1.05

Cho

reog

raph

a d

ance

feat

urin

g th

e

BLE

use

of a

ll ba

sic

danc

e el

emen

ts.

9

danc

e el

emen

t of s

pace

(loco

mot

or, n

on -

loco

mot

or /a

xial

,pa

thw

ays,

dire

ctio

n, le

vels

, sha

pe,

pers

onal

spa

ce, g

ener

al s

pace

).

1.06

Dem

onst

rate

und

erst

andi

ngth

roug

h ap

plyi

ng th

e us

e of

the

danc

e el

emen

t of t

ime

(tem

po,

beat

, rhy

thm

, acc

ent,

orga

nic

rhyt

hm).

1.07

Dem

onst

rate

und

erst

andi

ngth

roug

h ap

plyi

ng th

e us

e of

the

danc

e el

emen

t of m

ovem

ent

ener

gy/d

ynam

ics

(flo

w, s

pace

,tim

e, w

eigh

t).

S e

cial

To

ics

Dan

ce I

1.01

Rec

ogni

ze a

nd d

emon

stra

te th

e us

e of

pro

per

body

alig

nmen

t.

1.02

Rec

ogni

ze a

nd d

emon

stra

te u

nder

stan

ding

that

dan

ce h

asdi

ffere

nt fo

rms,

tech

niqu

es, a

nd v

ocab

ular

ies.

1.03

Dem

onst

rate

the

use

of b

asic

dan

ce te

chni

que.

1.04

Dem

onst

rate

the

abili

ty to

mem

oriz

e an

d ac

cura

tely

per

form

bas

icm

ovem

ent s

eque

nces

.

1.05

Exp

lore

and

dem

onst

rate

und

erst

andi

ng o

f the

dan

ce e

lem

ent o

fsp

ace.

1.06

Exp

lore

and

dem

onst

rate

und

erst

andi

ng o

f the

dan

ce e

lem

ent o

ftim

e.

1.07

Exp

lore

and

dem

onst

rate

the

unde

rsta

ndin

g of

the

danc

e el

emen

tof

mov

emen

t ene

rgy/

dyna

mic

s.

1. 0

eCi4

1 T

o ic

s,D

ano

1.01

Dem

onst

rate

with

con

sist

ency

the

use

of p

rope

r bo

dy a

lignm

ent.

1.02

Exp

lore

and

iden

tify

danc

e te

chni

ques

and

voc

abul

arie

s.

1.03

Dem

onst

rate

the

use

of in

term

edia

te d

ance

tech

niqu

e fo

cuse

d on

artic

ulat

ion,

str

engt

h, fl

exib

ility

, agi

lity,

and

coo

rdin

atio

n.

1.04

Dem

onst

rate

the

abili

ty to

mem

oriz

e an

d ac

cura

tely

per

form

ext

ende

dm

ovem

ent s

eque

nces

.

1.05

App

ly a

nd d

emon

stra

te u

nder

stan

ding

of t

he d

ance

ele

men

t of s

pace

.

1.06

App

ly a

nd d

emon

stra

te u

nder

stan

ding

of t

he d

ance

ele

men

t of t

ime.

1.07

App

ly a

nd d

emon

stra

te u

nder

stan

ding

of t

he d

ance

ele

men

t of

mov

emen

t ene

rgy/

dyna

mic

s.

BE

STC

OPY

AV

All

BL

E11

Sco

pe a

nd S

eque

nce:

Dan

ce K

-12

Goa

l 2: T

he le

arne

r w

ill u

nder

stan

d ch

oreo

grap

hic

prin

cipl

es,

proc

esse

s, a

nd s

truc

ture

s. (

Nat

iona

l Sta

ndar

d 2)

,',K

inde

rgar

ten

2.01

Dem

onst

rate

the

diffe

renc

e be

twee

nsp

onta

neou

s an

d pl

anne

d m

ovem

ent.

2.02

Dem

onst

rate

pat

tern

s in

dan

ce.

2.03

Dem

onst

rate

that

dan

ce h

as a

beg

inni

ng,

mid

dle,

and

end

.

2.04

Impr

ovis

e m

ovem

ent b

ased

on

own

idea

san

d id

eas

from

oth

er s

ourc

es.

2.05

Mov

e al

one

and

with

oth

ers.

1777

7l-

V/G

rede

2.01

Dem

onst

rate

and

iden

tify

the

diffe

renc

esbe

twee

n sp

onta

neou

s an

d pl

anne

d m

ovem

ent.

2.02

Dem

onst

rate

pat

tern

s in

dan

ce.

2", G

rade

.'

2.03

Dem

onst

rate

and

iden

tify

begi

nnin

g, m

iddl

e,an

d en

d in

dan

ce.

2.04

Impr

ovis

e an

d cr

eate

mov

emen

t bas

ed o

now

n id

eas

and

conc

epts

from

oth

er s

ourc

es.

2.05

Dem

onst

rate

wor

king

alo

ne a

nd w

ith o

ther

sin

mov

emen

t exp

lora

tion.

2.01

Dem

onst

rate

the

diffe

renc

es b

etw

een

spon

tane

ous

and

plan

ned

mov

emen

t.

2.02

Cre

ate

and

perf

orm

pat

tern

s in

dan

ce.

2.03

Cre

ate

sim

ple

mov

emen

t seq

uenc

es u

sing

begi

nnin

g, m

iddl

e, a

nd e

nd; i

dent

ify e

ach

of th

ese

part

s of

the

sequ

ence

.

2.04

Impr

ovis

e, c

reat

e, a

nd p

erfo

rm d

ance

sequ

ence

s us

ing

idea

s an

d co

ncep

ts fr

om o

ther

sour

ces.

2.05

Dem

onst

rate

the

abili

ty to

wor

k ef

fect

ivel

yal

one

and

with

a p

artn

er.

V G

rade

2.01

Com

pare

and

con

tras

t the

diff

eren

ces

betw

een

spon

tane

ous

and

plan

ned

mov

emen

t.

2.02

Cre

ate

a se

quen

ce w

ith a

beg

inni

ng,

mid

dle,

and

end

bot

h w

ith a

nd w

ithou

tac

com

pani

men

t.

2.03

Dem

onst

rate

and

dev

elop

the

follo

win

gpa

rtne

r sk

ills:

cop

ying

, lea

ding

and

follo

win

g,m

irror

ing.

2.04

Impr

ovis

e, c

reat

e, a

nd p

erfo

rm d

ance

sba

sed

on o

wn

idea

s an

d co

ncep

ts fr

om o

ther

sour

ces.

2.05

Cre

ate

a da

nce

phra

se a

nd a

ccur

atel

yre

peat

it.

esG

rade

2.01

Use

impr

ovis

atio

n to

dis

cove

r an

d in

vent

danc

e.

5'11

Gra

de

2.02

Cre

ate

and

perf

orm

a s

eque

nce

with

abe

ginn

ing,

mid

dle,

and

end

bot

h w

ith a

nd w

ithou

tac

com

pani

men

t. Id

entif

y ea

ch o

f the

se p

arts

inth

e se

quen

ce.

2.03

Dem

onst

rate

the

abili

ty to

wor

kin

depe

nden

tly a

nd c

oope

rativ

ely.

2.04

Impr

ovis

e, c

reat

e, a

nd p

erfo

rm d

ance

sba

sed

on o

wn

idea

s an

d co

ncep

ts fr

om o

ther

sour

ces.

2.05

Cre

ate

a da

nce

phra

se, a

ccur

atel

y re

peat

it,

then

var

y it

by m

akin

g ch

ange

s in

the

elem

ents

of

danc

e.

2.01

Use

impr

ovis

atio

n to

cre

ate

danc

ese

quen

ces.

2.02

Iden

tify

and

utili

ze tr

ansi

tions

in d

ance

sequ

ence

s.

2.03

Dem

onst

rate

the

abili

ty to

wor

k al

one

and

coop

erat

ivel

y in

a s

mal

l gro

up d

urin

g th

ech

oreo

grap

hic

proc

ess.

2.04

Impr

ovis

e, c

reat

e, a

nd p

erfo

rm d

ance

sba

sed

on o

wn

idea

s an

d co

ncep

ts fr

om o

ther

sour

ces.

2.05

Iden

tify

and

expl

ore

vario

us c

ompo

sitio

nal

stru

ctur

es a

nd/o

r fo

rms

of d

ance

.

7th;

Gra

de:W

I' G

rade

2.01

Use

impr

ovis

atio

n to

dis

cove

r an

d in

vent

mov

emen

ts fo

r cr

eatin

g da

nce

sequ

ence

s.

12

2.01

Use

impr

ovis

atio

n to

inve

nt a

nd c

ombi

nem

ovem

ents

for

crea

ting

danc

e co

mpo

sitio

ns.

BE

ST C

OPY

AV

AIL

AB

LE

2.01

Use

impr

ovis

atio

n to

inve

nt a

nd c

ombi

nem

ovem

ents

for

crea

ting

danc

e co

mpo

sitio

ns.

13

2.02

Iden

tify

way

s to

man

ipul

ate

danc

ese

quen

ces

thro

ugh

expl

orat

ion.

2.03

Dem

onst

rate

the

abili

ty to

wor

k al

one,

with

a pa

rtne

r, a

nd c

oope

rativ

ely

in a

sm

all g

roup

durin

g th

e ch

oreo

grap

hic

proc

ess.

2.04

Impr

ovis

e, c

reat

e, a

nd p

erfo

rm d

ance

sba

sed

on o

wn

idea

s an

d co

ncep

ts fr

om o

ther

sour

ces.

2.05

Iden

tify

and

utili

ze v

ario

us c

ompo

sitio

nal

stru

ctur

es a

nd/o

r fo

rms

of d

ance

incl

udin

g: A

B,

AB

A, A

ccum

ulat

ion,

and

Cal

l and

Res

pons

e.

2.02

Dem

onst

rate

and

man

ipul

ate

danc

ese

quen

ces.

2.03

Util

ize

part

nerin

g sk

ills

in m

ovem

ents

and

sequ

ence

s.

2.04

Impr

ovis

e, c

reat

e, a

nd p

erfo

rm d

ance

sba

sed

on o

wn

idea

s an

d co

ncep

ts fr

om o

ther

sour

ces.

2.05

Iden

tify

and

utili

ze v

ario

us s

truc

ture

s an

d/or

form

s of

dan

ce in

clud

ing:

can

on, r

etro

grad

e, a

ndna

rrat

ive.

2.02

Man

ipul

ate

sequ

ence

in d

ance

com

posi

tions

.

2.03

Util

ize

part

nerin

g sk

ills

in d

ance

com

posi

tions

.

2.04

Impr

ovis

e, c

reat

e, a

nd p

erfo

rm d

ance

sba

sed

on o

wn

idea

s an

d co

ncep

ts fr

om o

ther

sour

ces.

2.05

Util

ize

and

man

ipul

ate

vario

usco

mpo

sitio

nal s

truc

ture

s an

d/or

form

s of

dan

ce in

danc

e co

mpo

sitio

ns.

Dan

ce I

2.01

Em

ploy

the

use

ofim

prov

isat

ion

(fre

e an

d st

ruct

ured

)to

dis

cove

r an

d ge

nera

tem

ovem

ent.

2.02

Exp

lore

mov

emen

t with

apa

rtne

r or

gro

up a

nd e

xhib

itsp

onta

neou

s de

cisi

on-m

akin

g to

sele

ct m

ovem

ent f

or d

ance

.

2.03

Iden

tify

and

expl

ore

a ra

nge

of s

timul

i (vi

sual

, aud

itory

, tac

tile,

kine

sthe

tic)

to c

reat

e da

nce

mov

emen

t.

2.04

Rec

ogni

ze a

nd e

xpla

in h

owth

e cr

eativ

e pr

oces

s in

dan

ce is

influ

ence

d by

per

sona

l mov

emen

tst

yles

.

2.05

Obs

erve

, rec

all,

and

desc

ribe

usin

g m

ain

idea

s an

d su

ppor

ting

deta

ils th

e us

e of

dan

ce e

lem

ents

in a

var

iety

of s

igni

fican

tch

oreo

grap

hic

wor

ks.

Dan

ce II

2.01

Em

ploy

the

use

of I

mpr

ovis

atio

n to

dis

cove

r an

dge

nera

te m

ovem

ent f

orch

oreo

grap

hy.

2.02

Rec

ogni

ze a

nd d

emon

stra

teth

at im

prov

isat

ion

with

oth

ers

can

rele

ase

intu

itive

mov

emen

tpo

ssib

ilitie

s.

2.03

Cho

reog

raph

a s

impl

e da

nce

focu

sing

on

a se

lect

ed s

timul

us(v

isua

l, au

dito

ry, t

actil

e,ki

nest

hetic

).

2.04

Com

bine

the

crea

tive

proc

ess

with

per

sona

l mov

emen

tst

yle

to p

rodu

ce a

mov

emen

tse

quen

ce.

2.05

Cla

ssify

and

dis

cuss

the

rela

tions

hips

of d

ance

ele

men

ts in

com

posi

tions

.

Dan

ce II

I2.

01 A

sses

s th

e us

e of

impr

ovis

atio

n to

sol

ve m

ovem

ent

prob

lem

s in

divi

dual

ly a

nd w

ith a

grou

p.

1

2.02

Dem

onst

rate

par

tner

ski

lls I

nclu

ding

: cop

ying

, lea

ding

and

follo

win

g, m

irror

ing,

floc

king

, and

wei

ght-

shar

ing.

2.03

Ana

lyze

the

use

of d

iffer

ing

stim

uli i

n pe

rson

al c

hore

ogra

phy.

2.04

Rel

ate

one'

s cr

eativ

e pr

oces

sto

per

sona

l mov

emen

t sty

le.

2.05

Ana

lyze

the

use

of d

ance

elem

ents

and

thei

r re

latio

nshi

ps in

com

posi

tions

.

Dan

ce IV

2.01

Val

idat

e th

e us

e of

impr

ovis

atio

n in

chor

eogr

aphy

.

2.02

Jus

tify

the

use

of c

oope

rativ

e sk

ills

in im

prov

isat

ion

and

chor

eogr

aphy

.

2.03

Val

idat

e th

e se

lect

ion

and

use

ofst

imul

i in

pers

onal

cho

reog

raph

y.

2.04

Impr

ovis

e, c

reat

e, a

nd p

erfo

rmda

nces

bas

ed o

n ow

n id

eas

and

conc

epts

from

oth

er s

ourc

es.

2.05

Util

ize

and

man

ipul

ate

vario

usst

ruct

ures

and

/or

form

s of

dan

ce in

danc

e co

mpo

sitio

ns.

14B

EST

CO

PYA

VM

MI

15

2.06

Iden

tify

form

ulas

and

oth

erab

stra

ct e

xpre

ssio

ns to

map

and

pred

ict s

eque

nces

and

pat

tern

sth

at a

re u

sed

in c

reat

ing

danc

e.

2.07

Def

ine

and

iden

tify

the

chor

eogr

aphi

c pr

inci

ples

of u

nity

,va

riety

, con

tras

t, re

petit

ion,

and

tran

sitio

n.

2.08

Rec

ogni

ze a

nd e

xpla

in th

eus

e of

ligh

ting,

set

ting,

pro

ps,

cost

umes

, and

oth

erte

chni

cal/t

heat

rical

ele

men

ts in

danc

e w

orks

.

2.06

App

ly th

e us

e of

form

ulas

and

othe

r ab

stra

ct e

xpre

ssio

ns to

map

and

pre

dict

the

use

ofst

ruct

ures

in m

ovem

ent

sequ

ence

s.

2.07

Em

ploy

the

chor

eogr

aphi

cpr

inci

ples

of u

nity

, var

iety

,co

ntra

st, r

epet

ition

, and

tran

sitio

nin

a m

ovem

ent s

tudy

.

2.08

Illu

stra

te a

nd c

ompu

teth

roug

h ch

arts

, for

mul

as, o

rdi

agra

ms

how

the

use

ofte

chni

cal/t

heat

rical

ele

men

ts c

anaf

fect

the

chor

eogr

aphi

c st

ruct

ure

and

inte

nt.

2.06

Cre

ate

danc

e co

mpo

sitio

nsus

ing

vario

us c

hore

ogra

phic

stru

ctur

es to

var

y th

e fo

rm (

cano

n,A

B, A

BA

, the

me

and

varia

tion,

rond

o).

2.07

Cre

ate

danc

e co

mpo

sitio

nsus

ing

the

chor

eogr

aphi

c pr

inci

ples

of u

nity

, var

iety

, con

tras

t,re

petit

ion,

and

tran

sitio

n.

2.08

Pla

n an

d cr

eate

dan

ceco

mpo

sitio

ns fe

atur

ing

vario

uste

chni

cal/t

heat

rical

ele

men

ts w

ithin

a gi

ven

time

fram

e.

ecia

l To

ics

Dan

ce2.

01 E

xplo

re, s

elec

t, an

d de

mon

stra

te m

ovem

ent f

or a

dan

ce w

itha

part

ner

or g

roup

.

2.02

Iden

tify

and

expl

ore

ara

nge

of s

timul

i (vi

sual

, aud

itory

, tac

tile,

kine

sthe

tic)

to c

reat

e da

nce

mov

emen

t.

2.03

Iden

tify

how

the

crea

tive

proc

ess

in d

ance

is in

fluen

ced

bype

rson

al m

ovem

ent s

tyle

s.

2.04

Obs

erve

, rec

all,

and

desc

ribe

usin

g m

ain

idea

s an

dsu

ppor

ting

deta

ils th

e us

e of

dan

ce e

lem

ents

in a

var

iety

of s

igni

fican

tch

oreo

grap

hic

wor

ks.

2.05

Iden

tify

form

ula

and

othe

r ab

stra

ct e

xpre

ssio

ns to

map

and

pre

dict

varia

tions

of s

eque

nces

and

pat

tern

s in

cre

atin

g da

nce.

2.06

Def

ine

and

iden

tify

the

chor

eogr

aphi

c pr

inci

ples

of u

nity

, var

iety

,co

ntra

st, r

epet

ition

, and

tran

sitio

n.

2.07

Rec

ogni

ze a

nd e

xpla

in th

e us

e of

ligh

ting

, set

ting,

pro

ps,

cost

umes

, and

oth

er te

chni

cal/t

heat

rical

ele

men

ts in

dan

ce w

orks

.

Sec

ial T

o:Is

:Dan

de 1

[2.

01 D

emon

stra

te th

e us

e of

mov

emen

t exp

lora

tion

with

oth

ers

to r

elea

sein

tuiti

ve m

ovem

ent p

ossi

bilit

ies.

2.02

Cho

reog

raph

a s

impl

e da

nce

focu

sing

on

a se

lect

ed s

timul

us (

visu

al,

audi

tory

, tac

tile,

kin

esth

etic

).

2.03

Com

bine

the

crea

tive

proc

ess

and

pers

onal

mov

emen

t sty

le to

pro

duce

am

ovem

ent s

eque

nce.

2.04

Cla

ssify

and

dis

cuss

the

rela

tions

hips

of d

ance

ele

men

ts in

com

posi

tions

.

2.05

App

ly v

ario

us c

hore

ogra

phic

str

uctu

res

to m

ovem

ent

sequ

ence

s.

2.06

Em

ploy

the

chor

eogr

aphi

c pr

inci

ples

of u

nity

, var

iety

, con

tras

t, re

petit

ion,

and

tran

sitio

n in

a m

ovem

ent s

tudy

.

2.07

Illu

stra

te a

nd c

ompu

te th

roug

h ch

arts

form

ulas

, or

diag

ram

s ho

w th

e us

eof

tech

nica

l/the

atric

al e

lem

ents

use

d in

a d

ance

can

affe

ct th

e ch

oreo

grap

hic

stru

ctur

e an

d in

tent

.

BE

ST C

OPY

AV

AU

BL

E

Sco

pe a

nd S

eque

nce:

Dan

ce K

-12

Goa

l 3: T

he le

arne

r w

ill u

nder

stan

d th

at d

ance

can

crea

te a

nd c

omm

unic

ate

mea

ning

. (N

atio

nal S

tand

ard

3)

19riC

tieei

arte

ni.

.Gra

de:;,

,2"

. Gia

de3.

01 E

xpre

ss id

eas,

feel

ings

, and

sto

ries

thro

ugh

danc

e m

ovem

ent.

3.02

Res

pond

to d

ance

mov

emen

t exp

erie

nces

in a

var

iety

of w

ays.

3.03

Iden

tify

sim

ilarit

ies

and

diffe

renc

es b

etw

een

danc

e an

d ot

her

form

s of

hum

an m

ovem

ent.

3.01

Sho

w id

eas,

feel

ings

, and

sto

ries

thro

ugh

danc

e m

ovem

ent.

3.02

Dis

cuss

var

ious

dan

ce m

ovem

ent

expe

rienc

es.

3.03

Iden

tify

and

dem

onst

rate

sim

ilarit

ies

and

diffe

renc

es b

etw

een

danc

e an

d ot

her

form

s of

hum

an m

ovem

ent.

3.01

Iden

tify

and

dem

onst

rate

idea

s, fe

elin

gs,

and

stor

ies

thro

ugh

mov

emen

t or

gest

ures

.

3.02

Iden

tify

and

expl

ain

reac

tions

to m

ovem

ent

expe

rienc

es.

3.03

Dem

onst

rate

and

exp

lain

sim

ilarit

ies

and

diffe

renc

es b

etw

een

danc

e an

d ot

her

form

s of

hum

an m

ovem

ent.

_'.1

1.9.

:Gra

deG

rade

,:3.

01 C

reat

e m

ovem

ents

to e

xpre

ss id

eas,

feel

ings

, or

stor

ies.

3.02

Dis

cuss

inte

rpre

tatio

ns o

f and

rea

ctio

ns to

ada

nce.

3.03

Cre

ate

danc

e m

ovem

ents

from

ped

estr

ian

mov

emen

ts.

3.01

Cre

ate

and

pres

ent s

impl

e da

nce

sequ

ence

s th

at c

onve

y m

eani

ng.

3.02

Exp

lain

inte

rpre

tatio

ns o

f and

rea

ctio

ns to

ada

nce.

3.03

Dem

onst

rate

way

s to

cre

ate

danc

em

ovem

ents

from

ped

estr

ian

mov

emen

ts.

5T G

rade

3.01

Cre

ate

and

perf

orm

mov

emen

t seq

uenc

esth

at c

onve

y m

eani

ng.

3.02

Iden

tify

and

exam

ine

fact

ors

whi

ch c

anaf

fect

the

inte

rpre

tatio

n of

a d

ance

.

3.03

Iden

tify

and

dem

onst

rate

diff

eren

ces

betw

een

gest

ure/

pant

omim

e/ac

ting,

and

dan

ce.

6'11

Gra

de-8

`" G

rade

3.01

Iden

tify

and

sele

ct to

pics

of p

erso

nal

sign

ifica

nce

and

expl

ore

them

thro

ugh

danc

em

ovem

ent.

3.02

Iden

tify

and

disc

uss

spec

ific

elem

ents

that

affe

ct th

e in

terp

reta

tion

of a

dan

ce in

clud

ing

soun

d/si

lenc

e, m

usic

, spo

ken

text

, lig

htin

g, s

et,

prop

s, a

nd c

ostu

mes

.

3.03

Util

ize

the

vario

us p

roce

sses

for

abst

ract

ing

gest

ures

to c

reat

e da

nce

mov

emen

ts.

3.01

Cre

ate

a da

nce

sequ

ence

that

com

mun

icat

es a

topi

c of

per

sona

l sig

nific

ance

.

3.02

Inco

rpor

ate

and

utili

ze v

ario

us e

lem

ents

toco

mm

unic

ate

mea

ning

in a

dan

ce.

3.03

Cre

ate

danc

e se

quen

ces

usin

g ab

stra

cted

gest

ural

mov

emen

ts.

3.01

Cre

ate,

pre

sent

, and

exp

lain

a d

ance

that

com

mun

icat

es a

topi

c of

per

sona

l sig

nific

ance

.

3.02

Inco

rpor

ate

and

just

ify th

e us

e of

var

ious

elem

ents

to c

omm

unic

ate

mea

ning

in a

dan

ce.

3.03

Cre

ate

and

pres

ent d

ance

com

posi

tions

base

d on

the

use

of a

bstr

acte

d ge

stur

e.

Dan

ceD

ante

-=D

ance

lV3.

01 R

ecog

nize

and

dem

onst

rate

the

use

of th

e hu

man

bod

y as

an

inst

rum

ent o

f exp

ress

ion.

3.01

Ref

ine

and

artic

ulat

e th

e us

eof

the

hum

an b

ody

as a

tool

for

com

mun

icat

ion.

BE

ST

CO

PY

MA

O

3.01

Com

mun

icat

e pe

rson

alfe

elin

gs a

nd id

eas

thro

ugh

mov

emen

t with

indi

vidu

al s

tyle

and

clar

ity.

BLE

3.01

Inte

grat

e m

ovem

ent w

ithch

oreo

grap

hic

inte

nt to

com

mun

icat

eid

eas

with

indi

vidu

al s

tyle

and

cla

rity.

19

3.02

Obs

erve

and

dis

cuss

sign

ifica

nt c

onte

mpo

rary

dan

cew

orks

with

res

pect

to h

isto

rical

,cu

ltura

l, ph

iloso

phic

al, a

nd a

rtis

ticpe

rspe

ctiv

es.

3.03

Rec

ogni

ze a

nd d

emon

stra

teun

ders

tand

ing

of h

owte

chni

cal/t

heat

rical

ele

men

ts u

sed

in a

dan

ce c

an in

fluen

ce it

sin

terp

reta

tion

and

mea

ning

.

3.02

Exp

lain

how

per

sona

lex

perie

nce

influ

ence

s th

ein

terp

reta

tion

of a

dan

ce.

3.03

Ana

lyze

and

exa

min

e th

ein

fluen

ce o

f tec

hnic

al/th

eatr

ical

elem

ents

on

inte

rpre

tatio

n an

dm

eani

ng in

dan

ce.

Spe

cl#T

opits

:Dan

cel

3.02

Cre

ate

a da

nce

that

effe

ctiv

ely

com

mun

icat

es a

soc

ial

them

e.

3.03

Pla

n an

d in

corp

orat

ete

chni

cal/t

heat

rical

ele

men

ts in

danc

e to

enh

ance

the

mea

ning

of

orig

inal

cho

reog

raph

y.

3.02

Com

pare

, con

tras

t, an

dsu

mm

ariz

e cr

eativ

e de

cisi

ons

mad

e to

com

mun

icat

e m

eani

ng in

two

pers

onal

chor

eogr

aphi

c w

orks

.

3.03

Crit

ique

how

effe

ctiv

ely

tech

nica

l/the

atric

al e

lem

ents

in p

erso

nal

chor

eogr

aphy

and

the

wor

ks o

f oth

ers

affe

ct th

e m

eani

ng o

f dan

ce.

S'P

ecia

l Top

ics

Dan

ce II

3.01

Rec

ogni

ze a

nd d

emon

stra

te th

e hu

man

bod

yas

an

inst

rum

ent o

fex

pres

sion

.

3.02

Obs

erve

and

dis

cuss

sig

nific

ant h

isto

rical

and

con

tem

pora

ryda

nce

com

posi

tions

.

3.03

Iden

tify

how

the

tech

nica

l/the

atric

al e

lem

ents

ina

danc

e ca

nin

fluen

ce it

s in

terp

reta

tion

and

mea

ning

.

" 0

3.01

Ref

ine

and

artic

ulat

e th

e us

e of

one

's b

ody

as a

tool

for

com

mun

icat

ion.

3.02

Exp

lain

how

per

sona

l exp

erie

nces

influ

ence

the

inte

rpre

tatio

n of

ada

nce.

3.03

Ana

lyze

the

tech

nica

l/the

atric

al e

lem

ents

use

d in

dan

ce a

nd e

xam

ine

thei

r in

fluen

ce o

n in

terp

reta

tion

and

mea

ning

.

BE

STC

OPY

AV

AL

AB

LE

Sco

pe a

nd S

eque

nce:

Dan

ce K

-12

Goa

l 4: T

he le

arne

r w

ill a

pply

and

dem

onst

rate

crit

ical

and

crea

tive

thin

king

ski

lls in

dan

ce. (

Nat

iona

l Sta

ndar

d 4)

arte

n:'

4.01

Dem

onst

rate

at l

east

one

sol

utio

n to

a g

iven

crea

tive

mov

emen

t pro

blem

in d

ance

.

4.02

Iden

tify

sim

ilarit

ies

and

diffe

renc

es in

dan

cem

ovem

ent s

eque

nces

.

4.03

Eva

luat

e da

nce

mov

emen

t seq

uenc

es.

161

Gra

de4.

01 D

emon

stra

te a

t lea

st tw

o di

ffere

nt s

olut

ions

to a

giv

en c

reat

ive

mov

emen

t pro

blem

.

4.02

Iden

tify

sim

ilarit

ies

and

diffe

renc

es in

mov

emen

t seq

uenc

es.

4.03

Eva

luat

e da

nce

mov

emen

t seq

uenc

es.

2" G

rade

4.01

Dem

onst

rate

thre

e or

mor

e di

ffere

ntso

lutio

ns to

a g

iven

dan

ce m

ovem

ent p

robl

em.

4.02

Iden

tify

and

desc

ribe

sim

ilarit

ies

and

diffe

renc

es in

dan

ce m

ovem

ent s

eque

nces

.

4.03

Eva

luat

e da

nce

mov

emen

t seq

uenc

es.

Ya

Gra

de4W

Gra

de.

4.01

Cre

ate

and

expl

ore

mul

tiple

sol

utio

ns to

agi

ven

mov

emen

t pro

blem

.

4.02

Dis

cuss

and

exp

lore

mov

emen

t sim

ilarit

ies

and

diffe

renc

es in

dan

ce s

eque

nces

.

4.03

Eva

luat

e da

nce

in m

ultip

le w

ays.

4.01

Cre

ate

and

expl

ore

mul

tiple

sol

utio

ns to

agi

ven

mov

emen

t pro

blem

.

4.02

Cho

ose

one

solu

tion

to a

mov

emen

tas

sign

men

t and

just

ify th

e re

ason

s fo

r th

atch

oice

.

4.03

Dev

ise

and

empl

oy v

ario

us w

ays

toev

alua

te d

ance

.

4.01

Com

pare

, con

tras

t, an

d de

mon

stra

tem

ultip

leso

lutio

ns to

a g

iven

dan

ce m

ovem

ent p

robl

em.

4.02

Exa

min

e m

ultip

le s

olut

ions

to a

dan

cem

ovem

ent p

robl

em a

nd c

hoos

e on

e so

lutio

nba

sed

on g

iven

crit

eria

.

4.03

Ana

lyze

a d

ance

com

posi

tion

in te

rms

ofm

ore

than

one

ele

men

t of d

ance

.

4.04

Sel

ect a

nd u

tiliz

e w

ays

to e

valu

ate

danc

e.

6!"

Gra

dem

-Gra

di-

Gra

f:10

4.01

Com

pare

, con

tras

t, an

d de

mon

stra

tem

ultip

le s

olut

ions

to a

giv

en d

ance

mov

emen

tpr

oble

m.

4.02

Exa

min

e th

e va

rious

sol

utio

ns to

a d

ance

mov

emen

t pro

blem

and

cho

ose

the

best

one

base

d on

giv

en c

riter

ia.

4.03

Ana

lyze

a d

ance

com

posi

tion

in te

rms

ofm

ore

than

one

ele

men

t of d

ance

.

4.04

Des

crib

e th

e ba

sic

way

s to

eva

luat

e da

nce

from

an

aest

hetic

per

spec

tive

incl

udin

g sk

ill o

fpe

rfor

mer

, sty

le a

nd q

ualit

y of

mov

emen

t,te

chni

cal e

lem

ents

, vis

ual o

r em

otio

nal i

mpa

ct,

n9

4.01

Com

pare

and

con

tras

t mul

tiple

sol

utio

nsan

d va

lidat

e on

e so

lutio

n to

a g

iven

mov

emen

tpr

oble

m.

4.02

Cre

ate

a m

ovem

ent p

robl

em b

ased

on

give

n cr

iteria

.

4.03

Ana

lyze

a d

ance

com

posi

tion

in te

rms

ofsp

ace,

tim

e, a

nd e

nerg

y.

4.04

Iden

tify

poss

ible

aes

thet

ic c

riter

ia fo

rev

alua

ting

danc

e.

EST

CO

PY A

VA

LA

BL

E

4.01

Com

pare

and

con

tras

t mul

tiple

sol

utio

nsan

d va

lidat

e on

e so

lutio

n to

a g

iven

mov

emen

tpr

oble

m.

4.02

Cre

ate

a m

ovem

ent p

robl

em b

ased

on

give

n cr

iteria

; dem

onst

rate

and

eva

luat

e m

ultip

leso

lutio

ns to

that

pro

blem

.

4.03

Com

pare

and

con

tras

t tw

o da

nce

com

posi

tions

in te

rms

of s

pace

, tim

e, a

nd e

nerg

y.

4.04

Iden

tify

poss

ible

aes

thet

ic c

riter

ia fo

rev

alua

ting

danc

e.

r)3

com

posi

tiona

l ele

men

ts (

varie

ty, c

ontr

ast,

unity

,tr

ansi

tion,

and

res

pect

) an

d in

tent

.

4.05

Com

pare

, con

tras

t, an

d de

mon

stra

tem

ultip

le s

olut

ions

to a

giv

en d

ance

mov

emen

tpr

oble

m.

Dan

ce II

4.01

Iden

tify

a va

riety

of a

rtis

ticde

cisi

ons

that

are

req

uire

d to

crea

te a

nd p

erfo

rm d

ance

.

4.02

Iden

tify

and

disc

uss

poss

ible

aest

hetic

crit

eria

for

eval

uatin

gda

nce

incl

udin

g sk

ill o

f per

form

er,

styl

e an

d qu

ality

of m

ovem

ent,

tech

nica

l ele

men

ts, v

isua

l or

emot

iona

l im

pact

, com

posi

tiona

lel

emen

ts (

varie

ty, c

ontr

ast,

unity

,tr

ansi

tion,

and

rep

etiti

on)

and

chor

eogr

aphe

r's in

tent

.

4.01

Em

ploy

and

inte

rpre

t the

use

of c

reat

ive

and

criti

cal t

hink

ing

toex

plor

e m

ovem

ent p

ossi

bilit

ies

with

in a

giv

en s

truc

ture

or

prob

lem

to d

eter

min

e th

e be

st c

ours

e of

actio

n.

4.02

For

mul

ate

and

answ

erae

sthe

tic q

uest

ions

exa

min

ing

issu

es in

clud

ing

wha

t mak

es a

part

icul

ar d

ance

that

dan

ce, h

owm

uch

a da

nce

can

be c

hang

ed b

yan

indi

vidu

al b

efor

e it

beco

mes

adi

ffere

nt d

ance

, and

def

inin

gda

nce.

4.03

Crit

ique

the

wor

ks o

fse

lect

ed c

hore

ogra

pher

s by

gain

ing

insi

ght a

nd d

raw

ing

conc

lusi

ons

thro

ugh

rese

arch

and

obse

rvat

ion.

Dan

ce II

I4.

01 C

hore

ogra

ph a

dan

ce a

ndre

vise

it o

ver

time

artic

ulat

ing

the

reas

ons

for

the

artis

tic d

ecis

ions

mad

e.

4.02

App

ly s

elec

ted

aest

hetic

crite

ria to

ana

lyze

per

sona

lch

oreo

grap

hy a

nd th

at o

f oth

ers.

Dan

ce IV

4.03

Rel

ate

and

exam

ine

view

erop

inio

ns a

bout

dan

ce w

ith p

eers

ina

supp

ortiv

e an

d co

nstr

uctiv

em

anne

r.

4.01

Crit

ique

the

crea

tive

proc

ess

used

in c

hore

ogra

phin

g a

danc

e ar

ticul

atin

gw

hat w

as lo

st o

r ga

ined

by

artis

ticde

cisi

ons

mad

e.

4.02

For

mul

ate

and

just

ify a

per

sona

lse

t of a

esth

etic

crit

eria

for

danc

e.

4.03

Writ

e a

criti

que

usin

g ru

les

ofst

anda

rd E

nglis

h of

a li

ve d

ance

perf

orm

ance

from

an

audi

ence

mem

ber

pers

pect

ive.

S e

cial

To

ics

Dan

ce4.

01 Id

entif

y a

varie

ty o

f art

istic

dec

isio

ns th

at a

re m

ade

in c

reat

ing

and

perf

orm

ing

danc

e.

4.02

Iden

tify

and

disc

uss

poss

ible

aes

thet

ic c

riter

ia fo

r ev

alua

ting

danc

ein

clud

ing

skill

of p

erfo

rmer

, sty

le a

nd q

ualit

y of

mov

emen

t, te

chni

cal

elem

ents

, vis

ual o

r em

otio

nal i

mpa

ct, c

ompo

sitio

nal e

lem

ents

(va

riety

,co

ntra

st, u

nity

, tra

nsiti

on, a

nd r

epet

ition

) an

d ch

oreo

grap

her's

inte

nt.

1'4

BE

ST C

OPY

A/M

UN

I

S e

cial

TO

ics

Dan

ce II

4.01

Em

ploy

and

inte

rpre

t the

use

of c

reat

ive

and

criti

cal t

hink

ing

to e

xplo

rem

ovem

ent p

ossi

bilit

ies

with

in a

giv

en s

truc

ture

or

prob

lem

to d

eter

min

e th

ebe

st c

ours

e of

act

ion.

4.02

For

mul

ate

and

answ

er a

esth

etic

que

stio

ns e

xam

inin

g is

sues

incl

udin

gw

hat m

akes

a p

artic

ular

dan

ce th

at d

ance

, how

muc

h a

danc

e ca

n be

cha

nged

by a

n in

divi

dual

bef

ore

it be

com

es a

diff

eren

t dan

ce, a

nd d

efin

ing

danc

e.

4.03

Crit

ique

the

wor

ks o

f sel

ecte

d ch

oreo

grap

hers

by

gain

ing

insi

ght a

nddr

awin

g co

nclu

sion

s th

roug

h re

sear

ch a

nd o

bser

vatio

n.

25

Sco

pe a

nd S

eque

nce:

Dan

ce K

-12

Goa

l 5: T

he le

arne

r w

ill d

emon

stra

te a

nd u

nder

stan

d da

nce

in v

ario

us c

ultu

res

and

hist

oric

al p

erio

ds. (

Nat

iona

l Sta

ndar

d 5)

Kin

der'

erte

n5.

01Id

entif

y th

e ex

iste

nce

of d

ance

inco

mm

uniti

es a

nd c

ultu

res.

5.02

Iden

tify

and

expl

ore

danc

es fr

om v

ario

uscu

lture

s.

1s O

racl

e5.

01 D

iscu

ss th

e ro

le o

f dan

ce in

cel

ebra

tions

and

even

ts,

2n°

Gra

de

5.02

Iden

tify

and

expl

ore

danc

es fr

om v

ario

uscu

lture

s.

5.01

Des

crib

e th

e va

rious

rol

es o

f dan

ce in

com

mun

ities

and

cul

ture

s.

5.02

Iden

tify

and

dem

onst

rate

dan

ces

from

vario

us c

ultu

res

and

hist

oric

al p

erio

ds.

4n' G

rade

;Gra

de:-

5.01

Com

pare

and

con

tras

t dan

ces

from

var

ious

cultu

res

and

hist

oric

al p

erio

ds.

5.02

Per

form

dan

ces

from

var

ious

cul

ture

s an

dhi

stor

ical

per

iods

.

5.03

Iden

tify

vario

us w

ays

in w

hich

peo

ple

resp

ond

to th

eir

envi

ronm

ents

thro

ugh

danc

e.

5.01

Inve

stig

ate

the

impa

ct o

f his

toric

al e

vent

san

d si

gnifi

cant

con

trib

utor

s on

the

deve

lopm

ent

of d

ance

.

5.02

Inve

stig

ate

aspe

cts

of d

ance

in v

ario

uscu

lture

s an

d hi

stor

ical

per

iods

.

5.03

Rep

rodu

ce a

dan

ce u

sing

ava

ilabl

ere

sour

ces;

des

crib

e th

e cu

ltura

l and

/or

hist

oric

alco

ntex

t.

5.01

Exp

lain

the

impa

ct o

f his

toric

al e

vent

s an

dsi

gnifi

cant

con

trib

utor

s on

the

deve

lopm

ent o

fda

nce.

5.02

Exp

lain

asp

ects

of d

ance

in v

ario

us c

ultu

res

and

hist

oric

al p

erio

ds.

5.03

Cre

ate

a da

nce

refle

ctin

g ch

arac

teris

tics

ofa

part

icul

ar c

ultu

re o

r hi

stor

ical

per

iod.

6Gt'

de ?

.?!

5.01

Dem

onst

rate

dan

ce s

tyle

s an

d co

ncep

tsfr

om v

ario

us c

ultu

res.

5.02

Cre

ate

a da

nce

com

posi

tion

base

d on

danc

e fr

om v

ario

us c

ultu

res.

5.03

Des

crib

e si

mila

ritie

s an

d di

ffere

nces

inda

nce

mov

emen

ts fr

om v

ario

us c

ultu

res

and

form

s.

5.04

Inve

stig

ate

danc

e ge

nres

usi

ng m

any

reso

urce

s in

clud

ing

peop

le in

the

com

mun

ity,

vide

os, c

ompu

ter

tech

nolo

gy, a

nd p

rint s

ourc

es.

5.05

Iden

tify

and

expl

ore

vario

us d

ance

gen

res

and

inno

vato

rs th

roug

hout

his

toric

al ti

me

perio

ds.

5.06

Des

crib

e th

e ro

le o

f dan

ce in

at l

east

two

diffe

rent

cul

ture

s or

tim

e pe

riods

.

"" 0

8t"

G;r

ade

5.01

Dem

onst

rate

dan

ce s

tyle

s an

d co

ncep

tsfr

om v

ario

us c

ultu

res.

5.02

Cre

ate

a da

nce

com

posi

tion

base

d on

danc

e fr

om v

ario

us c

ultu

res

and

form

s.

5.03

Com

pare

and

con

tras

t dan

ces

from

var

ious

cultu

res

and

form

s.

5.04

Inve

stig

ate

and

expl

ain

danc

e st

yles

usi

ngm

any

reso

urce

s in

clud

ing

peop

le in

the

com

mun

ity, v

ideo

s, c

ompu

ter

tech

nolo

gy, a

ndpr

int s

ourc

es.

5.05

Exp

lore

and

iden

tify

vario

us d

ance

sty

les

and

inno

vato

rs th

roug

hout

his

toric

al ti

me

perio

ds.

5.06

Com

pare

and

con

tras

t the

rol

e of

dan

ce in

at le

ast t

wo

diffe

rent

cul

ture

s or

tim

e pe

riods

.

BE

ST C

OPY

AV

AIL

AB

LE

5.01

Dem

onst

rate

dan

ce s

tyle

s an

d co

ncep

tsfr

om v

ario

us c

ultu

res.

5.02

Cre

ate

danc

e co

mpo

sitio

ns b

ased

on

danc

efr

om v

ario

us c

ultu

res.

5.03

Com

pare

, con

tras

t, an

d ev

alua

te d

ance

sfr

om v

ario

us c

ultu

res

and

hist

oric

al p

erio

ds.

5.04

Inve

stig

ate,

exp

lain

, and

eva

luat

e da

nce

form

s us

ing

man

y re

sour

ces

incl

udin

g pe

ople

inth

e co

mm

unity

, vid

eos,

com

pute

r te

chno

logy

, and

prin

t sou

rces

.

5.05

Cre

ate

proj

ects

that

inco

rpor

ate

know

ledg

eof

var

ious

dan

ce fo

rms

and

inno

vato

rs th

roug

hout

hist

oric

al ti

me

perio

ds.

5.06

Ana

lyze

the

role

of d

ance

in a

t lea

st tw

odi

ffere

nt c

ultu

res

or ti

me

perio

ds.

f2 7

Dan

te I:

5.01

Iden

tify

way

s th

at d

ance

refle

cts,

rec

ords

, and

influ

ence

shi

stor

y.

5.02

Iden

tify

patte

rns,

rela

tions

hips

, and

tren

ds d

ance

play

s in

at l

east

two

diffe

rent

cultu

res

and

disc

uss

how

aes

thet

icju

dgm

ents

var

y be

twee

n th

em.

5.03

Res

earc

h th

e or

igin

s of

and

the

univ

ersa

l the

mes

of d

ance

.

5.01

Iden

tify

the

purp

ose

and

func

tion

of d

ance

in a

sel

ecte

det

hnic

cul

ture

s.

5.02

Exa

min

e an

d de

scrib

e th

ero

le o

f the

dan

cer

in s

ocie

ty a

s an

expr

essi

ve a

rtis

t, pe

rfor

mer

,pa

rtic

ipan

t, an

d cr

eato

r of

art

istic

valu

es.

5.03

Iden

tify

and

dem

onst

rate

an

unde

rsta

ndin

g of

the

deve

lopm

ent

of d

ance

from

Anc

ient

thro

ugh

Med

ieva

l per

iods

, foc

usin

g on

the

purp

ose

of d

ance

, dan

ce g

enre

s,ar

tistic

con

flict

s an

d re

solu

tions

,si

gnifi

cant

con

trib

utor

s, a

ndin

nova

tions

.

'Dan

ce5.

01 C

hore

ogra

ph d

ance

mov

emen

t stu

dies

dem

onst

ratin

gth

e da

nce

styl

es o

f a s

elec

ted

ethn

ic c

ultu

re.

::Dan

te

5.02

Ana

lyze

the

role

of d

ance

betw

een

two

cultu

res

or ti

me

perio

ds b

y co

mpa

ring,

con

tras

ting,

and

sum

mar

izin

g to

mak

ein

form

ed d

ecis

ions

.

5.03

Ana

lyze

the

deve

lopm

ent o

fda

nce

from

the

Ren

aiss

ance

thro

ugh

Rom

antic

per

iods

focu

sing

on th

e pu

rpos

e of

dan

ce, d

ance

genr

es, a

rtis

tic c

onfli

cts

and

reso

lutio

ns, s

igni

fican

t con

trib

utor

san

d in

nova

tions

.

5.01

Cho

reog

raph

dan

ces

dem

onst

ratin

g th

e st

yle

of n

oted

twen

tieth

cen

tury

and

con

tem

pora

rych

oreo

grap

hers

.

5.02

Per

form

and

des

crib

e th

esi

mila

ritie

s an

d di

ffere

nces

bet

wee

n tw

oco

ntem

pora

ry fo

rms

of d

ance

or

two

chor

eogr

aphe

rs.

5.03

Eva

luat

e th

e de

velo

pmen

t of d

ance

durin

g th

e T

wen

tieth

Cen

tury

and

cont

empo

rary

era

s fo

cusi

ng o

n th

epu

rpos

e of

dan

ce, d

ance

gen

res

and

styl

es, a

rtis

tic c

onfli

cts

and

reso

lutio

ns,

sign

ifica

nt c

ontr

ibut

ors,

and

inno

vatio

ns.

S e

cial

To

ica

Dan

te .1

5.01

Rec

ogni

ze w

ays

that

dan

ce r

efle

cts

and

reco

rds

hist

ory.

5.02

Iden

tify

the

patte

rns,

rel

atio

nshi

ps, a

nd tr

ends

in th

e ro

le d

ance

play

s in

var

ious

cul

ture

s an

d di

scus

s ho

w a

esth

etic

judg

men

tsva

ry fr

omcu

lture

to c

ultu

re.

5.03

Res

earc

h th

e or

igin

s of

and

the

univ

ersa

l the

mes

of d

ance

.

S e

dial

..TO

5.01

Iden

tify

impo

rtan

t dan

ce in

nova

tions

in p

ast a

nd c

onte

mpo

rary

cul

ture

s.

5.02

Exa

min

e an

d de

scrib

e th

e ro

le o

f the

dan

cer

in s

ocie

ty a

s an

exp

ress

ive

artis

t, pe

rfor

mer

, par

ticip

ant,

crea

tor

of a

rtis

tic v

alue

s, a

nd c

ontr

ibut

or to

acco

mpl

ishm

ents

of c

ivili

zatio

n.

5.03

Iden

tify

and

dem

onst

rate

an

unde

rsta

ndin

g of

the

deve

lopm

ent o

f dan

cein

var

ious

cul

ture

s th

roug

hout

his

tory

focu

sing

on

the

purp

oses

of d

ance

,da

nce

genr

es, a

rtis

tic c

onfli

cts

and

reso

lutio

ns, s

igni

fican

t con

trib

utor

s, a

ndin

nova

tions

.

BE

ST C

OPY

AV

AIL

AB

LE

Sco

pe a

nd S

eque

nce:

Dan

ce K

-12

Goa

l 6: T

he le

arne

r w

ill m

ake

conn

ectio

ns b

etw

een

danc

e an

d he

alth

ful l

ivin

g.(N

atio

nal S

tand

ard

6)

irten

-fy,

':G

rade

6.01

Dem

onst

rate

sel

f-aw

aren

ess

thro

ugh

danc

e6.

01 D

emon

stra

te s

elf-

awar

enes

s th

roug

h da

nce

mov

emen

t act

iviti

es.

mov

emen

t act

iviti

es.

6.02

Iden

tify

that

dan

ce r

equi

res

conc

entr

atio

n.6.

02 D

emon

stra

te c

once

ntra

tion

and

focu

sdu

ring

danc

e m

ovem

ent a

ctiv

ities

.

6.03

Iden

tify

how

war

min

g-up

enh

ance

s th

eab

ility

to d

ance

.6.

03 Id

entif

y an

d de

scrib

e he

alth

y pr

actic

esin

clud

ing

the

impo

rtan

ce o

f war

m-u

ps to

enh

ance

the

abili

ty to

dan

ce.

6.01

Iden

tify

and

dem

onst

rate

saf

e pr

actic

esdu

ring

danc

e m

ovem

ent a

ctiv

ities

.

6.02

Dem

onst

rate

abi

lity

to s

elf-

mon

itor

conc

entr

atio

n an

d fo

cus

durin

g da

nce

mov

emen

tac

tiviti

es.

6.03

Exp

lain

hea

lthy

prac

tices

whi

ch e

nhan

ce t

the

abili

ty to

dan

ce in

clud

ing

the

impo

rtan

ce o

fw

arm

-ups

and

nut

ritio

n.

'3rd

Gra

de:

6.01

Dem

onst

rate

saf

e an

d re

spec

tful p

ract

ices

durin

g m

ovem

ent a

ctiv

ities

.

Gra

de

6.02

Iden

tify

at le

ast o

ne p

erso

nal g

oal t

oim

prov

e on

esel

f as

a da

ncer

.

6.01

Exp

lain

how

hea

lth a

nd s

afet

y pr

actic

esen

hanc

e a

danc

er's

abi

lity

to d

ance

.

6.02

Iden

tify

at le

ast t

hree

per

sona

l goa

ls to

impr

ove

ones

elf a

s a

danc

er.

,51

Gra

de6.

01 S

umm

ariz

e m

ultip

le e

xam

ples

of h

ealth

ypr

actic

es in

dan

ce.

6.02

Sel

ect a

nd m

onito

r a

pers

onal

goa

l to

impr

ove

ones

elf a

s a

danc

er.

Gra

de'.2

-,

.74P

. 'G

rade

8!"-

Gra

de6.

01 P

artic

ipat

e in

dan

ce m

ovem

ent a

ctiv

ities

that

exp

lore

cap

abili

ties

and

limita

tions

of t

hebo

dy.

6.01

Iden

tify

and

expl

ore

the

capa

bilit

ies

and

limita

tions

of t

he b

ody.

6.02

Dis

cuss

str

ateg

ies

to p

reve

nt d

ance

6.02

Iden

tify

and

expl

ore

stra

tegi

es to

pre

vent

inju

ries.

6.03

Sum

mar

ize

exam

ples

of h

ealth

y an

dun

heal

thy

prac

tices

in d

ance

.

6.04

Exp

lain

and

dem

onst

rate

how

war

m-u

pspr

epar

e th

e da

ncer

men

tally

and

phy

sica

lly fo

rm

ovem

ent.

danc

e in

jurie

s.

6.03

Iden

tify

the

effe

cts

of h

ealth

y an

d un

heal

thy

prac

tices

in d

ance

.

6.04

Cre

ate

an o

rigin

al w

arm

-up

that

pre

pare

sth

e da

ncer

men

tally

and

phy

sica

lly fo

r m

ovem

ent.

6.01

Iden

tify,

exp

lore

, and

exp

lain

the

capa

bilit

ies

and

limita

tions

of t

he b

ody.

6.02

Sum

mar

ize

stra

tegi

es to

pre

vent

dan

cein

jurie

s.

6.03

Ana

lyze

the

effe

cts

of h

ealth

y an

dun

heal

thy

prac

tices

in d

ance

.

6.04

Cre

ate

an o

rigin

al w

arm

-up

and

expl

ain

how

war

m-u

ps p

repa

re th

e da

ncer

men

tally

and

phys

ical

ly fo

r m

ovem

ent. D

ana(

) iv

6.01

Dem

onst

rate

cap

abili

ties

and

limita

tions

of t

he b

ody

thro

ugh

mov

emen

t exp

lora

tion.

6.01

Exe

cute

mov

emen

ts o

fva

rious

bod

y pa

rts

and

the

body

as

a w

hole

.

6.01

Mon

itor

and

reco

rd g

row

th in

pers

onal

bod

y aw

aren

ess

thro

ugh

danc

e.

BE

ST C

OPY

AV

A D

BL

E

6.01

Val

idat

e th

at d

ance

is a

way

of

heig

hten

ing

body

aw

aren

ess.

31

6.02

Iden

tify

and

disc

uss

func

tions

of m

uscl

e gr

oups

and

bon

est

ruct

ure

(fle

xion

, ext

ensi

on,

circ

umdu

ctio

n, r

otat

ion,

abd

uctio

n,ad

duct

ion,

and

hyp

erte

nsio

n).

6.03

Iden

tify

and

expl

ain

pers

onal

resp

onsi

bilit

ies

nece

ssar

y to

perf

orm

dan

ce.

6.04

Iden

tify

issu

es (

fact

,pr

opag

anda

, and

opi

nion

) af

fect

ing

the

heal

th a

nd c

are

of th

e da

nce

inst

rum

ent t

o m

ake

info

rmed

deci

sion

s.

6.02

Dem

onst

rate

und

erst

andi

ngof

bas

ic p

rinci

ples

of a

nato

my

and

kine

siol

ogy

whi

le p

erfo

rmin

gm

ovem

ent.

6.03

For

mul

ate

a pl

an fo

r m

eetin

gpe

rson

al g

oals

as

a da

ncer

by

outli

ning

logi

cal s

teps

and

orga

nizi

ng r

esou

rces

.

6.04

Res

earc

h ch

alle

nges

(fa

ct,

prop

agan

da, a

nd o

pini

on)

faci

ngpr

ofes

sion

al d

ance

rs in

mai

ntai

ning

hea

lthy

lifes

tyle

s.

6.02

Com

pare

and

con

tras

tfu

nctio

ns o

f mus

cle

grou

ps in

perf

orm

ing

danc

e m

ovem

ent.

6.03

Dem

onst

rate

per

sona

lco

mm

itmen

t and

dis

cipl

ine

nece

ssar

y to

ach

ieve

suc

cess

inm

eetin

g pe

rson

al g

oals

as

ada

ncer

.

6.04

Ana

lyze

his

toric

al a

ndcu

ltura

l im

ages

of t

he b

ody

inda

nce

by c

ompa

ring,

con

tras

ting,

and

sum

mar

izin

g th

e bo

dy im

age

in c

onte

mpo

rary

med

ia.

6.02

Cre

ate

a da

nce

dem

onst

ratio

nex

plai

ning

bas

ic p

rinci

ples

of a

nato

my

and

kine

siol

ogy.

6.03

Ass

ess

cons

eque

nces

of p

erso

nal

actio

ns, c

omm

itmen

t, an

d di

scip

line

nece

ssar

y to

con

sist

ently

ach

ieve

dan

cego

als.

6.04

Ass

ess

pers

onal

hea

lth a

nd fi

tnes

sas

a d

ance

r.

S e

cial

To

ics

Dan

ce I

6.01

Dem

onst

rate

cap

abili

ties

and

limita

tions

of t

he b

ody

thro

ugh

mov

emen

t exp

lora

tion.

6.02

Iden

tify

and

disc

uss

func

tions

of m

uscl

egr

oups

and

bon

est

ruct

ure.

6.03

Iden

tify

and

expl

ain

pers

onal

res

pons

ibili

ties

nece

ssar

y to

per

form

danc

e.

6.04

Iden

tify

issu

es (

fact

, pro

paga

nda,

and

opi

nion

) af

fect

ing

the

heal

than

d ca

re o

f the

dan

ce in

stru

men

t.

3a'

S e

Cia

l'TO

icS

Dan

cell.

6.01

Dem

onst

rate

and

exp

lore

mov

emen

ts o

f var

ious

bod

y pa

rts

and

the

body

as a

who

le.

6.02

Iden

tify

and

appl

y un

ders

tand

ing

of b

asic

prin

cipl

es o

f ana

tom

y an

dki

nesi

olog

y.

6.03

For

mul

ate

a pl

an b

y ou

tlini

ng lo

gica

l ste

ps a

nd o

rgan

izin

g re

sour

ces

for

mee

ting

pers

onal

goa

ls a

s a

danc

er.

6.04

Res

earc

h ch

alle

nges

(fa

ct, p

ropa

gand

a, a

nd o

pini

ons)

faci

ngpr

ofes

sion

al d

ance

rs in

mai

ntai

ning

hea

lthy

lifes

tyle

s.

BE

STC

OPY

AV

AIL

AB

LE

33

Sco

pe a

nd S

eque

nce:

Dan

ce K

-12

Goa

l 7: T

he le

arne

r w

ill m

ake

conn

ectio

ns b

etw

een

danc

e an

d ot

her

cont

ent a

reas

. (N

atio

nal S

tand

ard

7)

Kin

der.

a7.

01 Id

entif

y co

nnec

tions

bet

wee

n da

nce

and

one

othe

r co

nten

t are

a.

:19t

'Gra

de:.

7.02

Iden

tify

vario

us a

pplic

atio

ns o

f tec

hnol

ogy

in d

ance

.

7.01

Iden

tify

conn

ectio

ns b

etw

een

danc

e an

d at

leas

t tw

o ot

her

cont

ent a

reas

.

7.02

Iden

tify

and

expl

ore

vario

us a

pplic

atio

ns o

fte

chno

logy

in d

ance

,

2" G

rade

7.01

Exp

lain

con

nect

ions

bet

wee

n da

nce

and

atle

ast t

hree

oth

er c

onte

nt a

reas

.

7.02

Use

tech

nolo

gy a

s a

tool

for

crea

ting

and

expl

orin

g da

nce.

:3"1

Gra

det!'

Gra

de7.

01 In

vest

igat

e co

nnec

tions

bet

wee

n da

nce

and

othe

r co

nten

t are

as.

7.02

Use

tech

nolo

gy a

s a

tool

for

expl

orin

g an

dcr

eatin

g da

nce.

7.01

Iden

tify

conc

epts

whi

ch o

ccur

bet

wee

nda

nce

and

othe

r co

nten

t are

as in

clud

ing

Eng

lish

Lang

uage

Art

s, M

athe

mat

ics,

Sci

ence

, Soc

ial

Stu

dies

, Mus

ic, T

heat

re A

rts,

and

Vis

ual A

rts.

7.02

Cre

ate

a da

nce

sequ

ence

that

dem

onst

rate

s un

ders

tand

ing

of a

con

cept

or

idea

from

ano

ther

con

tent

are

a.

7.03

Res

pond

to a

dan

ce u

sing

ano

ther

art

form

;ex

plai

n th

e re

latio

nshi

p be

twee

n th

e da

nce

and

the

resp

onse

.

7.04

Use

tech

nolo

gy a

s a

tool

for

expl

orin

g an

dcr

eatin

g da

nce.

7.01

Sum

mar

ize

two

or m

ore

conc

epts

whi

choc

cur

acro

ss d

ance

and

mor

e th

an o

ne o

ther

cont

ent a

rea.

7.02

Cre

ate

a da

nce

proj

ect t

hat i

nteg

rate

sun

ders

tand

ing

of a

con

cept

or

idea

from

ano

ther

cont

ent a

rea

7.03

Res

pond

to d

ance

usi

ng a

noth

er a

rt fo

rm;

just

ify th

e re

latio

nshi

p be

twee

n th

e da

nce

and

the

resp

onse

.

7.04

Use

tech

nolo

gy a

s a

tool

for

expl

orin

g an

dcr

eatin

g da

nce.

-6m

Gra

de7.

01 C

reat

e da

nce

mov

emen

t seq

uenc

es u

sing

idea

s an

d co

ncep

ts fr

om o

ther

con

tent

are

asin

clud

ing

Eng

lish

Lang

uage

Art

s, M

athe

mat

ics,

Sci

ence

, and

Soc

ial S

tudi

es.

7.02

Cre

ate

a da

nce

mov

emen

t seq

uenc

ein

spire

d by

ano

ther

art

s ar

ea (

mus

ic, t

heat

re a

rts,

or v

isua

l art

s).

7.03

Iden

tify

conc

epts

use

d in

dan

ce a

nd o

ther

cont

ent a

reas

.

7u1.

Gra

de:'

7.01

Cre

ate

danc

e co

mpo

sitio

ns u

sing

idea

s an

dco

ncep

ts fr

om o

ther

con

tent

are

as in

clud

ing

Eng

lish

Lang

uage

Art

s, M

athe

mat

ics,

Sci

ence

,an

d S

ocia

l Stu

dies

.

7.02

Cre

ate

a da

nce

com

posi

tion

that

util

izes

vario

us a

rts

area

s (d

ance

, mus

ic, t

heat

re a

rts,

visu

al a

rts)

.

7.03

Inve

stig

ate

and

iden

tify

exam

ples

of

conc

epts

use

d in

dan

ce a

nd a

noth

er c

onte

ntar

ea.

8"! G

rade

7.01

Cre

ate

danc

e co

mpo

sitio

ns in

tegr

atin

gid

eas

and

conc

epts

from

oth

er c

onte

nt a

reas

incl

udin

g E

nglis

h La

ngua

ge A

rts,

Mat

hem

atic

s,S

cien

ce, a

nd S

ocia

l Stu

dies

.

7.02

Cre

ate

a da

nce

proj

ect t

hat i

nteg

rate

sva

rious

art

s ar

eas

(dan

ce, m

usic

, the

atre

art

s,vi

sual

art

s).

7.03

For

mul

ate

exam

ples

of c

once

pts

used

inda

nce

and

othe

r co

nten

t are

as.

BE

STC

OPY

AV

AIL

AB

LE

35

7.04

Use

tech

nolo

gy a

s a

tool

for

expl

orin

g an

dcr

eatin

g da

nce.

7.04

Use

tech

nolo

gy a

s a

tool

for

expl

orin

g an

d7.

04 U

se te

chno

logy

as

a to

ol fo

r ex

plor

ing

and

crea

ting

danc

e.cr

eatin

g da

nce.

Dan

Ce'

l,:7.

01 Id

entif

y, c

oncl

ude,

or

pred

ict

conn

ectio

ns b

etw

een

danc

e an

dot

her

cont

ent a

reas

by

appl

ying

crite

ria fo

r ev

alua

tion.

7.02

Use

tech

nolo

gy a

s a

tool

for

expl

orin

g an

d cr

eatin

g da

nce.

7.01

Iden

tify,

con

clud

e, o

r pr

edic

tco

mm

onal

ities

and

diff

eren

ces

betw

een

danc

e an

d ot

her

cont

ent

area

s w

ith r

egar

d to

fund

amen

tal

conc

epts

, mat

eria

ls, e

lem

ents

, and

way

s of

com

mun

icat

ing

mea

ning

.

7.02

Dem

onst

rate

the

use

of a

varie

ty o

f tec

hnol

ogy

to e

nhan

ceal

ter

the

mov

emen

t exp

erie

nce.

7.03

Mak

e pr

edic

tions

by

usin

gda

ta a

naly

sis

and

prob

abili

ty to

solv

e pr

oble

ms

rela

ted

to d

ance

.

Dan

ce II

ID

ariC

e IV

7.01

Cre

ate

an in

terd

isci

plin

ary

7.01

Exp

lain

how

wor

ks o

f art

in d

iffer

ent

proj

ect b

ased

on

a th

eme

incl

udin

gm

edia

from

the

sam

e cu

lture

or

time

danc

e an

d tw

o ot

her

cont

ent

perio

d ca

n re

flect

the

artis

tic, c

ultu

ral,

area

s.an

d hi

stor

ical

con

text

.

7.02

Dem

onst

rate

und

erst

andi

ngO

rof

mat

hem

atic

al c

once

pts

usin

gre

latio

nshi

ps a

mon

g fr

actio

ns,

deci

mal

s, o

r pe

rcen

ts th

roug

hcr

eatin

g da

nce

com

posi

tions

.

7.03

Cre

ate

an in

terd

isci

plin

ary

proj

ect u

sing

sel

ecte

d te

chno

logi

esan

d da

nce.

7.04

Com

pute

a b

udge

t for

ase

lect

ed d

ance

pro

duct

ion

byor

gani

zing

, est

imat

ing,

pre

dict

ing,

and

anal

yzin

g ex

pens

e an

dre

sour

ces

need

ed.

7.02

Pre

dict

and

eva

luat

e by

usi

ng d

ata

anal

ysis

and

pro

babi

lity

how

tech

nolo

gyca

n re

info

rce,

enh

ance

, or

alte

r th

eda

nce

conc

ept a

nd p

erfo

rman

ce.

7.03

Mak

e pr

edic

tions

by

usin

g da

taan

alys

is a

nd p

roba

bilit

y to

sol

vepr

oble

ms

rela

ting

to d

ance

and

sci

ence

.

7.04

Eva

luat

e th

e us

e of

mat

hem

atic

alco

ncep

ts a

nd r

elat

ions

hips

in c

reat

edda

nce

com

posi

tions

.

7.05

Com

pare

and

con

tras

t var

ious

liter

ary

form

s w

ith th

ose

of d

ance

.

S e

clat

toIC

*Dah

ce I

7.01

Iden

tify,

con

clud

e, o

r pr

edic

t con

nect

ions

bet

wee

n da

nce

and

othe

rco

nten

t are

as b

y ap

plyi

ng c

riter

ia fo

r ev

alua

tion.

7.02

Use

tech

nolo

gy a

s a

tool

for

expl

orin

g an

d cr

eatin

g da

nce.

S e

Cia

rto

ics

Dan

ce,1

17.

01 Id

entif

y, c

oncl

ude,

or

pred

ict c

omm

onal

ities

and

diff

eren

ces

betw

een

danc

e an

d ot

her

cont

ent a

reas

with

reg

ard

to fu

ndam

enta

l con

cept

s, m

ater

ials

,el

emen

ts, a

nd w

ays

of c

omm

unic

atin

g m

eani

ng.

7.02

Use

a v

arie

ty o

f tec

hnol

ogy

to e

nhan

ce o

r al

ter

the

mov

emen

tex

perie

nce.

BE

ST C

OPY

AV

AL

AL

E37

Sco

pe a

nd S

eque

nce:

Dan

ce K

-12

Goa

l 8: T

he le

arne

r w

ill u

nder

stan

d da

nce

as a

n ar

t for

m w

ith a

ran

ge o

f opp

ortu

nitie

s fo

r in

volv

emen

t.

Attl

ilerg

arte

n.8.

01 S

how

res

pect

and

app

reci

atio

n fo

r th

eda

nce

mov

emen

t effo

rts

of o

ther

s.

1G

rade

8.01

Des

crib

e an

d sh

ow r

espe

ctfu

l beh

avio

rsto

war

d ot

hers

in d

ance

mov

emen

t exp

erie

nces

.

8.02

Dem

onst

rate

way

s th

at o

ne c

an b

e in

volv

ed8.

02 Id

entif

y th

e ro

le o

f an

audi

ence

mem

ber

thro

ugh

danc

e as

a p

erfo

rmer

and

as

anw

hen

crea

ting

or p

erfo

rmin

g da

nce

mov

emen

t.au

dien

ce m

embe

r.

8.03

Iden

tify

and

dem

onst

rate

app

ropr

iate

beha

vior

whe

n cr

eatin

g, p

erfo

rmin

g, o

r vi

ewin

gda

nce

mov

emen

t.

ed G

rade

8.01

Sho

w r

espe

ct a

nd a

ppre

ciat

ion

for

the

danc

e m

ovem

ent e

ffort

s of

oth

ers.

8.02

Iden

tify

the

role

s of

aud

ienc

e m

embe

rs a

ndpe

rfor

mer

s w

hen

view

ing

danc

e.

8.03

Iden

tify

and

dem

onst

rate

app

ropr

iate

beha

vior

whe

n cr

eatin

g, p

erfo

rmin

g, o

r vi

ewin

gda

nce.

7:3r

'c!'G

rade

"4t

h G

rade

-5t

h G

rade

8.01

Def

ine

the

role

of a

n au

dien

ce a

ndpe

rfor

mer

in d

ance

.

8.02

Def

ine

and

dem

onst

rate

app

ropr

iate

beha

vior

s w

hile

wat

chin

g, c

reat

ing,

or

perf

orm

ing

danc

e.

8.03

Iden

tify

and

expl

ore

vario

us o

ppor

tuni

ties

for

invo

lvem

ent w

ith d

ance

.

6`1,

' qra

de

8.01

Def

ine

the

role

of a

n au

dien

ce a

ndpe

rfor

mer

in d

ance

.

8.02

Iden

tify

and

expl

ore

vario

us o

ppor

tuni

ties

for

invo

lvem

ent w

ith d

ance

.

8.01

Def

ine

and

expl

ain

the

role

of a

n au

dien

cean

d pe

rfor

mer

in d

ance

.

8.02

Iden

tify

and

expl

ore

vario

us o

ppor

tuni

ties

for

invo

lvem

ent w

ith d

ance

.

7 ,,,

,,Qta

de;

tat"

"G

rade

8.01

Def

ine

the

role

of a

n au

dien

ce a

ndpe

rfor

mer

in d

ance

.

8.02

Dem

onst

rate

app

ropr

iate

beh

avio

rs w

hile

wat

chin

g, c

reat

ing,

and

per

form

ing

danc

e.

8.03

Iden

tify

and

expl

ore

vario

us d

ance

-rel

ated

prof

essi

ons

incl

udin

g th

ose

of d

ance

r an

dch

oreo

grap

her.

8.01

Def

ine

the

role

of a

n au

dien

ce a

ndpe

rfor

mer

in d

ance

.8.

01 D

efin

e th

e ro

le o

f an

audi

ence

and

perf

orm

er in

dan

ce.

8.02

Dem

onst

rate

app

ropr

iate

beh

avio

rs w

hile

8.02

Dem

onst

rate

app

ropr

iate

beh

avio

rs w

hile

wat

chin

g, c

reat

ing,

and

per

form

ing

danc

e.w

atch

ing,

cre

atin

g, a

nd p

erfo

rmin

g da

nce.

8.03

Iden

tify

and

expl

ore

vario

us d

ance

-rel

ated

prof

essi

ons

incl

udin

g th

ose

of c

ostu

mer

, lig

htin

gde

sign

er, a

nd c

ompo

ser.

8.03

Iden

tify

and

expl

ore

vario

us d

ance

rel

ated

prof

essi

ons

incl

udin

g th

ose

of d

ance

crit

ic, d

ance

educ

ator

, and

dan

ce n

otat

or.

Dat

iCe,

8.01

Dem

onst

rate

app

ropr

iate

audi

ence

etiq

uette

usi

ng g

ood

liste

ning

ski

lls, a

ttent

ive

beha

vior

,an

d re

spec

t for

the

audi

ence

and

perf

orm

ers.

33,

Dan

cell

".D

ante

:111

8.01

Iden

tify

and

dem

onst

rate

unde

rsta

ndin

g of

the

role

of a

nau

dien

ce in

dan

ce.

8.01

Dem

onst

rate

the

cons

iste

ntus

e of

con

cent

ratio

n an

d fo

cus

aspa

rt o

f the

rol

e of

a p

erfo

rmer

of

danc

e.

Dal

ite:IV

8.01

Writ

e a

criti

que

of li

ve d

ance

view

ed a

s an

aud

ienc

e m

embe

r.

BE

ST C

OPY

AV

A1L

AB

LE

39

8.02

Dem

onst

rate

und

erst

andi

ngof

con

cent

ratio

n an

d fo

cus

as p

art

of th

e ro

le o

f a p

erfo

rmer

of d

ance

.

8.03

Iden

tify

care

er r

elat

ed to

danc

e in

con

tem

pora

ry s

ocie

ty.

8.04

Det

erm

ine

the

econ

omic

chal

leng

es fa

cing

pro

fess

iona

lda

nce

com

pani

es in

Am

eric

a an

dot

her

coun

trie

s.

8.05

Dem

onst

rate

per

sona

lpr

ogre

ss th

roug

h th

e cr

eatio

n an

dus

e of

a d

ance

por

tfolio

con

tain

ing

writ

ten

and/

or v

isua

l sam

ples

of

stud

ent w

ork.

8.02

Dem

onst

rate

the

use

ofco

ncen

trat

ion

and

focu

s as

par

t of

the

role

of a

per

form

er o

f dan

ce.

8.03

Iden

tify

danc

e as

a v

ocat

ion

and

prof

essi

on a

nd r

elat

e th

edi

scip

line

of d

ance

to o

ther

aspe

cts

of li

fe.

8.04

Dem

onst

rate

per

sona

lpr

ogre

ss th

roug

h th

e cr

eatio

n an

dus

e of

a d

ance

por

tfolio

con

tain

ing

writ

ten

and/

or v

isua

l sam

ples

of

stud

ent w

ork.

8.02

Res

earc

h an

d ex

plai

nop

port

uniti

es fo

r in

volv

emen

t in

danc

e us

ing

mai

n id

eas

and

supp

ortin

g de

tails

.

8.03

Ana

lyze

per

sona

l pro

gres

sth

roug

h th

e cr

eatio

n an

d us

e of

ada

nce

port

folio

of w

ritte

n an

d/or

visu

al s

ampl

es o

f stu

dent

wor

k.

8.02

Dem

onst

rate

the

use

ofco

ncen

trat

ion

and

focu

s w

ith a

hig

h le

vel

of c

onsi

sten

cy a

nd r

elia

bilit

y as

par

t of

the

role

of a

per

form

er o

f dan

ce.

8.03

Ass

ess

the

role

of d

ance

in s

ocie

tyas

an

expr

essi

ve a

rt fo

rm, e

nter

tain

men

t,co

nvey

or o

f art

istic

val

ues,

and

cont

ribut

or to

the

acco

mpl

ishm

ents

of

civi

lizat

ion.

8.04

Inte

rpre

t inf

orm

atio

n ab

out t

heU

nite

d S

tate

s an

d w

orld

eco

nom

icsy

stem

s as

they

rel

ate

to th

e ar

tsin

dust

ry.

8.05

Crit

ique

and

eva

luat

e pe

rson

alpr

ogre

ss th

roug

h th

e cr

eatio

n an

d us

e of

a da

nce

port

folio

of w

ritte

n an

d/or

vis

ual

sam

ples

of s

tude

nt w

ork.

8.06

Writ

e a

criti

que

of li

ve d

ance

view

ed a

s an

aud

ienc

e m

embe

r.

eCia

l-To

ic6

Dan

ce I

8.01

Dem

onst

rate

app

ropr

iate

aud

ienc

e et

ique

tte u

sing

goo

d lis

teni

ngsk

ills,

atte

ntiv

e be

havi

or, a

nd r

espe

ct fo

r th

e au

dien

ce a

nd p

erfo

rmer

s.

8.02

Dem

onst

rate

con

cent

ratio

n an

d fo

cus

as p

art o

f the

rol

e of

ape

rfor

mer

of d

ance

.

8.03

Iden

tify

care

ers

rela

ted

to d

ance

in c

onte

mpo

rary

soc

iety

.

8.04

Dem

onst

rate

per

sona

l pro

gres

s th

roug

h th

e cr

eatio

n an

d us

e of

apo

rtfo

lio o

f writ

ten

and/

or v

isua

l sam

ples

of s

tude

nt w

ork.

40

S e

cial

TO

los

Dan

ce-I

I8.

01 D

emon

stra

te a

ppro

pria

te a

udie

nce

etiq

uette

usi

ng g

ood

liste

ning

ski

lls,

atte

ntiv

e be

havi

or, a

nd r

espe

ct fo

r th

e au

dien

ce a

nd p

erfo

rmer

s.

8.02

Dem

onst

rate

con

cent

ratio

n an

d fo

cus

as p

art o

f the

rol

e of

a p

erfo

rmer

of

danc

e.

8.03

Iden

tify

danc

e as

a v

ocat

ion

and

prof

essi

on a

nd r

elat

e th

e di

scip

line

ofda

nce

to o

ther

asp

ects

of l

ife.

8.04

Eva

luat

e pe

rson

al p

rogr

ess

thro

ugh

the

crea

tion

and

use

of a

por

tfolio

of

writ

ten

and/

or v

isua

l sam

ples

of s

tude

nt w

ork.

BE

ST C

OPY

AV

AIL

AB

LE

41

Art

s E

duca

tion

Stan

dard

Cou

rse

of S

tudy

and

Gra

de L

evel

Com

pete

ncie

s, K

-12

2000

SCO

PE A

ND

SEQ

UE

NC

E

For

MU

SIC

4243

Sco

pe a

nd S

eque

nce:

Mus

ic K

-12

Goa

l 1: T

he le

arne

r w

ill s

ing,

alo

ne a

nd w

ith o

ther

s,a

varie

d re

pert

oire

of m

usic

. (N

atio

nal S

tand

ard

1)

Kin

der

s ai

leti

1ra

de2

"tl G

rade

1.01

Rec

ogni

ze a

nd d

emon

stra

te th

e di

ffere

nce

betw

een

spea

king

and

sin

ging

voi

ces.

1.02

Mat

ch p

itch

with

in a

dev

elop

men

tally

appr

opria

te r

ange

.

1.03

Sin

g w

ith c

orre

ct p

ostu

re.

1.04

Res

pond

to th

e cu

es o

f a c

ondu

ctor

.

1.05

Sin

g a

varie

ty o

f mus

ic.

1.06

Sho

w r

espe

ct fo

r th

e si

ngin

g ef

fort

s of

othe

rs.

1.01

Rec

ogni

ze a

nd d

emon

stra

te th

e di

ffere

nce

betw

een

spea

king

and

sin

ging

voi

ces.

1.02

Mat

ch p

itch

with

in a

appr

opria

te r

ange

, usi

ng h

ead

tone

s.

1.03

Sin

g w

ith c

orre

ct p

ostu

re.

1.04

Res

pond

to th

e cu

es o

f a c

ondu

ctor

.

1.05

Sin

g a

varie

ty o

f mus

ic r

epre

sent

ing

dive

rse

genr

es, s

tyle

s, a

nd c

ultu

res.

1.06

Sho

w r

espe

ct fo

r th

e si

ngin

g ef

fort

s of

othe

rs.

1.01

Sin

g ph

rase

s or

sim

ple

song

s w

ithin

crea

sed

pitc

h ac

cura

cy.

1.02

Mat

ch p

itch

with

in a

dev

elop

men

tally

appr

opria

te v

ocal

ran

ge, u

sing

hea

d to

nes.

1.03

Sin

g ph

rase

s or

sim

ple

song

s w

ithin

crea

sed

rhyt

hmic

acc

urac

y.

1.04

Res

pond

to th

e cu

es o

f a c

ondu

ctor

.

1.05

Sin

g w

ith p

rope

r vo

cal t

echn

ique

usi

nghe

ad to

nes,

cle

ar d

ictio

n, a

nd c

orre

ct p

ostu

re.

1.06

Sin

g ex

pres

sive

ly w

ith a

ppro

pria

tedy

nam

ics

and

phra

sing

.

1.07

Sin

g a

varie

ty o

f mus

ic r

epre

sent

ing

dive

rse

genr

es, s

tyle

s, a

nd c

ultu

res.

1.08

Sho

w r

espe

ct fo

r th

e si

ngin

g ef

fort

s of

othe

rs.

3T07

471.

01 S

ing

sim

ple

song

s w

ith in

crea

sed

pitc

hac

cura

cy.

1.02

Mat

ch p

itch

with

in a

dev

elop

men

tally

appr

opria

te v

ocal

ran

ge, u

sing

hea

d to

nes.

1.03

Sin

g si

mpl

e so

ngs

with

incr

ease

d rh

ythm

icac

cura

cy.

1.04

Sin

g w

ith p

rope

r vo

cal t

echn

ique

incl

udin

ghe

ad to

nes,

cle

ar d

ictio

n, a

nd c

orre

ct p

ostu

re.

1.05

Res

pond

to th

e cu

es o

f a c

ondu

ctor

.

44

'Gta

de1.

01 S

ing

with

pitc

h ac

cura

cy.

1.02

Mat

ch p

itch

with

in a

dev

elop

men

tally

appr

opria

te v

ocal

ran

ge, u

sing

hea

d to

nes.

1.03

Sin

g w

ith r

hyth

mic

acc

urac

y.

1.04

Sin

g w

ith p

rope

r vo

cal t

echn

ique

incl

udin

gpu

re h

ead

tone

, cle

ar d

ictio

n, a

nd c

orre

ctpo

stur

e.

1.05

Res

pond

to th

e cu

es o

f a c

ondu

ctor

.

BE

ST C

OPY

AV

AIL

AB

LE

Gra

de1.

01 S

ing

with

pitc

h an

d rh

ythm

ic a

ccur

acy.

1.02

Mat

ch p

itch

with

in a

dev

elop

men

tally

appr

opria

te v

ocal

ran

ge, u

sing

hea

d to

nes.

1.03

Dem

onst

rate

the

prop

er u

se o

f bre

ath

cont

rol w

hile

sin

ging

a p

hras

e or

sim

ple

song

.

1.04

Res

pond

to th

e cu

es o

f a c

ondu

ctor

.

1.05

Sin

g w

ith p

rope

r vo

cal t

echn

ique

incl

udin

ghe

ad to

nes,

cle

ar d

ictio

n, a

nd c

orre

ct p

ostu

re.

1.06

Sin

g ex

pres

sive

ly w

ith a

ppro

pria

tedy

nam

ics

and

phra

sing

.

1.07

Dem

onst

rate

beg

inni

ng p

art-

sing

ing

skill

sth

roug

h pe

rfor

min

g ro

unds

and

sim

ple

ostin

ati.

1.08

Sin

g a

varie

ty o

f mus

ic r

epre

sent

ing

dive

rse

genr

es, s

tyle

s, a

nd c

ultu

res.

1.09

Sho

w r

espe

ct fo

r th

e si

ngin

g ef

fort

s of

othe

rs.

1.06

Sin

g ex

pres

sive

ly w

ith a

ppro

pria

tedy

nam

ics,

phr

asin

g, a

nd in

terp

reta

tion.

1.07

Ble

nd v

ocal

tim

bres

and

mat

ch d

ynam

icle

vels

whi

le s

ingi

ng in

a g

roup

.

1.08

Dem

onst

rate

par

t-si

ngin

g sk

ills

thro

ugh

sing

ing

ostin

atos

, par

tner

son

gs, a

nd r

ound

s.

1.09

Sin

g m

usic

rep

rese

ntin

g di

vers

e st

yles

,ge

nres

, and

cul

ture

s.

1.10

Sho

w r

espe

ct fo

r th

e si

ngin

g ef

fort

s of

othe

rs.

1.06

Sin

g ex

pres

sive

ly w

ith a

ppro

pria

tedy

nam

ics,

phr

asin

g, a

nd in

terp

reta

tion.

1.07

Dem

onst

rate

par

t-si

ngin

g sk

ills

thro

ugh

sing

ing

ostin

ati,

part

ner

song

s, r

ound

s, a

ndco

unte

rmel

odie

s.

1.08

Ble

nd v

ocal

tim

bres

and

mat

ch d

ynam

ics

whi

le s

ingi

ng in

a g

roup

.

1.09

Sin

g m

usic

rep

rese

ntin

g di

vers

e st

yles

,ge

nres

, and

cul

ture

s.

1.10

Sho

w r

espe

ct fo

r th

e si

ngin

g ef

fort

s of

othe

rs.

6`"

Gra

de.7

:m W

ade

8th

Gra

de1.

01 S

ing

with

pitc

h an

d rh

ythm

ic a

ccur

acy

and

prop

er b

reat

h co

ntro

l, in

an

appr

opria

te r

ange

.

1.02

Res

pond

to th

e cu

es o

f a c

ondu

ctor

.

1.03

Sin

g m

usic

of a

ppro

pria

te v

oici

ng, w

ithex

pres

sion

and

tech

nica

l acc

urac

y.

1.04

Sin

g m

usic

rep

rese

ntin

g di

vers

e st

yles

,ge

nres

, and

cul

ture

s.

1.05

Sho

w r

espe

ct fo

r th

e si

ngin

g ef

fort

s of

othe

rs.

Add

ition

ally

, for

stu

dent

s pa

rtic

ipat

ing

in c

hora

lcl

asse

s:

1.06

Cre

ate

harm

ony

by s

ingi

ng 2

-par

t son

gs,

part

ner

song

s, a

nd r

ound

s.

1.07

Sin

g m

usic

writ

ten

in e

asy

keys

, met

ers,

and

rhyt

hms

in li

mite

d ra

nges

.

1.01

Sin

g co

nsis

tent

ly o

n pi

tch,

with

acc

urat

erh

ythm

and

pro

per

brea

th c

ontr

ol, i

n an

appr

opria

te r

ange

.

1.02

Res

pond

to th

e cu

es o

f a c

ondu

ctor

.

1.03

Sin

g m

usic

of a

ppro

pria

te v

oici

ng,

with

exp

ress

ion

and

tech

nica

l acc

urac

y.

1.04

Sin

g m

usic

rep

rese

ntin

g di

vers

e st

yles

,ge

nres

, and

cul

ture

s.

1.05

Sho

w r

espe

ct fo

r th

e si

ngin

g ef

fort

s of

othe

rs.

Add

ition

ally

, for

stu

dent

s pa

rtic

ipat

ing

in c

hora

lcl

asse

s:

1.06

Sin

g m

usic

writ

ten

in tw

o an

d th

ree

part

s.

1.07

Sin

g m

usic

writ

ten

in a

var

iety

of k

eys,

met

ers,

and

rhy

thm

s, in

lim

ited

rang

es.

1.01

Sin

g co

nsis

tent

ly o

n pi

tch,

with

acc

urat

erh

ythm

and

pro

per

brea

th c

ontr

ol, i

n an

appr

opria

te r

ange

.

1.02

Res

pond

to th

e cu

es o

f a c

ondu

ctor

.

1.03

Sin

g m

usic

of a

ppro

pria

te v

oici

ng, w

ithex

pres

sion

and

tech

nica

l acc

urac

y.

1.04

Sin

g m

usic

rep

rese

ntin

g di

vers

e st

yles

,ge

nres

, and

cul

ture

s.

1.05

Sho

w r

espe

ct fo

r th

e si

ngin

g ef

fort

s of

othe

rs.

Add

ition

ally

, for

stu

dent

s pa

rtic

ipat

ing

in c

hora

lcl

asse

s:

1.06

Sin

g m

usic

writ

ten

in tw

o an

d th

ree

part

s.

1.07

Sin

g m

usic

writ

ten

in m

odes

t ran

ges

whi

chm

ay in

clud

e ch

ange

s of

tem

po, k

ey, a

nd m

eter

.

Voc

al M

usic

I1.

01 D

emon

stra

te c

orre

ct v

ocal

prac

tices

.

46

Voc

al M

Usi

t II

Mus

it III

1.01

Sin

g w

ith in

crea

sed

tech

nica

l1.

01 S

ing

voca

l lite

ratu

re o

f an

accu

racy

.ap

prop

riate

and

incr

easi

ngly

diffi

cult

leve

l, w

ith e

xpre

ssio

n an

dte

chni

cal a

ccur

acy.

BE

ST C

OPY

AV

AIL

AB

LE

Voc

al M

usic

'IV1.

01 S

ing

voca

l lite

ratu

re o

f an

appr

opria

te a

nd in

crea

sing

ly d

iffic

ult l

evel

,w

ith e

xpre

ssio

n an

d te

chni

cal a

ccur

acy.

47

1.02

Sin

g ea

sy v

ocal

lite

ratu

rew

hich

may

incl

ude

chan

ges

inte

mpo

, key

, and

met

er, w

ritte

n in

mod

est r

ange

s.

1.03

Sin

g vo

cal l

itera

ture

repr

esen

ting

dive

rse

genr

es,

styl

es, a

nd c

ultu

res.

1.04

Sho

w r

espe

ct fo

r th

e si

ngin

gef

fort

s of

oth

ers.

1.02

Sin

g in

crea

sing

ly d

iffic

ult

voca

l lite

ratu

re w

hich

con

tain

sm

oder

ate

tech

nica

l dem

ands

,ex

pand

ed r

ange

s, a

nd v

arie

din

terp

retiv

e re

quire

men

ts.

1.03

Sin

g vo

cal l

itera

ture

repr

esen

ting

dive

rse

genr

es,

styl

es, a

nd c

ultu

res.

1.04

Sho

w r

espe

ct fo

r th

e si

ngin

gef

fort

s of

oth

ers.

1.02

Sin

g m

oder

atel

y di

fficu

ltvo

cal l

itera

ture

whi

ch r

equi

res

wel

l-de

velo

ped

tech

nica

l ski

lls,

atte

ntio

n to

phr

asin

g an

din

terp

reta

tion,

and

the

abili

ty to

perf

orm

var

ious

met

ers

and

rhyt

hms

in a

var

iety

of k

eys.

1.03

Sin

g vo

cal l

itera

ture

repr

esen

ting

dive

rse

genr

es,

styl

es, a

nd c

ultu

res.

1.04

Sho

w r

espe

ct fo

r th

e si

ngin

gef

fort

s of

oth

ers.

1.02

Sin

g di

fficu

lt vo

cal l

itera

ture

whi

chre

quire

s ad

vanc

ed te

chni

cal a

ndin

terp

retiv

e sk

ills,

abi

lity

to p

erfo

rmva

rious

met

ers,

key

s, u

nusu

al m

eter

s,co

mpl

ex r

hyth

ms,

and

sub

tle d

ynam

icre

quire

men

ts.

1.03

Sin

g vo

cal l

itera

ture

rep

rese

ntin

gdi

vers

e ge

nres

, sty

les,

and

cul

ture

s.

1.04

Sho

w r

espe

ct fo

r th

e si

ngin

g ef

fort

sof

oth

ers.

InS

triim

enta

lMia

siC

:In

stru

men

tal M

usic

',In

stru

men

tal M

usic

Ill

Inst

rum

enta

l Mus

icIV

1.01

Sin

g se

lect

ed in

stru

men

tal

part

s.

1.02

Use

sin

ging

to s

uppo

rtin

stru

men

tal s

tudy

.

1.03

Sho

w r

espe

ct fo

r th

e si

ngin

gef

fort

s of

oth

ers.

1.01

Sin

g se

lect

ed in

stru

men

tal

part

s.

1.02

Use

sin

ging

to s

uppo

rtin

stru

men

tal s

tudy

.

1.03

Sho

w r

espe

ct fo

r th

e si

ngin

gef

fort

s of

oth

ers.

1.01

Sin

g se

lect

ed in

stru

men

tal

part

s.

1.02

Use

sin

ging

to s

uppo

rtin

stru

men

tal s

tudy

.

1.03

Sho

w r

espe

ct fo

r th

e si

ngin

gef

fort

s of

oth

ers.

1.01

Sin

g se

lect

ed in

stru

men

tal p

arts

.

1.02

Use

sin

ging

to s

uppo

rt in

stru

men

tal

stud

y.

1.03

Sho

w r

espe

ct fo

r th

e si

ngin

g ef

fort

sof

oth

ers.

1.01

Sin

g w

ith in

crea

sed

voca

l pro

ficie

ncy.

1.02

Sin

g se

lect

ed in

stru

men

tal p

arts

.

1.03

Sin

g a

varie

d re

pert

oire

of m

usic

.

1.04

Sho

w r

espe

ct fo

r th

e si

ngin

g ef

fort

s of

oth

ers.

43

Get

iera

l Mim

ic/A

K:M

O E

letti

e:

EST

CO

PY A

VA

ILA

BL

E49

Sco

pe a

nd S

eque

nce:

Mus

ic K

-12

Goa

l 2: T

he le

arne

r w

ill p

lay

on in

stru

men

ts, a

lone

and

with

oth

ers,

a va

ried

repe

rtoi

re o

f mus

ic. (

Nat

iona

l Sta

ndar

d 2)

Kin

derg

arte

nls

Gra

de2

Gra

de-

2.01

Rec

ogni

ze a

nd p

lay

pitc

hed

and

unpi

tche

din

stru

men

ts.

2.02

Ech

o si

mpl

e rh

ythm

ic p

atte

rns.

2.03

Pla

y w

ith a

ppro

pria

te te

chni

que

and

post

ure.

2.04

Dem

onst

rate

a s

tead

y be

at.

2.05

Res

pond

to th

e cu

es o

f a c

ondu

ctor

.

2.06

Pla

y a

varie

d re

pert

oire

of m

usic

.

2.07

Sho

w r

espe

ct fo

r th

e in

stru

men

tal p

layi

ngef

fort

s of

oth

ers.

2.01

Rec

ogni

ze a

nd p

lay

pitc

hed

and

unpi

tche

din

stru

men

ts.

2.02

Pla

y w

ith in

crea

sed

rhyt

hmic

acc

urac

y.

2.03

Pla

y w

ith a

ppro

pria

te te

chni

que

and

post

ure.

2.04

Dem

onst

rate

and

mai

ntai

n a

stea

dy b

eat.

2.05

Res

pond

to th

e cu

es o

f a c

ondu

ctor

.

2.06

Pla

y a

varie

d re

pert

oire

of m

usic

.

2.07

Sho

w r

espe

ct fo

r th

e in

stru

men

tal p

layi

ngef

fort

s of

oth

ers.

2.01

Pla

y w

ith in

crea

sed

pitc

h ac

cura

cy.

2.02

Pla

y w

ith in

crea

sed

rhyt

hmic

acc

urac

y.

2.03

Pla

y w

ith a

ppro

pria

te p

ostu

re a

nd in

crea

sed

tech

nica

l acc

urac

y.

2.04

Pla

y ex

pres

sive

ly w

ith a

ppro

pria

tedy

nam

ics.

2.05

Pla

y in

stru

men

tal p

arts

whi

le o

ther

s si

ngan

d/or

pla

y rh

ythm

ic, m

elod

ic, o

r ha

rmon

ic p

arts

.

2.06

Res

pond

to th

e cu

es o

f a c

ondu

ctor

.

2.07

Pla

y m

usic

rep

rese

ntin

g di

vers

e st

yles

,ge

nres

, and

cul

ture

s.

2.08

Sho

w r

espe

ct fo

r th

e in

stru

men

tal p

layi

ngef

fort

s of

oth

ers.

Gra

de2.

01 P

lay

with

incr

ease

d pi

tch

accu

racy

.

2.02

Pla

y w

ith in

crea

sed

rhyt

hmic

acc

urac

y.

2.03

Pla

y w

ith a

ppro

pria

te te

chni

que

and

post

ure.

2.04

Pla

y ex

pres

sive

ly u

sing

app

ropr

iate

dyna

mic

s.

2.05

Pla

y in

depe

nden

t ins

trum

enta

l par

ts w

hile

othe

rs s

ing

and/

or p

lay

rhyt

hmic

, mel

odic

, or

harm

onic

par

ts.

or

2.01

Pla

y w

ith p

itch

accu

racy

.

2.02

Pla

y w

ith r

hyth

mic

acc

urac

y.

2.03

Pla

y w

ith a

ppro

pria

te te

chni

que

and

post

ure.

2.04

Pla

y ex

pres

sive

ly u

sing

app

ropr

iate

dyna

mic

s, p

hras

ing,

and

inte

rpre

tatio

n.

2.05

Pla

y in

depe

nden

t ins

trum

enta

l par

ts w

hile

othe

rs s

ing

and/

or p

lay

rhyt

hmic

, mel

odic

, or

harm

onic

par

ts.

2.01

Pla

y w

ith p

itch

and

rhyt

hmic

acc

urac

y.

2.02

Pla

y w

ith a

ppro

pria

te te

chni

que

and

post

ure.

2.03

Pla

y ex

pres

sive

ly u

sing

app

ropr

iate

dyna

mic

s, p

hras

ing,

and

inte

rpre

tatio

n.

2.04

Pla

y in

depe

nden

t ins

trum

enta

l par

ts w

hile

othe

rs s

ing

and/

or p

lay

rhyt

hmic

, mel

odic

, or

harm

onic

par

ts.

2.05

Res

pond

to th

e cu

es o

f a c

ondu

ctor

.

BE

ST C

OPY

AV

AIL

AB

LE

s

2.06

Res

pond

to th

e cu

es o

f a c

ondu

ctor

.2.

06 R

espo

nd to

the

cues

of a

con

duct

or.

2.07

Pla

y m

usic

rep

rese

ntin

g di

vers

e st

yles

,ge

nres

, and

cul

ture

s.

2.08

Sho

w r

espe

ct fo

r th

e pl

ayin

g ef

fort

s of

othe

rs.

2.07

Pla

y m

usic

rep

rese

ntin

g di

vers

e st

yles

,ge

nres

, and

cul

ture

s.

2.08

Sho

w r

espe

ct fo

r th

e pl

ayin

g ef

fort

s of

othe

rs.

2.06

Pla

y m

usic

rep

rese

ntin

g di

vers

e st

yles

,ge

nres

, and

cul

ture

s.

2.07

Sho

w r

espe

ct fo

r th

e in

stru

men

tal p

layi

ngef

fort

s of

oth

ers.

6th

Gra

de2.

01 P

lay

at le

ast o

ne in

stru

men

t with

appr

opria

te p

ostu

re, p

layi

ng p

ositi

on, a

ndte

chni

que.

2.02

Res

pond

to th

e cu

es o

f a c

ondu

ctor

.

2.03

Pla

y m

usic

rep

rese

ntin

g di

vers

e st

yles

,ge

nres

, and

cul

ture

s.

7th

Gra

de2.

01 P

lay

at le

ast o

ne in

stru

men

t with

appr

opria

te p

ostu

re, p

layi

ng p

ositi

on, a

ndte

chni

que.

2.02

Res

pond

to th

e cu

es o

f a c

ondu

ctor

.

Een

Gra

de2.

01 P

lay

at le

ast o

ne in

stru

men

t with

appr

opria

te p

ostu

re, p

layi

ng p

ositi

on, a

ndte

chni

que.

2.02

Res

pond

to th

e cu

es o

f a c

ondu

ctor

.

2.03

Pla

y m

usic

rep

rese

ntin

g di

vers

e st

yles

,2.

03 P

lay

mus

ic r

epre

sent

ing

dive

rse

styl

es,

genr

es, a

nd c

ultu

res.

genr

es, a

nd c

ultu

res.

2.04

Sho

w r

espe

ct fo

r th

e in

stru

men

tal p

layi

ng2.

04 P

lay

by e

ar s

impl

e m

elod

ies.

2.04

Pla

y by

ear

sim

ple

mel

odie

s an

def

fort

s of

oth

ers.

acco

mpa

nim

ents

.

Add

ition

ally

, for

stu

dent

s pa

rtic

ipat

ing

inin

stru

men

tal c

lass

es:

2.05

Pla

y on

at l

east

one

inst

rum

ent,

mus

ic a

tan

app

ropr

iate

and

incr

easi

ngly

diff

icul

t lev

el, w

ithex

pres

sive

ness

and

tech

nica

l acc

urac

y.

2.05

Sho

w r

espe

ct fo

r th

e in

stru

men

tal p

layi

ng2.

05 S

how

res

pect

for

the

inst

rum

enta

l pla

ying

effo

rts

of o

ther

s.ef

fort

s of

oth

ers.

2.06

Pla

y m

usic

writ

ten

in e

asy

keys

, met

ers,

Add

ition

ally

, for

stu

dent

s pa

rtic

ipat

ing

inA

dditi

onal

ly, f

or s

tude

nts

part

icip

atin

g in

and

rhyt

hms

in li

mite

d ra

nges

.in

stru

men

tal c

lass

es:

2.06

Pla

y on

at l

east

one

inst

rum

ent,

mus

ic a

t an

appr

opria

te a

nd in

crea

sing

ly d

iffic

ult l

evel

, with

expr

essi

on a

nd te

chni

cal a

ccur

acy.

inst

rum

enta

l mus

ic c

lass

es:

2.06

Pla

y on

at l

east

one

inst

rum

ent,

mus

ic a

t an

appr

opria

te a

nd in

crea

sing

ly d

iffic

ult l

evel

, with

expr

essi

vene

ss a

nd te

chni

cal a

ccur

acy.

2.07

Pla

y m

usic

writ

ten

in a

var

iety

of k

eys,

2.07

Pla

y m

usic

writ

ten

in m

odes

t ran

ges

whi

chm

ay in

clud

e ch

ange

s of

tem

po, k

ey, a

nd m

eter

.m

eter

s, a

nd r

hyth

ms

in li

mite

d ra

nges

.

,N.O

.al.:

Mde

ld2.

01 S

elec

t and

util

ize

appr

opria

te2.

01 S

elec

t and

use

app

ropr

iate

2.01

Sel

ect a

nd u

se a

ppro

pria

te2.

01 S

elec

t and

util

ize

appr

opria

tein

stru

men

tal a

ccom

pani

men

ts in

ain

stru

men

tal a

ccom

pani

men

ts in

ain

stru

men

tal a

ccom

pani

men

ts in

ain

stru

men

tal a

ccom

pani

men

ts in

a w

ide

wid

e va

riety

of h

isto

rical

and

wid

e va

riety

of h

isto

rical

and

varie

ty o

f his

toric

al a

nd c

ultu

ral

varie

ty o

f his

toric

al a

nd c

ultu

ral s

tyle

s.cu

ltura

l sty

les.

cultu

ral s

tyle

s.st

yles

.

JB

EST

CO

PY A

VA

ILA

BL

E

2.02

Sho

w r

espe

ct fo

r th

ein

stru

men

tal p

layi

ng e

ffort

s of

othe

rs.

2.02

Sho

w r

espe

ct fo

r th

ein

stru

men

tal p

layi

ng e

ffort

s of

othe

rs.

2.02

Sho

w r

espe

ct fo

r th

ein

stru

men

tal p

layi

ng e

ffort

s of

othe

rs.

2.02

Sho

w r

espe

ct fo

r th

e in

stru

men

tal

play

ing

effo

rts

of o

ther

s.

Ant

triim

ent0

1:11

11us

,lc I

-,di

ntru

men

tai M

usic

-ii

2.01

Rec

ogni

ze a

nd d

emon

stra

teap

prop

riate

inst

rum

enta

lte

chni

que.

2.02

Pla

y si

mpl

e in

stru

men

tal

liter

atur

e us

ing

a va

riety

of k

eys,

met

ers,

tem

pi, a

nd r

hyth

ms

inm

odes

t ran

ges.

2.03

Pla

y a

varie

d re

pert

oire

of

inst

rum

enta

l mus

ic r

epre

sent

ing

dive

rse

styl

es, g

enre

s, a

ndcu

lture

s.

2.04

Sho

w r

espe

ct fo

r th

ein

stru

men

tal p

layi

ng e

ffort

s of

othe

rs.

2.01

Pla

y w

ith in

crea

sed

tech

nica

lac

cura

cy.

2.02

Pla

y in

crea

sing

ly d

iffic

ult

inst

rum

enta

l lite

ratu

re w

hich

cont

ains

mod

erat

e te

chni

cal

dem

ands

, exp

ande

d ra

nges

, and

varie

d in

terp

retiv

e re

quire

men

ts.

2.03

Pla

y in

stru

men

tal l

itera

ture

repr

esen

ting

dive

rse

genr

es,

styl

es, a

nd c

ultu

res.

2.04

Sho

w r

espe

ct fo

r th

ein

stru

men

tal p

layi

ng e

ffort

s of

othe

rs.

nstr

umen

tal M

usic

III

2.01

Pla

y in

stru

men

tal l

itera

ture

of

an a

ppro

pria

te a

nd in

crea

sing

lydi

fficu

lt le

vel,

with

exp

ress

ion

and

tech

nica

l acc

urac

y.

2.02

Pla

y m

oder

atel

y di

fficu

ltin

stru

men

tal l

itera

ture

whi

chre

quire

s w

ell-d

evel

oped

tech

nica

lsk

ills,

atte

ntio

n to

phr

asin

g an

din

terp

reta

tion,

and

the

abili

ty to

perf

orm

var

ious

met

ers

and

rhyt

hms

in a

var

iety

of k

eys.

2.03

Pla

y in

stru

men

tal l

itera

ture

repr

esen

ting

dive

rse

genr

es,

styl

es, a

nd c

ultu

res.

2.04

Sho

w r

espe

ct fo

r th

ein

stru

men

tal p

layi

ng e

ffort

s of

othe

rs.

Inst

rum

enta

l Mus

ic IV

2.01

Pla

y in

stru

men

tal l

itera

ture

of a

nap

prop

riate

and

incr

easi

ngly

diff

icul

tle

vel,

with

exp

ress

ion

and

tech

nica

lac

cura

cy.

2.02

Pla

y di

fficu

lt in

stru

men

tal l

itera

ture

whi

ch r

equi

res

adva

nced

tech

nica

l and

inte

rpre

tive

skill

s, a

bilit

y to

per

form

vario

us m

eter

s, k

eys,

unu

sual

met

ers,

com

plex

rhy

thm

s, a

nd s

ubtle

dyn

amic

requ

irem

ents

.

2.03

Pla

y in

stru

men

tal l

itera

ture

repr

esen

ting

dive

rse

genr

es, s

tyle

s, a

ndcu

lture

s.

2.04

Sho

w r

espe

ct fo

r th

e in

stru

men

tal

play

ing

effo

rts

of o

ther

s.

Gen

eral

Mus

ia/A

11,O

ther

iE e

ctiV

izia

2.01

Rec

ogni

ze a

nd d

emon

stra

te a

ppro

pria

te in

stru

men

tal t

echn

ique

.

2.02

Pla

y in

stru

men

tal m

usic

rep

rese

ntin

g di

vers

e st

yles

,ge

nres

, and

cul

ture

s.

2.03

Sho

w r

espe

ct fo

r th

e in

stru

men

tal p

layi

ng e

ffort

s of

oth

ers.

3EST

CO

PY A

VA

ILA

a_E

JJ

Sco

pe a

nd S

eque

nce:

Mus

ic K

-12

Goa

l 3: T

he le

arne

r w

ill im

prov

ise

mel

odie

s, v

aria

tions

, and

acc

ompa

nim

ents

. (N

atio

nal S

tand

ard

3)

Kin

der

arte

ni.:

11G

rade

2 :5

Gra

de'

3.01

Impr

ovis

e a

resp

onse

by

sing

ing,

pla

ying

,an

d or

mov

ing

to g

iven

rhy

thm

ic a

nd m

elod

icph

rase

s.

3.02

Impr

ovis

e si

mpl

e rh

ythm

ic a

nd m

elod

icos

tinat

i.

3.03

Impr

ovis

e si

mpl

e rh

ythm

ic v

aria

tions

usi

ngfa

mili

ar p

enta

toni

c m

elod

ies.

3.04

Impr

ovis

e sh

ort s

ongs

and

inst

rum

enta

lpi

eces

usi

ng a

var

iety

of s

ound

sou

rces

.

3.05

Sho

w r

espe

ct fo

r th

e im

prov

isat

iona

l effo

rts

of o

ther

s.

3.01

Impr

ovis

e an

app

ropr

iate

res

pons

e to

giv

en3.

01 Im

prov

ise

an a

ppro

pria

te a

nsw

er to

giv

enrh

ythm

ic a

nd m

elod

ic p

hras

es.

rhyt

hmic

and

mel

odic

que

stio

ns.

3.02

Impr

ovis

e si

mpl

e rh

ythm

ic a

nd m

elod

icos

tinat

i and

ost

inat

o ac

com

pani

men

ts.

3.03

Impr

ovis

e si

mpl

e rh

ythm

ic v

aria

tions

of

fam

iliar

mel

odie

s.

3.04

Impr

ovis

e sh

ort s

ongs

and

inst

rum

enta

lpi

eces

usi

ng a

var

iety

of s

ound

sou

rces

.

3.05

Sho

w r

espe

ct fo

r th

e im

prov

isat

iona

l effo

rts

of o

ther

s.

3.02

Impr

ovis

e si

mpl

e pe

ntat

onic

mel

odie

s.

3.03

Impr

ovis

e si

mpl

e rh

ythm

ic a

nd m

elod

icos

tinat

o ac

com

pani

men

ts.

3.04

Impr

ovis

e si

mpl

e rh

ythm

ic a

nd m

elod

icva

riatio

ns o

f fam

iliar

mel

odie

s.

3.05

Impr

ovis

e sh

ort s

ongs

and

inst

rum

enta

lpi

eces

usi

ng a

var

iety

of s

ound

sou

rces

incl

udin

gel

ectr

onic

med

ia.

3.06

Sho

w r

espe

ct fo

r th

e im

prov

isat

iona

l effo

rts

of o

ther

s.

3ra

Gra

de3.

01 Im

prov

ise

rhyt

hmic

que

stio

n an

d an

swer

phra

ses.

3.02

Impr

ovis

e si

mpl

e m

ajor

and

min

orpe

ntat

onic

mel

odie

s.

3.03

Impr

ovis

e si

mpl

e rh

ythm

ic a

nd m

elod

icos

tinat

o ac

com

pani

men

ts.

3.04

Impr

ovis

e si

mpl

e rh

ythm

ic v

aria

tions

of

fam

iliar

mel

odie

s.

3.05

Impr

ovis

e sh

ort s

ongs

and

inst

rum

enta

lpi

eces

usi

ng a

var

iety

of s

ound

sou

rces

, inc

ludi

ngel

ectr

onic

med

ia.

3.01

Impr

ovis

e rh

ythm

ic a

nd m

elod

ic q

uest

ion

and

answ

er p

hras

es.

3.02

Impr

ovis

e si

mpl

e rh

ythm

ic a

nd m

elod

icos

tinat

o ac

com

pani

men

ts.

3.03

Impr

ovis

e si

mpl

e pe

ntat

onic

and

maj

ordi

aton

ic m

elod

ies.

3.04

Impr

ovis

e si

mpl

e rh

ythm

ic a

nd m

elod

icva

riatio

ns o

f fam

iliar

mel

odie

s.

3.05

Impr

ovis

e sh

ort s

ongs

and

inst

rum

enta

lpi

eces

usi

ng a

var

iety

of s

ound

sou

rces

incl

udin

gel

ectr

onic

med

ia.

5m G

rade

3.01

Impr

ovis

e rh

ythm

ic a

nd m

elod

ic q

uest

ion

and

answ

er p

hras

es.

3.02

Impr

ovis

e rh

ythm

ic a

nd m

elod

ic o

stin

ato

acco

mpa

nim

ents

.

3.03

Impr

ovis

e si

mpl

e m

ajor

and

min

orpe

ntat

onic

and

dia

toni

c m

elod

ies.

3.04

Impr

ovis

e rh

ythm

ic v

aria

tions

and

mel

odic

embe

llish

men

ts o

n fa

mili

ar m

elod

ies.

3.05

Impr

ovis

e in

crea

sing

ly c

ompl

ex s

ongs

and

inst

rum

enta

l pie

ces

usin

g a

varie

ty o

f sou

ndso

urce

s, in

clud

ing

elec

tron

ic m

edia

.

BE

ST

CO

PY

AV

AIL

AB

LE57

3.06

Sho

w r

espe

ct fo

r th

e im

prov

isat

iona

l effo

rts

3.06

Sho

w r

espe

ct fo

r th

e im

prov

isat

iona

l effo

rts

3.06

Sho

w r

espe

ct fo

r th

e im

prov

isat

iona

l effo

rts

of o

ther

s.of

oth

ers

of o

ther

s.

Gra

de,

7 G

radi

li.3.

01 Im

prov

ise

mel

odie

s.3.

01 Im

prov

ise

mel

odie

s an

d ac

com

pani

men

ts.

3.02

Impr

ovis

e rh

ythm

ic v

aria

tions

of g

iven

3.02

Impr

ovis

e m

elod

ic v

aria

tions

usi

ng m

ajor

mel

odie

s.an

d m

inor

pen

tato

nic

and

diat

onic

sca

les.

3.03

Impr

ovis

e sh

ort m

elod

ies

whi

le3.

03 Im

prov

ise

shor

t mel

odie

s, u

nacc

ompa

nied

acco

mpa

nied

by

spec

ified

pat

tern

s.an

d ov

er g

iven

rhy

thm

ic a

ccom

pani

men

ts.

`Gra

de"-

3.01

Impr

ovis

e m

elod

ies

and

harm

onic

acco

mpa

nim

ents

.

3.02

Impr

ovis

e rh

ythm

ic a

nd m

elod

ic v

aria

tions

usin

g m

ajor

and

min

or p

enta

toni

c an

d di

aton

icsc

ales

.

3.03

Impr

ovis

e sh

ort m

elod

ies,

una

ccom

pani

edan

d ov

er g

iven

rhy

thm

ic a

ccom

pani

men

ts, e

ach

in a

con

sist

ent s

tyle

, met

er, a

nd to

nalit

y.

3.04

Sho

w r

espe

ct fo

r th

e im

prov

isat

iona

l effo

rts

3.04

Sho

w r

espe

ct fo

r th

e im

prov

isat

iona

l effo

rts

3.04

Sho

w r

espe

ct fo

r th

e im

prov

isat

iona

l effo

rts

of o

ther

s.of

oth

ers.

of o

ther

s.

VO

cal M

usic

IV

ocal

Mus

ia II

'3.

01 Im

prov

ise

sim

ple

mel

odic

and

rhyt

hmic

pat

tern

s.

3.02

Sho

w r

espe

ct fo

r th

eim

prov

isat

iona

l effo

rts

of o

ther

s.

3.01

Impr

ovis

e va

riatio

ns o

fm

elod

ies

and

acco

mpa

nim

ents

indi

ffere

nt s

tyle

s, m

eter

s, a

ndto

nalit

ies.

Voc

al: M

usic

:II3.

01 Im

prov

ise

mel

odie

s w

ithrh

ythm

ic a

nd m

elod

ic v

aria

tions

.

Voc

al M

US

IC IY

3.01

Impr

ovis

e va

riatio

ns o

f mel

odie

san

d ac

com

pani

men

ts in

diff

eren

t sty

les,

met

ers,

and

tona

litie

s.

3.02

Sho

w r

espe

ct fo

r th

e3.

02 Im

prov

ise

acco

mpa

nim

ents

3.02

Sho

w r

espe

ct fo

r th

eim

prov

isat

iona

l effo

rts

of o

ther

s.in

a v

arie

ty o

f sty

les.

3.03

Sho

w r

espe

ct fo

r th

eim

prov

isat

iona

l effo

rts

of o

ther

s.

impr

ovis

atio

nal e

ffort

s of

oth

ers.

3.01

Impr

ovis

e si

mpl

e m

elod

ican

d rh

ythm

ic p

atte

rns.

Inst

ruM

Ont

al M

usie

11

3.01

Impr

ovis

e m

elod

ic a

ndrh

ythm

ic p

atte

rns

and

acco

mpa

nim

ents

in a

var

iety

of

styl

es.

3.02

Sho

w r

espe

ct fo

r th

e3.

02 S

how

res

pect

for

the

impr

ovis

atio

nal e

ffort

s of

oth

ers.

impr

ovis

atio

nal e

ffort

s of

oth

ers.

58

BE

ST C

OPY

AV

AIL

AB

LE

.Inst

rum

anta

l: M

usic

III

3.01

Impr

ovis

e m

elod

ies

with

rhyt

hmic

and

mel

odic

var

iatio

ns.

3.02

Impr

ovis

e ac

com

pani

men

tsin

a v

arie

ty o

f sty

les.

3.03

Sho

w r

espe

ct fo

r th

eim

prov

isat

iona

l effo

rts

of o

ther

s.

...1r

IStr

Uiii

ehta

l.MuS

ic IV

3.01

Impr

ovis

e va

riatio

ns o

f mel

odie

san

d ac

com

pani

men

ts in

diff

eren

t sty

les,

met

ers,

and

tona

litie

s.

3.02

Sho

w r

espe

ct fo

r th

eim

prov

isat

iona

l effo

rts

of o

ther

s.

59

Get

ierk

illilu

isic

tAl I

Oth

er; E

lect

ives

3.01

Impr

ovis

e si

mpl

e m

elod

ic a

nd r

hyth

mic

pat

tern

s an

d ac

com

pani

men

ts in

a va

riety

of s

tyle

s.

3.02

Impr

ovis

e va

riatio

ns o

n a

sim

ple

mel

ody.

3.03

Sho

w r

espe

ct fo

r th

e im

prov

isat

iona

l effo

rts

of o

ther

s.

BE

ST C

OPY

AV

AIL

AB

LE

rj61

Sco

pe a

nd S

eque

nce:

Mus

ic K

-12

Goa

l 4: T

he le

arne

r w

ill c

ompo

se a

ndar

rang

e m

usic

with

in s

peci

fied

guid

elin

es. (

Nat

iona

l Sta

ndar

d 4)

Kin

der

arte

n61

Gra

de4.

01 S

elec

t mus

ical

sou

nds

to a

ccom

pany

read

ings

or

dram

atiz

atio

ns.

4.02

Com

pose

a s

impl

e m

elod

y us

ing

at le

ast

two

pitc

hes.

4.03

Com

pose

a s

impl

e rh

ythm

ic p

atte

rn u

sing

quar

ter

and

eigh

th n

ote

and

quar

ter

rest

dura

tions

.

4.04

Sho

w r

espe

ct fo

r th

e co

mpo

sing

and

arra

ngin

g ef

fort

s of

oth

ers.

4.01

Sel

ect a

nd c

reat

e m

usic

to a

ccom

pany

read

ings

or

dram

atiz

atio

ns.

4.02

Com

pose

a s

impl

e m

elod

y us

ing

at le

ast

thre

e pi

tche

s.

4.03

Com

pose

a s

impl

e rh

ythm

ic p

atte

rn u

sing

quar

ter

and

eigh

th n

ote

and

quar

ter

rest

dura

tions

.

4.04

Use

a v

arie

ty o

f sou

nd, n

otat

iona

l, an

dte

chno

logi

cal s

ourc

es to

com

pose

and

arr

ange

mus

ic.

4.05

Sho

w r

espe

ct fo

r th

e co

mpo

sing

and

arra

ngin

g ef

fort

s of

oth

ers.

2" 'G

rade

'-4.

01 C

reat

e an

d ar

rang

e m

usic

to a

ccom

pany

read

ings

or

dram

atiz

atio

ns.

4.02

Com

pose

a s

impl

e m

elod

y us

ing

at le

ast

five

pitc

hes.

4.03

Com

pose

a s

impl

e rh

ythm

ic p

iece

usi

ngha

lf, q

uart

er, e

ight

h no

te a

nd q

uart

er r

est

dura

tions

.

4.04

Use

a v

arie

ty o

f sou

nd, n

otat

iona

l, an

dte

chno

logi

cal s

ourc

es to

com

pose

and

arr

ange

mus

ic.

4.05

Sho

w r

espe

ct fo

r th

e co

mpo

sing

and

arra

ngin

g ef

fort

s of

oth

ers.

3 G

tade

"` 'G

rade

.5"

' Gra

de4.

01 C

reat

e an

d ar

rang

e m

usic

to a

ccom

pany

read

ings

or

dram

atiz

atio

ns.

4.02

Com

pose

sho

rt p

iece

s fo

r vo

ices

or

inst

rum

ents

usi

ng th

e pe

ntat

onic

sca

le a

nd v

arie

drh

ythm

ic v

alue

s.

4.03

Arr

ange

sim

ple

piec

es fo

r vo

ices

or

inst

rum

ents

.

4.04

Use

a v

arie

ty o

f sou

nd, n

otat

iona

l, an

dte

chno

logi

cal s

ourc

es to

com

pose

mus

ic.

4.05

Sho

w r

espe

ct fo

r th

e co

mpo

sing

and

arra

ngin

g ef

fort

s of

oth

ers.

4.01

Cre

ate

and

arra

nge

mus

ic to

acc

ompa

nyre

adin

gs o

r dr

amat

izat

ions

.

4.02

Com

pose

sho

rt m

usic

com

posi

tions

for

voic

es o

r in

stru

men

ts u

sing

pen

tato

nic

and

maj

ordi

aton

ic s

cale

s an

d va

ried

rhyt

hmic

val

ues.

4.03

Arr

ange

sim

ple

com

posi

tions

for

voic

es o

rin

stru

men

ts.

4.04

Use

a v

arie

ty o

f sou

nd, n

otat

iona

l, an

dte

chno

logi

cal s

ourc

es to

com

pose

and

arr

ange

mus

ic.

4.05

Sho

w r

espe

ct fo

r th

e co

mpo

sitio

ns a

ndar

rang

emen

ts o

f oth

ers.

BE

ST C

OPY

AV

AIL

AB

LE

4.01

Cre

ate

and

arra

nge

mus

ic to

acc

ompa

nyre

adin

gs o

r dr

amat

izat

ions

.

4.02

Com

pose

sho

rt p

iece

s fo

r vo

ices

or

inst

rum

ents

usi

ng m

ajor

and

min

or p

enta

toni

can

d di

aton

ic s

cale

s an

d va

ried

rhyt

hmic

val

ues.

4.03

Arr

ange

sim

ple

piec

es fo

r vo

ices

or

inst

rum

ents

.

4.04

Use

a v

arie

ty o

f sou

nd, n

otat

iona

l, an

dte

chno

logi

cal s

ourc

es to

com

pose

and

arr

ange

mus

ic.

4.05

Sho

w r

espe

ct fo

r th

e co

mpo

sing

and

arra

ngin

g ef

fort

s of

oth

ers.

C3

Gra

de,

,

4.01

Com

pose

sho

rt p

iece

s us

ing

the

basi

cel

emen

ts o

f mus

ic to

dem

onst

rate

rep

etiti

on a

ndco

ntra

st.

4.02

Cre

ate

an a

rran

gem

ent o

f an

exis

ting

com

posi

tion,

usi

ng d

iffer

ent v

oice

s an

d/or

inst

rum

ents

.

4.03

Use

a v

arie

ty o

f sou

nd, n

otat

iona

l, an

dte

chno

logi

cal s

ourc

es to

com

pose

mus

ic.

4.04

Sho

w r

espe

ct fo

r th

e co

mpo

sing

and

arra

ngin

g ef

fort

s of

oth

ers.

s,

.G

rade

4.01

Com

pose

sho

rt p

iece

s us

ing

the

basi

cel

emen

ts o

f mus

ic to

dem

onst

rate

tens

ion

and

rele

ase.

4.02

Cre

ate

an a

rran

gem

ent o

f an

exis

ting

com

posi

tion,

usi

ng d

iffer

ent v

oice

s an

d/or

inst

rum

ents

.

4.03

Use

a v

arie

ty o

f sou

nd, n

otat

iona

l, an

dte

chno

logi

cal s

ourc

es to

com

pose

and

arr

ange

mus

ic.

4.04

Sho

w r

espe

ct fo

r th

e co

mpo

sing

and

arra

ngin

g ef

fort

s of

oth

ers.

I

4.01

Com

pose

sho

rt p

iece

s us

ing

the

basi

cel

emen

ts o

f mus

ic to

dem

onst

rate

rep

etiti

on a

ndco

ntra

st, a

nd te

nsio

n an

d re

leas

e.

4.02

Cre

ate

an a

rran

gem

ent o

f an

exis

ting

com

posi

tion,

usi

ng d

iffer

ent v

oice

s an

d/or

inst

rum

ents

.

4.03

Use

a v

arie

ty o

f sou

nd, n

otat

iona

l, an

dte

chno

logi

cal s

ourc

es to

com

pose

and

arr

ange

mus

ic.

4.04

Sho

w r

espe

ct fo

r th

e co

mpo

sing

and

arra

ngin

g ef

fort

s of

oth

ers.

4.01

Com

pose

and

arr

ange

mus

icin

corp

orat

ing

appr

opria

te v

oici

ngs

and

rang

es.

4.02

Com

pose

mus

ic in

sev

eral

dist

inct

sty

les

usin

g th

e el

emen

tsof

mus

ic.

4.03

Use

a v

arie

ty o

f sou

nds,

nota

tiona

l, an

d te

chno

logi

cal

sour

ces

to c

ompo

se a

nd a

rran

gem

usic

.

4.04

Sho

w r

espe

ct fo

r th

eco

mpo

sing

and

arr

angi

ng e

ffort

s of

Voc

al M

usid

if4.

01 C

ompo

se a

nd a

rran

ge m

usic

inco

rpor

atin

g ap

prop

riate

voi

cing

san

d ra

nges

.

4.02

Com

pose

mus

ic in

sev

eral

dist

inct

sty

les

usin

g th

e el

emen

tsof

mus

ic.

4.03

Use

a v

arie

ty o

f sou

nd,

nota

tiona

l, an

d te

chno

logi

cal

sour

ces

to c

ompo

se a

nd a

rran

gem

usic

.

4.04

Sho

w r

espe

ct fo

r th

eco

mpo

sing

and

arr

angi

ng e

ffort

s of

othe

rs.

othe

rs.

Inst

rum

enta

l Mus

ic I

4.01

Com

pose

and

arr

ange

mus

icin

corp

orat

ing

appr

opria

te v

oice

san

d ra

nges

.

4.02

Com

pose

mus

ic in

sev

eral

dist

inct

sty

les

usin

g th

e el

emen

tsof

mus

ic.

Gel

Inst

rum

enta

l Mus

ic II

4.01

Com

pose

and

arr

ange

mus

icin

corp

orat

ing

appr

opria

te v

oici

ngs

and

rang

es.

4.02

Com

pose

mus

ic in

sev

eral

dist

inct

sty

les

usin

g th

e el

emen

tsof

mus

ic.

BE

ST C

OPY

AV

AIL

AB

LE

4.01

Com

pose

and

arr

ange

mus

icin

corp

orat

ing

appr

opria

te v

oici

ngs

and

rang

es.

4.02

Syn

thes

ize

the

stud

y an

dch

arac

teris

tics

of s

ever

alst

yles

/gen

res

of m

usic

to c

reat

eor

igin

al c

ompo

sitio

ns.

4.03

Use

a v

arie

ty o

f sou

nd,

nota

tiona

l, an

d te

chno

logi

cal

sour

ces

to c

ompo

se a

nd a

rran

gem

usic

.

4.04

Sho

w r

espe

ct fo

r th

eco

mpo

sing

and

arr

angi

ng e

ffort

s of

othe

rs. In

stru

men

tal M

usic

III

4.01

Com

pose

and

arr

ange

mus

icin

corp

orat

ing

appr

opria

te v

oici

ngs

and

rang

es.

4.02

Syn

thes

ize

the

stud

y an

dch

arac

teris

tics

of s

ever

alst

yles

/gen

res

of m

usic

to c

reat

eor

igin

al c

ompo

sitio

ns.

Voc

al M

usic

IV4.

01 C

ompo

se a

nd a

rran

ge m

usic

inco

rpor

atin

g ap

prop

riate

voi

cing

s an

dra

nges

.

4.02

Syn

thes

ize

the

stud

y an

dch

arac

teris

tics

of s

ever

al s

tyle

s/ge

nres

of

mus

ic to

cre

ate

orig

inal

com

posi

tions

.

4.03

Use

a v

arie

ty o

f sou

nd, n

otat

iona

l,an

d te

chno

logi

cal s

ourc

es to

com

pose

and

arra

nge

mus

ic.

4.04

Sho

w r

espe

ct fo

r th

e co

mpo

sing

and

arra

ngin

g ef

fort

s of

oth

ers.

Inst

rum

enta

l Mus

ic IV

4.01

Com

pose

and

arr

ange

mus

icin

corp

orat

ing

appr

opria

te v

oici

ngs

and

rang

es.

4.02

Syn

thes

ize

the

stud

y an

dch

arac

teris

tics

of s

ever

al s

tyle

s/ge

nres

of

mus

ic to

cre

ate

orig

inal

com

posi

tions

.

65

4.03

Use

a v

arie

ty o

f sou

nd,

nota

tiona

l, an

d te

chno

logi

cal

sour

ces

to c

ompo

se a

nd a

rran

gem

usic

.

4.04

Sho

w r

espe

ct fo

r th

eco

mpo

sing

and

arr

angi

ng e

ffort

s of

othe

rs.

4.03

Use

a v

arie

ty o

f sou

nd,

nota

tiona

l, an

d te

chno

logi

cal

sour

ces

to c

ompo

se a

nd a

rran

gem

usic

.

4.04

Sho

w r

espe

ct fo

r th

eco

mpo

sing

and

arr

angi

ng e

ffort

s of

othe

rs.

4.03

Use

a v

arie

ty o

f sou

nd,

nota

tiona

l, an

d te

chno

logi

cal

sour

ces

to c

ompo

se a

nd a

rran

gem

usic

.

4.03

Use

a v

arie

ty o

f sou

nd, n

otat

iona

l,an

d te

chno

logi

cal s

ourc

es to

com

pose

and

arra

nge

mus

ic.

4 04

Sho

w r

espe

ct fo

r th

e4.

04 S

how

res

pect

for

the

com

posi

ngco

mpo

sing

and

arr

angi

ng e

ffort

s of

and

arra

ngin

g ef

fort

s of

oth

ers.

othe

rs.

Gen

eral

Mus

ic/A

ll O

ther

Ele

ctiv

es4.

01 C

ompo

se a

nd a

rran

ge m

usic

inco

rpor

atin

g ap

prop

riate

voi

cing

s an

d ra

nges

.

4.02

Pla

n lo

gica

l ste

ps a

nd o

rgan

ize

reso

urce

s ne

cess

ary

to c

reat

e co

mpo

sitio

ns in

var

ied

styl

es.

4.03

Syn

thes

ize

the

stud

y an

d ch

arac

teris

tics

of s

ever

alst

yles

/gen

res

of m

usic

to c

reat

e or

igin

al c

ompo

sitio

ns.

4.04

Use

a v

arie

ty o

f sou

nd, n

otat

iona

l, an

dte

chno

logi

cal s

ourc

es to

com

pose

and

arr

ange

mus

ic.

4.05

Sho

w r

espe

ct fo

r th

e co

mpo

sing

and

arra

ngin

g ef

fort

s of

oth

ers.

BE

ST C

OPY

AV

AIL

AB

LE

67

Sco

pe a

nd S

eque

nce:

Mus

ic K

-12

Goa

l 5: T

he le

arne

r w

ill r

ead

and

nota

te m

usic

. (N

atio

nal S

tand

ard

5)

Kin

derg

arte

n'5.

01 R

ead

sim

ple

rhyt

hmic

not

atio

n in

clud

ing

quar

ter

note

s, e

ight

h no

tes,

and

qua

rter

res

ts.

5.02

Rea

d si

mpl

e m

elod

ic n

otat

ion.

5.03

Sho

w r

espe

ct fo

r th

e re

adin

g an

d no

tatin

gef

fort

s of

oth

ers.

5.01

Rea

d si

mpl

e rh

ythm

ic n

otat

ion

incl

udin

gha

lf, q

uart

er, a

nd e

ight

h no

te d

urat

ions

, and

quar

ter

rest

dur

atio

ns.

5.02

Rea

d si

mpl

e m

elod

ic n

otat

ion.

5.03

Rec

ogni

ze a

nd r

espo

nd to

sim

ple

sym

bols

and

term

s.

5.04

Use

sym

bols

to n

otat

e si

mpl

e m

usic

alpa

ttern

s.

5.05

Sho

w r

espe

ct fo

r th

e re

adin

g an

d no

tatin

gef

fort

s of

oth

ers.

5.01

Rea

d rh

ythm

ic n

otat

ion

with

incr

ease

dac

cura

cy in

clud

ing

who

le, h

alf,

quar

ter,

and

eigh

th n

otes

and

qua

rter

res

ts in

2/4

and

3/4

met

ers.

5.02

Rea

d si

mpl

e m

elod

ic n

otat

ion

with

incr

ease

d ac

cura

cy.

5.03

Iden

tify

trad

ition

al s

ymbo

ls a

nd te

rms.

5.04

Use

sym

bols

to n

otat

e si

mpl

e m

usic

alpa

ttern

s.

5.05

Sho

w r

espe

ct fo

r th

e re

adin

g an

d no

tatin

gef

fort

s of

oth

ers.

Gra

deG

rade

5.01

Rea

d w

hole

, hal

f, do

tted

half,

qua

rter

, and

eigh

th n

ote

and

quar

ter

rest

dur

atio

ns in

2/4

, 3/4

,an

d 4/

4 m

eter

s.

5.02

Rea

d m

elod

ic n

otat

ion

in th

e tr

eble

cle

f.

5.03

Iden

tify

pitc

hes

on th

e tr

eble

cle

f.

5.04

Iden

tify

sym

bols

and

trad

ition

al te

rms

refe

rrin

g to

exp

ress

ive

qual

ities

incl

udin

gdy

nam

ics

and

tem

po.

5.05

Use

sta

ndar

d sy

mbo

ls to

not

ate

met

er,

rhyt

hm, p

itch,

and

dyn

amic

s in

sim

ple

patte

rns.

5.01

Rea

d w

hole

, hal

f, do

tted

half,

qua

rter

, and

eigh

th n

ote

and

rest

dur

atio

ns in

2/4

, 3/4

, and

4/4

met

ers.

5.02

Rea

d pi

tch

nota

tion

in th

e tr

eble

cle

f.

5.03

Iden

tify

sym

bols

and

trad

ition

al te

rms

refe

rrin

g to

exp

ress

ive

qual

ities

, inc

ludi

ngdy

nam

ics

and

tem

po.

5.04

Use

sta

ndar

d sy

mbo

ls to

not

ate

met

er,

rhyt

hm, p

itch,

and

dyn

amic

s in

sim

ple

mus

ical

patte

rns.

5.05

Sho

w r

espe

ct fo

r th

e re

adin

g an

d no

tatin

gef

fort

s of

oth

ers.

G3

BE

ST C

OPY

AV

AIL

AB

LE

5.01

Rea

d w

hole

, hal

f, qu

arte

r, e

ight

h, s

ixte

enth

,an

d do

tted

note

and

res

t dur

atio

ns in

2/4

, 3/4

,4/

4, a

nd 6

/8 m

eter

s.

5.02

Rea

d m

elod

ic n

otat

ion

in th

e tr

eble

cle

f.

5.03

Iden

tify

nota

ted

pitc

hes

in th

e tr

eble

and

/or

bass

cle

f.

5.04

Iden

tify

sym

bols

and

trad

ition

al te

rms

refe

rrin

g to

exp

ress

ive

qual

ities

incl

udin

gdy

nam

ics

and

tem

po.

5.05

Use

sta

ndar

d sy

mbo

ls to

not

ate

met

er,

rhyt

hm, p

itch,

and

dyn

amic

s in

pat

tern

s. 69

5.06

Sho

w r

espe

ct fo

r th

e re

adin

g an

d no

tatin

gef

fort

s of

oth

ers.

5.06

Sho

w r

espe

ct fo

r th

e re

adin

g an

d no

tatin

gef

fort

s of

oth

ers.

6w G

rade

5.01

Rea

d w

hole

, hal

f, qu

arte

r, e

ight

h, s

ixte

enth

,an

d do

tted

note

and

res

t dur

atio

ns in

2/4

, 3/4

,4/

4, 6

/8 a

nd 2

/2 m

eter

s.

5.02

Iden

tify

pitc

hes

in tr

eble

and

bas

s cl

efs.

5.03

Sig

htre

ad s

impl

e m

elod

ic n

otat

ion

in th

etr

eble

cle

f.

5.04

Iden

tify

stan

dard

not

atio

n sy

mbo

ls fo

r pi

tch,

rhyt

hm, d

ynam

ics,

tem

po, a

rtic

ulat

ion,

and

expr

essi

on.

5.05

Sho

w r

espe

ct fo

r th

e re

adin

g an

d no

tatin

gef

fort

s of

oth

ers.

el'G

rad

e5.

01 R

ead

who

le, h

alf,

quar

ter,

eig

hth,

six

teen

th,

and

dotte

d no

te a

nd r

est d

urat

ions

in 2

/4, 3

/4,

4/4,

6/8

, and

2/2

met

ers.

5.02

Iden

tify

pitc

hes

in th

e tr

eble

and

bas

s cl

efs.

5.03

Sig

htre

ad p

itch

nota

tion

in th

e tr

eble

and

bass

cle

fs.

5.04

Iden

tify

stan

dard

not

atio

n sy

mbo

ls fo

r pi

tch,

rhyt

hm, d

ynam

ics,

tem

po, a

rtic

ulat

ion,

and

expr

essi

on.

5.05

Use

sta

ndar

d no

tatio

n to

rec

ord

own

mus

ical

idea

s an

d m

usic

al id

eas

of o

ther

s.

5.06

Sho

w r

espe

ct fo

r th

e re

adin

g an

d no

tatin

gef

fort

s of

oth

ers.

5.01

Rea

d w

hole

, hal

f, qu

arte

r, e

ight

h, s

ixte

enth

,an

d do

tted

note

and

res

t dur

atio

ns in

2/4

, 3/4

,4/

4, 6

/8, 3

/8, 2

/2, a

nd m

ixed

met

ers.

5.02

Rea

d m

elod

ic n

otat

ion

in th

e tr

eble

and

bass

cle

fs.

5.03

Iden

tify

sym

bols

and

trad

ition

al te

rms

refe

rrin

g to

exp

ress

ive

mus

ical

qua

litie

s in

clud

ing

dyna

mic

s an

d te

mpo

.

5.04

Use

sta

ndar

d sy

mbo

ls to

not

ate

met

er,

rhyt

hm, p

itch,

and

dyn

amic

s in

sim

ple

patte

rns.

5.05

Sho

w r

espe

ct fo

r th

e re

adin

g an

d no

tatin

gef

fort

s of

oth

ers.

ocal

Mus

ic II

5.01

Rea

d w

hole

, hal

f, qu

arte

r,ei

ghth

, six

teen

th, a

nd d

otte

d no

tean

d re

st d

urat

ions

in 2

/4, 3

/4, 4

/4,

6/8,

3/8

, 2/2

, and

mix

ed m

eter

s.

5.02

Sig

htre

ad m

elod

ies.

5.03

Not

ate

mel

odie

s.

5.04

Use

sta

ndar

d no

tatio

nsy

mbo

ls fo

r pi

tch,

rhy

thm

,dy

nam

ics,

tem

po, a

rtic

ulat

ion,

and

expr

essi

on to

rec

ord

own

mus

ical

idea

s an

d m

usic

al id

eas

of o

ther

s.

0

5.01

Rea

d w

hole

, hal

f, qu

arte

r,ei

ghth

, six

teen

th, a

nd d

otte

d no

tean

d re

st d

urat

ions

in 2

/4, 3

/4, 4

/4,

6/8,

3/8

, 2/2

, and

mix

ed m

eter

s.

5.02

Dem

onst

rate

the

abili

ty to

read

indi

vidu

al p

art o

f a v

ocal

scor

e by

des

crib

ing

how

the

elem

ents

of m

usic

are

use

d.

5.03

Sig

htre

ad m

usic

al e

xam

ples

in th

e tr

eble

and

bas

s cl

efs.

5.04

Not

ate

and

tran

spos

e si

mpl

em

elod

ies

usin

g st

anda

rd n

otat

ion.

Voc

alIll

5.01

Rea

d w

hole

, hal

f, qu

arte

r,ei

ghth

, six

teen

th, a

nd d

otte

d no

tean

d re

st d

urat

ions

in 2

/4, 3

/4, 4

/4,

6/8,

3/8

, 12/

8, 2

/2, a

nd m

ixed

met

ers.

5.02

Dem

onst

rate

the

abili

ty to

read

a v

ocal

sco

re o

f up

to fo

urst

aves

by

desc

ribin

g ho

w th

eel

emen

ts o

f mus

ic a

re u

sed.

5.03

Sig

htre

ad m

oder

atel

y di

fficu

ltm

usic

al e

xam

ples

with

acc

urac

yan

d ex

pres

sion

.

5.04

Not

ate

mod

erat

ely

diffi

cult

mus

ic e

xam

ples

usi

ng s

tand

ard

nota

tion.

BE

ST C

OPY

AV

AIL

AB

LE

ocal

.Mus

ic I

V:

5.01

Dem

onst

rate

the

abili

ty to

rea

d a

voca

l sco

re o

f up

to fo

ur s

tave

s by

desc

ribin

g ho

w th

e el

emen

ts o

f mus

icar

e us

ed a

nd e

xpla

inin

g al

ltr

ansp

ositi

ons

and

clef

s.

5.02

Sig

htre

ad d

iffic

ult m

usic

alex

ampl

es w

ith a

ccur

acy

and

expr

essi

on.

5.03

Not

ate

mod

erat

ely

diffi

cult

mus

icex

ampl

es u

sing

sta

ndar

d no

tatio

n.

5.04

Rea

d an

d in

terp

ret s

tand

ard

and

non-

stan

dard

not

atio

n.

71

5.05

Sho

w r

espe

ct fo

r th

e re

adin

gan

d no

tatin

g ef

fort

s of

oth

ers.

5.05

Iden

tify

and

defin

e st

anda

rdno

tatio

n sy

mbo

ls fo

r pi

tch,

rhy

thm

,dy

nam

ics,

tem

po, a

rtic

ulat

ion,

and

expr

essi

on.

5.06

Sho

w r

espe

ct fo

r th

e re

adin

gan

d no

tatin

g ef

fort

s of

oth

ers.

5.05

Iden

tify

and

defin

e st

anda

rdno

tatio

n sy

mbo

ls fo

r pi

tch,

rhy

thm

,dy

nam

ics,

tem

po, a

rtic

ulat

ion,

and

expr

essi

on.

5.06

Sho

w r

espe

ct fo

r th

e re

adin

gan

d no

tatin

g ef

fort

s of

oth

ers.

5.05

Cre

ate

mus

ical

exa

mpl

es u

sing

non-

stan

dard

not

atio

n.

5.06

Iden

tify

and

defin

e st

anda

rdno

tatio

n sy

mbo

ls fo

r pi

tch,

rhy

thm

,dy

nam

ics,

tem

po, a

rtic

ulat

ion,

and

expr

essi

on.

5.07

Sho

w r

espe

ct fo

r th

e re

adin

g an

dno

tatin

g ef

fort

s of

oth

ers.

Iiitti

ihie

ntal

'plIt

isic

5.01

Rea

d w

hole

, hal

f, qu

arte

r,ei

ghth

, six

teen

th, a

nd d

otte

d no

tes

and

rest

s in

2/4

, 3/4

, 4/4

, 6/8

, 3/8

,2/

2, a

nd m

ixed

met

ers.

5.02

Sig

htre

ad s

impl

e m

usic

alex

ampl

es.

5.03

Not

ate

sim

ple

mel

odie

s.

5.04

Use

sta

ndar

d no

tatio

nsy

mbo

ls fo

r pi

tch,

rhy

thm

,dy

nam

ics,

tem

po, a

rtic

ulat

ion,

and

expr

essi

on to

rec

ord

own

mus

ical

idea

s an

d m

usic

al id

eas

of o

ther

s.

5.05

Sho

w r

espe

ct fo

r th

e re

adin

gan

d no

tatin

g ef

fort

s of

oth

ers.

72

5.01

Rea

d w

hole

, hal

f, qu

arte

r,ei

ghth

, six

teen

th, a

nd d

otte

d no

tean

d re

st d

urat

ions

in 2

/4, 3

/4, 4

/4,

6/8,

3/8

, 2/2

, and

mix

ed m

eter

s.

5.02

Dem

onst

rate

the

abili

ty to

read

indi

vidu

al p

art o

f an

inst

rum

enta

l sco

re b

y de

scrib

ing

how

the

elem

ents

of m

usic

are

used

.

5.03

Sig

htre

ad s

impl

e m

usic

alex

ampl

es w

ith r

easo

nabl

eac

cura

cy.

5.04

Not

ate

and

tran

spos

e si

mpl

em

elod

ies

usin

g st

anda

rd n

otat

ion.

5.05

Iden

tify

and

defin

e st

anda

rdno

tatio

n sy

mbo

ls fo

r pi

tch,

rhy

thm

,dy

nam

ics,

tem

po, a

rtic

ulat

ion,

and

expr

essi

on.

5.06

Sho

w r

espe

ct fo

r th

e re

adin

gan

d no

tatin

g ef

fort

s of

oth

ers.

%..

Inst

rum

enta

l Mus

ic Il

l5.

01 R

ead

who

le, h

alf,

quar

ter,

eigh

th, s

ixte

enth

, and

dot

ted

note

and

rest

dur

atio

ns in

2/4

, 3/4

, 4/4

,6/

8, 3

/8, 1

2/8,

2/2

, and

mix

edm

eter

s.

5.02

Dem

onst

rate

the

abili

ty to

read

an

inst

rum

enta

l sco

re o

f up

tofo

ur s

tave

s by

des

crib

ing

how

the

elem

ents

of m

usic

are

use

d.

5.03

Sig

htre

ad m

oder

atel

ydi

fficu

lt m

usic

al e

xam

ples

with

accu

racy

and

exp

ress

ion.

5.04

Not

ate

mod

erat

ely

diffi

cult

mus

ic e

xam

ples

usi

ng s

tand

ard

nota

tion.

5.05

Iden

tify

and

defin

e st

anda

rdno

tatio

n sy

mbo

ls fo

r pi

tch,

rhy

thm

,dy

nam

ics,

tem

po, a

rtic

ulat

ion,

and

expr

essi

on.

5.06

Sho

w r

espe

ct fo

r th

e re

adin

gan

d no

tatin

g ef

fort

s of

oth

ers.

BE

ST C

OPY

MA

ILA

BL

E

5.01

Dem

onst

rate

the

abili

ty to

rea

d an

inst

rum

enta

l sco

re o

f up

to fo

ur s

tave

s by

desc

ribin

g ho

w th

e el

emen

ts o

f mus

icar

e us

ed a

nd e

xpla

inin

g al

ltr

ansp

ositi

ons

and

clef

s.

5.02

Sig

htre

ad a

dvan

ced

mus

ical

exam

ples

with

acc

urac

y an

d ex

pres

sion

.

5.03

Not

ate

and

tran

spos

e m

oder

atel

ydi

fficu

lt m

usic

exa

mpl

es u

sing

sta

ndar

dno

tatio

n.

5.04

Rea

d an

d in

terp

ret s

tand

ard

and

non-

stan

dard

not

atio

n.

5.05

Cre

ate

mus

ical

exa

mpl

es u

sing

non-

stan

dard

not

atio

n.

5.06

Iden

tify

and

defin

e st

anda

rdno

tatio

n sy

mbo

ls fo

r pi

tch,

rhy

thm

,dy

nam

ics,

tem

po, a

rtic

ulat

ion,

and

expr

essi

on.

73

5.07

Sho

w r

espe

ct fo

r th

e re

adin

g an

dno

tatin

g ef

fort

s of

oth

ers.

Gen

eral

.MU

SIC

IAN

Oth

er E

lect

iVes

5.01

Sig

htre

ad s

impl

e m

usic

al e

xam

ples

.

5.02

Iden

tify

and

use

stan

dard

not

atio

n sy

mbo

ls fo

r pi

tch,

rhy

thm

, dyn

amic

s, te

mpo

, art

icul

atio

n, a

nd e

xpre

ssio

n to

not

ate

mus

ical

idea

s.

5.03

Sho

w r

espe

ct fo

r th

e re

adin

g an

d no

tatin

g ef

fort

s of

oth

ers.

BE

ST C

OPY

MA

ILA

BL

E

Sco

pe a

nd S

eque

nce:

Mus

ic K

-12

Goa

l 6: T

he le

arne

r w

ill li

sten

to, a

naly

ze, a

nd d

escr

ibe

mus

ic.

(Nat

iona

l Sta

ndar

d 6)

Kin

derg

arte

n6.

01 Id

entif

y sa

me/

diffe

rent

and

cal

l/res

pons

ese

ctio

ns in

mus

ic.

6.02

Dem

onst

rate

per

cept

ual s

kills

by

answ

erin

gqu

estio

ns a

bout

aur

al m

usic

al e

xam

ples

of

vario

us s

tyle

s an

d cu

lture

s.

6.03

Iden

tify

soun

d so

urce

s vi

sual

ly a

nd a

ural

ly.

6.04

Res

pond

thro

ugh

purp

osef

ul m

ovem

ent t

opr

omin

ent m

usic

cha

ract

eris

tics

whi

le li

sten

ing

tom

usic

.

6.05

Sho

w r

espe

ct w

hile

list

enin

g to

and

anal

yzin

g m

usic

.

6.01

Iden

tify

sim

ple

mus

ic fo

rms

whe

n pr

esen

ted

aura

lly, i

nclu

ding

AB

, AB

A, a

nd In

trod

uctio

n.

6.02

Dem

onst

rate

per

cept

ual s

kills

by

answ

erin

gqu

estio

ns a

bout

and

dis

cuss

ing

aura

l exa

mpl

esof

mus

ic.

6.03

Iden

tify

a va

riety

of i

nstr

umen

ts v

isua

lly a

ndau

rally

.

6.04

Iden

tify

solo

and

gro

up v

ocal

tim

bres

of

child

ren'

s vo

ices

.

6.05

Res

pond

thro

ugh

purp

osef

ul m

ovem

ent t

opr

omin

ent m

usic

cha

ract

eris

tics

whi

le li

sten

ing

tom

usic

.

6.06

Sho

w r

espe

ct w

hile

list

enin

g to

and

anal

yzin

g m

usic

.

2" G

rade

6.01

Iden

tify

sim

ple

mus

ic fo

rms

whe

n pr

esen

ted

aura

lly in

clud

ing

AB

, AB

A, a

nd In

trod

uctio

n/C

oda.

6.02

Dem

onst

rate

per

cept

ual s

kills

by

answ

erin

gqu

estio

ns a

bout

and

des

crib

ing

aura

l mus

ical

exam

ples

of v

ario

us s

tyle

s an

d cu

lture

s.

6.03

Dis

cuss

mus

ic u

sing

app

ropr

iate

term

inol

ogy.

6.04

Iden

tify

a va

riety

of c

lass

room

, orc

hest

ral,

band

, and

cul

tura

l ins

trum

ents

by

thei

r tim

bre.

6.05

Iden

tify

solo

and

gro

up v

ocal

tim

bres

incl

udin

g ch

ildre

n's

voic

es, a

nd m

ale/

fem

ale

adul

tvo

ices

.

6.06

Res

pond

thro

ugh

purp

osef

ul m

ovem

ent t

opr

omin

ent m

usic

cha

ract

eris

tics

whi

le li

sten

ing

tom

usic

.

6.07

Sho

w r

espe

ct w

hile

list

enin

g to

and

anal

yzin

g m

usic

.

3' G

rade

6.01

Iden

tify

sim

ple

mus

ic fo

rms

whe

n pr

esen

ted

aura

lly in

clud

ing

AB

, AB

A, A

AB

A, C

all a

ndR

espo

nse,

and

Intr

oduc

tion/

Cod

a.

6.02

Dem

onst

rate

per

cept

ual s

kills

by

cond

uctin

g, m

ovin

g, a

nsw

erin

g qu

estio

ns a

bout

,an

d de

scrib

ing

aura

l mus

ic e

xam

ples

of v

ario

usst

yles

and

cul

ture

s.

46.

01 Id

entif

y si

mpl

e m

usic

form

s w

hen

pres

ente

dau

rally

incl

udin

g A

B, A

BA

, Cal

l and

Res

pons

e,R

ondo

, Bal

lad,

and

Intr

oduc

tion/

Cod

a.

6.02

Dem

onst

rate

per

cept

ual s

kills

by

cond

uctin

g, m

ovin

g to

, ans

wer

ing

ques

tions

abou

t, an

d de

scrib

ing

aura

l exa

mpl

es o

f mus

ic o

fva

rious

sty

les

and

cultu

res.

BE

ST

CO

PY

AV

AIL

AB

LE

eG

rade

6.01

Iden

tify

mus

ic fo

rms

whe

n pr

esen

ted

aura

llyin

clud

ing

AB

, AB

A, M

BA

, Cal

l and

Res

pons

e,R

ondo

, The

me

and

Var

iatio

ns, B

alla

d, a

ndIn

trod

uctio

n/C

oda.

6.02

Dem

onst

rate

per

cept

ual s

kills

by

cond

uctin

g, m

ovin

g to

, ans

wer

ing

ques

tions

abou

t, an

d de

scrib

ing

aura

l exa

mpl

es o

f var

ied

mus

ical

sty

les

and

cultu

res.

77

6.03

Use

app

ropr

iate

term

inol

ogy

in e

xpla

inin

gm

usic

, mus

ic n

otat

ion,

mus

ic in

stru

men

ts a

ndvo

ices

, and

mus

ic p

erfo

rman

ces.

6.04

Iden

tify

visu

ally

and

aur

ally

a v

arie

ty o

fin

stru

men

ts in

clud

ing

man

y or

ches

tra

and

band

inst

rum

ents

, and

inst

rum

ents

from

var

ious

cultu

res.

6.05

Iden

tify

solo

and

gro

up v

ocal

tim

bres

incl

udin

g ch

ildre

n's

voic

es, a

nd m

ale/

fem

ale

adul

tvo

ices

.

6.06

Res

pond

thro

ugh

purp

osef

ul m

ovem

ent t

ose

lect

ed p

rom

inen

t mus

ic c

hara

cter

istic

s or

tosp

ecifi

c m

usic

eve

nts

whi

le li

sten

ing

to m

usic

.

6.07

Sho

w r

espe

ct w

hile

list

enin

g to

and

anal

yzin

g m

usic

.

6.03

Use

app

ropr

iate

term

inol

ogy

in e

xpla

inin

gm

usic

, mus

ic n

otat

ion,

mus

ic in

stru

men

ts a

ndvo

ices

, and

mus

ic p

erfo

rman

ces.

6.04

Iden

tify

visu

ally

and

aur

ally

a v

arie

ty o

fin

stru

men

ts, i

nclu

ding

man

y or

ches

tra

and

band

inst

rum

ents

, and

inst

rum

ents

from

var

ious

cultu

res.

6.05

Iden

tify

solo

and

gro

up v

ocal

tim

bres

incl

udin

g ch

ildre

n's

voic

es, a

nd m

ale/

fem

ale

adul

tvo

ices

.

6.06

Res

pond

thro

ugh

purp

osef

ul m

ovem

ent t

ose

lect

ed p

rom

inen

t mus

ic c

hara

cter

istic

s or

tosp

ecifi

c m

usic

eve

nts

whi

le li

sten

ing

to m

usic

.

6.07

Sho

w r

espe

ct w

hile

list

enin

g to

and

anal

yzin

g m

usic

.

6.03

Use

app

ropr

iate

term

inol

ogy

in e

xpla

inin

gm

usic

, mus

ic n

otat

ion,

mus

ic in

stru

men

ts a

ndvo

ices

, and

mus

ic p

erfo

rman

ces.

6.04

Iden

tify

visu

ally

and

aur

ally

a v

arie

ty o

fin

stru

men

ts, i

nclu

ding

man

y or

ches

tra

and

band

inst

rum

ents

, and

inst

rum

ents

from

var

ious

cultu

res.

6.05

Iden

tify

solo

and

gro

up v

ocal

tim

bres

incl

udin

g ch

ildre

n's

voic

es, a

nd m

ale/

fem

ale

adul

tvo

ices

.

6.06

Res

pond

thro

ugh

purp

osef

ul m

ovem

ent t

ose

lect

ed p

rom

inen

t mus

ic c

hara

cter

istic

s or

tosp

ecifi

c m

usic

eve

nts

whi

le li

sten

ing

to m

usic

.

6.07

Sho

w r

espe

ct w

hile

list

enin

g to

and

anal

yzin

g m

usic

.

Gra

de7

. Gra

de8-

. .qt

ade

6.01

Iden

tify

spec

ific

mus

ic e

vent

s in

a g

iven

6.01

Dis

cuss

spe

cific

mus

ical

eve

nts

in a

giv

enau

ral e

xam

ple,

usi

ng a

ppro

pria

te te

rmin

olog

y.au

ral e

xam

ple,

usi

ng a

ppro

pria

te te

rmin

olog

y.

6.02

Iden

tify

elem

ents

of m

usic

in a

ural

exam

ples

rep

rese

ntin

g di

vers

e ge

nres

and

cultu

res.

6.03

Iden

tify

the

basi

c pr

inci

ples

of m

eter

,rh

ythm

, and

tona

lity

in a

naly

ses

of m

usic

.

6.04

Dem

onst

rate

aud

itory

per

cept

ual s

kills

by

cond

uctin

g, m

ovin

g, a

nsw

erin

g qu

estio

ns a

bout

,an

d de

scrib

ing

aura

l exa

mpl

es o

f mus

ic.

6.05

Sho

w r

espe

ct w

hile

list

enin

g to

and

6.02

Dis

cuss

ele

men

ts o

f mus

ic in

aur

alex

ampl

es r

epre

sent

ing

dive

rse

genr

es a

ndcu

lture

s.

6.03

Iden

tify

and

disc

uss

the

basi

c pr

inci

ples

of

met

er, r

hyth

m, t

onal

ity, i

nter

vals

, cho

rds,

and

harm

onic

pro

gres

sion

s in

the

anal

yses

of m

usic

.

6.04

Dem

onst

rate

aud

itory

per

cept

ual s

kills

by

cond

uctin

g, m

ovin

g, a

nsw

erin

g qu

estio

ns a

bout

,an

d de

scrib

ing

aura

l exa

mpl

es o

f mus

ic.

6.05

Sho

w r

espe

ct w

hile

list

enin

g to

and

anal

yzin

g m

usic

.an

alyz

ing

mus

ic.

6.01

Des

crib

e an

d ex

plai

n sp

ecifi

c m

usic

alev

ents

in a

giv

en a

ural

exa

mpl

e, u

sing

appr

opria

te te

rmin

olog

y.

6.02

Ana

lyze

ele

men

ts o

f mus

ic in

aur

alex

ampl

es r

epre

sent

ing

dive

rse

genr

es a

ndcu

lture

s.

6.03

Des

crib

e an

d ex

plai

n th

e ba

sic

prin

cipl

es o

fm

eter

, rhy

thm

, ton

ality

, int

erva

ls, c

hord

s, a

ndha

rmon

ic p

rogr

essi

ons

in th

e an

alys

es o

f mus

ic.

6.04

Dem

onst

rate

per

cept

ual s

kills

by

cond

uctin

g, m

ovin

g, a

nsw

erin

g qu

estio

ns a

bout

,an

d de

scrib

ing

aura

l exa

mpl

es o

f mus

ic.

6.05

Sho

w r

espe

ct w

hile

list

enin

g to

and

anal

yzin

g m

usic

.

6.01

Iden

tify

basi

c m

usic

al fo

rms.

6.01

Iden

tify

mus

ical

form

s6.

01 Id

entif

y m

usic

al fo

rms

repr

esen

ting

vario

us h

isto

rical

repr

esen

ting

dive

rse

genr

espe

riods

.cu

lture

s.

BE

ST C

OPY

AV

AIL

AB

LE

Voc

al M

usic

IV:

6.01

Com

pare

and

con

tras

t mus

ical

and

form

s re

pres

entin

g di

vers

e ge

nres

and

cultu

res.

79

6.02

Dem

onst

rate

a b

asic

know

ledg

e of

the

tech

nica

lvo

cabu

lary

of m

usic

.

6.03

Rec

ogni

ze a

nd id

entif

y a

varie

ty o

f com

posi

tiona

lte

chni

ques

.

6.04

Iden

tify

vario

us ty

pes

ofac

com

pani

men

ts.

6.05

Dem

onst

rate

aud

itory

perc

eptu

al s

kills

by

cond

uctin

g,m

ovin

g, a

nsw

erin

g qu

estio

nsab

out,

and

desc

ribin

g au

ral

exam

ples

of m

usic

6.06

Sho

w r

espe

ct w

hile

list

enin

gto

and

ana

lyzi

ng m

usic

.

6.02

Dem

onst

rate

a b

asic

know

ledg

e of

the

tech

nica

lvo

cabu

lary

of m

usic

.

6.03

Dis

cuss

a v

arie

ty o

fco

mpo

sitio

nal t

echn

ique

s.

6.04

Exp

lain

var

ious

acco

mpa

nim

ents

.

6.05

Dem

onst

rate

aud

itory

perc

eptu

al s

kills

by

cond

uctin

g,m

ovin

g, a

nsw

erin

g qu

estio

nsab

out,

and

desc

ribin

g au

ral

exam

ples

of m

usic

.

6.06

Sho

w r

espe

ct w

hile

list

enin

gto

and

ana

lyzi

ng m

usic

.

6.02

Dem

onst

rate

incr

ease

dkn

owle

dge

of th

e te

chni

cal

voca

bula

ry o

f mus

ic.

6.03

Ana

lyze

and

des

crib

e th

eel

emen

ts o

f mus

ic in

a g

iven

wor

k

6.04

Iden

tify

and

expl

ain

com

posi

tiona

l dev

ices

and

tech

niqu

es u

sed

to p

rovi

de u

nity

and

varie

ty a

nd te

nsio

n an

dre

leas

e in

a m

usic

al w

ork

and

give

exam

ples

of o

ther

wor

ks th

at m

ake

sim

ilar

uses

of t

hese

dev

ices

and

tech

niqu

es.

6.05

Dem

onst

rate

aud

itory

perc

eptu

al s

kills

by

cond

uctin

g,m

ovin

g, a

nsw

erin

g qu

estio

nsab

out,

and

desc

ribin

g au

ral

exam

ples

of m

usic

.

6.06

Sho

w r

espe

ct w

hile

list

enin

gto

and

ana

lyzi

ng m

usic

.

6.02

Dem

onst

rate

ext

ensi

ve k

now

ledg

eof

the

tech

nica

l voc

abul

ary

of m

usic

.

6.03

Ana

lyze

and

des

crib

e th

e el

emen

tsof

mus

ic in

a g

iven

wor

k th

at m

ake

itun

ique

, int

eres

ting,

and

exp

ress

ive.

6.04

Dem

onst

rate

the

abili

ty to

per

ceiv

ean

d re

mem

ber

mus

ical

eve

nts

byde

scrib

ing

in d

etai

l sig

nific

ant e

vent

soc

curr

ing

in a

giv

en a

ural

exa

mpl

e.

6.05

Dem

onst

rate

aud

itory

per

cept

ual

skill

s by

con

duct

ing,

mov

ing,

ans

wer

ing

ques

tions

abo

ut, a

nd d

escr

ibin

g au

ral

exam

ples

of m

usic

.

6.06

Sho

w r

espe

ct w

hile

list

enin

g to

and

anal

yzin

g m

usic

.

ItiO

rufil

enta

l Mt.m

ic6.

01 Id

entif

y ba

sic

mus

ical

form

s.

6.02

Dem

onst

rate

a b

asic

know

ledg

e of

the

tech

nica

lvo

cabu

lary

of m

usic

.

6.03

Rec

ogni

ze a

nd id

entif

y a

varie

ty o

f com

posi

tiona

lte

chni

ques

.

6.04

Iden

tify

vario

us ty

pes

ofac

com

pani

men

ts.

inst

OuM

erita

lllhi

si61

1::::

6.01

Iden

tify

mus

ical

form

sre

pres

entin

g va

rious

his

toric

alpe

riods

.

6.02

Dem

onst

rate

a b

asic

know

ledg

e of

the

tech

nica

lvo

cabu

lary

of m

usic

.

6.03

Dis

cuss

a v

arie

ty o

fco

mpo

sitio

nal t

echn

ique

s.

6.04

Exp

lain

var

ious

acco

mpa

nim

ents

.

BE

ST

CO

PY

MA

ILA

BLE

1404

1M60

a M

usic

III

6.01

Iden

tify

mus

ical

form

sre

pres

entin

g di

vers

e ge

nres

and

cultu

res.

6.02

Dem

onst

rate

incr

ease

dkn

owle

dge

of th

e te

chni

cal

voca

bula

ry o

f mus

ic.

6.03

Ana

lyze

and

des

crib

e th

eel

emen

ts o

f mus

ic in

a g

iven

wor

k.

6.04

Iden

tify

and

expl

ain

com

posi

tiona

l dev

ices

and

tech

niqu

es u

sed

to p

rovi

de u

nity

and

varie

ty a

nd te

nsio

n an

dre

leas

e in

a m

usic

al w

ork

and

give

Inst

rum

enta

l Mus

ic IV

...

6.01

Com

pare

and

con

tras

t mus

ical

form

s re

pres

entin

g di

vers

e ge

nres

and

cultu

res.

6.02

Dem

onst

rate

ext

ensi

ve k

now

ledg

eof

the

tech

nica

l voc

abul

ary

of m

usic

.

6.03

Ana

lyze

and

des

crib

e th

e el

emen

tsof

mus

ic in

a g

iven

wor

k th

at m

ake

itun

ique

, int

eres

ting,

and

exp

ress

ive.

6.04

Dem

onst

rate

the

abili

ty to

per

ceiv

ean

d re

mem

ber

mus

ic e

vent

s by

desc

ribin

g in

det

ail s

igni

fican

t eve

nts

occu

rrin

g in

a g

iven

aur

al e

xam

ple.

1

6.05

Dem

onst

rate

per

cept

ual

skill

s by

con

duct

ing,

mov

ing,

answ

erin

g qu

estio

ns a

bout

, and

desc

ribin

g au

ral e

xam

ples

of

mus

ic.

6.06

Sho

w r

espe

ct w

hile

list

enin

gto

and

ana

lyzi

ng m

usic

.

6.05

Dem

onst

rate

aud

itory

perc

eptu

al s

kills

by

cond

uctin

g,m

ovin

g, a

nsw

erin

g qu

estio

nsab

out,

and

desc

ribin

g au

ral

exam

ples

of m

usic

.

6.06

Sho

w r

espe

ct w

hile

list

enin

gto

and

ana

lyzi

ng m

usic

.

sim

ilar

uses

of t

hese

dev

ices

and

tech

niqu

es.

6.05

Dem

onst

rate

aud

itory

perc

eptu

al s

kills

by

cond

uctin

g,m

ovin

g, a

nsw

erin

g qu

estio

nsab

out,

and

desc

ribin

g au

ral

exam

ples

of m

usic

.

6.06

Sho

w r

espe

ct w

hile

list

enin

gto

and

ana

lyzi

ng m

usic

.

6.05

Dem

onst

rate

aud

itory

per

cept

ual

skill

s by

con

duct

ing,

mov

ing,

ans

wer

ing

ques

tions

abo

ut, a

nd d

escr

ibin

g au

ral

exam

ples

of m

usic

.

6.06

Sho

w r

espe

ct w

hile

list

enin

g to

and

anal

yzin

g m

usic

.

Gen

eral

. Mu

Sic

/All'

Oth

er E

lect

ives

6.01

Iden

tify

mus

ical

form

s re

pres

entin

g va

rious

his

toric

al p

erio

ds a

nd c

ultu

res.

6.02

Dem

onst

rate

a b

asic

kno

wle

dge

of th

e te

chni

cal v

ocab

ular

y of

mus

ic.

6.03

Dis

cuss

a v

arie

ty o

f com

posi

tiona

l tec

hniq

ues.

6.04

Sho

w r

espe

ct w

hile

list

enin

g to

and

ana

lyzi

ng m

usic

. BE

ST C

OPY

AV

AIL

AB

LE

E '

83

Sco

pe a

nd S

eque

nce:

Mus

ic K

-12

Goa

l 7: T

he le

arne

r w

ill e

valu

ate

mus

ic a

nd m

usic

per

form

ance

s.(N

atio

nal S

tand

ard

7)

Xid

derg

arte

rf',

1G

rade

7.01

Rel

ate

pers

onal

rea

ctio

ns to

mus

icse

lect

ions

.

7.02

Dem

onst

rate

res

pect

for

the

mus

ical

effo

rts

and

opin

ions

of o

ther

s.

7.01

Exp

lain

per

sona

l rea

ctio

ns to

mus

ical

wor

ks.

7.02

Dem

onst

rate

res

pect

for

the

mus

ical

effo

rts

and

opin

ions

of o

ther

s.

7.01

Dev

ise

crite

ria fo

r ev

alua

ting

perf

orm

ance

san

d co

mpo

sitio

ns o

f sel

f and

oth

ers.

7.02

Exp

lain

per

sona

l rea

ctio

ns to

mus

ical

wor

ks.

7.03

Dem

onst

rate

res

pect

for

the

mus

ical

effo

rts

and

opin

ions

of o

ther

s.

,3ra

Grid

7.01

Dev

ise

crite

ria fo

r ev

alua

ting

perf

orm

ance

san

d co

mpo

sitio

ns o

f sel

f and

oth

ers.

7.02

Exp

lain

per

sona

l rea

ctio

ns to

spe

cific

mus

ical

com

posi

tions

and

sty

les

usin

gap

prop

riate

term

inol

ogy.

7.03

Sho

w r

espe

ct fo

r th

e m

usic

al e

ffort

s an

dop

inio

ns o

f oth

ers.

eGra

dey:

,

7.01

Dev

ise

and

use

crite

ria fo

r ev

alua

ting

perf

orm

ance

s an

d co

mpo

sitio

ns o

f sel

f and

othe

rs.

5m. G

rade

7.02

Exp

lain

per

sona

l rea

ctio

ns to

spe

cific

mus

ical

wor

ks a

nd s

tyle

s us

ing

appr

opria

te m

usic

term

inol

ogy.

7.03

Sho

w r

espe

ct fo

r th

e m

usic

al e

ffort

s an

dop

inio

ns o

f oth

ers.

7.01

Dev

ise

and

use

crite

ria fo

r ev

alua

ting

perf

orm

ance

s an

d co

mpo

sitio

ns o

f sel

f and

othe

rs.

7.02

Exp

lain

, usi

ng a

ppro

pria

te m

usic

term

inol

ogy,

per

sona

l rea

ctio

ns to

spe

cific

mus

ical

wor

ks a

nd s

tyle

s.

7.03

Sho

w r

espe

ct fo

r th

e m

usic

al e

ffort

s an

dop

inio

ns o

f oth

ers.

7.01

Dev

ise

crite

ria fo

r ev

alua

ting

the

qual

ity a

ndef

fect

iven

ess

of m

usic

per

form

ance

s an

dco

mpo

sitio

ns, a

nd a

pply

crit

eria

in p

erso

nal

liste

ning

and

per

form

ing.

7.02

Eva

luat

e th

e qu

ality

and

effe

ctiv

enes

s of

com

posi

tions

, arr

ange

men

ts, a

nd im

prov

isat

ions

by a

pply

ing

spec

ific

crite

ria a

ppro

pria

te fo

r th

est

yle

of th

e m

usic

and

offe

r co

nstr

uctiv

esu

gges

tions

for

impr

ovem

ent.

7.03

Iden

tify

and

desc

ribe

how

inte

ract

ing

mus

ical

ele

men

ts im

pact

one

's fe

elin

gful

resp

onse

to m

usic

.

S4

7.01

Dev

ise

crite

ria fo

r ev

alua

ting

the

qual

ity a

ndef

fect

iven

ess

of m

usic

per

form

ance

s an

dco

mpo

sitio

ns a

nd a

pply

crit

eria

in p

erso

nal

liste

ning

and

per

form

ing.

7.02

Eva

luat

e th

e qu

ality

and

effe

ctiv

enes

s of

com

posi

tions

, arr

ange

men

ts, a

nd im

prov

isat

ions

by a

pply

ing

spec

ific

crite

ria a

ppro

pria

te fo

r th

em

usic

al s

tyle

and

offe

r co

nstr

uctiv

e su

gges

tions

for

impr

ovem

ent.

7.03

Iden

tify

and

desc

ribe

how

inte

ract

ing

mus

ical

ele

men

ts im

pact

one

's fe

elin

gful

resp

onse

s to

mus

ic.

EST

CO

PY A

VA

iLA

BL

E

7.01

Dev

ise

crite

ria fo

r ev

alua

ting

the

qual

ity a

ndef

fect

iven

ess

of m

usic

per

form

ance

s an

dco

mpo

sitio

ns, a

nd a

pply

crit

eria

in p

erso

nal

liste

ning

and

per

form

ing.

7.02

Eva

luat

e th

e qu

ality

and

effe

ctiv

enes

s of

com

posi

tions

, arr

ange

men

ts, a

nd im

prov

isat

ions

by a

pply

ing

spec

ific

crite

ria a

ppro

pria

te fo

r th

est

yle

of th

e m

usic

and

offe

r co

nstr

uctiv

esu

gges

tions

for

impr

ovem

ent.

7.03

Iden

tify

and

desc

ribe

how

inte

ract

ing

mus

ical

ele

men

ts im

pact

one

's fe

elin

gful

resp

onse

s to

mus

ic.

85

7.04

Sho

w r

espe

ct fo

r th

e m

usic

al e

ffort

s an

dop

inio

ns o

f oth

ers.

7.04

Sho

w r

espe

ct fo

r th

e m

usic

al e

ffort

s an

d7.

04 S

how

res

pect

for

the

mus

ical

effo

rts

and

opin

ions

of o

ther

s.op

inio

ns o

f oth

ers.

vota

tU

SK

.V

iaci

tIV

Iii4

10r

Voc

al M

US1

6:11

1.-:

,V

ocal

MU

eic

'V;

7.01

App

ly s

peci

fic c

riter

ia fo

rm

akin

g in

form

ed, c

ritic

alev

alua

tions

of m

usic

.

7.02

Eva

luat

e m

usic

al w

orks

by

com

parin

g th

em to

sim

ilar

orex

empl

ary

mod

els.

7.03

Eva

luat

e m

usic

al id

eas

and

info

rmat

ion

to m

ake

info

rmed

deci

sion

s as

a c

onsu

mer

of m

usic

.

7.04

App

ly r

ules

of s

tand

ard

Eng

lish

in w

ritte

n ev

alua

tions

of

mus

ic.

7.05

Des

crib

e th

e ae

sthe

tic n

atur

eof

mus

ic a

nd h

ow p

erce

ptio

ns o

fin

tera

ctin

g m

usic

al e

lem

ents

affe

cton

e's

feel

ingf

ul r

espo

nses

tom

usic

.

7.06

Sho

w r

espe

ct fo

r th

e m

usic

alef

fort

s an

d op

inio

ns o

f oth

ers.

E,

7.01

App

ly s

peci

fic c

riter

ia fo

rm

akin

g in

form

ed, c

ritic

alev

alua

tions

of m

usic

.

7.02

Eva

luat

e m

usic

al w

orks

by

com

parin

g, c

ontr

astin

g, a

ndsu

mm

ariz

ing

them

in r

elat

ion

tosi

mila

r or

exe

mpl

ary

mod

els.

7.03

Eva

luat

e m

usic

al id

eas

and

info

rmat

ion

to m

ake

info

rmed

deci

sion

s as

a c

onsu

mer

of m

usic

.

7.04

App

ly r

ules

of s

tand

ard

Eng

lish

in w

ritte

n ev

alua

tions

of

mus

ic.

7.05

Exp

lain

how

inte

ract

ing

mus

ical

ele

men

ts im

pact

one

'sae

sthe

tic o

r fe

elin

gful

res

pons

e to

mus

ic.

7.06

Sho

w r

espe

ct fo

r th

e m

usic

alef

fort

s an

d op

inio

ns o

f oth

ers.

7.01

App

ly s

peci

fic c

riter

ia fo

rm

akin

g in

form

ed, c

ritic

alev

alua

tions

of t

he q

ualit

y an

def

fect

iven

ess

of p

erfo

rman

ces,

com

posi

tions

, arr

ange

men

ts, a

ndim

prov

isat

ions

and

app

ly th

ecr

iteria

to o

ne's

per

sona

lpa

rtic

ipat

ion

in m

usic

.

7.02

Eva

luat

e m

usic

al w

orks

by

com

parin

g, c

ontr

astin

g, a

ndsu

mm

ariz

ing

them

in r

elat

ion

tosi

mila

r or

exe

mpl

ary

mod

els.

7.03

Exa

min

e an

d de

term

ine

the

best

eco

nom

ic v

alue

of

inst

rum

ents

, mat

eria

ls, o

rre

cord

ings

to m

ake

info

rmed

choi

ces.

7.04

App

ly r

ules

of s

tand

ard

Eng

lish

in w

ritte

n ev

alua

tions

of

mus

ic.

7.05

Eva

luat

e a

give

n m

usic

alw

ork

in te

rms

of it

s ae

sthe

ticqu

aliti

es a

nd e

xpla

in m

usic

alde

vice

s it

used

to e

voke

feel

ings

and

emot

ions

.

7.06

Sho

w r

espe

ct fo

r th

e m

usic

alef

fort

s an

d op

inio

ns o

f oth

ers.

EST

CO

PYM

AIL

AB

LE

7.01

App

ly s

peci

fic c

riter

ia fo

r m

akin

gin

form

ed, c

ritic

al e

valu

atio

ns o

f the

qual

ity a

nd e

ffect

iven

ess

ofpe

rfor

man

ces,

com

posi

tions

,ar

rang

emen

ts, a

nd im

prov

isat

ions

and

appl

y th

e cr

iteria

to o

ne's

per

sona

lpa

rtic

ipat

ion

in m

usic

.

7.02

Eva

luat

e m

usic

al w

orks

by

com

parin

g, c

ontr

astin

g, a

nd s

umm

ariz

ing

them

in r

elat

ion

to s

imila

r or

exe

mpl

ary

mod

els.

7.03

App

ly r

ules

of s

tand

ard

Eng

lish

inw

ritte

n ev

alua

tions

of m

usic

.

7.04

Eva

luat

e a

give

n m

usic

al w

ork

inte

rms

of it

s ae

sthe

tic q

ualit

ies

and

expl

ain

the

mus

ical

dev

ices

it u

sed

toev

oke

feel

ings

and

em

otio

ns.

7.05

Sho

w r

espe

ct fo

r th

e m

usic

alef

fort

s an

d op

inio

ns o

f oth

ers. P7

Inta

tivire

ritaj

Mus

ic.

7.01

App

ly s

peci

fic c

riter

ia fo

rm

akin

g in

form

ed, c

ritic

alev

alua

tions

of m

usic

.

7.02

Eva

luat

e m

usic

al w

orks

by

com

parin

g th

em to

sim

ilar

orex

empl

ary

mod

els.

7.03

Eva

luat

e m

usic

al id

eas

and

info

rmat

ion

to m

ake

info

rmed

deci

sion

s as

a c

onsu

mer

of m

usic

.

7.04

App

ly r

ules

of s

tand

ard

Eng

lish

in w

ritte

n ev

alua

tions

of

mus

ic.

7.05

Des

crib

e th

e ae

sthe

tic n

atur

eof

mus

ic a

nd h

ow p

erce

ptio

ns o

fin

tera

ctin

g m

usic

al e

lem

ents

affe

cton

e's

feel

ingf

ul r

espo

nses

tom

usic

.

7.06

Sho

w r

espe

ct fo

r th

e m

usic

alef

fort

s an

d op

inio

ns o

f oth

ers.

nqtr

uttie

n*M

u001

,7.

01 A

pply

spe

cific

crit

eria

for

mak

ing

info

rmed

, crit

ical

eval

uatio

ns o

f mus

ic.

7.02

Eva

luat

e m

usic

al w

orks

by

com

parin

g, c

ontr

astin

g, a

ndsu

mm

ariz

ing

them

in r

elat

ion

tosi

mila

r or

exe

mpl

ary

mod

els.

7.03

Eva

luat

e m

usic

al id

eas

and

info

rmat

ion

to m

ake

info

rmed

deci

sion

s as

a c

onsu

mer

of m

usic

.

7.04

App

ly r

ules

of s

tand

ard

Eng

lish

in w

ritte

n ev

alua

tions

of

mus

ic.

7.05

Exp

lain

how

inte

ract

ing

mus

ical

ele

men

ts im

pact

one

'sae

sthe

tic o

r fe

elin

gful

res

pons

e to

mus

ic.

7.06

Sho

w r

espe

ct fo

r th

e m

usic

alef

fort

s an

d op

inio

ns o

f oth

ers.

listr

ithie

hfat

-Mus

ic1

7.01

App

ly s

peci

fic c

riter

ia fo

rm

akin

g in

form

ed, c

ritic

alev

alua

tions

of t

he q

ualit

y an

def

fect

iven

ess

of p

erfo

rman

ces,

com

posi

tions

, arr

ange

men

ts, a

ndim

prov

isat

ions

and

app

ly th

ecr

iteria

to o

ne's

per

sona

lpa

rtic

ipat

ion

in m

usic

.

7.02

Eva

luat

e m

usic

al w

orks

by

com

parin

g, c

ontr

astin

g, a

ndsu

mm

ariz

ing

them

in r

elat

ion

tosi

mila

r or

exe

mpl

ary

mod

els.

nttr

uifie

ntal

-Mu6

ib IV

:

7.03

Exa

min

e an

d de

term

ine

the

best

eco

nom

ic v

alue

of

inst

rum

ents

, mat

eria

ls, o

rre

cord

ings

to m

ake

info

rmed

choi

ces.

7.04

App

ly r

ules

of s

tand

ard

Eng

lish

in w

ritte

n ev

alua

tions

of

mus

ic.

7.05

Eva

luat

e a

give

n m

usic

alw

ork

in te

rms

of it

s ae

sthe

ticqu

aliti

es a

nd e

xpla

in th

e m

usic

alm

eans

it u

ses

to e

voke

feel

ings

and

emot

ions

.

7.06

Sho

w r

espe

ct fo

r th

e m

usic

alef

fort

s an

d op

inio

ns o

f oth

ers.

7.01

App

ly s

peci

fic c

riter

ia fo

r m

akin

gin

form

ed, c

ritic

al e

valu

atio

ns o

f the

qual

ity a

nd e

ffect

iven

ess

ofpe

rfor

man

ces,

com

posi

tions

,ar

rang

emen

ts, a

nd im

prov

isat

ions

and

appl

y th

e cr

iteria

to o

ne's

per

sona

lpa

rtic

ipat

ion

in m

usic

.

7.02

Eva

luat

e m

usic

al w

orks

by

com

parin

g, c

ontr

astin

g, a

nd s

umm

ariz

ing

them

in r

elat

ion

to s

imila

r or

exe

mpl

ary

mod

els.

7.03

App

ly r

ules

of s

tand

ard

Eng

lish

inw

ritte

n ev

alua

tions

of m

usic

.

7.04

Eva

luat

e a

give

n m

usic

al w

ork

inte

rms

of it

s ae

sthe

tic q

ualit

ies

and

expl

ain

the

mus

ical

dev

ices

it u

sed

toev

oke

feel

ings

and

em

otio

ns.

7.05

Sho

w r

espe

ct fo

r th

e m

usic

alef

fort

s an

d op

inio

ns o

f oth

ers.

Gen

eral

-Mus

ic/A

li O

ther

Ele

ctiv

es7.

01 A

pply

spe

cific

crit

eria

for

mak

ing

info

rmed

, crit

ical

eva

luat

ions

of m

usic

.

7.02

Eva

luat

e m

usic

al c

ompo

sitio

ns b

y co

mpa

ring

them

to s

imila

ror

exe

mpl

ary

mod

els.

7.03

Eva

luat

e m

usic

al id

eas

and

info

rmat

ion

to m

ake

info

rmed

deci

sion

s as

a c

onsu

mer

of m

usic

.

7.04

App

ly r

ules

of s

tand

ard

Eng

lish

in w

ritte

n ev

alua

tions

of m

usic

.

7.05

Sho

w r

espe

ct fo

r th

e m

usic

al e

ffort

s an

d op

inio

ns o

f oth

ers.

UL

)B

EST

CO

PY A

VA

ILA

BL

ES9

Sco

pe a

nd S

eque

nce:

Mus

ic K

-12

Goa

l 8: T

he le

arne

r w

ill u

nder

stan

d re

latio

nshi

ps b

etw

een

mus

ic, t

he o

ther

arts

, and

con

tent

are

as o

utsi

de th

e ar

ts.

(Nat

iona

l Sta

ndar

d 8)

Kin

der,

am

en8.

01 R

ecog

nize

com

mon

aliti

es b

etw

een

mus

ican

d th

e ot

her

arts

.

8.02

Iden

tify

way

s in

whi

ch th

e pr

inci

ples

and

subj

ect m

atte

r of

oth

er c

onte

nt a

reas

taug

ht in

the

scho

ol in

clud

ing

Eng

lish

Lang

uage

Art

s,M

athe

mat

ics,

Sci

ence

, and

Soc

ial S

tudi

es a

rere

late

d to

thos

e of

mus

ic.

8.03

Dem

onst

rate

the

char

acte

r tr

aits

of

resp

onsi

bilit

y, s

elf-

disc

iplin

e, a

nd p

erse

vera

nce

whi

le in

form

ally

or

form

ally

par

ticip

atin

g in

mus

ic.

1". G

rade

8.01

Iden

tify

com

mon

altie

s be

twee

n m

usic

and

the

othe

r ar

ts a

reas

.

8.02

Iden

tify

way

s in

whi

ch th

e pr

inci

ples

and

subj

ect m

atte

r of

oth

er c

onte

nt a

reas

taug

ht in

the

scho

ol a

re r

elat

ed to

thos

e of

mus

ic.

8.03

Dem

onst

rate

the

char

acte

r tr

aits

of

resp

onsi

bilit

y, s

elf-

disc

iplin

e, a

nd p

erse

vera

nce

whi

le in

form

ally

or

form

ally

par

ticip

atin

g in

mus

ic.

291,

Gra

de8.

01 Id

entif

y an

d ex

plai

n co

mm

onal

ties

betw

een

mus

ic a

nd th

e ot

her

arts

are

as.

8.02

Iden

tify

way

s in

whi

ch th

e pr

inci

ples

and

subj

ect m

atte

r of

oth

er c

onte

nt a

reas

taug

ht in

the

scho

ol a

re r

elat

ed to

thos

e of

mus

ic.

8.03

Dem

onst

rate

the

char

acte

r tr

aits

of

resp

onsi

bilit

y, s

elf-

disc

iplin

e, a

nd p

erse

vera

nce

whi

le in

form

ally

or

form

ally

par

ticip

atin

g in

mus

ic.

.'371

G r

ade:

.8.

01 Id

entif

y si

mila

ritie

s an

d di

ffere

nces

in th

em

eani

ngs

of c

omm

on te

rms

used

in th

e ot

her

arts

.

8.02

Iden

tify

way

s in

whi

ch th

e pr

inci

ples

and

subj

ect m

atte

r of

oth

er d

isci

plin

es ta

ught

in th

esc

hool

are

rel

ated

to th

ose

of m

usic

.

8.03

Dem

onst

rate

the

char

acte

r tr

aits

of

resp

onsi

bilit

y, s

elf-

disc

iplin

e, a

nd p

erse

vera

nce

whi

le in

form

ally

or

form

ally

par

ticip

atin

g in

mus

ic.

4T`,

o-ra

de'.'

8.01

Iden

tify

sim

ilarit

ies

and

diffe

renc

es in

the

mea

ning

s of

com

mon

term

s us

ed in

dan

ce,

mus

ic, t

heat

re a

rts,

and

vis

ual a

rts

incl

udin

g lin

e,co

lor,

text

ure,

form

/sha

pe, r

hyth

m, p

atte

rn,

moo

d/em

otio

n, th

eme,

and

pur

pose

.

5T -

Ora

ie'

8.02

Iden

tify

way

s in

whi

ch th

e pr

inci

ples

and

subj

ect m

atte

r of

oth

er c

onte

nt a

reas

taug

ht in

the

scho

ol a

re r

elat

ed to

thos

e of

mus

ic.

8.03

Dem

onst

rate

the

char

acte

r tr

aits

of

resp

onsi

bilit

y, s

elf-

disc

iplin

e, a

nd p

erse

vera

nce

whi

le in

form

ally

or

form

ally

par

ticip

atin

g in

mus

ic.

8.01

Iden

tify

sim

ilarit

ies

and

diffe

renc

es in

the

mea

ning

s of

com

mon

term

s us

ed in

dan

ce,

mus

ic, t

heat

re a

rts,

and

vis

ual a

rts

incl

udin

g lin

e,co

lor,

text

ure,

form

/sha

pe, r

hyth

m, p

atte

rn,

moo

d/em

otio

n, th

eme,

and

pur

pose

.

8.02

Iden

tify

way

s in

whi

ch th

e pr

inci

ples

and

subj

ect m

atte

r of

oth

er c

onte

nt a

reas

taug

ht in

the

scho

ol a

re r

elat

ed to

thos

e of

mus

ic.

8.03

Dem

onst

rate

the

char

acte

r tr

aits

of

resp

onsi

bilit

y, s

elf-

disc

iplin

e, a

nd p

erse

vera

nce

whi

le in

form

ally

or

form

ally

per

form

ing

mus

ic.

6.G

ra d

e,,

8.01

Iden

tify

sim

ilarit

ies

and

diffe

renc

es in

the

mea

ning

s of

com

mon

term

s us

ed in

dan

ce,

mus

ic, t

heat

re a

rts,

and

vis

ual a

rts

incl

udin

g lin

e,co

lor,

text

ure,

form

/sha

pe, r

hyth

m, p

atte

rn,

moo

d/em

otio

n, th

eme,

and

pur

pose

.

00

7!b:

Grg

de8

.:Gra

d0,,

8.01

Com

pare

in tw

o or

mor

e ar

ts a

reas

how

the

char

acte

ristic

ele

men

ts o

f eac

h ar

t for

m c

an b

eus

ed to

tran

sfor

m e

vent

s, e

mot

ions

, or

idea

s in

tow

orks

of a

rt.

BE

ST C

OPY

AV

AIL

AB

LE

8.01

Com

pare

in tw

o or

mor

e ar

ts a

reas

how

the

char

acte

ristic

ele

men

ts o

f eac

h ar

t for

m c

an b

eus

ed to

tran

sfor

m e

vent

s, e

mot

ions

, or

idea

s in

tow

orks

of a

rt.

91

8.02

Des

crib

e w

ays

in w

hich

the

conc

epts

and

skill

s of

oth

er c

onte

nt a

reas

taug

ht in

the

scho

olin

clud

ing

Eng

lish

Lang

uage

Art

s, M

athe

mat

ics,

Sci

ence

, and

Soc

ial S

tudi

es a

re r

elat

ed to

thos

eof

mus

ic.

8.03

Dem

onst

rate

the

char

acte

r tr

aits

of

resp

onsi

bilit

y, s

elf-

disc

iplin

e, a

nd p

erse

vera

nce

whi

le in

form

ally

or

form

ally

par

ticip

atin

g in

mus

ic.

8.02

Des

crib

e w

ays

in w

hich

the

conc

epts

and

skill

s of

oth

er c

onte

nt a

reas

taug

ht in

the

scho

olin

clud

ing

Eng

lish

Lang

uage

Art

s, M

athe

mat

ics,

Sci

ence

, and

Soc

ial S

tudi

es a

re r

elat

ed to

thos

eof

mus

ic.

8.03

Dem

onst

rate

the

char

acte

r tr

aits

of

resp

onsi

bilit

y, s

elf-

disc

iplin

e, a

nd p

erse

vera

nce

whi

le in

form

ally

or

form

ally

par

ticip

atin

g in

mus

ic.

8.02

Des

crib

e w

ays

in w

hich

the

conc

epts

and

skill

s of

oth

er c

onte

nt a

reas

taug

ht in

the

scho

olin

clud

ing

Eng

lish

Lang

uage

Art

s, M

athe

mat

ics,

Sci

ence

, and

Soc

ial S

tudi

es a

re r

elat

ed to

thos

eof

mus

ic.

8.03

Dem

onst

rate

the

char

acte

r tr

aits

of

resp

onsi

bilit

y, s

elf-

disc

iplin

e, a

nd p

erse

vera

nce

whi

le in

form

ally

or

form

ally

par

ticip

atin

g in

mus

ic.

Voc

aiM

usic

I,8.

01 Id

entif

y th

e us

es o

fch

arac

teris

tic e

lem

ents

, art

istic

proc

esse

s, a

nd o

rgan

izat

iona

lpr

inci

ples

am

ong

the

arts

are

as(d

ance

, mus

ic, t

heat

re a

rts,

and

visu

al a

rts)

in d

iffer

ent h

isto

rical

perio

ds a

nd c

ultu

res.

8.02

Iden

tify

and

expl

ain

way

s in

whi

ch th

e co

ncep

ts a

nd s

kills

of

othe

r co

nten

t are

as o

utsi

de o

f the

arts

are

rel

ated

to th

ose

of m

usic

.

8.03

Use

kno

wle

dge

ofm

athe

mat

ical

rel

atio

nshi

ps to

crea

te o

rigin

al c

ompo

sitio

ns.

8.04

Iden

tify

the

role

s of

cre

ator

s,pe

rfor

mer

s, a

nd o

ther

s in

volv

ed in

the

prod

uctio

n an

d pr

esen

tatio

n of

the

arts

.

8.05

Dem

onst

rate

the

char

acte

rtr

aits

of r

espo

nsib

ility

, sel

f-di

scip

line,

and

per

seve

ranc

e w

hile

info

rmal

ly o

r fo

rmal

ly p

artic

ipat

ing

in m

usic

.

92

Voc

al M

usic

II8.

01 A

pply

sta

ndar

d ru

les

ofw

ritte

n E

nglis

h to

exp

lain

the

uses

of c

hara

cter

istic

ele

men

ts, a

rtis

ticpr

oces

ses,

and

org

aniz

atio

nal

prin

cipl

es a

mon

g th

e ar

ts a

reas

indi

ffere

nt h

isto

rical

per

iods

and

cultu

res.

8.02

Iden

tify

and

expl

ain

way

s in

whi

ch th

e co

ncep

ts a

nd s

kills

of

othe

r co

nten

t are

as o

utsi

de o

f the

arts

are

inte

rrel

ated

with

thos

e of

mus

ic.

8.03

Use

kno

wle

dge

ofm

athe

mat

ical

rel

atio

nshi

ps to

crea

te o

rigin

al c

ompo

sitio

ns.

8.04

Syn

thes

ize

and

appl

yin

form

atio

n fr

om o

ther

con

tent

area

s to

faci

litat

e m

usic

alun

ders

tand

ing.

Voc

al M

usic

Ill

Voc

alM

usic

, IV

8.05

Dis

cuss

the

role

s of

cre

ator

s,pe

rfor

mer

s, a

nd o

ther

s in

volv

ed in

the

prod

uctio

n an

d pr

esen

tatio

n of

the

arts

.

8.06

Dem

onst

rate

the

char

acte

rtr

aits

of r

espo

nsib

ility

, sel

f-di

scip

line,

and

per

seve

ranc

e w

hile

info

rmal

ly o

r fo

rmal

ly p

artic

ipat

ing

in m

usic

.

8.01

App

ly r

ules

of s

tand

ard

Eng

lish

to c

ompa

re a

nd c

ontr

ast

the

uses

of c

hara

cter

istic

elem

ents

, art

istic

pro

cess

es, a

ndor

gani

zatio

nal p

rinci

ples

am

ong

the

arts

are

as in

diff

eren

t his

toric

alpe

riods

and

cul

ture

s.

8.02

Ana

lyze

way

s in

whi

ch th

eco

ncep

ts a

nd s

kills

of o

ther

cont

ent a

reas

out

side

the

arts

are

inte

rrel

ated

with

thos

e of

mus

ic.

8.03

Syn

thes

ize

and

appl

yin

form

atio

n fr

om o

ther

con

tent

area

s to

faci

litat

e m

usic

alun

ders

tand

ing.

8.04

Com

pare

and

con

tras

t the

role

s of

cre

ator

s, p

erfo

rmer

s, a

ndot

hers

invo

lved

in th

e pr

oduc

tion

and

pres

enta

tion

of th

e ar

ts.

8.05

Dem

onst

rate

the

char

acte

rtr

aits

of r

espo

nsib

ility

, sel

f-di

scip

line,

and

per

seve

ranc

e w

hile

info

rmal

ly o

r fo

rmal

ly p

artic

ipat

ing

in m

usic

.

8.01

Com

pare

and

con

tras

t usi

ng m

ain

idea

s an

d su

ppor

ting

deta

ils to

org

aniz

ean

d co

mm

unic

ate

info

rmat

ion

abou

t the

uses

of c

hara

cter

istic

ele

men

ts, a

rtis

ticpr

oces

ses,

and

org

aniz

atio

nal p

rinci

ples

amon

g th

e ar

ts a

reas

in d

iffer

ent

hist

oric

al p

erio

ds a

nd c

ultu

res.

8.02

Gen

eral

ize

way

s in

whi

ch th

eco

ncep

ts a

nd s

kills

of o

ther

con

tent

area

s ou

tsid

e th

e ar

ts a

re r

elat

ed to

thos

e of

mus

ic.

8.03

Syn

thes

ize

and

appl

y in

form

atio

nfr

om o

ther

con

tent

are

as to

faci

litat

em

usic

al u

nder

stan

ding

.

8.04

Com

pare

and

con

tras

t the

rol

es o

fcr

eato

rs, p

erfo

rmer

s, a

nd o

ther

s in

volv

edin

the

prod

uctio

n an

d pr

esen

tatio

n of

the

arts

.

8.05

Dem

onst

rate

the

char

acte

r tr

aits

of

resp

onsi

bilit

y, s

elf-

disc

iplin

e, a

ndpe

rsev

eran

ce w

hile

info

rmal

ly o

r fo

rmal

lypa

rtic

ipat

ing

in m

usic

.

BE

ST C

OPY

MA

ILA

BL

E93

Inst

rum

enta

l Mus

ic.I.

pist

rtur

ient

ek M

tIalc

1F:

Inst

rum

enta

l IV

Iusi

c111

1-In

stru

rnen

talM

uSip

IV .:

8.01

Iden

tify

the

uses

of

char

acte

ristic

ele

men

ts, a

rtis

ticpr

oces

ses,

and

org

aniz

atio

nal

prin

cipl

es a

mon

g th

e ar

ts a

reas

(dan

ce, m

usic

, the

atre

art

s, a

ndvi

sual

art

s) in

diff

eren

t his

toric

alpe

riods

and

cul

ture

s.

8.02

Iden

tify

and

expl

ain

way

s in

whi

ch th

e co

ncep

ts a

nd s

kills

of

othe

r co

nten

t are

as o

utsi

de o

f the

arts

are

inte

rrel

ated

with

thos

e of

mus

ic.

8.03

Use

kno

wle

dge

ofm

athe

mat

ical

rel

atio

nshi

ps to

crea

te o

rigin

al c

ompo

sitio

ns.

8.04

Iden

tify

the

role

s of

cre

ator

s,pe

rfor

mer

s, a

nd o

ther

s in

volv

ed in

the

prod

uctio

n an

d pr

esen

tatio

n of

the

arts

.

8.05

Dem

onst

rate

the

char

acte

rtr

aits

of r

espo

nsib

ility

, sel

f-di

scip

line,

and

per

seve

ranc

e w

hile

info

rmal

ly o

r fo

rmal

ly p

artic

ipat

ing

in m

usic

.

8.01

App

ly s

tand

ard

rule

s of

writ

ten

Eng

lish

to e

xpla

in th

e us

esof

cha

ract

eris

tic e

lem

ents

, art

istic

proc

esse

s, a

nd o

rgan

izat

iona

lpr

inci

ples

am

ong

the

arts

are

as in

diffe

rent

his

toric

al p

erio

ds a

ndcu

lture

s.

8.02

Iden

tify

and

expl

ain

way

s in

whi

ch th

e co

ncep

ts a

nd s

kills

of

othe

r co

nten

t are

as o

utsi

de o

f the

arts

are

inte

rrel

ated

with

thos

e of

mus

ic.

8.03

Use

kno

wle

dge

ofm

athe

mat

ical

rel

atio

nshi

ps to

crea

te o

rigin

al c

ompo

sitio

ns.

8.04

Syn

thes

ize

and

appl

yin

form

atio

n fr

om o

ther

con

tent

area

s to

faci

litat

e m

usic

alun

ders

tand

ing.

8.05

Dis

cuss

the

role

s of

cre

ator

s,pe

rfor

mer

s, a

nd o

ther

s in

volv

ed in

the

prod

uctio

n an

d pr

esen

tatio

n of

the

arts

.

8.06

Dem

onst

rate

the

char

acte

rtr

aits

of r

espo

nsib

ility

, sel

f-di

scip

line,

and

per

seve

ranc

e w

hile

info

rmal

ly o

r fo

rmal

ly p

artic

ipat

ing

in m

usic

.

8.01

App

ly r

ules

of s

tand

ard

Eng

lish

to c

ompa

re a

nd c

ontr

ast

the

uses

of c

hara

cter

istic

elem

ents

, art

istic

pro

cess

es, a

ndor

gani

zatio

nal p

rinci

ples

am

ong

the

arts

are

as in

diff

eren

t his

toric

alpe

riods

and

cul

ture

s.

8.02

Ana

lyze

way

s in

whi

ch th

eco

ncep

ts a

nd s

kills

of o

ther

cont

ent a

reas

out

side

the

arts

are

inte

rrel

ated

with

thos

e of

mus

ic.

8.03

Syn

thes

ize

and

appl

yin

form

atio

n fr

om o

ther

con

tent

area

s to

faci

litat

e m

usic

alun

ders

tand

ing.

8.04

Com

pare

and

con

tras

t the

role

s of

cre

ator

s, p

erfo

rmer

s, a

ndot

hers

invo

lved

in th

e pr

oduc

tion

and

pres

enta

tion

of th

e ar

ts.

8.05

Dem

onst

rate

the

char

acte

rtr

aits

of r

espo

nsib

ility

, sel

f-di

scip

line,

and

per

seve

ranc

e w

hile

info

rmal

ly o

r fo

rmal

ly p

artic

ipat

ing

in m

usic

.

8.01

Com

pare

and

con

tras

t usi

ng m

ain

idea

s an

d su

ppor

ting

deta

ils to

org

aniz

ean

d co

mm

unic

ate

info

rmat

ion

abou

t the

uses

of c

hara

cter

istic

ele

men

ts, a

rtis

ticpr

oces

ses,

and

org

aniz

atio

nal p

rinci

ples

amon

g th

e ar

ts a

reas

in d

iffer

ent

hist

oric

al p

erio

ds a

nd c

ultu

res.

8.02

Gen

eral

ize

way

s in

whi

ch th

eco

ncep

ts a

nd s

kills

of o

ther

con

tent

area

s ou

tsid

e th

e ar

ts a

re in

terr

elat

edw

ith th

ose

of m

usic

.

8.03

Syn

thes

ize

and

appl

y in

form

atio

nfr

om o

ther

con

tent

are

as to

faci

litat

em

usic

al u

nder

stan

ding

.

8.04

Com

pare

and

con

tras

t the

rol

es o

fcr

eato

rs, p

erfo

rmer

s, a

nd o

ther

s in

volv

edin

the

prod

uctio

n an

d pr

esen

tatio

n of

the

arts

.

8.05

Dem

onst

rate

the

char

acte

r tr

aits

of

resp

onsi

bilit

y, s

elf-

disc

iplin

e, a

ndpe

rsev

eran

ce w

hile

info

rmal

ly o

r fo

rmal

lypa

rtic

ipat

ing

in m

usic

.

Gen

eral

MuS

ic/A

ll O

ther

Ele

ctiv

es8.

01 A

pply

rul

es o

f sta

ndar

d w

ritte

n E

nglis

h to

exp

lain

the

uses

of c

hara

cter

istic

ele

men

ts, a

rtis

tic p

roce

sses

, and

org

aniz

atio

nal p

rinci

ples

amon

g th

e ar

tsar

eas

(dan

ce, m

usic

, the

atre

art

s, a

nd v

isua

l art

s) in

diff

eren

t his

toric

al p

erio

ds a

nd c

ultu

res.

8.02

Iden

tify

and

expl

ain

way

s in

whi

ch th

e co

ncep

ts a

nd s

kills

of o

ther

con

tent

are

as o

utsi

de th

e ar

ts a

re r

elat

ed to

thos

e of

mus

ic.

8.03

Dis

cuss

the

role

s of

cre

ator

s, p

erfo

rmer

s, a

nd o

ther

s in

volv

edin

the

prod

uctio

n an

d pr

esen

tatio

n of

the

arts

.

8.04

Dem

onst

rate

the

char

acte

r tr

aits

of r

espo

nsib

ility

, sel

f-di

scip

line,

and

per

seve

ranc

e w

hile

info

rmal

ly o

r fo

rmal

ly p

artic

ipat

ing

in m

usic

.

EST

CPY

MA

ILA

BL

E95

Sco

pe a

nd S

eque

nce:

Mus

ic K

-12

Goa

l 9: T

he le

arne

r w

ill u

nder

stan

d m

usic

in r

elat

ion

to h

isto

ry a

nd c

ultu

re. (

Nat

iona

l Sta

ndar

d 9)

:_K

inde

r' ar

ten

Gra

de27

d G

rade

9.01

Iden

tify

aura

l exa

mpl

es o

f mus

ic fr

omva

rious

his

toric

al p

erio

ds a

nd c

ultu

res.

9.02

Iden

tify

vario

us u

ses

of m

usic

.

9.03

Iden

tify

role

s of

mus

icia

ns.

9.04

Sho

w r

espe

ct fo

r m

usic

from

var

ious

cultu

res

and

hist

oric

al p

erio

ds.

9.01

Iden

tify

aura

l exa

mpl

es o

f mus

ic fr

omva

rious

his

toric

al p

erio

ds a

nd c

ultu

res.

9.02

Iden

tify

vario

us u

ses

of m

usic

.

9.03

Iden

tify

role

s of

mus

icia

ns.

9.04

Sho

w r

espe

ct fo

r m

usic

from

var

ious

cultu

res

and

hist

oric

al p

erio

ds.

9.01

Iden

tify

the

styl

e of

aur

al m

usic

al e

xam

ples

from

var

ious

his

toric

al p

erio

ds a

nd c

ultu

res.

9.02

Des

crib

e in

sim

ple

term

s ho

w e

lem

ents

of

mus

ic a

re u

sed

in m

usic

exa

mpl

es fr

om v

ario

uscu

lture

s in

the

wor

ld.

9.03

Iden

tify

vario

us u

ses

of m

usic

, and

des

crib

ech

arac

teris

tics

that

mak

e ce

rtai

n m

usic

sui

tabl

efo

r ea

ch u

se.

9.04

Iden

tify

and

desc

ribe

role

s of

mus

icia

ns in

vario

us m

usic

al s

ettin

gs a

nd c

ultu

res.

9.05

Sho

w r

espe

ct fo

r m

usic

from

var

ious

cultu

res

and

hist

oric

al p

erio

ds.

:31d

:Gra

cte.

:'';

9.01

Iden

tify

the

styl

e of

aur

al m

usic

exa

mpl

esfr

om v

ario

us h

isto

rical

per

iods

and

cul

ture

s.

9.02

Des

crib

e in

sim

ple

term

s ho

w e

lem

ents

of

mus

ic a

re u

sed

in m

usic

exa

mpl

es fr

om v

ario

uscu

lture

s in

the

wor

ld, p

ast a

nd p

rese

nt.

9.03

Iden

tify

vario

us u

ses

of m

usic

and

des

crib

ech

arac

teris

tics

that

mak

e ce

rtai

n m

usic

sui

tabl

efo

r ea

ch u

se.

9.04

Iden

tify

and

desc

ribe

role

s of

mus

icia

ns in

vario

us m

usic

set

tings

and

cul

ture

s.

9.05

Sho

w r

espe

ct fo

r m

usic

from

var

ious

cultu

res

and

hist

oric

al p

erio

ds.

96

......

....

9.01

Iden

tify

the

styl

e or

gen

re o

f aur

al m

usic

exam

ples

from

var

ious

his

toric

al p

erio

ds a

ndcu

lture

s.

5' G

rade

-

9.02

Des

crib

e in

sim

ple

term

s ho

w e

lem

ents

of

mus

ic a

re u

sed

in m

usic

exa

mpl

es fr

om v

ario

uscu

lture

s in

the

wor

ld, p

ast a

nd p

rese

nt.

9.03

Iden

tify

vario

us u

ses

of m

usic

, and

des

crib

ech

arac

teris

tics

that

mak

e ce

rtai

n m

usic

sui

tabl

efo

r ea

ch u

se.

9.04

Iden

tify

and

desc

ribe

role

s of

mus

icia

ns in

vario

us m

usic

set

tings

and

cul

ture

s.

9.05

Sho

w r

espe

ct fo

r m

usic

from

var

ious

cultu

res

and

hist

oric

al p

erio

ds.

BE

ST C

OPY

AV

AIL

AB

LE

9.01

Iden

tify

the

styl

e of

aur

al m

usic

al e

xam

ples

from

var

ious

his

toric

al p

erio

ds a

nd c

ultu

res.

9.02

Des

crib

e in

sim

ple

term

s ho

w e

lem

ents

of

mus

ic a

re u

sed

in m

usic

exa

mpl

es fr

om v

ario

uscu

lture

s in

the

wor

ld.

9.03

Iden

tify

vario

us u

ses

of m

usic

, and

des

crib

ech

arac

teris

tics

that

mak

e ce

rtai

n m

usic

sui

tabl

efo

r ea

ch u

se.

9.04

Iden

tify

and

desc

ribe

role

s of

mus

icia

ns in

vario

us m

usic

al s

ettin

gs a

nd c

ultu

res.

9.05

Sho

w r

espe

ct fo

r m

usic

from

var

ious

cultu

res

and

hist

oric

al p

erio

ds.

97

9.01

Iden

tify

the

dist

ingu

ishi

ng c

hara

cter

istic

s of

repr

esen

tativ

e m

usic

gen

res

and

styl

es fr

oma

varie

ty o

f cul

ture

s.

9.02

Des

crib

e ho

w e

lem

ents

of m

usic

are

use

din

var

ious

exe

mpl

ary

mus

ical

com

posi

tions

.

9.03

Com

pare

acr

oss

seve

ral c

ultu

res

of th

ew

orld

and

in h

isto

ry, t

he fu

nctio

ns o

f mus

ic, r

oles

of m

usic

ians

, and

con

ditio

ns u

nder

whi

ch m

usic

is ty

pica

lly p

erfo

rmed

.

9.04

Sho

w r

espe

ct fo

r m

usic

from

var

ious

cultu

res

and

hist

oric

al p

erio

ds.

Gra

de9.

01 D

iscu

ss th

e di

stin

guis

hing

cha

ract

eris

tics

ofre

pres

enta

tive

mus

ic g

enre

s an

d st

yles

from

ava

riety

of c

ultu

res.

9.02

Iden

tify

vario

us e

xem

plar

y m

usic

alco

mpo

sitio

ns a

nd d

iscu

ss c

hara

cter

istic

s th

atca

use

each

wor

k to

be

cons

ider

ed e

xem

plar

y.

9.03

Com

pare

acr

oss

seve

ral c

ultu

res

of th

ew

orld

and

in h

isto

ry fu

nctio

ns o

f mus

ic, r

oles

of

mus

icia

ns, a

nd c

ondi

tions

und

er w

hich

mus

ic is

typi

cally

per

form

ed.

9.04

Sho

w r

espe

ct fo

r m

usic

from

var

ious

cultu

res

and

hist

oric

al p

erio

ds.

111.

Gra

de9.

01 D

escr

ibe

and

expl

ain

the

dist

ingu

ishi

ngch

arac

teris

tics

of r

epre

sent

ativ

e m

usic

gen

res

and

styl

es fr

om a

var

iety

of c

ultu

res.

9.02

Cla

ssify

var

ious

exe

mpl

ary

mus

ical

com

posi

tions

and

dis

cuss

the

char

acte

ristic

s th

atca

use

each

wor

k to

be

cons

ider

ed e

xem

plar

y.

9.03

Com

pare

in s

ever

al c

ultu

res

of th

e w

orld

and

in h

isto

ry th

e fu

nctio

ns m

usic

ser

ves,

rol

es o

fm

usic

ians

, and

con

ditio

ns u

nder

whi

ch m

usic

isty

pica

lly p

erfo

rmed

.

9.04

Sho

w r

espe

ct fo

r m

usic

from

var

ious

cultu

res

and

hist

oric

al p

erio

ds.

voca

l MU

*oc

al M

usic

9.01

Iden

tify

repr

esen

tativ

eex

ampl

es o

f mus

ic u

sing

dist

ingu

ishi

ng c

hara

cter

istic

s to

iden

tify

genr

e, s

tyle

, cul

ture

, and

/or

hist

oric

al p

erio

ds.

9.02

Exa

min

e si

tuat

ions

tode

term

ine

conf

lict a

nd r

esol

utio

n in

rela

tion

to m

usic

in h

isto

ry a

ndcu

lture

s.

9.03

Exa

min

e th

e ro

le o

fm

usic

/mus

icia

ns in

at l

east

two

diffe

rent

cul

ture

s an

d/or

tim

epe

riods

.

9.01

Cla

ssify

rep

rese

ntat

ive

exam

ples

of m

usic

usi

ngdi

stin

guis

hing

cha

ract

eris

tics

toid

entif

y ge

nre,

sty

le, c

ultu

re, a

nd/o

rhi

stor

ical

per

iods

.

9.02

Rec

ogni

ze a

nd id

entif

y w

ays

that

mus

ic r

efle

cts

hist

ory.

9.03

Eva

luat

e th

e ro

le o

f mus

ic b

yid

entif

ying

and

app

lyin

g cr

iteria

todr

aw c

oncl

usio

ns o

r m

ake

pred

ictio

ns a

bout

the

past

,pr

esen

t, an

d fu

ture

rol

es o

f mus

icin

his

tory

and

cul

ture

.

9.04

Sho

w r

espe

ct fo

r m

usic

from

9.04

Sho

w r

espe

ct m

usic

from

vario

us c

ultu

res

and

time

perio

ds.

vario

us c

ultu

res

and

time

perio

ds.

0 2,

iVO

CaL

IVIU

.t161

11,A

9.01

Cla

ssify

unf

amili

ar a

ndfa

mili

ar r

epre

sent

ativ

e ex

ampl

es o

fm

usic

usi

ng d

istin

guis

hing

char

acte

ristic

s to

iden

tify

genr

e,st

yle,

cul

ture

and

/or

hist

oric

alpe

riods

; jus

tify

the

reas

ons

for

the

clas

sific

atio

ns.

9.02

Rec

ogni

ze a

nd id

entif

y w

ays

that

mus

ic r

efle

cts

hist

ory.

9.03

Exa

min

e pa

ttern

s,re

latio

nshi

ps, a

nd tr

ends

in m

usic

of v

ario

us c

ultu

res

and

hist

oric

alpe

riods

to d

raw

infe

renc

es a

ndm

ake

pred

ictio

ns a

bout

pas

t,pr

esen

t, an

d fu

ture

soc

ial

outc

omes

.

Voc

al 'M

usic

IV9.

01 C

lass

ify u

nfam

iliar

yet

repr

esen

tativ

e ex

ampl

es o

f mus

ic u

sing

dist

ingu

ishi

ng c

hara

cter

istic

s to

iden

tify

genr

e, s

tyle

, cul

ture

and

/or

hist

oric

alpe

riods

; jus

tify

the

reas

ons

for

the

clas

sific

atio

ns.

9.02

Exp

lain

how

mus

ic h

as e

volv

edov

er ti

me.

9.03

Exa

min

e pa

ttern

s, r

elat

ions

hips

,an

d tr

ends

in m

usic

of v

ario

us c

ultu

res

and

hist

oric

al p

erio

ds to

dra

w in

fere

nces

and

mak

e pr

edic

tions

abo

ut s

ocia

lou

tcom

es.

9.04

Sho

w r

espe

ct fo

r m

usic

from

9.04

Sho

w r

espe

ct fo

r m

usic

from

vario

us c

ultu

res

and

time

perio

ds.

vario

us c

ultu

res

and

time

perio

ds.

BE

ST C

OPY

AV

AIL

AB

LE

99

9.01

Iden

tify

repr

esen

tativ

eex

ampl

es o

f mus

ic u

sing

dist

ingu

ishi

ng c

hara

cter

istic

s to

iden

tify

genr

e, s

tyle

, cul

ture

, and

/or

hist

oric

al p

erio

ds.

9.02

Exa

min

e si

tuat

ions

tode

term

ine

conf

lict a

nd r

esol

utio

n in

rela

tion

to m

usic

in h

isto

ry a

ndcu

lture

s.

9.03

Exa

min

e th

e ro

le o

fm

usic

/mus

icia

ns in

at l

east

two

diffe

rent

cul

ture

s an

d/or

tim

epe

riods

.

Otr

unie

MO

P/Ii

isr6

:19.

01 C

lass

ify r

epre

sent

ativ

eex

ampl

es o

f mus

ic u

sing

dist

ingu

ishi

ng c

hara

cter

istic

s to

iden

tify

genr

e, s

tyle

, cul

ture

, and

/or

hist

oric

al p

erio

ds.

9.02

Rec

ogni

ze a

nd id

entif

y w

ays

that

mus

ic r

efle

cts

hist

ory.

9.03

Eva

luat

e th

e ro

le o

f mus

ic b

yid

entif

ying

and

app

lyin

g cr

iteria

todr

aw c

oncl

usio

ns o

r m

ake

pred

ictio

ns a

bout

the

past

,pr

esen

t, an

d fu

ture

rol

es o

f mus

icin

his

tory

and

cul

ture

.

9.04

Sho

w r

espe

ct fo

r m

usic

from

9.04

Sho

w r

espe

ct fo

r m

usic

from

vario

us c

ultu

res

and

time

perio

ds.

vario

us c

ultu

res

and

time

perio

ds.

i*O

:iint

iOta

l-111

1061

011.

-9.

01 C

lass

ify u

nfam

iliar

and

fam

iliar

rep

rese

ntat

ive

exam

ples

of

mus

ic u

sing

dis

tingu

ishi

ngch

arac

teris

tics

to id

entif

y ge

nre,

styl

e, c

ultu

re a

nd/o

r hi

stor

ical

perio

ds; j

ustif

y th

e re

ason

s fo

r th

ecl

assi

ficat

ions

.

9.02

Rec

ogni

ze a

nd id

entif

y w

ays

that

mus

ic r

efle

cts

hist

ory.

9.03

Exa

min

e pa

ttern

s,re

latio

nshi

ps, a

nd tr

ends

in m

usic

of v

ario

us c

ultu

res

and

hist

oric

alpe

riods

to d

raw

infe

renc

es a

ndm

ake

pred

ictio

ns a

bout

pas

t,pr

esen

t, an

d fu

ture

soc

ial

outc

omes

.

fists

men

tal'M

usic

'9.

01 C

lass

ify u

nfam

iliar

yet

repr

esen

tativ

e ex

ampl

es o

f mus

ic u

sing

dist

ingu

ishi

ng c

hara

cter

istic

s to

iden

tify

genr

e, s

tyle

, cul

ture

and

/or

hist

oric

alpe

riods

; jus

tify

the

reas

ons

for

the

clas

sific

atio

ns.

9.02

Exp

lain

hO

w m

usic

has

evo

lved

over

tim

e.

9.03

Exa

min

e pa

ttern

s, r

elat

ions

hips

,an

d tr

ends

in m

usic

of v

ario

us c

ultu

res

and

hist

oric

al p

erio

ds to

dra

w in

fere

nces

and

mak

e pr

edic

tions

abo

ut p

ast,

pres

ent,

and

futu

re s

ocia

l out

com

es.

9.04

Sho

w r

espe

ct fo

r m

usic

from

9.04

Sho

w r

espe

ct fo

r m

usic

from

vario

us c

ultu

res

and

time

perio

dsva

rious

cul

ture

s an

d tim

e pe

riods

.

9.01

Iden

tify

repr

esen

tativ

e ex

ampl

es o

f mus

ic u

sing

dis

tingu

ishi

ngch

arac

teris

tics

to id

entif

y ge

nre,

sty

le, c

ultu

re a

nd/o

r hi

stor

ical

per

iods

.

9.02

Exa

min

e si

tuat

ions

to d

eter

min

e co

nflic

t and

res

olut

ion

in r

elat

ion

to m

usic

in h

isto

ry a

nd c

ultu

res.

9.03

Rec

ogni

ze a

nd id

entif

y w

ays

that

mus

ic r

efle

cts

hist

ory.

9.04

Exa

min

e th

e ro

le o

f mus

ic/m

usic

ians

in a

t lea

st tw

o di

ffere

nt c

ultu

res

and/

or ti

me

perio

ds.

9.05

Sho

w r

espe

ct fo

r m

usic

from

var

ious

cul

ture

s an

d tim

e pe

riods

.

CB

EST

CO

PYA

VA

ILA

BL

E1

0 1

Art

s E

duca

tion

Stan

dard

Cou

rse

of S

tudy

and

Gra

de L

evel

Com

pete

ncie

s, K

-12

2000

SCO

PE A

ND

SE

QU

EN

CE

For

TH

EA

TR

E A

RT

S

Sco

pe a

nd S

eque

nce:

The

atre

K-1

2

Goa

l 1: T

he le

arne

r w

ill w

rite

base

d on

per

sona

l exp

erie

nce

and

herit

age,

imag

inat

ion,

lite

ratu

re, a

nd h

isto

ry.

(Nat

iona

l Sta

ndar

d 1)

1.01

Res

tate

set

ting,

cha

ract

ers,

and

sto

ry e

vent

sth

roug

h pi

ctor

ial,

visu

al a

nd p

hysi

cal a

ides

.

1.02

Ret

ell s

torie

s th

roug

h gu

ided

dra

mat

ic p

lay

from

text

rea

d al

oud.

1.03

Rec

all t

he c

hara

cter

/fam

ily r

elat

ions

hips

inst

orie

s, p

lays

, pup

pet s

how

s, e

tc.

1.04

Rep

eat s

eque

nce

of e

vent

s th

roug

h ve

rbal

and

nonv

erba

l com

mun

icat

ion.

1.05

Rec

ogni

ze p

atte

rns

in s

torie

s.

1.01

Res

tate

set

ting,

cha

ract

ers,

and

mai

n id

eath

roug

h pi

ctor

ial,

visu

al a

nd p

hysi

cal a

ides

.

1.02

Ret

ell s

torie

s th

roug

h gu

ided

dra

mat

ic p

lay

from

a r

ead-

alou

d te

xt.

1.03

Rec

all s

torie

s ab

out i

ndiv

idua

l exp

erie

nces

.

1.04

Util

ize

sequ

ence

of e

vent

s th

roug

h ve

rbal

and

nonv

erba

l com

mun

icat

ion

in a

sim

ple

dram

a.

1.05

Dem

onst

rate

the

patte

rns

in s

torie

s.

1.01

Par

ticip

ate

in te

ache

r-gu

ided

pla

ywrit

ing

ofsi

mpl

e dr

amas

.

1.02

Bui

ld r

eadi

ng c

ompr

ehen

sion

by

usin

gve

rbal

and

non

verb

al c

omm

unic

atio

n.

1.03

Rec

ogni

ze s

ettin

g, c

hara

cter

s, s

eque

nce

ofev

ents

and

mai

n id

ea th

roug

h pi

ctor

ial,

visu

al a

ndph

ysic

al a

ides

.

1.04

Dra

mat

ize,

thro

ugh

guid

ed d

ram

atic

expr

essi

on, s

torie

s fr

om a

rea

d-al

oud

text

,po

em, f

airy

tale

or

othe

r fo

rm o

f lite

ratu

re.

1.05

Rec

all a

nd e

nact

sto

ries

abou

t com

mun

ityex

perie

nces

.

1.06

Iden

tify

how

cha

ract

ers

atte

mpt

to s

olve

prob

lem

s an

d re

solv

e co

nflic

ts.

1.07

Com

pare

and

con

tras

t the

mor

al o

f the

stor

y in

var

ious

fabl

es a

nd fa

iryta

les.

3rd

Gra

de41

h G

rade

5th

Gra

de1.

01P

artic

ipat

e in

teac

her-

guid

ed p

layw

ritin

gus

ing

sim

ple

char

acte

rs, s

ettin

g, c

onfli

ct a

ndre

solu

tion.

1.02

Rec

ogni

ze th

e be

ginn

ing,

mid

dle

and

end

ofa

stor

y.

1.03

Infe

r le

sson

s fr

om m

ultic

ultu

ral s

torie

s,fa

iryta

les,

tall

tale

s, fa

bles

, leg

ends

and

myt

hs.

1.04

Dev

elop

and

util

ize

basi

c cr

eativ

e dr

ama

voca

bula

ry.

1.05

Iden

tify

basi

c el

emen

ts o

f a s

crip

t suc

h as

title

, cha

ract

ers,

set

ting

and

bloc

king

.

104

1.01

Par

ticip

ate

in s

mal

l gro

up p

layw

ritin

g.

1.02

Cre

ate

and

enac

t sho

rt s

torie

s, p

oetr

y or

pers

onal

exp

erie

nces

abo

ut N

orth

Car

olin

a.

1.03

Des

crib

e le

sson

s re

late

d th

roug

hm

ultic

ultu

ral l

itera

ture

.

1.04

Exp

and

upon

and

use

cre

ativ

e dr

ama

voca

bula

ry.

1.05

Util

ize

play

writ

ing

skill

s to

indi

cate

the

sequ

ence

of e

vent

s.

1.01

Par

ticip

ate

in p

artn

er a

nd s

mal

l gro

uppl

ayw

ritin

g.

1.02

Cre

ate

and

enac

t sho

rt s

torie

s, p

oetr

y or

pers

onal

exp

erie

nces

.

1.03

Des

crib

e le

sson

s re

late

d th

roug

hm

ultic

ultu

ral l

itera

ture

.

1.04

Exp

and

upon

and

use

cre

ativ

e dr

ama

voca

bula

ry.

1.05

Util

ize

play

writ

ing

skill

s to

indi

cate

the

sequ

ence

of e

vent

s.

BE

ST C

OPY

AV

AIL

AB

LE

105

1.06

Ref

ine

read

ing

com

preh

ensi

on b

y us

ing

verb

al a

nd n

on-v

erba

l com

mun

icat

ion.

1.07

Dis

cuss

how

cha

ract

ers

atte

mpt

to r

esol

veco

nflic

ts.

6th

Gra

de1.

01 R

ecog

nize

and

exp

lain

uni

que

char

acte

ristic

s of

the

dram

atic

scr

ipt s

uch

asdr

amat

ic s

truc

ture

and

dia

logu

e.

1.02

Cre

ate

mon

olog

ues,

dia

logu

es a

nd s

hort

play

s in

res

pons

e to

inte

rdis

cipl

inar

y pr

ompt

s,id

eas,

pic

ture

s an

d ot

her

stim

uli.

1.03

Pra

ctic

e pl

ayw

ritin

g te

chni

ques

.

1.04

Pro

duce

writ

ten,

ver

bal a

nd v

isua

lre

spon

ses

to w

ritte

n an

d/or

per

form

ed d

ram

atic

mat

eria

l.

1.05

Iden

tify

them

es a

nd p

lots

from

mul

ticul

tura

llit

erat

ure.

1.06

Ada

pt s

torie

s, m

yths

and

fairy

tale

s in

todr

amat

ic li

tera

ture

.

1.06

Cre

ate

dial

ogue

in w

hich

cha

ract

ers

atte

mpt

to r

esol

ve c

onfli

cts.

1.07

App

ly p

layw

ritin

g sk

ills

by w

ritin

gm

onol

ogue

s, d

ialo

gues

and

sho

rt s

cene

s.

Cre

ate

dial

ogue

in w

hich

cha

ract

ers

atte

mpt

to r

esol

ve c

onfli

cts.

1.07

App

ly p

layw

ritin

g sk

ills

by w

ritin

gm

onol

ogue

s, d

ialo

gues

and

sho

rt s

cene

s.

7th

Gra

de1.

01 E

xpla

in a

nd d

emon

stra

te th

e us

es o

f uni

que

char

acte

ristic

s of

the

dram

atic

scr

ipt s

uch

asdr

amat

ic s

truc

ture

and

dia

logu

e.

1.02

Writ

e dr

amat

ic m

ater

ial i

nspi

red

byin

terd

isci

plin

ary

prom

pts,

idea

s, p

ictu

res

and

othe

r st

imul

i.

1.03

Writ

e an

d cr

itiqu

e or

igin

al s

cene

s an

d on

eac

t pla

ys.

1.04

Rea

d an

d ap

prai

se d

ram

atic

mat

eria

l.

8th

Gra

de1.

01A

pply

the

uniq

ue c

hara

cter

istic

s of

the

dram

atic

scr

ipt s

uch

as d

ram

atic

str

uctu

re a

nddi

alog

ue w

hen

writ

ing

for

the

thea

tre.

1.02

Cre

ate

writ

ten

dram

atic

mat

eria

l bas

ed o

nor

igin

al o

r es

tabl

ishe

d in

terd

isci

plin

ary

prom

pts,

pers

onal

exp

erie

nces

and

his

toric

al e

vent

s.

1.03

Writ

e, c

ritiq

ue, a

nd in

form

ally

pro

duce

orig

inal

sce

nes

and

one

act p

lays

.

1.04

Rea

d an

d an

alyz

e sc

enes

and

pla

ys.

1.05

Writ

e dr

amat

ic m

ater

ial i

nspi

red

by p

erso

nal

1.05

Writ

e de

taile

d ch

arac

ter

anal

yses

or

and

hist

oric

al e

vent

s.bi

ogra

phie

s.

The

atre

Art

s I

IT

heat

re A

rts

IIT

heat

re A

rts

IIIT

heat

re A

rts

IV1.

01 R

ead,

und

erst

and

and

rela

teth

e ba

sic

cont

ent o

f a p

lay.

1.02

Und

erst

and

and

desc

ribe

the

form

and

str

uctu

re o

f pla

ys.

1.03

Com

pare

and

con

tras

t pla

yst

ruct

ure

in r

elat

ion

to o

ther

form

sof

lite

ratu

re.

106

1.01

Rea

d in

depe

nden

tly, a

naly

zean

d un

ders

tand

two

play

s by

diffe

rent

pla

ywrig

hts

in d

iffer

ent

perio

ds.

1.02

Und

erst

and

and

rela

te th

efo

rm a

nd s

truc

ture

of d

ram

atic

genr

e.

1.01

Rea

d in

depe

nden

tly a

ndan

alyz

e th

ree

play

s by

diff

eren

tpl

ayw

right

s fr

om d

iffer

ent p

erio

ds.

1.02

Exa

min

e an

d us

e pl

ayw

ritin

gte

chni

ques

use

d to

dev

elop

char

acte

rs, p

lot,

and

them

eth

roug

h as

ides

, sol

iloqu

ies,

alle

gory

, sym

bol,

moo

d an

dm

etap

hor.

1.03

Eva

luat

e pl

ots

and

them

es.

1.03

Und

erst

and

and

use

the

func

tions

of c

hara

cter

s in

pla

yssu

ch a

s fo

il, p

rota

goni

st,

nta

onis

t inc

iden

tal a

ndag

ento

fop

"vA

ILA

BL

eg

gfa

te.

BE

ST

1.01

Rea

d in

depe

nden

tly a

nd a

naly

zefo

ur p

lays

by

diffe

rent

pla

ywrig

hts

indi

ffere

nt p

erio

ds.

1.02

Writ

e a

scen

e w

ith th

ree

or m

ore

char

acte

rs o

r a

one-

act p

lay.

1.03

Res

earc

h tw

o or

mor

e pl

ayw

right

sor

sty

les.

107

1.04

Und

erst

and

and

conv

ey th

efu

nctio

n of

a p

layw

right

.

1.05

Writ

e a

mon

olog

ue.

1.04

Und

erst

and

and

diag

ram

plo

tst

ruct

ure

incl

udin

g ex

posi

tion,

risin

g ac

tion,

com

plic

atio

n, c

limax

,fa

lling

act

ion

and

deno

uem

ent.

1.05

Lea

rn a

nd c

onve

y th

eco

ncep

t of t

he c

entr

al d

ram

atic

ques

tion.

1.06

Com

pare

and

exp

lore

rela

tions

hips

am

ong

char

acte

rs.

1.07

Ana

lyze

pla

ys fo

r ph

ysic

al,

soci

al, a

nd p

sych

olog

ical

dim

ensi

ons.

1.08

Dis

tingu

ish

conn

otat

ive

(sub

text

) an

d de

nota

tive

mea

ning

of la

ngua

ge in

a d

ram

atic

text

.

1.09

Und

erst

and,

dis

cuss

and

/or

writ

e ab

out t

he e

volu

tion

of p

lay

stru

ctur

e fr

om e

arly

Gre

ek to

cont

empo

rary

dra

ma.

1.10

Writ

e a

two-

pers

on s

cene

.

1.11

Dev

elop

and

rec

ord

info

rmat

ion,

impr

essi

ons

and

idea

sin

pre

para

tion

for

desi

gnin

g in

tech

nica

l the

atre

.

1.04

Lea

rn a

nd r

elat

e ho

w th

ece

ntra

l dra

mat

ic q

uest

ion

shap

es a

play

.

1.05

Writ

e a

thre

e-pe

rson

sce

neor

an

ense

mbl

e pi

ece

alon

e, w

ith a

writ

ing

part

ner,

or

deve

lop

with

an

ense

mbl

e.

1.06

Res

earc

h pl

ayw

right

s' li

ves

and/

or w

ork.

1.04

Writ

e a

scen

e in

the

styl

e of

asp

ecifi

c ge

nre

or ti

me

perio

d.

1.05

Writ

e a

scen

e in

the

styl

e of

asp

ecifi

c ge

nre

or ti

me

perio

d.

1.06

Ana

lyze

the

effe

ct o

f per

sona

lcu

ltura

l exp

erie

nces

on

self-

crea

ted

thea

tric

al w

orks

.

The

atre

Art

s- A

ll O

ther

Hi h

Sch

ool E

lect

ives

1.01

Und

erst

and,

dis

cuss

and

/or

writ

e ab

out t

he fo

rm a

nd s

truc

ture

of s

crip

ts.

1.02

Und

erst

and,

dis

cuss

and

/or

writ

e ab

out t

he b

asic

con

tent

of p

lays

.

1.03

Und

erst

and,

dis

cuss

and

/or

writ

e ab

out t

he fu

nctio

n of

a pl

ayw

right

.

BE

ST C

OPY

MA

ILA

BL

E

108

109

Sco

pe a

nd S

eque

nce:

The

atre

K-1

2

Goa

l 2: T

he le

arne

r w

ill a

ct b

y in

tera

ctin

g in

impr

ovis

atio

ns a

nd a

ssum

ing

role

s. (

Nat

iona

l Sta

ndar

d 2)

Kin

derg

arte

n1S

1 G

rade

ea G

rade

2.01

Ena

ct a

var

iety

of r

oles

bas

ed o

n in

divi

dual

expe

rienc

es.

2.02

Exp

ress

var

ious

cha

ract

ers,

idea

s, a

ndem

otio

ns th

roug

h ge

stur

es, m

ovem

ent a

nd v

oice

.

2.03

Rol

e pl

ay a

var

iety

of r

eal a

nd n

on-r

eal

char

acte

rs th

roug

h gu

ided

dra

mat

ic p

lay.

2.04

Mak

e sp

onta

neou

s de

cisi

ons

in th

edr

amat

ic p

roce

ss to

sup

port

cha

ract

er c

hoic

es.

2.05

Imita

te te

ache

r-gu

ided

impr

ovis

atio

n.

2.01

Ass

ume

a va

riety

of r

oles

, cas

t by

the

teac

her,

that

ref

lect

upo

n co

mm

unity

expe

rienc

es.

2.02

Dem

onst

rate

var

ious

cha

ract

ers,

idea

s an

dem

otio

ns th

roug

h ge

stur

es, m

ovem

ent a

nd v

oice

.

2.03

Ass

ume

the

role

of a

var

iety

of r

eal a

ndno

n-re

al c

hara

cter

s.

2.04

Util

ize

impr

ovis

atio

n sk

ills

to m

ake

verb

alan

d no

nver

bal c

hara

cter

cho

ices

in th

e dr

amat

icpr

oces

s.

2.05

Exp

erim

ent w

ith v

ocal

exp

ress

ion

and

char

acte

r tr

aits

to p

ortr

ay r

eal a

nd n

on-r

eal

char

acte

rs.

2.06

Ena

ct th

e se

quen

ce o

f eve

nts.

2.01

Iden

tify

char

acte

rs a

nd c

ast r

oles

from

ava

riety

of t

exts

that

incl

ude

them

es o

f citi

zens

hip

and

resp

onsi

bilit

y.

2.02

Util

ize

voca

l exp

ress

ion

to e

xplo

re th

ough

tsan

d fe

elin

gs o

f rea

l and

non

-rea

l cha

ract

ers.

2.03

Par

ticip

ate

in d

ram

atic

act

iviti

es th

at d

eal

with

pro

blem

s an

d em

otio

ns.

2.04

Cre

ate

char

acte

rs a

nd e

vent

s to

util

ize

inth

e dr

amat

ic p

roce

ss.

2.05

Dra

mat

ize

stor

ies

thro

ugh

guid

ed d

ram

atic

expr

essi

on fr

om a

sto

ry.

2.06

Dem

onst

rate

idea

s an

d em

otio

ns u

sing

gest

ures

, blo

ckin

g an

d m

ovem

ent.

2.07

Util

ize

impr

ovis

atio

nal s

kills

to m

ake

char

acte

r ch

oice

s in

the

dram

atic

pro

cess

3m G

rade

I4t

hG

rade

5m G

rade

2.01

Iden

tify

char

acte

rs a

nd c

ast r

oles

from

ava

riety

of t

exts

that

incl

ude

them

es o

f citi

zens

hip

and

resp

onsi

bilit

y.

2.02

Util

ize

voca

l exp

ress

ion

to e

xplo

re th

ough

tsan

d fe

elin

gs o

f rea

l and

non

-rea

l cha

ract

ers.

2.03

Par

ticip

ate

in d

ram

atic

act

iviti

es th

at d

eal

with

pro

blem

s an

d em

otio

ns.

2.04

Cre

ate

char

acte

rs a

nd e

vent

s to

util

ize

inth

e dr

amat

ic p

roce

ss.

2.01

Dev

elop

ski

lls to

iden

tify

char

acte

rs a

ndca

st r

oles

from

a v

arie

ty o

f tex

ts th

at r

efle

ct u

pon

herit

age,

cul

ture

and

his

tory

.

2.02

Util

ize

voca

l exp

ress

ion

to e

xplo

re th

ough

tsan

d fe

elin

gs o

f rea

l and

non

-rea

l cha

ract

ers.

2.03

Par

ticip

ate

in d

ram

atic

act

iviti

es th

at d

eal

with

con

flict

and

em

otio

ns.

2.04

Cre

ate

char

acte

rs a

nd e

vent

s to

use

in th

edr

amat

ic p

roce

ss.

2.01

Iden

tify

char

acte

rs a

nd c

ast r

oles

from

ava

riety

of s

crip

ts.

2.02

Use

voc

al e

xpre

ssio

n to

dem

onst

rate

the

thou

ghts

and

feel

ings

of r

eal a

nd n

on-r

eal

char

acte

rs.

2.03

Par

ticip

ate

in d

ram

atic

act

iviti

es th

at d

eal

with

con

flict

and

em

otio

ns.

2.04

Cre

ate

char

acte

rs a

nd e

vent

s to

use

in th

edr

amat

ic p

roce

ss.

BE

ST C

OPY

AV

AIL

AB

LE

2.05

Dra

mat

ize

stor

ies

thro

ugh

guid

ed d

ram

atic

expr

essi

on fr

om a

sto

ry.

2.06

Dem

onst

rate

idea

s an

d em

otio

ns u

sing

gest

ures

, blo

ckin

g an

d m

ovem

ent.

2.07

Util

ize

impr

ovis

atio

nal s

kills

to m

ake

char

acte

r ch

oice

s in

the

dram

atic

pro

cess

.

2.05

Cre

ate

dram

atiz

atio

ns b

ased

on

text

s.

2.06

Dem

onst

rate

idea

s an

d em

otio

ns th

roug

hge

stur

es a

nd m

ovem

ent.

2.07

Ass

ume

the

role

of a

var

iety

of r

eal a

ndno

n-re

al c

hara

cter

s.

2.08

Ref

ine

impr

ovis

atio

nal s

kills

thro

ugh

dram

atic

exe

rcis

es.

2.09

Def

ine

the

sign

ifica

nce

of th

e be

ginn

ing,

mid

dle

and

end

of a

sto

ry o

r pl

ay.

2.05

Util

ize

impr

ovis

atio

nal s

kills

to c

reat

e a

scen

e ba

sed

on a

scr

ipt.

2.06

Util

ize

gest

ures

, blo

ckin

g an

d m

ovem

ent t

odi

spla

y id

eas

and

emot

ions

.

2.07

Ass

ume

the

role

of a

var

iety

of r

eal a

ndno

n-re

al c

hara

cter

s.

2.08

Ref

ine

impr

ovis

atio

nal s

kills

thro

ugh

dram

atic

exe

rcis

es.

2.09

Def

ine

the

sign

ifica

nce

of th

e be

ginn

ing,

mid

dle

and

end

of a

sto

ry o

r pl

ay.

6 G

rade

r-7i

nG

rade

8 G

rade

2.01

Pra

ctic

e ro

le-p

layi

ng a

nd c

hara

cter

izat

ion

skill

s.

2.02

Util

ize

role

-pla

ying

ski

lls in

the

tota

l lea

rnin

gpr

oces

s.

2.03

Res

earc

h an

d ob

serv

e to

cre

ate

char

acte

rsin

form

al a

nd/o

r in

form

al p

rese

ntat

ions

.

2.04

Util

ize

basi

c ac

ting

voca

bula

ry s

uch

asm

otiv

atio

n, o

bjec

tive

and

bloc

king

.

2.05

Util

ize

phys

ical

mov

emen

t and

voc

aliz

atio

nto

cre

ate

char

acte

rs.

2.06

Ada

pt s

torie

s, m

yths

and

fairy

tale

s in

toim

prov

ised

sce

nes.

2.07

Pra

ctic

e pa

ntom

ime

skill

s.

2.01

Iden

tify

and

prac

tice

tech

niqu

es fo

r ph

ysic

alan

d vo

cal c

ondi

tioni

ng.

2.02

Em

ploy

phy

sica

l and

voc

al s

kills

to c

reat

ebe

lieva

ble

char

acte

rs.

2.03

Util

ize

actin

g sk

ills

to s

tudy

hum

an b

ehav

ior

and

conf

lict r

esol

utio

n.

2.04

Impl

emen

t res

earc

h, o

bser

vatio

n, a

ndac

ting

skill

s to

cre

ate

char

acte

rs in

form

al a

ndin

form

al p

rese

ntat

ions

.

2.05

Use

act

ing

voca

bula

ry s

uch

as m

otiv

atio

n,ob

ject

ive

and

bloc

king

.

2.06

Rec

ogni

ze a

nd d

iscu

ss d

iffer

ent a

ctin

gm

etho

ds a

nd th

eorie

s.

2.07

Sim

ulat

e th

e au

ditio

n pr

oces

s to

pra

ctic

eau

ditio

n sk

ills.

2.01

Pra

ctic

e an

d de

mon

stra

te te

chni

ques

for

phys

ical

and

voc

al c

ondi

tioni

ng.

2.02

Util

ize

phys

ical

and

voc

al s

kills

to c

reat

ebe

lieva

ble

char

acte

rs.

2.03

Util

ize

actin

g sk

ills

to s

tudy

hum

an b

ehav

ior

and

conf

lict r

esol

utio

n.

2.04

Syn

thes

ize

rese

arch

, obs

erva

tion,

giv

enci

rcum

stan

ces

and

actin

g sk

ills

to c

reat

ech

arac

ters

in fo

rmal

and

info

rmal

pre

sent

atio

ns.

2.05

Exp

and

and

utili

ze a

ctin

g vo

cabu

lary

suc

has

mot

ivat

ion,

obj

ectiv

e an

d bl

ocki

ng.

2.06

Com

pare

and

util

ize

diffe

rent

act

ing

met

hods

and

theo

ries.

2.07

Par

ticip

ate

in a

uditi

ons.

The

atre

Art

s I

The

atre

Art

s 11

IT

heat

re A

rts

IIIT

heat

re A

rts

IV(S

elf)

2.01

Dev

elop

and

man

ifest

an

awar

enes

s of

the

self

as a

thin

king

, cre

ativ

e, p

erfo

rmin

gw

hole

.

1)

;

(Sel

f)2.

01 Id

entif

y w

ays

to im

prov

ere

latio

nshi

ps a

s a

pers

on a

nd a

s a

perf

orm

er.

(Sel

f)2.

01 E

xpan

d se

lf an

d kn

owle

dge

of th

eatr

e th

roug

h cr

eatio

n of

new

wor

ks.

BE

ST C

OPY

AV

AIL

AB

LE

(Sel

f)2.

01 E

xam

ine

and

prac

tice

the

elem

ents

of th

eatr

e in

depe

nden

tly. 11

3

2.02

Und

erst

and

and

dem

onst

rate

the

inhe

rent

indi

vidu

al's

abi

lity

toin

tuit

and

crea

te.

2.03

Rec

ogni

ze th

e us

e of

dive

rgen

t thi

nkin

g in

the

crea

tive

proc

ess.

2.04

Em

ploy

cre

ativ

e ac

tion

and

thin

king

ski

lls.

2.05

Exp

and

and

exhi

bit t

he. u

seof

pro

blem

sol

ving

ski

lls.

2.06

Sho

w e

vide

nce

ofbr

oade

ning

one

's s

elf-

perc

eptio

nan

d ab

ilitie

s th

roug

h cr

eatin

g an

dpe

rfor

min

g.

2.07

Dev

elop

a p

erce

ptio

n of

sel

fth

roug

h ob

serv

atio

ns o

f sel

f and

othe

rs.

2.08

Exa

min

e an

d m

anag

e on

e's

own

emot

ions

as

a pe

rson

and

perf

orm

er.

(Bod

y an

d V

oice

)2.

09 S

how

evi

denc

e of

dev

elop

ing

the

min

d, b

ody

and

voic

e as

the

crea

tive,

per

form

ing

inst

rum

ent.

2.10

Und

erst

and

and

part

icip

ate

invo

cal w

arm

-ups

to d

evel

opar

ticul

atio

n an

d br

eath

con

trol

.

2.11

Und

erst

and

and

part

icip

ate

inph

ysic

al w

arm

-ups

to d

evel

opfo

cus

and

crea

tivity

.

2.12

Rec

ogni

ze a

nd r

elat

e th

eim

port

ance

of n

onve

rbal

com

mun

icat

ion.

114

(Bod

y an

d V

oice

)2.

02 U

nder

stan

d an

d di

agra

m th

eph

ysio

logy

of t

he b

ody

and

voca

lpr

oduc

tion.

2.03

Dis

cern

and

dem

onst

rate

the

rela

tions

hip

betw

een

the

body

and

voic

e.

2.04

Util

ize

info

rmat

ion

lear

ned

asto

how

the

voca

l mec

hani

sm is

used

to p

roje

ct th

e vo

ice

and

artic

ulat

e sp

eech

.

2.05

Par

ticip

ate

in a

phy

sica

l and

voca

l war

m-u

p.

(Bod

y an

d V

oice

)2.

02 P

hysi

caliz

e ch

arac

ters

visu

ally

and

kin

esth

etic

ally

.

2.03

Eva

luat

e st

reng

ths

and

wea

knes

ses

of o

ne's

ow

n an

dot

hers

' voi

ces.

2.02

Dem

onst

rate

res

pons

ibili

ty a

ndm

otiv

atio

n fo

r in

depe

nden

t wor

k.

2.03

Rec

ogni

ze o

ne's

ow

n in

divi

dual

stre

ngth

s an

d re

mai

ning

cha

lleng

es.

(Bod

y an

d V

oice

)2.

04 E

xplo

re a

nd u

se d

iale

cts.

2.05

Stu

dy a

nd u

se s

tage

com

bat

tech

niqu

es.

2.06

Ana

lyze

and

rep

ort o

n th

e di

fferin

gap

proa

ches

of m

aste

r te

ache

rs in

voc

alpr

oduc

tion.

2.07

Res

earc

h an

d ex

amin

e th

e w

ork

ofm

aste

r te

ache

rs w

ho s

peci

aliz

e in

bod

yw

ork/

mov

emen

t.

2.13

Exp

lore

and

dem

onst

rate

nonv

erba

l com

mun

icat

ion

thro

ugh

pant

omim

e.

(Im

prov

isat

ion)

2.14

Use

impr

ovis

atio

n to

exp

and

liste

ning

, res

pons

e, a

nd e

valu

atio

nsk

ills

as a

spo

ntan

eous

cre

ativ

epa

rtic

ipan

t.

2.15

Use

impr

ovis

atio

n to

exp

lore

char

acte

r an

d st

ory-

line

deve

lopm

ent.

2.16

Use

impr

ovis

atio

n fo

rmat

s as

pres

enta

tions

.

(Act

ing)

2.17

Exp

lore

sto

ryte

lling

as

abe

ginn

ing

perf

orm

ance

expe

rienc

e.

2.18

Und

erst

and,

dis

cuss

and

/or

writ

e ab

out t

he a

uditi

on p

roce

ss.

2.19

Mem

oriz

e an

d pr

esen

t am

onol

ogue

in a

n in

form

al s

ettin

g.

2.20

Reh

ears

e fo

llow

ing

are

hear

sal s

ched

ule.

2.21

Iden

tify

char

acte

r tr

aits

and

give

n ci

rcum

stan

ces

from

a p

lay.

116

(Im

prov

isat

ion)

2.06

Use

impr

ovis

atio

n to

ret

ain

spon

tane

ity a

nd e

nsem

ble.

2.07

Dem

onst

rate

and

exp

and

dram

atic

con

cept

s th

roug

him

prov

isat

ions

.

2.08

Use

impr

ovis

atio

n as

an

appr

oach

to s

crip

ted

mat

eria

l.

(Act

ing)

2.09

Ana

lyze

text

for

char

acte

rcl

ues

and

obje

ctiv

es.

2.10

Dem

onst

rate

an

unde

rsta

ndin

g of

the

audi

tion

proc

ess.

2.11

Afte

r re

adin

g a

play

,m

emor

ize

and

perf

orm

am

onol

ogue

from

that

pla

y in

an

info

rmal

set

ting.

2.12

Cre

ate

and

follo

w a

reh

ears

alsc

hedu

le.

BE

ST C

OPY

AV

AIL

AB

LE

(Im

prov

isat

ion)

2.04

Con

tinue

impr

ovis

atio

n fo

rsp

onta

neity

and

ens

embl

e.

(Act

ing)

2.05

Str

ive

for

and

enco

urag

een

sem

ble

in r

ehea

rsal

and

perf

orm

ance

.

(Im

prov

isat

ion)

2.08

Con

tinue

to u

se im

prov

isat

ion

for

spon

tane

ity a

nd e

nsem

ble.

2.09

Dem

onst

rate

impr

ovis

atio

nal s

kills

in a

form

al s

ettin

g.

(Act

ing)

2.10

Dev

elop

orig

inal

wor

k an

d pr

esen

tas

a o

ne-a

ct p

lay.

2.06

Und

erst

and

and

part

icip

ate

in2.

11 P

artic

ipat

e in

stu

dent

dire

cted

ense

mbl

es.

2.07

Dev

elop

, mem

oriz

e an

dpr

esen

t sce

ne w

ork

as a

nin

divi

dual

and

as

an e

nsem

ble.

2.08

Res

earc

h, e

xplo

re a

ndcr

eate

mas

ks fo

r ne

utra

l and

char

acte

r w

ork.

2.09

Lea

rn a

nd u

tiliz

e ac

tor

tech

niqu

es s

uch

as s

crip

t sco

ring.

2.10

Exp

lore

and

dem

onst

rate

non-

wes

tern

thea

tre

prac

tices

.

2.11

Pre

pare

two

cont

rast

ing

mon

olog

ues

to d

emon

stra

te r

ange

of a

bilit

ies.

wor

ks.

117

(Rea

ding

and

Writ

ing)

(Rea

ding

and

Writ

ing)

2.22

Def

ine

and

use

a vo

cabu

lary

2.13

Use

thea

tre

voca

bula

ryap

prop

riate

for

The

atre

Art

s I.

appr

opria

te to

The

atre

Art

s II.

2.23

Writ

e ob

serv

atio

ns a

ndre

flect

ions

in a

jour

nal.

2.14

Ana

lyze

sel

f and

oth

ers

verb

ally

and

thro

ugh

keep

ing

entr

ies

in a

jour

nal.

(Rea

ding

and

Writ

ing)

2.12

Con

tinue

to e

valu

ate

stre

ngth

s an

d w

eakn

esse

s of

sel

fan

d ot

hers

ver

bally

and

thro

ugh

writ

ing

entr

ies

in a

jour

nal.

(Rea

ding

and

Writ

ing)

2.12

Stu

dy a

nd u

se tw

o or

mor

e ac

ting

met

hods

by

mas

ter

teac

hers

.

2.13

Res

earc

h an

act

ors

life

and/

orbo

dy o

f wor

k fr

om th

eatr

e hi

stor

y or

mod

ern

stag

e.

The

atre

Art

s- A

ll O

ther

Hig

h S

choo

l Ele

ctiv

es2.

01 D

evel

op a

nd d

emon

stra

te a

n aw

aren

ess

of th

e se

lf as

a th

inki

ng, c

reat

ive,

per

form

ing

who

le.

2.02

Dev

elop

and

und

erst

and

the

body

and

the

use

of m

ovem

ent i

n th

e dr

amat

ic p

roce

ss.

2.03

Und

erst

and

and

deve

lop

the

voca

l ins

trum

ent a

nd it

s us

e in

the

dram

atic

pro

cess

.

2.04

Und

erst

and

and

part

icip

ate

in e

nsem

bles

.

2.05

Exp

lore

and

exp

and

dram

atic

con

cept

s th

roug

h im

prov

isat

ions

.

2.06

Exp

lore

and

exp

and

met

hods

of c

hara

cter

izat

ion.

2.07

Und

erst

and

and

part

icip

ate

in th

e ac

ting

of a

per

form

ance

.

ISC

iL

)B

EST

CO

PYA

VA

ILA

r.L

E

11J

Sco

pe a

nd S

eque

nce:

The

atre

K-1

2

Goa

l 3: T

he le

arne

r w

ill d

esig

n an

d pr

oduc

e th

eatr

e by

con

cept

ualiz

ing

and

real

izin

g ar

tistic

inte

rpre

tatio

ns fo

r in

form

alor

form

al p

rodu

ctio

ns. (

Nat

iona

l Sta

ndar

d 3)

Kin

derg

arte

n1S

Gra

de3.

01 R

epre

sent

phy

sica

lly th

e se

tting

for

a st

ory.

3.01

Iden

tify

the

setti

ng fo

r th

e st

ory.

3.02

Ada

pt a

spa

ce fo

r pl

ayin

g ou

t a s

tory

.

3.03

Dis

tingu

ish

betw

een

play

ing

spac

e an

dau

dien

ce s

pace

.

3.04

Und

erst

and

acce

ptab

le a

udie

nce

beha

vior

san

d re

spon

ses.

3.05

Rec

ogni

ze th

e ro

le o

f sim

ple

prop

s, s

cene

ryan

d co

stum

es in

the

dram

atic

pro

cess

.

3.06

Imag

ine

a va

riety

of r

eal a

nd n

on-r

eal

envi

ronm

ents

.

2 G

rade

3.01

Par

ticip

ate

in m

akin

g ar

tistic

cho

ices

for

the

scen

ery

in a

pre

sent

atio

n.

3.02

Arr

ange

a s

pace

and

mat

eria

ls fo

r pl

ayin

g3.

02 T

rans

form

a s

pace

and

mat

eria

ls fo

r ac

ting

out a

sto

ry.

out s

impl

e dr

amas

.

3.03

Adj

ust c

hara

cter

mov

emen

t to

incl

ude

3.03

Adj

ust c

hara

cter

mov

emen

t to

incl

ude

audi

ence

focu

s.au

dien

ce fo

cus.

3.04

Dis

play

acc

epta

ble

audi

ence

beh

avio

rs a

nd3.

04 A

cqui

re b

asic

ski

lls to

rea

ct a

nd in

tera

ctw

ith c

hara

cter

s on

sta

ge.

resp

onse

s.

3.05

Util

ize

sim

ple

prop

s, s

cene

ry a

nd c

ostu

mes

in th

e dr

amat

ic p

roce

ss.

3.06

Imag

ine

a va

riety

of s

impl

e re

al a

nd n

on-

real

env

ironm

ents

.

3.05

Tra

nsfo

rm o

bjec

ts in

to s

impl

e pr

ops,

scen

ery

and

cost

umes

to s

uppo

rt th

e dr

amat

icpr

oces

s.

3.06

Exp

erim

ent w

ith th

e co

ncep

t and

rol

e of

tech

nica

l the

atre

ele

men

ts s

uch

as s

ound

, pro

ps,

cost

umes

, sce

nery

, fun

dam

enta

l sta

ge m

anag

ing

and

dire

ctin

g.

3rd

Gra

de4I

n G

rade

5m G

rade

3.01

Par

ticip

ate

in m

akin

g ar

tistic

cho

ices

for

the

scen

ery

in a

pre

sent

atio

n.

3.02

Em

ploy

the

basi

c co

ncep

ts o

f tim

e, s

pace

and

actio

n in

the

dram

atic

pro

cess

.

3.03

Col

labo

rate

to c

reat

e si

mpl

e sc

ener

y an

dco

stum

es fo

r ac

ting

out d

ram

as.

3.04

Adj

ust b

lock

ing

to in

clud

e au

dien

ce fo

cus.

3.05

Exp

and

basi

c sk

ills

to r

eact

and

inte

ract

with

cha

ract

ers

on s

tage

.

3.01

Par

ticip

ate

in m

akin

g ar

tistic

cho

ices

in a

smal

l gro

up.

3.02

Em

ploy

the

basi

c co

ncep

ts o

f tim

e, s

pace

,an

d ac

tion

in th

e dr

amat

ic p

roce

ss.

3.03

Col

labo

rate

to c

reat

e si

mpl

e sc

ener

y an

dco

stum

es fo

r ac

ting

out d

ram

as.

3.04

Iden

tify

the

way

s in

whi

ch b

lock

ing

non-

verb

ally

con

veys

cha

ract

er, m

ood

and

actio

ns to

the

audi

ence

.

3.05

Res

pond

to a

nd b

uild

upo

n id

eas

of o

ther

son

sta

ge.

0B

EST

CO

PY M

IB

LE

3.01

Par

ticip

ate

in m

akin

g ar

tistic

cho

ices

in a

smal

l gro

up.

3.02

Em

ploy

the

basi

c co

ncep

ts o

f tim

e, s

pace

,an

d ac

tion

in th

e dr

amat

ic p

roce

ss.

3.03

Col

labo

rate

to c

reat

e si

mpl

e sc

ener

y an

dco

stum

es fo

r ac

ting

out d

ram

as.

3.04

Use

blo

ckin

g to

non

-ver

bally

con

vey

char

acte

r, m

ood

and

actio

ns to

the

audi

ence

.

3.05

Res

pond

to a

nd b

uild

upo

n id

eas

of o

ther

son

sta

ge.

1

3.06

Exa

min

e th

e co

ncep

t and

rol

e of

sou

nd,

prop

s, c

ostu

mes

, sce

nery

, sta

ge m

anag

emen

tan

d di

rect

ing.

3.06

Inte

grat

e th

e te

chni

cal t

heat

re e

lem

ents

of

soun

d, p

rops

, cos

tum

es, s

cene

ry, s

tage

man

agem

ent a

nd d

irect

ing.

3.06

Inte

grat

e th

e te

chni

cal t

heat

re e

lem

ents

of

soun

d, p

rops

, cos

tum

es, s

cene

ry, s

tage

man

agem

ent a

nd d

irect

ing.

3.07

Iden

tify

the

tech

nica

l the

atre

rol

es in

apr

oduc

tion.

6th

Gra

de3.

01 D

iscu

ss th

e ro

le o

f the

des

igne

r an

dte

chni

cal e

lem

ents

in th

e th

eatr

e pr

oces

s.

3.02

Pla

n an

d cr

eate

a s

impl

e se

t for

form

al o

rin

form

al d

ram

atic

pre

sent

atio

ns.

3.03

Wor

k co

llabo

rativ

ely

to u

se a

vaila

ble

desi

gnre

sour

ces

for

prop

s, c

ostu

mes

, lig

hts

and

set.

3.04

Em

ploy

tech

nica

l the

atre

voc

abul

ary

such

as u

sing

the

appr

opria

te n

ames

for

area

s of

the

stag

e.

3.05

Rec

ogni

ze th

e ro

les

and

resp

onsi

bilit

ies

ofth

e pr

oduc

tion

staf

f.

3.06

Use

blo

ckin

g to

non

-ver

bally

con

vey

char

acte

r, m

ood

and

actio

n to

an

audi

ence

.

3.07

Dis

cuss

the

impo

rtan

ce o

f cre

atin

g an

atm

osph

ere

for

an a

udie

nce.

71h

Gra

deJ

sth

Gra

de3.

01 E

xam

ine

and

dem

onst

rate

the

role

of t

hede

sign

er a

nd te

chni

cal e

lem

ents

in th

e th

eatr

epr

oces

s.

3.02

Util

ize

basi

c de

sign

con

cept

s to

cre

ate

a se

tfo

r fo

rmal

or

info

rmal

dra

mat

ic p

rese

ntat

ions

.

3.03

Wor

k co

llabo

rativ

ely

to u

se a

vaila

ble

reso

urce

s fo

r pr

ops,

cos

tum

es, l

ight

ing

and

set.

3.04

Use

tech

nica

l the

atre

voc

abul

ary

such

as

flat a

nd g

roun

d pl

an.

3.05

Pra

ctic

e th

e ro

les

and

resp

onsi

bilit

ies

of th

epr

oduc

tion

staf

f.

3.06

Cre

ate

an a

tmos

pher

e fo

r an

aud

ienc

e in

form

al a

nd in

form

al p

rese

ntat

ions

.

3.07

Not

ate

bloc

king

in a

scr

ipt.

3.01

Und

erst

and

and

prac

tice

the

role

of t

hede

sign

er a

nd te

chni

cal e

lem

ents

in th

e th

eatr

epr

oces

s.

3.02

Des

ign

and

build

a s

et fo

r fo

rmal

or

info

rmal

dram

atic

pre

sent

atio

ns.

3.03

Wor

k co

llabo

rativ

ely

to u

se a

vaila

ble

reso

urce

s fo

r pr

ops,

cos

tum

es, l

ight

ing

and

setti

ngs.

3.04

Exp

and

and

impl

emen

t tec

hnic

al th

eatr

evo

cabu

lary

.

3.05

Ass

ume

the

role

s an

d re

spon

sibi

litie

s of

the

prod

uctio

n st

aff.

3.06

Com

pare

and

con

tras

t diff

eren

t the

atre

spac

es (

i.e. t

hrus

t, ar

ena,

pro

scen

ium

, and

flexi

ble)

and

thei

r di

ffere

nt r

equi

rem

ents

for

tech

nica

l ele

men

ts.

3.07

Cre

ate

a pr

ompt

boo

k.

3.08

Cre

ate

an a

tmos

pher

e fo

r au

dien

ces

isfo

rmal

and

info

rmal

pre

sent

atio

ns.

The

atre

Art

s I

The

atre

Art

s II

3.01

Dem

onst

rate

an

unde

rsta

ndin

g of

and

ass

ume

diffe

rent

rol

es o

n te

chni

cal c

rew

s.

3.02

Und

erst

and

and

utili

zepr

oduc

tion

sche

dulin

g an

dor

gani

zatio

n. 14,2

3.01

Und

erst

and,

dis

cuss

and

/or

writ

e ab

out t

he c

ompo

nent

s of

tech

nica

l the

atre

: sce

nery

,co

stum

e, m

akeu

p, li

ghtin

g, s

ound

and

prop

s.

3.02

Kno

w a

nd e

mpl

oyap

prop

riate

saf

ety

prec

autio

ns in

acco

rdan

ce w

ith e

stab

lishe

d

The

atre

Art

s III

3.01

Tak

e an

act

ive

role

in th

ete

chni

cal a

spec

ts o

f for

mal

and

info

rmal

pro

duct

ions

.

The

atre

Art

s IV

3.02

Lea

rn a

nd u

se a

ppro

pria

tecr

iteria

for

asse

ssin

g te

chni

cal

desi

gn a

nd p

ract

ice.

BE

ST C

OPY

MA

ILA

BL

E

3.01

Tak

e a

lead

ersh

ip r

ole

in th

ete

chni

cal a

spec

ts o

f for

mal

or

info

rmal

prod

uctio

ns.

3.02

Ref

ine

and

expr

ess

know

ledg

e of

asse

ssin

g te

chni

cal d

esig

n.

1 "3

3.03

Rec

ogni

ze ty

pes

of s

tage

san

d th

e ba

sics

of t

heat

rear

chite

ctur

e.

3.04

Rel

ate

the

uses

of t

echn

ical

thea

tre

spac

es fo

r re

hear

sal,

cons

truc

tion,

per

form

ance

, and

stor

age.

3.05

Und

erst

and

and

disc

uss

the

com

pone

nts

of te

chni

cal t

heat

re:

scen

ery,

cos

tum

e, m

akeu

p,lig

htin

g, s

ound

, and

pro

ps.

3.06

Rec

ogni

ze a

nd id

entif

y th

ete

rms

used

in th

e te

chni

cal t

heat

repr

oces

s.

regu

latio

ns fo

r al

l tec

hnic

al th

eatr

ear

eas

and

equi

pmen

t.

3.03

Lea

rn a

nd u

se th

e to

ols

ofth

eatr

e co

nstr

uctio

n su

ch a

s po

wer

tool

s, a

sew

ing

mac

hine

, lig

htin

gan

d so

und

equi

pmen

t and

oth

erre

late

d ite

ms.

3.03

Writ

e cr

itiqu

es o

f the

tech

nica

l asp

ects

of a

form

al o

rin

form

al p

rodu

ctio

n.

3.04

Dem

onst

rate

, dis

cuss

and

/or

writ

e ab

out t

he c

ompo

nent

s of

tech

nica

l the

atre

: sce

nery

,co

stum

es, m

akeu

p, li

ghtin

g, s

ound

and

prop

s.

3.05

Fur

ther

dev

elop

and

pra

ctic

eap

prop

riate

saf

ety

prec

autio

ns in

acco

rdan

ce w

ith e

stab

lishe

dre

gula

tions

for

all t

echn

ical

are

asan

d eq

uipm

ent.

3.06

Exp

and

know

ledg

e of

and

dem

onst

rate

the

use

of to

ols

empl

oyed

in th

eatr

e co

nstr

uctio

n to

incl

ude

pow

er to

ols,

a s

ewin

gm

achi

ne, l

ight

ing

and

soun

deq

uipm

ent,

and

rela

ted

item

s.

3.03

Writ

e cr

itiqu

es o

f one

's o

wn

wor

k.

3.04

App

ly k

now

ledg

e of

the

com

pone

nts

of te

chni

cal t

heat

re to

incl

ude

scen

ery,

cos

tum

es, m

akeu

p,lig

htin

g, s

ound

, and

pro

ps.

3.05

Exa

min

e an

d di

scus

s th

e te

chni

cal

area

s of

spe

cial

effe

cts

and

tech

nolo

gica

lad

vanc

es.

The

atre

Art

s- A

ll O

ther

Hig

h. S

choo

l Ele

ctiv

es3.

01 U

nder

stan

d an

d de

mon

stra

te a

wor

king

kno

wle

dge

of h

ow th

e va

rious

area

s of

tech

nica

l the

atre

ope

rate

and

sup

port

per

form

ance

s in

K-1

2ed

ucat

iona

l the

atre

.

3.02

Und

erst

and

and

dem

onst

rate

a w

orki

ng k

now

ledg

e of

the

scen

e de

sign

proc

ess.

3.03

Con

stru

ct, a

cqui

re, a

nd o

pera

tesc

ener

y us

ing

avai

labl

e re

sour

ces.

3.04

Des

ign,

inst

all,

acqu

ire, a

nd o

pera

te li

ghtin

g us

ing

avai

labl

e re

sour

ces.

3.05

Des

ign,

con

stru

ct, a

cqui

re, a

nd im

plem

ent c

ostu

mes

usi

ng a

vaila

ble

reso

urce

s.

3.06

Des

ign,

acq

uire

, app

ly, a

nd/o

r im

plem

ent m

akeu

p us

ing

avai

labl

ere

sour

ces.

194

BE

ST C

OPY

AV

AIL

AB

LE

125

Sco

pe a

nd S

eque

nce:

The

atre

K-1

2

Goa

l 4: T

he le

arne

r w

ill d

irect

thro

ugh

plan

ning

and

pre

sent

ing

info

rmal

or fo

rmal

pro

duct

ions

. (N

atio

nal S

tand

ard

4)

Kin

der'

arte

n4.

01 R

epea

t dia

logu

e fo

r re

telli

ng a

sto

ry th

roug

hgu

ided

pra

ctic

e.

4.02

Imita

te th

e so

unds

and

mov

emen

ts o

fob

ject

s, a

nim

als

and

peop

le.

4.03

Lis

ten

and

resp

ond

to d

irect

ions

and

sid

eco

achi

ng in

dra

mat

ic a

ctiv

ities

.

4.04

Par

ticip

ate

in g

roup

dec

isio

n-m

akin

g ab

out

artis

tic c

hoic

es.

1St G

rade

4.01

Cre

ate

dial

ogue

for

rete

lling

a s

tory

in o

ne's

own

wor

ds.

4.02

Ada

pt s

ound

s an

d m

ovem

ents

to o

bjec

ts,

anim

als,

and

peo

ple

with

in a

per

sona

l spa

ce.

4.03

Lis

ten

and

resp

ond

to d

irect

ions

and

sid

e-co

achi

ng in

dra

mat

ic a

ctiv

ities

.

4.04

Coo

pera

te w

ith p

eers

and

teac

her

in g

roup

deci

sion

-mak

ing

abou

t art

istic

cho

ices

.

4.05

Def

ine

a pe

rson

al s

pace

for

use

in d

ram

atic

activ

ities

.

4.06

Sha

re p

layi

ng s

pace

with

oth

er p

erfo

rmer

s.

2'G

rade

4.01

Rep

eat o

r pa

raph

rase

dia

logu

e fr

om a

sto

ryto

cre

ate

a dr

ama.

4.02

App

ly s

ound

and

mov

emen

t to

disp

lay

char

acte

r tr

aits

of o

bjec

ts, a

nim

als

and

peop

lew

ithin

com

mun

ity e

xper

ienc

es.

4.03

Coo

pera

te w

ith p

eers

in s

mal

l gro

upde

cisi

on-m

akin

g ab

out a

rtis

tic c

hoic

es.

4.04

Und

erst

and

resp

onsi

ble

audi

ence

beh

avio

rsan

d re

spon

ses

in d

ram

atic

act

iviti

es.

4.05

Rec

ogni

ze th

e im

port

ance

of l

iste

ning

toon

e an

othe

r w

ithin

the

dram

a.

4.06

Poi

nt o

ut s

imila

ritie

s an

d di

ffere

nces

betw

een

sim

ple

mon

olog

ues

and

dial

ogue

with

ina

stor

y or

dra

ma.

4.07

Und

erst

and

the

role

of t

he n

arra

tor

in th

edr

amat

ic p

roce

ss.

3rd

Gra

dee

Gra

de5t

h G

rade

4.01

Par

aphr

ase

dial

ogue

from

a s

tory

to s

how

diffe

rent

inte

rpre

tatio

ns fo

r us

e in

the

dram

atic

proc

ess.

4.02

Dem

onst

rate

res

pons

ible

beh

avio

rs s

uch

assh

arin

g, fl

exib

ility

and

team

wor

k du

ring

dram

atic

activ

ities

.

4.03

Mak

e de

cisi

ons

and

acce

pt s

impl

ere

spon

sibi

litie

s in

the

dram

atic

pro

cess

.

4.04

App

ly s

ound

and

mov

emen

t to

disp

lay

char

acte

r tr

aits

of o

bjec

ts, a

nim

als

and

peop

le.

4.05

Com

prom

ise

with

pee

rs in

sm

all g

roup

deci

sion

mak

ing

abou

t art

istic

cho

ices

.

,

4.01

Ada

pt d

ialo

gue

from

a s

tory

to s

how

diffe

rent

inte

rpre

tatio

ns.

4.02

Dem

onst

rate

res

pons

ible

beh

avio

r su

ch a

ssh

arin

g, fl

exib

ility

, neg

otia

ting

and

team

wor

k.

4.03

Mak

e de

cisi

ons

and

acce

pt r

espo

nsib

ilitie

sin

the

dram

atic

pro

cess

.

4.04

App

ly s

ound

and

mov

emen

t to

disp

lay

char

acte

r, m

ood

and

actio

ns.

4.05

Com

prom

ise

with

pee

rs in

sm

all g

roup

deci

sion

mak

ing

abou

t art

istic

cho

ices

.

BE

ST C

OPY

AV

AIL

AB

LE

4.01

Rec

ite o

r ad

apt d

ialo

gue

from

a s

crip

t to

show

diff

eren

t int

erpr

etat

ions

.

4.02

Dem

onst

rate

res

pons

ible

beh

avio

r su

ch a

ssh

arin

g, fl

exib

ility

, lea

ders

hip,

neg

otia

ting

and

team

wor

k.

4.03

Mak

e de

cisi

ons

and

acce

pt r

espo

nsib

ilitie

sin

the

dram

atic

pro

cess

.

4.04

App

ly s

ound

and

mov

emen

t to

disp

lay

char

acte

r, m

ood

and

actio

ns.

4.05

Com

prom

ise

with

pee

rs in

sm

all g

roup

deci

sion

mak

ing

abou

t art

istic

cho

ices

.

1°7

4.06

Lis

ten

and

reac

t to

one

anot

her

with

in th

edr

ama.

4.07

Rel

ate

the

sim

ilarit

ies

and

diffe

renc

esbe

twee

n m

onol

ogue

s, d

ialo

gue

and

asid

es w

ithin

a st

ory

or d

ram

a.

4.08

Util

ize

the

role

of t

he n

arra

tor

in th

edr

amat

ic p

roce

ss.

4.09

Rel

ate

wha

t cha

ract

ers

thin

k an

d fe

el d

urin

ga

dram

atic

sce

ne.

4.10

Exp

erim

ent w

ith c

hara

cter

dia

logu

e in

the

rehe

arsa

l pro

cess

.

4.11

Obs

erve

and

rel

ate

how

the

dive

rsity

of

stud

ents

with

in a

gro

up c

ontr

ibut

es to

inte

rest

ing

artis

tic c

hoic

es.

4.06

Ena

ct m

onol

ogue

s, d

ialo

gue

and

asid

esw

ithin

a s

tory

or

dram

a.

4.07

Use

the

role

of n

arra

tor

to g

uide

, pro

mpt

and

assi

st a

ctor

s.

4.08

Iden

tify

char

acte

rs' t

houg

ht p

roce

sses

durin

g dr

amat

ic s

cene

s.

4.09

Rec

ogni

ze w

ays

to d

ispl

ay c

hara

cter

s'th

ough

t pro

cess

es.

4.10

Use

reh

ears

al ti

me

effe

ctiv

ely

to b

rain

stor

m,

expe

rimen

t, pl

an a

nd r

ehea

rse.

4.11

Rec

ogni

ze d

iver

sity

with

in a

gro

upco

ntrib

utes

to in

tere

stin

g ar

tistic

cho

ices

.

4.06

Ena

ct m

onol

ogue

s, d

ialo

gue

and

asid

esw

ithin

a s

tory

or

dram

a.

4.07

Use

the

role

of n

arra

tor

to g

uide

, pro

mpt

and

assi

st a

ctor

s.

4.08

Und

erst

and

char

acte

rs' t

houg

ht p

roce

sses

durin

g dr

amat

ic s

cene

s.

4.09

Rec

ogni

ze w

ays

to d

ispl

ay c

hara

cter

s'th

ough

t pro

cess

es.

4.10

Use

reh

ears

al ti

me

effe

ctiv

ely

to b

rain

stor

m,

expe

rimen

t, pl

an a

nd r

ehea

rse.

4.11

Rec

ogni

ze d

iver

sity

with

in a

gro

upco

ntrib

utes

to a

rtis

tic g

row

th.

6th

Gra

de7t

h G

rade

8th

Gra

de4.

01 E

xam

ine

and

disc

uss

intr

oduc

tory

leve

ls o

fth

e di

rect

ing

proc

ess:

res

earc

h, p

lan

and

colla

bora

te, a

uditi

on, c

ast,

bloc

k an

d di

rect

.

4.02

Dem

onst

rate

, as

appr

opria

te, t

hede

sign

ated

res

pons

ibili

ties

of th

e di

rect

or.

4.03

Use

reh

ears

al ti

me

effe

ctiv

ely

to b

rain

stor

m,

expe

rimen

t, pl

an a

nd r

ehea

rse.

4.04

Iden

tify

char

acte

rs' i

nter

nal m

onol

ogue

durin

g sc

enes

.

4.05

Dem

onst

rate

res

pons

ible

beh

avio

r su

ch a

ssh

arin

g, c

ompr

omis

ing

and

nego

tiatin

g w

ithin

dive

rse

grou

ps.

4.01

Pra

ctic

e th

e di

rect

ing

proc

ess:

res

earc

h,pl

an a

nd c

olla

bora

te, a

uditi

on, c

ast,

bloc

k an

ddi

rect

.

4.02

Acc

ompl

ish,

as

appr

opria

te, d

esig

nate

dre

spon

sibi

litie

s of

the

dire

ctor

.

4.03

Col

labo

rate

with

oth

ers

to m

ake

choi

ces

for

form

al a

nd in

form

al p

rodu

ctio

ns.

4.04

Use

reh

ears

al ti

me

effe

ctiv

ely

to b

rain

stor

m,

expe

rimen

t, pl

an a

nd r

ehea

rsal

.

4.05

Com

mun

icat

e ch

arac

ters

' int

erna

lm

onol

ogue

s th

roug

h vo

caliz

atio

n an

d ph

ysic

alm

ovem

ent.

4.01

Und

erst

and

and

prac

tice

the

dire

ctin

gpr

oces

s: r

esea

rch,

pla

n an

d co

llabo

rate

, aud

ition

,ca

st, b

lock

and

dire

ct.

4.02

Impl

emen

t the

res

pons

ibili

ties

of th

edi

rect

or.

4.03

Col

labo

rate

with

oth

ers

to m

ake

choi

ces

tobe

app

lied

to fo

rmal

and

info

rmal

pro

duct

ions

.

4.04

Use

reh

ears

al ti

me

effe

ctiv

ely

to b

rain

stor

m,

expe

rimen

t, pl

an a

nd r

ehea

rse.

4.05

Com

mun

icat

e ch

arac

ters

' int

erna

lm

onol

ogue

thro

ugh

voca

lizat

ion

and

phys

ical

mov

emen

t.

The

atre

Art

s I

The

atre

Art

s II

IT

heat

re A

rts

IIIT

heat

re A

rts

IV4.

01 Id

entif

y an

d de

scrib

e th

ese

vera

l typ

es o

f reh

ears

als.

1 0

8

4.01

Rea

d, d

iscu

ss a

nd/o

r w

rite

abou

t pla

ys to

gai

n an

unde

rsta

ndin

g of

the

role

of t

hedi

rect

or in

the

prod

uctio

n.

4.01

Ana

lyze

a p

lay

as a

dire

ctor

.4.

01 D

irect

a o

ne-a

ct p

lay.

BE

ST C

OPY

MA

ILA

BL

E1

9

4.02

Rec

ogni

ze a

nd e

xpla

in w

hat

is in

a p

rom

pt b

ook.

4.03

Und

erst

and

and

use

the

voca

bula

ry o

f dire

ctin

g.

4.04

Dem

onst

rate

a k

now

ledg

e of

and

uses

for

a pr

oduc

tion

orga

niza

tion

char

t.

4.02

Und

erst

and,

dis

cuss

and

/or

writ

e ab

out t

he p

roce

ss o

fre

hear

sal a

nd p

rodu

ctio

n.

4.03

Diff

eren

tiate

bet

wee

n th

ero

les

of th

e di

rect

or a

nd a

ssis

tant

dire

ctor

.

4.04

Dev

ise

an o

rgan

izat

iona

lch

art t

o de

mon

stra

te th

e st

ruct

ure

and

flow

nec

essa

ry to

the

deve

lopm

ent a

nd p

rese

ntat

ion

of a

thea

tric

al p

rodu

ctio

n.

4.02

Dem

onst

rate

the

prin

cipa

ls o

fbl

ocki

ng a

nd c

ompo

sing

sta

gepi

ctur

es in

info

rmal

pro

duct

ions

.

4.03

Tak

e an

act

ive

role

inre

hear

sal a

nd p

rodu

ctio

n.

4.04

Obs

erve

and

doc

umen

t the

proc

ess

of a

spe

cific

dire

ctor

.

4.05

Pre

pare

res

earc

h fo

r a

dire

ctor

.

4.06

Dire

ct a

two-

pers

on s

cene

.

4.02

Writ

e a

refle

ctio

n of

the

one-

act

dire

ctin

g ex

perie

nce.

4.03

Stu

dy a

nd r

epor

t on

two

or m

ore

dire

ctin

g st

yles

by

mas

ter

dire

ctor

s.

I The

atre

Art

s- A

ll O

ther

Hig

h S

choo

l Ele

ctiv

es4.

01 U

nder

stan

d, d

iscu

ss a

nd/o

r w

rite

abou

t the

rol

e of

dire

ctin

g in

the

thea

tre

proc

ess.

4.02

Und

erst

and,

dis

cuss

and

/or

writ

e ab

out t

he e

ssen

tial c

ompo

nent

s of

thea

tre

dire

ctio

n.

4.03

Dire

ct in

form

al o

r fo

rmal

pro

duct

ions

in th

e cl

assr

oom

or

a th

eatr

ical

set

ting.

BE

ST C

OPY

AV

130

ILA

LE

131

Sco

pe a

nd S

eque

nce:

The

atre

K-1

2

Goa

l 5: T

he le

arne

r w

ill r

esea

rch

by fi

ndin

g in

form

atio

n to

sup

port

info

rmal

or fo

rmal

pro

duct

ions

. (N

atio

nal S

tand

ard

5)

Kin

der'

arte

n5.

01 M

anip

ulat

e si

mpl

e pr

ops

and

cost

umes

tosu

ppor

t the

cha

ract

er o

r st

ory.

1s1

Gra

de

5.02

Cho

ose

or im

itate

mov

emen

t to

supp

ort t

hepl

ayin

g of

the

char

acte

r.

5.03

Cho

ose

or im

itate

voc

al le

vels

and

ran

ges

to s

uppo

rt th

e pl

ayin

g of

a c

hara

cter

.

5.04

Not

ice

char

acte

r tr

aits

in v

isua

l aid

es s

uch

as s

tory

book

pic

ture

s.

5.05

Iden

tify

char

acte

r tr

aits

usi

ng v

erba

l and

nonv

erba

l exp

ress

ion.

5.06

Dis

cuss

the

five

sens

es a

s th

ey r

elat

e to

obje

cts,

ani

mal

s, a

nd p

eopl

e.

5.01

Util

ize

sim

ple

prop

s an

d co

stum

es to

supp

ort a

cha

ract

er o

r st

ory.

5.02

Cho

ose

or im

itate

mov

emen

t to

supp

ort t

hepl

ayin

g of

a c

hara

cter

.

5.03

Cho

ose

or im

itate

voc

al le

vels

and

ran

ges

to s

uppo

rt th

e pl

ayin

g of

a c

hara

cter

.

5.04

Poi

nt o

ut c

hara

cter

trai

ts in

vis

ual a

ides

such

as

stor

yboo

k pi

ctur

es.

5.05

Iden

tify

char

acte

r tr

aits

dis

play

ed th

roug

hve

rbal

or

nonv

erba

l exp

ress

ion.

5.06

Impl

emen

t ide

as to

use

as

a ba

sis

for

dram

atic

act

iviti

es.

5.07

Dis

tingu

ish

char

acte

r di

alog

ue in

sto

ryna

rrat

ion.

5.08

Iden

tify

the

five

sens

es a

s th

ey r

elat

e to

obje

cts,

ani

mal

s, a

nd p

eopl

e.

2nd

Gra

de5.

01 H

ypot

hesi

ze th

e ne

ed fo

r si

mpl

e pr

ops

and

cost

umes

to s

uppo

rt th

e ch

arac

ter

or s

tory

.

5.02

Cho

ose

mov

emen

t to

supp

ort t

he p

layi

ng o

fa

char

acte

r.

5.03

Cho

ose

voca

l exp

ress

ion

to s

uppo

rt th

epl

ayin

g of

the

char

acte

r.

5.04

Util

ize

info

rmat

ion

abou

t cha

ract

er tr

aits

deriv

ed fr

om v

isua

l or

audi

tory

aid

es.

5.05

Exp

ress

cha

ract

er d

ialo

gue

in s

tory

narr

atio

n.

5.06

Ref

eren

ce s

tory

to d

eter

min

e te

chni

cal

need

s fo

r dr

amat

ic p

rese

ntat

ion.

5.07

Mak

e pr

edic

tions

abo

ut c

hara

cter

s, s

ettin

gan

d ev

ents

bas

ed o

n st

ory

cont

ent.

5.08

Dis

cuss

how

per

sona

l exp

erie

nce

can

beus

ed a

s th

e ba

sis

for

char

acte

r ch

oice

s.

3rd

Gra

de4t

h G

rade

5th

Gra

de5.

01 E

xpre

ss th

roug

h ch

arac

teriz

atio

n th

em

eani

ng in

ferr

ed fr

om te

xt.

5.02

Just

ify th

e ne

ed fo

r si

mpl

e pr

ops

and

cost

umes

to s

uppo

rt th

e ch

arac

ter

or s

tory

.

5.03

Cho

ose

voca

l exp

ress

ion

and

mov

emen

t to

supp

ort t

he p

layi

ng o

f a c

hara

cter

.

5.04

Util

ize

info

rmat

ion

abou

t cha

ract

er tr

aits

deriv

ed fr

om te

xt.

5.05

Tel

l sto

ries

usin

g na

rrat

ion.

5.01

Exp

ress

thro

ugh

char

acte

rizat

ion

mea

ning

infe

rred

from

a te

xt.

5.02

Art

icul

ate

how

art

istic

cho

ices

sup

port

the

port

raya

l of t

he c

hara

cter

.

5.03

Ada

pt a

nd u

se in

form

atio

n ab

out c

hara

cter

trai

ts d

eriv

ed fr

om a

text

.

5.04

Org

aniz

e pa

rts

of a

sto

ry to

be

used

as

dial

ogue

or

narr

atio

n.

5.05

Ref

eren

ce s

torie

s to

det

erm

ine

and

just

ifyte

chni

cal n

eeds

to s

uppo

rt th

e ch

arac

ter

or s

tory

.

BE

ST

CS

PYA

VA

LA

BL

E

5.01

Exp

ress

thro

ugh

char

acte

rizat

ion

mea

ning

infe

rred

from

a te

xt.

5.02

Art

icul

ate

how

art

istic

cho

ices

sup

port

the

port

raya

l of t

he c

hara

cter

.

5.03

Ada

pt a

nd u

se in

form

atio

n ab

out c

hara

cter

trai

ts d

eriv

ed fr

om a

text

.

5.04

Org

aniz

e pa

rts

of a

sto

ry to

be

used

as

dial

ogue

or

narr

atio

n.

5.05

Ref

eren

ce s

torie

s to

det

erm

ine

and

just

ifyte

chni

cal n

eeds

to s

uppo

rt th

e ch

arac

ter

or s

tory

.

133

5.06

Iden

tify

part

s of

a s

tory

that

can

be

utili

zed

as d

ialo

gue

or n

arra

tion.

5.07

Ref

eren

ce s

torie

s to

det

erm

ine

the

tech

nica

l nee

ds fo

r dr

amat

ic p

rese

ntat

ion.

5.08

Inve

stig

ate

text

to d

eter

min

e W

ho, W

hat,

Whe

n, W

here

, Why

and

How

.

5.09

Mak

e pr

edic

tions

abo

ut c

hara

cter

s, s

ettin

gan

d ev

ents

baS

ed o

n st

ory

cont

ent.

5.10

Util

ize

pers

onal

exp

erie

nce

as th

e ba

sis

for

char

acte

r ch

oice

s.

5.06

Inve

stig

ate

text

to d

eter

min

e W

ho, W

hat,

Whe

n, W

here

, Why

and

How

.

5.07

Ref

eren

ce fo

rms

of li

tera

ture

oth

er th

ansc

ripts

to s

uppo

rt d

ram

atic

pre

sent

atio

ns.

5.08

Use

em

otio

nal r

ecal

l as

the

basi

s fo

rch

arac

ter

choi

ces.

5.06

Inve

stig

ate

text

to d

eter

min

e W

ho, W

hat,

Whe

n, W

here

, Why

and

How

.

5.07

Ref

eren

ce v

ario

us fo

rms

of li

tera

ture

oth

erth

an s

crip

ts to

sup

port

dra

mat

ic p

rese

ntat

ions

.

5.08

Use

em

otio

nal r

ecal

l as

the

basi

s fo

rch

arac

ter

choi

ces.

6th

Gra

de7t

h G

rade

8th

Gra

de5.

01 E

xecu

te a

var

iety

of d

iffer

ent r

esea

rch

met

hods

and

tech

nolo

gy to

sup

port

pro

duct

ion.

5.02

Dis

cuss

the

lega

l and

eth

ical

issu

esre

gard

ing

the

use

of o

ther

's id

eas.

5.03

Ref

eren

ce a

scr

ipt t

o de

term

ine

and

just

ifyte

chni

cal n

eeds

for

a dr

amat

ic p

rese

ntat

ion.

5.04

Infe

r m

eani

ng fr

om a

scr

ipt t

o cr

eate

char

acte

rs.

5.05

Art

icul

ate

how

art

istic

cho

ices

sup

port

the

port

raya

l of c

hara

cter

s.

5.01

Inve

stig

ate

and

prac

tice

diffe

rent

res

earc

hm

etho

ds a

nd te

chno

logy

to s

uppo

rt p

rodu

ctio

n.

5.02

Dem

onst

rate

kno

wle

dge

of th

e le

gal a

ndet

hica

l iss

ues

rega

rdin

g th

e us

e of

oth

er's

idea

s.

5.03

Ref

eren

ce a

scr

ipt t

o im

plem

ent t

echn

ical

requ

irem

ents

.

5.04

Infe

r m

eani

ng fr

om a

scr

ipt t

o cr

eate

char

acte

rs.

5.05

Mak

e ar

tistic

cho

ices

to s

hape

the

port

raya

lof

cha

ract

ers.

5.01

Mak

e ar

tistic

cho

ices

to s

hape

the

port

raya

lof

cha

ract

ers.

5.02

Dem

onst

rate

a k

now

ledg

e of

and

the

abili

tyto

dis

cuss

the

impl

icat

ions

of t

he le

gal a

nd e

thic

alis

sues

reg

ardi

ng th

e us

e of

oth

er's

idea

s.

5.03

Ref

eren

ce a

scr

ipt t

o de

sign

and

impl

emen

tte

chni

cal t

heat

re r

equi

rem

ents

.

5.04

Ana

lyze

giv

en c

ircum

stan

ces

in a

scr

ipt t

ocr

eate

cha

ract

er.

5.05

Ana

lyze

giv

en c

ircum

stan

ces

in a

scr

ipt t

om

ake

artis

tic c

hoic

es.

The

atre

Art

s I

The

atre

Art

s 11

The

atre

Art

s III

The

atre

Art

s IV

5.01

Res

earc

h an

d as

sem

ble

info

rmat

ion

to b

egin

a ti

me

line

ofth

eatr

e hi

stor

y in

clud

ing

non-

wes

tern

thea

tre.

5.02

Und

erst

and

and

rela

te h

owth

eatr

e or

igin

ated

and

evo

lved

.

5.03

Kno

w a

nd p

ract

ice

audi

ence

beha

vior

.

5.01

Atte

nd a

pla

y an

d re

flect

on

itve

rbal

ly o

r th

roug

h w

ritin

g en

trie

sin

a jo

urna

l.

5.02

Dev

elop

a ti

me

line

of th

eatr

ehi

stor

y w

ith a

dditi

onal

spe

cific

sre

gard

ing

soci

al c

onte

xt,

play

wrig

hts

and

genr

es.

5.03

Exp

erie

nce,

dis

cuss

and

/or

writ

e ab

out p

rodu

ctio

ns in

diff

eren

tth

eatr

e sp

aces

.

5.01

Exa

min

e an

d di

scus

s no

n-w

este

rn p

lays

not

pre

viou

sly

stud

ied.

5.02

Rea

d an

d re

sear

ch a

pla

y;vi

ew a

pro

duct

ion

of th

e pl

ay a

ndev

alua

te.

BE

ST C

OPY

AV

1LA

BL

E

5.01

Res

earc

h a

perio

d th

eatr

e pi

ece.

5.02

Res

earc

h th

e ro

le o

f a d

ram

atur

g.

5.03

Res

earc

h an

d id

entif

y cu

ltura

l and

hist

oric

al s

ourc

es o

f Am

eric

an th

eatr

ein

clud

ing

mus

ical

thea

tre.

135

5.04

Exp

lore

and

dem

onst

rate

5.04

Inve

stig

ate,

dis

cuss

and

/or

stor

ytel

ling

trad

ition

s of

non

-w

rite

abou

t pla

ys fr

om n

on-w

este

rnw

este

rn th

eatr

e.th

eatr

e.

5.05

Dis

cove

r, d

iscu

ss a

nd/o

rw

rite

abou

t sou

rces

for

info

rmat

ion

abou

t the

atre

pro

duct

ions

,pe

rson

aliti

es, t

rend

s, e

tc.

The

atre

Art

s- A

ll O

ther

Hig

h S

choo

l Ele

ctiv

es5.

01 A

naly

ze th

e im

pact

his

tory

and

thea

tre

have

had

upo

n ea

ch o

ther

.

5.02

Com

mun

icat

e a

sens

e of

how

thea

tre

has

evol

ved.

5.03

Exp

lain

thea

tre'

s ro

le in

soc

iety

and

the

wor

ld.

5.04

Rec

ogni

ze a

nd d

iscu

ss d

ram

atic

and

lite

rary

gen

res.

BE

ST C

OPY

AV

AIL

AB

LE

137

Sco

pe a

nd S

eque

nce:

The

atre

K-1

2

Goa

l 6: T

he le

arne

r w

ill c

ompa

re a

nd in

tegr

ate

art f

orm

s by

ana

lyzi

ng tr

aditi

onal

thea

tre,

dan

ce, m

usic

, vis

ual a

rts,

and

new

art f

orm

s. (

Nat

iona

l Sta

ndar

d 6)

Kin

der

arte

n6.

01 U

se s

ound

, mov

emen

t and

dra

win

g th

roug

hdr

amat

ic p

lay.

6.02

Use

pup

pets

in d

ram

atic

pla

y.

6.03

Par

ticip

ate

in a

nd u

se th

e ar

t for

m o

fpa

ntom

ime.

6.04

Beg

in to

be

awar

e th

at a

var

iety

of a

rt fo

rms

are

infu

sed

into

thea

tre

and

com

e fr

om a

llcu

lture

s.

6.05

Dis

cuss

bas

ic s

imila

ritie

s an

d di

ffere

nces

.

3rd

Gra

de6.

01 In

corp

orat

e m

usic

, sou

nd, m

ovem

ent,

danc

e, a

nd d

esig

n in

to th

e dr

amat

ic p

roce

ss.

6.02

Inco

rpor

ate

pupp

etry

and

pan

tom

ime

sim

ple

dram

as.

6.03

Util

ize

sim

ple

mas

k m

akin

g.

6.04

Und

erst

and

a va

riety

of a

rt fo

rms

are

infu

sed

into

thea

tre

and

com

e fr

om a

ll cu

lture

s.

138

1St G

rade

6.01

Inte

grat

e so

und,

mov

emen

t and

dra

win

gin

to d

ram

atic

pla

y.

6.02

Util

ize

the

art f

orm

of p

uppe

try.

6.03

Par

ticip

ate

in th

e ar

t for

m o

f pan

tom

ime.

6.04

Be

awar

e th

at a

rt fo

rms

used

in th

eatr

epr

esen

tatio

ns c

ome

from

all

cultu

res.

2dd

Gra

de

6.05

Dis

cuss

bas

ic s

imila

ritie

s an

d di

ffere

nces

betw

een

art f

orm

s.

6.01

Inco

rpor

ate

mus

ic, s

ound

, mov

emen

t,da

nce

and

desi

gn.

6.02

Util

ize

the

art f

orm

of p

uppe

try

in s

impl

edr

amas

.

6.03

Util

ize

the

art f

orm

of p

anto

mim

e in

char

acte

rizat

ion.

6.04

Exp

lore

the

art f

orm

of f

unda

men

tal m

ask

mak

ing.

6.05

Com

preh

end

that

art

form

s us

ed in

thea

tre

pres

enta

tions

com

e fr

om a

ll cu

lture

s.

6.06

Iden

tify

diffe

rent

art

form

s w

ithin

the

com

mun

ity.

6.07

Bui

ld s

kills

to r

ead

with

dra

mat

ic e

xpre

ssio

nva

rious

sim

ple

scrip

ts d

eriv

ed fr

om p

oetr

y, s

hort

stor

ies,

fairy

tale

s, im

agin

atio

n an

d ot

her

form

s of

liter

atur

e.

4th

Gra

de6.

01 In

corp

orat

e m

usic

, sou

nd, m

ovem

ent,

danc

e, a

nd d

esig

n in

to th

e dr

amat

ic p

roce

ss.

into

6.02

Inco

rpor

ate

the

arts

form

s of

pup

petr

y,pa

ntom

ime

and

mas

k m

akin

g in

to s

impl

e dr

amas

.

6.03

Und

erst

and

that

a v

arie

ty o

f art

form

s ar

ein

fuse

d in

thea

tre

and

com

e fr

om d

iffer

ent

cultu

res.

6.04

Obs

erve

that

diff

eren

t art

form

s re

flect

upo

nth

e di

vers

ity w

ithin

her

itage

and

cul

ture

.

RE

S T

CO

PYA

VM

AB

LE

5th

Gra

de6.

01 A

dapt

mus

ic, s

ound

, mov

emen

t, da

nce,

and

desi

gn in

to th

e dr

amat

ic p

roce

ss.

6.02

Inco

rpor

ate

the

art f

orm

s of

pup

petr

y,pa

ntom

ime

and

mas

k m

akin

g in

to s

impl

e dr

amas

.

6.03

Und

erst

and

that

a v

arie

ty o

f art

form

s ar

ein

fuse

d in

thea

tre

and

com

e fr

om d

iffer

ent

cultu

res.

6.04

Obs

erve

that

diff

eren

t art

form

s re

flect

upo

nth

e di

vers

ity o

f soc

iety

.

139

6.05

Obs

erve

that

diff

eren

t art

form

s re

flect

6.05

Rea

d w

ith d

ram

atic

exp

ress

ion

a va

riety

of

6.05

Rea

d w

ith d

ram

atic

exp

ress

ion

a va

riety

of

dive

rsity

.

6.06

Bui

ld s

kills

to r

ead

with

dra

mat

ic e

xpre

ssio

na

varie

ty o

f scr

ipts

.

sim

ple

scrip

ts.

sim

ple

scrip

ts.

6th

Gra

de7t

h G

rade

8th

Gra

de6.

01 E

xplo

re a

nd a

ppra

ise

othe

r ar

t for

ms

from

vario

us c

ultu

res

and

how

they

rel

ate

to th

eatr

e.

6.02

Com

mun

icat

e ho

w th

eatr

e ca

n sy

nthe

size

all t

he a

rts.

6.03

Com

mun

icat

e ho

w d

iffer

ent a

rt fo

rms

refle

ctup

on th

e di

vers

ity o

f soc

iety

.

6.04

Inte

grat

e ot

her

art f

orm

s in

to fo

rmal

and

info

rmal

pre

sent

atio

ns.

6.01

Obs

erve

and

ana

lyze

oth

er a

rt fo

rms

from

6.01

Ana

lyze

oth

er a

rt fo

rms

and

how

they

rel

ate

othe

r cu

lture

s an

d ho

w th

ey r

elat

e to

thea

tre.

to th

eatr

e.

6.02

Inte

grat

e ot

her

art f

orm

s in

to d

ram

atic

6.02

Syn

thes

ize

seve

ral a

rt fo

rms

into

dra

mat

icpr

esen

tatio

ns.

pres

enta

tions

.

6.03

Com

mun

icat

e ho

w d

iffer

ent a

rt fo

rms

have

6.03

Com

pare

and

con

tras

t how

soc

iety

and

been

affe

cted

by

soci

ety.

vario

us a

rt fo

rms

impa

ct e

ach

othe

r.

The

atre

Art

s I

The

atre

Art

s II

The

atre

Art

s Ill

The

atre

Art

s IV

6.01

Sho

w th

roug

h di

scus

sion

or

writ

ing

an a

ppre

ciat

ion

for

thea

tre

as a

com

posi

te a

rt fo

rm.

6.02

Und

erst

and

and

rela

te h

owth

eatr

e is

a s

ynth

esis

of a

ll ar

ts.

6.01

Und

erst

and

and

rela

te h

owth

e fu

ndam

enta

ls o

f diff

eren

t art

form

s re

late

to th

e st

udy,

pro

cess

and

prod

uctio

n of

thea

tre.

6.02

Und

erst

and

and

man

ifest

the

colla

bora

tive

natu

re o

f the

atre

.

6.03

Writ

e re

view

s of

pla

ys o

rot

her

rela

ted

art f

orm

s.

6.01

Dem

onst

rate

an

unde

rsta

ndin

g of

thea

tre

as a

synt

hesi

s of

all

the

arts

.

6.02

Dem

onst

rate

an

unde

rsta

ndin

g of

thea

tre

as a

colla

bora

tive

art.

6.03

Rev

iew

and

ana

lyze

trad

ition

al a

nd n

on-t

radi

tiona

l art

form

s.

6.01

Ana

lyze

and

rep

ort o

n ne

w tr

ends

inth

eatr

e pe

rfor

man

ce.

6.02

Ana

lyze

and

rep

ort o

n th

eatr

ical

deve

lopm

ents

in te

chno

logy

.

6.03

Com

pare

and

con

tras

t art

form

s in

spec

ific

cultu

res

and/

or h

isto

rical

per

iods

.

The

atre

Art

s- A

ll O

ther

Hig

h S

choo

l Ele

ctiv

es6.

01 D

iscu

ss th

e ba

sic

natu

re o

f art

form

s an

d ho

w th

ey r

elat

e to

the

stud

y,pr

oces

s an

d pr

oduc

tion

of th

eatr

e.

6.02

Des

crib

e th

eatr

e as

a s

ynth

esis

of a

ll ar

ts.

140

PiE

ST C

OPY

AV

AIL

AB

LE

141

Sco

pe a

nd S

eque

nce:

The

atre

K-1

2

Goa

l 7: T

he le

arne

r w

ill a

naly

ze, c

ritiq

ue, a

nd c

onst

ruct

mea

ning

from

info

rmal

and

form

al th

eatr

e, fi

lm,

tele

visi

on, a

nd e

lect

roni

c m

edia

pro

duct

ions

. (N

atio

nal S

tand

ard

7)

Kin

derg

arte

nis

t Gra

de2n

d G

rade

7.01

Eng

age

in d

iscu

ssio

n ab

out d

ram

atic

proc

ess.

7.02

Lis

ten

to a

nd d

emon

stra

te r

espe

ct fo

r th

eth

ough

ts a

nd o

pini

ons

of o

ther

s.

7.03

Loo

k fo

r th

e re

sults

of c

hara

cter

s' a

ctio

ns in

a va

riety

of l

itera

ry fo

rms.

7.04

Dis

cuss

like

s an

d di

slik

es o

f aud

ienc

em

embe

rs.

7.05

Des

crib

e ch

arac

ters

, set

ting

and

even

tsse

en o

r po

rtra

yed

in fo

rmal

or

info

rmal

prod

uctio

ns.

7.01

Eng

age

in d

iscu

ssio

n ab

out d

ram

atic

proc

ess.

7.02

Lis

ten

to a

nd d

ispl

ay r

espe

ct fo

r th

eth

ough

ts a

nd o

pini

ons

of o

ther

s.

7.03

Loo

k fo

r th

e re

sults

of c

hara

cter

s' a

ctio

ns in

a va

riety

of l

itera

ry fo

rms.

7.04

Dis

cuss

like

s an

d di

slik

es o

f aud

ienc

em

embe

rs.

7.05

Des

crib

e ch

arac

ters

, set

ting

and

even

tsse

en o

r po

rtra

yed

in fo

rmal

or

info

rmal

prod

uctio

ns.

7.06

Iden

tify

stre

ngth

s of

pee

rs a

nd s

elf.

7.01

Rec

ogni

ze e

mot

ions

and

thou

ghts

evo

ked

by in

form

al a

nd fo

rmal

thea

tre

perf

orm

ance

s.

7.02

Dis

play

res

pect

by

liste

ning

to th

e th

ough

tsan

d op

inio

ns o

f oth

ers.

7.03

Und

erst

and

that

cha

ract

ers'

act

ions

hav

ere

sults

in a

var

iety

of l

itera

ry fo

rms.

7.04

Exp

ress

ref

lect

ions

dur

ing

and

afte

r a

crea

tive

dram

a ac

tivity

.

7.05

Des

crib

e ch

arac

ters

, set

ting

and

even

tsse

en o

r po

rtra

yed

in fo

rmal

or

info

rmal

thea

tre

prod

uctio

ns.

7.06

Iden

tify

stre

ngth

s of

pee

rs a

nd s

elf.

7.07

Exp

lain

rea

sons

beh

ind

artis

tic c

hoic

es.

3rd

Gra

de4t

h G

rade

5th

Gra

de7.

01 B

uild

ski

lls to

crit

ique

sel

f and

oth

ers

ina

resp

ectfu

l and

con

stru

ctiv

e m

anne

r.

7.02

Lis

ten

to c

onst

ruct

ive

criti

cism

and

rea

ct in

a po

sitiv

e w

ay.

7.03

Con

vey

pers

onal

rea

ctio

ns to

var

ious

text

s.

7.04

Cor

rela

te p

erso

nal e

xper

ienc

es to

sta

geex

perie

nces

.

7.05

Com

mun

icat

e em

otio

ns a

nd th

ough

tsev

oked

by

perf

orm

ance

s.

7.06

Rec

ogni

ze a

nd d

iscu

ss th

at c

onse

quen

ces

and

actio

ns te

ach

char

acte

rs a

nd a

udie

nce

mem

bers

life

less

ons. 14

2

7.01

Bui

ld s

kills

to c

ritiq

ue s

elf a

nd o

ther

s in

are

spec

tful a

nd c

onst

ruct

ive

man

ner.

7.02

Beg

in to

que

stio

n ar

tistic

cho

ices

in o

rder

toun

ders

tand

the

dram

atic

pro

cess

.

7.03

Jus

tify

artis

tic c

hoic

es.

7.04

Lis

ten

to c

onst

ruct

ive

criti

cism

and

rea

ct in

a po

sitiv

e w

ay.

7.05

Rea

lize

that

the

char

acte

r an

d ac

tor

may

have

diff

eren

t per

sona

litie

s.

7.06

Cor

rela

te p

erso

nal e

xper

ienc

es to

sta

geex

perie

nces

.

7.01

Dis

play

ski

lls to

crit

ique

sel

f and

oth

ers

in a

resp

ectfu

l and

con

stru

ctiv

e m

anne

r.

7.02

Que

stio

n ar

tistic

cho

ices

in o

rder

toun

ders

tand

the

dram

atic

pro

cess

.

7.03

Jus

tify

artis

tic c

hoic

es.

7.04

Lis

ten

to c

onst

ruct

ive

criti

cism

and

rea

ct in

a po

sitiv

e w

ay.

7.05

Rea

lize

that

the

char

acte

r an

d ac

tor

may

have

diff

eren

t per

sona

litie

s.

7.06

Cor

rela

te p

erso

nal e

xper

ienc

es to

sta

geex

perie

nces

.

BE

ST C

OPY

MA

ILA

BL

E

143

7.07

Sug

gest

alte

rnat

ive

char

acte

rs, s

ettin

gs o

rev

ents

afte

r vi

ewin

g or

par

ticip

atin

g in

ape

rfor

man

ce.

7.08

Jus

tify

artis

tic c

hoic

es.

7.07

Com

mun

icat

e em

otio

ns a

nd th

ough

ts7.

07 C

omm

unic

ate

emot

ions

and

thou

ghts

evok

ed b

y pe

rfor

man

ces.

evok

ed b

y pe

rfor

man

ces.

7.08

Sho

w th

at c

onse

quen

ces

and

actio

ns te

ach

char

acte

rs a

nd a

udie

nce

mem

bers

life

less

ons.

7.09

Sug

gest

and

impl

emen

t alte

rnat

ive

char

acte

rs, s

ettin

gs o

r ev

ents

afte

r vi

ewin

g or

part

icip

atin

g in

a p

erfo

rman

ce.

7.08

Sho

w th

at c

ause

and

effe

ct te

ach

char

acte

rs a

nd a

udie

nce

mem

bers

life

less

ons.

7.09

Sug

gest

and

impl

emen

t alte

rnat

ive

char

acte

rs, s

ettin

gs o

r ev

ents

afte

r vi

ewin

g or

part

icip

atin

g in

a p

erfo

rman

ce.

6th

Gra

de7t

h G

rade

18t

h G

rade

7.01

Rec

ogni

ze a

nd p

ract

ice

audi

ence

etiq

uette

.

7.02

Dev

elop

and

impl

emen

t des

crip

tive

voca

bula

ry w

hile

pra

ctic

ing

posi

tive

criti

quin

gm

etho

ds.

7.03

Dev

elop

ver

bal,

visu

al a

nd w

ritte

nre

spon

ses

to w

orks

of i

nfor

mal

and

form

alth

eatr

e, fi

lm, t

elev

isio

n, a

nd e

lect

roni

c m

edia

prod

uctio

ns fr

om v

ario

us c

ultu

res.

7.04

Exp

ress

mea

ning

per

ceiv

ed fr

om in

form

alan

d fo

rmal

thea

tre,

film

, tel

evis

ion,

and

ele

ctro

nic

med

ia p

rodu

ctio

ns.

7.05

Lis

ten

to c

onst

ruct

ive

criti

cism

and

rea

ct in

a po

sitiv

e m

anne

r.

7.06

Rev

ise

dram

atic

wor

k ba

sed

on r

ecei

ved

cons

truc

tive

criti

cism

and

feed

back

.

7.07

Com

mun

icat

e em

otio

ns a

nd th

ough

tsev

oked

by

perf

orm

ance

s.

7.01

Pra

ctic

e po

sitiv

e au

dien

ce e

tique

tte.

7.02

Exp

and

and

impl

emen

t des

crip

tive

voca

bula

ry w

hile

pra

ctic

ing

cons

truc

tive

criti

quin

gm

etho

ds.

7.03

Ana

lyze

, crit

ique

and

exp

ress

mea

ning

perc

eive

d fr

om w

orks

of i

nfor

mal

and

form

alth

eatr

e, fi

lm, t

elev

isio

n, a

nd e

lect

roni

c m

edia

prod

uctio

ns fr

om v

ario

us c

ultu

res.

7.04

Lis

ten

to a

nd im

plem

ent c

onst

ruct

ive

criti

cism

.

7.05

Com

mun

icat

e em

otio

ns a

nd th

ough

tsev

oked

by

perf

orm

ance

s an

d dr

amat

ic m

ater

ial.

7.01

Pra

ctic

e po

sitiv

e au

dien

ce e

tique

tte.

7.02

Eva

luat

e th

e re

latio

nshi

p be

twee

n th

eau

dien

ce a

nd th

e pr

oduc

tion.

7.03

Use

des

crip

tive

voca

bula

ry a

nd c

reat

ive

thin

king

in th

e cr

itiqu

ing

proc

ess.

7.04

Writ

e an

d di

scus

s an

alys

is o

f inf

orm

al a

ndfo

rmal

thea

tre,

film

, tel

evis

ion,

and

ele

ctro

nic

med

ia p

rodu

ctio

ns fr

om v

ario

us c

ultu

res.

7.05

Lis

ten

to a

nd im

plem

ent c

onst

ruct

ive

criti

cism

.

7.06

Ana

lyze

how

thea

tre

can

evok

e em

otio

nsan

d th

ough

ts fr

om a

n au

dien

ce.

The

atre

Art

s I

The

atre

Art

s II

The

atre

Art

s III

The

atre

Art

s IV

7.01

Inve

stig

ate

and

use

thea

tre-

rela

ted

Inte

rnet

site

s.

7.02

Dev

elop

and

rel

ate

a w

orld

view

of t

heat

re in

soc

iety

.

14/4

7.01

Dem

onst

rate

giv

ing

and

rece

ivin

g co

nstr

uctiv

e cr

itici

sm.

7.02

Eva

luat

e pe

rson

al p

rogr

ess

thro

ugh

the

crea

tion

and

use

of a

port

folio

of t

heat

re w

ork.

7.01

Ana

lyze

per

sona

l pro

gres

sth

roug

h th

e cr

eatio

n an

d us

e of

apo

rtfo

lio o

f the

atre

wor

k.

7.02

Ana

lyze

live

thea

tric

alpr

oduc

tions

to s

ee h

ow te

chno

logy

is u

sed. B

EST

CO

PYM

AIL

AB

LE

7.01

Crit

ique

per

sona

l pro

gres

s th

roug

hth

e co

ntin

uing

use

of a

por

tfolio

of t

heat

rew

ork.

7.02

Use

ava

ilabl

e ne

w te

chno

logy

or

new

use

s of

exi

stin

g te

chno

logy

tosu

ppor

t the

sch

ool t

heat

re a

rts

prog

ram

.

145

7.03

Dem

onst

rate

per

sona

lpr

ogre

ss th

roug

h th

e cr

eatio

n an

dus

e of

a p

ortfo

lio o

f the

atre

wor

k.

7.04

Inve

stig

ate

and

disc

uss

the

tech

nica

l ele

men

ts in

diff

eren

tm

edia

.

7.03

Util

ize

vide

o ca

mer

ate

chni

ques

for

thea

tre

proj

ects

or

prod

uctio

ns.

7.03

Inve

stig

ate

tech

nolo

gyav

aila

ble

at th

e sc

hool

site

toin

corp

orat

e in

pro

duct

ions

of

form

al a

nd in

form

al th

eatr

e.

I The

atre

Art

s- A

ll O

ther

Hig

h S

choo

l Ele

ctiv

es7.

01 A

naly

ze a

nd e

valu

ate

dram

atic

ele

men

ts.

7.02

Use

ava

ilabl

e te

chno

logy

to s

uppo

rt fo

rmal

and

info

rmal

thea

tre

prod

uctio

ns.

14,3

BE

ST C

OPY

AV

AIL

AB

LE

147

Sco

pe a

nd S

eque

nce:

The

atre

K-1

2

Goa

l 8: T

he le

arne

r w

ill u

nder

stan

d co

ntex

t by

anal

yzin

g th

e ro

le o

f the

atre

, film

, tel

evis

ion,

and

ele

ctro

nic

med

ia in

the

past

and

pres

ent.

(Nat

iona

l Sta

ndar

d 8)

Kin

derg

arte

n8.

01 S

hare

the

role

of f

ilm a

nd te

levi

sion

in o

ne's

fam

ily li

fe.

8.02

Sha

re th

e ro

le o

f ele

ctro

nic

med

ia s

uch

asra

dio

and

com

pute

r in

one

's fa

mily

life

.

8.03

Exp

erie

nce

live

or r

ecor

ded

perf

orm

ance

s.

8.04

Par

ticip

ate

in c

reat

ive

dram

a.

1StG

rade

8.01

Con

side

r th

e ro

le o

f im

itatio

n in

thea

tre.

8.02

Sha

re th

e ro

le fi

lm a

nd te

levi

sion

hav

epl

ayed

in r

elat

ions

hip

to o

ne's

sel

f.

8.03

Sha

re th

e ro

le o

f tec

hnol

ogy

and

elec

tron

icm

edia

.

8.04

Exp

erie

nce

live

or r

ecor

ded

perf

orm

ance

s.

8.05

Par

ticip

ate

in c

reat

ive

dram

a an

dex

perie

nce

info

rmal

pre

sent

atio

ns.

2nd

Gra

de8.

01 R

ecog

nize

the

role

of i

mita

tion

in th

eatr

e.

8.02

Sha

re th

e ro

le o

f film

and

tele

visi

on in

the

com

mun

ity.

8.03

Sha

re th

e ro

le o

f tec

hnol

ogy

and

elec

tron

icm

edia

.

8.04

Exp

erie

nce

live

or r

ecor

ded

perf

orm

ance

s.

8.05

Dis

cuss

the

sim

ilarit

ies

and

diffe

renc

esbe

twee

n liv

e an

d re

cord

ed th

eatr

ical

eve

nts.

8.06

Par

ticip

ate

in a

nd e

xper

ienc

e cr

eativ

edr

ama.

3rd

Gra

de4t

h G

rade

5 G

rade

8.01

Und

erst

and

the

role

of t

heat

re.

8.02

Dis

cuss

the

role

of f

ilm a

nd te

levi

sion

.

8.03

Dis

cuss

the

role

of t

echn

olog

y an

del

ectr

onic

med

ia.

8.04

Exp

erie

nce

live

or r

ecor

ded

perf

orm

ance

s.

8.05

Dis

cuss

the

sim

ilarit

ies

and

diffe

renc

esbe

twee

n liv

e an

d re

cord

ed th

eatr

ical

eve

nts.

8.06

Par

ticip

ate

in a

nd e

xper

ienc

e in

form

al a

ndfo

rmal

pre

sent

atio

ns.

8.01

Und

erst

and

the

role

of t

heat

re.

8.02

Dis

cuss

the

role

of f

ilm a

nd te

levi

sion

.

8.03

Dis

cuss

the

role

of t

echn

olog

y an

del

ectr

onic

med

ia.

8.04

Exp

erie

nce

live

or r

ecor

ded

perf

orm

ance

s.

8.05

Dis

cuss

the

sim

ilarit

ies

and

diffe

renc

esbe

twee

n liv

e an

d re

cord

ed th

eatr

ical

eve

nts.

8.06

Dis

cuss

the

sim

ilarit

ies

and

diffe

renc

esbe

twee

n ac

ting

for

the

thea

tre

and

cam

era.

8.07

Par

ticip

ate

in p

rese

ntat

ions

.

8.01

Und

erst

and

and

desc

ribe

the

role

of t

heat

reat

diff

eren

t tim

es.

8.02

Dis

cuss

the

role

of f

ilm a

nd te

levi

sion

.

8.03

Dis

cuss

the

role

of t

echn

olog

y an

del

ectr

onic

med

ia.

8.04

Exp

erie

nce

live

or r

ecor

ded

perf

orm

ance

s.

8.05

Dis

cuss

the

sim

ilarit

ies

and

diffe

renc

esbe

twee

n liv

e an

d re

cord

ed th

eatr

ical

eve

nts.

8.06

Dis

cuss

the

sim

ilarit

ies

and

diffe

renc

esbe

twee

n ac

ting

for

the

thea

tre

and

cam

era.

8.07

Par

ticip

ate

in p

rese

ntat

ions

.

EST

CO

PY A

VA

ILA

BL

E14

9

6m G

rade

7`"

Gra

de8u

1 G

rade

8.01

inve

stig

ate

and

com

mun

icat

e ho

w th

eatr

ean

d ot

her

med

ia r

elat

ed to

rea

l life

.

8.02

Des

crib

e ho

w th

eatr

e an

d re

late

d m

edia

have

ref

lect

ed a

nd tr

ansf

orm

ed v

ario

us c

ultu

res

thro

ugho

ut h

isto

ry.

8.03

Dem

onst

rate

a b

asic

kno

wle

dge

ofE

urop

ean

thea

tre

hist

ory

that

may

incl

ude

prim

itive

sto

ryte

lling

and

Gre

ek/R

oman

tim

es to

the

Eliz

abet

han

perio

d.

8.01

Exa

min

e an

d ex

plai

n ho

w th

eatr

e an

d ot

her

med

ia r

elat

e to

rea

l life

.

8.02

Com

mun

icat

e ho

w th

eatr

e an

d re

late

dm

edia

hav

e re

flect

ed a

nd tr

ansf

orm

ed v

ario

uscu

lture

s th

roug

hout

his

tory

.

8.03

Dem

onst

rate

a b

asic

kno

wle

dge

of n

on-

wes

tern

thea

tre

hist

ory

such

as

that

of A

sia,

Afr

ica,

Indi

a an

d A

ustr

alia

.

8.01

Com

pare

and

con

tras

t the

atre

and

rel

ated

med

ia to

rea

l life

.

8 02

Ana

lyze

and

dis

cuss

how

thea

tre

and

rela

ted

med

ia h

ave

refle

cted

and

tran

sfor

med

vario

us c

ultu

res

thro

ugho

ut h

isto

ry.

8.03

Dem

onst

rate

a b

asic

kno

wle

dge

ofA

mer

ican

thea

tre

hist

ory

whi

ch m

ay in

clud

e th

est

udy

of A

fric

an, A

sian

, Nat

ive

and

Latin

Am

eric

an, a

nd o

ther

cul

ture

s.

The

atre

Art

s I

The

atre

Art

s II

The

atre

Art

s Ill

The

atre

Art

s IV

8.01

Und

erst

and

and

rela

te h

owth

eatr

e pr

ovid

es o

ccup

atio

nal

oppo

rtun

ities

in th

e w

orld

of w

ork.

8.02

Und

erst

and

and

rela

te h

owth

eatr

e re

late

d m

edia

and

oth

eras

soci

ated

are

as p

rovi

deoc

cupa

tiona

l opp

ortu

nitie

s in

the

wor

ld o

f wor

k.

8.03

Und

erst

and

and

rela

te h

owth

eatr

e sk

ills

are

used

in n

on-

thea

tric

al o

ccup

atio

ns s

uch

asla

wye

r, c

arpe

nter

, etc

.

8.01

Dem

onst

rate

res

pons

ible

beha

vior

and

soc

ial d

isci

plin

eth

roug

h th

eatr

e an

d re

late

d m

edia

.

8.02

Und

erst

and,

dis

cuss

and

/or

writ

e ab

out t

he r

oles

of a

ndca

reer

s in

tech

nica

l the

atre

and

rela

ted

area

s.

8.03

Rec

ogni

ze a

nd e

xpre

ss th

atth

eatr

e an

d re

late

d ar

eas

play

aro

le in

the

wor

ld o

f wor

k as

occu

patio

nal o

ppor

tuni

ties.

8.04

Cre

ate

an e

xam

ple

of a

prof

essi

onal

res

ume.

8.01

Com

pare

and

con

tras

tpr

oduc

tions

with

his

toric

al e

vent

san

d pe

rson

al e

xper

ienc

es.

8.02

Ana

lyze

tech

nica

l ele

men

tsof

pro

duct

ion

in d

iffer

ent m

edia

.

8.03

Und

erst

and,

dis

cuss

and

/or

writ

e ab

out t

he u

ses

of a

res

ume

for

a pr

ofes

sion

al th

eatr

e ar

tist.

8.01

Acq

uire

and

dem

onst

rate

suc

cess

ful

colla

bora

tion

skill

s th

roug

h th

eatr

e an

dre

late

d m

edia

.

8.02

Ana

lyze

, dis

cuss

and

/or

writ

e ab

out

jobs

in a

sel

ecte

d th

eatr

ical

fiel

d.

The

atre

Art

s- A

ll O

ther

Hi

h S

choo

l Ele

ctiv

es8.

01 C

ompa

re a

nd c

ontr

ast p

rodu

ctio

ns w

ith li

fe s

ituat

ions

.

8.02

Dis

cuss

the

role

of t

heat

re a

nd r

elat

ed a

reas

as

an a

voca

tion.

8.03

Exp

lain

the

role

s an

d ca

reer

s of

thea

tre

and

rela

ted

area

s.

8.04

Dem

onst

rate

res

pons

ible

beh

avio

r an

d so

cial

dis

cipl

ine

thro

ugh

thea

tre

and

rela

ted

med

ia.

BE

ST C

OPY

AV

AIL

AB

LE

150

151

Art

s E

duca

tion

Stan

dard

Cou

rse

of S

tudy

and

Gra

de L

evel

Com

pete

ncie

s, K

-12

2000

SCO

PE A

ND

SEQ

UE

NC

E

For

VIS

UA

L A

RT

S15

3

Sco

pe a

nd S

eque

nce:

Vis

ual A

rts

K-1

2

Goa

l 1: T

he le

arne

r w

ill d

evel

op c

ritic

al a

nd c

reat

ive

thin

king

skill

s an

d pe

rcep

tual

aw

aren

ess

nece

ssar

yfo

r un

ders

tand

ing

and

prod

ucin

g ar

t.

Kin

derg

arte

n1.

01U

se im

med

iate

env

ironm

ent,

incl

udin

gfa

mily

, hom

e an

d su

rrou

ndin

gs, a

s so

urce

of id

eas.

1.02

Use

imag

inat

ion

as a

sou

rce

of id

eas.

1.03

Und

erst

and

and

follo

w s

tep-

by-s

tep

pres

enta

tion

of a

rt a

ctiv

ities

.

18`

Gra

de

1.04

Beg

in to

dev

elop

app

ropr

iate

art

voc

abul

ary

1.05

Dev

elop

sym

bols

for

visu

al e

xpre

ssio

n

1.06

Sel

ect c

olor

acc

ordi

ng to

em

otio

nal a

ppea

l.

1.07

Exp

lore

a v

arie

ty o

f med

ia.

1.08

Cre

ate

wor

k th

at d

oes

not c

onfo

rm to

adu

ltst

anda

rds

of r

ealis

m.

1.09

Sel

ect a

rtw

ork

they

"lik

e th

e be

st"

and

sim

ply

expl

ain

why

.

1.10

Illu

stra

te p

oem

s, s

torie

s an

d rh

ymes

.

1.11

Use

all

the

sens

es to

gai

n in

form

atio

n an

daw

aren

ess

abou

t the

ir en

viro

nmen

t.

1.12

Per

haps

find

insp

iratio

n fr

om a

var

iety

of

artw

ork.

15 /1

1.01

Und

erst

and

the

purp

ose

of th

e ac

tivity

.

1.02

Use

s lo

gica

l seq

uenc

e to

com

plet

e an

activ

ity.

1.03

Dev

elop

flue

ncy

in u

se o

f sym

bols

for

visu

alex

pres

sion

.

1.04

Dis

cuss

and

exa

min

e fa

mili

ar o

bjec

ts a

ndlit

erat

ure

to in

spire

imag

ery.

1.05

Car

eful

ly o

bser

ve a

nd e

xam

ine

the

wor

ldar

ound

them

.

2'G

rade

1.01

Und

erst

and

the

proc

ess

invo

lved

in u

sing

the

med

ia.

1.02

Pla

n an

d or

gani

ze fo

r cr

eatin

g ar

t.

1.03

Dev

elop

str

ateg

ies

for

imag

inin

g an

dim

plem

entin

g im

ages

.

1.04

Ref

ine

the

form

of v

isua

l sym

bols

to m

ore

accu

rate

ly d

efin

e co

ncep

ts.

1.05

Rec

ogni

ze th

at in

a w

orld

of i

mag

inat

ion

ther

e is

no

right

or

wro

ng, b

ut th

at s

ome

solu

tions

are

bette

r th

an o

ther

s.

1.06

Use

exp

erim

enta

tion

to fi

nd s

olut

ions

.

1.07

Rec

ogni

ze th

at d

iver

se s

olut

ions

are

pref

erab

le to

pre

dete

rmin

ed v

isua

l sol

utio

ns.

1.08

Rec

ogni

ze th

at im

ages

from

rea

lity

and

from

fant

asy

may

be

used

to c

reat

e or

igin

al a

rt.

EST

CO

PY A

VA

ILA

BL

E15

5

3ra

Gra

deel

Gra

de5I

n G

rade

1.01

Exp

and

the

use

of a

ppro

pria

te v

ocab

ular

y.

1.02

App

ly k

now

ledg

e an

d co

ncep

ts g

aine

dac

ross

the

curr

icul

um a

s a

sour

ce o

f ide

as fo

r ar

t.

1.01

Exp

and

the

sens

e of

env

ironm

ent t

o in

clud

egl

obal

aw

aren

ess

as a

sou

rce

of id

eas

for

imag

ery.

1.02

Cre

ate

wor

k w

hich

app

roac

hes

a hi

gher

leve

l of r

ealis

m.

1.03

Sel

ect c

olor

bot

h fo

r em

otio

nal a

ppea

l and

1.03

Dep

ict s

eque

nce

of e

vent

s in

art

wor

k.re

alis

m.

1.04

Res

pond

to p

ositi

ve a

ttent

ion

and

sugg

estio

ns fr

om o

ther

s.

1.05

Dis

cuss

why

one

sol

utio

n is

bet

ter

than

anot

her

thro

ugh

com

paris

on.

1.06

Ref

ine

imag

es o

f sel

f, pe

ts, f

amily

, frie

nds,

and

envi

ronm

ent.

1.07

Ela

bora

te o

n an

idea

or

them

e.

1.08

Dev

elop

the

abili

ty to

wor

k in

sm

all g

roup

sto

rea

ch a

gro

up g

oal w

hich

will

be

grea

ter

than

any

one

indi

vidu

al

1.04

Use

com

plex

sym

bols

to fu

lly e

xplo

re id

eas.

1.01

Use

the

imag

inat

ion

as a

sou

rce

for

sym

bolic

exp

ress

ion.

1.02

Pra

ctic

e a

varie

ty o

f met

hods

of

obse

rvat

ion

from

diff

eren

t poi

nts

of v

iew

toex

plor

e sp

atia

l rel

atio

nshi

ps.

1.03

Use

cur

rent

eve

nts

as a

cat

alys

t for

the

disc

ussi

on a

nd p

rodu

ctio

n of

art

.

6m G

rade

1.01

Pla

n an

d or

gani

ze fo

r cr

eatin

g ar

t.

1.02

Exp

lore

str

ateg

ies

for

imag

inin

g an

dim

plem

entin

g im

ages

.

1.03

Rec

ogni

ze in

a w

orld

of i

mag

inat

ion

ther

e is

no r

ight

or

wro

ng, b

ut s

ome

solu

tions

are

bet

ter

than

oth

ers.

1.04

Rec

ogni

ze a

nd id

entif

y id

eas

that

art

ists

get

from

a v

arie

ty o

f sou

rces

.

1.05

Und

erst

and

that

idea

s ev

olve

ove

r tim

e.

156

7th

Gra

de1.

01 E

xpan

d kn

owle

dge

for

orga

nizi

ng a

ndcr

eatin

g ar

t.

1.02

Dev

elop

str

ateg

ies

for

imag

inin

g an

dim

plem

entin

g im

ages

.

8u' G

rade

1.03

Exp

lore

a v

arie

ty o

f sol

utio

ns in

sol

ving

crea

tive

prob

lem

s.

1.04

Und

erst

and

and

disc

uss

that

idea

s fr

omre

ality

and

from

fant

asy

may

be

used

to c

reat

eor

igin

al a

rt.

1.05

Dem

onst

rate

the

deve

lopm

ent o

f ide

asac

ross

tim

e.

ti;E

ST C

OPY

AV

AIL

AB

LE

1.01

Pla

n an

d or

gani

ze fo

r un

ique

and

orig

inal

solu

tions

.

1.02

Ref

ine

stra

tegi

es fo

r im

agin

ing

and

impl

emen

ting

imag

es.

1.03

Ana

lyze

var

ious

sol

utio

ns to

sol

ving

crea

tive

prob

lem

s to

det

erm

ine

whi

ch a

re b

ette

r.

1.04

Sol

ve p

robl

ems

usin

g im

ages

from

fant

asy

and

real

ity.

1.05

Cho

ose

and

appl

y th

e be

st id

eas

amon

gth

ose

deve

lope

d ov

er ti

me.

157

1.06

Dev

elop

per

cept

ual a

war

enes

s th

roug

h th

eus

e of

all

sens

es.

1.06

Rec

ogni

ze a

nd d

iscu

ss th

e us

e of

mul

tiple

1.06

Dev

elop

sol

utio

ns th

at in

corp

orat

e th

e us

ese

nses

in v

isua

l art

s.of

a v

arie

ty o

f sen

ses.

Vis

ual A

rts

IV

isua

l Art

s II

Vis

ual A

rts

IllV

isua

l Art

s IV

1.01

Pla

n an

d or

gani

ze fo

rcr

eatin

g ar

t.

1.02

Dev

ise

and

use

stra

tegi

es fo

rim

agin

ing

and

impl

emen

ting

imag

es.

1.03

Cre

ate

mul

tiple

sol

utio

ns in

prob

lem

sol

ving

and

dis

cuss

that

som

e so

lutio

ns a

re b

ette

r th

anot

hers

.

1.04

Rec

ogni

ze a

nd d

iscu

ss th

atco

ncep

ts a

nd im

ages

from

ava

riety

of s

ourc

es c

an b

e us

ed to

crea

te o

rigin

al a

rt.

1.05

Sho

w h

ow id

eas

deve

lop

and

evol

ve o

ver

a pe

riod

of ti

me.

1.06

Man

ipul

ate

sens

ory

stim

uli t

ode

velo

p pe

rcep

tual

aw

aren

ess.

1.07

Use

the

voca

bula

ry o

f art

inw

ritte

n an

d or

al fo

rm.

1.01

Pla

n an

d or

gani

ze fo

rcr

eatin

g ar

t.

1.02

Dev

elop

str

ateg

ies

for

imag

inin

g an

d im

plem

entin

gim

ages

.

1.03

Dis

cuss

the

qual

ities

of

mul

tiple

sol

utio

ns a

nd d

evis

e a

fram

ewor

k fo

r m

akin

g go

odch

oice

s.

1.04

Acq

uire

con

cept

s an

dim

ages

from

a v

arie

ty o

f sou

rces

tocr

eate

orig

inal

art

.

1.05

Sho

w h

ow id

eas

deve

lop

and

evol

ve o

ver

a pe

riod

time.

1.06

Dev

elop

per

cept

ual

awar

enes

s th

roug

h th

e us

e of

all

sens

es.

1.07

Exp

and

a w

orki

ng k

now

ledg

eof

the

voca

bula

ry o

f art

.

1.01

Pla

n an

d or

gani

ze fo

rcr

eatin

g ar

t.

1.02

Dev

elop

str

ateg

ies

for

imag

inin

g an

d im

plem

entin

gim

ages

.

1.03

Dev

elop

mul

tiple

sol

utio

ns,

disc

uss

thei

r qu

ality

, and

app

ly to

crea

tive

prob

lem

sol

ving

.

1.04

Util

ize

conc

epts

and

imag

esfr

om a

var

iety

of s

ourc

es to

cre

ate

orig

inal

art

.

1.05

Sho

w h

ow id

eas

deve

lop

and

evol

ve o

ver

a pe

riod

of ti

me.

1.06

Con

tinue

to d

evel

oppe

rcep

tual

aw

aren

ess

thro

ugh

sens

ory

stim

uli.

1.07

Con

tinue

to e

xpan

d a

wor

king

kno

wle

dge

of th

evo

cabu

lary

of a

rt.

1.01

Pla

n an

d or

gani

ze fo

r cr

eatin

g ar

t.

1.02

Dev

elop

str

ateg

ies

for

imag

inin

gan

d im

plem

entin

g im

ages

.

1.03

Dev

elop

mul

tiple

sol

utio

ns, d

iscu

ssth

eir

qual

ity, a

nd a

pply

to c

reat

ive

prob

lem

sol

ving

.

1.04

Eva

luat

e an

d re

fine

conc

epts

and

imag

es fr

om a

var

iety

of s

ourc

es to

crea

te o

rigin

al a

rt.

1.05

Sho

w a

nd e

valu

ate

how

idea

sde

velo

p an

d ev

olve

ove

r a

perio

d of

tim

e.

1.06

Con

tinue

to d

evel

op p

erce

ptua

law

aren

ess

thro

ugh

sens

ory

stim

uli.

1.07

Cul

tivat

e a

wor

king

kno

wle

dge

ofth

e vo

cabu

lary

of a

rt.

Vis

ual A

rts

- A

ll O

ther

Ele

ctiv

es1.

01 P

lan

and

orga

nize

for

crea

ting

art.

1.02

Dev

elop

str

ateg

ies

for

imag

inin

g an

d im

plem

entin

g im

ages

.

1.03

Rec

ogni

ze in

a w

orld

of i

mag

inat

ion

ther

e is

no

right

or

wro

ng, b

ut s

ome

solu

tions

are

bette

r th

an o

ther

s.

1.04

Rec

ogni

ze th

at im

ages

from

rea

lity

and

from

fant

asy

may

be

used

to c

reat

e or

igin

al a

rt.

1.05

Sho

w d

evel

opm

ent o

f ide

as a

cros

s tim

e.

1.06

Dev

elop

per

cept

ual a

war

enes

s th

roug

h th

e us

e of

all

sens

es.

BE

ST C

OPY

AV

AIL

AB

LE

159

Sco

pe a

nd S

eque

nce:

Vis

ual A

rts

K-1

2

Goa

l 2: T

he le

arne

r w

ill d

evel

op s

kills

nec

essa

ry fo

r un

ders

tand

ing

and

appl

ying

med

ia, t

echn

ique

s, a

nd p

roce

sses

.(N

atio

nal S

tand

ard

1)

Kin

derg

arte

n14

tG

rade

el G

rade

2.01

Bec

ome

fam

iliar

with

a li

mite

d nu

mbe

r of

basi

c ar

t med

ia, t

echn

ique

s an

d pr

oces

ses

whi

ch m

ay in

clud

e:D

raw

ing

- cr

ayon

s, o

il pa

stel

s, n

on-t

oxic

mar

kers

, bru

shes

, com

pute

rs, p

enci

ls,

side

wal

k ch

alk

Cut

pap

er -

glu

e, s

ciss

ors,

fold

ing,

ben

ding

3-D

- c

lay,

pap

er, f

ound

obj

ects

, inc

ludi

ng w

ood

scra

psP

rintm

akin

gst

amps

, gad

gets

, fou

nd o

bjec

ts,

vege

tabl

es, m

onop

rint

Pai

ntin

g -

tem

pera

, wat

erco

lors

, lar

ge b

rush

es,

spon

ges,

fing

er p

aint

or

Cer

amic

s -

pinc

h, c

oil,

foun

d st

amps

.

2.02

Exp

lore

med

ia fr

eely

.

2.03

Dev

elop

fine

and

gro

ss m

otor

con

trol

.

2.04

Util

ize

entir

e pa

ge w

hen

usin

g 2-

Dm

ater

ials

.

2.05

Cre

ate

a va

riety

of l

ines

, lik

e th

ick

and

thin

,cu

rved

or

zigz

ag, e

tc.

2.06

Cut

larg

e an

d sm

all s

hape

s; d

oubl

e la

yers

to p

rodu

ce id

entic

al s

hape

s.

2.07

Mod

el c

lay

by p

ress

ing;

pul

ling,

pin

chin

g,in

cisi

ng, s

tam

ping

with

foun

d ob

ject

s.

2.08

Cre

ate

orig

inal

pic

ture

s of

sel

f, ot

hers

,an

imal

s an

d ob

ject

s.

2.09

Ren

der

own

thou

ghts

and

feel

ings

vis

ually

.

100

2.01

Bec

ome

fam

iliar

with

add

ition

al b

asic

art

med

ia, t

echn

ique

s an

d pr

oces

ses

whi

ch m

ayin

clud

e: fi

bers

- p

aper

mak

ing

and

pape

r w

eavi

ng.

2.02

Use

var

ious

tech

niqu

es to

cre

ate

visu

alef

fect

s us

ing

text

ure. B

EST

CO

PYA

VA

LA

BL

E

2.01

Bec

ome

fam

iliar

with

add

ition

al a

rt m

edia

,te

chni

ques

and

pro

cess

es th

at m

ay in

clud

e: C

utpa

per

- ta

pe, a

nd P

rintm

akin

g -

styr

ofoa

m, w

ater

solu

ble

prin

ting

ink.

2.02

Rec

ogni

ze s

peci

fic m

edia

and

pro

cess

es.

2.03

Exp

ress

moo

ds a

nd fe

elin

gs.

2.04

Pro

duce

vis

ual e

ffect

s an

d te

xtur

es u

sing

each

med

ia.

2.05

Dep

ict s

elf a

nd o

ther

s in

a v

arie

ty o

f rea

lan

d im

agin

ary

situ

atio

ns.

161

2.10

Dem

onst

rate

pro

per

use

and

care

of

mat

eria

ls a

nd to

ols.

2.11

Use

the

art r

oom

rul

es fo

r be

havi

or, c

are

and

safe

ty o

f equ

ipm

ent,

tool

s an

dm

ater

ials

.

3rd

Gra

de4t

h G

rade

2.01

Exp

ands

con

trol

and

man

ipul

atio

n of

the

med

ia a

nd to

ols

whi

ch m

ay in

clud

e th

e fo

llow

ing:

Pho

togr

aphy

- s

un p

rints

Dra

win

g -

chal

k, fi

ne a

nd b

road

mar

kers

, col

ored

penc

ils, c

reat

es a

var

iety

of l

ines

with

tip,

poin

t and

sid

e, c

ompu

ter

and

softw

are

Cut

pap

er -

pap

ers,

foun

d ob

ject

s, fi

bers

, glu

e,sh

arp-

edge

d sc

isso

rs, c

urlin

g, s

corin

g an

dst

aplin

g, c

uttin

g a

varie

ty o

f sin

gle

and

mul

tiple

sha

pes

3-D

- p

aper

mac

he, s

mal

l han

d to

ols

Prin

tmak

ing

- ca

rdbo

ard

Pai

ntin

g -

liqui

d ac

rylic

s, la

rge

and

smal

l bru

shes

,co

mpu

ter

and

softw

are

Cer

amic

- c

oil c

onst

ruct

ion,

com

poun

d pi

nch

and

slab

, add

ition

, sm

ooth

ing,

sel

f-cr

eate

dst

amps

and

Fib

ers

Kno

tting

, sm

all h

and

loom

s fo

r fib

ers.

2.02

Exp

lore

uni

que

prop

ertie

s an

d po

tent

ial o

fm

ater

ials

.

2.03

Dem

onst

rate

incr

ease

d fin

e m

otor

ski

lls.

2.04

Dev

elop

fam

iliar

ity w

ith s

peci

fic m

edia

and

proc

esse

s.

2.05

Inte

rpre

ts a

ctua

l tex

ture

s in

a v

arie

ty o

fm

edia

.

2.06

Cre

ate

port

raits

, stil

l life

s an

d la

ndsc

apes

from

rea

l life

obs

erva

tion

or m

emor

y.

16

2.01

Kno

w a

bout

and

cor

rect

ly u

se s

titch

ery

need

les

and

smal

l han

d to

ols.

2.02

Use

add

ition

al a

rt m

edia

, tec

hniq

ues

and

proc

esse

s w

hich

may

incl

ude:

Fib

ers

- st

itche

ry, a

var

iety

of f

iber

wea

ving

tech

niqu

es, f

eltin

g an

d qu

iltin

gC

ut p

aper

- c

ompl

ex s

ymm

etric

al fo

ldin

g an

dcu

tting

and

Scu

lptu

re -

exp

erim

ents

with

var

ied

tool

sin

clud

ing

smal

l han

d to

ols.

2.03

Incr

ease

ski

lls w

ith fa

mili

ar m

ater

ials

.

2.04

Dem

onst

rate

one

's o

wn

thou

ght a

ndfe

elin

gs v

isua

lly, u

sing

seq

uent

ial,

visu

alna

rrat

ive.

BE

ST C

5th

Gra

de2.

01 U

se a

dditi

onal

art

med

ia, t

echn

ique

s an

dpr

oces

ses,

whi

ch m

ay in

clud

e:D

raw

ing

- ch

arco

alP

rintm

akin

g -

easy

cut

, mix

ed m

edia

, col

logr

aphs

3-D

- w

ire a

nd p

in-h

ole

cam

eras

.

AV

NL

AB

LE

.

163

2.07

Dep

ict s

elf a

nd o

ther

s in

a v

arie

ty o

f rea

lan

d im

agin

ary

situ

atio

ns w

ith in

crea

sing

det

ail.

6 G

rade

2.01

Rec

ogni

ze th

e un

ique

pro

pert

ies

of v

ario

usm

edia

.

2.02

Exp

lore

and

iden

tify

the

use

of a

var

iety

of

mat

eria

ls u

sing

pro

per

voca

bula

ry a

ndte

rmin

olog

y.

2.03

Diff

eren

tiate

am

ong

tech

niqu

es a

ndpr

oces

ses

for

wor

king

with

eac

h m

ater

ials

.

2.04

Dis

cove

r th

e ex

pres

sive

pot

entia

l of v

ario

usm

edia

and

tech

niqu

es.

2.05

Use

art

mat

eria

ls a

nd to

ols

in a

saf

e an

dre

spon

sibl

e m

anne

r.

7 G

rade

2.01

Iden

tify

vario

us m

edia

tech

niqu

es fr

omvi

sual

exa

mpl

es.

2.02

Exp

lore

and

iden

tify

the

uniq

ue p

rope

rtie

san

d po

tent

ial o

f mat

eria

ls u

sing

pro

per

voca

bula

ry a

nd te

rmin

olog

y.

2.03

Lea

rn v

ario

us te

chni

ques

and

pro

cess

es fo

rw

orki

ng w

ith e

ach

mat

eria

l.

2.04

Use

a v

arie

ty o

f med

ia a

nd te

chni

ques

in a

nex

pres

sive

man

ner.

2.05

Dis

cuss

and

dev

elop

the

conc

ept o

f saf

ety

as it

rel

ates

to a

rt to

ols

and

mat

eria

ls.

8 G

rade

2.01

Dis

crim

inat

e in

dec

idin

g th

e ef

fect

iven

ess

ofva

rious

med

ia te

chni

ques

to r

each

an

artis

ticso

lutio

n.

2.02

App

ly m

ater

ials

suc

h th

at th

eir

uniq

uepr

oper

ties

and

pote

ntia

l im

pact

the

artis

ticso

lutio

n.

2.03

App

ly a

var

iety

of t

echn

ique

s an

dpr

oces

ses

whe

n w

orki

ng w

ith e

ach

mat

eria

l.

2.04

Det

erm

ine

an o

rigin

al s

olut

ion

thro

ugh

expr

essi

ve m

edia

tech

niqu

es.

2.05

Und

erst

and

the

hist

oric

al a

nd p

erso

nal

impl

icat

ions

of t

he p

rope

r us

e of

tool

s an

dm

ater

ials

.

Vis

ual A

rts

IV

isua

l Art

s II

Vis

ual A

rts

IllV

isua

l Art

s IV

2.01

Exp

lore

and

dis

cuss

uni

que

prop

ertie

s an

d po

tent

ial o

f art

mat

eria

ls.

2.02

Dem

onst

rate

tech

niqu

es a

ndpr

oces

ses

for

wor

king

with

eac

har

t mat

eria

l.

2.03

Com

mun

icat

e an

d ex

pres

sid

eas

thro

ugh

a va

riety

of m

ater

ials

and

tech

niqu

es.

2.04

Eva

luat

e an

d se

lect

mat

eria

ls, t

echn

ique

s an

dpr

oces

ses

to fa

cilit

ate

the

crea

tion

of a

rtw

ork.

2.05

Dem

onst

rate

the

safe

and

resp

onsi

ble

use

of to

ols

and

mat

eria

ls.

164

2.01

Con

tinue

to e

xplo

re u

niqu

epr

oper

ties

and

pote

ntia

l of

mat

eria

ls a

nd m

edia

.

2.02

Use

app

ropr

iate

tech

niqu

esan

d pr

oces

ses

for

wor

king

with

each

mat

eria

l.

2.03

Com

mun

icat

e an

d ex

pres

sid

eas

thro

ugh

a va

riety

of m

ater

ials

and

tech

niqu

es.

2.04

Eva

luat

e an

d se

lect

mat

eria

ls, t

echn

ique

s an

dpr

oces

ses

to fa

cilit

ate

the

crea

tion

of w

ork.

2.05

Dem

onst

rate

the

safe

and

resp

onsi

ble

use

of to

ols

and

mat

eria

ls.

2.01

Con

tinue

to e

xplo

re u

niqu

epr

oper

ties

and

pote

ntia

l of

mat

eria

ls a

nd m

edia

.

2.02

Util

ize

tech

niqu

es a

ndpr

oces

ses

for

wor

king

with

eac

hm

ater

ial.

2.03

Com

mun

icat

e an

d ex

pres

sid

eas

thro

ugh

a va

riety

of m

ater

ials

and

tech

niqu

es.

2.04

Eva

luat

e an

d se

lect

mat

eria

ls, t

echn

ique

s an

dpr

oces

ses

to fa

cilit

ate

the

crea

tion

of a

rtw

ork.

2.05

Dem

onst

rate

the

safe

and

resp

onsi

ble

use

of to

ols

and

mat

eria

ls.

BE

STC

OPY

AV

AIL

AB

LE

.

2.01

Foc

us e

xplo

ratio

n on

the

uniq

uepr

oper

ties

and

pote

ntia

l of m

ater

ials

and

med

ia.

2.02

Ref

ine

tech

niqu

es a

nd p

roce

sses

for

wor

king

with

eac

h m

ater

ial.

2.03

Com

mun

icat

e an

d ex

pres

s id

eas

thro

ugh

a va

riety

of m

ater

ials

and

tech

niqu

es.

2.04

Eva

luat

e an

d se

lect

mat

eria

ls,

tech

niqu

es a

nd p

roce

sses

to fa

cilit

ate

the

crea

tion

of a

rtw

ork.

2.05

Dem

onst

rate

the

safe

and

resp

onsi

ble

use

of to

ols

and

mat

eria

ls.

165

Vis

ual A

rts

- A

ll O

ther

Ele

ctiv

es2.

01 E

xplo

re u

niqu

e pr

oper

ties

and

pote

ntia

l of m

ater

ials

.

2.02

Lea

rn te

chni

ques

and

pro

cess

es fo

r w

orki

ng w

ith e

ach

mat

eria

l.

2.03

Use

diff

eren

t med

ia a

nd te

chni

ques

exp

ress

ivel

y.

2.04

Use

art

mat

eria

ls a

nd to

ols

in a

saf

e an

d re

spon

sibl

em

anne

r.

BE

STC

OPY

AV

AIL

AB

LE

163

167

Sco

pe a

nd S

eque

nce:

Vis

ual A

rts

K-1

2

Goa

l 3: T

he le

arne

r w

ill o

rgan

ize

the

com

pone

nts

ofa

wor

k in

to a

coh

esiv

e w

hole

thro

ugh

know

ledg

eof

org

aniz

atio

nal p

rinci

ples

of d

esig

n an

d ar

t ele

men

ts. (

Nat

iona

l Sta

ndar

d2

)

Kin

derg

arte

nls

` G

rade

2 "O

Gra

de3.

01 N

ame

and

iden

tify

colo

rs.

3.02

Iden

tify

prim

ary

and

seco

ndar

y co

lors

.

3.03

Mix

sec

onda

ry c

olor

s.

3.04

Iden

tify

diffe

rent

type

s of

line

: str

aigh

t,cr

ooke

d, c

urve

d, z

ig-z

ag, w

ide

and

thin

.

3.05

Rec

ogni

ze th

at li

ne c

an b

e us

ed to

def

ine

cont

our

of s

hape

s an

d fo

rms.

3.06

Nam

e di

ffere

nt te

xtur

es o

n su

rfac

es, f

orex

ampl

e: r

ough

, sm

ooth

, bum

py.

3.07

Iden

tify

geom

etric

sha

pes:

circ

le, s

quar

e,re

ctan

gle,

tria

ngle

, dia

mon

d an

d ov

al.

3.08

Rec

ogni

ze s

ome

shap

es h

ave

nam

es;

som

e do

not

.

3.09

Beg

in to

dis

cuss

his

or

her

own

wor

k an

dth

at o

f oth

ers

in te

rms

of c

olor

, lin

e, s

hape

and

text

ure.

3.10

Use

the

entir

e pa

ge a

s pa

rt o

f the

com

posi

tion.

3.11

Use

sol

utio

ns th

at d

o no

t rel

y on

cop

ying

or

trac

ing

othe

rs w

ork.

3.12

Rec

ogni

ze o

ther

s m

ay v

iew

or

inte

rpre

tdi

ffere

ntly

.

1 re

0U

0

3.01

Use

var

iety

of g

eom

etric

and

org

anic

shap

es in

cre

atin

g ow

n w

ork.

3.02

Diff

eren

tiate

s be

twee

n ge

omet

ric a

ndor

gani

c sh

apes

.

3.03

Rec

ogni

ze th

at p

atte

rn is

cre

ated

by

repe

titio

n an

d us

es p

atte

rn in

ow

n ar

twor

k.

3.04

Use

a v

arie

ty o

f tec

hniq

ues

and

imag

ery

inco

rpor

atin

g pa

ttern

and

rep

etiti

on.

3.05

Beg

in to

exp

lore

mor

e th

an o

ne s

olut

ion

durin

g th

e pr

oble

m s

olvi

ng p

roce

ss.

3.06

Cre

ate

visu

al te

xtur

es w

ith b

asic

dra

win

g,sc

ulpt

ure

and

pain

ting

tool

s.

BE

STC

OPY

AV

AIL

AB

LE

3.01

Inco

rpor

ate

a va

riety

of l

ines

in o

wn

artw

ork.

3.02

Use

a h

oriz

on li

ne to

org

aniz

e sp

ace.

3.03

Dis

cuss

how

the

view

er's

eye

mov

esth

roug

h w

ork

of a

rt.

3.04

Dis

cuss

and

use

opp

osite

s to

cre

ate

varie

tyin

clud

ing

big/

little

, lig

ht/d

ark,

sm

ooth

/rou

gh,

tall/

shor

t, fe

w/m

any.

3.05

Iden

tify

cent

er o

f int

eres

t (em

phas

is)

in a

com

posi

tion.

3.06

Cre

ate

wor

k w

hich

sho

ws

mor

e co

mpl

exor

gani

zatio

n.

169

3.13

Use

his

or

her

own

idea

s an

d fe

elin

gs w

hen

crea

ting

artw

ork.

3.14

Res

pect

the

wor

k of

oth

ers

whe

n di

scus

sing

art.

3.15

Exp

lore

a v

arie

ty o

f mat

eria

ls.

3 G

rade

4 G

rade

5 G

rade

3.01

Exp

lore

diff

eren

ces

amon

g ac

tual

,im

agin

ary

and

appl

ied

text

ure

in d

iscu

ssio

n an

dpr

oduc

tion.

3.02

Cre

ate

a va

riety

of v

isua

l tex

ture

s us

ing

com

pute

rs a

nd b

asic

dra

win

g, p

rintm

akin

g,sc

ulpt

ure

and

pain

ting

tool

s.

3.03

Iden

tify

geom

etric

sha

pes:

circ

le, s

quar

e,re

ctan

gle,

tria

ngle

, dia

mon

d, o

val,

octa

gon,

and

pent

agon

.

3.04

Use

a v

arie

ty o

f geo

met

ric a

nd o

rgan

icsh

apes

in c

reat

ing

own

wor

k.

3.05

Com

pare

obj

ects

in s

pace

thro

ugh

rela

tive

size

and

pos

ition

incl

udin

g su

ch th

ings

as:

over

lapp

ing,

fore

grou

nd, m

iddl

e gr

ound

,ba

ckgr

ound

, and

am

ount

of d

etai

l.

3.06

Dev

elop

abi

lity

to d

iscu

ss h

is o

r he

r ow

nw

ork

and

that

of o

ther

s in

term

s of

art

ele

men

ts.

3.07

Rec

ogni

ze c

ompo

sitio

n is

usi

ng th

eel

emen

ts o

f art

to c

reat

e an

art

wor

k.

3.08

Ach

ieve

bal

ance

in c

ompo

sitio

ns th

roug

hus

e of

like

or

diffe

rent

obj

ects

.

3.09

Dev

elop

rep

etiti

on to

cre

ate

patte

rn in

one

'sow

n ar

twor

k.

3.10

Res

pect

the

wor

k of

oth

ers

whe

n cr

itiqu

ing

art.

3.11

Con

side

r nu

mer

ous

solu

tions

dur

ing

the

prob

lem

-sol

ving

pro

cess

.

3.01

Mix

tint

s, s

hade

s an

d to

nes.

3.02

Diff

eren

tiate

hor

izon

tal,

vert

ical

, par

alle

l,an

d di

agon

al li

nes.

3.03

Com

pare

rel

ativ

e po

sitio

ns o

f obj

ects

insp

ace

thro

ugh

colo

r in

tens

ity a

nd v

alue

.

3.04

Exe

rcis

e fle

xibi

lity

whe

n ap

proa

chin

g a

prob

lem

-sol

ving

situ

atio

n.

BE

STC

OP(

AI

6t

3.01

Rec

ogni

ze a

nd a

pply

the

elem

ents

of a

rt in

an a

esth

etic

com

posi

tion.

3.02

Rec

ogni

ze a

nd a

pply

the

desi

gn p

rinci

ples

used

in c

ompo

sitio

n.

3.03

Dev

elop

rep

etiti

on to

cre

ate

unity

in o

ne's

own

wor

k.

3.04

Use

var

iatio

ns to

cre

ate

inte

rest

in a

com

posi

tion.

3.05

Crit

ique

his

or

her

own

wor

k an

d th

at o

fot

hers

in te

rms

of d

esig

n pr

inci

ples

.

3.06

Rec

ogni

ze th

e va

lidity

of o

ne's

feel

ings

and

impr

essi

ons

whe

n so

lvin

g vi

sual

pro

blem

s.

3.07

Rec

ogni

ze th

e va

lue

of in

tuiti

ve p

erce

ptio

nsin

the

prob

lem

-sol

ving

pro

cess

whe

n cr

eatin

g ar

t.

171

3.12

Rec

ogni

ze s

ymm

etric

al a

nd a

sym

met

rical

bala

nce.

3.13

Mix

tint

s an

d sh

ades

.

6n G

rade

'in' G

rade

ten

Gra

de3.

01 R

ecog

nize

and

dis

cuss

the

elem

ents

and

prin

cipl

es fo

und

in th

e en

viro

nmen

t.

3.02

Rec

ogni

ze a

nd d

iscu

ss th

e el

emen

ts a

ndpr

inci

ples

of d

esig

n in

an

aest

hetic

com

posi

tion.

3.03

Rec

ogni

ze a

nd d

iscu

ss h

ow d

iver

seso

lutio

ns a

re p

refe

rabl

e to

pre

dete

rmin

ed v

isua

lso

lutio

ns.

3.04

Rec

ogni

ze a

nd d

iscu

ss th

e va

lue

of in

tuiti

vepe

rcep

tions

in th

e pr

oble

m-s

olvi

ng p

roce

ss.

3.05

Rec

ogni

ze a

nd d

iscu

ss h

ow a

rtis

ts u

se th

eel

emen

ts a

nd p

rinci

ples

of d

esig

n to

impa

ct th

een

viro

nmen

t.

3.01

Exp

lore

and

dis

cuss

the

elem

ents

and

prin

cipl

es o

f des

ign

foun

d in

the

envi

ronm

ent.

3.02

Exp

lore

and

app

ly th

e el

emen

ts a

ndpr

inci

ples

of d

esig

n us

ed in

an

aest

hetic

com

posi

tion.

3.03

Exp

lore

and

dis

cuss

that

div

erse

sol

utio

nsar

e pr

efer

able

to p

rede

term

ined

vis

ual s

olut

ions

.

3.04

Exp

lore

and

dis

cuss

the

valu

e of

intu

itive

perc

eptio

ns in

the

prob

lem

-sol

ving

pro

cess

.

3.05

Exp

lore

and

dis

cuss

the

valu

e of

expe

rimen

tatio

n in

the

prob

lem

-sol

ving

pro

cess

.

3.06

Exp

lore

and

dis

cuss

how

art

ists

use

the

elem

ents

and

prin

cipl

es o

f des

ign

to im

pact

the

envi

ronm

ent.

3.01

Und

erst

and

how

art

ists

use

the

elem

ents

and

prin

cipl

es o

f des

ign

to im

pact

thei

ren

viro

nmen

t.

3.02

Dev

elop

orig

inal

sol

utio

ns th

at e

ffect

ivel

yap

ply

the

elem

ents

of a

rt in

an

aest

hetic

com

posi

tion.

3.03

App

ly d

iver

se o

rigin

al s

olut

ions

in th

epr

oble

m s

olvi

ng p

roce

ss.

3.04

App

ly in

tuiti

ve p

erce

ptio

ns in

the

prob

lem

-so

lvin

g pr

oces

s.

3.05

App

ly d

iver

se e

xper

imen

tal s

olut

ions

inpr

oble

m-s

olvi

ng.

Vis

ual A

rts

IV

isua

l Art

s II

Vis

ual A

rts

IllV

isua

l Art

s IV

3.01

Rec

ogni

ze, a

pply

and

eval

uate

the

elem

ents

of a

rt in

an

aest

hetic

com

posi

tion.

3.02

Rec

ogni

ze, a

pply

and

eval

uate

the

desi

gn p

rinci

ples

used

in c

ompo

sitio

n.

3.03

Use

intu

itive

per

cept

ion

toso

lve

prob

lem

s.

3.04

Use

exp

erim

enta

tion

to s

olve

prob

lem

s.

3.01

Rec

ogni

ze, a

pply

and

eval

uate

the

elem

ents

of a

rt in

an

aest

hetic

com

posi

tion.

3.02

Rec

ogni

ze, a

pply

and

eval

uate

the

desi

gn p

rinci

ples

used

in c

ompo

sitio

n.

3.03

Dem

onst

rate

the

valu

e of

intu

itive

per

cept

ions

in th

epr

oble

m-s

olvi

ng p

roce

ss.

3.04

Dem

onst

rate

the

valu

e of

expe

rimen

tatio

n in

the

prob

lem

-so

lvin

g pr

oces

s.

BE

ST

3.01

Rec

ogni

ze, a

pply

and

eval

uate

the

use

of e

lem

ents

of a

rtin

an

aest

hetic

com

posi

tion.

3.02

Rec

ogni

ze, a

pply

and

eval

uate

the

desi

gn p

rinci

ples

used

in c

ompo

sitio

n.

3.03

Ass

ess

the

valu

e of

intu

itive

perc

eptio

ns in

the

prob

lem

-sol

ving

proc

ess.

3.04

Ass

ess

the

valu

e of

expe

rimen

tatio

n in

the

prob

lem

-so

lvin

g pr

oces

s.op

tILA

BLE

CO

P(

3.01

Rec

ogni

ze, a

pply

and

eva

luat

e th

eus

e of

ele

men

ts o

f art

in a

n ae

sthe

ticco

mpo

sitio

n.

3.02

Rec

ogni

ze, a

pply

and

eva

luat

e th

ede

sign

prin

cipl

es u

sed

in c

ompo

sitio

n.

3.03

Ass

ess

the

valu

e of

intu

itive

perc

eptio

ns in

the

prob

lem

-sol

ving

proc

ess.

3.04

Ass

ess

the

valu

e of

expe

rimen

tatio

n in

the

prob

lem

-sol

ving

proc

ess.

173

3.05

Use

crit

ical

thou

ght a

ndan

alys

is in

the

prob

lem

-sol

ving

proc

ess.

3.06

Dem

onst

rate

the

abili

ty to

form

and

def

end

judg

men

ts a

bout

the

char

acte

ristic

s an

d st

ruct

ures

to a

ccom

plis

h co

mm

erci

al,

pers

onal

, com

mun

al o

r ot

her

purp

oses

of a

rt.

3.05

Dem

onst

rate

the

valu

e of

criti

cal t

houg

ht a

nd a

naly

sis

in th

epr

oble

m-s

olvi

ng p

roce

ss.

3.06

Dem

onst

rate

the

abili

ty to

form

and

def

end

judg

men

ts a

bout

the

char

acte

ristic

s an

d st

ruct

ures

to a

ccom

plis

h co

mm

erci

al,

pers

onal

, com

mun

al o

r ot

her

purp

oses

of a

rt.

3.05

Ass

ess

the

valu

e of

crit

ical

thou

ght a

nd a

naly

sis

in th

epr

oble

m-s

olvi

ng p

roce

ss.

3.06

Dem

onst

rate

the

abili

ty to

form

and

def

end

judg

emen

ts a

bout

the

char

acte

ristic

s an

d st

ruct

ures

to a

ccom

plis

h co

mm

erci

al,

pers

onal

, com

mun

al o

r ot

her

purp

oses

of a

rt.

3.05

Ass

ess

the

valu

e of

crit

ical

thou

ght

and

anal

ysis

in th

e pr

oble

m-s

olvi

ngpr

oces

s.

3.06

Dem

onst

rate

the

abili

ty to

form

and

defe

nd ju

dgem

ents

abo

ut th

ech

arac

teris

tics

and

stru

ctur

es to

acco

mpl

ish

com

mer

cial

, per

sona

l,co

mm

unal

or

othe

r pu

rpos

es o

f art

.

Vis

ual A

rts

- A

ll O

ther

Ele

ctiv

es3.

01 R

ecog

nize

and

app

ly th

e el

emen

ts o

f art

in a

n ae

sthe

tic c

ompo

sitio

n.

3.02

Rec

ogni

ze a

nd a

pply

the

desi

gn p

rinci

ples

use

d in

com

posi

tion.

3.03

Rec

ogni

ze th

at d

iver

se s

olut

ions

are

pre

fera

ble

to p

rede

term

ined

vis

ual s

olut

ions

.

3.04

Rec

ogni

ze th

e va

lue

of in

tuiti

ve p

erce

ptio

ns in

the

prob

lem

-sol

ving

proc

ess.

3.05

Rec

ogni

ze th

e va

lue

of e

xper

imen

tatio

n in

the

prob

lem

-sol

ving

proc

ess.

1742

BE

STC

OPY

AV

AIL

AB

LE

175

Sco

pe a

nd S

eque

nce:

Vis

ual A

rts

K-1

2

Goa

l 4: T

he le

arne

r w

ill c

hoos

e an

d ev

alua

tea

rang

e of

sub

ject

mat

ter

and

idea

s to

com

mun

icat

ein

tend

ed m

eani

ng in

art

wor

ks. (

Nat

iona

l Sta

ndar

d 3)

Kin

derg

arte

n4.

01 C

reat

e ar

t dep

ictin

g se

lf, fa

mily

, frie

nds,

pets

, hom

e, s

choo

l and

com

mun

ity.

4.02

Dem

onst

rate

the

use

of li

fe s

urro

undi

ngs

and

pers

onal

exp

erie

nces

to e

xpre

ss id

eas

and

feel

ings

.

4.03

Inve

nt o

rigin

al a

nd p

erso

nal i

mag

ery

from

obse

rvat

ion

and

imag

inat

ion

to c

onve

y m

eani

ngan

d no

t rel

y on

cop

ying

or

trac

ing

anot

her's

wor

k.

1. G

rade

4.01

Rec

ogni

ze th

at a

n ar

tist's

wor

k ha

s ce

rtai

nch

arac

teris

tics

that

dis

tingu

ish

it fr

om th

at o

fot

hers

.

2G

rade

4.01

Cre

ate,

dis

cuss

, and

/or

writ

e ab

out w

heth

erth

e co

nten

t of t

heir

artw

ork

is r

ealit

y or

fant

asy.

4.02

Cre

ate,

dis

cuss

and

/or

writ

e si

mpl

e st

orie

s4.

02 C

reat

e fa

ntas

y en

viro

nmen

ts.

abou

t one

's o

wn

artw

ork.

4.03

Pro

duce

wor

k th

at s

how

s at

tent

ion

to d

etai

lin

one

's s

urro

undi

ngs.

4.04

Fin

d in

spira

tion

in th

e w

ork

of o

ther

art

ists

4.04

Use

imag

inat

ion

to in

terp

ret e

nviro

nmen

tsfr

om m

any

cultu

res.

othe

r th

an o

ne's

ow

n.

4.03

Beg

in to

rec

ogni

ze th

at a

n ar

tist's

back

grou

nd a

nd e

xper

ienc

es a

re im

port

ant i

nsh

apin

g an

art

ist's

wor

k.

3rd

Gra

de4t

h G

rade

5th

Gra

de4.

01 W

rite

fabl

es a

nd m

yths

with

det

ails

bas

edon

one

's o

wn

artw

ork.

4.02

Use

kno

wle

dge

and

imag

inat

ion

to in

terp

ret

envi

ronm

ents

.

4.03

Inte

rject

per

sona

l poi

nt o

f vie

w r

egar

ding

one'

s ow

n su

rrou

ndin

gs.

4.04

Inte

rpre

t fre

ely

wor

k by

oth

er a

rtis

ts,

cultu

res

or ti

me

perio

ds to

cre

ate

orig

inal

art

.

4.05

Kno

w, d

iscu

ss, a

nd/o

r w

rite

abou

t how

an

artis

t's b

ackg

roun

d an

d ex

perie

nces

are

impo

rtan

t in

shap

ing

that

art

ist's

wor

k.

4.06

Kno

w, d

iscu

ss, a

nd/o

r w

rite

abou

t how

anar

tist's

env

ironm

ent a

nd ti

me

mak

es o

ne's

ow

nw

ork

diffe

rent

from

that

of o

ther

art

ists

in o

ther

times

or

plac

es.

4.01

Cre

ate

exte

nded

vis

ual n

arra

tives

bas

ed o

non

e's

own

life

and

expe

rienc

es.

4.02

Dis

cuss

and

/or

writ

e ex

tend

ed n

arra

tives

base

d on

one

's o

wn

art.

4.03

Enu

mer

ate

char

acte

ristic

s of

art

ist's

wor

kth

at d

istin

guis

h it

from

oth

ers.

4.04

Com

pare

wor

k of

var

ious

art

ists

' sty

les

and

cultu

res.

BE

ST C

OPY

MA

IB

LE

4.01

Com

pare

and

con

tras

t the

wor

k of

var

ious

artis

ts' s

tyle

s an

d cu

lture

s.

177

6th

Gra

de7m

Gra

de8m

Gra

de4.

01 R

ecog

nize

and

dis

cuss

art

as

a m

eans

of

com

mun

icat

ion

and

pers

uasi

on.

4.02

Und

erst

and

the

use

of li

fe s

urro

undi

ngs

and

pers

onal

exp

erie

nces

are

use

d to

exp

ress

idea

san

d fe

elin

gs v

isua

lly.

4.03

Inte

rpre

t the

env

ironm

ent w

ith r

ealis

ticim

ager

y.

4.04

Con

vey

mea

ning

thro

ugh

orig

inal

imag

ery

that

doe

s no

t rel

y on

cop

ying

, tra

cing

, pat

tern

s or

dupl

icat

ed m

ater

ials

.

4.05

Rec

ogni

ze a

nd d

iscu

ss th

e pe

rson

alim

ager

y an

d st

yle

of v

ario

us a

rtis

ts.

4.01

Use

vis

ual a

rts

to p

ersu

ade

and

com

mun

icat

e id

eas.

4.02

Dem

onst

rate

the

use

of li

fe s

urro

undi

ngs

and

pers

onal

exp

erie

nces

to e

xpre

ss id

eas

and

mea

ning

s vi

sual

ly.

4.03

Inte

rpre

t the

env

ironm

ent t

hrou

gh a

rt.

4.04

Inve

nt o

rigin

al im

ager

y to

con

vey

mea

ning

.

4.05

Exp

lore

how

art

ists

dev

elop

per

sona

lim

ager

y an

d st

yle.

4.01

Com

mun

icat

e an

d pe

rsua

de th

roug

h vi

sual

arts

.

4.02

Dev

elop

the

use

of li

fe s

urro

undi

ngs

and

pers

onal

exp

erie

nces

to e

xpre

ss id

eas

and

feel

ings

vis

ually

.

4.03

Util

ize

envi

ronm

enta

l im

ager

y to

cre

ate

artw

ork

with

per

sona

l mea

ning

.

4.04

Inve

nt o

rigin

al a

nd p

erso

nal i

mag

ery

toco

nvey

idea

s th

at a

re b

oth

pers

onal

and

hav

em

eani

ng.

4.05

Dev

elop

per

sona

l im

ager

y an

d st

yle.

Vis

ual A

rts

IV

isua

l Art

s II

Vis

ual A

rts

IIIV

isua

l Art

s IV

4.01

Dem

onst

rate

the

use

of li

fesu

rrou

ndin

gs a

nd p

erso

nal

expe

rienc

es to

exp

ress

idea

s an

dfe

elin

gs v

isua

lly.

4.02

Inte

rpre

t the

env

ironm

ent

thro

ugh

art.

4.03

Inve

nt o

rigin

al a

nd p

erso

nal

imag

ery

to c

onve

y m

eani

ng a

ndno

t rel

y on

cop

ying

, tra

cing

,pa

ttern

s or

dup

licat

ed m

ater

ials

.

4.04

Res

earc

h an

d di

scus

s ho

war

tists

dev

elop

per

sona

l im

ager

yan

d st

yle.

4.05

App

ly s

ubje

cts,

sym

bols

and

idea

s in

art

wor

ks a

nd u

se th

e sk

ills

gain

ed to

sol

ve p

robl

ems

in d

aily

life.

Vis

ual A

rts

- A

ll O

ther

Ele

ctiv

es

4.01

Use

life

sur

roun

ding

s an

dpe

rson

al e

xper

ienc

es to

vis

ually

expr

ess

idea

s an

d fe

elin

gs.

4.02

Inte

rpre

t the

env

ironm

ent

thro

ugh

art.

4.03

Inve

nt o

rigin

al a

nd p

erso

nal

imag

ery

to c

onve

y m

eani

ng a

ndno

t rel

y on

cop

ying

, tra

cing

,pa

ttern

s or

dup

licat

ed m

ater

ials

.

4.04

Res

earc

h an

d de

mon

stra

teho

w a

rtis

ts d

evel

op p

erso

nal

imag

ery

and

styl

e.

4.05

App

ly s

ubje

cts,

sym

bols

, and

idea

s in

art

wor

ks a

nd u

se th

e sk

ills

gain

ed to

sol

ve p

robl

ems

in d

aily

life.

4.01

Fur

ther

exp

and

the

use

of li

fesu

rrou

ndin

gs a

nd p

erso

nal

expe

rienc

es to

exp

ress

idea

s an

dfe

elin

gs v

isua

lly.

4.02

Inte

rpre

t the

env

ironm

ent

thro

ugh

art.

4.03

Inve

nt o

rigin

al a

nd p

erso

nal

imag

ery

to c

onve

y m

eani

ng a

ndno

t rel

y on

cop

ying

, tra

cing

,pa

ttern

s or

dup

licat

ed m

ater

ials

.

4.04

Exp

lore

and

com

pare

how

artis

ts d

evel

op p

erso

nal i

mag

ery

and

styl

e.

4.05

App

ly s

ubje

cts,

sym

bols

, and

idea

s in

art

wor

ks a

nd u

se th

e sk

ills

gain

ed to

sol

ve p

robl

ems

in d

aily

life.

4.01

Ref

ine

and

clar

ify th

e us

e of

life

surr

ound

ings

and

per

sona

l exp

erie

nces

to e

xpre

ss id

eas

and

feel

ings

vis

ually

.

4.02

Inte

rpre

t the

env

ironm

ent t

hrou

ghar

t.

4.03

Inve

nt, d

evel

op a

nd r

efin

e or

igin

alan

d pe

rson

al im

ager

y to

con

vey

mea

ning

and

not r

ely

on c

opyi

ng, t

raci

ng, p

atte

rns

or d

uplic

ated

mat

eria

ls.

4.04

Exp

lore

, com

pare

and

ass

ess

how

artis

ts d

evel

op p

erso

nal i

mag

ery

and

styl

e.

4.05

App

ly s

ubje

cts,

sym

bols

, and

idea

sin

art

wor

ks a

nd u

se th

e sk

ills

gain

ed to

solv

e pr

oble

ms

in d

aily

life

.

4.01

Dem

onst

rate

the

use

of li

fe s

urro

undi

ngs

and

pers

onal

exp

erie

nces

to e

xpre

ss id

eas

and

feel

ings

vis

ually

.

4.02

Inte

rpre

t the

env

ironm

ent t

hrou

gh a

rt.

BE

ST C

PY A

VA

9LA

BL

E17

9

4.03

Inve

nt o

rigin

al a

nd p

erso

nal i

mag

ery

toco

nvey

mea

ning

and

not

rel

y on

cop

ying

, tra

cing

, pat

tern

s or

dup

licat

ed m

ater

ials

.

4.04

Exp

lore

how

art

ists

dev

elop

per

sona

l im

ager

y an

dst

yle.

180

181

Sco

pe a

nd S

eque

nce:

Vis

ual A

rts

K-1

2

Goa

l 5: T

he le

arne

r w

ill u

nder

stan

d th

e vi

sual

art

s in

rel

atio

n to

his

tory

and

cul

ture

s. (

Nat

iona

l Sta

ndar

d4)

Kin

derg

arte

n1"

Gra

deed

Gra

de5.

01 R

ecog

nize

that

peo

ple

in m

any

times

and

plac

es h

ave

mad

e ar

t.

5.02

Rec

ogni

ze th

at a

rt is

cre

ated

to fu

lfill

pers

onal

and

/or

soci

etal

nee

ds o

r pu

rpos

es.

5.03

Rec

ogni

ze th

at a

n ar

twor

k m

ay s

erve

func

tiona

l pur

pose

s.

5.04

Beg

in to

rel

ate

to th

e co

ncep

t of t

ime

pers

onal

ly (

"whe

n m

y gr

andf

athe

r w

as y

oung

...")

,to

fam

ous

peop

le (

"whe

n G

eorg

e W

ashi

ngto

nw

as a

live.

.."),

and

uni

ts o

f tim

e (d

ay, w

eek,

year

s).

5.05

Rec

ogni

ze th

at h

uman

bei

ngs

crea

te a

rt to

tell

a st

ory

abou

t the

ir id

eas

and

lives

with

out

wor

ds.

5.01

Rec

ogni

ze th

at a

rt fr

om o

ther

tim

es a

ndcu

lture

s do

es n

ot lo

ok th

e sa

me.

5.02

Rec

ogni

ze th

at a

rtw

ork

from

man

y cu

lture

sca

n be

mad

e of

mat

eria

l tha

t the

stu

dent

has

expe

rienc

ed (

woo

d, s

tone

, pai

nt, e

tc.)

.

5.01

Iden

tify

mai

n pu

rpos

e fo

r an

indi

vidu

alar

twor

k.

5.02

Iden

tify

sele

cted

cha

ract

eris

tics

of a

rt fr

oma

part

icul

ar c

ultu

re.

5.03

Iden

tify

sele

cted

med

ium

/tech

niqu

es o

rpr

oces

ses

used

for

an in

divi

dual

art

wor

k.

5.04

Bec

ome

awar

e of

the

idea

s of

tim

e an

dhi

stor

y (w

hat c

ame

befo

re a

nd a

fter)

.

5.05

Beg

in to

rea

lize

that

ther

e ha

ve b

een

dive

rse

cultu

res

in th

e w

orld

and

eac

h cu

lture

has

prod

uced

art

.

5.06

Rec

ogni

ze s

elec

ted

wor

ks o

f art

from

vario

us c

ultu

res.

5.07

Dis

cuss

com

mon

them

es s

uch

as fa

mili

es,

com

mun

ity li

fe, a

nd b

eaut

y.

3m G

rade

4th

Gra

de5t

h G

rade

5.01

Iden

tify

the

mai

n pu

rpos

es fo

r ar

t in

aso

ciet

y.

5.02

Diff

eren

tiate

bet

wee

n de

cora

tive

and

func

tiona

l pur

pose

in o

ne's

ow

n ar

twor

k.

5.03

Iden

tify

spec

ific

wor

ks o

f art

as

belo

ngin

g to

a pa

rtic

ular

cul

ture

, tim

e an

d pl

ace.

5.04

Iden

tify

med

ia/te

chni

ques

and

pro

cess

esus

ed fo

r an

indi

vidu

al a

rtw

ork.

R (..)

5.01

Rec

ogni

ze th

at a

rt c

an s

erve

mor

e th

an o

nepu

rpos

e an

d/or

func

tion

in a

giv

en c

ultu

re.

5.02

Mak

e re

spon

ses

that

are

bot

h kn

owle

dge-

base

d an

d pe

rson

al (

obje

ctiv

e an

d su

bjec

tive)

.

5.03

Com

pare

wor

ks o

f art

from

diff

eren

t tim

esan

d cu

lture

s.

5.04

Com

pare

wor

ks o

f art

from

one

cul

ture

toth

at fr

om a

noth

er c

ultu

re o

f the

sam

e tim

e pe

riod.

BE

ST C

OPY

AM

IAB

LE

5.01

Beg

in to

rec

ogni

ze th

at a

rt is

the

visu

alre

cord

of t

he h

isto

ry o

f man

kind

.

5.02

Iden

tify

sele

cted

cha

ract

eris

tics

that

mak

ear

t of a

par

ticul

ar c

ultu

re u

niqu

e.

5.03

App

ly a

kno

wle

dge

of b

elie

f sys

tem

s of

sele

cted

cul

ture

s as

ref

lect

ed in

the

artw

ork

ofth

ose

cultu

res.

5.04

Com

pare

art

of o

ne c

ultu

re to

that

of

anot

her

cultu

re o

r tim

e.

183

5.05

Und

erst

and

ther

e ha

ve b

een

man

y di

ffere

ntcu

lture

s in

the

wor

ld a

nd e

ach

cultu

re h

aspr

oduc

ed a

rt.

5.06

Nam

e se

lect

ed a

rtis

t.

5.07

Nam

e se

lect

ed w

orks

by

an a

rtis

t.

5.05

Rec

ogni

ze a

n in

crea

sed

sele

ctio

n of

wor

ks5.

05 R

ecog

nize

sel

ecte

d in

divi

dual

sty

leof

art

and

art

ists

.

5.06

Dis

cuss

them

es w

hich

are

mos

t im

port

ant

to a

par

ticul

ar c

ultu

re.

5.07

Rec

ogni

ze th

at in

divi

dual

s ar

e pr

oduc

ts o

fth

eir

own

cultu

re.

5.08

Rec

ogni

ze th

at c

ultu

res

have

diff

eren

t ide

as5.

08 E

xplo

res

the

art a

nd a

rchi

tect

ure

ofab

out a

rt.

sele

cted

Nor

th C

arol

ina

artis

ts.

char

acte

ristic

s of

an

artis

t.

5.06

Com

pare

and

con

tras

t sel

ecte

d m

ajor

artis

ts a

nd a

rtw

ork.

5.07

Dem

onst

rate

a s

ense

of h

isto

ry (

wha

t cam

ebe

fore

and

afte

r) r

egar

ding

cul

ture

s an

d w

orks

of

art.

5.08

Rec

ogni

ze th

ere

are

man

y un

iver

sal

them

es in

art

thro

ugho

ut h

isto

ry.

6 G

rade

7 G

rade

8 G

rade

5.01

Dem

onst

rate

an

unde

rsta

ndin

g th

at th

evi

sual

art

s ha

ve a

his

tory

, pur

pose

and

func

tion

inal

l cul

ture

s.

5.02

Iden

tify

spec

ific

wor

ks o

f art

as

belo

ngin

g to

a pa

rtic

ular

cul

ture

, tim

e an

d pl

ace.

5.03

Dis

cove

r re

latio

nshi

ps o

f wor

ks o

f art

to o

nean

othe

r in

term

s of

his

tory

, aes

thet

ics,

and

cultu

ral/e

thni

c gr

oups

.

5.04

Rec

ogni

ze a

nd d

iscu

ss th

e ex

iste

nce

of a

rtm

ovem

ents

, per

iods

, and

sty

les.

5.05

Rec

ogni

ze a

nd d

iscu

ss th

e ex

iste

nce

ofun

iver

sal t

hem

e in

art

thro

ugho

ut h

isto

ry.

5.06

Rec

ogni

ze a

nd d

iscu

ss th

e ae

sthe

ticdi

vers

ity o

f var

ious

cul

ture

s.

5.01

Iden

tify

the

hist

ory,

pur

pose

and

func

tions

of v

isua

l art

s in

var

ious

cul

ture

s.

5.02

Des

crib

e ch

arac

teris

tics

of s

peci

fic w

orks

of

art t

hat b

elon

g to

a p

artic

ular

cul

ture

, tim

e an

dpl

ace.

5.03

Des

crib

e re

latio

nshi

ps o

f wor

ks o

f art

to o

nean

othe

r in

term

s of

his

tory

, aes

thet

ics,

and

cultu

ral/e

thni

c gr

oups

.

5.04

Exp

lore

and

dis

cuss

the

exis

tenc

e of

art

mov

emen

ts, p

erio

ds, a

nd s

tyle

s.

5.05

Exp

lore

and

dis

cuss

the

exis

tenc

e of

univ

ersa

l the

me

in a

rt th

roug

hout

his

tory

.

5.01

Con

side

r th

e hi

stor

y, p

urpo

se a

nd fu

nctio

nof

vis

ual a

rts

and

anal

yze

thei

r im

pact

on

vario

uscu

lture

s.

5.02

Exp

lain

the

impa

ct o

f a p

artic

ular

cul

ture

,tim

e an

d pl

ace

on a

spe

cific

wor

k of

art

.

5.03

Com

pare

and

con

tras

t rel

atio

nshi

ps o

fw

orks

of a

rt to

one

ano

ther

in te

rms

of h

isto

ry,

aest

hetic

s, a

nd c

ultu

ral/e

thni

c gr

oups

.

5.04

Exp

lain

the

impa

ct o

f art

mov

emen

ts,

perio

ds, a

nd s

tyle

s.

5.05

Exp

lain

the

impa

ct u

nive

rsal

them

es in

art

thro

ugho

ut h

isto

ry h

ave

had

on s

peci

fic w

orks

of

art.

5.06

Exp

lore

the

aest

hetic

div

ersi

ty o

f var

ious

5.06

Exp

lain

the

impa

ct o

f cur

rent

cul

ture

on

your

per

sona

l sty

le, a

ttitu

de a

nd te

chni

ques

.cu

lture

s.

Vis

ual A

rts

IV

isua

l Art

s II

Vis

ual A

rts

IllV

isua

l Art

s IV

5.01

Kno

w th

at th

e vi

sual

art

sha

ve a

his

tory

, pur

pose

and

func

tion

in a

ll cu

lture

s.

5.02

Iden

tify

spec

ific

wor

ks o

f art

as b

elon

ging

to p

artic

ular

cul

ture

s,tim

es a

nd p

lace

s. 184

5.01

Kno

w th

at th

e vi

sual

art

sha

ve a

his

tory

, pur

pose

and

func

tion

in a

ll cu

lture

s.

5.02

Iden

tify

spec

ific

wor

ks o

f art

as b

elon

ging

to p

artic

ular

cul

ture

s,tim

es a

nd p

lace

s.

5.01

Kno

w th

at th

e vi

sual

art

sha

ve a

his

tory

, pur

pose

and

func

tion

in a

ll cu

lture

s.

5.02

Iden

tify

spec

ific

wor

ks o

f art

as b

elon

ging

to p

artic

ular

cul

ture

s,tim

es a

nd p

lace

s.

BE

ST C

OPY

AV

AIL

AB

LE

5.01

Kno

w th

at th

e vi

sual

art

s ha

ve a

hist

ory,

pur

pose

and

func

tion

in a

llcu

lture

s.

5.02

Iden

tify

spec

ific

wor

ks o

f art

as

belo

ngin

g to

par

ticul

ar c

ultu

res,

tim

esan

d pl

aces

.

185

5.03

Com

pare

rel

atio

nshi

ps o

fw

orks

of a

rt to

one

ano

ther

inte

rms

of h

isto

ry, a

esth

etic

s, a

ndcu

ltura

l/eth

nic

grou

ps.

5.04

Des

crib

e th

e ex

iste

nce

of a

rtm

ovem

ents

, per

iods

, and

sty

les.

5.05

Des

crib

e un

iver

sal t

hem

esth

at e

xist

in a

rt th

roug

hout

his

tory

.

5.06

Rec

ogni

ze a

nd d

iscu

ss th

atcu

lture

s ha

ve d

iffer

ent a

esth

etic

san

d ea

ch in

divi

dual

is a

pro

duct

of

his

or h

er c

ultu

re.

5.03

Com

pare

rel

atio

nshi

ps o

fw

orks

of a

rt to

one

ano

ther

inte

rms

of h

isto

ry, a

esth

etic

s, a

ndcu

ltura

l/eth

nic

grou

ps.

5.04

Res

earc

h an

d w

rite

abou

t the

exis

tenc

e of

art

mov

emen

ts,

perio

ds, a

nd s

tyle

s.

5.05

Res

earc

h an

d w

rite

abou

t the

exis

tenc

e of

uni

vers

al th

emes

inar

t thr

ough

out h

isto

ry.

5.06

Rec

ogni

ze th

at c

ultu

res

have

diffe

rent

aes

thet

ics

and

each

indi

vidu

al is

a p

rodu

ct o

f his

or

her

cultu

re.

5.03

Com

pare

rel

atio

nshi

ps o

fw

orks

of a

rt to

one

ano

ther

inte

rms

of h

isto

ry, a

esth

etic

s, a

ndcu

ltura

l/eth

nic

grou

ps.

5.04

Rec

ogni

ze a

nd d

iffer

entia

teth

e ex

iste

nce

of a

rt m

ovem

ents

,pe

riods

, and

sty

les.

5.05

Rec

ogni

ze, i

dent

ify a

ndcl

assi

fy u

nive

rsal

them

es in

art

thro

ugho

ut h

isto

ry.

5.06

Rec

ogni

ze a

nd id

entif

ydi

ffere

nt a

esth

etic

s am

ong

cultu

res

and

the

impa

ct o

f the

cul

ture

and

aest

hetic

s on

the

indi

vidu

al.

5.03

Com

pare

rel

atio

nshi

ps o

f wor

ks o

far

t to

one

anot

her

in te

rms

of h

isto

ry,

aest

hetic

s, a

nd c

ultu

ral/e

thni

c gr

oups

.

5.04

Rec

ogni

ze, d

iffer

entia

te a

ndev

alua

te th

e ex

iste

nce

of a

rt m

ovem

ents

,pe

riods

, and

sty

les.

5.05

Rec

ogni

ze, i

dent

ify, c

lass

ify a

ndev

alua

te u

nive

rsal

them

es in

art

thro

ugho

ut h

isto

ry.

5.06

Rec

ogni

ze a

nd id

entif

y di

ffere

ntae

sthe

tics

amon

g cu

lture

s an

d th

eim

pact

of t

he c

ultu

re a

nd a

esth

etic

s on

the

indi

vidu

al.

Vis

ual A

rts.

- A

ll O

ther

Ele

ctiv

es5.

01 K

now

that

the

visu

al a

rts

have

a h

isto

ry, p

urpo

se a

nd fu

nctio

n in

all

cultu

res.

5.02

Iden

tify

spec

ific

wor

ks o

f art

as

belo

ngin

g to

par

ticul

ar c

ultu

res,

tim

es a

nd p

lace

s.

5.03

Com

pare

rel

atio

nshi

ps o

f wor

ks o

f art

to o

ne a

noth

er in

term

s of

his

tory

, aes

thet

ics,

and

cul

tura

l/eth

nic

grou

ps.

5.04

Rec

ogni

ze th

e ex

iste

nce

of a

rt m

ovem

ents

, per

iods

, and

sty

les.

5.05

Rec

ogni

ze th

e ex

iste

nce

of u

nive

rsal

them

e in

art

thro

ugho

ut h

isto

ry.

5.06

Rec

ogni

ze th

at c

ultu

res

have

diff

eren

t aes

thet

ics

and

each

indi

vidu

al is

a p

rodu

ct o

f his

or h

er c

ultu

re.

186

BE

ST C

OPY

AV

AIL

AB

LE

187

Sco

pe a

nd S

eque

nce:

Vis

ual A

rts

K-1

2

Goa

l 6: T

he le

arne

r w

ill r

efle

ctup

on a

nd a

sses

s th

e ch

arac

teris

tics

and

mer

its(N

atio

nal S

tand

ard

5)of

thei

r w

ork

and

the

wor

k of

oth

ers.

Kin

ders

art

en6.

01 R

elat

e im

port

ant e

xper

ienc

es in

life

to o

ne's

own

art.

6.02

Acc

ept o

ther

s' w

ork

and

idea

s.

6.03

Rec

ogni

ze th

at n

o tw

o pe

ople

are

alik

e;th

eref

ore,

thei

r ar

twor

k sh

ould

not

be

alik

e.

6.04

Beg

in to

use

art

voc

abul

ary

for

disc

ussi

on.

6.05

Beg

in to

des

crib

e an

d ex

plai

n hi

s or

her

own

art a

nd th

e ar

t of o

ther

s in

res

pons

e to

guid

ed q

uest

ions

.

6.06

Exp

ress

one

's fe

elin

gs a

bout

a s

peci

ficar

twor

k.

6.07

Beg

in to

und

erst

and

ther

e ar

e va

ried

resp

onse

s to

spe

cific

art

wor

ks.

lu G

rade

6.01

Rel

ate

impo

rtan

t ide

as a

nd fe

elin

gs v

isua

lly.

6.02

Beg

in to

use

one

's m

ista

kes

as p

art o

f the

crea

tive

proc

ess.

6.03

Rec

ogni

ze th

at m

ista

kes

can

be tu

rned

into

oppo

rtun

ities

for

crea

tive

prob

lem

sol

ving

.

6.04

Sho

w u

nder

stan

ding

that

som

etim

es a

rtis

ticen

deav

ors

fail

beca

use

of r

easo

ns b

eyon

d on

e's

cont

rol.

6.05

Rec

ogni

ze th

at th

e us

e of

art

ele

men

ts b

yth

e ar

tist c

an te

ll a

stor

y, o

r de

scrib

e a

feel

ing

orm

ood.

6.06

Dis

cuss

art

wor

k us

ing

the

desi

gn p

rinci

ple

of r

epet

ition

.

2'G

rade

6.01

Beg

in to

und

erst

and

that

the

purp

ose

for

aw

ork

of a

rt a

ffect

s ho

w a

wor

k is

mad

e.

6.02

Fin

d di

vers

ity in

art

as

a na

tura

l and

pos

itive

expr

essi

on o

f ind

ivid

ualit

y.

6.03

Val

ue a

rt th

at d

oes

not r

ely

on c

opyi

ng o

rtr

acin

g ot

hers

' wor

k.

6.04

App

ly k

now

ledg

e ga

ined

from

a fa

ilure

,m

ista

ke o

r ac

cide

nt to

hel

p ac

hiev

e a

mor

esu

cces

sful

effo

rt.

6.05

Dis

cuss

art

wor

k us

ing

the

desi

gn p

rinci

ples

of r

epet

ition

, em

phas

is, a

nd m

ovem

ent.

3rd

Gra

de4

Gra

de5t

h G

rade

6.01

Und

erst

and

that

the

purp

ose

for

a w

ork

ofar

t affe

cts

how

it is

mad

e.6.

01 D

escr

ibe

how

peo

ple'

s ex

perie

nces

influ

ence

the

deve

lopm

ent o

f spe

cific

art

wor

ks.

6.02

Rec

ogni

ze d

iver

sity

in a

rt a

s a

natu

ral a

nd6.

02 U

nder

stan

d ex

perie

nce

varie

s fr

ompo

sitiv

e ex

pres

sion

of i

ndiv

idua

lity.

indi

vidu

al to

indi

vidu

al a

nd fr

om c

ultu

re to

cul

ture

.

6.03

Exp

ress

ow

n id

eas

and

feel

ings

vis

ually

and

with

flue

ncy. 18

8

6.03

Crit

ique

art

wor

k th

roug

h th

e us

e of

des

ign

prin

cipl

es: e

mph

asis

, mov

emen

t, re

petit

ion,

spac

e, b

alan

ce, a

nd v

alue

.

BE

ST C

OPY

MA

ILA

BL

E

6.01

Res

pond

to q

uest

ions

rel

atin

g to

pur

pose

and

appr

opria

tene

ss o

f wor

ks in

clud

ing:

why

do

you

thin

k th

is a

rtis

t pai

nted

this

way

or

how

do

the

mat

eria

ls th

e ar

tist u

sed

help

get

acr

oss

the

idea

of t

he a

rtw

ork?

6.02

Crit

ique

art

wor

k in

rel

atio

n to

des

ign

prin

cipl

es: e

mph

asis

, mov

emen

t, re

petit

ion,

spac

e, b

alan

ce, v

alue

, uni

ty.

169

6.04

Exp

ress

wha

t can

be

lear

ned

from

am

ista

ke o

r ac

cide

nt o

f one

's o

wn

or o

ther

s.

6.05

App

ly k

now

ledg

e ga

ined

from

a fa

ilure

situ

atio

n to

hel

p ac

hiev

e a

mor

e su

cces

sful

effo

rt.

6.06

Crit

ique

art

wor

k us

ing

prop

er a

rtvo

cabu

lary

.

6.07

Exp

ress

one

's o

wn

thou

ghts

and

feel

ings

abou

t a s

peci

fic a

rtw

ork.

6.08

Crit

ique

art

wor

k in

rel

atio

n to

des

ign

prin

cipl

es: e

mph

asis

, mov

emen

t, re

petit

ion,

spac

e, a

nd b

alan

ce. 6t

h G

rade

6.01

Des

crib

e va

rious

pur

pose

s fo

r cr

eatin

gw

orks

of v

isua

l art

.

6.02

Des

crib

e ho

w p

eopl

e's

expe

rienc

es

7m G

rade

6.01

Exp

lain

how

a w

ork

of a

rt c

an m

eet i

tsin

tend

ed p

urpo

se.

6.02

Iden

tify

the

influ

ence

s th

at h

ad th

e gr

eate

stin

fluen

ce th

e de

velo

pmen

t of s

peci

fic a

rtw

orks

.im

pact

on

a gi

ven

wor

k of

art

.

6.03

Ack

now

ledg

e an

d di

scus

s ho

w o

ther

's w

ork

and

idea

s ar

e un

ique

exp

ress

ion

of th

emse

lves

.

8rn

Gra

de6.

01 E

valu

ate

the

effe

ctiv

enes

s of

a w

ork

of a

rtin

mee

ting

its in

tend

ed p

urpo

se.

6.02

Eva

luat

e th

e w

ays

in w

hich

a w

ork

of a

rtre

flect

s or

com

mun

icat

es th

e di

vers

e ex

perie

nces

of th

e ar

tist.

6.03

Exp

lain

how

oth

er's

wor

k an

d id

eas

as6.

03 In

terp

ret h

ow a

giv

en w

ork

of a

rt e

xpre

sses

uniq

ue e

xpre

ssio

n of

them

selv

es.

the

uniq

uene

ss o

f the

indi

vidu

al a

rtis

t.

6.04

Ack

now

ledg

e an

d ex

plai

n ho

w u

nsuc

cess

ful

6.04

Inco

rpor

ate

cons

truc

tive

grow

th le

arne

d6.

04 E

valu

ate

and

refle

ct o

n th

e im

pact

of

effo

rts

can

be a

con

stru

ctiv

e pa

rt o

f gro

wth

in th

efr

om u

nsuc

cess

ful e

ffort

s in

to th

e cr

eativ

eva

rious

dec

isio

ns m

ade

thro

ugho

ut th

e cr

eativ

ecr

eativ

e pr

oces

s.pr

oces

s.pr

oces

s.

6.05

Crit

ique

art

wor

k th

roug

h th

e us

e of

: pro

per

6.05

Crit

ique

art

wor

k ev

alua

ting

mea

ning

,vo

cabu

lary

, art

ele

men

ts a

nd d

esig

n pr

inci

ples

,fe

elin

g, m

ood

and

idea

s in

ora

l and

writ

ten

mea

ning

, fee

ling,

moo

d an

d id

eas,

ora

l and

expr

essi

on.

writ

ten

expr

essi

on.

6.05

Crit

ique

art

wor

k ev

alua

ting

purp

ose,

tone

and

styl

e in

an

oral

or

writ

ten

expr

essi

on.

Vis

ual A

rts

I6.

01 D

escr

ibe

the

vario

uspu

rpos

es fo

r cr

eatin

g w

orks

of

visu

al a

rt.

6.02

Des

crib

e ho

w p

eopl

e's

expe

rienc

es in

fluen

ce th

ede

velo

pmen

t of s

peci

fic a

rtw

orks

.

0

Vis

ual A

rts

IIV

isua

l Art

s III

Vis

ual A

rts

IV6.

01 U

nder

stan

d th

ere

are

vario

uspu

rpos

es fo

r cr

eatin

g w

orks

of

visu

al a

rt.

6.02

Des

crib

e ho

w p

eopl

e's

expe

rienc

es in

fluen

ce th

ede

velo

pmen

t of s

peci

fic a

rtw

orks

.

6.01

Und

erst

and

ther

e ar

e va

rious

purp

oses

for

crea

ting

wor

ks o

fvi

sual

art

.

6.02

Des

crib

e an

d an

alyz

e ho

wpe

ople

's e

xper

ienc

es in

fluen

ce th

ede

velo

pmen

t of s

peci

fic a

rtw

orks

.

BE

ST C

OPY

AV

AIL

AB

LE

6.01

Und

erst

and

ther

e ar

e va

rious

purp

oses

for

crea

ting

wor

ks o

f vis

ual a

rt.

6.02

Des

crib

e, a

naly

ze a

nd a

sses

s ho

wpe

ople

's e

xper

ienc

es in

fluen

ce th

ede

velo

pmen

t of s

peci

fic a

rtw

orks

. 191

6.03

Acc

ept o

ther

's w

ork

and

idea

s as

uni

que

expr

essi

on o

fth

emse

lves

.

6.04

Exp

lain

why

wha

t is

not

unde

rsto

od is

som

etim

esde

valu

ed.

6.05

Exp

lain

how

the

cons

truc

tive

role

of f

ailu

re is

ofte

n a

part

of t

hecr

eativ

e pr

oces

s.

6.06

Crit

ique

art

wor

k th

roug

h th

eus

e of

: pro

per

voca

bula

ry, a

rtel

emen

ts a

nd d

esig

n pr

inci

ples

,m

eani

ng, f

eelin

g, m

ood

and

idea

s,or

al a

nd w

ritte

n ex

pres

sion

.

6.07

Exp

lain

the

varie

d re

spon

ses

to s

peci

fic a

rtw

orks

.

6.08

Acc

ept a

nd o

ffer

cons

truc

tive

criti

cism

.

6.03

Acc

ept o

ther

's w

ork

and

idea

s as

uni

que

expr

essi

on o

fth

emse

lves

.

6.04

Rec

ogni

ze th

at w

hat i

s no

tun

ders

tood

is s

omet

imes

deva

lued

.

6.05

Rec

ogni

ze th

e co

nstr

uctiv

ero

le o

f fai

lure

as

a pa

rt o

f the

crea

tive

proc

ess.

6.06

Crit

ique

art

wor

k th

roug

h th

eus

e of

: pro

per

voca

bula

ry, a

rtel

emen

ts a

nd d

esig

n pr

inci

ples

,m

eani

ng, f

eelin

g, m

ood

and

idea

s,or

al a

nd w

ritte

n ex

pres

sion

.

6.07

Und

erst

and

ther

e ar

e va

ried

resp

onse

s to

spe

cific

art

wor

ks.

6.08

Acc

ept a

nd o

ffer

cons

truc

tive

criti

cism

.

6.03

Acc

ept o

ther

's w

ork

and

idea

s as

uni

que

expr

essi

on o

fth

emse

lves

.

6.04

Rec

ogni

ze th

at w

hat i

s no

tun

ders

tood

is s

omet

imes

deva

lued

.

6.05

Rec

ogni

ze th

e co

nstr

uctiv

ero

le o

f fai

lure

as

a pa

rt o

f the

crea

tive

proc

ess.

6.06

Crit

ique

art

wor

k th

roug

h th

eus

e of

: pro

per

voca

bula

ry, a

rtel

emen

ts a

nd d

esig

n pr

inci

ples

,m

eani

ng, f

eelin

g, m

ood

and

idea

s,or

al a

nd w

ritte

n ex

pres

sion

.

6.07

Und

erst

and,

com

pare

and

expl

ain

ther

e ar

e va

ried

resp

onse

sto

spe

cific

art

wor

ks.

6.08

Acc

ept a

nd o

ffer

cons

truc

tive

criti

cism

.

6.03

Acc

ept o

ther

's w

ork

and

idea

s as

uniq

ue e

xpre

ssio

n of

them

selv

es.

6.04

Rec

ogni

ze th

at w

hat i

s no

tun

ders

tood

is s

omet

imes

dev

alue

d.

6.05

Rec

ogni

ze th

e co

nstr

uctiv

e ro

le o

ffa

ilure

as

a pa

rt o

f the

cre

ativ

e pr

oces

s.

6.06

Crit

ique

art

wor

k us

ing

verb

al a

ndw

ritte

n ex

pres

sion

inco

rpor

atin

g: p

rope

rvo

cabu

lary

, art

ele

men

ts a

nd d

esig

npr

inci

ples

, mea

ning

, fee

ling,

moo

d an

did

eas.

6.07

Und

erst

and,

com

pare

and

eva

luat

eth

e va

ried

resp

onse

s to

spe

cific

artw

orks

.

6.08

Acc

ept a

nd o

ffer

cons

truc

tive

criti

cism

.

Vis

ual A

rts

- A

ll O

ther

Ele

ctiv

es6.

01 U

nder

stan

d th

ere

are

vario

us p

urpo

ses

for

crea

ting

wor

ks o

f vis

ual a

rt.

6.02

Des

crib

e ho

w p

eopl

e's

expe

rienc

es in

fluen

ce th

e de

velo

pmen

tof

spe

cific

art

wor

ks.

6.03

Acc

ept o

ther

's w

ork

and

idea

s as

uni

que

expr

essi

on o

f the

mse

lves

.

6.04

Rec

ogni

ze th

e co

nstr

uctiv

e ro

le o

f fai

lure

as a

par

t of t

he c

reat

ive

proc

ess.

6.05

Crit

ique

art

wor

k th

roug

h th

e us

e of

: pro

per

voca

bula

ry, a

rtel

emen

ts a

nd d

esig

n pr

inci

ples

, mea

ning

, fee

ling,

moo

d an

d id

eas,

ora

l and

writ

ten

expr

essi

on.

6.06

Und

erst

and

ther

e ar

e va

ried

resp

onse

s to

spe

cific

art

wor

ks.

192

BE

ST C

OPY

MA

IB

LE

193

Sco

pe a

nd S

eque

nce:

Vis

ual A

rts

K-1

2

Goa

l 7: T

he le

arne

r w

ill p

erce

ive

conn

ectio

ns b

etw

een

visu

al a

rts

and

othe

r di

scip

lines

. (N

atio

nal S

tand

ard

6)

Kin

der

arte

n7.

01 M

ake

use

of c

omm

onal

ties

in th

e su

bjec

tm

atte

r of

vis

ual a

rts

and

othe

r di

scip

lines

.

7.02

Beg

in to

rea

lize

wha

t eac

h di

scip

line

enco

mpa

sses

.

1st G

rade

2nd

Gra

de

7.03

Beg

in to

obs

erve

that

obj

ects

can

be

hand

mad

e or

mac

hine

mad

e an

d th

at b

oth

have

valu

e.

7.04

Use

cur

rent

tech

nolo

gy to

lear

n ab

out a

rtan

d cr

eate

one

's o

wn

artw

ork.

7.01

Use

s re

adin

g, w

ritin

g an

d m

ath

in th

ecr

eatio

n of

art

.

7.02

Rea

lize

that

adv

ance

s in

sci

ence

and

tech

nolo

gy a

ffect

how

thin

gs lo

ok a

nd h

ow th

eyar

e do

ne.

7.01

Und

erst

and

that

a m

ajor

pur

pose

of t

he a

rts

is th

e cr

eatio

n of

an

orig

inal

wor

k.

3rd

Gra

de4t

h G

rade

Stn

Gra

de7.

01 B

egin

to a

ckno

wle

dge

sim

ilarit

ies

amon

g al

lth

e ar

ts in

clud

ing

voca

bula

ry, c

once

pts,

and

use

of c

ompo

sitio

n.

7.02

Dis

cuss

how

the

artw

ork

peop

le p

rodu

cere

flect

s th

e tim

es in

whi

ch th

ey li

ve.

7.01

Rec

ogni

ze th

at in

a p

artic

ular

pla

ce o

r tim

e,sh

ared

bel

iefs

or

know

ledg

e w

ill a

ffect

the

idea

s,is

sues

or

them

es in

all

disc

iplin

es.

7.02

Iden

tify

how

tech

nolo

gy a

ffect

s ho

w th

ings

look

and

how

they

are

don

e.

7.01

Iden

tify

sim

ilarit

ies

and

diffe

renc

es b

etw

een

the

visu

al a

rts

and

othe

r di

scip

lines

.

7.02

App

reci

ate

and

spec

ulat

e ab

out h

owte

chno

logy

will

pre

cipi

tate

add

ition

al a

rtis

ticde

velo

pmen

ts in

the

futu

re.

7.03

Com

pare

cur

rent

tech

nolo

gy to

that

of t

hepa

st.

6th

Gra

de7t

h G

rade

8th

Gra

de7.

01 Id

entif

y co

nnec

tions

, sim

ilarit

ies

and

diffe

renc

es b

etw

een

the

visu

al a

rts

and

othe

rdi

scip

lines

.

7.02

Iden

tify

way

s th

e ar

t ele

men

ts a

nd d

esig

npr

inci

ples

inte

rrel

ate

with

oth

er a

rts

disc

iplin

es.

7.03

Iden

tify

char

acte

ristic

s of

vis

ual a

rts

with

in a

part

icul

ar h

isto

rical

per

iod

or s

tyle

with

idea

s,is

sues

or

them

es in

oth

er d

isci

plin

es.

194

7.01

Exp

lain

con

nect

ions

, sim

ilarit

ies

and

diffe

renc

es b

etw

een

the

visu

al a

rts

and

othe

rdi

scip

lines

.

7.02

Exp

lain

var

ious

way

s th

e ar

t ele

men

ts a

ndde

sign

prin

cipl

es in

terr

elat

e w

ith o

ther

art

sdi

scip

lines

.

7.03

Com

pare

cha

ract

eris

tics

of v

isua

l art

s w

ithin

a pa

rtic

ular

his

toric

al p

erio

d or

sty

le w

ith id

eas,

issu

es o

r th

emes

in o

ther

dis

cipl

ines

.

BE

ST C

OPY

AV

AIL

AB

LE

7.01

Inte

rpre

t and

ana

lyze

con

nect

ions

,si

mila

ritie

s an

d di

ffere

nces

bet

wee

n th

e vi

sual

arts

and

oth

er d

isci

plin

es.

7.02

Dem

onst

rate

var

ious

way

s th

e ar

t ele

men

tsan

d de

sign

prin

cipl

es in

terr

elat

e w

ithin

all

arts

disc

iplin

es.

7.03

Com

pare

and

con

tras

t cha

ract

eris

tics

ofvi

sual

art

s w

ithin

a p

artic

ular

his

toric

al p

erio

d or

styl

e w

ith id

eas,

issu

es o

r th

emes

in o

ther

disc

iplin

es.

195

7.04

Iden

tify

how

var

ious

tech

nolo

gy a

ffect

svi

sual

art

s an

d ot

her

disc

iplin

es.

7.04

Dis

cuss

and

des

crib

e th

e im

pact

futu

rete

chno

logy

will

hav

e on

vis

ual a

rts

and

othe

r di

scip

lines

.

7.04

App

ly v

ario

us te

chno

logi

es in

ord

er to

effe

ctvi

sual

art

s an

d ot

her

disc

iplin

es.

Vis

ual A

rts

IV

isua

l Art

s II

Vis

ual A

rts

IllV

isua

l Art

s IV

7.01

Iden

tify

conn

ectio

ns,

sim

ilarit

ies

and

diffe

renc

esbe

twee

n th

e vi

sual

art

s an

d ot

her

disc

iplin

es.

7.02

Des

crib

e w

ays

the

art

elem

ents

and

des

ign

prin

cipl

esin

terr

elat

e w

ithin

all

arts

disc

iplin

es.

7.03

Rea

d ab

out a

nd d

iscu

ssun

iver

sal t

hem

es th

at e

xist

with

inth

e ar

ts d

isci

plin

es.

7.04

Com

pare

cha

ract

eris

tics

ofvi

sual

art

s w

ithin

a p

artic

ular

hist

oric

al p

erio

d or

sty

le w

ith id

eas,

issu

es o

r th

emes

in o

ther

disc

iplin

es.

7.05

Dis

cuss

and

exp

lain

how

curr

ent t

echn

olog

y im

pact

s vi

sual

arts

and

oth

er d

isci

plin

es.

7.01

Iden

tify

conn

ectio

ns,

sim

ilarit

ies

and

diffe

renc

esbe

twee

n th

e vi

sual

art

s an

d ot

her

disc

iplin

es.

7.02

Des

crib

e w

ays

the

art

elem

ents

and

des

ign

prin

cipl

esin

terr

elat

e w

ithin

all

arts

disc

iplin

es.

7.03

Fur

ther

exp

lore

uni

vers

alth

emes

that

exi

st w

ithin

the

arts

disc

iplin

es.

7.04

Com

pare

cha

ract

eris

tics

ofvi

sual

art

s w

ithin

a p

artic

ular

hist

oric

al p

erio

d or

sty

le w

ith id

eas,

issu

es o

r th

emes

in o

ther

disc

iplin

es.

7.05

Dev

elop

the

use

of c

urre

ntte

chno

logy

and

its

impa

ct o

n vi

sual

arts

.

7.01

Iden

tify

conn

ectio

ns,

sim

ilarit

ies

and

diffe

renc

esbe

twee

n th

e vi

sual

art

s an

d ot

her

disc

iplin

es.

7.02

Des

crib

e w

ays

the

art

elem

ents

and

des

ign

prin

cipl

esin

terr

elat

e w

ithin

all

arts

disc

iplin

es.

7.03

Util

ize

univ

ersa

l the

mes

that

exis

t with

in th

e ar

ts d

isci

plin

es.

7.04

Com

pare

cha

ract

eris

tics

ofvi

sual

art

s w

ithin

a p

artic

ular

hist

oric

al p

erio

d or

sty

le w

ith id

eas,

issu

es o

r th

emes

in o

ther

disc

iplin

es.

7.05

Con

tinue

to d

evel

op th

e us

eof

cur

rent

tech

nolo

gy a

nd it

sim

pact

on

visu

al a

rts

and

othe

rdi

scip

lines

.

7.01

Iden

tify

conn

ectio

ns, s

imila

ritie

s an

ddi

ffere

nces

bet

wee

n th

e vi

sual

art

s an

dot

her

disc

iplin

es.

7.02

Des

crib

e w

ays

the

art e

lem

ents

and

desi

gn p

rinci

ples

inte

rrel

ate

with

in a

llar

ts d

isci

plin

es.

7.03

Util

ize

and

appr

aise

uni

vers

alth

emes

that

exi

st w

ithin

the

arts

disc

iplin

es.

7.04

Com

pare

and

syn

thes

ize

char

acte

ristic

s of

vis

ual a

rts

with

in a

part

icul

ar h

isto

rical

per

iod

or s

tyle

with

idea

s, is

sues

or

them

es in

oth

erdi

scip

lines

.

7.05

Con

tinue

to d

evel

op th

e us

e of

curr

ent t

echn

olog

y an

d its

impa

ct o

nvi

sual

art

s an

d ot

her

disc

iplin

es.

I Vis

ual A

rts

- A

ll O

ther

Ele

ctiv

es7.

01 Id

entif

y co

nnec

tions

, sim

ilarit

ies

and

diffe

renc

es b

etw

een

the

visu

al a

rts

and

othe

r di

scip

lines

.

7.02

Des

crib

e w

ays

the

art e

lem

ents

and

des

ign

prin

cipl

es in

terr

elat

e w

ithin

all

arts

dis

cipl

ines

.

7.03

Com

pare

cha

ract

eris

tics

of v

isua

l art

s w

ithin

a pa

rtic

ular

his

toric

al p

erio

d or

sty

le w

ith id

eas,

issu

es o

r th

emes

in o

ther

dis

cipl

ines

.

7.04

Rec

ogni

ze h

ow c

urre

nt te

chno

logy

affe

cts

visu

al a

rts

and

othe

r di

scip

lines

.

196

EST

CO

PY A

V

197

Sco

pe a

nd S

eque

nce:

Vis

ual A

rts

K-1

2

Goa

l 8: T

he le

arne

r w

ill d

evel

op a

n aw

aren

ess

of a

rtas

an

avoc

atio

n an

d pr

ofes

sion

.

Kin

derg

arte

n1m

Gra

deed

Gra

de8.

01 D

evel

op a

pos

itive

atti

tude

abo

ut w

orki

ngw

ith a

rt m

ater

ials

and

the

art m

akin

g pr

oces

s.

8.02

Und

erst

and

that

peo

ple

of a

ll ag

es c

anen

joy

mak

ing

art b

ased

on

shar

ed k

now

ledg

eof

sel

f, fa

mily

and

frie

nds.

8.03

Beg

in to

diff

eren

tiate

bet

wee

n m

an m

ade

obje

cts

and

natu

ral o

bjec

ts.

8.01

Rec

ogni

ze th

e di

ffere

nce

betw

een

man

mad

e ob

ject

s an

d na

tura

l obj

ects

.

8.02

Beg

in to

und

erst

and

that

man

mad

e ob

ject

sw

ere

all d

esig

ned

and

mad

e by

som

eone

.

8.03

Beg

in to

und

erst

and

that

som

e ad

ults

mak

ear

t jus

t for

fun

and

othe

rs m

ake

art a

s a

job.

8.01

Beg

in to

und

erst

and

diffe

rent

way

s pe

ople

can

mak

e a

livin

g fr

om c

reat

ing

wor

ks o

f art

.

8.02

Dis

cuss

the

invo

lvem

ent i

n ar

t of p

eopl

e of

all a

ges

to in

clud

e vi

sitin

g m

useu

ms,

mak

ing

art,

read

ing

or w

ritin

g ab

out a

rt a

nd a

rtis

ts, b

uyin

g ar

t,an

d te

achi

ng a

nd v

olun

teer

ing

in th

e ar

ts.

3rd

Gra

deai

n G

rade

5th

Gra

de8.

01 R

ecog

nize

that

peo

ple

can

deriv

esa

tisfa

ctio

n fr

om in

volv

emen

t with

art

.

8.02

Und

erst

and

way

s pe

ople

can

mak

e a

livin

gfr

om c

reat

ing

wor

ks o

f art

.

8.03

Und

erst

and

that

peo

ple

can

mak

e a

livin

g in

art r

elat

ed fi

elds

.

8.01

Dis

cuss

how

som

e w

ays

of m

akin

g ar

t are

diffe

rent

than

in th

e pa

st b

ut s

ome

are

the

sam

e.

8.02

Dis

cuss

how

ther

e ar

e ar

t rel

ated

jobs

toda

yth

at d

id n

ot e

xist

in th

e pa

st s

uch

asph

otog

raph

er, v

ideo

grap

her

and

com

pute

r ar

tist.

8.01

Exa

min

e th

e ch

oice

of a

rt a

s a

prof

essi

on.

8.02

Rec

ogni

ze th

at a

rt p

rovi

des

an o

ppor

tuni

tyfo

r lif

e lo

ng le

arni

ng.

8.03

Beg

in to

rec

ogni

ze th

at th

e cr

eatio

n of

art

requ

ires

crea

tive

and

criti

cal t

hink

ing

skill

s th

atar

e us

ed th

roug

hout

life

.

61h

Gra

derh

Gra

de8i

n G

rade

8.01

Dev

elop

and

dis

cuss

an

awar

enes

s of

art

as a

n av

ocat

ion.

8.02

Dev

elop

and

dis

cuss

an

awar

enes

s of

art

as a

pro

fess

ion.

8.01

Iden

tify

and

disc

uss

visu

al a

rts

as a

nav

ocat

ion.

8.02

Iden

tify

and

disc

uss

how

bro

ad v

isua

l art

s is

as a

pro

fess

ion.

8.03

Res

earc

h ho

w a

rt p

rovi

des

an o

ppor

tuni

tyof

invo

lvem

ent,

both

voc

atio

nally

and

avoc

atio

nally

.

8.01

Ass

ess

the

way

s ar

t enh

ance

s al

l asp

ects

of li

fe.

8.02

Ass

ess

the

crite

ria to

pur

sue

visu

al a

rts

asa

prof

essi

on.

Vis

ual A

rts

IV

isua

l Art

s 11

IV

isua

l Art

s Ill

Vis

ual A

rts

IV8.

01 L

ist a

nd d

iscu

ss a

rt r

elat

edav

ocat

ions

.

193

8.01

Dev

elop

an

awar

enes

s of

art

as a

n av

ocat

ion.

8.01

Dev

elop

an

awar

enes

s of

art

as a

n av

ocat

ion.

BE

STC

OPY

AV

A1L

A L

E

8.01

Dev

elop

an

awar

enes

s of

art

as

anav

ocat

ion.

199

8.02

Lis

t and

dis

cuss

art

8.02

Dev

elop

an

awar

enes

s of

art

8.02

Dev

elop

an

awar

enes

s of

art

prof

essi

ons.

as a

pro

fess

ion.

as a

pro

fess

ion.

8.03

Art

icul

ate

how

art

pro

vide

s8.

03 D

isco

ver

that

art

pro

vide

s an

8.03

Dis

cove

r th

at a

rt p

rovi

des

anan

opp

ortu

nity

for

lifel

ong

lear

ning

.op

port

unity

for

lifel

ong

lear

ning

.op

port

unity

for

lifel

ong

lear

ning

.

8.04

Inve

stig

ate

the

nece

ssar

ypr

epar

atio

n to

pur

sue

vario

usca

reer

s in

vis

ual a

rts.

8.04

Dev

elop

a p

lan

for

prep

arat

ion

for

furt

her

stud

y in

visu

al a

rts

beyo

nd h

igh

scho

ol.

Vis

ual A

rts

- A

ll O

ther

Ele

ctiv

es8.

01 D

evel

op a

n aw

aren

ess

of a

rt a

s an

avo

catio

n.

8.02

Dev

elop

an

awar

enes

s of

art

as

a pr

ofes

sion

.

8.03

Dis

cove

r th

at a

rt p

rovi

des

an o

ppor

tuni

ty fo

r lif

elon

g le

arni

ng, b

oth

voca

tiona

lly a

nd a

voca

tiona

lly.

r`2

8.02

Dev

elop

an

awar

enes

s of

art

as

apr

ofes

sion

.

8.03

Dis

cove

r th

at a

rt p

rovi

des

anop

port

unity

for

lifel

ong

lear

ning

.

8.04

Ref

ine

thei

r po

rtfo

lio a

nd it

spr

esen

tatio

n fo

r jo

b in

terv

iew

s an

dco

llege

pla

cem

ent.

201

BE

ST C

OPY

AV

AIL

AB

LE

CO

NT

AC

T IN

FO

RM

AT

ION

:

The

Nor

th C

arol

ina

Dep

artm

ent o

f Pub

lic In

stru

ctio

n is

loca

ted

at 3

01 N

Wilm

ingt

on S

t, R

alei

gh, N

C27

601-

2825

. Thi

s S

cope

and

Seq

uenc

e is

are

sour

ce fo

r ar

ts e

duca

tors

. Tea

cher

s an

d ot

her

inte

rest

edpa

rtie

s m

ay a

cces

s in

form

atio

n re

late

d to

dan

ce, m

usic

, the

atre

art

s, o

r vi

sual

art

s ed

ucat

ion

inou

r st

ate

on-li

ne a

t: ht

tp://

ww

w.le

arnn

c.or

g/dp

i/ins

tser

v.ns

f.

Bry

ar T

ed C

ougl

eC

onsu

ltant

, The

atre

Art

s an

d V

isua

l Art

s E

duca

tion

(919

) 80

7-38

55T

coug

le @

dpi

.sta

te.n

c.us

Chr

istie

Lyn

ch H

owel

lC

onsu

ltant

, Dan

ce a

nd M

usic

Edu

catio

n

(919

) 80

7-38

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wel

l@dp

i.sta

te.n

c.us

002

203

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