REPERTOIRE 2 Key in F - Federico Palmero - FREE

REPERTOIRE 2 IMPROVISATION GUIDE

1 JAZZ STANDARDS

Harmonic analysis

Seventh arpeggio

Superimposition of arpeggios

Related scale

5 BACKING TRACK

Audio Complete

Audio without piano

Audio without bass

Audio without drums

FREE VERSION

(with & without melody)

Practical and dynamic work methodology for the self-taughtstudent as well for the teacher in class

serie20y20.com.ar

by Federico Palmero

F

MUSICIAN FRIEND

You’ve just downloaded the Free Version of this Ebook:

Repertoire 2 - Improvisation Guide Key of F by Federico Palmero

If you wish, you can purchase for a very low cost the complete version, which includes a greater number of exercises, assignments, backing, tracks, etc. with the objective of securing the addressed concepts.

As an independent publishing house, we will be so thankful with your purchase, because in this way you are helping us to create even more teaching material.

From Buenos Aires, Argentina, we send you the best wishes for your musical career.

Néstor Crespo Serie20&20 Director

www.serie20y20.com.ar

FEDERICO PALMERO (Educator - Guitarist - Composer – Arranger - Producer) Studies: Professor of music theory (Artistic Musical Institute) Reading and writing course with Professor Virgilio Espósito (Music Popular School - Avellaneda) Guitar and Harmony Studies with Professor Néstor Crespo (1985 -1995)

Guitarist:

Folkloric group "Solo trio" for ten years, obtaining in 1983 the first place in the instrumental music category of the Cosquín Festival.

Nuevo Siglo Tango Group during the years 1999 - 2001

Coco Romero and La Brillante - Presentation of the album "La sopa de Solís" 1999 and 2000

Esteban González and the tri tri - Recording of the album "Mudanza" 2000

Coco Romero and the Matraca - Recording and presentation of the album "Pacha Momo" 2004

Coco Romero and Javier Villafañe - Recording and presentation of the album "Los caminos del Gallo Pinto"

2008

Coco Romero "Recording and presentation of the album" Letters of Momo "2015

Educator:

Technical School Nº 9 D.E. 7º “Ingeniero Luis A. Huergo” since 1-4-1987 to 20-4-1988.

Institute “Dulcísimo Nombre De Jesús” since 27-4-1998 to 5-10-1998.

Professor of the Cathedra: Functional Harmony applied to the Guitar 1 & 2. DAMus / UNA (Department of Musical Arts of the National University of the Arts)

Assistant Teacher of the Cathedra Functional Harmony 1 & 2 DAMus / UNA (Department of Musical Arts of the National University of the Arts)

Composer-Arranger-Producer:

“La morada del sol” - Director: Laura Monti (teatro La Máscara) winner of a scholarship from the National Theater Institute in 2003

“Hay que esconder al elefante” (Centro Cultural de la Cooperación) Director: Nelly Scarpitto (2004)

“El Señor Nicodemo” (Teatro Espacio Ecléctico) Director: Andrés Sahade (2005)

“Un tigre en el gallinero” (Centro Cultural de la Cooperación). Director: Nelly Scarpitto Featured in the category "musical creation / performance or soundtrack" Theater of the World Award (University of Buenos Aires) 2006.

“Un Hipo desafinado” (Centro Cultural de la Cooperación) Director: Nelly Scarpitto (2008)

“Un ovillo con Pelusa” (Centro Cultural de la Cooperación) Director: Nelly Scarpitto (2010) Javier Villafañe National Award 2012 Original music

“Desalojo, recuerdo sin foto” (Sala Pan y Teatro) Directors: Claudia Villalva y Daniel Scarpitto (2014)

“El viaje de Azul” (Centro Cultural de la Cooperación) Director: Nelly Scarpitto (2015) Javier Villafañe National Award 2016 Original music

[email protected] / www.serie20y20.com.ar

Acknowledgments & Dedications

To Néstor Crespo and Armando Alonso for selflessly sharing the knowledge for

the realization of this book.

I dedicate this work to my brothers Emilce and Martin.

Federico Palmero


CONSIDERATIONS REPERTORIE AND GUIDE OF IMPROVISATION 2 – ( F )

This FREE DOWNLOAD (PDF of 16 pages - 43MB) includes:

• 1 Jazz Standard (Beautiful Love)

• Melody, Harmonic Analysis, Sevenths Arpeggio, Superposition of Sevenths Arpeggio & Scale

• 5 Backing Tracks (Beautiful Love) ( Complement necessary for the correct study of the Book)

• Printable book with Watermark.

If you wish you can get at a low price the Complete Ebook buying the Paid Version

OBJECTIVES AND PURPOSES

With the present volume through a practical and dynamic methodology, about the gradual management of the

necessary tools for improvisation of the works that are addressed.

The choice of works Jazz Standards have been ordered according to the degree of complexity in order for the

student to achieve identification and recognition thereof.

Each of them in PDF format, the following study structure:

• Melody and Chords Harmonic Analysis (theorists concepts: degrees, secondary dominants and substitute, II

relative minor, etc )

• Seventh Arpeggios (notes that make up the arpeggios according to chord chart)

• Superposition of Seventh Arpeggios (achieving, according to its harmonic function, the use of: 9- b9 - 9+ -

#11, 13, etc.)

• Scales (that carry according to the harmonic function they fulfill)

The Backing tracks have been made for the student to easily achieve sound incorporation regardless of the

instrument you play. Each of them in MP3 format, the following structure:

• Full audio with melody (melody, piano, bass and drums)

• Full audio without melody (piano, bass and drums)

• Audio without Piano (melody, bass, drums)

• Audio without Bass (melody, piano, drums)

• Audio without Drums(melody, piano, bass)

If you have concerns about theoretical / musical concepts necessary for the normal development of this volume, I advise you to

download / buy the workbook from the 20 & 20 Series: Functional Harmony 1& 2 (Author: Néstor Crespo)

[email protected] /www.serie20y20.com.ar

INDEX REPERTOIRE VOLUMEN 2 – FREE VERSION

BEAUTIFUL LOVE - Swing (Victor Young)

• Lead Sheet (Chords & Melody) …………………………………………………………………………………………………..............…………………………………………………………………………………….…… 1

• Harmonic Analysis ……………………………………………………………………………….…………………………………………………………………………………………………………………………………… 2

• Seventh Arpeggios ……………………………………………………………………………….……………………………………………………………………………………………………………………………….…… 3

• Superimposition Arpeggio ………………….......................…………………………………………………………………………………………………………………………………………………….… 4

• Scales ………………………………………………………………………………………………………………………………………………………………………………………………………………………………………………………………….… 5

• Audio Complete (Melody – Piano – Bass – Drums)

• Audio without Melody (Piano – Bass – Drums)

• Audio without Piano (Melody – Bass – Drums)

• Audio without Bass (Melody – Piano – Drums)

• Audio without Drums (Melody – Piano – Bass)

OLEO - Rhythm changes (Sonny Rollins)

• Lead Sheet (Chords & Melody) (Only in paid version) …………………………………………………………………………………………………………………………….……………….…… 6

• Harmonic Analysis (Only in paid version) ……………………………………………………………………………….……………………………………………………………………….………. 7

• Seventh Arpeggios (Only in paid version) …………………………….………………………………………………………………………………………………………………………………….… 8

• Superimposition Arpeggio (Only in paid version) ………………………………………………………… …………………………………………………………….……………….… 9

• Scales (Only in paid version) ……………………………………………………………………………………………………………………………………………………………………………………………………………….… 10

• Audio Complete (Melody – Piano – Bass – Drums) (Only in paid version)

• Audio without Melody (Piano – Bass – Drums) (Only in paid version)

• Audio without Piano (Melody – Bass – Drums) (Only in paid version)

• Audio without Bass (Melody – Piano – Drums) (Only in paid version) • Audio without Drums (Melody – Piano – Bass) (Only in paid version)

SANDU - Blues Shuffle (Clifford Brown)









• Audio without Bass (Melody – Piano – Drums) (Only in paid version)

• Audio without Drums (Melody – Piano – Bass) (Only in paid version)

SO WHAT - Modal Jazz (Miles Davis)









• Audio without Bass (Melody – Piano – Drums) (Only in paid version) • Audio without Drums (Melody – Piano – Bass) (Only in paid version)


SOLAR - Swing (Miles Davis)






• Audio Complete (Melody – Piano – Bass – Drums) (Only in paid version) • Audio without Melody (Piano – Bass – Drums) (Only in paid version)




SOMEDAY MY PRINCE WILL COME - Jazz Waltz (Frank Churchill)











SUMMERTIME - Swing (George Gershwin)






• Audio Complete (Melody – Piano – Bass – Drums) (Only in paid version) • Audio without Melody (Piano – Bass – Drums) (Only in paid version)




THE DAY’S OF WINE AND ROSES - Swing (Henry Mancini)












TRISTE - Bossa Nova (Antonio Carlos Jobim)











TURNAROUND - Blues Mayor (Ornette Coleman)












? b c Œ œ œ œ

q = 120

A1

.˙ œEø

.œJœ œ œ œ

A7

wDm7

‰ .œ œ œD7

? b.˙ œ

Gm7.œ

Jœ œ œ œ

C7

wF�

‰.œ œn œ#Eø A7

? bœ ˙ œDm7 œ ˙

œGm7

wBb7

‰ .œ œ œEø A7

? b.˙ œ

Dm7

.˙# œG7

wEø

‰ .œ œ œA7

? b.˙ œ

EøA2

.œJœ œ œ œ

A7

wDm7

‰ .œ œ œD7

? b.˙ œGm7 .œ

Jœ œ œ œ

C7

wF�

‰.œ œn œ#Eø A7

? bœ ˙ œDm7

œ ˙œ

Gm7

wBb7

‰ .œ œ œEø A7

? b.˙ œ

Dm7

˙ ˙Bb7 A7

wDm

‰ .œ œ œ( )


BEAUTIFUL LOVEVictor Young(Federico Palmero)

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? b c ’ ’ ’ ’Eø

A1 DmII

Subdominant

’ ’ ’ ’A7

V

Dominant

’ ’ ’ ’Dm7

IF

Tonic

’ ’ ’ ’Secondary dominant

D7

V/II

? b ’ ’ ’ ’Gm7

II

Subdominant

’ ’ ’ ’C7

V

Dominant

’ ’ ’ ’F�

IDm

Tonic

’ ’ ’ ’Eø A7

II V

Subdom. Dominant

? b ’ ’ ’ ’Dm7

I

Tonic

’ ’ ’ ’Gm7

IV

Subdominant

’ ’ ’ ’Bb7

SubV/V

Substitute Dominant

’ ’ ’ ’Eø A7

II V

Subdom. Dominant

? b ’ ’ ’ ’Dm7

I

Tonic

’ ’ ’ ’G7

IV7

Subdominant of Blues

’ ’ ’ ’Eø

II

Subdominant

’ ’ ’ ’A7

V

Dominant

? b ’ ’ ’ ’Eø

A2 II

Subdominant

’ ’ ’ ’A7

V

Dominant

’ ’ ’ ’Dm7

IF

Tonic

’ ’ ’ ’Secondary dominant

D7

V/II

? b ’ ’ ’ ’Gm7

II

Subdominant

’ ’ ’ ’C7

V

Dominant

’ ’ ’ ’F�

IDm

Tonic

’ ’ ’ ’Eø A7

II V

Subdom. Dominant

? b ’ ’ ’ ’Dm7

I

Tonic

’ ’ ’ ’Gm7

IV

Subdominant

’ ’ ’ ’Bb7

SubV/V

Substitute Dominant

’ ’ ’ ’Eø A7

II V

Subdom. Dominant

? b ’ ’ ’ ’Dm7

I

Tonic

’ ’ ’ ’Bb7 A7

SubV/V V

Subst. Dominant Dominant

’ ’ ’ ’Dm

I

Tonic

‘

BEAUTIFUL LOVE(Federico Palmero)


Harmonic Analysis

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? b œ œ œœEøA1

œ œ# œ œA7

œ œ œ œ

Dm7

Dm

œ œ œœn

Dm6

options

œ œ œ œ#

Dm�

œ œ# œ œD7

? bœ œ œ œGm7

œ œ œ œC7

œ œ œ œF�

œ œ œ œEø

œ œ# œ œA7

? b œ œ œœ

Dm7

Dm

œ œ œœn

Dm6

options

œ œ œœ#

Dm�

œ œ œœGm7

œ œ œœb

Bb7

œ œ œœEø

œ œ# œ œA7

? b œ œ œ œ

Dm7

Dm

œ œ œœn

Dm6

options

œ œ œ œ#

Dm�

œ œn œ œG7

œ œ œ œEø

œ œ# œ œA7

? b œ œ œœEøA2

œ œ# œ œA7

œ œ œ œ

Dm7

Dm

œ œ œœn

Dm6

options

œ œ œ œ#

Dm�

œ œ# œ œD7

? bœ œ œ œGm7

œ œ œ œC7

œ œ œ œF�

œ œ œ œEø

œ œ# œ œA7

? b œ œ œœ

Dm7

Dm

œ œ œœn

Dm6

options

œ œ œœ#

Dm�

œ œ œœGm7

œ œ œœb

Bb7

œ œ œœEø

œ œ# œ œA7

? b œ œ œœ

Dm7

Dm

œ œ œœn

Dm6

options

œ œ œœ#

Dm�

œ œ œœb

Bb7

œ œ# œ œA7 Dm

œ œ œœn

Dm6

options

œ œ œœ#

Dm�

‘



Seventh Arpeggio

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? bœ œ œ

œEøA1

Bb�

œ œ œb œA7

Gø

œ œ œ œ

F�

Dmœn œ œ œ

Bø

options

œ œ œ# œ

F�(#5)

œ œb œb œD7

Cø

? bœ œ œ œGm7

Bb�

œ œ œ œC7

Eø

œ œ œ œF�

Am7

œ œ œ œEø

Bb�

œ œ œb œA7

Gø

? b œ œ œœ

F�

Dm

œn œ œœ

Bø

options

œ œ œ# œ

F�(#5)

œ œ œœGm7

Bb�

œ œ œbœBb7

Dø

options

œ œ œœ

C7

œ œ œœEø

Bb�

œ œ œb œA7

Gø

? b œ œ œœ

F�

Dm

œn œ œ œ

Bø

options

œ œ œ# œ

F�(#5)

œn œ œ œG7

Bø

options

œ œ# œ œ

A7

œ œ œœEø

Bb�

œ œ œb œA7

Gø

? bœ œ œ

œEøA2

Bb�

œ œ œb œA7

Gø

œ œ œ œ

F�

Dm

œn œ œ œ

Bø

options

œ œ œ# œ

F�(#5)

œ œb œb œD7

Cø

? bœ œ œ œGm7

Bb�

œ œ œ œC7

Eø

œ œ œ œF�

Am7

œ œ œ œEø

Bb�

œ œ œb œA7

Gø

? b œ œ œœ

F�

Dm

œn œ œœ

Bø

options

œ œ œ# œ

F�(#5)

œ œ œœGm7

Bb�

œ œ œbœ

Bb7

Dø

options

œ œ œœ

C7

œ œ œœEø

Bb�

œ œ œb œA7

Gø

? b œœ œ œ

F�

Dmœn œ œ œ

Bø

options

œ œ œ#œ

F�(#5)

œ œ œbœBb7

Dø

options

œ œ œœ

C7

œ œ œbœA7

Gø

œn œ œ œ

Bø

Dmoptions

œ œ œ#œ

F�(#5)

‘



7th Arpeggio Superimpositions

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? b œ œ œ œœ œ œ

EøA1

Locrian

œ œ œ# œ# œ# œ œA7

Altered

œ œ œ œœ œ œ

Dm

Aeolian

options

œ œ œ œœ œn œ#

Melodic Minor

œ œb œ# œ# œ# œ œD7

Altered

? bœ œ œ œ

œ œ œGm7

Dorian

œ œ œ œœ œ œ

C7

Mixolydian

œ œ œ œœ œ œF�

Ionian

œ œ œ œœ œ œEø

Locrian


Altered

? b œ œ œœ œ œ œ

Dm

Aeolian

options


Melodic Minor

œ œ œ œœ œ œGm7

Dorian

œ œ œ œnœ œ œbBb7

Lydian b7

œ œ œ œœ œ œ

Eø

Locrian


Altered


Dm

Aeolian

options


Melodic Minor

œ œ œn œ# œ œ œG7

Lydian b7

œ œ œ œœ œ œ

Eø

Locrian


Altered

? b œ œ œ œœ œ œ

EøA1

Locrian


Altered

œ œ œ œœ œ œ

Dm

Aeolian

options


Melodic Minor

œ œb œ# œ# œ# œ œD7

Altered

? bœ œ œ œ

œ œ œGm7

Dorian

œ œ œ œœ œ œ

C7

Mixolydian

œ œ œ œœ œ œF�

Ionian

œ œ œ œœ œ œ

Eø

Locrian


Altered


Dm

Aeolian

options


Melodic Minor

œ œ œ œœ œ œGm7

Dorian


Lydian b7

œ œ œ œœ œ œ

Eø

Locrian


Altered


Dm

Aeolian

options


Melodic Minor


Lydian b7


Altered


Melodic Minor

Dm

‘



Chord Scales

federi

copa

lmero

@gm

ail.co

m

MUSICIAN FRIEND

You’ve just downloaded the Free Version of this Ebook:

Repertoire 2 - Improvisation Guide Key of F by Federico Palmero

If you wish, you can purchase for a very low cost the complete version, which includes a greater number of exercises, assignments, backing, tracks, etc. with the objective of securing the addressed concepts.

As an independent publishing house, we will be so thankful with your purchase, because in this way you are helping us to create even more teaching material.

From Buenos Aires, Argentina, we send you the best wishes for your musical career.

Néstor Crespo Serie20&20 Director


The audio’s belong to the author Federico Palmero

Made in his own Studio Recording

The song’s melodies were recorded by Armando Alonso

Editorial Corrector Néstor Crespo & Armando Alonso

Cover design: Edi Vallarino

Published in Buenos Aires, Argentina in November 2019


LEGAL

Palmero, Federico

Repertoire & Improvisation Guide 2 - F / Federico Palmero.

1st bilingual edition Ciudad Autónoma de Buenos Aires: Federico Palmero, 2019.

Digital Ebook PDF

Spanish-English Edition

Digital Archive: download online

CDD 780.7

ISBN 978-987-86-2501-0

Date of registration: 11/10/2019

REPERTOIRE & IMPROVISATION GUIDE 2 - F

VOLUMEN II

1ª edItion

© Federico Palmero, 2019

[email protected]


Date of publication: October de 2019

Replication Date: October de 2019

The deposit established by Law 11.723

EDITED IN ARGENTINA

Graphic Design: Edgardo Vallarino

The backing tracks belong to the author of the work.

The content and originality of this document is the sole responsibility of its author.

The content and originality of this document is the sole responsibility of its author. No part of this publication

may be reproduced, stored in a retrieval system, or transmitted in any form or by any means, electronic,

mechanical, photocopying, recording, or otherwise, without the prior written permission of the publisher.

editor. Your violation is punishable by laws 11,723 and 25,446.


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