Renaissance Art

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Renaissance Art Italian Early and High Renaissance Art

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Renaissance Art. Italian Early and High Renaissance Art. Art and Patronage. Italians were willing to spend a lot of money on art. Art communicated social, political, and spiritual values. Italian banking & international trade interests had the money. - PowerPoint PPT Presentation

Transcript of Renaissance Art

Page 1: Renaissance Art

Renaissance Art

Italian Early and High Renaissance Art

Page 2: Renaissance Art

Art and PatronageArt and PatronageItalians were willing to spend a lot of

money on art.

/Art communicated social, political, and spiritual values.

/Italian banking & international trade interests had the money.

Public art in Florence was organized and supported by guilds.

Therefore, the consumption of art was used as a form of competition for social & political status!

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Characteristics of Renaissance Art

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Realism & ExpressionRealism & Expression

Expulsion fromExpulsion fromthe Gardenthe Garden

MasaccioMasaccio

14271427

First nudes sinceFirst nudes sinceclassical timesclassical times..

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2. Perspective2. Perspective

First use First use of linear of linear

perspectivperspective!e!

The TrinityThe Trinity

MasaccioMasaccio

14271427

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3. Classicism3. Classicism

Greco-Roman influence.

Secularism.

Humanism.

Individualism free standing figures.

Symmetry/BalanceThe The “Classical Pose”“Classical Pose”Medici “Venus”Medici “Venus”

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4. Emphasis on 4. Emphasis on IndividualismIndividualism Batista Sforza &

Federico de Montefeltre: The Duke & Dutchess of Urbino

Piero della Francesca, 1465-1466.

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5. Geometrical 5. Geometrical Arrangement of Arrangement of FiguresFigures

The Dreyfus Madonna with the Pomegranate

Leonardo da Vinci

1469

The figure as architecture!

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6. Artists as 6. Artists as Personalities/CelebritiePersonalities/Celebritiess

Lives of the Lives of the Most Most Excellent Excellent Painters, Painters, Sculptors, andSculptors, andArchitectsArchitects

Giorgio VasariGiorgio Vasari

15501550

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Early Renaissance

The First Three

Hall-of-Famers

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Masaccio1401-1428

Founder of early Renaissance Painting

Painted human figure as a real human being

(3D) Used perspective Consistent source of

light (accurate shadows)

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The Tribute Money

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#2 Donatello 1386-1466

The sculptor’s Masaccio

David (1430-32)– First free standing,

life-size nude since Classical period

– Contrapposto– Sense of Underlying

skeletal structure

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The Penitent Magdalen (Donatello)

realgaunt

“Speak, speak or the plague take you!”

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#3 Boticelli

1482 Rebirth of Classical

mythology Fully Pagan THE BIRTH OF

VENUS

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The Italian Renaissance

Leonardo Michelangelo Raphael Titian

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Da VinciMona Lisa (1503-06)Perspective,Anatomy, Composition

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Cultural icon

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The Last Supper

Emotions Response

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Michelangelo

DavidDavid

MichelangeloMichelangeloBuonarottiBuonarotti

15041504

MarbleMarble

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Raphael School of Athens 1510

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Raphael

Da Vinci

Michelangelo

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AristotleAristotle::looks to thislooks to thisearth [theearth [thehere andhere and

now].now].

PlatoPlato::looks to thelooks to theheavens [or heavens [or

the IDEALthe IDEALrealm].realm].

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Pythagoras

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Ptolemy

Euclid

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Titian

Dazzling contrasting colors

Ample female forms Asymmetric

compositions Bacchanal of the

Adrians 1518

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Venus of Urbino Venus of Urbino – Titian, – Titian, 15581558

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A Portrait of SavonarolaA Portrait of Savonarola By Fra Bartolomeo,

1498.

Dominican friar who decried money and power.

Anti-humanist he saw humanism as too secular, hedonistic, and corrupting.

The “Bonfire of the Vanities,” 1497.

/ Burned books, artwork, jewelry, and other luxury goods in public.

/ Even Botticelli put some of his paintings on the fire!!