Relief sculpture
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Transcript of Relief sculpture
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RELIEF SCULPTURE
TEXTURE, BALANCE, , RELIEF, CARDBOARD, NEVELSON
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TEXTURE
HOW THINGS FEEL OR LOOK LIKE THEY MAY FEEL WHEN TOUCHED.
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2 FORMS OF TEXTURETACTILE/ REAL TEXTURE
ACTUAL TEXTURES THAT YOU CAN FEEL.
HAPPENS WHEN YOU TOUCH SOMETHING.
VISUAL/ IMPLIED TEXTUREILLUSION OF A 3D SURFACE. HAPPENS WHEN YOU LOOK
AND YOUR EYES TELL YOU TO EXPECT A TEXTURE.
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REAL TEXTURES- ACTUAL TEXTURES THAT YOU CAN FEEL.
PROBLEM- HOW DO I CREATE REAL TEXTURES THROUGH THE MANIPULATION OF CARDBOARD?
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CREATE 8 EXAMPLES OF CARDBOARD TEXTURES
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BALANCE
A PRINCIPLE OF DESIGN CONCERNED WITH VISUAL WEIGHT
CAUSES YOU TO FEEL THAT THE ELEMENTS IN THE WORK ARE ARRANGED WELL.
Formal Balance1.Symmetrical2.Radial
Informal Balance3. Asymmetrical
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In the Visual
Arts, balance is
seen and not
weighed.
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• FORMAL BALANCE• DEF: TWO HALVES OF THE
COMPOSITION ARE IDENTICAL, MIRROR IMAGES OF EACH OTHER
PREDICTABLE, STABLE
SymmetricalBalance
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• FORMAL BALANCE• DEF: ELEMENTS OF THE DESIGN
COME OUT FROM A CENTER POINT
• HAS 4-8 MATCHING UNITS• VERY SIMILAR TO SYMMETRY
RadialBalance
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• INFORMAL BALANCE• DEF: A BALANCE OF UNLIKE
ELEMENTS.• STILL REQUIRES THE
FEELING THAT THE OBJECTS ARE BALANCED VISUALLY.
AsymmetricalBalance
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LOUISE NEVELSON
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LOUISE NEVELSON1899-1988UKRAINIAN AMERICANABSTRACT SCULPTOR
VIDEO
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EARLY LIFEBORN 1899 IN KIEV, UKRAINE
• FAMILY LEFT THEIR COUNTRY DUE TO DISCRIMINATION AGAINST JEWISH PEOPLE IN RUSSIAN IN 1905
• FATHER OWNED A LUMBER YARD• PARENTS THAT WERE VERY
PROGRESSIVE FREE THINKERS. • HER FATHER BELIEVED THAT WOMEN
SHOULD HAVE EQUAL RIGHTS.
LEAH BERLIAWSKY
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A NEED FOR INDEPENDENCE
• MARRIAGE AND MOTHERHOOD CAME SHORTLY AFTER LEAVING HOME
• GREW RESTLESS WITH THE EXPECTATIONS OF HER NEW TITLES
• WANTED TO STUDY ART, MOVED TO GERMANY
Following high school, Leah becomes Louise Nevelson
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1930’S- LEAVES FOR GERMANY TO STUDY ART WITH HANS HOFFMAN
• THE SCHOOL WAS SOON CLOSED BY THE NAZI’S
• MOVED TO NEW YORK AND CONTINUED HER STUDY
• BECAME A “STARVING ARTIST” AND FOUND HERSELF LOOKING FOR MATERIALS THAT HAD BEEN DISCARDED.
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ASSEMBLAGE ART- WORK CREATED BY COMBINING EXISTING INDIVIDUAL OBJECTS INTO A WHOLE.
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Nevelson dipped her found objects and wood scraps into paint and then assembled her sculptures. She later evolved into working within crates which were joined together to create larger pieces.
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THE SIZE AND SCALE OF HER WORK HELPED NEVELSON TO GAIN RESPECT AND INTEREST IN HER WORK.
Dawn’s Wedding1959
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Homage to 6,000,0001964
Nevelson worked with ideas that were important to the person she was. She did not
want to be seen as a Woman artist, but as just an artist equal to other artists.
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RELIEF SCULPTURE
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RELIEF SCULPTURESCULPTURE THAT PROJECTS FROM A FLAT SURFACE INTO NEGATIVE SPACE. THE POSITIVE AREAS COME TOWARD THE VIEWER.