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    THE JUBILANT PILLARBOXChrissie PetersCGA&A year 1

    Unit 5 - Animation

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    Early Ideas

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    Early Ideas Character Expression

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    Planning the Animation

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    Supporting Artwork

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    Essay BibliographyBlattner, E (2008) In Praise of Shadows Milan: Charta

    Eagan, D (2009)America's Film Legacy: The Authoritative Guide to the Landmark Movies in the National Film RegistryNY: Continuum International

    Publishing

    Currell, David (2007) Shadow puppets & shadow play Ramsbury: Crowood

    Crafton, D (1993) Before Mickey: the Animated Film 1898 1928 University of Chicago Press

    Grant, John (2001) Masters of Animation London: Batsford

    Helen Hill Obituary online at http://www.redcat.org/event/helen-hill-memorial

    McMahan, Alison (2010p93) Films of Tim Burton: Animating Live Action in Contemporary Hollywood London : Continuum International Publishing

    Marcus, L (2007) Tenth Muse: Writing About Cinema in the Modernist PeriodUK: Oxford University Press (for picture of Lotte Reiniger the tenth muse)

    Margolis, H (2005) Shadow and Substance: Reiniger's Carmen Cuts Her Own Capers in Perriam, C and Davies, A (2005) Critical Studies, Volume 24: Carmen:From Silent Film to MTV Amsterdam: Rodopi

    Priebe, K (2006)Art of Stop-Motion Animation Boston: Course Technol0gy

    Rhiel, N., OSickey, M., and Majer, I (2008) Riefenstahl Screened: An Anthology of New Criticism NY: Continuum International Publishing

    Reiniger, L (1970) Shadow Theatres and Shadow Films. London: Batsford

    Robinson, A & Robinson, C (2010) Animators Unearthed: A Guide to the Best of Contemporary Animation NY: Continuum International Publishing

    Russett, Robert and Starr, Cecile (1976) Experimental Animation: The origins of a New ArtNY Da Capo press

    Vries de, T (2009) They Thought it Was a Marvel: Arthur Melbourne-Cooper (1874-1961), Pioneer of Puppet Animation Amsterdam: University Press

    Wells, P (2006) Fundamentals of Animation London: AVA

    Wojcik-Andrews, Ian (2000) Children's films: history, ideology, pedagogy, theoryPsychology Press

    Zanger, A (2006) Film Remakes As Ritual and Disguise: From Carmen to Ripley page 60-61 Amsterdam: University Press

    http://www.redcat.org/event/helen-hill-memorialhttp://www.redcat.org/event/helen-hill-memorialhttp://www.redcat.org/event/helen-hill-memorialhttp://www.redcat.org/event/helen-hill-memorialhttp://www.redcat.org/event/helen-hill-memorialhttp://www.redcat.org/event/helen-hill-memorial
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    Animation Research- BibliographyChelsea, David (1997) Perspective for Comic Book Artists NY: Watson Gupthill

    Crafton, D. (1982) Before Mickey: The Animated Film 1898-1928 London: University of Chicago Press

    Preston Blair (1994) Cartoon Animation Walter Morris

    Priebe, K (2006) Art of Stop-MotionAnimationBoston: Course Technology

    Robinson, A & Robinson, C (2010) Animators Unearthed : A Guide to the Best of Contemporary Animation NY: Continuum

    International Publishing

    Wells, P (2006) Fundamentals of Animation London: AVA

    Wells, P. (2008)Animated Bestiary : Animals, Cartoons, and CultureNJ: Rutgers University Press

    Williams, Richard (2001) The Animators Survival KitFaber & Faber