Recorded Sound

A note on production sound for TV & film

Because of our culture’s visual bias, many young filmmakers neglect

sound recording

Production sound recording is a media “language”

Please learn its vocabulary

Production sound “literacy”Production sound “literacy”

• pre-production planning; pre-production planning; • sufficient crew; sufficient crew; • microphone selection and placement; microphone selection and placement; • overhead booms are usually best; overhead booms are usually best; • know each microphone’s sensitivity and know each microphone’s sensitivity and

patter; patter; • maintain continuity and consistency; maintain continuity and consistency; • no buzz or room noise; no buzz or room noise; • minimize equalization; minimize equalization; • control input levels during recording; control input levels during recording; • attentive headphone monitoring; attentive headphone monitoring; • wind protection; wind protection; • no clothing noise; etc. etcno clothing noise; etc. etc

History

• Edison's phonograph, 1877

• was quickly followed by other technological innovations: the gramophone,

• Nickelodeons (1890s, cylinders) and the Victrola, 1906.

• Today, audio technologies are being introduced at an even more rapid rate.

History

• The Record Industry initially resisted Radio live music dominated until recording technology improved, and the natural synergy of the two industries was understood.

• 1920’s -1940’s The golden age of American music?– Jazz, big bands, swing. Composers like Irving Berlin,

Cole Porter, and George Gershwin. Vocalists including Bing Crosby, Ella Fitzgerald, Frank Sinatra, Louis Armstrong

Record industry formats

Columbia

CBS founder William Paley championed 33 1/3 rpm vinyl LPs

RCA NBC founder Gen. David. Sarnoffchampioned 45-rpm records

1947: Ampex developed magnetic recording tape1950’s: format war ends: 33 rpm for albums; 45 rpm for singles popular on Top 40 radio

1950’s, 60s – music & technology

Youth Culture spurred by car & portable radioRock superstars - cultural explosions: Elvis, Beatles

Younger consumers gained market clout

DJ Alan Freed; Col. Tom Parker with ElvisMotown’s Berry Gordy, Jr.

Post 1970’s

• late 70’s, early 80's: cassette piracy woes

• 1980: “I Want My MTV” campaign

• 1983: Michael Jackson's Thriller

• later 80's-mid 90's: Walkman, CDs dominate

• late ‘90s, 2000’s: downloads dominate; iPod; file sharing piracy threatens industry

Record Company Ownership

NYC - not part of Time Warner

Sony Music Entertainment

Warner Music Group

Universal Music Group

Sony Corporation of America

French owned by Vivendi,

Santa Monica based;not part of NBC/Universal

The recording industry is in steady decline.

Piracy and Apple’s iTunes dissolved the old music industry.

This is known as “creative destruction.”

Questions for discussion

Who programs your musical taste?Who programs your musical taste?

Are you exposed to enough of the classics: Are you exposed to enough of the classics: Mozart, Bach, Gershwin, etc. ?Mozart, Bach, Gershwin, etc. ?

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As piracy makes music less profitable,As piracy makes music less profitable,

Whose loss will it be?Whose loss will it be?

Radio

Evolution of Radio as a Mass Medium

• Pioneers: Marconi; Armstrong; Sarnoff• 1925-30: Improved receivers: 17 million AM sold

• Networks: CBS (Bill Paley); NBC (David Sarnoff)

• Communications Act of 1934; “traffic cop” of the airwaves: Federal Communications Commission

• WWII -- Hitler, Roosevelt, Churchill use radio;radio news comes of age: Edward R. Murrow (CBS)

• 1950’s transistor and car radios

• 1960’s FM usage grows, usurps AM for music content

• 2000’s: introduction of satellite and internet radio

Radio Program Formats

Pre-television: live music, recorded music, talk, news, sports, drama and comedy series, musical variety

Since TV: recorded music,talk, all-news, religious, sports

A radio station’s dominant program style is called its format

L.A. is the #1 radio market in the U.S., including many narrow niche formats

• KUSC-FM (91.5) non-commercial (classical)• KKJZ-FM (88.1) non-commercial (jazz)

• KPCC-FM (89.3) non-commercial (talk)• KRLA-AM (870) commercial (talk)• KCRW-FM (89.9) non-commercial (eclectic)• KXLU-FM (88.9) non-commercial (music)

How Radio is Supported

Commercial Stations:

Ad Revenue Ranks by Type

1.Local

2.National spot

3.Network

Non-Commercial

Stations

Listener Contributions

Educational Institutions

Your Tax $$

Private Foundations

Questions for discussion

Do you use internet radio, satellite radio or radio via IPTV?

Will radio go niche and fragment Will radio go niche and fragment the way cable TV has?the way cable TV has?

Does your smartphone play through your car’s speakers?