Reading & Re-adding The Wire | Snotboogie

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divergentie: een studie naar het leven van snotbboogie open uva-middag vr. 3/6/2016 + Re-adding Reading

Transcript of Reading & Re-adding The Wire | Snotboogie

divergentie: een studie naar het leven van snotbboogieopen uva-middagvr. 3/6/2016

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Re-addingReading

wouter pocornie26h

[email protected]

+

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why do you let ’em

play?

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HIP-HOPHIP-HOPCULTURECULTURE

season 4 / symbolsports jersey

akathrowback

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+ symbol: status

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+ narrative: circularity+ symbol: status

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+ character: backstory \+ narrative: circularity+ symbol: status

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series / messageamerican dream

akatwo myths

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R. Alvarez, p67-68The Wire: Truth Be Told (2009)

parallel corridors: the drug market of the West Baltimore housing projects and the police department charged with containing it.”

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R. Alvarez, p67-68The Wire: Truth Be Told (2009)

parallel corridors: the drug market of the West Baltimore housing projects and the police department charged with containing it.”

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druggamedruggame trappedtrapped

but keep me cooped upprison of seclusionin this ghettohappiness, living on the streets

is a delusion

sweated me, hunted metrapped in my own community

director: Spike Leewritten/screenplay: Richard PriceClockers (1995)

2PacTrapped2Pacalypse Now (1991)

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american dreamwar on drugs/underclass

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portrayed by Jamie Hectormarlo stanfield

akaBlack

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D. Lehane, p334-335The Wire: Truth Be Told (2009)

He’s been dehumanized to the point where he’s incapable of understanding why he should care about anyone or anything that doesn’t enrich his bottom line.”

dehuman

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D. Lehane, p334-335The Wire: Truth Be Told (2009)

He’s been dehumanized to the point where he’s incapable of understanding why he should care about anyone or anything that doesn’t enrich his bottom line.”

M. Williams (Q&A)The Wire: Truth Be Told (2009)

calling the shots

rule.

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Marlo wanted money and power not for their own sake, but so the world would know they were his and his alone. He defined, for the purpose of The Wire, the emotional end-game for any and every power pyramid depicted.

power pyramid

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R. Alvarez, p344-345The Wire: Truth Be Told (2009)

Marlo wanted money and power not for their own sake, but so the world would know they were his and his alone. He defined, for the purpose of The Wire, the emotional end-game for any and every power pyramid depicted.

He represented ultimate totalitarian impulse - beyond money, beyond power or the exercise of power for its own sake, but instead that strange combination of self-love and self-loathing that rarely dares speak its name openly.

power pyramid

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R. Alvarez, p344-345The Wire: Truth Be Told (2009)

Marlo wanted money and power not for their own sake, but so the world would know they were his and his alone. He defined, for the purpose of The Wire, the emotional end-game for any and every power pyramid depicted.

He represented ultimate totalitarian impulse - beyond money, beyond power or the exercise of power for its own sake, but instead that strange combination of self-love and self-loathing that rarely dares speak its name openly.

Skyzoo & ToraeMemorabiliaBarrel Brothers (2014)

Staring at the crown and sizing up, do it fit? The truth, dudes handing it over is overdue. We cutting hands off if hands is slow to move. I’m a Stanfield waiting, in a room with a Stringer. While he stand on his word while I stand impatient.”

power pyramid

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CrownCrown

Skyzoo & ToraeMemorabiliaBarrel Brothers (2014)

All this co-op talk --Staring at the crownIt sounds cool until...� and sizin’ up do it fit?

Nobody wanna retire --Until I’m swinging clubs

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marlospawn of the devil

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portrayed by Tristan Wildsmichael lee

akaFresh?

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D. Simon,S4 Behind The Scenes: It’s all connected

Where are these children coming from, who are manning these corners? Where do the Wallaces, the Bodies, and the Poots come from?”

+ corner kid

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D. Simon,S4 Behind The Scenes: It’s all connected

Where are these children coming from, who are manning these corners? Where do the Wallaces, the Bodies, and the Poots come from?” Alvarez, p. 309-310

The Wire: Truth Be Told (2009)

the making of a corner kid

+ corner kid

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J. ColeLil’ Ghetto NiggaThe Come Up Vol. 1 (2007)

I see the world for what it is now. I see the odds is looking slim for our kids now. Cause, uh, it wasn’t set up for my people to rise, (yea). My niggas slang, but I see the pain deep in they eyes.

D. Simon,S4 Behind The Scenes: It’s all connected

Where are these children coming from, who are manning these corners? Where do the Wallaces, the Bodies, and the Poots come from?” Alvarez, p. 309-310

The Wire: Truth Be Told (2009)

the making of a corner kid

+ corner kid

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painpain

Juelz SantanaLil’ Boy FreshWhat the Game’s Been Missing! (2005)

J. ColeLil’ Ghetto NiggaThe Come Up Vol. 1 (2007)

This story starts off. Little boy black in the ghetto. No matter what he does it’s back to the ghetto (ghetto). No choice but to adapt to the ghetto, so he adapts to the ghetto. Yes, the crack and the metal

I see the world for what it is now. I see the odds is looking slim for our kids now. Cause, uh, it wasn’t set up for my people to rise, (yea). My niggas slang, but I see the pain deep in they eyes.

D. Simon,S4 Behind The Scenes: It’s all connected

Where are these children coming from, who are manning these corners? Where do the Wallaces, the Bodies, and the Poots come from?” Alvarez, p. 309-310

The Wire: Truth Be Told (2009)

the making of a corner kid

””

+ corner kid

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adaptadaptpainpain

Juelz SantanaLil’ Boy FreshWhat the Game’s Been Missing! (2005)

J. ColeLil’ Ghetto NiggaThe Come Up Vol. 1 (2007)

This story starts off. Little boy black in the ghetto. No matter what he does it’s back to the ghetto (ghetto). No choice but to adapt to the ghetto, so he adapts to the ghetto. Yes, the crack and the metal

I see the world for what it is now. I see the odds is looking slim for our kids now. Cause, uh, it wasn’t set up for my people to rise, (yea). My niggas slang, but I see the pain deep in they eyes.

Alvarez, p. 309-310The Wire: Truth Be Told (2009)

the making of a corner kid

””

+ corner kid

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adaptadaptpainpain

Juelz SantanaLil’ Boy FreshWhat the Game’s Been Missing! (2005)

J. ColeLil’ Ghetto NiggaThe Come Up Vol. 1 (2007)

This story starts off. Little boy black in the ghetto. No matter what he does it’s back to the ghetto (ghetto). No choice but to adapt to the ghetto, so he adapts to the ghetto. Yes, the crack and the metal

I see the world for what it is now. I see the odds is looking slim for our kids now. Cause, uh, it wasn’t set up for my people to rise, (yea). My niggas slang, but I see the pain deep in they eyes.

Alvarez, p. 309-310The Wire: Truth Be Told (2009)

the making of a corner kid

””

+ corner kid

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adaptadaptpainpain

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E. Burns, p119The Wire: Truth Be Told (2009)

The gangs in Baltimore are neighborhood gangs, and the clever kids use their little group as a vehicle [to work the game]”

+ clever kid

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E. Burns, p119The Wire: Truth Be Told (2009)

The gangs in Baltimore are neighborhood gangs, and the clever kids use their little group as a vehicle [to work the game]”

+ clever kid

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kingking

E. Burns, p119The Wire: Truth Be Told (2009)

Juelz SantanaLil’ Boy FreshWhat the Game’s Been Missing! (2005)

The gangs in Baltimore are neighborhood gangs, and the clever kids use their little group as a vehicle [to work the game]

The story’s over man (It’s over man). They all kinda end like that sometime too (Ya dig). Ya see, I told the story cuz man, I kinda feel like. Every hood, everybody. Everybody got a Lil Boy Fresh around them somewhere

+ clever kid

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every hoodevery hoodkingking

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+ (unspoken) leader

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+ everything = pawns+ (unspoken) leader

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+ prospect+ everything = pawns+ (unspoken) leader

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+ family = King+ prospect+ everything = pawns+ (unspoken) leader

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+ family = King+ prospect+ everything = pawns+ (unspoken) leader

= archetype:

Michael =

the young, black, and geniusRe-addingReading

michaelmichael

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Juelz SantanaLil’ Boy FreshWhat the Game’s Been Missing! (2005)

I mean, people always gonna try and get over on you. But protect what’s yours, protect your familyProtect what’s right (You hear me)”

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protectprotect

Juelz SantanaLil’ Boy FreshWhat the Game’s Been Missing! (2005)

I mean, people always gonna try and get over on you. But protect what’s yours, protect your familyProtect what’s right (You hear me)”

Michael = American Dream

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protectprotect

Juelz SantanaLil’ Boy FreshWhat the Game’s Been Missing! (2005)

I mean, people always gonna try and get over on you. But protect what’s yours, protect your familyProtect what’s right (You hear me)”

Michael = institutionMichael = American Dream

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protectprotect

Juelz SantanaLil’ Boy FreshWhat the Game’s Been Missing! (2005)

I mean, people always gonna try and get over on you. But protect what’s yours, protect your familyProtect what’s right (You hear me)”

Michael = OmarMichael = institutionMichael = American Dream

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protectprotect

J. ColeLil’ Ghetto NiggaThe Come Up Vol. 1 (2007)

MichaelTeemong (videoproducer)/Teemong

I see the worldEVERYTHING WE LEARNfor what it is nowCAME FROM RAPPERS. NOT TEACHERS

bitch, i'm getting cakeand ain't a nigga finna eat mines

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michaelthe young, black, and genius

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opening scene / allegoryexcess american

akasnotboogie

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D. Simon,S4 Behind The Scenes: It’s all connected

The number of people who have been [ hideously ] or fecklessly left behind is shocking to me ”

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D. Simon,Observer Ideas festival (2014)

Collective responsibility without personal freedom -or without liberty- is tyranny. It’s totalitarianism. That’s something we should fear always.

But conversely, personal freedom and personal liberty without collective responsibility -without a shared sense that you are part of society and that you owe it to society to participate fully- and to seek utilitarian solutions to society’s problems...

That’s just selfish. That’s just bad citizenship. That’s a recipe for a second-rate society.

D. Simon,S4 Behind The Scenes: It’s all connected

The number of people who have been [ hideously ] or fecklessly left behind is shocking to me ”

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why do you let ’em

play?

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(Alvarez, 2009, p. 70-71)

This is America.

And to the extent that its institutions manage to exclude or diminish its people, they will nonetheless find a way to play.

why do you let ’em

play?

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(Alvarez, 2009, p. 70-71)

This is America.

And to the extent that its institutions manage to exclude or diminish its people, they will nonetheless find a way to play.

[…]

The Snotboogies of the world may be comical and doomed and they are often dangerous.

But as citizens of a parallel world under the same Stars and Stripes as the legitimate America, they must be allowed to play.

why do you let ’em

play?

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snotboogieamerica(ns), that got left behind

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Much obligedThank you

divergentie: een studie naar het leven van snotbboogieopen uva-middagvr. 3/6/2016

wouter pocornie26h

[email protected]

+

Re-addingReading