RE ORIGINAL PRINTS 2016
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Transcript of RE ORIGINAL PRINTS 2016
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From top: Christophe Liotard, Tate Modern, London 2013, screenprint | Elizabeth Tomos, CMYK Registrated Ontology, screenprintAde Adesina, Contradiction, etching | Eleanor Havsteen-Franklin, Coalesce, etching & thread
Royal
PrintPainter-
Society of
Exhibition
makers
Catalogue
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ASHMOLEAN | VIVIEN LEIGH BEQUEST PRIZEPurchase prize of a printby an early career artist
THE DRY RED PRESS PRIZEImage reproduced on a card and
10% royalty on sales
HAWTHORN PRINTMAKER SUPPLIES AWARD
75 worth of materials
ART ANGELS PUBLISHING PRIZE500 purchase prize and image
reproduced on a card
FOR ARTS SAKE PRIZE250 framing prize
WYDHAM PURCHASE PRIZESelected for a private art collection
JOHN PURCELL PAPER AWARD150 worth of paper
HEATHERLYS OPEN STUDIO PRIZE10 sessions in the Open Studio
worth 240
PRINTMAKING TODAY PRIZEBest image in show
ABERYSTWYTH UNIVERSITY SCHOOL OF ARTCOLLECTION PRIZE
Purchase prize
CLIFFORD CHANCE LLP PURCHASE PRIZEPurchase prize to the value of
the selected print
CANNS DOWN PRESS CASH PRIZE250 cash prize for an early
career artist
DEBORAH ROSLUND HON RE PURCHASE PRIZE
Purchase prize to the value of the selected print
ART ANGELS
EXHIBITION PRIZES
INTAGLIO PRINTMAKER PRIZEMaterials to the value of 150
JACKSONS ART MATERIAL PRIZES 150 voucher prize and 50 raffle prize
LAWRENCES PRINTMAKERS PRIZE64mm x 200mm roller prize
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RE ORIGINAL PRINTS 2016
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Exhibitions and sporting events bring about expectation. This year sees one of the most anticipated football/soccer competitions in a long time. Three of the Home nations are involved in the European Championship finals, and there is great speculation on how far one of our home sides could progress in the competition.
It brings me back to a starry-eyed time as a child when England1 won the World Cup at Wembley Stadium in London in 1966. I watched the match live from the front room at home on the sofa. Perhaps on recollection I also may have even made some sort of print at school that week!
Some years later and after I had graduated from art school, I was privileged to meet the esteemed British printmaker Michael Rothenstein at his studio in Essex. I was there to select work for a national exhibition and got to talk to him about the beautiful game after I saw one of his prints. He described this particular screenprint (with woodcut, linocut and photo-screen inclusions) from the 1970s, called Sport2, in which we see a model girl on a sofa (perhaps watching a game on television) on top a football crowd at the point of a goal being scored, and a goal keeper with outstretched arms. At the heart of this triptych format print, he reminded me that the juxtaposition of disparate ele-ments make for marvelous invention and interpretations of our daily lives. Rothenstein had conjured not only a visually powerful sexual metaphor but employed the process of printmaking as a multidirectional tour de force, combining desire, creativity, attitude, deft process, and daily images into one wonderful graphic celebration.
Some years after my afternoon at his studio, I came across Rothensteins formative book Frontiers of Printmaking; New Aspects of Relief Printing3. The book was published in 1966 (that famous year in the myth of football) and a number of things tied together, particularly a symmetry of understanding of how art can mirror life, and when that happens it is very good art indeed!
In this latest exhibition of contemporary prints we will see many of those expressions of interconnecting process and worldly desire that were so elegantly expressed to me by Rothenstein all those years ago. The following passage from that important book, Frontiers of Printmaking, tends to sum up all that interconnection spirit very well;
In recent years printmaking has reached a turning point in its development. Along with other activities, change, a radical change, is taking shape and new streams of vitality are finding their way into the prints studios. Artists are exploring untried ways of expression, and some entirely novel sources of both imagery and printing materials have been uncovered.
Although written in 1966! there could be a maxim here for printmakings health in 2016 and of course the possibility of bringing home a trophy?
Prof. David Ferry RE
1 England 4 Germany 2, FIFA World Cup Final, Wembley Stadium, London, 1966;2 Sport Woodcut, linocut, and photo-silkscreen on laid Japanese paper, 1973;3 Frontiers of Printmaking; New Aspects of Relief Printing, Michael Rothenstein, Studio Vista London, 1966.
EURO 2016 v s PRINTMAKING 2016
William Michael Rothenstein RA, Hon RE (1908 - 1993) was an English printmaker, pain-ter and art school teacher.
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EURO 2016 v s PRINTMAKING 2016
Michael Rothenstein RA Hon RE, Sport, (England, 1973)woodcut, linocut and photo screenprint black and green ink on laid Japanese paper
Courtesy of Peter & Renate Nahum | Julian Rothenstein
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Royal Society
of Painter- Printmakers
ExhibitionCatalogue
Sumi Perera RE, UNBUILDING BLOCKS -The Matrix, etching, aquatint, off-set relief inking, embossing & incision
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From top: Meg Buick ARE, Dog III, lithograph | Neil Bousfield ARE, High Tide Chancers, wood engravingRoy Willingham RE, Spiaggia, digital Inkjet | Linda Landers RE, The Fall of the House of Usher 1, digital print
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From top left (clockwise): Stephen Mumberson RE, Fear of Knowledge 2, relief printMargaret Ashman RE, Pavane 3, photoetching | David Carpanini RE, Spring Storm in the Val dOrcia, Toscana, etching
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From top: Merlyn Petterson RE, St. Anthony Bank, etching & drypoint | Nana Shiomi RE, Sixty Years, Before and After - ROOM, woodcutBrian Hanscomb RE, Snow Melt on Bodmin Moor, copperplate engraving
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Veta
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From top left (clockwise): Martin Ridgwell RE, That Last Summer, etchingLars Nyberg RE, Maevs Young Avocado, drypoint | Emiko Aida RE, Cheshire, photo transfer aquatint
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From top right (clockwise): Julia Midgley RE, Lead Huntsman & Pastry Cutter, etching | Paul Catherall ARE, Gherkin II, linocut Julia Manning RE, Cascade, wood block print | Jackie Newell RE, Procession Through The French Alps, etching | Angie Lewin RE, Shoreline, screenprint
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From top: Agathe Sorel RE RWS, Grass and Snakes, digital print | Ros Ford ARE, Footbridge, Sparke Evans Park, etching & aquatintJenny Robison RE, Infrastructure #2, drypoint | Robert Baggaley RE, Beneath the Cliff, monotype collage
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From top left (clockwise): Dale Devereux Barker RE, Watching the Tree, linocut | Ursula Leach RE, The Beauty of Barns, carborundum Sandy Sykes RE, Margin White Legs, woodcut & drawing on constructed paper | Mike Griffiths RE, Distinguishing Marks, screenprint
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From top: Paul Hawdon RE, Double Glazing, etching | Andrew Stock RE, Starling Trio, etching & aquatint
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From top: Anita Klein RE Hon RWS, The Linden Tree, linocut | Judy Willoughby RE, The Procession, monoprint silkscreenTrevor Price VPRE, Great British Eccentrics, drypoint & engraved relief print | Jason Hicklin RE, Old Man of Hoy, Rora Head, ecthing
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From top left (clockwise): Peter Ford RE, Echoes, etching on handmade paper | Peter S Smith RE, Colombian Orchid, wood engraving Frans Wesselman RE, Owl III, woodcut | John Duffin RE, Thames, etching
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NEWLY ELECTED M
EMBERS 2016
The theme of landscape in Stephen Lawlors work is infor-med by the history of western painting and in particular the landscapes of Poussin, Claude and Constable. In por-traying the human figure he revisits the portrait paintings of Bellini, Holbein, Caravaggio and Van Eyck among others. His work explores the tonal varieties of light and shade. The manipulation of light and dark is achieved by con-trolling plate tone and overlaying dense areas of aquatint which in turn creates atmosphere and tension.
Stephen Lawlor ARE
Stephen Lawlor ARE, South West, etching and In Memory, etching
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MEI
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The experience of living and studying between Taiwan and Italy gives Mei Chei Tseng sensitiveness to more iconic, conceptual and spiritual kind of images. Italian art has great influences on her way of depicting forms, lights and shadows, and the love for wood en-graving derives from her passion for literature and delicate details.
Mei Chen Tseng has been practicing wood engraving for more than 10 years and is working as a professional painter and print-
maker now.
NEW
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Mei Chei Tseng ARE, The Last Judgement, wood engraving
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NEWLY ELECTED M
EMBERS 2016
Prints Edward was the Edward Twohigs nickname while at Chelsea College of Art where, as a post graduate, He proofed for Eduardo Paolozzi, John Piper, John Hoyland and Tim Mara amongst others. Since then his love for original printmaking has not diminished but intensified and spilled into collecting, lecturing, teaching, curating as well as creating. Twohig is a committed printmaker and admires equally older and contemporary skills in printmaking and never tires of its diversity to bring alive an idea or message.
Edward Tw
ohig
ARE
Edward Twohig ARE, Swan Lake Berkshire, etching and Easter in Berkshire, etching
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NEW
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EMBE
RS 2
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Fouzia Zafar describes play as a key concept of her work. Play encompasses repeatedly finding, composing and
constructing new tools and processes to explore objects history, surfaces, and qualities, whilst also constructing
new narratives. During play she explores her themes: the strangeness of memory, family histories, migration and
absence. Fouzias work flickers between reality and fiction and use of pictorial language and processes. Figureless,
her images have a presence of someone/something that is now absent and a playful nostalgic noise unfolds.
Fouzia Zafar ARE
Fouzia Zafar ARE, All Clean, etching
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From top left (clockwise): Jim Westergard RE, Be Careful, wood engraving | Katherine Jones ARE, Rain Bowl, collagraph and block print John Bryce RE, Castlerigg Stone Circle, wood engraving | Malcom Hole RE, The Settle to Carlisle, wood engraving
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From top left (clockwise): Flora McLachlan RE, The Thicket, etching | Sasa Marinkov RE, Up Above, woodcut. Mychael Barratt PRE Hon RWS, The Reading Room, etching
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From top left (clockwise): Neil Pittaway RE RWS, Shanghai By Night, etching & aquatint | Judith Jaidinger RE, That Nature Yet Remembers, wood engravingJane Stobart RE, Watching II, woodcut | Harry Brockway RE, Glazing, wood engraving
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From top left (clockwise): Margaret Sellars RE, Fiat Factory Reflected, etching | Hilary Adair RE, Temple of Harmony, Muse & Dancers, etchingAnne Desmet RE, Brooklyn Bridge: New Day, wood engraving | Gerry Baptist RE, JAY-CEE Get Me Outta Here!, screenprint
Bren Unwin RE, Rockface III, mixed-media monoprint | Mike Middleton RE ARWS, Insel Rugen, etching
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ROYAL SOCIETY OF PAINTER-PRINTMAKERS
From top left (clockwise): Jim Anderson RE, Sargasso, mixed media print | Rodolfo Acevedo Rodriguez ARE, Aeolus in The Drawing Room, copper etchingLouis Hayward RE, Fairford House, engraving on plastic & stencil | Carmen Gracia RE, The Temple of the Sun, the Moon and the Holy Spirit, coloured etching & collage
Karen Keogh, Autumn Oak, etching
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Norman Ackroyd RA REHilary Adair REEmiko Aida REVictor Ambrus REJim Anderson REMargaret Ashman RE
Robert Baggaley REGerald W Baptist REDale Devereux Barker REMychael Barratt PRE Hon RWS PresidentJo Barry REAdrian Bartlett RERichard Bawden RWS REJames Beale RERichard Black REJeremy Blighton RESimon Brett REPenny Brewill REHarry John Brockway REGail Brodholt REJanet Brooke REJohn Dunbar Bryce RECorinna Button RE
David Carpanini PPRE Hon RWSDaphne Casdagli REMichael Chaplin RWS REMerlyn Chesterman REKonstantin Chmutin REJeff Clarke REPaul Croft RE
Claire Dalby RWS REHilary Daltry RELouise Davies REAnthony Dawson REAnne Desmet RA REKate Dicker REHolly Downing REMorgan Patrick Doyle REJohn Duffin REMeg Dutton REDr Anthony Dyson RE
Edwina Ellis RE
Fernando Feijoo REMarianne Ferm REProf David Ferry REVladimir J Filipenko RE
Megan Fishpool RE Peter Ford REPeter Freeth RA RE
Colin Gale RECarmen Gracia RETerence Greaves REPeter Green OBE REPhil Greenwood REMichael Griffiths REJohn Grigsby RE
Brian Hanscomb RERoger Harris REBrenda Hartill REPaul Hawdon RELouise Hayward REJason Hicklin REStephen Hoskins RE
H J Jackson REJudith Jaidinger REHoward Jeffs REBarry Owen Jones RWS REOlwen Jones RWS RERosamund Jones REAnne Jope RE
Karen Keogh REPaul Kershaw REFrank Kiely REAnita Klein PPRE Hon RWS
Linda Anne Landers REMartin Langford REJohn Lawrence REPeter Lawrence REAnn Le Bas REUrsula Leach REAngie Lewin REJean Lodge RE
Julia Manning RESasa Marinkov REToni Martina RERobin MacFarlan REFlora McLachlan RESally McLaren REJohn McPake REMichael Middleton ARWS REJulia Midgley RE
David Mortimer-Jones RE Steven Mumberson RE Pilar Muoz del Castillo RE
Jackie Newell RELars Nyberg RE
Chris Orr RA RE
Hilary Paynter PPRE Hon RWSDr Sumi Perera REBrian Perrin REMelvyn Petterson RENeil Pittaway RWS RETrevor Price VPRE Vice President
Simon Redington REPhilip Reeves PPRSW RE RSAMartin Ridgwell REJenny Robinson RE
Nana Shiomi REPeter S Smith REAgathe Sorel RWS REJane Stobart REAndrew Stock RESandy Sykes RE
Dr Paul Thirkell REGlynn Thomas RETobias Till REJames G Todd REGeorge Tute RE
Ruth Uglow REDr Bren Unwin PPRE
Sarah Van Niekerk RE
Carol Walklin REFrans Wesselman REJim Westergard REAnnie Williams RWS RERoy Willingham REJudy Willoughby REJoseph Winkelman PPRE Hon RWSPeter Wray RE
Giulia Zaniol RE
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Neil Bousfield AREJames Boyd-Brent AREDavid Brent Smith AREJane Brigstock AREPaul Catherall AREIan Chamberlain AREAlan Cox AREDolores de Sade AREDiarmuid Delargy ARERos Ford AREVeta Gorner AREWeimin He AREKevin Holdaway AREKatherine Jones ARERalph Kiggell AREPeter Kirkilo AREStephen Lawlor ARESharon Lee AREDavid Lintine AREMiriam MacGregor AREFrederic Morris AREDawson Murray ARERodolfo Acevedo Rodriguez AREChris Salmon AREMargaret Sellars AREMei Chei Tseng AREDavid Brent Smith AREAnn Tout AREEdward Twohig ARE
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From top left (clockwise): Sumi Perera, Inside Out-Outside In [IO-OI] XV, etching & collagraph | Alison Bernal, Carceri 9, relief print | Bren Unwin, Field of Experience, 4th State, etched acrylic with intaglio & relief collage | Sophie Layton, Osaka Night Life, photo etching & monotype | Melvyn Evans, Last of the Winter Light, linocut
Bankside Gallery 48 Hopton Street London SE1 9JH020 7928 7521 www.re-printmakers.com [email protected]
Cover Image: Spike TaylorNostalgic InterfacesMDF blocks with etching ink
Bankside Gallery 48 Hopton Street London SE1 9JH020 7928 7521 www.re-printmakers.com [email protected]
Cover Image: Dawson Murray AREDrifting IIIetching [detail]