Re Experiencing The Book

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peter brantley internet archive san francisco ca

description

Presentation at ANELE, Madrid, Spain in October 2009 on the future of the book as a means to communicate and educate, focusing on collaboration, sharing, interactive content, and linked data.

Transcript of Re Experiencing The Book

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peter  brantley    internet  archive  san  francisco  ca  

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“ ... [N]one of the teens took any of the CDs, even though they were free. ‘That was the moment we realised the game was completely up,’ says a person who was there.”

- “From Major to Minor,” The Economist, Jan 10 08

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leap  into  the  future    (put  aside  the  present)  

“The  Rocket  blasts  off”,    Phil  Gyford,  Flickr  

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 “a  book  is  a  machine  to  think  with.”  

   -­‐  I.  A.  Richards,        -­‐  Principles  of  Literary  Criticism      -­‐  1924  

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 1.  inevitable  that  most  analogue  books      will  be  transformed  into  digital  books  

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 2.  current  books  translated  into  digital      (digital  is  seen  as  a  “colleague”  of  print)    

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 3.  we  are  beginning  to  re-­‐imagine  books  –      born  digital  in  their  new  manifestations.  

 It  is  of  this  I  will  speak  ...      (a  larger  transformation  in  publishing)  

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 2  archetypal  forms  of  digital  books:  

  Downloadable  “ebooks”      (Amazon  Kindle,  Sony  Reader)  

  Networked  books        (Shortcovers,  Google  Editions)  

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 digital  books  are  increasingly  hybrid  books:      local  (“cached”)  -­‐-­‐  tethered  to  the  network.    

“Network  Operations  Center  at        NPR”,  Collapse  the  Light,  Flickr  

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In  computer  science  –  stateful    |vs|    stateless  

the  digital  book  beckons  toward  statefulness.    it’s  keeping  place  –    

across  the  open  web,  ereader,  mobile.  remembering  us,  remembering  itself.    

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   with  digital  editions  

we  walk  away  from  owning  books  migrating  to  the  licensing  of  books    (libraries:  the  borrowing  of  books)  

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first  sale:  

giving  books  to  friends  and  family  the  privacy  of  the  books  we  read  borrowing  books  from  libraries  

we  may  lose  these  things    as  we  gain  others.      

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the  question  for  all  of  us  who  care  about  books  –  

how  will  we  experience  the  story?  the  book,  providing  an  education.  

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what  is  the  value  of  an  ephemeral  book?  what  is  it  that  we  truly  value,  in  a  book?  

“hand°i°craft°Art”,  Vali...,        Flickr  

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what  is  important  about  books  is  not  really  the  books  themselves  but  the  people  who  make  and  read  them  

(this  has  always  been.)  

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books  |center    |  community  

  annotations    reading  lists    

  recommendations    critiques    

networks  scale    the  conversation.  

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we  are  moving  away  from  books  /as/  objects,  and  toward  books  as  networked  experiences.    

“books  strung  up  by  their  spines,    and  the  words    that  fell  out  of  them”,  glitter  feet,  Flickr  

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conversations    books   music   movies  

an  environment  where  readers  become  engaged  with  each  other  

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the  book  is  not  a  static  thing,  anymore  –    not  a  long  sequence  of  words,  pictures.  

“words”,  ceoln,  Flickr

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books  are  responsive  

–  interactively  –    

  shared    experienced    re-­‐created    

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   the  narrative  (its  education)  –      \_      is  turning  into  a  scaffolding    \_      to  facilitate  an  environment    \_      into  which  one  inserts  oneself    \_      as  a  participant  –  as  a  reader.    

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how  we  read  –                  what  we  need            (in  order  to  read)      

are  changing  

           in  the  minds                of  our  youth  

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iPhone  and  the  appeal  of  “touching”  content.  

“Hold  Hands”,  wickenden,  Flickr  

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peter  collingridge,  apt  studio  

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 “[I]t  combines  text,  audio  and  video.      You  can  read  the  book,  watch  a  video  of  [Nick]  Cave  reading  the  book  and  add  “soundscapes”,  music  composed  by  him  —  or  all  three  at  the  same  time.”  

 -­‐  London  Evening  Standard,  14.09.09  

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we  will  expect  to:  

  touch  the  pianos    feel  the  strings  vibrate    hear  the  Variations    listen  to  a  concert  

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 “Small  objects      travel  further  and  travel  faster  -­‐      their  meaning  adapting  to  the      ever-­‐changing  context.      Every  step  an  opportunity.  ”  

     -­‐-­‐  Jan  Chipchase,  “Future  Perfect”  

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mobile  phones    bring  the  world  into  our  lives  

a  new  generation  of  applications  as  phones  become  hosts  for  services  –    

not  devices  (like  books)  

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  location  (GPS)    accelerometer    compass    video  camera    network  

eyes,  ears,  mouth,  and  skin  

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mobile  as  my  story  teller,  a  new  kind  of  companion  

the  narrative  and  the  reader  are  integrating  themselves  –    

combining  people  and  presence  –  bringing  the  story  into  the  place.  

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 mobile,    interactive,  and      shared    

 new  layers  of  information  overlain      on  the  world  we  see,  feel,  and  hear  

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Layar,  demostración  en  la  calle    “...  Layar  es  una  aplicación  que  mediante  la  cámara  y  el  GPS  añade  una  capa  de  información  por  encima  de  la  realidad,  la  tan  soñada  realidad  aumentada.  Ya  hablamos  de  Layar  y  comparamos  con  Wikitude.  

Esta  semana  he  hecho  un  vídeo  con  Layar  mientras  caminaba  por  el  centro  de  Barcelona.  Después  de  usarlo  y  juguetear,  para  hacer  el  video,  me  ha  parecido  un  bluf.  La  aplicación  es  más  espectacular  que  funcional,  Google  Maps  es  más  útil.  ”  

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 QR  code  stencils  and  spray  chalk  –      embedding  the  network  into  the  world.  

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one  can  live  within  a  story  insert  oneself  with  others  

build  the  narrative    by  being  within  it  

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bring  the  textbook    and  its  invitation  to  learn  into  people’s  hands  

imagine  this!  for  science,  for  history,  for  art.  

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 “It's  not  as  printers  who  use  bits  rather  than  ink.  It's  as  translators  between  the  human  stories  and  the  machines  who  have  to  take  those  stories,  integrate  them  into  a  web  of  linked  data,  and  make  it  possible  for  humans  to  ask  questions,  dream  dreams,  and  tell  new  stories.”    

   -­‐  John  Wilbanks,  “Story  Time”,  02.09.09  

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students    learning  from  the  story  that  they  help  to  tell  

this  is  the  new  education  

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 “Como  forjamos  al  hierro        forjaremos  días  nuevos.”  

-­‐  Regino  Pedroso,  "Mañana"    

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peter  brantley  

   co-­‐founder,  open  books  alliance      director,  bookserver  project  

   internet  archive      the  presidio,  san  francisco,  ca    

@naypinya  (twitter)      [email protected]