RDA Basics for Music Materials
Transcript of RDA Basics for Music Materials
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MARY HUISMANN
UNIVERSITY OF MINNESOTA
APRIL 16, 2014
RDA Basics for Music Materials
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Objectives
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Gain an understanding of the differences between AACR2 and RDA cataloging for music materials
Locate RDA instructions pertaining to music materials in the RDA Toolkit
Identify new MARC21 fields created to accommodate RDA elements
Learn about music cataloging resources that supplement RDA instructions pertaining to music materials
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Assumptions Caveats
4/16/2014 ALCTS, the Association for Library Collections & Technical Services
Familiarity with AACR2 cataloging principles
Familiarity with general RDA cataloging principles
Access to the RDA Toolkit
Use of MARC21
Selective approach
RDA is dynamic
Specialist community resources
RDA Toolkit releases
April release: April 22, 2014
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Before We Begin…
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Top 5 Changes Between AACR2 & RDA (Music)
GMD
Replaced by elements for content, media, carrier
Rule of three
Affects statement of responsibility, medium of performance, “Selections”
Principal performer (recordings)
Entry under principal performer discontinued
Musical Presentation Statement
Now placed in Edition Statement
Changes to terminology, definitions, abbreviations
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G E N E R A L T O P I C S
D E S C R I B I N G M A N I F E S T A T I O N S & I T E M S
D E S C R I B I N G C A R R I E R S
N O T E S
A C C E S S P O I N T S
R E L A T I O N S H I P S
Outline
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R E S O U R C E S
T E R M I N O L O G Y
A B B R E V I A T I O N S
N E W M A R C F I E L D S
General Topics
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Resources
General Music Cataloging Music Cataloging at Yale
http://www.library.yale.edu/cataloging/music/musicat.htm
Music Library Association RDA Best Practices (February 2014)
http://bcc.musiclibraryassoc.org/BCC-Historical/BCC2014/RDA%20Best%20Practices%20for%20Music%20C
ataloging.pdf
Types of Compositions (Revised for RDA) http://www.library.yale.edu/cataloging/music/typesrda.htm
MOUG-L
Subscription information: http://www.musicoclcusers.org/listserv.html
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Terminology
AACR2 RDA
Heading Authorized access point
Uniform title Preferred title
Collective title Conventional collective title
See reference Variant access point
See also reference Variant authorized access point
Sound recording Audio recording
Sound disc Audio disc
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Abbreviations
Consult RDA Appendix B for complete list
AACR2 RDA
acc. accompanied
arr. arranged
ca. approximately
cm. cm (but, cm. if followed by 490)
unacc. unaccompanied
violoncello cello
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Abbreviations
Exceptions – Use abbreviations for
Voice range designations (SATB)
“op.” and “no.” in access points for works
Duration
Dimensions (inches)
Thematic index numbers (e.g., BWV, K., etc.)
Consult Thematic Indexes Used in the Library of Congress/NACO Authority File (newly updated)
http://bcc.musiclibraryassoc.org/BCC-Historical/BCC2011/Thematic_Indexes.htm
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New MARC21 Fields
Field Description
264 Production, Publication, Distribution, Manufacture, and Copyright Date
336/337/338 Content/Media/Carrier Type
340 Physical Medium
344 Sound Characteristics
347 Digital File Characteristics
380 Form of Work
382 Medium of Performance
383 Numeric Designation of Musical Work
384 Key
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T I T L E
S T A T E M E N T O F R E S P O N S I B I L I T Y
E D I T I O N S T A T E M E N T
P R O D U C T I O N S T A T E M E N T
P U B L I C A T I O N S T A T E M E N T
D I S T R I B U T I O N S T A T E M E N T
M A N U F A C T U R E S T A T E M E N T
C O P Y R I G H T D A T E
Describing Manifestations & Items (RDA Chapter 2)
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Summary of Core Elements
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Element RDA Core? Transcribed? Source
Title 2.3 Title proper Yes Preferred source
Statement of Responsibility
2.4 SOR relating to title proper
Yes
1. Same source as title proper 2. Another source in resource (cf 2.2.4) 3. Other source
Edition Statement
2.5
Designation of edition Designation of named revision
Yes
1. Same source as title proper 2. Another source in resource (cf 2.2.4) 3. Other source
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Summary of Core Elements
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Element RDA Core? Transcribed? Source
Production Statement
2.7 Date No Any source
Publication Statement
2.8 Place (1st) Publisher (1st) Date
Yes Yes No
Publisher: 1. Same source as title proper Place/Dist./Mnf.: 1. Same source as
publisher name
2. Other source 3. External source
Distribution Statement
2.9 If no Publication St.
Yes
Manufacture Statement
2.10 If no Distribution St.
Yes
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Summary of Core Elements
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Element RDA Core? Transcribed? Source
Copyright Date 2.11
If no date of publication AND if no date of distribution
No Any source
Identifier for the Manifestation
2.15 Yes No Any source
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Preferred Sources: Notated Music
RDA 2.2.2.2
Preferred Source: Title Page
No Title Page?
Choose from these sources, in preferred order:
Cover or jacket issued with resource
Caption
Colophon
List title pages are not an option
Sheet music
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Preferred Sources: Audio Recordings
RDA 2.2.2.4
Preferred Source: Resource itself (disc, disc “label”)
Other sources, in preferred order:
Internal source (title screen, menu, etc.)
Container
Accompanying Material
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Title Proper (RDA 2.3.1.7)
Source: Preferred source
“Generic” vs. distinctive titles
Consult MLA Types of Composition document
Choice determines if these elements are recorded as part of the title proper
medium of performance
key
date of composition
number
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Title Proper (RDA 2.3.1.7)
“Generic” title examples
245 00 Piano sonata no. 3, 2007
245 00 Sextet in E-flat Major for transverse flute, oboe, violin,
viola, violoncello or bassoon and basso continuo, op. 5
Distinctive title examples
245 00 Blowhard : $b for horn and piano
245 12 A Fluttering of wings : $b for string quartet and electronic
ghost score
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Parallel Title Proper (RDA 2.3.3)
Core for LC/PCC
Source: Any source
Consult MLA Best Practices Appendix D for help with deciphering parallel title information
245 00 My Jesus makes my heart rejoice = $b Was
mich auf dieser Welt betrübt
246 31 Was mich auf dieser Welt betrübt
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Other Title Information (RDA 2.3.4)
Core for LC/PCC
Source: Same source as Title proper
Give information from other sources in 246 Use $i to give the source of the information
245 00 Hard times : $b for concertante group and strings, 1999 (information from same source as title proper)
246 1_ $i Subtitle on container : $b more ska sounds from Sir Coxsone's downbeat (other title info from different source as title proper)
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Variant Titles (RDA 2.3.6.3)
Source: Any source
Consult LC-PCC PS 2.3.6.3 for help with formulating variant titles
MARC 246 or 740
245 00 Quintett g-Moll für Pianoforte, zwei
Violinen, Viola und Violoncell / $c componirt von
Hans Huber.
246 14 Klavierquintett in g-Moll, op 111
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Statement of Responsibility (RDA 2.4)
Source: Same source as title proper
Another source within the resource
Other source listed at RDA 2.2.4
Only the statement of responsibility relating to the title proper is core, others optional
Performers?
Art music – no
Participation limited to performance
Popular music – yes
Participation goes beyond performance
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Statement of Responsibility (RDA 2.4): Examples
245 00 Bubba the cowboy prince / $c book and
lyrics by Nancy Cassaro and Randall Thropp ; music
by Matthew Cassaro.
245 10 My brother's brain : $b a symphony for
winds / $c Carter Pann.
245 00 Six, Alps & jazz / $c Matthias Schriefl.
(traditional music arranged by and performed on the
trumpet or alphorn by Matthias Schriefl)
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Edition Statement (RDA 2.5)
Source: Same source as title proper
Edition Statements now include
Voice range (not grammatically connected to title)
Musical presentation statements (formerly MARC 254)
Multiple edition statements
Use MARC field 250 for both
Separate with comma
Capitalize first word of each statement
“Urtext”
Don’t use as edition statement unless content is changed
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Edition Statement (RDA 2.5): Examples
250 Study score.
250 High.
250 Studienpartitur = $b Study score, 1st edition.
250 Facsimile edition, Custom print edition, Score.
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Production, Publication, Distribution, Manufacture, Copyright (RDA 2.7-2.11)
Production statement for unpublished resources
Remainder for published resources
MARC 264 replaces 260
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Element MARC21
Production 264 _0
Publication 264 _1
Distribution 264 _2
Manufacture 264 _3
Copyright Date 264 _4
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Publication Statement (RDA 2.8)
Place of publication Use same source as publisher name
Name of publisher Source: same as title proper
Another source within resource
Other source from list at RDA 2.2.4
No option to shorten name
If unsure of function, give as publisher
Audio recordings: use label name
If unsure if company or label name, record both
Publication date Do not substitute copyright date!
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Distribution Statement (RDA 2.9)
Core, if no Publication Statement
Optional in other cases
MARC 264 _2
264 _ 2 Milwaukee : $b Hal Leonard
264 _ 2 New York : $b distributed in the USA by
Sony Music
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Manufacture Statement (RDA 2.10)
Core, if no Publication or Distribution Statement
Optional in all other cases
264 _ 3 Minneapolis : $b printed by Cornerstone
Publications
264 _ 3 New York : $b manufactured by BMG
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Copyright Date (RDA 2.11)
Core, if no Publication or Distribution date Can be used to infer Publication date
Precede date with symbol or spelled-out form ©2014 or ℗2014
copyright 2014 or phonogram 2014
Record latest date ℗ for audio recordings
© for notated music
Don’t record renewal or transfer dates
Multiple copyright dates in single 264, separate subfields separated by comma
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Dates: Audio Recordings
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Publication Date Usually not present!
Phonogram Date Copyright for the sound
Record as ℗ or “phonogram” (not “p”)
Copyright Date Often refers to container artwork, etc.
Can be used to infer publication date
Recording Date Date of recording of sound
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P/D/M/C Example: Audio
Disc label/Container: Arcana and Outhere Music logos, ℗2013/©2013 Outhere Music France; no publication date
Insert: “Arcana is a label of Outhere Music”
Container: “Manufactured in Austria by Sony DADC Austria AG;” recorded 11-14 December 2010
033 20 20101211 $a 20121214
264 _1 France : $b Arcana, $c [2013]
264 _3 Austria : $b Sony DADC
264 _4 $c ℗ 2013, $c ©2013
518 $o Recorded $d 2010 December 11-14.
008/06 or Date type: p
008/11-17 or Dates: 2013, 2010
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P/D/M/C Example: Notated Music
264 _1 Corby, [England] : $b Fentone Music, $c [2006]
264 _2 [Milwaukee, Wisconsin] : $b Hal Leonard
264 _3 Suissa : $b Fentone Music
264 _4 $c ©2006
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Identifiers (RDA 2.15)
Identifier MARC21
ISBN 020
EAN (International Article Number) 024 3_
UPC 024 1_
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Audio Recordings MARC21
Issue Number 028 0_
Matrix Number 028 1_
Scores MARC21
ISMN (International Standard Music Number)
024 2_
Plate Number 028 2_
Publisher Number 028 3_
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Identifiers
Record all standard numbers
Publisher (Label) name in $b
Include qualifier for location, if more than one number applies to a resource
Plate/Publisher numbers
Omit designations like “no.,” “cat. no.,” etc.
Reprints/reissues
Give info on the original if readily available
Don’t record “DIDX” or LC 00358 numbers
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Identifiers (2.15): Examples
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024 1_ 885150337073 (UPC – 12 digits)
024 3_ 5412327920803 (EAN – 13 digits)
024 2_ 9790006493975 (ISMN – begins with 9790)
028 02 COR16113 $b Coro $q (disc 1)
(Issue number – each disc has different number)
028 22 28043 $b Carl Fischer (Plate number)
028 32 O2659 $b Carl Fischer (Publisher number)
028 32 Edition Peters Nr. 3891 $b C.F. Peters
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C O N T E N T T Y P E
M A T E R I A L T Y P E
C A R R I E R T Y P E
E X T E N T
Describing Carriers (RDA Chapter 3)
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Summary of Core Elements
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Element RDA Core? Transcribed? Source
Content Type 6.9 Yes Use terms from list at
6.9.1.3 Any source
Media Type 3.2 Core for LC/PCC
Use terms from list at
3.2.1.3
1. Resource itself 2. Additional information from any source
Carrier Type 3.3 Yes Use terms from list at
3.3.1.3
1. Resource itself 2. Additional information from any source
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Summary of Core Elements
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Element RDA Core? Transcribed? Source
Extent 3.4
If resource is complete or if total extent is known
No
1. Resource itself 2. Additional information from any source
Format of Notated Music
7.20 LC/PCC Use terms
from 7.20.1.3 Any source
Duration 7.22 LC No Any source
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Content Type (RDA 6.9)
Record primary content of the resource
Optionally, record secondary content or accompanying material
Use separate 336 fields
Use $3 to explain
Use terms from list at RDA 6.9.1.3
Include $2 rdacontent
Don’t include $2 rdacontent if taking term from another source
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Media Type (RDA 3.2)
Not RDA core, but LC/PCC core
Record primary media type of the resource
Optionally, record media type of accompanying material
Use separate 337 fields
Use $3 to explain
Use terms from list at RDA 3.2.1.3
Include $2 rdamedia
Don’t include $2 rdamedia if taking term from elsewhere
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Carrier Type (RDA 3.3)
Record carrier type(s) of the resource
Record carrier type(s) of accompanying material
Use separate 338 fields
Use $3 to explain
Use terms from list at RDA 3.3.1.3
Include $2 rdacarrier
Don’t include $2 rdacarrier if taking term from elsewhere
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Content, Media, Carrier Types: Examples
Notated Music
336 __ notated music $b ntm $2 rdacontent
337 __ unmediated $b n $2 rdamedia
338 __volume $b nc $2 rdacarrier
Audio Recording
336 __ performed music $b prm $2 rdacontent
337 __ audio $b s $2 rdamedia
338 __ audio disc $b sd $2 rdacarrier
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Multiple Content, Media, Carrier Types
CD with accompanying DVD
336 __ performed music $b prm $2 rdacontent $3 audio disc
336 __ two-dimensional moving image $b tdi $2 rdacontent $3 videodisc
337 __ audio $b s $2 rdamedia $3 audio disc
337 __ video $b v $2 rdamedia $3 videodisc
338 __ audio disc $b sd $2 rdacarrier $3 audio disc
338 __ videodisc $b vd $2 rdacarrier $3 videodisc
Also add 006 & 007 for the accompanying DVD
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Extent (RDA 3.4)
Number and type of unit(s)
Type of unit Audio recordings: use list of carrier types at RDA 3.3.1.3
“audio disc” not “sound disc”
Notated music: RDA 3.4.3: use list at RDA 7.20.1.3
include subunit as instructed
Alternative to use a term in common usage LC, PCC may apply alternative (LC-PCC PS 3.4.1.3)
MLA Best Practices: do not apply the alternative
Multiple types of units or carriers May use “+” to record in single 300 field
May use multiple 300 fields
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Format of Notated Music (RDA 7.20)
Use terms from list at RDA 7.20.1.3:
Some new/redefined terms
score, study score, condensed score
New 008/20 (Fixed Field: Format of Music) codes
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score piano score part
condensed score vocal score choir book
study score chorus score table book
piano conductor part
violin conductor part
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Scores: Definitions & Changes
Score Redefined to include music for a single instrument
Solo piano music, lead sheet
No more “p. of music”
Study score Formerly called “miniature score”
Dimensions are not necessarily a guide
Notated music presented for study rather than performance
Condensed score Reduced number of staves
Formerly called “close score”
Hymnals, some songbooks
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Duration (RDA 7.22)
Core element for LC
Record total duration in 300 $a and 306
OK to abbreviate
Substitute “approximately” for “ca.” since the element is not transcribed
No prescribed format
Record duration of individual works in 500 or 505 and 306
300 __ 1 audio disc (53 min., 6 sec.) or (53:06)
500 __ Duration: approximately 30 min.
(on resource: ca. 30 minutes)
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Dimensions (RDA 3.5)
Core element for LC
Notated music – use cm
Unless followed by a series statement, then “cm.”
Audio recordings
LC-PCC PS 3.5.1.3
Use inches to describe discs and all audio carriers
Does not include videocassettes
Consult MLA Best Practices Chapter 3 Appendix
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Extent: Examples
300 __ 1 study score (110 pages) ; $c 30 cm
300 __ 1 score (32 pages) + 2 parts ; $c 30 cm
300 __ 1 score (18 pages) ; $c 38 cm + $a 3 parts ; $c 30 cm
OR
300 __ 1 score (18 pages) ; $c 38 cm
300 __ 3 parts ; $c 30 cm
300 __ 1 audio disc (51 min.) ; $c 4 3/4 in. + $e 1 videodisc (1 hr., 20 min.)
OR
300 __ 1 audio disc (51 min.) ; $c 4 3/4 in.
300 __ 1 videodisc (1 hr., 20 min.) ; $c 4 3/4 in.
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MARC 340: Physical Medium
May record dimensions here rather than 300 $c
Use $d to record production method for manuscript notated music
340 __ $d printout $2 rda
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Subfield Description
$b Dimensions
$d Information recording technique
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MARC 344: Sound Characteristics (RDA 3.16)
Record Type of recording: analog or digital Not necessary to record standard specs $b optical or $c 1.4 m/s for CDs record $c for vinyl discs!
Record playback information in $g (repeatable) stereo, mono (no periods!), surround
344 __ digital $g stereo $g surround $2 rda
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Subfield Description
$a Type of recording
$c Playing speed
$g Configuration of playback channels
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MARC 347: Digital File Characteristics (RDA 3.19)
Record the file type
Term from RDA 3.19.2.3 “audio file”
Record the encoding format (repeatable)
Terms from RDA 3.19.3.3 “CD audio” “DVD audio” “SACD” (no “Blu-ray audio” in list)
347 __ audio file $b CD audio $2 rda
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Subfield Description
$a File type
$b Encoding format
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C H A P T E R 2 - M A N I F E S T A T I O N / I T E M
C H A P T E R 3 - C A R R I E R
C H A P T E R 7 - C O N T E N T
Notes
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Summary of Core Elements
4/16/2014 ALCTS, the Association for Library Collections & Technical Services
Element RDA Core?
Source of Title 2.20.2.3 LC/PCC
Language of Content 7.12 LC/PCC
Form of Musical Notation 7.13.3 LC/PCC
Format of Notated Music 7.20 LC/PCC
Medium of Performance of Musical Content
7.21 LC/PCC
Performer, Narrator, Presenter 7.23 PCC recommended (for audio)
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Most Common Notes for Music Materials
4/16/2014 ALCTS, the Association for Library Collections & Technical Services
Source of Title
System Requirements
Nature of Content
Medium of Performance
Place/Date of Capture (Audio Recordings)
Language of Content
Form of Musical Notation (Notated Music)
Performer/Presenter/Narrator (Audio Recordings)
Artistic and/or Technical Credit (Audio Recordings)
Contents
Duration
Accompanying Material
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Source of Title (RDA 2.20.2.3)
Core element for LC/PCC MARC 500 Scores Give source of title if not from preferred source 500 __ Cover title.
500 __ Caption title.
Audio recordings Always give source of title
500 __ Title from disc label.
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System Requirements (RDA 3.20)
MARC 538
Record any non-standard equipment or requirements
No “Compact disc” note in RDA
538 __ Super audio CD (hybrid); multi-channel and
stereo sound; playable on CD and SACD players.
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Nature of Content (RDA 7.2)
MARC 500
Explanation of the content if not clear from the rest of the record May combine with Medium of Performance note (RDA 7.21)
500 __ Opera in three acts.
500 __ The first work is a symphonic poem ; the second work is for high voice with orchestra.
500 __ The first, second and fourth works are suites extracted by the composer from incidental music ; the third work is a suite for string orchestra.
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Place/Date of Capture (RDA 7.11)
MARC 518 (formatted), 033
Audio recordings
PCC-recommended
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Subfield Description
d Date of event
p Place of event
o Other event information
3 Materials specified
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Place/Date of Capture (RDA 7.11): Examples
518 __ $o Recorded $d 2010 November 25-28, $p
Christiansen Recital Hall, Concordia College,
Moorhead, Minnesota.
518 __ $3 Track 1 $o recorded live Brisbane $d 2008
July 27 $p ABC Ferrey Road Studios.
033 00 20080727 $b 8964 $c B7
518 __ $a Recorded March 31-April 2, 2012 in Cork,
Ireland. (unformatted 518)
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Language of Content (RDA 7.12)
Core element for LC/PCC
Also record (if readily available):
Original language (041 $h, m, n as appropriate)
Make further explanations in 546 or 500
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Type Example MARC
Text underlying music Scores 008/35-37, 041$a, 546
Sung/spoken text Audio recordings 008/35-37, 041 $d, 546
Text presented separately
Libretto 041$e, 500 or 546
Accompanying text Program notes 041$g, 500
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Language of Content (RDA 7.12): Examples
Lang: ita
041 1_ $a ita $e ita $e ger $e eng $n ita $g ger $g eng
546 __ Italian words, also printed separately as text with German and English
translation.
Lang: fre
041 0_ $d fre $b eng $e eng $e fre $n fre $g eng
546 __ Sung in French.
500 __ Synopsis and biographical notes on performers in English, and libretto in
French with English translations (2 volumes), inserted in container.
Lang: zxx (instrumental music)
041 0_ $g eng $g ger $m ger
500 __ Program notes and performer biographies in German with English
translation inserted in container.
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Form of Musical Notation (RDA 7.13.3)
Core element for LC/PCC
MARC 546 $b
MLA Best Practices: Don’t combine with language note
Use term from list (most common) RDA 7.13.3.3:
staff notation letter notation tablature
graphic notation number notation
546 __ $b Staff notation.
546 __ $b Tablature.
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Performer, Narrator, Presenter (RDA 7.23)
Core element for PCC (audio)
MARC 511
Give authorized access points for all, if feasible When giving an AAP for a performing group, don’t give AAPs
for individual group members
511 0_ Thomas Schultz, piano.
511 0_ York2 (Fiona York, John York, piano 4-hands).
710 2_ York2, $e instrumentalist. (no 700s for Fiona York or John York)
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Artistic and/or Technical Credit (RDA 7.24)
MARC 508
Producers, recording engineers, etc.
Include a statement of function
508 __ Tim Handley, producer and editor ; Jonathan
Allen, recording engineer ; James Linahon, mastering
engineer.
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Contents (RDA 25.1.1.3)
Core element for LC for compilations
May include duration, statement of responsibility, performers
Consult LC-PCC PS 25.1.1.3 for creating contents note
505 0_ Ignorance is bliss -- Insatiable -- Wandering while wondering -- A world, upside down -- Freedom in flight.
505 0_ Silver fanfare (4:11) -- Festivities (5:55) -- Three Olympians (14:18) -- Celebration overture (6:40) -- Symphony no. 1 (24:11).
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M A R C 3 8 X F I E L D S
S E L E C T I O N S
“ R U L E O F 3 ”
Access Points
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MARC 38X Fields
4/16/2014 ALCTS, the Association for Library Collections & Technical Services
MARC Field
RDA Description
380 6.3 Form of work
382 6.15 Medium of performance
383 6.16 Numeric designation
384 6.17 Key
Defined for authority and bibliographic records
Use in bib records only for single work/expression
382 0_ flute $n 3 $a percussion $n 2 $a piano $n 1 $s 6
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“Rule of 3”
4/16/2014 ALCTS, the Association for Library Collections & Technical Services
No “Rule of 3” in RDA
No limits on recording
Names in the statement of responsibility
Number of medium of performance elements
Coming in April RDA Toolkit release: no more standard combinations of instruments (RDA 6.15.1.5 to be deleted per 6JSC/Music/3/Sec final/rev)
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“Selections”
4/16/2014 ALCTS, the Association for Library Collections & Technical Services
Use “Selections” with 2 or more works
“Selections” no longer used by itself
Use “Works. Selections”
Consecutively numbered works
No more inclusive numbering
Identify each work separately and/or
Add “Selections” to a collective preferred title
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Examples
4/16/2014 ALCTS, the Association for Library Collections & Technical Services
245 00 American journey / $c works by Bernstein, Copland,
Villa-Lobos and Ginastera.
240 10 Octets, $m clarinet, horn, bassoon, violins, viola,
cello, double bass
100 1_ Henze, Hans Werner, $d 1926-2012, $e composer.
240 10 Symphonies, $k Selections
700 12 … $t Symphonies, $n no. 1
700 12 … $t Symphonies, $n no. 6
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P E R S O N , F A M I L Y , C O R P O R A T E B O D Y
R E S O U R C E S
R E L A T E D W O R K S
Relationships
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Summary of Core Elements
4/16/2014 ALCTS, the Association for Library Collections & Technical Services
Element RDA Core?
Creators (Principal) 19.2 RDA
Related Work 25.1 LC
Related Expression 26.1 LC/PCC
Related Manifestation (for reproductions)
27.1 LC/PCC
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Instructions
RDA is all about the relationship!
Resource/Persons-Families-Corporate Bodies
Resource/Resource
RDA Chapters 18-22
Arranged by WEMI level
Appendices I-J
Appendix I: Persons-Families-Corporate Bodies
Appendix J: Resources
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Relationship Designators
Describe the nature of the relationship between the resource and a person/family/corporate body or another resource PCC practice: use the most specific designator that applies
Do not include in a name-title entry
RDA Appendix I Arranged by WEMI level
MARC21 Subfield e (preferred)
Subfield 4
Changes to come!
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Resource & Person/Family/Corp. Body
Creators (RDA 19.2)
Responsible for the work
Composers, Librettists, Lyricists
Librettos: Enter under author of libretto, not composer of music
Creator with principal responsibility named first is core
MARC 1XX (first), 7XX (additional)
Contributors (RDA 20.2)
Contribute to an expression of the work
Arranger of music, performers, etc.
MARC 7XX
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Resource & Person/Family/Corp. Body: Examples
100 1_ Gregor, Christian, $d 1723-1801, $e composer.
245 00 Hosanna! Blessed is He! : $b SATB and unison choir
with organ or piano / $c Christian Gregor ; arr. Hal H.
Hopson.
700 1_ Hopson, Hal H., $e arranger of music.
710 2_ BBC Scottish Symphony Orchestra, $e
instrumentalist.
700 12 $i Contains (work): $a Schumann, Robert, $d 1810-
1856. $t Waldscenen.
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Resource & Person/Family/Corp. Body
Can performers be creators?
Sometimes…
No equivalent to AACR2 LCRI 21.23C “Principal performer”
Just because a performer is prominently named doesn’t make them a creator!
To be considered a creator:
Must be responsible for composing all the works
Modify an existing work so that it is substantially changed, resulting in a new work
Scan credits, consult external sources
Stay tuned for further developments on this issue
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Resource & Person/Family/Corp. Body
Passes the “creator” test:
110 2_ Maine (Musical group), $e composer, $e performer.
245 10 Forever Halloween / $c the Maine.
500 __ All songs written by The Maine.
Doesn’t pass the “creator” test… or does it??:
245 00 Does anybody really know what time it is? / $c
Misfit Toys.
500 __ "Hybrid-jazz covers of pop music from the 1970s"--
Liner notes.
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Relationships Between Resources
Types of relationships Related works (RDA chapter 25)
contents, derivative works, parts of larger works
Related expressions (RDA chapter 26)
translations
Related manifestations (RDA chapter 27)
reprints, facsimiles
Related items (RDA chapter 28)
Expressed by AAP, relationship designator (Appendix J)
Structured description (formal note)
Unstructured description (informal note)
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Relationships Between Resources
700 1_ $i Libretto based on (work): $a Milton, John, $d 1608-1674. $t
Paradise lost.
700 12 $i Contains (expression): $a Mozart, Wolfgang Amadeus, $d 1756-
1791. $t Concertos, $m piano, orchestra, $n K. 466, $r D minor; $o
arranged.
500 __ Material previously released, 1967-2007.
775 08 $i Reproduction of (manifestation): $a Kirchhof, Lutz. $t The lute
in dance & dream. $d New York : Sony Classical, 1991. $o SK 48 068 $w
(OCoLC)26407274.
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T H A N K Y O U !
M A R Y H U I S M A N N
U N I V E R S I T Y O F M I N N E S O T A
h u i s m 0 0 2 @ u m n . e d u
Questions?