Randall Bramblett

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Playing in the Band Whether in the spotlight or as a sideman, songwriter Randall Bramblett nds his rhythm RANDALL BRAMBLETT Saturday, Nov. 12 at 8 p.m. European Street Café, 5500 Beach Blvd., Jacksonville Tickets are $15 399-1740 M any musicians spend their whole career trying to edge their way into the spotlight. But Randall Bramblett has been equally comfortable at center stage and as sideman for heavyweights lik e e Allman Brothers, Trac, Robbie Robertson and Bonnie Raitt. Raised in Athens, Ga., Bramblett studied religion in college at UNC, with ultimate goal of joining the seminary. Aer hearing the music of artists like Bob Dylan and Carole King, however, he surrendered to the higher calling of playing rock music. A top-shelf multi-instrumentalist, he now plays everything from keyboards and saxophone to guitar and mandolin. He appeared on albums and onstage with artists like Sea Level, Cowboy, Gregg Allman and blues-rock belter Bonnie Bramlett. He also released his own solo albums, which revealed a soulful and gospel-based songwriting style. In the ’80s, Bramblett cooled his activities aer making the decision to get clean and sober. Since then, he has released a half-dozen well-received albums, including his latest “e Meantime,” (randallbramblett.com) an enjoyable 12-song aair featuring laid-back cuts like the Civil Rights tale of “Driving to Montgomery. ” Truly a musician’s musician, Bramblett remains an on-call player for cohorts like Steve Winwood, Widespread Panic and fellow Georgia boy and longtime Rolling Stones keyboardist, Chuck Leavell. Randall Bramblett recently spoke with Folio Weekly as he drove back to Georgia from Chicago, with tour mate, singer-songwriter and longtime friend To mmy Talton in the passenger seat. Folio Weekly: How oen are you out on the road these days? Randall Bramblett: It’ s mostly weekends, and I still play predominately in the South. I think the economy is also somewhat hurting professional players and clubs don’t pay much anymore, so I have been doing more and more solo things. But I like doing the solo thing, since it gives me a chance to present the material in a very intimate way , where people can hear the words and respond to them. F.W.: You’ve been an on-call player for so many artists. Have you ever felt that your own songwriting skills were overlooked? R.B.: Well, most people know me from playing with Gregg Allman, Sea Level and Trac. I thin k the re ason that I’m not better known is simply because I never had a big hit record. When you have a few hits, you’re almost instantl y known as a solo artist. So if people just know me from my playing with Steve Winwood, I could do a lot worse. I’ve been blessed by playing with some really good people. F.W.: Do you have dierent approaches to leading your own band and being a backing musician? R.B.: It’s dierent when you’re hired on as sideman, since you’re really just learning their songs and making sure you can perform their music as well as you possibly can. Doing your own thing, you really have to put your heart and soul into it. Y ou’re out there on a limb and that can be a very vulnerable place. As a sideman, the guy out front is feeling all of the pressure. It’ s much easier to be a sideman. F.W.: I’m wondering how this one-time Southern seminary student wound up playing with Gregg Allman and Trac. R.B.: We ll, I moved to Athens aer college, rather than going to grad school and the seminary, because I was getting more into songwriting and that really captured me. Eventually I hooked up with some Macon folks like the “Cowboy” people … Tommy Talton and his wife Patti are sitting here in the car with me. I want a big mention of them in this article. [Laughs.] Tommy says his favorite color is blue and he’ s quit doing most of the heavy drugs. Strike all that. [More laughter.] F.W.: You’ve had the benet of some really long-term collaborative rel ationships. Do you ever nd yourself honing your material with a certain vocalist in mind? R.B.: I don’t ever think th at way. It’ s all I can do just to come up with one song [Laughs.] and something that grabs my attention. And that’s all I’m really looking for — something that feels right. Dan Brown [email protected] Here Comes the Night: Legendary songwriter and multi-instrumentalist Randall Bramblett performs at European Street Café.  24 | folio weekly | November 8-14, 2011

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Playing in the BandWhether in the spotlight or as a sideman, songwriter

Randall Bramblett finds his rhythm

RANDALL BRAMBLETTSaturday, Nov. 12 at 8 p.m.

European Street Café, 5500 Beach Blvd., Jacksonville

Tickets are $15

399-1740

Many musicians spend their whole career

trying to edge their way into the spotlight.But Randall Bramblett has been equally 

comfortable at center stage and as sideman for

heavyweights like e Allman Brothers, Tra c,Robbie Robertson and Bonnie Raitt. Raised

in Athens, Ga., Bramblett studied religion in

college at UNC, with ultimate goal of joiningthe seminary. Aer hearing the music of artists

like Bob Dylan and Carole King, however, hesurrendered to the higher calling of playing rock 

music. A top-shelf multi-instrumentalist, he now 

plays everything from keyboards and saxophoneto guitar and mandolin. He appeared on albums

and onstage with artists like Sea Level, Cowboy,

Gregg Allman and blues-rock belter BonnieBramlett. He also released his own solo albums,

which revealed a soulful and gospel-based

songwriting style. In the ’80s, Bramblett cooledhis activities aer making the decision to get

clean and sober. Since then, he has released ahalf-dozen well-received albums, including his

latest “e Meantime,” (randallbramblett.com)

an enjoyable 12-song aair featuring laid-back cuts like the Civil Rights tale of “Driving to

Montgomery.” Truly a musician’s musician,

Bramblett remains an on-call player for cohortslike Steve Winwood, Widespread Panic and

fellow Georgia boy and longtime Rolling Stoneskeyboardist, Chuck Leavell.

Randall Bramblett recently spoke withFolio Weekly as he drove back to Georgia fromChicago, with tour mate, singer-songwriter

and longtime friend Tommy Talton in the

passenger seat.

Folio Weekly: How oen are you out on theroad these days?

Randall Bramblett: It’s mostly weekends,

and I still play predominately in the South. Ithink the economy is also somewhat hurting

professional players and clubs don’t pay much

anymore, so I have been doing more andmore solo things. But I like doing the solo

thing, since it gives me a chance to present the

material in a very intimate way, where people

can hear the words and respond to them.

F.W.: You’ve been an on-call player for somany artists. Have you ever felt that your

songwriting skills were overlooked?R.B.: Well, most people know me from

playing with Gregg Allman, Sea Level aTra c. I thin k the re ason that I’m not b

known is simply because I never had a

hit record. When you have a few hits, yoalmost instantly known as a solo artist.

people just know me from my playing w

Steve Winwood, I could do a lot worse.been blessed by playing with some reall

good people.

F.W.: Do you have dierent approaches

to leading your own band and being abacking musician?

R.B.: It’s dierent when you’re hired on a

sideman, since you’re really just learningsongs and making sure you can perform

music as well as you possibly can. Doing

own thing, you really have to put your heand soul into it. You’re out there on a lim

and that can be a very vulnerable place. Asideman, the guy out front is feeling all o

pressure. It’s much easier to be a sideman

F.W.: I’m wondering how this one-time

Southern seminary student wound up pl

with Gregg Allman and Tra c.R.B.: Well, I moved to Athens aer colle

rather than going to grad school and theseminary, because I was getting more int

songwriting and that really captured me

Eventually I hooked up with some Macolike the “Cowboy” people … Tommy Tal

and his wife Patti are sitting here in the cme. I want a big mention of them in this [Laughs.] Tommy says his favorite color

and he’s quit doing most of the heavy druStrike all that. [More laughter.]

F.W.: You’ve had the benet of some reallong-term collaborative relationships. Doever nd yourself honing your material w

certain vocalist in mind?

R.B.: I don’t ever think that way. It’s all Ido just to come up with one song [Laugh

and something that grabs my attention.

that’s all I’m really looking for — someththat feels right.

Da

dbrown@foliowee

Here Comes the Night: Legendary songwriter

and multi-instrumentalist Randall Bramblett

performs at European Street Café.

 

24  | folio weekly | November 8-14, 2011