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Lyric Opera San Diegopresents

Jlfi1f

Book bySIR W. S. GILBERT

or

"The Slave of Duty"

Music bySIR ARTHUR SULLIVAN

with

MEGAN WESTON

FRAN HARTSHORNBENJAMIN ROBINSON

ASHRAF SEW AI LAM

featuring

J. SHERWOOD MONTGOMERYas Major-General Stanley

Director / ConductorLEON NATKER

Set DesignJ. SHERWOOD MONTGOMERY

Lighting DesignMATTHEW NOVOTNY

Assistant DirectorSHIRLEY GILTNER

Costumes / Makeup SupervisionPAM STOMPOLY.ERICSON

Choral PreparationJANIE PRIM

Production Stage ManagerAMANDA SALMONS

Orchestration for The Pirates of Penzance by James Newby of Bradford. England.courtesy of Opus I Music. Vancouver. British Columbia

2 CAST

(In order of appearance)

SAM U EL. Jonathan LuceroPIRATE KI NG Ashraf Sewailam

FREDERiC Benjamin Robinson

RUTH (a Piratical Maid of all work) Fran HartshornEDITH Sarah E. Brand

KATE Mary Boles

ISABEL. Clai re Kennelly

MABEL. Megan Weston

MAJOR-GENERAL STANLEY. J. Sherwood MontgomerySERGEANT OF POLICE Walter DuMelle

PiratesBrent Burbank, Daniel Hall, William Henry, Dylan Hoffinger, Dorian Koehring,

Donald Lee McKee, Kit Medina, Paul Michael Morgavo, Daniel Myers, Jeff Myers,

Chuck Ramsey, Shaun Tuazon

Daughters of Major-General StanleyStephanie Hable, Raechele Danae Hans, Devon Hollingsworth+,

Theresa Kesser+, Kezia Liu, Kylena Parks, Callie Prendiville,

Zoe Z. Smith+, Anna Strickland+, Katie White, Molly Whittaker

PoliceLawrence Filo, Joel Gossett, Bill Propp, Saul Propp+, James Rouse,

James Schindler, Daniel Valko, Joe. H. Zilvinskis

Undertudies

Lisa Elliott (Mabel), James Schindler (Sergeant of Police)+Lyric Opera Summer Academy Alumni

ORCHESTRA

CONCERTMASTER Mary Karo*

FIRST VIOLINS Mary Karo*, Natalka Kytasty*, Mary Gerard*,Robie Evans*, Laura Wanek*

SECOND ViOLiNS Lee Wolfe*, Steve Ball*, Ken Jerahian, Daniel Kim

ViOLA Francesca Savage*, Paul Grant, Theresa LaGuardia

CELLO Yuri Kytasty*, Lori Kirkell*, Mosa Tsay

BASS Eri k Joh nson*FLUTE Adan Provenci 0*

oBO E Electra O'Mara*FIRST CLARINET. Bob Barnhart*

SECON D CLARI N ET. Katrina Schnorr

TRU MPET Jonathan Ingber*

HORN Jan e Peterson*TROM BON E Louise Titlow*

PERCUSSiON Steve Karo*

*Members of Musicians' Union, Local 325, by Special Arrangement

MUSICAL NUMBERSTime: Late 19th Century

Place: A Victorian Drawing Room

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ACT IOvertu re Orchestra

Pour. 0 pour the pirate sherry Pirates. SamuelWhen Frederic was a little lad Ruth

Oh. better far to live and die Pirate King. PiratesOh. false one, you have deceived me! Frederic. RuthClimbing over rocky mountain Girls. Edith. KateStop, ladies. prayL Frederic, Edith. Kate. GirlsOh, is there not one maiden breast Frederic. Mabel. GirlsPoor wandering one! Mabel. GirlsWhat ought we to do ,' Edith. Kate. GirlsHow beautifully blue the sky Girls, Mabel. FredericStay.we must not lose our senses Frederic, Girls. PiratesHold. monsters! Mabel. Samuel. Major-General, Girls. Pirates

I am the very model of a modern Major-General. Major-General, Girls, PiratesOh, men of dark and dismal fate Ensemble

ACT II

Oh. dry the glistening tear Girls. MabelThen. Frederic. let your escort lion-hearted Major-General. FredericWhen the foeman bares his steel. Sergeant. Mabel. Edith. Major-General. Police. Girls

Now for the pirates' lairL Frederic, Pirate King. RuthWhen you had left our pirate fold Ruth. Frederic. Pirate KingAway. away! my heart's on fire Ruth. Pirate King. FredericAll is prepared Mabel, FredericStay. Frederic. stay! Mabel. FredericNo. I am brave! Mabel. Sergeant, Police

When a felon's not engaged in his employment Sergeant, PoliceA rollicking band of pirates we Pirates. Sergeant. PoliceWith cat-like tread. upon our prey we steal. Pirates. Police, SamuelHush. hush! not a word Frederic. Pirates. Police. Major General

Sighing softly to the river Major-General, EnsembleFinale All

SYNOPSIS

ACT IWhen Frederic was a little boy. his nurse (Ruth) was told to apprentice him to a ship'spilot. She heard the word incorrectly and apprenticed him to a band of pirates. remainingwith them as a maid-of-all-work.As the curtain rises. Frederic's indentures are almost up

and he is preparing to leave the pirate band and devote himself to the extermination ofpiracy. He urges the pirates to join him in embracing a more lawful calling. but they refuse.Ruth. however. wishes to become his wife. Having seen but a few women. he does not

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know whether she is really as pretty as she says she is, but he finally consents to take her.

Just then a group of girls, all the wards of Major-General Stanley, happen upon the scene.Frederic sees their beauty, and Ruth's plainness, and renounces her. The other girls areseized by the pirates and threatened with immediate marriage. When the Major-Generalarrives, he can dissuade the pirates only by a ruse. He tells them that he is an orphan, andso works upon their sympathies, that they let him and his wards go free.

ACT"

The Major-General sits brooding in a Gothic ruin. He is consoled by his wards' sympathyand Frederic's plan of immediately leading a band of police against the pirates. Meanwhilethe Pirate King and Ruth appear and tell Frederic they have discovered that his indentureswere to run until his twenty-first birthday, and, as he was born on February 29, he hasreally had as yet only five birthdays. Obeying the dictates of his strong sense of duty, heimmediately rejoins the pirates. He tells them of the deception that has been practicedupon them, and they seize and bind the Major-General.

The police come to the rescue and charge the pirates to yield "in Queen Victoria's name."This they do. Ruth explains, however, that these men who appear to be lawless pirates arereally all "noblemen who have gone wrong." They are pardoned and permitted to marrythe Major-General's wards.

PRINCIPAL PHOTOS AND BIOS

J. SHERWOOD MONTGOMERY (Major-General Stanley)is glad to return to acting in another Lyric Opera production thisseason. He was most recently seen as Moonface Martin in Anything

Goes. He has acted, designed, and directed throughout the U.S.,including Alliance Theatre (Atlanta), The Shawnee Festival (Indiana),Missouri Repertory Theatre (Kansas City), The Drama Division ofJulliard School (N.Y.C) Starlight (San Diego), Welk Resort Theatre,and San Diego Opera (Die F1edermaus and The Barber of Seville). He

has performed a wide range of roles, from Wolsey in A Man for All Seasons to The Man Who

Came to Dinner in straight plays, to Schultz in Cabaret,"to the Lord Cancel lor in Iolanthe.He is listed in "Who's Who in America" and "Who's Who in the American Arts." Last

year, along with Leon Natker, he received the Shiley Lifetime Achievement in TheaterAward for the body of his work. He collects masks, Acoma pots, and great meals-a hintto the wise gift giver.

BENJAMIN ROBINSON (Frederic) is a native of Raleigh, NorthCarolina, and is making his debut with Lyric Opera San Diego.Highlights from the past season include Mr. Erlanson in A Little Night

Music and Abdallo in Nabucco, with Michigan Opera Theatre, Mr.Splinters in The Tender Land with the Sugar Creek Symphony andSong Festival, and Alfredo (cover) in La Traviata with the St. PetersburgOpera. He has performed extensively with the Ohio Light Opera,notably appearing as Nanki-Poo in The Mikado, Marco in The Gondoliers,

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and Marquis Harrogate in the United States premiere of jerome Kern's The Cabaret Girl. Onthe concert stage, Mr. Robinson has appeared as a soloist in Carmina Burana, Rossini'sPetite Messe Solenelle, and Brahms' Liebeslieder Waltzes. He was an apprentice artist withthe Kentucky Opera in the 2008-2009 season, performing Roderigo in Gtello, Schmidt inWerther, and Almeric in lolanta, and covering the title role in Werther and Frederic in The

Pirates of Penzance. He will be a james Collier Young Artist with the Des Moines Metro

Opera this summer, covering the role of Little Bat in Susannah.

ASHRAF SEWAILAM (Pirate King) received critical acclaim inhis debut at Lincoln Center's Avery Fisher Hall with the TeatroGrattacielo. He was hailed by the New York Times as the "stand out

performance" and subsequent reviews described his voice as "purring

and velvety with Ramfis-like top range" and his stage presence as "strong,

mesmerizing and mysterious."Twice winner of the Spencer Fellowship,Mr. Sewailam was born in Cairo, Egypt, and was a house soloist withthe Cairo Opera Company. Since making his U.S. debut in 2004 with

Opera Colorado as Leporello in Don Giovanni, he has made subsequent debuts with SeattleOpera, Lake George Opera, and Mobile Opera as Colline in La Boheme; Virginia Opera,Chautauqua Opera, and Mobile Opera as Ferrando in /I Trovatore; and Nevada Opera andFresno Grand Opera as Alidoro in La Cenerentola. With enthusiastic reviews and repeatappearances with most of these companies, he now enjoys a robust career as a citizen ofthe United States. He recently made his Carnegie Hall debut as soloist in Rutter's Mass of

the Children, recorded a CD of songs by Stefan Wolpe (in Hebrew) for Bridge Records, andwas a prizewinner at the NewVoices International Competition in Gutersloh, Germany.During the summer of 2009 Mr. Sewailam debuted with Chautauqua Opera, singing theroles of Ferrando in /I Trovatore and Secret Police Agent in The Consul. Also last season,he performed Colline in La Boheme with The Chattanooga Symphony and Opera, andEscamillo in Carmen with Fargo-Moorhead Opera. Engagements this season include Pistolain Falstaff with Seattle Opera, Alidoro in La Cenerentola with Opera Southwest, and Sparafucilein Rigoletto with Fresno Grand Opera.

MEGAN WESTON (Mabel) has been described as having"remarkable virtuosity and charm" (Financial Times), "a gorgeous, light

lyric soprano" (Opera), and being "strong and persuasive" (New YorkTimes). She recently appeared at the St. Amand de Vergt and Entreedes Artistes Festivals in France, and sang the role of Anne in theworld premiere recording of Harold Farberman's Diamond Street onAlbany Records. Notable performances include Olympia in Les contes

d'Hoffmann with Tulsa Opera, Lisain La sonnambula with the CaramoorInternational Music Festival, Despina in Cos! fan tutte with Utah Opera, Adele in Die

Fledermaus with New Haven Symphony, and Lightfoot in Carlisle Floyd's Cold Sassy Tree

with San Diego Opera. She made her Carnegie Hall debut in Mozart's Coronation Mass,

and has sung with the San Diego Symphony, Cape Cod Symphony, Orchestra Nova,Seattle's Cascadian Chorale, and London's Choir of Hendon St. Mary, and has appearedon japan's NHK Television Network in such repertoire as Messiah, fin deutches Requiem,

Carmina Burana, and the Verdi Requiem. She has received top awards from the Gerda

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Lissner Foundation, the Luciano Pavarotti and Loren L. Zachary Competitions, and theMetropolitan Opera Western Regional Auditions. Upcoming engagements include the St.Matthew Passion with the Long Island Choral Society, Knoxville: Summer of 19/5 for theSembrich "Festival of Barber," and Lucia in Lucia di Lammermoor with VeraMusica. She has

performed several roles with LOSD, including Norina in Don Pasquale, Blonde in The

Abduction from the Seraglio, and Cunegonde in Candide.

WALTER DUMELLE (Sergeant of Police) is delighted to returnto Lyric Opera San Diego, having sung in years past the roles ofJoachim, King in Rumpelsti!tskin,Tobias Mills,Usher, Suipice, and Basilio.Representative of over fifty roles, his repertoire has included theMozart characters Leporello, Don Alfonso, Osmin & Sarastro; alongwith Colline, Raimondo, Frere Laurent, Alidoro, and Grandpa Moss.Equally as diverse, the companies and festivals he has appeared withinclude Tijuana, Skylight,Des Moines Metro, Central City, Chautauqua,

Natchez, Intermountain, Connecticut Grand, Utah Festival, Ash Lawn, and the OperaTheaters of Chicago and Connecticut. His G&S repertoire includes The Mikado (NY G&SPlayers; National Savoyards), Dick Deadeye (Natchez), and the Usher (LOSD). With notmuch more than a stool for a set, DuMelle dove into the poetry and songs of Jacques Brei

Is Alive andWel1... (Chautauqua) and was lauded as the "comic highlight" with his portrayalof the First Gangster in Porter's Kiss Me, Kate at Ashlawn. Recently DuMelle returned toOpera de Tijuana for their production of Tosca as the Sacristan and sang the bass solos inLaJolla Symphony's Messiah. Upcoming engagements include performances of Monteverdi'sVespers of 1610 with Bach Collegium San Diego.

FRAN HARTSHORN (Ruth) was last seen in Lyric Opera SanDiego's recent production of A Little Night Music. She has been seenon the Lyric Opera stage for thirteen years in many roles such asCousin Hebe in H.M.S. Pinafore, the Housekeeper in Man of La Mancha,Princess Bozena Cuddenstein in Countess Maritza, Melissa in Princess

Ida, Mrs. Bedwin in Oliveri, Inez in The Gondoliers, and has been in

numerous ensembles in such shows as Candide, The Merry Widow, Die

Fledermaus, and two previous productions of The Pirates of Penzance.

Fran regularly sings jazz at local clubs and restaurants, performs with the MoonlightSerenade Orchestra, a local big band, and with the jazz vocal ensemble Sounds Divine.She is a soloist at Park Hill United Methodist Church, and has released Introducing Fran

Hartshorn, a solo jazz CD of originally arranged standards.

SARAH E. BRAND (Edith) holds a Bachelor of Music degree inVocal Performance from the University of Colorado at Boulder. Rolesperformed include Nella in Gianni Schicchi with CU Opera, MissPinkerton in The Old Maid and the Thiefwith the Emerald City OperaInstitute, Giannetta in The Elixir of Love with Emerald City Operamain stage, and Blondchen in Die Entfiihrung aus dem Serai! in sceneswith the San Diego Opera Summer Intensive. On the musical theatre

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stage, Sarah has performed the role of Lily in The Secret Garden with California YoungActors Conservatory Theatre. She is a member of the San Diego Opera chorus, mostrecently completing productions of La Boheme and Nabucco. She is also a frequent performerwith WA.M. [Words and Music], a collaborative school program of San Diego Opera andLa Jolla Playhouse. Sarah was the winner of the Robert Faulk Encouragement Award atthe Metropolitan Opera National Council Auditions, San Diego district in 2008. She willbe a member ofthe OperaWorksAdvanced Artist Program this summer. This is her thirdproduction with Lyric Opera San Diego.

MARY BOLES (Kate) is the alto soloist at La Jolla Presbyterian

Church. She has appeared as a soloist in local concerts of works byBach, Durufle, Handel, Haydn, Rachmaninoff, Saint-Saens, Schubert,and Vivaldi. As a guest soloist with the San Diego Master Choraleshe sang works by Debussy, Rachmaninoff, and the world premiereof FATHOM, a music, dance, and visual art collaboration with

Malashock Dance Theater. With the San Diego Symphony she sangSecond Fairy in Mendelssohn's Midsummer Night's Dream and Second

Seraphim in Mendelssohn's Elijah Oratorio. She sings chorus at San Diego Opera, andpreviously appeared at Lyric Opera San Diego as the Baroness in Candide, as well as in thechorus of The Merry Widow, Don Pasquale, Die Fleidermaus, and The Abduction from the

Seraglio.

CLAIRE KENNELLY (Isabel) is very happy to be appearing inher sixth show with Lyric Opera San Diego. Other credits includeEnsemble for H.M.S. Pinafore, Daughter of the Regiment, Trial by Jury /

Rumpe/stiltskin, A Waltz Dream, and Anything Goes. She received herBachelor of Arts in Drama with emphasis in Musical Theatre, and aMinor in Art History from the University of California, Irvine. Shehas studied voice since middle school with various teachers

throughout San Diego and Los Angeles. Claire lives and works intheatre and hopes to be in many more productions to come.

JONATHAN LUCERO (Samuel) is a San Diego native and hasbeen involved in music and the performing arts since he was 12years old. Jonathan has performed in Lyric Opera's productions ofMan of La Mancha, Candide, Daughter of the Regiment, Trial by Jury /

Rumpe/stiltskin, and Anything Goes. He also sings with the San DiegoOpera Chorus and St. Paul's Cathedral Choir. Jonathan aspires tosing professionally around the world and continue developing into awell-rounded actor, singer, and musician. He is eternally grateful to

his family, friends, teachers, and girlfriend Sunny for their love and support.

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LISA ELLIOTT (Mabel Understudy I Daughter) is thrilled tobe covering Mabel, having just played Mrs. Nordstrom in LOSD'slast production, A Little Night Music. Other LOSD roles include Fifiin A Waltz Dream, Celia in Iolanthe, Sylviane in The MerryWidow, andIIka in Countess Maritza. Lisa holds a Master of Music degree in vocalperformance from SDSU, and a Bachelor of Arts degree in Musicfrom Scripps College. She is the soprano soloist for the VillageCommunity Presbyterian Church Choir in Rancho Santa Fe. Recent

concert works include Handel's Messiah and Vivaldi's Gloria. Her soprano duo Serenati,

performs in a variety of concert events regularly throughout southern California.

JAMES SCHINDLER (Sergeant of Police Understudy I Police)is pleased to return to Lyric Opera San Diego after debuting in2008 as Maximilian in Candide. He recently returned to San Diegoafter a successful run as Bartolo in Le Nozze di Figaro with the LightOpera Company of Salisbury. Other roles include Simone in Gianni

Schicchi, Don Alhambra in The Gondoliers, Matthew in La Divina,

Geronimo in /I Matrimonio Segreto, and Karl Olsen in Street Scene.He has also performed with San Diego Opera as part of the chorus

for the past three seasons. James graduated from San Diego State University with adegree in Music Performance. In his early career, James was fortunate enough to singwith a performing ensemble that toured through England, Spain, Portugal, and Japan, aswell as many major cities across America.

SUPPORTING CAST PHOTOS

BRENT LAWRENCE JOEL STEPHANIE DANIELBURBANK FILO GOSSETT HABLE HALL

RAECHELE WILLIAM DYLAN DEVON THERESA

DANAE HANS HENRY HOFFINGER HOLLINGSWORTH KESSER

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DORIAN~<, .;c~:,;,K.~.ZIA... _ D0I':I~L[)}EE: . K1T PAUL.MICHAELKOEHRING LlU MCKEE MEDINA MORGAVO.,

DANIEL JEFF KYLENA CALLIE WILLIAMMYERS MYERS PARKS PRENDIVILLE PROPP

SAUL CHUCK JAMES ZOE ANNAPROPP RAMSEY ROUSE SMITH STRICKLAND

SHAUN DANIEL KATIE MOLLY JOEH.TUAZON VALKO WHITE WHITTAKER ZILVINSKIS

LYRIC OPERA SAN DIEGO is a member of

-Con Vis-Jewish American Chamber of Commerce

-Endow San Diego at the San Diego Foundation

10STAFF BIOS

LEON NATKER (Director I Conductor I General Director) is

in his 21 st year at the helm of Lyric Opera San Diego and his fifth asmanager of the Stephen and Mary Birch North Park Theatre. Hemade his stage directing debut at 16, when he formed his own the­ater group and directed Albee's The American Dream. He made hisprofessional directing debut at 24 with a production of Britten's The

Beggar's Opera. Since then he has directed productions ranging from 1Purcell's Dido and Aeneas to Gershwin's Lady Be Good, and the now

infamous "Venice Beach" Gondoliers. He has directed for such companies as Oak Park rCivic Opera, DuPage Opera Theater, Quicksilver Theater, San Diego Opera Outreach, ,Chamber Opera of Chicago, and Shawnee Festival Theater. He was a founder of ChicagoOpera Theater, where he sang in more than a dozen productions. During the summer,Leon is often on the faculty of The American Institute of Musical Studies in Graz,Austria.

For Lyric Opera, he has directed and conducted over 29 productions, including ourcritically acclaimed Rumpe/stiltskin and Trial By Jury.

PAM STOMPOLY-ERICSON (Costumes I Makeup Supervision) has been a mem­ber of the Lyric Opera San Diego family since the beginning of time. She has been theresident costume designer and coordinator and makeup artist for more shows than shecan remember, much less list. In her free time (?), Pam helps to run The Costume Shop, isprincipal wig and makeup artist for San Diego Opera, is makeup designer and instructorfor La Jolla Playhouse and UCSD, and freelances as a costumer and makeup artist fornumerous local theatre and film projects around town. Most recently she finished themakeup design for LaJolla Playhouse's The Wiz, special effects makeup for LJP'sMemphis, aswell as their premiere of Third Story by Charles Busch. She's pleased to announce thatThird Story has made its way to New York, along with her designs, starring Kathleen Turnerand Charles Busch! As always, Pam really needs to thank everyone involved in theprocess of getting one of these shows up, for without the amazing staff, there would be nocostumes or makeup! And thank you Mom and Paul for putting up with me and myschedule and jumping in where and when needed!

MATTHEW NOVOTNY (Lighting Designer) is happy to be doing his 34th show withLyric Opera San Diego, having designed such shows as Hansel and Gretel, Man of La Mancha,

Iolanthe, The King and I, Die Fledermaus, The Beggars Opera, and Abduction from the Seraglio, toname a few. Other local design credits include A Little Night Music and A Number (CygnetTheatre), A Shanya Maidel, Rashomon and Baby (North Coast Rep), and Das Barbecii andForbidden Broadway, SVU (MiracleTheatre Productions). Matthew designed the world premierechildren's opera Mice and Beans for the North Coast Singers, as well as the world premiereone-act opera The Game at the Kennedy Center inWashington, DC. Matthew assisted two­time Tony winner Donald Holder (The Lion King, South Pacific) on the pre-Broadway run ofGem of the Ocean and Tony Award-winner Kevin Adams (Spring Awakening) on The Rose

Tattoo for the Huntington Theatre Company in Boston. Matthew holds a BA in TechnicalTheatre from San Diego State University, and a Masters in Lighting Design from BostonUniversity.

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JANIE PRIM (Choral Preparation) is currently in her fifteenth year as Chorusmistress/ Rehearsal Pianist for Lyric Opera San Diego, and is in demand for recitals and auditionsthroughout the West Coast. She is a principal ballet pianist for San Diego Opera, and hasserved as Musical Director for the San Diego Opera Ensemble, as well as ballet rehearsal

pianist for past San Diego Opera productions, most recently Aida,Tannhiiuser, and Massenet'sDon Quichotte. She is official pianist for the Metropolitan Opera Auditions, and organizesand plays for the Winners' Concert each year. A versatile performer, she has worked withthe Old Globe Theater (Paramour), the San Diego Repertory Theater (Burning Dreams), theOld Town Theater (Side by Side by Sondheim), and frequently organizes private musicalevents for special occasions. In addition to her performing commitments, Ms. Prim maintainsa private coaching studio, and is organist at St. Bartholomew's Church in Poway.

DIANA VASSALL-DUMELLE (Production Manager) is thrilled to return to LyricOpera San Diego after ten years working professionally in NYC. Most recent creditsinclude: Production Manager & Education Co-Director for New York City's criticallyacclaimed Gotham Chamber Opera. She also served as Production Stage Manager forcompanies across the U.S., including Lincoln Center Festival, Caramoor Music Festival,Bard Music Festival, Orlando Opera, Connecticut Opera,Augusta Opera, Dicapo Opera,and LOSD. Diana has had the honor of working with many leading opera and musicaltheater legends, including Regina Resnick, Martina Arroyo, Renee Fleming, and composer/arranger Jonathan Tunick. Diana graduated with degrees in Keyboard Performance andMusic Education from UCLA, with further studies atThe Royal College of Music, London.

AMANDA SALMONS (Production Stage Manager) is pleased to be back withLyric Opera San Diego. She was a part of Rumpe/stiltskin / Trial by Jury and Candide lastseason. Most recently she worked on Lost inYonkers at The Old Globe. Her credits includeproductions with The Old Globe, LaJolia Music Society, and Sacramento Music Circus. Ms.Salmons graduated with a degree in Theatre from UC San Diego.

522 • Adults with LOSD or KSDS membership card 527· Adults General Admission515 • Students on day of show

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MAY 5

JUNE 2

JULY 7

DUO JAZZ PIANO CONCERT

featuring"KENNY WERNER and MIKE WOFFORD

GRAHAM DECHTER QUARTET featuring T AMIR HENDELMAN,-JOHN CLAYTON and JEFF HAMILTON

TERELL STAFFORD QUAR!ET feat~ring _GERALD CLAYTON

DENISE DONATELLI with the GEOFFREY KEEZER QUARTET