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Qualitative Data Analysis : An Introduction Carol Grbich Chapter 11 Ethnodrama.
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Transcript of Qualitative Data Analysis : An Introduction Carol Grbich Chapter 11 Ethnodrama.
Qualitative Data Analysis : An Introduction
Carol Grbich
Chapter 11Ethnodrama
Ethno drama and performance texts
Key points
Ethnodrama is a powerful tool for highlighting cultural issues and the perspectives of disempowered people
The skills of a playwright are essential
The dialogical aspect of performance bringing together diverse perspectives can be an important vehicle for change
Ethno drama
A hermeneutic and critically reflective process
The primary objective is to educate or bring about change in your audience by using ethnographically derived data to present political and social issues in dramatic form.
Ethnodrama Process 1.
Source data from: interviews, observations and documentation to produce a polyphonic narrative collage.
Develop characters
Develop script – dialogue and activityMonologueDialogueMonologue+ dialogue
Ethnodrama Process 2. Develop the story line - Take out the essence of
field notes, interview transcripts and journal entries, photos, TV scripts etc
Keep the numbers of actors to the minimum required to tell the story
Decide from whose perspective the story is to be told
What role should the researcher play?
Use theatrical artifacts to send messages to the audience rather than overusing language–
Dialogical validation
Ongoing dialogue with participants
Pre performance : Dialogical interaction with
Actors
Relevant community groups
Post performance: Dialogical interaction with
the Audience
Actors
Community groups
CriticismsQuality
Researchers are not playwrights
Ethics
Uncertainties of participants
Participant vulnerability
The dialogic encounter
Whose perspective dominates
Well researchers negotiate?
Evaluation
What level of participation do key participants have in the creation of their stage characters and the dialogical negotiation which follows a performance?
What levels of interactivity occur with the audience and with relevant public groups through dialogical exchange
Do performances succeed in bringing people of different perspectives together so exchange and collaboration can occur?
What are the outcomes of these interactions in terms of change? (adapted from Jones, 2007)
New forms of Ethnodrama
World wide web as a stage
Autoethnodrama
Articles written as dramatic scripts