Q1b Film Language
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Transcript of Q1b Film Language
8/9/2019 Q1b Film Language
http://slidepdf.com/reader/full/q1b-film-language 1/12
Section A - Question 1b(25 marks)
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}? You cannot attempt to considerdiscussing these concepts untilyou can define them.
A2 teaser trailer
AO1
Demonstrate knowledge and understanding of media concepts, contexts and
critical debates, using terminology appropriately and with accurate andcoherent written expression.
AO2
Apply knowledge and understanding to show how meanings are created when
analysing media products and evaluating your own practical work.
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So again, how do we write about this in half an hour?
Paragraph 1: Intro: which of your projects are you going to write about?
briefly describe it
Paragraph 2 : what are some of the key features of the concept you are
being asked to apply? maybe outline some of the theories briefly
Paragraph 3: start to apply the concept, making close reference to your
production
Paragraph 4: try to show ways in which ideas work in relation to your
production and also ways in which those ideas might not apply/could be
challenged
Paragraph 5: conclusion
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Media Definition Relation to teaser trailer
Before you even begin to revise for the exam,you need to know exactly what these 5 media terms mean
Complete a table like the one below on your page.
Genre
Narrative
Representation
Audience
Media Language
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Media Language1
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Media Language is probably the most open one if itcomes up, because it allows you to talk about the otherareas as well (genre, narrative, audience) as it is about
the techniques and conventions of your project,namely your use of the micro elements
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8/9/2019 Q1b Film Language
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Mise-en-scene
micro
SoundCinematography(camera)
Editing
Special Effects
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{ {FILM
LANGUAGE
(MEANING FOR
AN AUDIENCE)
LIGHTING, COLOUR
PROPS, LOCATION,
PERFORMANCE,
COSTUME & MAKE-UPSET DESIGN
{
{{
{{ TRANSITIONS (FADE, CUT etc)
SOUND EDITING
CONTINUITY TECHNIQUES
VISUAL EFFECTS
CGI, GREEN SCREEN
PYROTECHNICS/EXPLOSIONS
MODELS, STOP MOTION
SHOT SIZES & FRAMING
CAMERA ANGLESCAMERA MOVEMENT
SHOT TYPE
DIEGETIC, NON-DIEGETIC
SOUND EFFECTS,
SOUNDTRACK,
NARRATION
• REPRESENTATION
• NARRATIVE
• GENRE
• MISE-EN-SCENE
• EDITING
• SPECIAL EFFECTS
• CINEMATOGRAPHY
• SOUND
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theoryRoland Barthes - Codes (enigma action etc)
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Questions
• What technical aspects did you consider during your own
production?
• How did you use them? Did you suggest or symbolise any messages
for your audience to interpret?
• How does your piece COMMUNICATE with your audience?
Denotation/Connotations:Camera shots (and their connotations)
Mise-en-scene (especially lighting/colour)
Soundtrack
Editing
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Essay Question:
Explain how meaning is constructed by the
use of media language in one of yourcoursework productions.
Research and include some of the followingtheories in your own work:
Roland Barthes (codes: enigma action etc)
Semiotics
Bordwell & Thompson
Charles Pierce