Property of Robert Henry Adams Fine Art
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Transcript of Property of Robert Henry Adams Fine Art
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no.112 Property of Robert Henry Adams Fine Art
lh
Property of Robert Henry AdamsFine ArtMonday 4 May 2009
lhP R E V I E W
WEDNESDAY, APRIL 29 | 10AM - 5PM
THURSDAY, APRIL 30 | 10AM - 5PM
FRIDAY, MAY 1 | 10AM - 5PM
SATURDAY, MAY 2 | 10AM - 5PM
SUNDAY, MAY 3 | 10AM - 3PM
A U C T I O N
MONDAY, MAY 4 | 5PM
FINE ART, LOTS 1 - 235
FINE BOOKS, LOTS 236 - 285
www.lesliehindman.com
© Leslie Hindman Auctioneers, Inc. 2009
C H I C A G O , I L L I N O I SILLINOIS AUCTIONEERS LICENSE NUMBER 041.0000367
Cover:
135Jan Matulka(American, 1890-1972)Cityscape, circa 1925watercolor and gouache on paper21 x 18 inches. $1,000-2,000
Lot 46
PROPERTY OF ROBERT HENRY ADAMS FINE ART
Leslie Hindman Auctioneers is delighted to handle property from Robert Henry Adams Fine Art, the respected Chicago gallery which has promoted the work of American artists for over 25 years. In the late 1970s, Chicagoan Rob Adams began dealing in antique books and prints, and by the early 1980s, had become a “dealer’s dealer,” selling paintings by both well-known and undiscovered American artists. His first gallery was located on an industrial stretch of Webster Avenue near the Chicago River. The gallery moved in 1994 to its current location in the River North gallery district and became increasingly well-known for showing the work of American Regionalist, Chicago, and African-American artists. Robert Henry Adams, a beloved dealer with a unique “eye,” passed away in 2001. The gallery has remained open to the public and run by his wife, Sandra Michels Adams, and an esteemed staff. With the closing of the gallery, we hope that this sale will offer collectors the opportunity to enjoy works of American art for which Robert Henry Adams Fine Art has long been appreciated.
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Contents
FINE ART 6
FINE BOOKS 44
ARTIST INDEX 51
GLOSSARY OF TERMS 51
AUCTION INQUIRIES 52
CONDITIONS OF SALE 54
ABSENTEE AND TELEPHONE BID FORM 56
8 L E S L I E H I N D M A N A U C T I O N E E R S
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Fine ArtLots 1 - 235
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1Gertrude Abercrombie(American, 1909-1977)Encampment, 1948oil on masonitesigned and dated (lower right)4 1/4 x 5 1/2 inches. $5,000-7,000
2Josef Albers(German, 1888-1976)I-S, (from Formulation/Articulation)color silkscreenedition 38/125, initialed and dated 70 (lower right)13 3/4 x 13 3/4 inches. $400-600
3Robert Amft(American, b. 1916)Untitled,1938pastel and gouache on papersigned (lower right)12 x 18 inches. $300-500
4Anthony Angarola(American, 1893-1929)The Titian, 1927lithographedition 20, signed $500-700
5Rifka Angel(American, 1899-1972)Still Life, circa 1950oil on boardsigned (lower right)18 x 12 inches. $500-700
6Rifka Angel(American, 1899-1972)Two Girls, circa 1930oil on canvas24 x 18 inches. $500-700
7Rifka Angel(American, 1899-1972)Simkie of the Uday-Shan Kar Dancers, circa 1935oil on artist’s board19 x 13 1/4 inches. $200-400
8Emil Armin(American, 1883-1971)Pitch, circa 1935-40crayon and graphite on papersigned (lower right), titled (lower left)6 x 8 inches. $300-500
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9Emil Armin(American, 1883-1971)Haste, circa 1930etchingedition 10, signed (lower left), titled (lower right)3 x 3 inches. $100-200
10Emil Armin(American, 1883-1971)The Vagabond (pen holder) and Untitled (conversation box), circa 1925carved woodeach signed, one titled7 3/4 x 6 x 3 1/4, 2 1/4 x 9 3/4 x 5 inches. $500-700
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11Jean Arp(French, 1886-1966)Compositioncolor woodblockedition 47/5010 x 8 inches. $300-500
12Ben Benn(American, 1884-1983)Untitled (Still Life), 1916oil on canvas laid to boardsigned and dated (lower right)16 x 12 inches. $1,000-2,000
1 2 L E S L I E H I N D M A N A U C T I O N E E R S
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13Leon Bishop20th centuryUntitled (Abstraction), 1948gouache and ink on paper, mounted on paper boardsigned and dated (lower left)16 1/2 x 20 7/8 inches. $500-700
14William Blake(British, 1757-1827)Variant from Blair’s Grave, circa 1810engraving11 x 5 1/2 inches. $100-200
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15Ruth H. Bohan(American, 1891-1981)Girl in White Dressoil on canvas20 x 23 1/2 inches. $500-700
16Ruth H. Bohan(American, 1891-1981)Night Sketch at Cleveland, circa 1940oil on board10 x 14 inches. $500-700
17Ilya Bolotowsky(American, 1907-1981)Variation IV, circa 1975silkscreen on paperedition 91/125, signed (lower left)24 x 24 inches. $400-600
18Beatrice Bond20th centuryNew York, Back Rooms of Findlay Galleries, Back Bank from Prince George Hotel and Untitled (Ships at Dock)(a group of four works)various mediaeach signedLargest 16 5/8 x 12 inches. $400-600
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19Aaron Bohrod(American, 1907-1992)Anatomy of a Horse, circa 1960oil on gesso panelsigned (lower right)30 x 24 inches. $3,000-5,000
20Henrietta Brander(American, 20th Century)Growth, circa 1935watercolor and gouache on illustration board21 1/4 x 14 7/8 inches. $300-500
21Edgar Britton(American, 1901-1982)Nude Sitting, 1941ink on papersigned and dated (lower right)7 1/2 x 5 1/4 inches. $200-400
22Ann Brockman(American, 1899-1943)Quarry Sunset, circa 1940oil on canvassigned (lower right)34 x 40 inches. $2,000-4,000
1 4 L E S L I E H I N D M A N A U C T I O N E E R S
23Fritzi Brod(American, 1900-1952)Three Heads, circa 1935lithographedition 1/12, signed (lower right)10 x 9 3/4 inches. $50-100
24J. F. Cada(American, 20th Century)Photogram, circa 1940gelatin silver printsigned (on the verso)11 1/2 x 17 1/2 inches. $500-700
25J. F. Cada(American, 20th Century)Fire Escapesgelatin silver printsigned (on the verso)4 x 5 inches. $200-400
26Dorothy Cantor20th centuryUnion Square, 1958graphite on papersigned (lower right)9 3/4 x 12 3/4 inches. $50-100
27Clarence H. Carter(American, 1904-2000)Grain Silos, 1952graphite and white chalk on papersigned and dated (upper left)8 1/2 x 11 inches. $400-600
28Wynn Chamberlain(American, b. 1929)Self-Portrait with Cat, 1959egg tempera on masonitesigned and dated (lower right)32 x 27 inches. $5,000-7,000
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29Louis Cheskin(American, 20th Century)Untitled (Tree)watercolorsigned (lower left)8 1/2 x 12 inches. $100-200
30ClerifseauArch of Septimus Severus and Caracalla, together with a print and an ink on paper and a box of woodcut reproductions. $400-600
31William Corasick(American, 1907-2002)Untitled, 1940ink and pastel on papersigned (lower right)12 x 14 1/2 inches. $800-1,200
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32Gordon Coster(American, 1903-1938)Aerial View, 1923gelatin silver printsigned (lower right)8 1/2 x 12 inches. $600-800
33Harold Cousins(American, 1916-1992)Man, 1949carved wood and wiresigned and dated $800-1,200
34Harold Cousins(American, 1916-1992)Political Prisoner, 1954polychromed terra cottainscribedHeight 29 1/2 inches. $1,000-2,000
35John Rogers Cox(American, 1915-1990)Untitled (Business Man), Untitled (Man Stabbed Through the Chest), Untitled (Ship at Sea) and Untitled (Spoon) (a group of four works)various mediaLargest 13 1/2 x 9 5/8 inches. $300-500
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36John Steuart Curry(American, 1897-1946)Untitled (Univ. of Wisc. Football Game), circa 1939charcoal on paper44 x 30 inches. $4,000-6,000
37John Cunning(American, 1889-1953)Portrait of Vita (J. Cunning’s wife), circa 1930oil on canvas30 1/2 x 24 inches. $800-1,200
38Albert Deman(French, b. 1927)House Under Grey Sky, 1953oil on canvassigned and dated (lower right)25 x 34 inches. $1,000-2,000
39Margaret De Patta(American, 1903-1964)Untitled (Abstraction), circa 1940ink on tissue paper7 5/8 x 8 3/8 inches. $600-800
40Robert Donald Erickson(American, 1917-1991)Kaleidoscope, circa 1950gelatin silver print5 5/8 x 4 1/2 inches. $500-700
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41Robert Donald Erickson(American, 1917-1991)Power Geometry #4, 1951gelatin silver printsigned and dated (on the mount), signed and titled (on the verso)5 5/8 x 3 7/8 inches. $500-700
42Robert Donald Erickson(American, 1917-1991)Untitled (Photogram), circa 1950gelatin silver print8 x 6 inches. $500-700
43John Fabion(American, 1905-1982)Tanks and Salvos, circa 1945gouache on illustration boardsigned (lower right)13 1/8 x 16 1/4 inches. $500-700
44Lorser Feitelson(American, 1898-1978)Figure Drawing, circa 1940charcoal on papersigned (lower right)12 1/2 x 7 1/2 inches. $200-400
45William Ferguson(American, 1905-1985)Untitled (Fantastic Creatures), 1948oil on panelsigned (upper left)10 x 14 inches. $400-600
46Richard Filipowski(American, 1923-2008)Untitled, 1947oil on perforated metalsigned and dated (lower left) and (verso)10 1/2 x 10 1/2 inches. $2,000-4,000
47David Foster20th centuryFDR is Dead, circa 1945gelatin silver printsigned (on the verso)4 3/4 x 3 3/4 inches. $100-200
48Karoly Fulop(American, 1893-1963)Figures in an Abstract Composition, circa 1935oil on panel24 x 21 1/4 inches. $1,000-2,000
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49Carl Gaertner(American, 1898-1952)Bermuda, circa 1925 and Untitled (Building in Landscape) (a pair of works)one oil on canvasboard, one watercolor on paper mounted on boardone signed and titled (lower right)11 x 14 inches, 21 7/8 x 24 1/4 inches. $600-800
50Carl Gaertner(American, 1898-1952)Untitled (House on Hill), Untitled (Seaside) and Untitled (Wooded Landscape with Houses), circa 1925(a group of three works)various mediatwo signed (lower right)Largest 20 x 15 inches. $700-900
51Arnold Genthe(American, 1869-1942)New Orleans, circa 1930gelatin silver print12 1/8 x 9 1/18 inches. $200-400
52Eugene Godfrey(American, b. 1918)Untitled (Virtual Volume Study), 1948gelatin silver printsigned (on the mount)6 3/4 x 4 3/4 inches. $200-400
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53Charles Goeller(American, 1901-1955)Night Shift Helps Rush the Order Through, circa 1938graphite on papersigned (lower right)11 1/2 x 7 3/4 inches. $1,000-2,000
54Maurice Goldberg(American, 20th Century)Model for 1933 World’s Fair by Norman Bel Geddes, 1930 and Model for 33 World’s Fair (a pair of works)gelatin silver printsone stamped (on the verso)Largest 10 x 13 1/2 inches. $200-400
55William Kent Hagerman(American, 20th Century)N.W. Univ. Chicago Campusetchingsigned (lower right)6 3/4 x 10 inches. $40-60
56Kalman Himmel(American, b. 1903)Woman on Sidewalk, 1939watercolorsigned (lower left)23 x 17 3/4 inches. $100-200
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57Marguerite Hohenberg(American, 1882-1972)Chronological #38, circa 1935gouache on papersigned (lower right), signed and dated (verso)20 x 13 inches. $800-1,200
58Marguerite Hohenberg(American, 1882-1972)Chronological #51, 1937gouachesigned, titled and dated (verso)24 x 18 inches. $800-1,200
59Marguerite Hohenberg(American, 1882-1972)Chronological #78, 1937gouache on black papersigned, titled and dated (verso)20 x 13 inches. $800-1,200
60Marguerite Hohenberg(American, 1882-1972)Chronological #113gouache on papermonogrammed (lower right)20 x 26 inches $800-1,200
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61Marguerite Hohenberg(American, 1882-1972)Chronological #325, circa 1935gouache on paper13 x 20 inches. $600-800
62Marguerite Hohenberg(American, 1882-1972)Untitled (5 red and white spheres), circa 1948gouache and watercolor on paper20 7/8 x 27 7/8 inches. $1,000-2,000
63Charles H. Howard(American, 1899-1978)The Binary Armature, 1951oil on canvassigned and dated (lower right)10 x 17 inches. $6,000-8,000
64Dudley Huppler(American 1917-1988)Untitled (Trees, Rome), 1953ink on papersigned and dated (lower left)15 3/4 x 9 1/4 inches. $50-100
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65Louis Icart(French, 188-1950)Le Dame Aux Camillesetching and aquatint16 x 20 inches. $300-500
66Chuck Jones(American, 1912-2002)Bugs Bunny/Rabbit Hole, 1960graphite on paper8 1/2 x 6 1/2 inches. $300-500
67George Josimovich(American, 1894-1986)Untitled (Kneeling Nude), circa 1935ink on papersigned (lower right)13 1/2 x 11 inches. $100-200
68William Kay20th centuryIn Mothballs, Sausalito, 1964oil on canvas boardinitialed and dated (lower right)16 x 20 inches. $100-200
69Mat Kauten20th centuryUntitled (Newsboy), Untitled (Policeman) and Untitled (Politician) (a group of three works)gouache on illustration boardeach signedLargest 17 x 14 inches. $300-500
70Greta Kempton(American, 1903-1991)Untitled (Portrait of a Young Woman), circa 1930oil on canvas12 x 10 inches. $400-600
71Jean Kendall(American, 20th Century)Artificial Negative, 1946, Beauty Rest Rocker (Double Exposure), 1945 and Untitled (Torn Paper), 1947 (a group of three works)gelatin silver printstwo signed and dated (lower right), one signed and dated (lower left)Largest 6 3/4 x 4 3/4 inches. $400-600
72Erna Klein20th centurySketchbook No. 20, Sketchbook No. 28, Sketchbook No. 29 and Sketchbook No. 31, circa 1910(a group of four works)two watercolors, two watercolors with graphiteDiameter of Largest 5 3/4 inches. $100-200
73Erna Klein20th centurySketchbook No. 21, Sketchbook No. 22, Sketchbook No. 30A and Sketchbook No. 6, circa 1910(a group of four works)watercolorsDiameter of Largest 5 3/4 inches. $100-200
74Erna Klein20th centurySketchbook No. 23, Sketchbook No. 24, Sketchbook No. 30, Sketchbook No. 4 and Sketchbook No. 8, circa 1910 (a group of five works)three watercolors with graphite, two watercolorsLargest 6 3/4 x 4 1/2 inches. $100-200
75Medard Klein(American, 1905-2002)Abstraction, 1940graphitesigned (lower left)9 x 14 3/8 inches. $300-500
76Medard Klein(American, 1905-2002)Untitled, 1943casein on artist boardsigned and dated (lower right)14 x 17 inches. $400-600
77Richard Koppe(American, 1916-1973)Untitled (Abstract Forms in Grey Landscape), circa 1946gouache on paper mounted on illustration boardsigned (lower left)11 1/2 x 14 1/2 inches. $300-500
78Richard Koppe(American, 1916-1973)Sea Bird, circa 1949relief linocut on papersigned (lower right), titled (lower left)12 x 12 inches. $100-200
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79Richard Koppe(American, 1916-1973)Untitled (Beach Forms in Grey Interior), circa 1946gouache on papersigned (lower right)11 1/2 x 14 1/2 inches. $400-600
80Richard Koppe(American, 1916-1973)Untitled (Abstract Forms), circa 1946gouache on papersigned (upper right)11 1/2 x 14 1/2 inches. $300-500
81Richard Koppe(American, 1916-1973)Untitled (Seated Woman), circa 1945gouache on papersigned (lower right)14 1/2 x 11 1/2 inches. $400-600
82Myron Kozman(American, 1916-2002)Study for Light Box, 1940watercolor on papersigned and dated (lower right)10 1/4 x 19 inches. $300-500
83Richard Koppe(American, 1916-1973)Untitled (Seated Woman), circa 1946gouache on papersigned (lower left)14 1/2 x 11 1/2 inches. $400-600
84Richard Koppe(American, 1916-1973)Fire Figure, circa 1949relief linocut on papersigned (lower right), titled (lower left)11 7/8 x 7 1/4 inches. $100-200
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85Richard Koppe(American, 1916-1973)Untitled (Woman with Hand to Chest), circa 1945gouache on papersigned (center left)14 1/2 x 11 1/2 inches. $400-600
86Richard Koppe(American, 1916-1973)Untitled (Abstract Forms), 1945gouache on papersigned and dated (lower right)11 1/2 x 14 1/2 inches. $300-500
87Richard Koppe(American, 1916-1973)Untitled (Woman with Raised Hand), circa 1945gouache on papersigned (lower left)14 1/2 x 11 1/2 inches. $400-600
88Richard Koppe(American, 1916-1973)Untitled (Abstract Forms in Red Landscape), circa 1946gouache on papersigned (upper left)11 1/2 x 14 1/2 inches. $300-500
89Myron KozmanA Group of Three prints $200-400
90Myron Kozman(American, 1916-2002)Chemical Drawing, 1938silver gelatin print8 x 10 inches. $50-100
91Myron Kozman(American, 1916-2002)Abstraction #207 and Abstraction #305, 1941silkscreenseach signed (lower right), one dated (lower right)12 1/4 x 21 1/2, 12 x 17 inches. $200-400
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92Myron Kozman(American, 1916-2002)Untitled (Water on Tin Foil), circa 1940gelatin silver printsigned (on the verso)5 x 7 1/8 inches. $200-400
93Bernard Kroeber20th centuryA City Map, 1966oil on canvassigned and dated (lower right), dated (verso)31 x 31 inches. $300-500
94Manner of Yasuo Kuniyoshi(Japanese/American, 1893-1953)Pastoral Landscapeoil on paper16 x 16 1/2 inches. $1,000-2,000
95Jessie Pixley Lacey(American, 1865-1957)A Group of Four Worksoil on canvasLargest 17 x 13 1/4 inches. $100-200
96Jessie Pixley Lacey(American, 1865-1957)A Group of Seven Worksoil on canvasLargest 18 x 15 inches. $80-120
97Jessie Pixley Lacey(American, 1865-1957)A Group of Five Worksoil on canvasLargest 14 1/4 x 11 inches. $100-200
98Doris Lee(American, 1905-1983)Untitled (Grazing Cows)silkscreen on papersigned (lower right)18 x 24 inches. $100-200
99Lucile Leighton(American, 20th Century)Victory Parade, circa 1945oil on canvassigned (lower right)22 x 18 inches. $100-200
100Franz Leitgeb(German, 1911-1997)Serbian Teacheroil on panelsigned (lower right)12 x 10 inches. $300-500
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101Frank Levstik(American, 1908-1985)Untitled (Billboard), circa 1940gelatin silver print13 3/4 x 11 inches. $200-400
102John Liello(American, 20th Century)A Group of Sixteen Workscharcoal on paper $800-1,200
103John Liello(American, 20th Century)A Group of Seventeen Workscharcoal on paper $800-1,200
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104After Aristide Maillol(French, 1861-1944)Georgics by Virgil, together with a print by Henri de Toulouse-Lautrec and an ink on paper by Bourdellewoodcut4 1/2 x 6 inches. $100-200
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105Roman Maraz(American, 1911-1979)Woman Reading in a Mathsson Chair, 1942tempera on muslin mounted to boardsigned and dated (lower right)29 x 21 1/2 inches. $1,000-2,000
106George Marinko(American, 1908-1989)Gooseberry Hollow, 1940oil on canvassigned and dated (lower right)25 x 30 inches. $2,000-4,000
107Ezio Martinelli(American, 1913-1980)Untitled (Abstraction), 1946oil on wood paneldated (verso)12 1/2 x 8 1/8 inches. $1,000-2,000
108Ezio Martinelli(American, 1913-1980)Untitled (Abstraction), circa 1945oil on canvas16 3/4 x 33 inches. $2,000-4,000
109Ezio Martinelli(American, 1913-1980)Untitled (Abstraction), 1946mixed media on wood paneldated (verso)20 x 40 1/4 inches. $1,000-2,000
110Ezio Martinelli(American, 1913-1980)Untitled (Abstraction), 1948oil on canvasestate stamp (verso)46 x 22 inches. $1,000-2,000
111Ezio Martinelli(American, 1913-1980)Untitled (Abstracted Figure), 1953ink on papersigned (lower right)62 1/2 x 45 inches. $400-600
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112Ezio Martinelli(American, 1913-1980)Untitled (Abstraction)oil on un-stretched canvassigned (lower right)24 3/4 x 42 inches. $1,500-2,500
113Ezio Martinelli(American, 1913-1980)Untitled (Abstraction), circa 1953mixed media on paper, mounted to masonite32 x 24 inches. $400-600
114Ezio Martinelli(American, 1913-1980)Untitled (Abstraction), 1953 and Untitled (Tree), 1953oil on wood paneleach dated (verso)17 3/8 x 8, 12 1/2 x 13 1/2 inches. $800-1,200
115Ezio Martinelli(American, 1913-1980)Untitledmixed media on board24 x 48 inches. $400-600
116Ezio Martinelli(American, 1913-1980)Untitled (Seated Nude)oil on board16 x 13 1/2 inches. $800-1,200
117Ezio Martinelli(American, 1913-1980)Untitled (Abstraction), 1953ink on paper mounted to masonitesigned (lower left)32 x 24 inches. $500-700
118Ezio Martinelli(American, 1913-1980)Untitled (Abstraction), circa 1953oil on wood panel22 1/4 x 17 3/4 inches. $500-700
119Ezio Martinelli(American, 1913-1980)Untitled (Abstraction), 1953ink on paper, mounted on paper board34 x 21 5/8 inches. $500-700
120Ezio Martinelli(American, 1913-1980)Untitled (Abstraction), circa 1953ink on paper, mounted on masonite48 x 24 inches. $400-600
121Ezio Martinelli(American, 1913-1980)Untitled (Abstraction), circa 1953ink on paper, mounted on masonite48 x 20 inches. $400-600
122Ezio Martinelli(American, 1913-1980)Untitled (Abstraction), circa 1953ink on paper, mounted on masonitesigned (lower right)48 x 20 inches. $400-600
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123Ezio Martinelli(American, 1913-1980)Untitled (Abstraction)ink on paper mounted on masonite38 x 16 inches. $300-500
124Ezio Martinelli(American, 1913-1980)Untitled (Landscape)oil on canvassigned (lower right)23 3/4 x 40 inches. $200-400
125Ezio Martinelli(American, 1913-1980)Untitled (Abstraction), circa 1953ink on paper, mounted to masonite48 x 24 inches. $400-600
126Ezio Martinelli(American, 1913-1980)Untitledmixed media on board19 3/4 x 16 inches. $300-500
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127Ezio Martinelli(American, 1913-1980)Untitled (Male Figure)oil on canvassigned (verso)19 3/4 x 29 1/2 inches. $100-200
128Ezio Martinelli(American, 1913-1980)Untitled (Abstraction), 1946mixed media mounted on wood paneldated (verso)48 x 28 inches. $300-500
129Ezio Martinelli(American, 1913-1980)Untitled (Landscape)oil on canvas22 x 28 inches. $200-400
130Ezio Martinelli(American/Italian, 1913-1980)A Selection of Works by the Artist of various media on paper (rolled): Five Groups total $1,000-2,000
131Ezio Martinelli(American/Italian, 1913-1980)A Selection of Works by the Artist of various media on paper (rolled): Four Groups total $1,000-2,000
132Ezio Martinelli(American/Italian, 1913-1980)A Selection of works on canvas by the Artist (rolled): Seven works total $1,000-2,000
133Daniel Massen(American, 1897-1971)Composition 50.W.8, 1951tempera on artist board and glasssigned and titled (verso)28 x 22 inches. $3,000-5,000
134Karl Mattern(American, 1892-1969)Untitled (Wooded Landscape), 1951-54oil on canvasinitialed, signed and dated (stretcher)43 x 39 inches. $1,000-2,000
135Jan Matulka(American, 1890-1972)Cityscape, circa 1925watercolor and gouache on paper21 x 18 inches. $1,000-2,000
136Jan Matulka(American, 1890-1972)Seated Woman, circa 1920graphitesigned (lower right)18 3/4 x 11 1/2 inches. $400-600
137Mary Adeline McKibbin(American)Dock Scene, circa 1935watercolorsigned (lower right)15 x 21 inches. $100-200
138Cyril Miles(American, b. 1918)Icon to the Greeks, 1969mixed media collage on board9 3/4 x 8 inches. $300-500
139A. George Miller(American, 20th Century)Untitledgouache on papersigned (lower right)15 1/8 x 10 1/8 inches. $100-200
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140Adelaide Morris(American, 1881-1974)Provincetown, 1931oil on canvassigned and dated (lower right)20 x 24 inches. $3,000-5,000
141Manner of Jean-Francois de la Motte19th centuryTrompe l’Oeil Still Life, circa 1890oil on canvas13 3/8 x 17 7/8 inches. $1,000-2,000
142Richard Neutra(Australian, 1892-1970)Project for Variable Display Windows (Corner), 1932graphite and colored pencil on paper19 1/2 x 23 inches. $600-800
143Charles Nicol20th centuryArchitectural Rendering, circa 1940pastel on paper19 3/4 x 11 1/2 inches. $100-200
144Josef Pierre Nuyttens(American, 1885-1960)Autmnal Afternoonoil on canvas laid to board19 1/2 x 27 1/2 inches. $500-700
145Ivar G. J. Nyberg(Swedish, 1855-1925)Untitled (Landscape), 1897oil on boardsigned and dated (lower left)12 1/4 x 15 3/4 inches. $1,000-2,000
146Errol Ortiz(American, b. 1941)Astronaut Targets, 1965acrylic on canvassigned and dated 65 (lower right)48 x 60 inches. $1,000-2,000
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147Errol Ortiz(American, b. 1941)War Machine, 1966acrylic on canvassigned and dated (lower right)44 x 32 inches. $1,000-2,000
148Sam Ostrowsky(American, 19th/20th Century)Untitled (Still Life with Apples and Cherries), circa 1930oil on canvasboardsigned (lower left)16 x 20 inches. $600-800
149Frederick Papsdorf(American, 1887-1978)A Group of Four Worksoil on canvasLargest 12 x 9 1/2 inches. $800-1,200
150Frederick Papsdorf(American, 1887-1978)A Group of Five Worksoil on canvasLargest 17 5/8 x 23 5/8 inches. $800-1,200
151Frederick Papsdorf(American, 1887-1978)A Group of Four Worksoil on canvas11 1/2 x 9 1/4 inches. $800-1,200
147 148
146
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152 154
153
35
152Raymond Parker(American, 1922-1990)Untitled, 1979acrylic on paper mounted on canvassigned and dated (lower edge)30 1/2 x 21 inches. $2,000-4,000
153Robert Preusser(American, 1919-1992)Time Sonata, 1938oil on masonitesigned and dated 1938 (lower right)25 x 31 inches. $3,000-5,000
154George Raab(American, 1866-1943)Woman in Blue Dress, circa 1925oil on canvas32 x 18 inches. $1,000-2,000
155Louis Raynaud(American, b. 1905)Untitled (Farmhouse in Landscape), Untitled (Rural Village Street), Untitled (Tree in Mountain Landscape) and Untitled (Trees in Landscape) (a group of four works)pastel on paperone signed, two initialed (lower right)Largest 12 3/4 x 19 3/4 inches. $800-1,200
156Louis Raynaud(American, b. 1905)Untitled (Landscape with View of Farm), Untitled (River Bank), Untitled (Trees and Farm Buildings) and Untitled (View of Farm in Landscape) (a group of four works)three pastels on paper, one watercolor on papertwo initialed (lower right), one initialed (lower left)Largest 11 x 14 1/2 inches. $800-1,200
157Louis Raynaud(American, b. 1905)Untitled (Farm Buildings and Trees), Untitled (Group of Trees), Untitled (Landscape with Trees) and Untitled (Rural Street) (a group of four works)pastel on papertwo signed (lower right), two initialed (lower right)Largest 11 3/4 x 17 3/4 inches. $800-1,200
158Edna Reindel(American, 1894-1990)Victorian Essay, 1932oil on canvassigned and dated (lower right)21 x 20 1/4 inches. $3,000-5,000
156
158
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159Dorothy Riley(American, 20th Century)Spatial Study, circa 1940gelatin silver print3 1/2 x 6 1/2 inches. $300-500
160Edloe Risling(American, 1899-1985)Leaf and Shell, circa 1935graphite on papersigned (lower right)11 1/4 x 14 3/4 inches. $50-100
161Seymour Rosofsky(American, 1925-1981)Untitled, circa 1952oil on canvassigned (lower right)36 x 30 inches. $1,000-2,000
162Anton RouhensCobra Printlithographsigned (lower right) $50-100
163Thomas Rowlandson(British, 1756-1827)Miseries of London, 1805, Raising the Wind, 1805, The Festival, 1799 and The Visit, 1799 (a group of four works)two handcolored etchings, two handcolored aquatintsLargest 19 x 14 1/8 inches. $500-700
164Russian Schoolearly 20th centuryJesus meets his motheroil on canvas58 1/2 x 36 inches. $700-900
165William Schwartz(American, 1896-1976)Untitled (Nude)lithographsigned in pencil (lower left)15 1/2 x 8 inches. $300-500
159 161
164
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166William Schwartz(American, 1896-1976)Untitled (Three Figures in Landscape), circa 1928lithographsigned (lower right)7 x 5 inches. $200-400
167John Selby(British, 1788-1867)Kittiwake, 1821color etching22 1/4 x 16 1/4 inches. $200-400
168Zoltan Sepeshy(American, 1898-1974)The Green of the Hills, circa 1939watercolorsigned (lower left)16 1/2 x 21 3/4 inches. $800-1,200
169Zoltan Sepeshy(American, 1898-1974)Docking, 1934tempera on masonitesigned (lower left)19 x 24 1/2 inches. $2,000-4,000
166 168
169
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170David Sharpe(American, b. 1936)Salvetor, 1969watercolor on papersigned and dated 69 (lower right)12 5/8 x 11 inches. $300-500
171Ethel Spears(American, 1903-1974)Weehawken Street New York, circa 1935oil on canvassigned (verso)22 x 24 inches. $1,500-2,500
172Francis Simpson Steven(American, 20th Century)Untitled (Landscape), circa 1940oil on canvasboardsigned (lower right)11 3/4 x 14 1/2 inches. $800-1,200
173Hollis Sigler(American, 1948-2001)From the Lady’s Encyclopedia of Objects, 1984lithographsigned and dated (lower right), proof (lower left)Sheet 11 x 14 inches. $100-200
170 173
171
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174Henry Holmes Smith(American, 1909-1986)Untitled, 1939gelatin silver print3 5/8 x 4 3/4 inches. $500-700
175Maybelle Stamper(American, 1907-1995)Remembering, 1948watercolor on papersigned and dated (lower right), titled (lower left)12 1/4 x 9 1/2 inches. $300-500
176Maybelle Stamper(American, 1907-1995)Untitled (Abstraction), 1950 and Untitled (Abstraction), circa 1938 (a pair of works)oil on paperone signed and dated (lower right)8 1/2 x 16 1/2 inches, 15 x 9 5/8 inches. $500-700
177Wilhelm Stibbe20th centuryRoom Interiorwatercolor15 x 18 inches. $300-500
178Robert B. Tague(American, 1912-1984)Untitled, together with six works on paper by the artistgelatin silver printLargest 22 1/8 x 25 1/8 inches. $1,000-2,000
179Agnes Tait(American, 1897-1981)Woman Holding Fruitlithograph14 1/2 x 10 3/4 inches. $50-100
180Sam Thal(American, 1903-1964)Belmont Farmetching and drypointsigned (lower right)8 3/4 x 12 inches. $100-200
174 175
178
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181Doris Ulmann(American, 1884-1934)Man and Children playing Instruments, circa 1930gelatin silver print8 x 6 inches. $200-400
182Rudolph Weisenborn(American, 1881-1974)Unititled (Portrait of a Man), 1951charcoal on papersigned (lower left)25 x 19 inches. $400-600
182
184
183
183Rudolph Weisenborn(American, 1881-1974)A Portfolio of Thirteen Works on Papermixed media25 x 19 inches. $600-800
184Rudolph Weisenborn(American, 1881-1974)Untitled (Still Life), 1949charcoal on papersigned (lower right)19 x 25 inches. $400-600
185Rudolph Weisenborn(American, 1881-1974)Untitled (Figure Sitting), circa 1940-50charcoal on paper25 x 19 inches. $400-600
186Tom Milton Wilder(American, b. 1876)Wilmette Harboroil on panelsigned (lower right)9 x 12 inches. $500-700
187Paul WillMural Design, 1948mixed mediasigned (verso)16 x 9 3/4 inches. $200-400
41
185 187
186
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188Mildred Emerson Williams(American, 1892-1967)A Day at the Fair, circa 1930oil on canvassigned (lower right)18 x 24 1/4 inches. $2,000-4,000
189Maurice Wilson(American, b. 1954)Portrait (‘CRP’), 1978oil on canvassigned and dated (lower right)24 x 20 inches. $600-800
190Maurice Wilson(American, b. 1954)Smiling Woman, circa 1993oil on burlap54 x 38 inches. $600-800
188
189
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191Winther20th centuryAbstraction, 1957serigraphedition 14/15, signed (lower left), dated (lower right)14 1/4 x 10 inches. $100-200
192Annalise WolckUntitledoil on canvassigned (verso)23 3/4 x 29 inches. $200-400
193Herbert Yates(American, 20th Century)From Culver Line Platform, 1954gouache on paper10 x 14 1/2 inches. $200-400
194Unknown Artist20th centuryFemale Torso, together with a 20th century sculpture (a pair of works)chromed bronze8 1/2 x 4 x 2 1/2 $300-500
195Unknown Artist20th CenturyBirdbronzeHeight 12 inches. $100-200
19620th Century SchoolUntitledburlapsigned (lower right)72 x 72 inches. $500-700
197Unknown Artist20th centuryAbstractionmixed media14 1/2 x 26 inches. $200-400
198Unknown Artist20th centuryGreen Abstraction, circa 1935gouache on board19 1/2 x 14 1/2 inches. $100-200
192
198
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19920th Century SchoolUntitled (Landscape)oil on canvas20 1/2 x 24 inches. $600-800
200Unknown Artist20th centuryStreet Scene, circa 1938fresco on masonite21 x 30 inches. $500-700
201Unknown Artist(American, 20th Century)Primitive Sceneoil on canvas22 1/4 x 33 1/2 inches. $200-400
202Unknown Artist20th centuryDouble--Sided Studyoil on board19 3/4 x 16 inches. $100-200
20320th Century SchoolRailroad Night Sceneoil on board11 3/4 x 15 inches. $200-400
204Unknown Artist20th centuryInterior Scenegouache18 1/4 x 11 1/2 inches. $50-100
205Unknown ArtistA Pair of WorksHeight of Largest 21 inches. $50-100
206Unknown ArtistTrees by Shoreoil on canvassigned illegibly (lower left)30 x 25 inches. $100-200
20719th Century SchoolInterior Sceneoil on canvas12 1/2 x 18 1/2 inches. $100-200
208Unknown ArtistUntitled (Woman on Shore), 1875gouache on paperinitialed and dated 75 (lower left)12 x 8 inches. $100-200
209Unknown Artist19th centuryFort Dearborn in 1856oil on canvas15 1/2 x 19 3/4 inches. $1,000-2,000
210European School19th centuryCupid Disarmedoil on canvas29 x 36 inches. $400-600
200
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211A Pair of works depicting the Pieta. $200-400
212A Group of Seven Frames. $200-400
213A Group of Seven Frames. $200-400
214A Box of Works by Pixley Lacey $80-120
215A Box of Works by Pixley Lacey $80-120
216A Group of Nine 20th Century PhotographsLargest 22 x 13 1/2 inches. $100-200
217A Group of Fourteen 19th Century Style PrintsLargest 10 1/2 x 13 1/2 inches. $100-200
218A Group of Three 19th Century PrintsLargest 13 x 9 1/4 inches. $100-200
219A Box Lot of Unstretched Canvases and Studies pertainting to Louis Raynaud $100-200
220A Group of Four 19th Century Style Paintings by artistsD.M. Lauryn, Emile Othon Friesz, Don Luck8 5/8 x 11 5/8 inches. $400-600
221A Group of Nine Prints and Works on Paper, Depicting Architectural Studies and Other Scenes $80-120
222A Group of Fourteen Worksvarious media $80-120
223A Group of Nine Worksvarious media $50-100
224A Box of Various Gallery Ephemera $50-100
225A Group of Seven Worksvarious media $50-100
226A Group of Seven Black and White PrintsLargest 14 x 19 inches. $50-100
227A Group of Seven Worksvarious mediaLargest 20 x 14 inches. $50-100
228A Group of Material Pertaining to David Burliuk$50-100
229A Collection of Correspondence and News Clippings pertaining to George Fred Keck $40-60
230A group of drawings by John Cox $40-60
231A Group of Three Etched Plates $40-60
232A Portfolio of Works by Veatrice Bond $40-60
233A Portfolio of Works by Veatrice Bond $40-60
234A Portfolio of Works by Veatrice Bond $40-60
235A Group of Sixteen Modern and Contemporary WorksLargest 22 x 29 inches. $100-200
230
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47
Fine BooksLots 236 - 285
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236(AFRICAN-AMERICAN ART)A group of 24 books pertaining to African-American art and artists. For a further description, including a list of individual titles, please see online catalogue. $400-600
237(AMERICAN ART)A group of 23 books pertaining to art in American collections. $100-200
238(AMERICAN ART)A group of 21 books pertaining to American art and artists $100-200
239(AMERICAN ART)A group of 26 books pertaining to American art and artists. $100-200
240(AMERICAN ART)A group of 21 books pertaining to American artists. Artists include: Charles Wilson Peale, John Sloan, John S. Sargent, Ivan Albright, John Twachtman, and others. $100-200
241(AMERICAN ART)A group of 28 volumes pertaining to american art and artists, mainly modern. $100-200
242(AMERICAN ART, 19TH CENTURY)A group of 33 monographs pertaining to 19th century American artists. $150-250
243(AMERICAN ART, 19TH CENTURY)A group of 32 monographs pertaining to 19th century American artists. Includes: Paintings. By William Merritt Chase. Saint Louis: Newhouse Galleries, 1927. Privately printed, no. 97, signed by the publiser to the title page. $200-400
244(AMERICAN ART, 19TH CENTURY) STUART, GILBERTGilbert Stuart: an illustrated descriptive list of his works. Compiled by Lawrence Park. New York: William Edwin Rudge, 1926. 4 vols. 4to, full cloth with gilt titles to spines, in original slipcase. Together with 23 books pertaining to 19th century American art, mainly concerning American Impressionism and the Hudson River School $100-200
245(AMERICAN ART, AMERICAN PRIMITIVE)A group of 14 books pertaining to American Primitive art and artists. $100-200
246(AMERICAN ART, CALIFORNIA)A group of 16 books and seven catalogues pertaining to Californian art and artists. $100-200
247(AMERICAN ART, MIDWEST)A group of 18 books pertaining to art and artists of the Midwest. $100-200
248(AMERICAN ART, MODERN)A group of 36 books pertaining to American modern art and artists. Including two first edition catalogue raisonnes of Fairfield Porter and William Metcalf. $150-250
249(AMERICAN ART, REGIONAL)A group of 18 books pertaining to art and artists in the Southern and Northeastern United States. $100-200
250(AMERICAN ART, SOUTHWESTERN)A group of 16 books pertaining to Southwestern art and artists. Includes: George O’Keefe. In the West. Edited by Doris Bry and Nicholas Callaway. New York: Alfred A. Knopf, 1989. First edition. $150-250
251(AMERICAN ART, WEST)A group of 21 books in 23 volumes pertaining to art and artists of the American west. $100-200
252(AMERICAN ART, WPA)A group of 21 books, one portfolio, and seven catalogues pertaining to WPA art and artists. $100-200
253(ANTIQUE REFERENCE)A group of 22 books pertaining to art and antique reference. $100-200
254(ART REFERENCE)A group of 32 reference books, including price guides and biographical resources. $150-250
255(ART REFERENCE) THIEME-BECKERA group of 18 volumes of Allgemeines Lexikon der bildenden Kunstler von der Antike bis zur Gegenwart. By Ulrich Thieme and Felix Becker. Leipzig: E.A. Seeman, c. 1990. Together with 15 other works of art reference. $100-200
256(ARTIST’S MONOGRAPHS)A group of 26 monographs pertaining to various artists. $100-200
257(ARTIST’S MONOGRAPHS)A group of 25 monographs pertaining to various artists. $100-200
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258(ARTIST’S MONOGRAPHS)A group of 27 monographs pertaining to various artists. $100-200
259(ARTIST’S MONOGRAPHS)A group of 27 monographs pertaining to various artists. $100-200
260(CATALOGUES)A large collection of auction catalogues, periodicals and exhibition catalogues. $100-200
261(CATALOGUES)A collection of antiquarian exhibition catalogues housed in five archival boxes. Contents include a rare photo booklet from the 1939 New York World’s Fair and an official catalogue of Fine Arts exhibits at the 1893 World’s Columbian Exposition. $150-250
262(CATALOGUES)A large collection of auction and exhibition catalogues. $100-200
263(CHICAGO ART)A group of approximately 20 books and periodicals pertaining to art and artists in Chicago. Together with Momentum nineteen-fifty, a “portfolio of reproductions of creative work originating in the Chicago area.” Portfolio designed by Robert Nickle and executed in Chicago with typography by Monsen-Chicago, inc., 1950. $100-200
264(CHICAGO)Improvisations 1954. Chicago: Artists Equity Association Chicago Chapter, 1954Oblong folio, spiral bound. A collection of original lithographs by Chicago artists. Light wear to edges of boards; light soiling to boards; dampstaining to upper edge of first page; lithographs are clean. $100-200
265(CHICAGO)A collection of antiquarian exhibition catalogues of Chicago artists from 1898 to 1961, stored in five archival boxes. $100-200
266(CONTEMPORARY ART)A group of 16 books pertaining to contemporary art and artists. $100-200
267(CUBISM)A group of 10 books pertaining to cubist artists and cubism. Includes: Juan Gris: his life and work. By Daniel-Henry Kahnweiler. New York: Curt Valentin, 1947. George Braque: an essay and bibliography. By A.E. Gallatin. New York, 1943. Inscribed by Gallatin to the f.f.e.p. $150-250
268(EUROPEAN ART)A group of 19 monographs of masters of European art. Including Les lithographies de Renoir. By Claude Roger-Marx. Monte Carlo, Sauret, (1951). One of 3,000 copies. Together with Corot raconte par lui-meme. By (Etienne) Moreau-Nelation. Paris: Henri Laurens, 1924. 2 volumes. One of 600 copies. $300-500
269(EUROPEAN ART)A group of 30 books pertaining European art and art history. $150-250
270(GAUGUIN, PAUL) GUERIN, MARCELL’Oeuvre Grave de Gauguin. Paris: H. Floury, 1927. 2 vols. 4to, soft calf spine over illustrated boards. Number 206 of 600 limited copies. First edition. Original binding laid in. Rebound by Letterio Calapai. Minor rubbing to spines; otherwise a fine set. $100-200
271(KANDINSKY, WASSILY)Centenaire de Kandinsky. Vingtieme siecle, no. 27. Paris, 1966. With an original woodcut by Kandinsky. Together with two other books pertaining to Kandinsky and 14 books pertaining to modern art and artists. $150-250
272(LATIN AMERICAN ART)A group of 14 books pertaining to Latin American art and artists. $100-200
273(MODERN ART)A group of 28 monographs of modern artists. $150-250
274(ORIGINAL ILLUSTRATIONS) MY BOOK HOUSEA collection of 26 original watercolor illustrations for the My Book House Series, by Olive Beaupre Miller. Various artists and sizes. Together with the complete 7 volume series of books. Chicago, 1937. $2,000-4,000
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274
275(PICASSO, PABLO)A group of seven monographs pertaining to Pablo Picasso. Picasso avant Picasso. By Alexander Cirici-Pellicer. Geneva: Cailler, 1950. Picasso Lithographe III-IV. Monte Carlo: Andre Sauret, (1964). Picasso. By Christian Zervos. Volume 26. Paris: Editions Cahiers d’art, 1973. Werkverzeichnis der Picasso Plakate. By Christoph Czwiklitzer. Art-C.C., 1970. and 3 others $200-400
276(POSTER ART)A group of three books, including Les Affiches Originales. By Fernand Mourlot. Paris, 1959. Containing reproductions of posters after Braque, Chagall, Dufy, Leger, Matisse, Miro and Picasso. $100-200
277(PRINT REFERENCE)A group of 38 books pertaining to print makers. Artists include Rembrandt, Whistler, Giacometti, Davies, Childe Hassam, and Currier and Ives. $200-400
278(PRINT REFERENCE)A group of approximately 30 books pertaining to printmaking, mainly American printmaking. $150-250
279(SCULPTURE) BARYE, ANTOINE LOUISBarye: Life and Works of Antoine Louis Barye Sculptor. By Charles De Kay. New York: Barye Monument Association, 1889.8vo, original full vellum over boards, gilt stamped cover and titles to spine. One of 525 copies on Holland and signed by the publisher “C. de K.” to the limitation page. Together with 25 books pertaining to sculpture. $200-400
280(SURREALISM)A group of five books pertaining to surrealist art and artists. The Lithographs of Chagall. 1962 - 1968. By Fernand Mourlot and Charles Sorlier. Boston: Boston Book and Art Shop, (1969). Chagall’s Posters. By Charles Sorlier. New York: Crown, 1975. Verzeichnis des graphischen Werkes von Paul Klee. By Eberhard W. Kornfeld. Bern, 1963. 1/1400. And two others $200-400
281(SURREALISM) MIRO, JOANMiro Lithographs I-II. By Fernand Mourlot. Vol. 1: New York: Tudor, 1972. Vol. 2: New York: Leon Amil, 1975.2 vols. 4to, original lithograph dust jackets, cloth. Catalogue raisonne of Miro’s lithographs, containing 22 original lithographs. Hinges starting on volume 2; some age darkening to volume 1. $300-500
51
283
282BENEZIT, EMMANUELDictionnaire critique et documentaire des Peintres, Sculpteurs, Dessinateurs et Graveurs. Paris: Grund, 1999. 14 volumes. 4to, full red cloth. Revised edition. Some shelfwear; otherwise a fine set. $200-400
283MONTICELLIMonticelli: sa vie et son oeuvre. By G. Arnaud d’Angel and Emile Isnard. Paris: Editions Occitania, 1926. 4to, in original tri-color marbled wraps, in cloth slipcase. One of 550 on velin teinte. Some rubbing to edges of wraps; book plate tipped in f.f.e.p. $100-200
284PANOFSKY, ERWINDie Deutsch Plastik des elften bis dreizehnten jahrhunderts. Firenze: Pantheon Casa Editrice; Munchen: Kurt Wolff, 1924. 4to, cloth spine over marbled boards with paper title label to spine. With black and white illustrations throughout. Hinges starting; dampstaining to boards; some foxing; otherwise sound. $100-200
285UTRILLO, MAURICEL’oeuvre Complet de Maurice Utrillo. By Paul Petrides. Paris: Paul Petrides, 1959. 4to, bound by Bayntun in full green morocco, spine gilt in compartments, marbled endpapers. Number 384 of 1,000 copies printed on Arches. $1,000-2,000
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285
53
Artist Index
ARTIST NAME LOT
Glossary of Terms
ADRIAEN JANSZ VAN OSTADE
This work, in our best opinion, is by the
named artist.
ATTRIBUTED TO
ADRIAEN JANSZ VAN OSTADE
To our best judgment, this work is likely to
be by the artist, but with less certainty as
in the aforementioned category.
STUDIO OF
ADRIAEN JANSZ VAN OSTADE
To our best judgment, this unsigned work
may or may not have been created under
the direction of the artist.
CIRCLE OF
ADRIAEN JANSZ VAN OSTADE
To our best judgment, a work by an
unknown but distinctive hand linked
or associated with the artist but not
definitively his pupil.
STYLE OF . . . FOLLOWER OF ADRIAEN
JANSZ VAN OSTADE
To our best judgment, a work by a painter
emulating the artist’s style, contemporary
or nearly contemporary to the named
artist.
MANNER OF
ADRIAEN JANSZ VAN OSTADE
To our best judgment, a work in the style
of the artist and of a later period.
AFTER ADRIAEN JANSZ VAN OSTADE
To our best judgment, a copy of a known
work of the artist.
The term signed and/or dated and/or
inscribed means that, in our opinion, a
signature and/or date and/or inscription
are from the hand of the artist.
The term bears a signature and/or a date
and/or an inscription means that, in our
opinion, a signature and/or date and/or
inscription have been added by another
hand.
Dimensions are given height before width.
19th Century School 207
20th Century School 196, 199, 203
Abercrombie, Gertrude 1
Albers, Josef 2
Amft, Robert 3
Angarola, Anthony 4
Angel, Rifka 5-7
Armin, Emil 8-10
Arp, Jean 11
Benn, Ben 12
Bishop, Leon 13
Blake, William 14
Bohan, Ruth H. 15, 16
Bohrod, Aaron 19
Bolotowsky, Ilya 17
Bond, Beatrice 18, 232-234
Brander, Henrietta 20
Britton, Edgar 21
Brockman, Ann 22
Brod, Fritzi 23
Burliuk, David 228
Cada, J. F. 24, 25
Cantor, Dorothy 26
Carter, Clarence H. 27
Chamberlain, Wynn 28
Cheskin, Louis 29
Clerifseau 30
Corasick, William 31
Coster, Gordon 32
Cousins, Harold 33, 34
Cox, John Rogers 35, 230
Cunning, John 37
Curry, John Steuart 36
De Patta, Margaret 39
Deman, Albert 38
Erickson, Robert Donald 40-42
European School 210
Fabion, John 43
Feitelson, Lorser 44
Ferguson, William 45
Filipowski, Richard 46
Foster, David 47
Fulop, Karoly 48
Gaertner, Carl 49, 50
Genthe, Arnold 51
Godfrey, Eugene 52
Goeller, Charles 53
Goldberg, Maurice 54
Hagerman, William Kent 55
Himmel, Kalman 56
Hohenberg, Marguerite 57-62
Howard, Charles H. 63
Huppler, Dudley 64
Icart, Louis 65
Jones, Chuck 66
Josimovich, George 67
Kauten, Mat 69
Kay, William 68
Keck, George Fred 229
Kempton, Greta 70
Kendall, Jean 71
Klein, Erna 72-74
Klein, Medard 75, 76
Koppe, Richard 77-81, 83-88
Kozman, Myron 82, 89-92
Kroeber, Bernard 93
Kuniyoshi, Yasuo (manner of) 94
Lacey, Jessie Pixley 95-97, 214, 215
Lee, Doris 98
Leighton, Lucile 99
Leitgeb, Franz 100
Levstik, Frank 101
Liello, John 102, 103
Maillol, Aristide (after) 104
Maraz, Roman 105
Marinko, George 106
Martinelli, Ezio 107-132
Massen, Daniel 133
Mattern, Karl 134
Matulka, Jan 135, 136
Mckibbin, Mary Adeline 137
Miles, Cyril 138
Miller, A. George 139
Morris, Adelaide 140
de la Motte, Jean-Francois
(manner of) 141
Neutra, Richard 142
Nicol, Charles 143
Nuyttens, Pierre 144
Nyberg, Ivar G. J. 145
Ortiz, Errol 146, 147
Ostrowsky, Sam 148
Papsdorf, Frederick 149-151
Parker, Raymond 152
Preusser, Robert 153
Raab, George 154
Raynaud, Louis 155-157, 219
Reindel, Edna 158
Riley, Dorothy 159
Risling, Edloe 160
Rosofsky, Seymour 161
Rouhens, Anton 162
Rowlandson, Thomas 163
Russian School 164
Schwartz, William 165, 166
Selby, John 167
Sepeshy, Zoltan 168, 169
Sharpe, David 170
Sigler, Hollis 173
Smith, Henry Holmes 174
Spears, Ethel 171
Stamper, Maybelle 175, 176
Steven, Francis Simpson 172
Stibbe, Wilhelm 177
Tague, Robert B. 178
Tait, Agnes 179
Thal, Sam 180
Ulmann, Doris 181
Weisenborn, Rudolph 182-185
Wilder, Tom Milton 186
Will, Paul 187
Williams, Mildred Emerson 188
Wilson, Maurice 189, 190
Winther 191
Wolck, Annalise 192
Yates, Herbert 193
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Robyn Farrell [email protected]
Joseph [email protected]
Gia SpeziaAccount [email protected]
Zack [email protected]
Fine Books and Manuscripts
Mary S. [email protected]
Furniture and Decorative Arts
Mike [email protected]
Andrew [email protected]
Kate Kozelka Account [email protected] 312.334.4214
Marketplace
Tara [email protected]
Vintage Couture and Accessories
Abigail [email protected]
Fine Jewelry and Timepieces
Jessica [email protected]
Regional Representatives
CaliforniaMyrna Kaplan760.202.7807
FloridaKathy Bouckley239.596.0579
Rockford, IllinoisJanet Moore815.399.3983
OhioMacy Nyhart Hansen513.560.3200
ColoradoAnnie McLagan303.909.5386
Mid AtlanticRoger Schrenk and Chris Fultz301.980.7554
KansasBob Carlson913.677.4479
MichiganManya Basile248.593.5372
Des Moines, IowaJoanne Roth
515.229.1354
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Guide for Prospective Sellers Evaluation of Property If you have property you wish to sell, please call our Consignment Department at 312.280.1212 to arrange for a consultation. At that time, you may make an appointment to bring your property or photographs, along with any other pertinent information, to Leslie Hindman Auctioneers, Inc. and we will be happy to provide you with complimentary estimates and advice. If you have a large collection, an appointment may be made to evaluate the property on-site. Fees for on-site visits may vary.
Standard Commission RatesOur standard rate of commission is equal to ten percent (10%) of the hammer price on each lot sold for $5,001 or more; fifteen percent (15%) of the hammer price on each lot sold for $2,001 or more but less than $5,001; and twenty-five percent (25%) of the hammer price on each lot sold for $2000 and less with a minimum commission of $25 per lot sold. If your property fails to reach the reserve price agreed upon between you and Leslie Hindman Auctioneers, Inc., you may be obligated to pay a reduced commission rate of five percent (5%) of the reserve price.
Shipping ArrangementsLeslie Hindman Auctioneers, Inc. can advise you as to how to have your property delivered to our galleries. Packing, shipping and insurance are payable by the seller. In certain instances, packing and shipping costs may be paid by Leslie Hindman Auctioneers, Inc. and deducted from the proceeds of the sale. We may recommend packers and shippers, but we are not responsible for their acts or omissions.
Appraisals Appraisals can be arranged for insurance, donation, estate tax, family division or other purposes. Appraisal fees vary according to circumstances. Please contact our Estates and Appraisals Department at 312.280.1212 for further information.
Guide for Prospective Buyers Conditions of SaleLeslie Hindman Auctioneers, Inc. encourages all prospective buyers to read the Conditions of Sale printed in this catalogue.
ExhibitionsLeslie Hindman Auctioneers, Inc. recommends that all prospective buyers attend the pre-sale exhibition prior to the auction. Staff members are available at our pre-sale exhibitions to advise prospective buyers on particular objects or on any aspect of the bidding process.
EstimatesLeslie Hindman Auctioneers, Inc. provides catalogue descriptions and pre-auction estimates for each lot included in the sale. These estimates are a guide for prospective bidders. They are not definitive. All pre-sale estimates are subject to revision.
Condition Reports We are happy to provide a condition report for any lot upon request. Nevertheless, intending buyers are reminded that condition reports are statements of our opinion only, and that each lot is sold “AS IS,” per our Conditions of Sale, as outlined in the back of this catalogue. All lots should be viewed personally by prospective buyers or their agents to evaluate the condition of the property offered for sale due to the highly subjective nature of condition reports.
Bidding at AuctionThe highest bidder acknowledged by the auctioneer will be the purchaser. In addition to the hammer price, the buyer agrees to pay Leslie Hindman Auctioneers, Inc. a buyer’s premium as well as any applicable taxes.
Bidding generally opens at half the low estimate and advances in the following order, although the auctioneer may vary the bidding increments during the course of the auction.
The normal bidding increments are:
$0-$200 $10 $200-$500 $25 $500-$1,000 $50 $1,000-$2,000 $100 $2,000-$5,000 $200 $5,000-$10,000 $500 $10,000-$20,000 $1,000 $20,000-$50,000 $2,000 $50,000-$100,000 $5,000 $100,000-$200,000 $10,000 Over $200,000 Auctioneer’s discretion
In-House BiddingLive Bidding at Leslie Hindman Auctioneers, Inc. is by paddle only. Please register for a paddle at the entrance of the sales room. If you are the successful bidder, your paddle number and the hammer price will be announced by the auctioneer.
Online Bidding Leslie Hindman Auctioneers, Inc. allows absentee and live bidding through our website at www.lesliehindman.com as well as absentee and live bidding through third party online bidding providers which vary by sale. For more information regarding online bidding please visit our website at www.lesliehindman.com.
Absentee BiddingIf you are unable to attend an auction, you may use the absentee bid form provided at the back of this catalogue.
Leslie Hindman, Inc. will exercise written order bids and telephone bids at no additional charge. Lots will always be sold as inexpensively as is allowed by such other bids and reserves as are on our books or bids executed in competition from the audience.
Driving Directions/ParkingFrom the WEST:Take I-290 east. Take the Paulina Street/Ashland Boulevard exit 28B. Stay straight to go onto West Congress Parkway. Turn left onto South Paulina Street. Take a slight right onto West Ogden Avenue. Turn right onto West Lake Street. Building will be on the left side at 1338 West Lake Street.
From the NORTH/NORTHWEST:Take I-90/I-94 east toward Chicago. Take the Ogden Avenue exit 50A. Stay straight to go onto North Racine Avenue. Turn right onto West Lake Street. Building will be on the right side at 1338 West Lake Street.
From the SOUTHWEST:Take I-55 north. Exit 292A I-90/I-94 W WisconsinFollow I-90/I-94 W Wisconsin to the Lake Street exit 51A. Turn left onto West Lake Street. Building will be on the right side at 1338 West Lake Street.
SOUTH/SOUTHEAST:Take I-90/I-94 westFollow I-90/I-94 W via the exit on the left toward Chicago Loop. Take the Lake Street exit 51A and turn left onto West Lake Street. Building will be on the right side at 1338 West Lake Street.
Parking:Leslie Hindman Auctioneers has a private parking lot located on Ada Street, diagonally across the steet from our entrance.
5 6 L E S L I E H I N D M A N A U C T I O N E E R S
Conditions of Sale LESLIE HINDMAN AUCTIONEERS, INC. AS AGENTThe lots listed in this catalogue will be offered by Leslie Hindman Auctioneers, Inc. as owner or as agent for consignor(s) subject to the following terms and conditions. By bidding at auction you agree to be bound by these Conditions of Sale.
BEFORE THE SALEProspective buyers are strongly advised to personally examine any property in which they are interested before the auction takes place. Condition reports are usually available on request on lots with a low estimate of $300 and over. All lots are sold “AS IS” and without recourse and neither Leslie Hindman Auctioneers, Inc. nor its consignor(s) makes any warranties or representations, express or implied with respect to such lots. Neither Leslie Hindman Auctioneers, Inc. nor its consignor(s) makes any express or implied warranty or representation of any kind or nature with respect to merchantability, fitness for purpose, correctness of the catalogue or other description of the physical condition, size, quality, rarity, importance, medium, material, genuineness, attribution, provenance, period, culture, source, origin, exhibitions, literature or historical significance of any lot sold. The absence of any reference to the condition of a lot does not imply that the lot is in perfect condition or completely free from wear and tear, imperfections or the effects of aging. No statement, whether written or oral, and whether made in the catalogue, or in supplements to the catalogue, an advertisement, a bill of sale, a salesroom posting or announcement, the remarks of an auctioneer, or otherwise, shall be deemed to create any warranty, representation or assumption of liability. Leslie Hindman Auctioneers, Inc. and its consignor(s) make no warranty or representation, express or implied, that the purchaser will acquire any copyright or reproduction rights to any lot sold. Leslie Hindman Auctioneers Inc. expressly reserves the right to reproduce any image of the lots sold in the catalogue.
AT THE SALERefusal of AdmissionLeslie Hindman Auctioneers, Inc. has the right, at our complete discretion, to refuse admission to the premises or participation in any auction and to reject any bid.
Registration before Bidding A prospective buyer must complete and sign a registration form and provide identification before bidding. We may require bank or other financial references.
Bidding as PrincipalWhen making a bid, a bidder is accepting personal liability to pay the purchase price, including the buyer’s premium, all applicable taxes and all other applicable charges, unless it has been explicitly agreed upon in writing with Leslie Hindman Auctioneers, Inc. before the commencement of the sale that the bidder is acting as agent on behalf of an identified third party acceptable to Leslie Hindman Auctioneers, Inc., and that Leslie Hindman Auctioneers, Inc. will only look to the principal for payment.
Absentee BidsWe will use reasonable efforts to carry out written bids given to us prior to the sale for the convenience of clients who are not present at the auction in person, by an agent or by telephone. Bids must be placed in U.S. dollars. If we receive written bids on a particular lot for identical amounts, and these are the highest bids on the lot at the auction, it will be sold to the person whose written bid was received and accepted first. Execution of written bids is a free service undertaken subject to other commitments at the time of the sale and we do not accept liability for failing to execute a written bid or for errors and omissions in connection with the written bid.
Telephone BidsIf a prospective buyer makes arrangements with us prior to the commencement of the sale we will use reasonable efforts to contact them to enable them to participate in the bidding by telephone and we do not accept liability for failure to do so or for errors and omissions in connection with telephone bidding.
Online BidsWe will use reasonable efforts to carry out online bids and do not accept liability for equipment failure, inability to access the internet or software malfunctions related to the execution of online bids.
ReservesSome lots in the sale are subject to a reserve which is the confidential minimum price below which such lot will not be sold. The reserve will not exceed the low estimate of the lot. Reserves are agreed upon with consignors or, in the absence thereof, the absolute discretion of Leslie Hindman Auctioneers, Inc. The auctioneer may open the bidding on any lot below the reserve by placing a bid on behalf of the seller. The auctioneer may continue to bid on behalf of the seller up to the amount of the reserve, either by placing consecutive bids or by placing bids in response to other bidders. With respect to lots that are offered without reserve, unless there are already competing bids, the auctioneer, in his or her discretion, will generally open the bidding at half of the low estimate for the lot. In the absence of a bid at that level, the auctioneer may proceed backwards at his or her discretion until a bid is recognized, and then continue up from that amount. Auctioneer’s DiscretionThe auctioneer has the right at his or her absolute and sole discretion to refuse any bid, to advance the bidding in such a manner as he or she may decide, to withdraw any lot, and in the case of error or dispute, and whether during or after the sale, to determine the successful bidder, to continue the bidding, to cancel the sale or to reoffer and resell the item in dispute. If any dispute arises after the sale, our sale record is conclusive.
Successful BidThe highest bidder acknowledged by the auctioneer will be the purchaser. In the case of a tie bid, the winning bidder will determined by the auctioneer at his or her sole discretion. In the event of a dispute between bidders, the auctioneer has final discretion to determine the successful bidder or to reoffer the lot in dispute. If any dispute arises after the sale, the Leslie Hindman Auctioneers, Inc. sale record shall be conclusive. Title passes upon the fall of the auctioneer’s hammer to the highest acknowledged bidder subject to the Conditions of Sale set forth herein, and the bidder assumes full risk and responsibility.
AFTER THE SALEBuyer’s PremiumIn addition to the hammer price, the buyer agrees to pay Leslie Hindman Auctioneers, Inc. a buyer’s premium and the applicable sales tax added to the final total.
H A M M E R P R I C E / B U Y E R ’ S P R E M I U M
First Portion from Portion fromBidding Option $0-$20,000 $20,001- $500,001 500,000 and aboveIn-house 22% 20% 12%lesliehindman.com 24% 22% 14%liveauctioneers.com 24% 22% 14%the-saleroom.com 24% 22% 14%antiqueweek.com 24% 22% 14%
PaymentThe buyer must pay the entire amount due (including the hammer price, buyer’s premium, all applicable taxes and other charges) no later than 5 p.m. on the seventh (7) business day following the sale. Payment in U.S. dollars may be made with cash; bank check or cashier’s check drawn on a U.S. bank; money order or credit card (a 3% administrative fee of the invoiced amount is charged for payments made by credit card) unless other arrangements are made with Leslie Hindman Auctioneers, Inc. Leslie Hindman Auctioneers, Inc. reserves the right to hold merchandise purchased by personal check until the check has cleared the bank. The purchaser agrees to pay Leslie Hindman Auctioneers, Inc. a handling charge of $50 for any check dishonored by the drawee.
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Tax Exempt NoticeLots marked with an asterisk (*) or square ( ) are tax exempt as permitted by law.
Collecting PurchasesOnce Leslie Hindman Auctioneers, Inc. has received all funds due to us, the buyer shall collect purchased lots within seven (7) business days from the date of the sale.
Packing and ShippingIf your bid is successful, we can provide you with a list of shippers. We will not be responsible for the acts or omissions of carriers or packers whether or not recommended by us. Property will not be released to the shipper without the buyer’s written consent and until payment has been made in full. Packing and handling of purchased lots by us is at the entire risk of the purchaser, and Leslie Hindman Auctioneers, Inc. will have no liability of any loss or damage to such items.
Non PaymentIf we do not receive payment in full, in good cleared funds, within seven (7) business days following the sale, we are entitled in our absolute discretion to exercise one or more of the following measures, in addition to any additional actions available to us by law:
a.) to impose a late charge of one and a half percent (1.5%) per thirty (30) days of the total purchase price
b.) to hold the defaulting buyer liable for the total amount due and to begin legal proceedings for its recovery together with interest, legal fees and costs to the fullest extent permitted under applicable law
c.) to cancel the sale
d.) to resell the property publicly or privately with such terms as we find appropriate, to resell the property at public auction without reserve, and with the purchaser liable for any deficiency, cost, including handling charges, the expenses of both sales, our commission on both sales at our regular rate, all other charges due hereunder and incidental damages. In addition, a defaulting purchaser will be deemed to have granted us a security interest in, and we may retain as collateral security for such purchaser’s obligations to us, any property in our possession owned by such purchaser. At our option, payment will not be deemed to have been made in full until we have collected funds represented by checks, or in the case of bank or cashier’s checks, we have confirmed their authenticity.
e.) to offset against any amount owed
f.) to not allow any bids at any upcoming auction by or on behalf of the buyer
g.) to take other action as we find necessary or appropriate
Failure to Collect PurchasesIf property is not picked up within seven (7) business days following the sale, whether or not payment has been made, Leslie Hindman Auctioneers, Inc. reserves the right to charge $5 per lot per day or to deliver said property to a public warehouse for storage at the purchaser’s expense. Leslie Hindman Auctioneers, Inc. shall have no liability for any damage to property left on its premises for more than seven (7) business days following the sale. In addition, we reserve the right to impose a late charge of one and a half percent (1.5%) per month of the total purchase price if payment is not made in accordance with the conditions set forth herein. For property that is not picked up after thirty (30) calendar days, an additional administration fee of $75 will be charged. Property which is paid for but left on our premises for any reason in excess of sixty (60) calendar days is subject to sale by us with the balance of any funds recovered in excess of storage charges and any other fees being remitted to you.
LIABILITY
Condition ReportsLeslie Hindman Auctioneers, Inc. is not responsible for the correctness of any statement of any kind concerning any lot, whether written or oral, nor for any other errors or omissions in description or for any faults or defects in any lot. Neither the seller, ourselves, our officers, employees or agents, give any representation, warranty or guarantee or assume any liability of any kind in respect of any lot with regard to merchantability, fitness for a particular purpose, description, size, quality, condition, attribution, authenticity, rarity, importance, medium, provenance, exhibition history, literature or historical relevance. Except as required by local law any warranty of any kind whatsoever is excluded by this paragraph.
Purchased LotsIf for any reason a purchased lot cannot be delivered in the same condition as at the time of sale, or should any purchased lot be stolen, mis-delivered or lost prior to delivery, Leslie Hindman Auctioneers, Inc. shall not be liable for any amount in excess of that paid by the purchaser.
Legal RamificationsThe rights and obligations of the parties with respect to these Conditions of Sale, the conduct of the auction and any matters connected with any of the foregoing shall be governed and interpreted by the laws of the jurisdiction in Illinois. If any part of these Conditions of Sale is found by any court to be invalid, illegal or unenforceable, that part shall be discounted and the rest of the conditions shall continue to be valid to the fullest extent permitted by law.
DiscretionAny and all of the conditions may be waived or modified in the sole discretion of Leslie Hindman Auctioneers, Inc. 0109.1
Conditions of Sale continued
5 8 L E S L I E H I N D M A N A U C T I O N E E R S
Online registration/bid requests must be received at least 24 hours before the auction begins. Leslie Hindman Auctioneers, Inc. will confirm all bids received by fax or by return email. Phone bids will not be accepted on lots with a low estimate of $300 and below. Leslie Hindman Auctioneers, Inc. allows absentee and telephone bidding registration through our website at www.lesliehindman.com.
LESLIE HINDMAN AUCTIONEERS | BID FORM
Bidding generally opens at half the low estimateand advances in the following order, althoughthe auctioneer may vary the bidding incrementsduring the course of the auction. The normalbidding increments are:
$0-$200 $10$200-$500 $25$500-$1,000 $50$1,000-$2,000 $100$2,000-$5,000 $200$5,000-$10,000 $500$10,000-$20,000 $1,000$20,000-$50,000 $2,000$50,000-$100,000 $5,000$100,000-$200,000 $10,000Over $200,000 Auctioneer’s discretion
For absentee bids, indicate your limit for eachlot. Your bids will be executed at the lowestprices allowed by reserves and other bids. If we receive more than one bid of the same value, the first one received will take precedence.
A per lot buyer’s premium is added to the finalhammer price as per the following:
Leslie Hindman Auctioneers, Inc. is notresponsible for failure or other inadvertent errorsrelating to the execution of your bids.
Name Sale Number/Name
Business Name
Billing Address
City State Country/Zip
Contact Name
Primary Phone Secondary Phone
Email Fax
Lot Number Description Absentee Bid Phone Bid Back-up Bid
I authorize Leslie Hindman Auctioneers, Inc. to bid on my behalf up to the amountstated above. By bidding at auction you agree to be bound to the Conditions ofSale as stated in the sale catalogue and on our website.
Signature Date
For Leslie Hindman Date
1338 West Lake StreetChicago, Illinois 60607
ph 312.280.1212 l fx 312.280.1211www.lesliehindman.com
Telephone Absentee Live OnlineFax form to 312.280.1211
HAMMER PRICE/BUYER’S PREMIUM First Portion from Portion fromBidding Option $0-$20,000 $20,001-500,000 $500,001+
In-house 22% 20% 12%Live online vialesliehindman.com 24% 22% 14%
(US Dollar Limit)EXCLUDES BUYER’S PREMIUM
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L E S L I E H I N D M A N AU C T I O N E E R S
1338 West Lake Street Chicago, Illinois 60607 l ph 312.280.1212 l fx 312.280.1211 l www.lesliehindman.com