Project 2_Wunderkammer
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![Page 1: Project 2_Wunderkammer](https://reader034.fdocuments.in/reader034/viewer/2022052703/568bf2e41a28ab89339845c2/html5/thumbnails/1.jpg)
DESIGN STUDIO PROJECT 2
WUNDERKAMMER
HYUN JAE JUNG
Porcelain
Container
Initial Concept
Pattern and Form
Stick and Pull
Slide
Features
Internal Perspective
Path
Surroundings
External Perspective
Construction
Plan
Elevations
Sections
CONTENTS
Wunmiddotdermiddotkammiddotmerˈvo1049838ondərˌkaumlmərNoun A cabinet or room where a collection of curiosities and rarities is exhibited
Porcelain
Professor Gap Soon HwangCeramiCs Department of art amp Design seoul national university south Korea
Collections
Scheleswig-Holsteinisches Landesmuseum SchloB Gottorf Scheleswig GermanyMuseum fur Kunsthandwerk Frankfurt a M GermanyMuseum fur Kunsthandwerk Grassimuseum Leipzig GermanyCeramics-Museum Berlin Berlin GermanyStaatli Porzellan-Manufaktur Meissen MeiBen GermanyKeramik Museum Kellinghusen Kellinghusen GermanyMuseum fur Kunst und Gewerbe Hambgurg GermanyLandesmuseum Stuttgart GermanyPinakothek der moderne Munich GermanyDiessen Cityhall Diessen GermanyWorld Ceramics-Centre I-chon KoreaChi-u Museum Seoul Korea
Awards
1998-2000 Foundation Dr Hans-Hoch-Stiftung Neumunster Germany2001 The Bronze Prize World Ceramic Exposition 2001 Korea I-chon Korea2001 Justus Brinckmann Prize 2002 Museum fur Kunst und Gewerbe Hanburg Germany2003 red dot best of the best red dot design award 2003 Kultur Aktuell Landeskulturstiftung Kiel Germany2005 red dot red dot fur hohe Design Qualitat red dot design award 2005 Germany Diessnerpreis Diessen Germany2008 Grassipreis Grassimuseum Leipzig Germany2010 Bayerischer Staatspreis Munchen Germany
2010 CERAMICS ExhIbITION lsquoSEDIMENTATIONrsquo
Bo Kyung Kim Sung Chul Kim Pyung Moon Mi Seon Park Jung Hong Park Ga Jin Lee Gi Uk Lee Min Su Lee Yerin Lee InHwa Lee JungYong Han
Professor hwang and his students
INTRODUCTION
1
CONTAINER
INSPIRATIONS
ldquoArchitecture is basically a container of something I hope they will enjoy not so much the teacup but the tealdquo
- Yoshio Taniguchi
lsquofINAl TREE hOUSE 2008rsquo - SOU fUJIMOTO
lsquoThE GlASS hOUSErsquo - PhIlIP JOhNSON
Porcelain is a work of art in itself So it is important to display the purity and aesthetic beautyMy focus was on how the Porcelain should be presented to allow the building to harmonize with it not play against the object
The lsquoGlass Housersquo by Philip Johnson inspired me in terms of display and preservation of objectsThe symbolic meaning of glass which isolates the object from external environment whilst still allowingobservation from outside
Looking at the lsquoFinal Tree Housersquo by Sou Fujimotothere is an interesting overlap of light and shadowsI considered what if one objects in the gaps and on cantileversnatural light coming in through the lsquogapsrsquo shining on objects
Porcelains are exhibited and gifted in a crafted wood box or a bar
PRECEDENT RESEARCh
2
Object display
Joinery Inspiration The effect of natural light
The purity of porcelain comes from light and dark To expose the object onto natural lighting was a key idea Another inspirations came from the container itself and how the object is being displayed
Intense lighting on por-celains
Porcelain
Wood Container
Glass Container
INITIAl CONCEPT
3
People use glass container to protect the object from external environment My concept derived from this what if a wood container is protected by layers of glass
The effect of natural light
4
Pattern and form applied on building
PATTERN AND fORM
Connection between lsquocraftmanshiprsquo and lsquoindustrialisationrsquo represented by series of patterns
Interpretation of patterns
Old traditional white porcelains donrsquot have line patternsThat is because technology to form controlled patterns did not exist at the time Our ancestors have developed the aesthetic shape and form of porcelains From professor Hwangrsquos interview he commented ldquoconnection and harmony between legacy of our ancestors the craftmanship and modernistic approach of industrialisation was represented by series of patternsrdquo
`
ldquoWhere have they come fromand where are they heading towardsrdquo
- 2010 lsquoSedimentationrsquo
Traditional Korean lsquoMoon Porcelainrsquo
DEVElOPMENT 1
5
CG experiment on play of light and shadowsPorcelain display
`STICK AND PUll
ldquoTo create architecture is to put in orderPut what in order Function and Objectsrdquo
- Le Corbusier
My interpretation of Le Corbusierrsquos quote is that function and object should be linked together The function allows people to appreciate fully the aesthetics and purity of porcelains In fact playing with light and shad-ows is a factor to consider Allowing timber bars to stick out from the wall it allows a functional display area and at the same time allows interesting overlap of light and shadows highlighting the objects displayed
Movable and detachable shelves
Position shift Combine to create different size Concept sketch
DEVlEOPMENT 2
6
`
`
` `
Combination 2
Two walls slide in and join to create Space lsquoBrsquo
Space lsquoCrsquo
Combination 1
Four walls form an enclosed box to create Space lsquoArsquoSpace lsquoArsquo
Space lsquoBrsquo Space lsquoCrsquo
The sliding walls create different combinations of space The purpose of space may differ for user context time and others or even alter space to exhibit or store different objects My intention was to allow occupants to create the space they are looking for creating forms that follow functions
ldquoForm ever follows functionrdquo- Louise Sullivan
`
VIEW
` ``
Combination 3
Two walls slide into create Space lsquoDrsquo
Space lsquoErsquo
Space lsquoFrsquo
Combination 4
Two walls join and slide to one side to create Space lsquoGrsquo
transparent glass wallto allow view on the other side
Space lsquoDrsquo Space lsquoErsquo Space lsquoFrsquo
Space lsquoGrsquo
SlIDE
DEVlEOPMENT 3VI
EW
VIEW
VIEW
VIEW
7
Roof overhang to avoid water penetrationStructure is lifted off the damp ground
Air gap between structure and curtain wall for natural ventilationTaller wall tighter space to create shadows in order to reduce heat gain
Spider fitting support is located furthest from the side to give reduced deflection for glass roofto remove water pond formation
Slide door when overlap distracts the view of displayed object Pivot door is considered to avoid visual distraction Natural lighting and intense lighting control
Wall joint
fEATURES
8
Roof overhang to avoid water penetration
INTERNAl PERSPECTIVE
9
DESIGN PROPOSAl
`
PATh
lsquoApproach to the buildingrsquo possesses its philosophical meaning more than a simple physical action When people walk along the pathway they experience view and think The process is meaningful and somewhat symbolic Monumental architecture such as temples make people to approach from lower ground to higher ground looking up and see the magnificent structure
In this project I place the footpath around the building on one same levelThere are four different patterns and there will be numerous collections of porcelainsBefore people step inside the building they have to experience four different viewsThrough gaps people will be able to think imagine
My intention is simple to make people to imagine what to expect
ldquoEvery path serves a purposerdquo- Gene Oliver Athelete
10
SITE CONSIDERATION
The site is located near Bath where the hill top has been flattened out for private use Access via road entrance near planned site inclined in a reasonable degree allowing heavy vehicle access on the road Site is within the reach of cranes from the road which transporation of heavy weight materials may be aidedHowever approach to the planning site is only available through footpath
Wunderkammer is located in the middle of the babyrsquos breath gardenwhere it is surrounded by a dense forest
`
ldquoI donrsquot divide architecture landscape and gardening to me they are onerdquo
- Luis Barragan
SURROUNDINGS
Site surrounded by trees and footpath
Babyrsquos breath garden site
Imagery imposure of structure on site
11
Exploded Isometric
Spider fitting system for frameless glass structure
Track-roller system for sliding walls
Manufactured timber blocks[ 200 mm X 200 mm various in length ]
Structural glazed laminated glass [ 30mm thickness single sheet ]
- The biggest single panel were 5000 mm x 3000 mm manufactured in Austrailia- Various insulation control- Safe
Natural lime stone foundation[ 400 mm x 200 mm 3800 mm ]
ExTERNAl PERSPECTIVE
12
Construction of 120 model was consisted of 7 stages[ from left to right ]
1 Foundation2 Base floor installation3 North wall4 South wall5 East wall6 West wall7 Glass root and curtain walls
CONSTRUCTION
Floor construction
Building east wall
Completed south wall Buliding west wall
Lifted up from the ground
Sketch models to develop ideas
13
PlAN 1 Timber footpath
- lifted 20cm above the ground 2 Glass pivot door
- 800mm wide
3 Timber floor - installed heating system
4 babyrsquos breath garden
0 1 M
SECTION b
SECTION A
1
2
3
4
13
14
Construction of 120 model was consisted of 7 stages[ from left to right ]
1 Foundation2 Base floor installation3 North wall4 South wall5 East wall6 West wall7 Glass root and curtain walls
NORTh ElEVATION
15
EAST ElEVATION
16
SOUTh ElEVATION
17
WEST ElEVATION
18
SECTION A
1
2
3
1 Glass roof overhang - rafnfall control
2 Ventilaition air gap - 20mm - Natural air circulation ventilation
4 Stone foundation
- 400mm from the ground - covered by babyrsquos breath
4
19
3 Suspended Timber flooring - Above 150mm from the ground - Damp Proof - Avoid Condensation
4 Stone foundation
- 400mm from the ground - covered by babyrsquos breath
SECTION b
5
5 Display shelves - Porcelains displayed
7
8
6
6 Spirder fitting system
- frameless glass
7 Intense light intallation - display light control - used at night
20
8 Stick-Pull display bar - Porcelains displayed
![Page 2: Project 2_Wunderkammer](https://reader034.fdocuments.in/reader034/viewer/2022052703/568bf2e41a28ab89339845c2/html5/thumbnails/2.jpg)
Porcelain
Container
Initial Concept
Pattern and Form
Stick and Pull
Slide
Features
Internal Perspective
Path
Surroundings
External Perspective
Construction
Plan
Elevations
Sections
CONTENTS
Wunmiddotdermiddotkammiddotmerˈvo1049838ondərˌkaumlmərNoun A cabinet or room where a collection of curiosities and rarities is exhibited
Porcelain
Professor Gap Soon HwangCeramiCs Department of art amp Design seoul national university south Korea
Collections
Scheleswig-Holsteinisches Landesmuseum SchloB Gottorf Scheleswig GermanyMuseum fur Kunsthandwerk Frankfurt a M GermanyMuseum fur Kunsthandwerk Grassimuseum Leipzig GermanyCeramics-Museum Berlin Berlin GermanyStaatli Porzellan-Manufaktur Meissen MeiBen GermanyKeramik Museum Kellinghusen Kellinghusen GermanyMuseum fur Kunst und Gewerbe Hambgurg GermanyLandesmuseum Stuttgart GermanyPinakothek der moderne Munich GermanyDiessen Cityhall Diessen GermanyWorld Ceramics-Centre I-chon KoreaChi-u Museum Seoul Korea
Awards
1998-2000 Foundation Dr Hans-Hoch-Stiftung Neumunster Germany2001 The Bronze Prize World Ceramic Exposition 2001 Korea I-chon Korea2001 Justus Brinckmann Prize 2002 Museum fur Kunst und Gewerbe Hanburg Germany2003 red dot best of the best red dot design award 2003 Kultur Aktuell Landeskulturstiftung Kiel Germany2005 red dot red dot fur hohe Design Qualitat red dot design award 2005 Germany Diessnerpreis Diessen Germany2008 Grassipreis Grassimuseum Leipzig Germany2010 Bayerischer Staatspreis Munchen Germany
2010 CERAMICS ExhIbITION lsquoSEDIMENTATIONrsquo
Bo Kyung Kim Sung Chul Kim Pyung Moon Mi Seon Park Jung Hong Park Ga Jin Lee Gi Uk Lee Min Su Lee Yerin Lee InHwa Lee JungYong Han
Professor hwang and his students
INTRODUCTION
1
CONTAINER
INSPIRATIONS
ldquoArchitecture is basically a container of something I hope they will enjoy not so much the teacup but the tealdquo
- Yoshio Taniguchi
lsquofINAl TREE hOUSE 2008rsquo - SOU fUJIMOTO
lsquoThE GlASS hOUSErsquo - PhIlIP JOhNSON
Porcelain is a work of art in itself So it is important to display the purity and aesthetic beautyMy focus was on how the Porcelain should be presented to allow the building to harmonize with it not play against the object
The lsquoGlass Housersquo by Philip Johnson inspired me in terms of display and preservation of objectsThe symbolic meaning of glass which isolates the object from external environment whilst still allowingobservation from outside
Looking at the lsquoFinal Tree Housersquo by Sou Fujimotothere is an interesting overlap of light and shadowsI considered what if one objects in the gaps and on cantileversnatural light coming in through the lsquogapsrsquo shining on objects
Porcelains are exhibited and gifted in a crafted wood box or a bar
PRECEDENT RESEARCh
2
Object display
Joinery Inspiration The effect of natural light
The purity of porcelain comes from light and dark To expose the object onto natural lighting was a key idea Another inspirations came from the container itself and how the object is being displayed
Intense lighting on por-celains
Porcelain
Wood Container
Glass Container
INITIAl CONCEPT
3
People use glass container to protect the object from external environment My concept derived from this what if a wood container is protected by layers of glass
The effect of natural light
4
Pattern and form applied on building
PATTERN AND fORM
Connection between lsquocraftmanshiprsquo and lsquoindustrialisationrsquo represented by series of patterns
Interpretation of patterns
Old traditional white porcelains donrsquot have line patternsThat is because technology to form controlled patterns did not exist at the time Our ancestors have developed the aesthetic shape and form of porcelains From professor Hwangrsquos interview he commented ldquoconnection and harmony between legacy of our ancestors the craftmanship and modernistic approach of industrialisation was represented by series of patternsrdquo
`
ldquoWhere have they come fromand where are they heading towardsrdquo
- 2010 lsquoSedimentationrsquo
Traditional Korean lsquoMoon Porcelainrsquo
DEVElOPMENT 1
5
CG experiment on play of light and shadowsPorcelain display
`STICK AND PUll
ldquoTo create architecture is to put in orderPut what in order Function and Objectsrdquo
- Le Corbusier
My interpretation of Le Corbusierrsquos quote is that function and object should be linked together The function allows people to appreciate fully the aesthetics and purity of porcelains In fact playing with light and shad-ows is a factor to consider Allowing timber bars to stick out from the wall it allows a functional display area and at the same time allows interesting overlap of light and shadows highlighting the objects displayed
Movable and detachable shelves
Position shift Combine to create different size Concept sketch
DEVlEOPMENT 2
6
`
`
` `
Combination 2
Two walls slide in and join to create Space lsquoBrsquo
Space lsquoCrsquo
Combination 1
Four walls form an enclosed box to create Space lsquoArsquoSpace lsquoArsquo
Space lsquoBrsquo Space lsquoCrsquo
The sliding walls create different combinations of space The purpose of space may differ for user context time and others or even alter space to exhibit or store different objects My intention was to allow occupants to create the space they are looking for creating forms that follow functions
ldquoForm ever follows functionrdquo- Louise Sullivan
`
VIEW
` ``
Combination 3
Two walls slide into create Space lsquoDrsquo
Space lsquoErsquo
Space lsquoFrsquo
Combination 4
Two walls join and slide to one side to create Space lsquoGrsquo
transparent glass wallto allow view on the other side
Space lsquoDrsquo Space lsquoErsquo Space lsquoFrsquo
Space lsquoGrsquo
SlIDE
DEVlEOPMENT 3VI
EW
VIEW
VIEW
VIEW
7
Roof overhang to avoid water penetrationStructure is lifted off the damp ground
Air gap between structure and curtain wall for natural ventilationTaller wall tighter space to create shadows in order to reduce heat gain
Spider fitting support is located furthest from the side to give reduced deflection for glass roofto remove water pond formation
Slide door when overlap distracts the view of displayed object Pivot door is considered to avoid visual distraction Natural lighting and intense lighting control
Wall joint
fEATURES
8
Roof overhang to avoid water penetration
INTERNAl PERSPECTIVE
9
DESIGN PROPOSAl
`
PATh
lsquoApproach to the buildingrsquo possesses its philosophical meaning more than a simple physical action When people walk along the pathway they experience view and think The process is meaningful and somewhat symbolic Monumental architecture such as temples make people to approach from lower ground to higher ground looking up and see the magnificent structure
In this project I place the footpath around the building on one same levelThere are four different patterns and there will be numerous collections of porcelainsBefore people step inside the building they have to experience four different viewsThrough gaps people will be able to think imagine
My intention is simple to make people to imagine what to expect
ldquoEvery path serves a purposerdquo- Gene Oliver Athelete
10
SITE CONSIDERATION
The site is located near Bath where the hill top has been flattened out for private use Access via road entrance near planned site inclined in a reasonable degree allowing heavy vehicle access on the road Site is within the reach of cranes from the road which transporation of heavy weight materials may be aidedHowever approach to the planning site is only available through footpath
Wunderkammer is located in the middle of the babyrsquos breath gardenwhere it is surrounded by a dense forest
`
ldquoI donrsquot divide architecture landscape and gardening to me they are onerdquo
- Luis Barragan
SURROUNDINGS
Site surrounded by trees and footpath
Babyrsquos breath garden site
Imagery imposure of structure on site
11
Exploded Isometric
Spider fitting system for frameless glass structure
Track-roller system for sliding walls
Manufactured timber blocks[ 200 mm X 200 mm various in length ]
Structural glazed laminated glass [ 30mm thickness single sheet ]
- The biggest single panel were 5000 mm x 3000 mm manufactured in Austrailia- Various insulation control- Safe
Natural lime stone foundation[ 400 mm x 200 mm 3800 mm ]
ExTERNAl PERSPECTIVE
12
Construction of 120 model was consisted of 7 stages[ from left to right ]
1 Foundation2 Base floor installation3 North wall4 South wall5 East wall6 West wall7 Glass root and curtain walls
CONSTRUCTION
Floor construction
Building east wall
Completed south wall Buliding west wall
Lifted up from the ground
Sketch models to develop ideas
13
PlAN 1 Timber footpath
- lifted 20cm above the ground 2 Glass pivot door
- 800mm wide
3 Timber floor - installed heating system
4 babyrsquos breath garden
0 1 M
SECTION b
SECTION A
1
2
3
4
13
14
Construction of 120 model was consisted of 7 stages[ from left to right ]
1 Foundation2 Base floor installation3 North wall4 South wall5 East wall6 West wall7 Glass root and curtain walls
NORTh ElEVATION
15
EAST ElEVATION
16
SOUTh ElEVATION
17
WEST ElEVATION
18
SECTION A
1
2
3
1 Glass roof overhang - rafnfall control
2 Ventilaition air gap - 20mm - Natural air circulation ventilation
4 Stone foundation
- 400mm from the ground - covered by babyrsquos breath
4
19
3 Suspended Timber flooring - Above 150mm from the ground - Damp Proof - Avoid Condensation
4 Stone foundation
- 400mm from the ground - covered by babyrsquos breath
SECTION b
5
5 Display shelves - Porcelains displayed
7
8
6
6 Spirder fitting system
- frameless glass
7 Intense light intallation - display light control - used at night
20
8 Stick-Pull display bar - Porcelains displayed
![Page 3: Project 2_Wunderkammer](https://reader034.fdocuments.in/reader034/viewer/2022052703/568bf2e41a28ab89339845c2/html5/thumbnails/3.jpg)
Porcelain
Professor Gap Soon HwangCeramiCs Department of art amp Design seoul national university south Korea
Collections
Scheleswig-Holsteinisches Landesmuseum SchloB Gottorf Scheleswig GermanyMuseum fur Kunsthandwerk Frankfurt a M GermanyMuseum fur Kunsthandwerk Grassimuseum Leipzig GermanyCeramics-Museum Berlin Berlin GermanyStaatli Porzellan-Manufaktur Meissen MeiBen GermanyKeramik Museum Kellinghusen Kellinghusen GermanyMuseum fur Kunst und Gewerbe Hambgurg GermanyLandesmuseum Stuttgart GermanyPinakothek der moderne Munich GermanyDiessen Cityhall Diessen GermanyWorld Ceramics-Centre I-chon KoreaChi-u Museum Seoul Korea
Awards
1998-2000 Foundation Dr Hans-Hoch-Stiftung Neumunster Germany2001 The Bronze Prize World Ceramic Exposition 2001 Korea I-chon Korea2001 Justus Brinckmann Prize 2002 Museum fur Kunst und Gewerbe Hanburg Germany2003 red dot best of the best red dot design award 2003 Kultur Aktuell Landeskulturstiftung Kiel Germany2005 red dot red dot fur hohe Design Qualitat red dot design award 2005 Germany Diessnerpreis Diessen Germany2008 Grassipreis Grassimuseum Leipzig Germany2010 Bayerischer Staatspreis Munchen Germany
2010 CERAMICS ExhIbITION lsquoSEDIMENTATIONrsquo
Bo Kyung Kim Sung Chul Kim Pyung Moon Mi Seon Park Jung Hong Park Ga Jin Lee Gi Uk Lee Min Su Lee Yerin Lee InHwa Lee JungYong Han
Professor hwang and his students
INTRODUCTION
1
CONTAINER
INSPIRATIONS
ldquoArchitecture is basically a container of something I hope they will enjoy not so much the teacup but the tealdquo
- Yoshio Taniguchi
lsquofINAl TREE hOUSE 2008rsquo - SOU fUJIMOTO
lsquoThE GlASS hOUSErsquo - PhIlIP JOhNSON
Porcelain is a work of art in itself So it is important to display the purity and aesthetic beautyMy focus was on how the Porcelain should be presented to allow the building to harmonize with it not play against the object
The lsquoGlass Housersquo by Philip Johnson inspired me in terms of display and preservation of objectsThe symbolic meaning of glass which isolates the object from external environment whilst still allowingobservation from outside
Looking at the lsquoFinal Tree Housersquo by Sou Fujimotothere is an interesting overlap of light and shadowsI considered what if one objects in the gaps and on cantileversnatural light coming in through the lsquogapsrsquo shining on objects
Porcelains are exhibited and gifted in a crafted wood box or a bar
PRECEDENT RESEARCh
2
Object display
Joinery Inspiration The effect of natural light
The purity of porcelain comes from light and dark To expose the object onto natural lighting was a key idea Another inspirations came from the container itself and how the object is being displayed
Intense lighting on por-celains
Porcelain
Wood Container
Glass Container
INITIAl CONCEPT
3
People use glass container to protect the object from external environment My concept derived from this what if a wood container is protected by layers of glass
The effect of natural light
4
Pattern and form applied on building
PATTERN AND fORM
Connection between lsquocraftmanshiprsquo and lsquoindustrialisationrsquo represented by series of patterns
Interpretation of patterns
Old traditional white porcelains donrsquot have line patternsThat is because technology to form controlled patterns did not exist at the time Our ancestors have developed the aesthetic shape and form of porcelains From professor Hwangrsquos interview he commented ldquoconnection and harmony between legacy of our ancestors the craftmanship and modernistic approach of industrialisation was represented by series of patternsrdquo
`
ldquoWhere have they come fromand where are they heading towardsrdquo
- 2010 lsquoSedimentationrsquo
Traditional Korean lsquoMoon Porcelainrsquo
DEVElOPMENT 1
5
CG experiment on play of light and shadowsPorcelain display
`STICK AND PUll
ldquoTo create architecture is to put in orderPut what in order Function and Objectsrdquo
- Le Corbusier
My interpretation of Le Corbusierrsquos quote is that function and object should be linked together The function allows people to appreciate fully the aesthetics and purity of porcelains In fact playing with light and shad-ows is a factor to consider Allowing timber bars to stick out from the wall it allows a functional display area and at the same time allows interesting overlap of light and shadows highlighting the objects displayed
Movable and detachable shelves
Position shift Combine to create different size Concept sketch
DEVlEOPMENT 2
6
`
`
` `
Combination 2
Two walls slide in and join to create Space lsquoBrsquo
Space lsquoCrsquo
Combination 1
Four walls form an enclosed box to create Space lsquoArsquoSpace lsquoArsquo
Space lsquoBrsquo Space lsquoCrsquo
The sliding walls create different combinations of space The purpose of space may differ for user context time and others or even alter space to exhibit or store different objects My intention was to allow occupants to create the space they are looking for creating forms that follow functions
ldquoForm ever follows functionrdquo- Louise Sullivan
`
VIEW
` ``
Combination 3
Two walls slide into create Space lsquoDrsquo
Space lsquoErsquo
Space lsquoFrsquo
Combination 4
Two walls join and slide to one side to create Space lsquoGrsquo
transparent glass wallto allow view on the other side
Space lsquoDrsquo Space lsquoErsquo Space lsquoFrsquo
Space lsquoGrsquo
SlIDE
DEVlEOPMENT 3VI
EW
VIEW
VIEW
VIEW
7
Roof overhang to avoid water penetrationStructure is lifted off the damp ground
Air gap between structure and curtain wall for natural ventilationTaller wall tighter space to create shadows in order to reduce heat gain
Spider fitting support is located furthest from the side to give reduced deflection for glass roofto remove water pond formation
Slide door when overlap distracts the view of displayed object Pivot door is considered to avoid visual distraction Natural lighting and intense lighting control
Wall joint
fEATURES
8
Roof overhang to avoid water penetration
INTERNAl PERSPECTIVE
9
DESIGN PROPOSAl
`
PATh
lsquoApproach to the buildingrsquo possesses its philosophical meaning more than a simple physical action When people walk along the pathway they experience view and think The process is meaningful and somewhat symbolic Monumental architecture such as temples make people to approach from lower ground to higher ground looking up and see the magnificent structure
In this project I place the footpath around the building on one same levelThere are four different patterns and there will be numerous collections of porcelainsBefore people step inside the building they have to experience four different viewsThrough gaps people will be able to think imagine
My intention is simple to make people to imagine what to expect
ldquoEvery path serves a purposerdquo- Gene Oliver Athelete
10
SITE CONSIDERATION
The site is located near Bath where the hill top has been flattened out for private use Access via road entrance near planned site inclined in a reasonable degree allowing heavy vehicle access on the road Site is within the reach of cranes from the road which transporation of heavy weight materials may be aidedHowever approach to the planning site is only available through footpath
Wunderkammer is located in the middle of the babyrsquos breath gardenwhere it is surrounded by a dense forest
`
ldquoI donrsquot divide architecture landscape and gardening to me they are onerdquo
- Luis Barragan
SURROUNDINGS
Site surrounded by trees and footpath
Babyrsquos breath garden site
Imagery imposure of structure on site
11
Exploded Isometric
Spider fitting system for frameless glass structure
Track-roller system for sliding walls
Manufactured timber blocks[ 200 mm X 200 mm various in length ]
Structural glazed laminated glass [ 30mm thickness single sheet ]
- The biggest single panel were 5000 mm x 3000 mm manufactured in Austrailia- Various insulation control- Safe
Natural lime stone foundation[ 400 mm x 200 mm 3800 mm ]
ExTERNAl PERSPECTIVE
12
Construction of 120 model was consisted of 7 stages[ from left to right ]
1 Foundation2 Base floor installation3 North wall4 South wall5 East wall6 West wall7 Glass root and curtain walls
CONSTRUCTION
Floor construction
Building east wall
Completed south wall Buliding west wall
Lifted up from the ground
Sketch models to develop ideas
13
PlAN 1 Timber footpath
- lifted 20cm above the ground 2 Glass pivot door
- 800mm wide
3 Timber floor - installed heating system
4 babyrsquos breath garden
0 1 M
SECTION b
SECTION A
1
2
3
4
13
14
Construction of 120 model was consisted of 7 stages[ from left to right ]
1 Foundation2 Base floor installation3 North wall4 South wall5 East wall6 West wall7 Glass root and curtain walls
NORTh ElEVATION
15
EAST ElEVATION
16
SOUTh ElEVATION
17
WEST ElEVATION
18
SECTION A
1
2
3
1 Glass roof overhang - rafnfall control
2 Ventilaition air gap - 20mm - Natural air circulation ventilation
4 Stone foundation
- 400mm from the ground - covered by babyrsquos breath
4
19
3 Suspended Timber flooring - Above 150mm from the ground - Damp Proof - Avoid Condensation
4 Stone foundation
- 400mm from the ground - covered by babyrsquos breath
SECTION b
5
5 Display shelves - Porcelains displayed
7
8
6
6 Spirder fitting system
- frameless glass
7 Intense light intallation - display light control - used at night
20
8 Stick-Pull display bar - Porcelains displayed
![Page 4: Project 2_Wunderkammer](https://reader034.fdocuments.in/reader034/viewer/2022052703/568bf2e41a28ab89339845c2/html5/thumbnails/4.jpg)
CONTAINER
INSPIRATIONS
ldquoArchitecture is basically a container of something I hope they will enjoy not so much the teacup but the tealdquo
- Yoshio Taniguchi
lsquofINAl TREE hOUSE 2008rsquo - SOU fUJIMOTO
lsquoThE GlASS hOUSErsquo - PhIlIP JOhNSON
Porcelain is a work of art in itself So it is important to display the purity and aesthetic beautyMy focus was on how the Porcelain should be presented to allow the building to harmonize with it not play against the object
The lsquoGlass Housersquo by Philip Johnson inspired me in terms of display and preservation of objectsThe symbolic meaning of glass which isolates the object from external environment whilst still allowingobservation from outside
Looking at the lsquoFinal Tree Housersquo by Sou Fujimotothere is an interesting overlap of light and shadowsI considered what if one objects in the gaps and on cantileversnatural light coming in through the lsquogapsrsquo shining on objects
Porcelains are exhibited and gifted in a crafted wood box or a bar
PRECEDENT RESEARCh
2
Object display
Joinery Inspiration The effect of natural light
The purity of porcelain comes from light and dark To expose the object onto natural lighting was a key idea Another inspirations came from the container itself and how the object is being displayed
Intense lighting on por-celains
Porcelain
Wood Container
Glass Container
INITIAl CONCEPT
3
People use glass container to protect the object from external environment My concept derived from this what if a wood container is protected by layers of glass
The effect of natural light
4
Pattern and form applied on building
PATTERN AND fORM
Connection between lsquocraftmanshiprsquo and lsquoindustrialisationrsquo represented by series of patterns
Interpretation of patterns
Old traditional white porcelains donrsquot have line patternsThat is because technology to form controlled patterns did not exist at the time Our ancestors have developed the aesthetic shape and form of porcelains From professor Hwangrsquos interview he commented ldquoconnection and harmony between legacy of our ancestors the craftmanship and modernistic approach of industrialisation was represented by series of patternsrdquo
`
ldquoWhere have they come fromand where are they heading towardsrdquo
- 2010 lsquoSedimentationrsquo
Traditional Korean lsquoMoon Porcelainrsquo
DEVElOPMENT 1
5
CG experiment on play of light and shadowsPorcelain display
`STICK AND PUll
ldquoTo create architecture is to put in orderPut what in order Function and Objectsrdquo
- Le Corbusier
My interpretation of Le Corbusierrsquos quote is that function and object should be linked together The function allows people to appreciate fully the aesthetics and purity of porcelains In fact playing with light and shad-ows is a factor to consider Allowing timber bars to stick out from the wall it allows a functional display area and at the same time allows interesting overlap of light and shadows highlighting the objects displayed
Movable and detachable shelves
Position shift Combine to create different size Concept sketch
DEVlEOPMENT 2
6
`
`
` `
Combination 2
Two walls slide in and join to create Space lsquoBrsquo
Space lsquoCrsquo
Combination 1
Four walls form an enclosed box to create Space lsquoArsquoSpace lsquoArsquo
Space lsquoBrsquo Space lsquoCrsquo
The sliding walls create different combinations of space The purpose of space may differ for user context time and others or even alter space to exhibit or store different objects My intention was to allow occupants to create the space they are looking for creating forms that follow functions
ldquoForm ever follows functionrdquo- Louise Sullivan
`
VIEW
` ``
Combination 3
Two walls slide into create Space lsquoDrsquo
Space lsquoErsquo
Space lsquoFrsquo
Combination 4
Two walls join and slide to one side to create Space lsquoGrsquo
transparent glass wallto allow view on the other side
Space lsquoDrsquo Space lsquoErsquo Space lsquoFrsquo
Space lsquoGrsquo
SlIDE
DEVlEOPMENT 3VI
EW
VIEW
VIEW
VIEW
7
Roof overhang to avoid water penetrationStructure is lifted off the damp ground
Air gap between structure and curtain wall for natural ventilationTaller wall tighter space to create shadows in order to reduce heat gain
Spider fitting support is located furthest from the side to give reduced deflection for glass roofto remove water pond formation
Slide door when overlap distracts the view of displayed object Pivot door is considered to avoid visual distraction Natural lighting and intense lighting control
Wall joint
fEATURES
8
Roof overhang to avoid water penetration
INTERNAl PERSPECTIVE
9
DESIGN PROPOSAl
`
PATh
lsquoApproach to the buildingrsquo possesses its philosophical meaning more than a simple physical action When people walk along the pathway they experience view and think The process is meaningful and somewhat symbolic Monumental architecture such as temples make people to approach from lower ground to higher ground looking up and see the magnificent structure
In this project I place the footpath around the building on one same levelThere are four different patterns and there will be numerous collections of porcelainsBefore people step inside the building they have to experience four different viewsThrough gaps people will be able to think imagine
My intention is simple to make people to imagine what to expect
ldquoEvery path serves a purposerdquo- Gene Oliver Athelete
10
SITE CONSIDERATION
The site is located near Bath where the hill top has been flattened out for private use Access via road entrance near planned site inclined in a reasonable degree allowing heavy vehicle access on the road Site is within the reach of cranes from the road which transporation of heavy weight materials may be aidedHowever approach to the planning site is only available through footpath
Wunderkammer is located in the middle of the babyrsquos breath gardenwhere it is surrounded by a dense forest
`
ldquoI donrsquot divide architecture landscape and gardening to me they are onerdquo
- Luis Barragan
SURROUNDINGS
Site surrounded by trees and footpath
Babyrsquos breath garden site
Imagery imposure of structure on site
11
Exploded Isometric
Spider fitting system for frameless glass structure
Track-roller system for sliding walls
Manufactured timber blocks[ 200 mm X 200 mm various in length ]
Structural glazed laminated glass [ 30mm thickness single sheet ]
- The biggest single panel were 5000 mm x 3000 mm manufactured in Austrailia- Various insulation control- Safe
Natural lime stone foundation[ 400 mm x 200 mm 3800 mm ]
ExTERNAl PERSPECTIVE
12
Construction of 120 model was consisted of 7 stages[ from left to right ]
1 Foundation2 Base floor installation3 North wall4 South wall5 East wall6 West wall7 Glass root and curtain walls
CONSTRUCTION
Floor construction
Building east wall
Completed south wall Buliding west wall
Lifted up from the ground
Sketch models to develop ideas
13
PlAN 1 Timber footpath
- lifted 20cm above the ground 2 Glass pivot door
- 800mm wide
3 Timber floor - installed heating system
4 babyrsquos breath garden
0 1 M
SECTION b
SECTION A
1
2
3
4
13
14
Construction of 120 model was consisted of 7 stages[ from left to right ]
1 Foundation2 Base floor installation3 North wall4 South wall5 East wall6 West wall7 Glass root and curtain walls
NORTh ElEVATION
15
EAST ElEVATION
16
SOUTh ElEVATION
17
WEST ElEVATION
18
SECTION A
1
2
3
1 Glass roof overhang - rafnfall control
2 Ventilaition air gap - 20mm - Natural air circulation ventilation
4 Stone foundation
- 400mm from the ground - covered by babyrsquos breath
4
19
3 Suspended Timber flooring - Above 150mm from the ground - Damp Proof - Avoid Condensation
4 Stone foundation
- 400mm from the ground - covered by babyrsquos breath
SECTION b
5
5 Display shelves - Porcelains displayed
7
8
6
6 Spirder fitting system
- frameless glass
7 Intense light intallation - display light control - used at night
20
8 Stick-Pull display bar - Porcelains displayed
![Page 5: Project 2_Wunderkammer](https://reader034.fdocuments.in/reader034/viewer/2022052703/568bf2e41a28ab89339845c2/html5/thumbnails/5.jpg)
Object display
Joinery Inspiration The effect of natural light
The purity of porcelain comes from light and dark To expose the object onto natural lighting was a key idea Another inspirations came from the container itself and how the object is being displayed
Intense lighting on por-celains
Porcelain
Wood Container
Glass Container
INITIAl CONCEPT
3
People use glass container to protect the object from external environment My concept derived from this what if a wood container is protected by layers of glass
The effect of natural light
4
Pattern and form applied on building
PATTERN AND fORM
Connection between lsquocraftmanshiprsquo and lsquoindustrialisationrsquo represented by series of patterns
Interpretation of patterns
Old traditional white porcelains donrsquot have line patternsThat is because technology to form controlled patterns did not exist at the time Our ancestors have developed the aesthetic shape and form of porcelains From professor Hwangrsquos interview he commented ldquoconnection and harmony between legacy of our ancestors the craftmanship and modernistic approach of industrialisation was represented by series of patternsrdquo
`
ldquoWhere have they come fromand where are they heading towardsrdquo
- 2010 lsquoSedimentationrsquo
Traditional Korean lsquoMoon Porcelainrsquo
DEVElOPMENT 1
5
CG experiment on play of light and shadowsPorcelain display
`STICK AND PUll
ldquoTo create architecture is to put in orderPut what in order Function and Objectsrdquo
- Le Corbusier
My interpretation of Le Corbusierrsquos quote is that function and object should be linked together The function allows people to appreciate fully the aesthetics and purity of porcelains In fact playing with light and shad-ows is a factor to consider Allowing timber bars to stick out from the wall it allows a functional display area and at the same time allows interesting overlap of light and shadows highlighting the objects displayed
Movable and detachable shelves
Position shift Combine to create different size Concept sketch
DEVlEOPMENT 2
6
`
`
` `
Combination 2
Two walls slide in and join to create Space lsquoBrsquo
Space lsquoCrsquo
Combination 1
Four walls form an enclosed box to create Space lsquoArsquoSpace lsquoArsquo
Space lsquoBrsquo Space lsquoCrsquo
The sliding walls create different combinations of space The purpose of space may differ for user context time and others or even alter space to exhibit or store different objects My intention was to allow occupants to create the space they are looking for creating forms that follow functions
ldquoForm ever follows functionrdquo- Louise Sullivan
`
VIEW
` ``
Combination 3
Two walls slide into create Space lsquoDrsquo
Space lsquoErsquo
Space lsquoFrsquo
Combination 4
Two walls join and slide to one side to create Space lsquoGrsquo
transparent glass wallto allow view on the other side
Space lsquoDrsquo Space lsquoErsquo Space lsquoFrsquo
Space lsquoGrsquo
SlIDE
DEVlEOPMENT 3VI
EW
VIEW
VIEW
VIEW
7
Roof overhang to avoid water penetrationStructure is lifted off the damp ground
Air gap between structure and curtain wall for natural ventilationTaller wall tighter space to create shadows in order to reduce heat gain
Spider fitting support is located furthest from the side to give reduced deflection for glass roofto remove water pond formation
Slide door when overlap distracts the view of displayed object Pivot door is considered to avoid visual distraction Natural lighting and intense lighting control
Wall joint
fEATURES
8
Roof overhang to avoid water penetration
INTERNAl PERSPECTIVE
9
DESIGN PROPOSAl
`
PATh
lsquoApproach to the buildingrsquo possesses its philosophical meaning more than a simple physical action When people walk along the pathway they experience view and think The process is meaningful and somewhat symbolic Monumental architecture such as temples make people to approach from lower ground to higher ground looking up and see the magnificent structure
In this project I place the footpath around the building on one same levelThere are four different patterns and there will be numerous collections of porcelainsBefore people step inside the building they have to experience four different viewsThrough gaps people will be able to think imagine
My intention is simple to make people to imagine what to expect
ldquoEvery path serves a purposerdquo- Gene Oliver Athelete
10
SITE CONSIDERATION
The site is located near Bath where the hill top has been flattened out for private use Access via road entrance near planned site inclined in a reasonable degree allowing heavy vehicle access on the road Site is within the reach of cranes from the road which transporation of heavy weight materials may be aidedHowever approach to the planning site is only available through footpath
Wunderkammer is located in the middle of the babyrsquos breath gardenwhere it is surrounded by a dense forest
`
ldquoI donrsquot divide architecture landscape and gardening to me they are onerdquo
- Luis Barragan
SURROUNDINGS
Site surrounded by trees and footpath
Babyrsquos breath garden site
Imagery imposure of structure on site
11
Exploded Isometric
Spider fitting system for frameless glass structure
Track-roller system for sliding walls
Manufactured timber blocks[ 200 mm X 200 mm various in length ]
Structural glazed laminated glass [ 30mm thickness single sheet ]
- The biggest single panel were 5000 mm x 3000 mm manufactured in Austrailia- Various insulation control- Safe
Natural lime stone foundation[ 400 mm x 200 mm 3800 mm ]
ExTERNAl PERSPECTIVE
12
Construction of 120 model was consisted of 7 stages[ from left to right ]
1 Foundation2 Base floor installation3 North wall4 South wall5 East wall6 West wall7 Glass root and curtain walls
CONSTRUCTION
Floor construction
Building east wall
Completed south wall Buliding west wall
Lifted up from the ground
Sketch models to develop ideas
13
PlAN 1 Timber footpath
- lifted 20cm above the ground 2 Glass pivot door
- 800mm wide
3 Timber floor - installed heating system
4 babyrsquos breath garden
0 1 M
SECTION b
SECTION A
1
2
3
4
13
14
Construction of 120 model was consisted of 7 stages[ from left to right ]
1 Foundation2 Base floor installation3 North wall4 South wall5 East wall6 West wall7 Glass root and curtain walls
NORTh ElEVATION
15
EAST ElEVATION
16
SOUTh ElEVATION
17
WEST ElEVATION
18
SECTION A
1
2
3
1 Glass roof overhang - rafnfall control
2 Ventilaition air gap - 20mm - Natural air circulation ventilation
4 Stone foundation
- 400mm from the ground - covered by babyrsquos breath
4
19
3 Suspended Timber flooring - Above 150mm from the ground - Damp Proof - Avoid Condensation
4 Stone foundation
- 400mm from the ground - covered by babyrsquos breath
SECTION b
5
5 Display shelves - Porcelains displayed
7
8
6
6 Spirder fitting system
- frameless glass
7 Intense light intallation - display light control - used at night
20
8 Stick-Pull display bar - Porcelains displayed
![Page 6: Project 2_Wunderkammer](https://reader034.fdocuments.in/reader034/viewer/2022052703/568bf2e41a28ab89339845c2/html5/thumbnails/6.jpg)
The effect of natural light
4
Pattern and form applied on building
PATTERN AND fORM
Connection between lsquocraftmanshiprsquo and lsquoindustrialisationrsquo represented by series of patterns
Interpretation of patterns
Old traditional white porcelains donrsquot have line patternsThat is because technology to form controlled patterns did not exist at the time Our ancestors have developed the aesthetic shape and form of porcelains From professor Hwangrsquos interview he commented ldquoconnection and harmony between legacy of our ancestors the craftmanship and modernistic approach of industrialisation was represented by series of patternsrdquo
`
ldquoWhere have they come fromand where are they heading towardsrdquo
- 2010 lsquoSedimentationrsquo
Traditional Korean lsquoMoon Porcelainrsquo
DEVElOPMENT 1
5
CG experiment on play of light and shadowsPorcelain display
`STICK AND PUll
ldquoTo create architecture is to put in orderPut what in order Function and Objectsrdquo
- Le Corbusier
My interpretation of Le Corbusierrsquos quote is that function and object should be linked together The function allows people to appreciate fully the aesthetics and purity of porcelains In fact playing with light and shad-ows is a factor to consider Allowing timber bars to stick out from the wall it allows a functional display area and at the same time allows interesting overlap of light and shadows highlighting the objects displayed
Movable and detachable shelves
Position shift Combine to create different size Concept sketch
DEVlEOPMENT 2
6
`
`
` `
Combination 2
Two walls slide in and join to create Space lsquoBrsquo
Space lsquoCrsquo
Combination 1
Four walls form an enclosed box to create Space lsquoArsquoSpace lsquoArsquo
Space lsquoBrsquo Space lsquoCrsquo
The sliding walls create different combinations of space The purpose of space may differ for user context time and others or even alter space to exhibit or store different objects My intention was to allow occupants to create the space they are looking for creating forms that follow functions
ldquoForm ever follows functionrdquo- Louise Sullivan
`
VIEW
` ``
Combination 3
Two walls slide into create Space lsquoDrsquo
Space lsquoErsquo
Space lsquoFrsquo
Combination 4
Two walls join and slide to one side to create Space lsquoGrsquo
transparent glass wallto allow view on the other side
Space lsquoDrsquo Space lsquoErsquo Space lsquoFrsquo
Space lsquoGrsquo
SlIDE
DEVlEOPMENT 3VI
EW
VIEW
VIEW
VIEW
7
Roof overhang to avoid water penetrationStructure is lifted off the damp ground
Air gap between structure and curtain wall for natural ventilationTaller wall tighter space to create shadows in order to reduce heat gain
Spider fitting support is located furthest from the side to give reduced deflection for glass roofto remove water pond formation
Slide door when overlap distracts the view of displayed object Pivot door is considered to avoid visual distraction Natural lighting and intense lighting control
Wall joint
fEATURES
8
Roof overhang to avoid water penetration
INTERNAl PERSPECTIVE
9
DESIGN PROPOSAl
`
PATh
lsquoApproach to the buildingrsquo possesses its philosophical meaning more than a simple physical action When people walk along the pathway they experience view and think The process is meaningful and somewhat symbolic Monumental architecture such as temples make people to approach from lower ground to higher ground looking up and see the magnificent structure
In this project I place the footpath around the building on one same levelThere are four different patterns and there will be numerous collections of porcelainsBefore people step inside the building they have to experience four different viewsThrough gaps people will be able to think imagine
My intention is simple to make people to imagine what to expect
ldquoEvery path serves a purposerdquo- Gene Oliver Athelete
10
SITE CONSIDERATION
The site is located near Bath where the hill top has been flattened out for private use Access via road entrance near planned site inclined in a reasonable degree allowing heavy vehicle access on the road Site is within the reach of cranes from the road which transporation of heavy weight materials may be aidedHowever approach to the planning site is only available through footpath
Wunderkammer is located in the middle of the babyrsquos breath gardenwhere it is surrounded by a dense forest
`
ldquoI donrsquot divide architecture landscape and gardening to me they are onerdquo
- Luis Barragan
SURROUNDINGS
Site surrounded by trees and footpath
Babyrsquos breath garden site
Imagery imposure of structure on site
11
Exploded Isometric
Spider fitting system for frameless glass structure
Track-roller system for sliding walls
Manufactured timber blocks[ 200 mm X 200 mm various in length ]
Structural glazed laminated glass [ 30mm thickness single sheet ]
- The biggest single panel were 5000 mm x 3000 mm manufactured in Austrailia- Various insulation control- Safe
Natural lime stone foundation[ 400 mm x 200 mm 3800 mm ]
ExTERNAl PERSPECTIVE
12
Construction of 120 model was consisted of 7 stages[ from left to right ]
1 Foundation2 Base floor installation3 North wall4 South wall5 East wall6 West wall7 Glass root and curtain walls
CONSTRUCTION
Floor construction
Building east wall
Completed south wall Buliding west wall
Lifted up from the ground
Sketch models to develop ideas
13
PlAN 1 Timber footpath
- lifted 20cm above the ground 2 Glass pivot door
- 800mm wide
3 Timber floor - installed heating system
4 babyrsquos breath garden
0 1 M
SECTION b
SECTION A
1
2
3
4
13
14
Construction of 120 model was consisted of 7 stages[ from left to right ]
1 Foundation2 Base floor installation3 North wall4 South wall5 East wall6 West wall7 Glass root and curtain walls
NORTh ElEVATION
15
EAST ElEVATION
16
SOUTh ElEVATION
17
WEST ElEVATION
18
SECTION A
1
2
3
1 Glass roof overhang - rafnfall control
2 Ventilaition air gap - 20mm - Natural air circulation ventilation
4 Stone foundation
- 400mm from the ground - covered by babyrsquos breath
4
19
3 Suspended Timber flooring - Above 150mm from the ground - Damp Proof - Avoid Condensation
4 Stone foundation
- 400mm from the ground - covered by babyrsquos breath
SECTION b
5
5 Display shelves - Porcelains displayed
7
8
6
6 Spirder fitting system
- frameless glass
7 Intense light intallation - display light control - used at night
20
8 Stick-Pull display bar - Porcelains displayed
![Page 7: Project 2_Wunderkammer](https://reader034.fdocuments.in/reader034/viewer/2022052703/568bf2e41a28ab89339845c2/html5/thumbnails/7.jpg)
5
CG experiment on play of light and shadowsPorcelain display
`STICK AND PUll
ldquoTo create architecture is to put in orderPut what in order Function and Objectsrdquo
- Le Corbusier
My interpretation of Le Corbusierrsquos quote is that function and object should be linked together The function allows people to appreciate fully the aesthetics and purity of porcelains In fact playing with light and shad-ows is a factor to consider Allowing timber bars to stick out from the wall it allows a functional display area and at the same time allows interesting overlap of light and shadows highlighting the objects displayed
Movable and detachable shelves
Position shift Combine to create different size Concept sketch
DEVlEOPMENT 2
6
`
`
` `
Combination 2
Two walls slide in and join to create Space lsquoBrsquo
Space lsquoCrsquo
Combination 1
Four walls form an enclosed box to create Space lsquoArsquoSpace lsquoArsquo
Space lsquoBrsquo Space lsquoCrsquo
The sliding walls create different combinations of space The purpose of space may differ for user context time and others or even alter space to exhibit or store different objects My intention was to allow occupants to create the space they are looking for creating forms that follow functions
ldquoForm ever follows functionrdquo- Louise Sullivan
`
VIEW
` ``
Combination 3
Two walls slide into create Space lsquoDrsquo
Space lsquoErsquo
Space lsquoFrsquo
Combination 4
Two walls join and slide to one side to create Space lsquoGrsquo
transparent glass wallto allow view on the other side
Space lsquoDrsquo Space lsquoErsquo Space lsquoFrsquo
Space lsquoGrsquo
SlIDE
DEVlEOPMENT 3VI
EW
VIEW
VIEW
VIEW
7
Roof overhang to avoid water penetrationStructure is lifted off the damp ground
Air gap between structure and curtain wall for natural ventilationTaller wall tighter space to create shadows in order to reduce heat gain
Spider fitting support is located furthest from the side to give reduced deflection for glass roofto remove water pond formation
Slide door when overlap distracts the view of displayed object Pivot door is considered to avoid visual distraction Natural lighting and intense lighting control
Wall joint
fEATURES
8
Roof overhang to avoid water penetration
INTERNAl PERSPECTIVE
9
DESIGN PROPOSAl
`
PATh
lsquoApproach to the buildingrsquo possesses its philosophical meaning more than a simple physical action When people walk along the pathway they experience view and think The process is meaningful and somewhat symbolic Monumental architecture such as temples make people to approach from lower ground to higher ground looking up and see the magnificent structure
In this project I place the footpath around the building on one same levelThere are four different patterns and there will be numerous collections of porcelainsBefore people step inside the building they have to experience four different viewsThrough gaps people will be able to think imagine
My intention is simple to make people to imagine what to expect
ldquoEvery path serves a purposerdquo- Gene Oliver Athelete
10
SITE CONSIDERATION
The site is located near Bath where the hill top has been flattened out for private use Access via road entrance near planned site inclined in a reasonable degree allowing heavy vehicle access on the road Site is within the reach of cranes from the road which transporation of heavy weight materials may be aidedHowever approach to the planning site is only available through footpath
Wunderkammer is located in the middle of the babyrsquos breath gardenwhere it is surrounded by a dense forest
`
ldquoI donrsquot divide architecture landscape and gardening to me they are onerdquo
- Luis Barragan
SURROUNDINGS
Site surrounded by trees and footpath
Babyrsquos breath garden site
Imagery imposure of structure on site
11
Exploded Isometric
Spider fitting system for frameless glass structure
Track-roller system for sliding walls
Manufactured timber blocks[ 200 mm X 200 mm various in length ]
Structural glazed laminated glass [ 30mm thickness single sheet ]
- The biggest single panel were 5000 mm x 3000 mm manufactured in Austrailia- Various insulation control- Safe
Natural lime stone foundation[ 400 mm x 200 mm 3800 mm ]
ExTERNAl PERSPECTIVE
12
Construction of 120 model was consisted of 7 stages[ from left to right ]
1 Foundation2 Base floor installation3 North wall4 South wall5 East wall6 West wall7 Glass root and curtain walls
CONSTRUCTION
Floor construction
Building east wall
Completed south wall Buliding west wall
Lifted up from the ground
Sketch models to develop ideas
13
PlAN 1 Timber footpath
- lifted 20cm above the ground 2 Glass pivot door
- 800mm wide
3 Timber floor - installed heating system
4 babyrsquos breath garden
0 1 M
SECTION b
SECTION A
1
2
3
4
13
14
Construction of 120 model was consisted of 7 stages[ from left to right ]
1 Foundation2 Base floor installation3 North wall4 South wall5 East wall6 West wall7 Glass root and curtain walls
NORTh ElEVATION
15
EAST ElEVATION
16
SOUTh ElEVATION
17
WEST ElEVATION
18
SECTION A
1
2
3
1 Glass roof overhang - rafnfall control
2 Ventilaition air gap - 20mm - Natural air circulation ventilation
4 Stone foundation
- 400mm from the ground - covered by babyrsquos breath
4
19
3 Suspended Timber flooring - Above 150mm from the ground - Damp Proof - Avoid Condensation
4 Stone foundation
- 400mm from the ground - covered by babyrsquos breath
SECTION b
5
5 Display shelves - Porcelains displayed
7
8
6
6 Spirder fitting system
- frameless glass
7 Intense light intallation - display light control - used at night
20
8 Stick-Pull display bar - Porcelains displayed
![Page 8: Project 2_Wunderkammer](https://reader034.fdocuments.in/reader034/viewer/2022052703/568bf2e41a28ab89339845c2/html5/thumbnails/8.jpg)
6
`
`
` `
Combination 2
Two walls slide in and join to create Space lsquoBrsquo
Space lsquoCrsquo
Combination 1
Four walls form an enclosed box to create Space lsquoArsquoSpace lsquoArsquo
Space lsquoBrsquo Space lsquoCrsquo
The sliding walls create different combinations of space The purpose of space may differ for user context time and others or even alter space to exhibit or store different objects My intention was to allow occupants to create the space they are looking for creating forms that follow functions
ldquoForm ever follows functionrdquo- Louise Sullivan
`
VIEW
` ``
Combination 3
Two walls slide into create Space lsquoDrsquo
Space lsquoErsquo
Space lsquoFrsquo
Combination 4
Two walls join and slide to one side to create Space lsquoGrsquo
transparent glass wallto allow view on the other side
Space lsquoDrsquo Space lsquoErsquo Space lsquoFrsquo
Space lsquoGrsquo
SlIDE
DEVlEOPMENT 3VI
EW
VIEW
VIEW
VIEW
7
Roof overhang to avoid water penetrationStructure is lifted off the damp ground
Air gap between structure and curtain wall for natural ventilationTaller wall tighter space to create shadows in order to reduce heat gain
Spider fitting support is located furthest from the side to give reduced deflection for glass roofto remove water pond formation
Slide door when overlap distracts the view of displayed object Pivot door is considered to avoid visual distraction Natural lighting and intense lighting control
Wall joint
fEATURES
8
Roof overhang to avoid water penetration
INTERNAl PERSPECTIVE
9
DESIGN PROPOSAl
`
PATh
lsquoApproach to the buildingrsquo possesses its philosophical meaning more than a simple physical action When people walk along the pathway they experience view and think The process is meaningful and somewhat symbolic Monumental architecture such as temples make people to approach from lower ground to higher ground looking up and see the magnificent structure
In this project I place the footpath around the building on one same levelThere are four different patterns and there will be numerous collections of porcelainsBefore people step inside the building they have to experience four different viewsThrough gaps people will be able to think imagine
My intention is simple to make people to imagine what to expect
ldquoEvery path serves a purposerdquo- Gene Oliver Athelete
10
SITE CONSIDERATION
The site is located near Bath where the hill top has been flattened out for private use Access via road entrance near planned site inclined in a reasonable degree allowing heavy vehicle access on the road Site is within the reach of cranes from the road which transporation of heavy weight materials may be aidedHowever approach to the planning site is only available through footpath
Wunderkammer is located in the middle of the babyrsquos breath gardenwhere it is surrounded by a dense forest
`
ldquoI donrsquot divide architecture landscape and gardening to me they are onerdquo
- Luis Barragan
SURROUNDINGS
Site surrounded by trees and footpath
Babyrsquos breath garden site
Imagery imposure of structure on site
11
Exploded Isometric
Spider fitting system for frameless glass structure
Track-roller system for sliding walls
Manufactured timber blocks[ 200 mm X 200 mm various in length ]
Structural glazed laminated glass [ 30mm thickness single sheet ]
- The biggest single panel were 5000 mm x 3000 mm manufactured in Austrailia- Various insulation control- Safe
Natural lime stone foundation[ 400 mm x 200 mm 3800 mm ]
ExTERNAl PERSPECTIVE
12
Construction of 120 model was consisted of 7 stages[ from left to right ]
1 Foundation2 Base floor installation3 North wall4 South wall5 East wall6 West wall7 Glass root and curtain walls
CONSTRUCTION
Floor construction
Building east wall
Completed south wall Buliding west wall
Lifted up from the ground
Sketch models to develop ideas
13
PlAN 1 Timber footpath
- lifted 20cm above the ground 2 Glass pivot door
- 800mm wide
3 Timber floor - installed heating system
4 babyrsquos breath garden
0 1 M
SECTION b
SECTION A
1
2
3
4
13
14
Construction of 120 model was consisted of 7 stages[ from left to right ]
1 Foundation2 Base floor installation3 North wall4 South wall5 East wall6 West wall7 Glass root and curtain walls
NORTh ElEVATION
15
EAST ElEVATION
16
SOUTh ElEVATION
17
WEST ElEVATION
18
SECTION A
1
2
3
1 Glass roof overhang - rafnfall control
2 Ventilaition air gap - 20mm - Natural air circulation ventilation
4 Stone foundation
- 400mm from the ground - covered by babyrsquos breath
4
19
3 Suspended Timber flooring - Above 150mm from the ground - Damp Proof - Avoid Condensation
4 Stone foundation
- 400mm from the ground - covered by babyrsquos breath
SECTION b
5
5 Display shelves - Porcelains displayed
7
8
6
6 Spirder fitting system
- frameless glass
7 Intense light intallation - display light control - used at night
20
8 Stick-Pull display bar - Porcelains displayed
![Page 9: Project 2_Wunderkammer](https://reader034.fdocuments.in/reader034/viewer/2022052703/568bf2e41a28ab89339845c2/html5/thumbnails/9.jpg)
7
Roof overhang to avoid water penetrationStructure is lifted off the damp ground
Air gap between structure and curtain wall for natural ventilationTaller wall tighter space to create shadows in order to reduce heat gain
Spider fitting support is located furthest from the side to give reduced deflection for glass roofto remove water pond formation
Slide door when overlap distracts the view of displayed object Pivot door is considered to avoid visual distraction Natural lighting and intense lighting control
Wall joint
fEATURES
8
Roof overhang to avoid water penetration
INTERNAl PERSPECTIVE
9
DESIGN PROPOSAl
`
PATh
lsquoApproach to the buildingrsquo possesses its philosophical meaning more than a simple physical action When people walk along the pathway they experience view and think The process is meaningful and somewhat symbolic Monumental architecture such as temples make people to approach from lower ground to higher ground looking up and see the magnificent structure
In this project I place the footpath around the building on one same levelThere are four different patterns and there will be numerous collections of porcelainsBefore people step inside the building they have to experience four different viewsThrough gaps people will be able to think imagine
My intention is simple to make people to imagine what to expect
ldquoEvery path serves a purposerdquo- Gene Oliver Athelete
10
SITE CONSIDERATION
The site is located near Bath where the hill top has been flattened out for private use Access via road entrance near planned site inclined in a reasonable degree allowing heavy vehicle access on the road Site is within the reach of cranes from the road which transporation of heavy weight materials may be aidedHowever approach to the planning site is only available through footpath
Wunderkammer is located in the middle of the babyrsquos breath gardenwhere it is surrounded by a dense forest
`
ldquoI donrsquot divide architecture landscape and gardening to me they are onerdquo
- Luis Barragan
SURROUNDINGS
Site surrounded by trees and footpath
Babyrsquos breath garden site
Imagery imposure of structure on site
11
Exploded Isometric
Spider fitting system for frameless glass structure
Track-roller system for sliding walls
Manufactured timber blocks[ 200 mm X 200 mm various in length ]
Structural glazed laminated glass [ 30mm thickness single sheet ]
- The biggest single panel were 5000 mm x 3000 mm manufactured in Austrailia- Various insulation control- Safe
Natural lime stone foundation[ 400 mm x 200 mm 3800 mm ]
ExTERNAl PERSPECTIVE
12
Construction of 120 model was consisted of 7 stages[ from left to right ]
1 Foundation2 Base floor installation3 North wall4 South wall5 East wall6 West wall7 Glass root and curtain walls
CONSTRUCTION
Floor construction
Building east wall
Completed south wall Buliding west wall
Lifted up from the ground
Sketch models to develop ideas
13
PlAN 1 Timber footpath
- lifted 20cm above the ground 2 Glass pivot door
- 800mm wide
3 Timber floor - installed heating system
4 babyrsquos breath garden
0 1 M
SECTION b
SECTION A
1
2
3
4
13
14
Construction of 120 model was consisted of 7 stages[ from left to right ]
1 Foundation2 Base floor installation3 North wall4 South wall5 East wall6 West wall7 Glass root and curtain walls
NORTh ElEVATION
15
EAST ElEVATION
16
SOUTh ElEVATION
17
WEST ElEVATION
18
SECTION A
1
2
3
1 Glass roof overhang - rafnfall control
2 Ventilaition air gap - 20mm - Natural air circulation ventilation
4 Stone foundation
- 400mm from the ground - covered by babyrsquos breath
4
19
3 Suspended Timber flooring - Above 150mm from the ground - Damp Proof - Avoid Condensation
4 Stone foundation
- 400mm from the ground - covered by babyrsquos breath
SECTION b
5
5 Display shelves - Porcelains displayed
7
8
6
6 Spirder fitting system
- frameless glass
7 Intense light intallation - display light control - used at night
20
8 Stick-Pull display bar - Porcelains displayed
![Page 10: Project 2_Wunderkammer](https://reader034.fdocuments.in/reader034/viewer/2022052703/568bf2e41a28ab89339845c2/html5/thumbnails/10.jpg)
8
Roof overhang to avoid water penetration
INTERNAl PERSPECTIVE
9
DESIGN PROPOSAl
`
PATh
lsquoApproach to the buildingrsquo possesses its philosophical meaning more than a simple physical action When people walk along the pathway they experience view and think The process is meaningful and somewhat symbolic Monumental architecture such as temples make people to approach from lower ground to higher ground looking up and see the magnificent structure
In this project I place the footpath around the building on one same levelThere are four different patterns and there will be numerous collections of porcelainsBefore people step inside the building they have to experience four different viewsThrough gaps people will be able to think imagine
My intention is simple to make people to imagine what to expect
ldquoEvery path serves a purposerdquo- Gene Oliver Athelete
10
SITE CONSIDERATION
The site is located near Bath where the hill top has been flattened out for private use Access via road entrance near planned site inclined in a reasonable degree allowing heavy vehicle access on the road Site is within the reach of cranes from the road which transporation of heavy weight materials may be aidedHowever approach to the planning site is only available through footpath
Wunderkammer is located in the middle of the babyrsquos breath gardenwhere it is surrounded by a dense forest
`
ldquoI donrsquot divide architecture landscape and gardening to me they are onerdquo
- Luis Barragan
SURROUNDINGS
Site surrounded by trees and footpath
Babyrsquos breath garden site
Imagery imposure of structure on site
11
Exploded Isometric
Spider fitting system for frameless glass structure
Track-roller system for sliding walls
Manufactured timber blocks[ 200 mm X 200 mm various in length ]
Structural glazed laminated glass [ 30mm thickness single sheet ]
- The biggest single panel were 5000 mm x 3000 mm manufactured in Austrailia- Various insulation control- Safe
Natural lime stone foundation[ 400 mm x 200 mm 3800 mm ]
ExTERNAl PERSPECTIVE
12
Construction of 120 model was consisted of 7 stages[ from left to right ]
1 Foundation2 Base floor installation3 North wall4 South wall5 East wall6 West wall7 Glass root and curtain walls
CONSTRUCTION
Floor construction
Building east wall
Completed south wall Buliding west wall
Lifted up from the ground
Sketch models to develop ideas
13
PlAN 1 Timber footpath
- lifted 20cm above the ground 2 Glass pivot door
- 800mm wide
3 Timber floor - installed heating system
4 babyrsquos breath garden
0 1 M
SECTION b
SECTION A
1
2
3
4
13
14
Construction of 120 model was consisted of 7 stages[ from left to right ]
1 Foundation2 Base floor installation3 North wall4 South wall5 East wall6 West wall7 Glass root and curtain walls
NORTh ElEVATION
15
EAST ElEVATION
16
SOUTh ElEVATION
17
WEST ElEVATION
18
SECTION A
1
2
3
1 Glass roof overhang - rafnfall control
2 Ventilaition air gap - 20mm - Natural air circulation ventilation
4 Stone foundation
- 400mm from the ground - covered by babyrsquos breath
4
19
3 Suspended Timber flooring - Above 150mm from the ground - Damp Proof - Avoid Condensation
4 Stone foundation
- 400mm from the ground - covered by babyrsquos breath
SECTION b
5
5 Display shelves - Porcelains displayed
7
8
6
6 Spirder fitting system
- frameless glass
7 Intense light intallation - display light control - used at night
20
8 Stick-Pull display bar - Porcelains displayed
![Page 11: Project 2_Wunderkammer](https://reader034.fdocuments.in/reader034/viewer/2022052703/568bf2e41a28ab89339845c2/html5/thumbnails/11.jpg)
9
DESIGN PROPOSAl
`
PATh
lsquoApproach to the buildingrsquo possesses its philosophical meaning more than a simple physical action When people walk along the pathway they experience view and think The process is meaningful and somewhat symbolic Monumental architecture such as temples make people to approach from lower ground to higher ground looking up and see the magnificent structure
In this project I place the footpath around the building on one same levelThere are four different patterns and there will be numerous collections of porcelainsBefore people step inside the building they have to experience four different viewsThrough gaps people will be able to think imagine
My intention is simple to make people to imagine what to expect
ldquoEvery path serves a purposerdquo- Gene Oliver Athelete
10
SITE CONSIDERATION
The site is located near Bath where the hill top has been flattened out for private use Access via road entrance near planned site inclined in a reasonable degree allowing heavy vehicle access on the road Site is within the reach of cranes from the road which transporation of heavy weight materials may be aidedHowever approach to the planning site is only available through footpath
Wunderkammer is located in the middle of the babyrsquos breath gardenwhere it is surrounded by a dense forest
`
ldquoI donrsquot divide architecture landscape and gardening to me they are onerdquo
- Luis Barragan
SURROUNDINGS
Site surrounded by trees and footpath
Babyrsquos breath garden site
Imagery imposure of structure on site
11
Exploded Isometric
Spider fitting system for frameless glass structure
Track-roller system for sliding walls
Manufactured timber blocks[ 200 mm X 200 mm various in length ]
Structural glazed laminated glass [ 30mm thickness single sheet ]
- The biggest single panel were 5000 mm x 3000 mm manufactured in Austrailia- Various insulation control- Safe
Natural lime stone foundation[ 400 mm x 200 mm 3800 mm ]
ExTERNAl PERSPECTIVE
12
Construction of 120 model was consisted of 7 stages[ from left to right ]
1 Foundation2 Base floor installation3 North wall4 South wall5 East wall6 West wall7 Glass root and curtain walls
CONSTRUCTION
Floor construction
Building east wall
Completed south wall Buliding west wall
Lifted up from the ground
Sketch models to develop ideas
13
PlAN 1 Timber footpath
- lifted 20cm above the ground 2 Glass pivot door
- 800mm wide
3 Timber floor - installed heating system
4 babyrsquos breath garden
0 1 M
SECTION b
SECTION A
1
2
3
4
13
14
Construction of 120 model was consisted of 7 stages[ from left to right ]
1 Foundation2 Base floor installation3 North wall4 South wall5 East wall6 West wall7 Glass root and curtain walls
NORTh ElEVATION
15
EAST ElEVATION
16
SOUTh ElEVATION
17
WEST ElEVATION
18
SECTION A
1
2
3
1 Glass roof overhang - rafnfall control
2 Ventilaition air gap - 20mm - Natural air circulation ventilation
4 Stone foundation
- 400mm from the ground - covered by babyrsquos breath
4
19
3 Suspended Timber flooring - Above 150mm from the ground - Damp Proof - Avoid Condensation
4 Stone foundation
- 400mm from the ground - covered by babyrsquos breath
SECTION b
5
5 Display shelves - Porcelains displayed
7
8
6
6 Spirder fitting system
- frameless glass
7 Intense light intallation - display light control - used at night
20
8 Stick-Pull display bar - Porcelains displayed
![Page 12: Project 2_Wunderkammer](https://reader034.fdocuments.in/reader034/viewer/2022052703/568bf2e41a28ab89339845c2/html5/thumbnails/12.jpg)
10
SITE CONSIDERATION
The site is located near Bath where the hill top has been flattened out for private use Access via road entrance near planned site inclined in a reasonable degree allowing heavy vehicle access on the road Site is within the reach of cranes from the road which transporation of heavy weight materials may be aidedHowever approach to the planning site is only available through footpath
Wunderkammer is located in the middle of the babyrsquos breath gardenwhere it is surrounded by a dense forest
`
ldquoI donrsquot divide architecture landscape and gardening to me they are onerdquo
- Luis Barragan
SURROUNDINGS
Site surrounded by trees and footpath
Babyrsquos breath garden site
Imagery imposure of structure on site
11
Exploded Isometric
Spider fitting system for frameless glass structure
Track-roller system for sliding walls
Manufactured timber blocks[ 200 mm X 200 mm various in length ]
Structural glazed laminated glass [ 30mm thickness single sheet ]
- The biggest single panel were 5000 mm x 3000 mm manufactured in Austrailia- Various insulation control- Safe
Natural lime stone foundation[ 400 mm x 200 mm 3800 mm ]
ExTERNAl PERSPECTIVE
12
Construction of 120 model was consisted of 7 stages[ from left to right ]
1 Foundation2 Base floor installation3 North wall4 South wall5 East wall6 West wall7 Glass root and curtain walls
CONSTRUCTION
Floor construction
Building east wall
Completed south wall Buliding west wall
Lifted up from the ground
Sketch models to develop ideas
13
PlAN 1 Timber footpath
- lifted 20cm above the ground 2 Glass pivot door
- 800mm wide
3 Timber floor - installed heating system
4 babyrsquos breath garden
0 1 M
SECTION b
SECTION A
1
2
3
4
13
14
Construction of 120 model was consisted of 7 stages[ from left to right ]
1 Foundation2 Base floor installation3 North wall4 South wall5 East wall6 West wall7 Glass root and curtain walls
NORTh ElEVATION
15
EAST ElEVATION
16
SOUTh ElEVATION
17
WEST ElEVATION
18
SECTION A
1
2
3
1 Glass roof overhang - rafnfall control
2 Ventilaition air gap - 20mm - Natural air circulation ventilation
4 Stone foundation
- 400mm from the ground - covered by babyrsquos breath
4
19
3 Suspended Timber flooring - Above 150mm from the ground - Damp Proof - Avoid Condensation
4 Stone foundation
- 400mm from the ground - covered by babyrsquos breath
SECTION b
5
5 Display shelves - Porcelains displayed
7
8
6
6 Spirder fitting system
- frameless glass
7 Intense light intallation - display light control - used at night
20
8 Stick-Pull display bar - Porcelains displayed
![Page 13: Project 2_Wunderkammer](https://reader034.fdocuments.in/reader034/viewer/2022052703/568bf2e41a28ab89339845c2/html5/thumbnails/13.jpg)
11
Exploded Isometric
Spider fitting system for frameless glass structure
Track-roller system for sliding walls
Manufactured timber blocks[ 200 mm X 200 mm various in length ]
Structural glazed laminated glass [ 30mm thickness single sheet ]
- The biggest single panel were 5000 mm x 3000 mm manufactured in Austrailia- Various insulation control- Safe
Natural lime stone foundation[ 400 mm x 200 mm 3800 mm ]
ExTERNAl PERSPECTIVE
12
Construction of 120 model was consisted of 7 stages[ from left to right ]
1 Foundation2 Base floor installation3 North wall4 South wall5 East wall6 West wall7 Glass root and curtain walls
CONSTRUCTION
Floor construction
Building east wall
Completed south wall Buliding west wall
Lifted up from the ground
Sketch models to develop ideas
13
PlAN 1 Timber footpath
- lifted 20cm above the ground 2 Glass pivot door
- 800mm wide
3 Timber floor - installed heating system
4 babyrsquos breath garden
0 1 M
SECTION b
SECTION A
1
2
3
4
13
14
Construction of 120 model was consisted of 7 stages[ from left to right ]
1 Foundation2 Base floor installation3 North wall4 South wall5 East wall6 West wall7 Glass root and curtain walls
NORTh ElEVATION
15
EAST ElEVATION
16
SOUTh ElEVATION
17
WEST ElEVATION
18
SECTION A
1
2
3
1 Glass roof overhang - rafnfall control
2 Ventilaition air gap - 20mm - Natural air circulation ventilation
4 Stone foundation
- 400mm from the ground - covered by babyrsquos breath
4
19
3 Suspended Timber flooring - Above 150mm from the ground - Damp Proof - Avoid Condensation
4 Stone foundation
- 400mm from the ground - covered by babyrsquos breath
SECTION b
5
5 Display shelves - Porcelains displayed
7
8
6
6 Spirder fitting system
- frameless glass
7 Intense light intallation - display light control - used at night
20
8 Stick-Pull display bar - Porcelains displayed
![Page 14: Project 2_Wunderkammer](https://reader034.fdocuments.in/reader034/viewer/2022052703/568bf2e41a28ab89339845c2/html5/thumbnails/14.jpg)
Manufactured timber blocks[ 200 mm X 200 mm various in length ]
Structural glazed laminated glass [ 30mm thickness single sheet ]
- The biggest single panel were 5000 mm x 3000 mm manufactured in Austrailia- Various insulation control- Safe
Natural lime stone foundation[ 400 mm x 200 mm 3800 mm ]
ExTERNAl PERSPECTIVE
12
Construction of 120 model was consisted of 7 stages[ from left to right ]
1 Foundation2 Base floor installation3 North wall4 South wall5 East wall6 West wall7 Glass root and curtain walls
CONSTRUCTION
Floor construction
Building east wall
Completed south wall Buliding west wall
Lifted up from the ground
Sketch models to develop ideas
13
PlAN 1 Timber footpath
- lifted 20cm above the ground 2 Glass pivot door
- 800mm wide
3 Timber floor - installed heating system
4 babyrsquos breath garden
0 1 M
SECTION b
SECTION A
1
2
3
4
13
14
Construction of 120 model was consisted of 7 stages[ from left to right ]
1 Foundation2 Base floor installation3 North wall4 South wall5 East wall6 West wall7 Glass root and curtain walls
NORTh ElEVATION
15
EAST ElEVATION
16
SOUTh ElEVATION
17
WEST ElEVATION
18
SECTION A
1
2
3
1 Glass roof overhang - rafnfall control
2 Ventilaition air gap - 20mm - Natural air circulation ventilation
4 Stone foundation
- 400mm from the ground - covered by babyrsquos breath
4
19
3 Suspended Timber flooring - Above 150mm from the ground - Damp Proof - Avoid Condensation
4 Stone foundation
- 400mm from the ground - covered by babyrsquos breath
SECTION b
5
5 Display shelves - Porcelains displayed
7
8
6
6 Spirder fitting system
- frameless glass
7 Intense light intallation - display light control - used at night
20
8 Stick-Pull display bar - Porcelains displayed
![Page 15: Project 2_Wunderkammer](https://reader034.fdocuments.in/reader034/viewer/2022052703/568bf2e41a28ab89339845c2/html5/thumbnails/15.jpg)
Construction of 120 model was consisted of 7 stages[ from left to right ]
1 Foundation2 Base floor installation3 North wall4 South wall5 East wall6 West wall7 Glass root and curtain walls
CONSTRUCTION
Floor construction
Building east wall
Completed south wall Buliding west wall
Lifted up from the ground
Sketch models to develop ideas
13
PlAN 1 Timber footpath
- lifted 20cm above the ground 2 Glass pivot door
- 800mm wide
3 Timber floor - installed heating system
4 babyrsquos breath garden
0 1 M
SECTION b
SECTION A
1
2
3
4
13
14
Construction of 120 model was consisted of 7 stages[ from left to right ]
1 Foundation2 Base floor installation3 North wall4 South wall5 East wall6 West wall7 Glass root and curtain walls
NORTh ElEVATION
15
EAST ElEVATION
16
SOUTh ElEVATION
17
WEST ElEVATION
18
SECTION A
1
2
3
1 Glass roof overhang - rafnfall control
2 Ventilaition air gap - 20mm - Natural air circulation ventilation
4 Stone foundation
- 400mm from the ground - covered by babyrsquos breath
4
19
3 Suspended Timber flooring - Above 150mm from the ground - Damp Proof - Avoid Condensation
4 Stone foundation
- 400mm from the ground - covered by babyrsquos breath
SECTION b
5
5 Display shelves - Porcelains displayed
7
8
6
6 Spirder fitting system
- frameless glass
7 Intense light intallation - display light control - used at night
20
8 Stick-Pull display bar - Porcelains displayed
![Page 16: Project 2_Wunderkammer](https://reader034.fdocuments.in/reader034/viewer/2022052703/568bf2e41a28ab89339845c2/html5/thumbnails/16.jpg)
PlAN 1 Timber footpath
- lifted 20cm above the ground 2 Glass pivot door
- 800mm wide
3 Timber floor - installed heating system
4 babyrsquos breath garden
0 1 M
SECTION b
SECTION A
1
2
3
4
13
14
Construction of 120 model was consisted of 7 stages[ from left to right ]
1 Foundation2 Base floor installation3 North wall4 South wall5 East wall6 West wall7 Glass root and curtain walls
NORTh ElEVATION
15
EAST ElEVATION
16
SOUTh ElEVATION
17
WEST ElEVATION
18
SECTION A
1
2
3
1 Glass roof overhang - rafnfall control
2 Ventilaition air gap - 20mm - Natural air circulation ventilation
4 Stone foundation
- 400mm from the ground - covered by babyrsquos breath
4
19
3 Suspended Timber flooring - Above 150mm from the ground - Damp Proof - Avoid Condensation
4 Stone foundation
- 400mm from the ground - covered by babyrsquos breath
SECTION b
5
5 Display shelves - Porcelains displayed
7
8
6
6 Spirder fitting system
- frameless glass
7 Intense light intallation - display light control - used at night
20
8 Stick-Pull display bar - Porcelains displayed
![Page 17: Project 2_Wunderkammer](https://reader034.fdocuments.in/reader034/viewer/2022052703/568bf2e41a28ab89339845c2/html5/thumbnails/17.jpg)
NORTh ElEVATION
15
EAST ElEVATION
16
SOUTh ElEVATION
17
WEST ElEVATION
18
SECTION A
1
2
3
1 Glass roof overhang - rafnfall control
2 Ventilaition air gap - 20mm - Natural air circulation ventilation
4 Stone foundation
- 400mm from the ground - covered by babyrsquos breath
4
19
3 Suspended Timber flooring - Above 150mm from the ground - Damp Proof - Avoid Condensation
4 Stone foundation
- 400mm from the ground - covered by babyrsquos breath
SECTION b
5
5 Display shelves - Porcelains displayed
7
8
6
6 Spirder fitting system
- frameless glass
7 Intense light intallation - display light control - used at night
20
8 Stick-Pull display bar - Porcelains displayed
![Page 18: Project 2_Wunderkammer](https://reader034.fdocuments.in/reader034/viewer/2022052703/568bf2e41a28ab89339845c2/html5/thumbnails/18.jpg)
EAST ElEVATION
16
SOUTh ElEVATION
17
WEST ElEVATION
18
SECTION A
1
2
3
1 Glass roof overhang - rafnfall control
2 Ventilaition air gap - 20mm - Natural air circulation ventilation
4 Stone foundation
- 400mm from the ground - covered by babyrsquos breath
4
19
3 Suspended Timber flooring - Above 150mm from the ground - Damp Proof - Avoid Condensation
4 Stone foundation
- 400mm from the ground - covered by babyrsquos breath
SECTION b
5
5 Display shelves - Porcelains displayed
7
8
6
6 Spirder fitting system
- frameless glass
7 Intense light intallation - display light control - used at night
20
8 Stick-Pull display bar - Porcelains displayed
![Page 19: Project 2_Wunderkammer](https://reader034.fdocuments.in/reader034/viewer/2022052703/568bf2e41a28ab89339845c2/html5/thumbnails/19.jpg)
SOUTh ElEVATION
17
WEST ElEVATION
18
SECTION A
1
2
3
1 Glass roof overhang - rafnfall control
2 Ventilaition air gap - 20mm - Natural air circulation ventilation
4 Stone foundation
- 400mm from the ground - covered by babyrsquos breath
4
19
3 Suspended Timber flooring - Above 150mm from the ground - Damp Proof - Avoid Condensation
4 Stone foundation
- 400mm from the ground - covered by babyrsquos breath
SECTION b
5
5 Display shelves - Porcelains displayed
7
8
6
6 Spirder fitting system
- frameless glass
7 Intense light intallation - display light control - used at night
20
8 Stick-Pull display bar - Porcelains displayed
![Page 20: Project 2_Wunderkammer](https://reader034.fdocuments.in/reader034/viewer/2022052703/568bf2e41a28ab89339845c2/html5/thumbnails/20.jpg)
WEST ElEVATION
18
SECTION A
1
2
3
1 Glass roof overhang - rafnfall control
2 Ventilaition air gap - 20mm - Natural air circulation ventilation
4 Stone foundation
- 400mm from the ground - covered by babyrsquos breath
4
19
3 Suspended Timber flooring - Above 150mm from the ground - Damp Proof - Avoid Condensation
4 Stone foundation
- 400mm from the ground - covered by babyrsquos breath
SECTION b
5
5 Display shelves - Porcelains displayed
7
8
6
6 Spirder fitting system
- frameless glass
7 Intense light intallation - display light control - used at night
20
8 Stick-Pull display bar - Porcelains displayed
![Page 21: Project 2_Wunderkammer](https://reader034.fdocuments.in/reader034/viewer/2022052703/568bf2e41a28ab89339845c2/html5/thumbnails/21.jpg)
SECTION A
1
2
3
1 Glass roof overhang - rafnfall control
2 Ventilaition air gap - 20mm - Natural air circulation ventilation
4 Stone foundation
- 400mm from the ground - covered by babyrsquos breath
4
19
3 Suspended Timber flooring - Above 150mm from the ground - Damp Proof - Avoid Condensation
4 Stone foundation
- 400mm from the ground - covered by babyrsquos breath
SECTION b
5
5 Display shelves - Porcelains displayed
7
8
6
6 Spirder fitting system
- frameless glass
7 Intense light intallation - display light control - used at night
20
8 Stick-Pull display bar - Porcelains displayed
![Page 22: Project 2_Wunderkammer](https://reader034.fdocuments.in/reader034/viewer/2022052703/568bf2e41a28ab89339845c2/html5/thumbnails/22.jpg)
4 Stone foundation
- 400mm from the ground - covered by babyrsquos breath
SECTION b
5
5 Display shelves - Porcelains displayed
7
8
6
6 Spirder fitting system
- frameless glass
7 Intense light intallation - display light control - used at night
20
8 Stick-Pull display bar - Porcelains displayed