P R O G R A M P A R A M O U N T T H E A T R E

Col. W . de BASIL's BALLET RUSSE

S. HUROK

PRESENTS

A u d i t o r i u m M O N D A Y , F E B R U A R Y 8

A Dramatic Triumph

Elias Lazaroff F O R M E R L Y W I T H T H E

M O S C O W A R T T H E A T R E

In His Own Musical Drama

"The Voice of the Centuries" The Sensational Story of Russian-Jewish Life

C A S T O F 35, F E A T U R I N G

Adele Moraine

A D E L E M O R A I N E

— S E A T S N O W —

Popular Prices

5 5 C / 8 5 C / $1.10, $1.65

J . K. GILL 'S B O O K S T O R E E L I A S L A Z A R O F F

I c e Cream Special Flavors and Designs for

Valentine and Washington's Birthday

B R O A D W A Y - D E L » X E - C A B c o . Phone BRoadway 1-2-3-4

FRIDAY EVENING, FEBRUARY 5, 1937

S. HUROK P r e s e n t s

Col. W . de BASIL's BALLET RUSSE B R O A D W A Y - D E T U X E - C A B c o . Phone BRoadway 1 -2-3-4

HIGHLflfiD mOTORSjflC.

W E S T B U R N S I D E A T T W E N T Y - F I R S T

V-8, V-12, V-16

J?.CLS>CL[L V-8

(JldlmolyiU

CHATTER W i t h this afternoon's and this eve'

ning's performances of the Ballet Russe, we have passed the half-way mark on the Paramount Concert Series. Before we begin to think about the next con­cert which is to be given by that great American baritone, Lawrence Tibbett, on Wednesday evening, Apr i l 2 1 , we want to remind you of the week of grand opera which wil l be presented at the Paramount Theater by Fortune Gallo.

* * * The San Carlo Grand Opera Com­

pany has selected an excellent choice of operas for their 1937 Portland appear­ance. W i t h Coe Glade as guest artist singing in the opening night's bill, "Car­men," and in the Saturday night opera, "Samson and Delilah," we are assured of one of the greatest opera seasons that ever occurred in Portland.

Mr. Gallo has added several new faces to those who have been favorites in the past seasons and i f the reports from other parts of the country where the San Carlo people have been this season are any criteria, Portland wil l break all records for attendance at every single opera. Better secure your seats early.

* * * That reminds us. Holders of the sea­

son books for the Paramount Concert Series have until the 10th of February to secure their same good seats for any performance of the opera. Beginning on the 10th, mail orders wil l be filled in the sections now reserved for the Para­mount Concert Series season patrons.

W e advise you to get your mail or­ders in early. Be assured of your tickets. Enclose a self-addressed and stamped envelope for the safe return of the tickets you have ordered. The personal service department of the Paramount Theater wil l be glad to give every serv­ice possible in making your ticket ar­rangements.

Artists-Photographers 416 S.W. Alder St.

BR. 1164

Where the Artist Works

In the Window

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1013 S. W . Morrison BR 1433 2109 S. E. Belmont EA 1941

" Judas M a c c a b e u s " O r a t o r i o

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iYoung

Graduate artists and pupils o f

Taglieri Maestro-Bel-Canto Voice Placement

1634 S. W . M o r r i s o n

LE PAVILLON B a l l e t b y B o r i s K O C H N O

m u s i c b y B O R O D I N E A r r a n g e d a n d O r c h e s t r a t e d b y A n t a l D O B A I I

C h o r e o g r a p h y b y D a v i d L I C A I N E S c e n e r y a n d C o s t u m e s b y C e c i l B E A T O N

S c e n e r y e x e c u t e d b y P r i n c e A . S C H E B V A C H I D Z E C o s t u m e s e x e c u t e d b y M a d a m e B . K A R I N S K Y , P a r i s

A t m i d n i g h t t h e s p i r i t s o f t h e g a r d e n s u r r o u n d t h e P a v i l i o n w h e r e a p o e t a w a i t s a y o u n g l a d y . T h e s p i r i t s b e w i t c h t h e p o e t , w h o , f o r g e t t i n g h i s t r y s t , c o m e s o u t o f t h e P a v i l i o n a n d i s e n t i c e d a w a y .

T h e y o u n g l a d y a p p e a r s , a n d , f i n d i n g t h e p o e t h a s n o t k e p t h i s w o r d , i s d e e p l y g r i e v e d . T h e p o e t r e t u r n s a n d s u d d e n l y s e e i n g t h e y o u n g l a d y c o n s o l e s h e r , p r o t e s t i n g h i s d e ­

v o t i o n . T h e s p i r i t s t r y t o s e p a r a t e t h e l o v e r s , b u t d a y a p p r o a c h e s a n d t h e y l o s e t h e i r p o w e r o v e r t h e y o u n g c o u p l e , l e a v i n g t h e m t o t h e i r l o v e . T h e Y o u n g L a d y X r i n a B A R O N O V A T h e C h i e f S p i r i t T a t i a n a R I A B O U C H I N S K A T h e P o e t D a v i d L I C H I N E

T h e S p i r i t s o f t h e G a r d e n : M i l e s . T a m a r a G R I G O R 1 E V A , L u b o v B O S T O V A ,

A B B I C O S S O V A , A D R I A N O V A , L E O N T Z E V A , M A B B A , N E L I D O V A , 0 S A T 3 , K A D O V A , R A Z O T 7 M O V A , S E R O V A , S T R A K K O V A , T R E S A H A R , V O L K O V A

C o n d u c t o r - A n t a l D O R A T I

I N T E R M I S S I O N O F F I F T E E N M I N U T E S P R G G R A M C O N T I N U E D

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Yoi ir Home Owned Music Store can supply you. W e are agents for such nationally k n o w n lines as:

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PROGRAM—Continued

LE TRICORNE (The Three-Cornered Hat)

B a l l e t b y M a r t i n e z S I E R R A , d r a w n f r o m a T a b l e b y A L A R C O N M u s i c b y M a n u e l d e F A L L A

C h o r e o g r a p h y b y L e o n i d e M A S S I N E S c e n e r y a n d C o s t u m e s b y P a b l o P I C A S S O

T h e s c e n a r i o i s a d a p t e d b y M a r t i n e z S i e r r a f r o m a s t o r y b y A l a r c o n ( 1 8 3 3 - 1 8 9 1 ) , w h i c h h a s a l s o s u p p l i e d t h e b a s i s o f H u g o W o l f ' s o p e r a " D e r C o r r e g i d o r . " T h e s c e n e i s l a i d i n e i g h ­t e e n t h - c e n t u r y S p a i n .

I n r u s t i c q u i e t a m i l l e r a n d h i s w i f e a m u s e t h e m s e l v e s b y t e a c h i n g t h e i r b i r d t o p i p e t h e h o u r s o f t h e d a y . E n a m o u r e d , b o t h a r e j e a l o u s a n d i n c l i n e d t o f l i r t w i t h p a s s e r s - b y , t o t e s t e a c h o t h e r . T h e C o r r e g i d o r , G o v e r n o r o f t h e p r o v i n c e , p a s s e s w i t h h i s w i f e a n d s u i t e t h r o u g h t h e v i l l a g e . A t t r a c t e d b y t h e m i l l e r ' s w i f e , t h e a m o r o u s C o r r e g i d o r s e e k s t o p a y h e r a t t e n t i o n . S h e a m u s e s h e r s e l f b y f l a t t e r i n g a n d l e a d i n g o n t h e r i d i c u l o u s o l d m a n .

T h e m i l l e r a p p e a r i n g , h i s w i f e m o c k i n g l y t e l l s h i m o f t h e C o r r e g i d o r ' s a d v a n c e s . T h e G o v e r n o r , i n c e n s e d a t h e r m o c k e r y , d e p a r t s t h r e a t e n i n g r e v e n g e . T h e m i l l e r a n d h i s w i f e c e l e b r a t e t h e i r j e s t b y d a n c i n g , , d r a w i n g t h e i r n e i g h b o r s i n t o m e r r i m e n t . . T h e r e v e l s a r e i n t e r r u p t e d b y t h e C o r r e g i d o r ' s O f f i c e r s , w h o a r r e s t t h e m i l l e r a n d t a k e h i m a w a y . A l o n e t h e m i l l e r ' s w i f e l a m e n t s . T h e C o r r e g i d o r , b e n t o n a c h i e v i n g h i s a i m , a t t e m p t s t o f o l l o w h e r i n t o t h e m i l l . S h e e l u d e s h i m a n d l u r e s h i m o n t o t h e b r i d g e , w h e r e s h e c o n t r i v e s t o t r i p h i m . H e f a l l s i n t o t h e m i l l s t r e a m , a n d , f r i g h t e n e d b y h e r a c t , t h e m i l l e r ' s w i f e r u n s f o r a s s i s t a n c e t o e x t r i c a t e h i m . T h e G o v e r n o r , h o w e v e r , g a i n s t h e b a n k i n h e r a b s e n c e , a n d e n t e r i n g t h e m i l l , d i v e s t s h i m s e l f o f h i s g a r m e n t s , h a n g s t h e m o u t t o d r y a n d s e e k s r e f u g e i n t h e m i l l e r ' s b e d .

M e a n w h i l e , t h e m i l l e r r e t u r n s , p e r c e i v e s t h e G o v e r n o r , a n d d e t e r m i n e s t o m a k e a p u b l i c f o o l o f h i m i n r e v e n g e . H e e x c h a n g e s h i s c l o t h e s f o r t h o s e o f t h e G o v e r n o r , l e a v i n g h i s o w n b e h i n d w i t h a t a u n t i n g m e s s a g e s c r i b b l e d o n t h e w a l l . T h e e n r a g e d G o v e r n o r , t o p u r s u e h i m , i s r e d u c e d t o d o n n i n g t h e m i l l e r ' s c l o t h e s b u t t h e v i l l a g e r s , i n f o r m e d o f t h e j e s t , i n ­t e r c e p t h i m a n d m a k e p u b l i c s p o r t o f h i m . W h i l e h e m a k e s h i s e s c a p e , t h e t h r o n g c e l e ­b r a t e h i s d i s c o m f o r t b y a m e r r y r i o t , d a n c i n g a " j o t a " a s t h e y t o s s h i s e f f i g y i n t h e a i r . T h e M i l l e r L e o n i d e M A S S I N E T h e M i l l e r ' s W i f e L u b o v T C H E B N I S C H E V A T h e G o v e r n o r D a v i d L I C K I N E T h e D a n d y M i c h e l K A T C H A R O P P

T l i G A l ^ T t t i z i l s ! M M . A L E X A N D R Q F F , B O R O V A N S K Y , B O t f s L O F F , I S M A I L O F F , F L A I O F F , Z O R I T C ' K

N e i g h b o r s : M i l e s . C H A M I E , M A R R A , N E L I D O V A , O S A T O , R A Z O U M O V A , S E R O V A ,

T R E S A H A R . V O L K O V A M M . B E L S K Y , J A S I N S K Y , K O S L O P F , L A D R E , L A Z O V S K Y , L I P A T O F F ,

M A T O U C H E V S K Y , P E T R O P F

J o t a : M i l e s . T O U M A N O V A , D E L A R O V A , L I F K O V S K A , R O S T O V A ,

O B I D E N N A , A B R I C O S S O V A M M . M A S S I N E , K A T C H A R O P P , L A D R E , a n d t h e p r e c e d i n g -

C o n d u c t o r - A n t a l D O R A T I

I N T E R M I S S I O N O F F I F T E E N M I N U T E S P R O G R A M C O N T I N U E D

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PROGRAM—Continued

L'APRES-MIDlVuN FAUNE C h o r e o g r a p h i c P o e m

M u s i c b y C l a u d e D E B U S S Y C h o r e o g r a p h y b y W a s l a w N I J I N S K Y

S c e n e r y b y P r i n c e A . S C S I E R V A C H I D Z E C o s t u m e s b y L e o n B A K S T

D e b u s s y ' s p r e l u d e t o t h e e l u s i v e e c l o g u e o f S t e p h a n i e M a l l a r m e — " D ' A p r e s - M i d i d ' u n . F a u n e " — w r i t t e n i n 1 8 9 2 — m a r k e d w i t h i t s a p p e a r a n c e a f r e s h p h a s e i n m u s i c a l d e v e l o p ­m e n t . I t u n i t e d t h e a t m o s p h e r i c a n d c o l o r f u l q u a l i t i e s o f M a n e t ' s p a i n t i n g a n d t h e s u b t l e t i e s o f v e r s e o f t h e F r e n c h S y m b o l i s t s w i t h m u s i c — c r e a t e d i n a s t r o k e w h a t i s k n o w n t o d a y a s " m u s i c a l i m p r e s s i o n i s m . " T h i s n o t a b l e w o r k i s t h e m u s i c a l b a s i s o f N i -j i n s k y ' s d a n c e - p o e m . T h e s u b s t a n c e o f M a l l a r m e ' s p o e m h a s h i t h e r t o e v a d e d t r a n s l a t i o n . I t c o n s i s t s o f h a l f - l i g h t s o f s p e e c h , s o t o s a y , s u b t l e n u a n c e s h a l f - e x p r e s s i n g , h a l f - v e i l i n g ,

' t r a n s i e n t , e l u s i v e m o o d s . T h e F a u n , a s i m p l e , p a s s i o n a t e c r e a t u r e o f s y l v a n l i f e , w a k e n s i n t h e f o r e s t . F l e e t ­

i n g m e m o r i e s o f t h e p r e c d i n g a f t e r n o o n c e a s e h i s b r a i n . H e r e a n d t h e r e t h e i m a g e s o f a l l u r i n g n y m p h s , e a c h w i t h h e r c o n t r a s t i n g f a s c i n a t i o n s , d r i f t t h r o u g h h i s b r a i n , b u t h e c a n n o t a s s u r e h i m s e l f w h e t h e r t h e s e a r e a c t u a l m e m o r i e s o f b e i n g s o r m e r e v i s i o n s o f i m a g i n a t i o n . S u r e l y t h e r e w a s o n e l o v e l y n y m p h — a n d y e t m o r e — t e n d e r , s h y , b o l d , p r o ­v o k i n g , y i e l d i n g — o n l y t o r e c a p t u r e e v e n t s ! B u t h e c a n n o t . O n e a f t e r a n o t h e r , i m a g e s t a k e l i f e b e f o r e h i m , o n l y t o e l u d e h i m . H e s t r i v e s t o d i s c e r n w h e t h e r i t b e a s w a n i n s h i n i n g f l i g h t d o w n b y t h e l a k e , o r n a i a d s p l a y i n g i n t h e w a t e r . T h e d e l i c i o u s s e n s a t i o n s g r o w m o r e v a g u e ; f a c t o r f a n c y , h e w i l l n e v e r c e r t a i n l y k n o w . I f h e c o u l d b u t p u t s u b s t a n c e i n t o h i s d r e a m s a s h e b l o w s o u t e m p t y g r a p e - s k i n s . I t i s i m p o s s i b l e . H e f o r s a k e s t h e v a i n a t t e m p t . T h e r i c h s u n l i g h t e n m e s h e s h i m i n l a n g u o r . T h e g r a s s i s l u s h a n d s o f t . H e t u r n s l a z i l y t o s l e e p a g a i n a n d d r e a m s , s i n c e w a k i n g b l u r s t h e a c t u a l i t y o f h i s v i s i o n s .

S u c h i s t h e t h e m e o f t h i s p a g a n p o e m , p a g a n , y e t e t h e r e a l i z e d t h r o u g h i t s s y m b o l i c v i s i o n , s o t h a t , a s h a s b e e n s a i d , " A l l t h a t i s l e e r i n g a n d s a v a g e i n t h e f a c e o f t h e s a t y r d i s a p p e a r s . D e s i r e s t i l l s p e a k s , b u t t h e r e i s a v e i l o f t e n d e r n e s s . " T h e w h o l e p o e m , a s t h e d a n c e , i s s y m b o l i c o f t h e t r a n s i e n c e o f p h y s i c a l d e l i g h t s a n d t h e s o l a c e o f d r e a m s . T h e N y m p h T a m a r a G R I G O R I E V A T h e F a u n D a v i d L I C H I N E

N y m p h s : M i l e s . A B R I C O S S O V A , C H A M I E , M A R R A , N E L I D O V A , O B I D E N N A , O S A T O

C o n d u c t o r - A n t a l D O R A T I

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S H E E T MUSIC SERVICE INC. Complete educational music service, inc luding band and orchestra music

618 S. W . Park Portland, Oregon M a u d McCawley, Manager

PARAMOUNT THEATRE Direction: Hamrick-Evergreen Theatres

P O R T L A N D , O R E G O N

E X E C U T I V E STAFF

Division Manager . Albert Finkelstein Manager H . B. Sobottka Assistant Manager . . Jack Thorson

S m o k i n g p e r m i t t e d i n foyer , mezzanine a n d general lounges

CHATTER » » » » »

The storm caused the postponement of last Tuesday night s Symphony Con­cert, with Goeta Ljungberg as guest soloist. Tomorrow night at the Audi­torium, music lovers wil l have an oppor­tunity to hear this concert and this great Wagnerian prima donna, who inciden­tally was guest artist with the San Carlo Grand Opera last season at the Para­mount.

* * * Monday evening is the night for Elias

Lazaroff's musical drama, "The Voice of the Centuries."

Notice to those holding Season Tickets on Paramount Concert Series:

GET YOUR TICKETS NOW— Before February 10th, at Paramount Theatre office, to secure same seats for any performances of

5 DAYS STARTING WEDNESDAY, MARCH 17th (Mail Orders Filled February 10th)

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CIMAROSIANA B a l l e t D i v e r t i s s e m e n t

M u s i c b y D o m e n i c o C I M A R O S A C h o r e o g r a p h y b y L e o n i d e M A S S I N E

S c e n e r y a n d C o s t u m e s b y J o s e - M a r i a S E R T T h e a g e o f c l a s s i c I t a l i a n m u s i c , u n l i k e t h e l a t e r , h e a v i e r G e r m a n c l a s s i c i s m , w a s p e r ­m e a t e d w i t h t h e s a m e e l e m e n t s o f f a n t a s y a n d c o m e d y a s t h e c l a s s i c a g e o f I t a l i a n d r a m a w h i c h g a v e t h e w o r l d t h e d e c o r a t i v e " m a s c h e r e , " o r m a s k s , o f t h e C o m m e d i a d e l l ' A r t e . I t c o n s o r t e d w e l l w i t h t h e s t a g e a c t i o n s o f G o l d o n i a n d M o l i e r e , s h a r e d t h e i r c h a r m a n d h u m o r . A m o n g s t n a m e s c o m p r i s i n g P e r g o l e s e , L o g r o s c h i n o , a n d s o m e o t h e r s , C i m a r o s a ( 1 7 4 9 - 1 8 0 1 ) , s t a n d s o u t b y r e a s o n o f t h e i n d i v i d u a l m a n n e r i n w h i c h h i s m u s i c b l e n d s t h e s e t r a i t s , f o r m i n g a d e l i g h t f u l l y d e c o r a t i v e b a s i s f o r t h e d a n c e - s e q u e n c e , w i t h i t s s p i r i t o f c o m e d y a n d g a l l a n t r y s o t r u l y b a r o q u e , w h i c h t h e p r e s e n t b a l l e t p r e e e n t s . F o l l o w n g i n o u t l i n e t h e m a n n e r o f b o t h t h e e a r l y I t a l i a n c l a s s i c a l , m u s i c a l a n d b a l l e r i n a t r a d i t i o n s , t h i s i s d a n c e d a s a p a s d e t r o i s , a p a s d e s i x , a t a r a n t e l l e , c o n t r e - d a n s e , a p a s d e d e u x , a n d a g r a n d f i n a l e .

1. F a s d e T r o i s T a m a r a G R I G O R I E V A , L u b o v R O S T O V A a n d G e o r g e Z O R I T C H

2 . F a s d e S i x M i l e s . L E O N T I E V A . L I P K O V S K A , S B R O V A

M M . K A T C H A R O P P , L I F A T O F F , M A T O U C H E V S X Y 3 . T a r a n t e l l a

E u g e n i e D E L A R O V A a n d M a r i a n L A D R E 4 . F a s d e Q u a t r e

K i r a S T R A K H O V A , E d n a T R E S A H A R S e r g e B O U S L O F F , S e r g e I S M A I L O F F

5 . F a s d e T r o i s A l e x a n d r a D A N I L O V A , R o m a n J A S I N S K Y a n d P a u l F E T R O F F

6. C o n t r e - D a n c e M i l e s . A B R I C O S S O V A , A D R I A N O V A C H A M I E , C K A B E L S K A . L V O V A , N E L I D O V A ,

O B I D E N N A , O S A T O , R A D O V A , V O L K O V A , M M . A L E X A N D R O F F , A L G E R A N O F F , A L O N S O , B E L S K Y , B O S O V A N S K Y , K O S L O F F

L I F A T O F F , F L A T O F F , R O S T O F F , Z E G L O V S K Y

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B R O A D W A Y - D E T U X E - C A B c o . Phone BRoadway 1-2-3-4 7. F a s d e D e u x

T a t i n n a R I A B O U C H I N S K A a n d A l e x i s X O S L O F F

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F o u n d e r a n d D i r e c t o r G e n e r a l : C O L . W . D E B A S I L . M a i t r e - d e - B a l l e t a n d A r t i s t i c C o l l a b o r a t o r : L e o n i d e M A S S I N E .

C o n d u c t o r s : E f r e m K U R T Z a n d A n t a l D O R A T I . R e g i s s e u r G e n e r a l : S e r g e G R I G O R I E F F .

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M a u r i c e W i n t e r s } C o m p a n y M a n a g e r s D a v i d L i b i d i n s 1 G e r a l d G o o d e General P r e s s R e p r e s e n t a t i v e P a u l M o r r i s A d v a n c e P r e s s R e p r e s e n t a t i v e M a e F r o h m a n E x e c u t i v e S e c r e t a r y B o r i s S c h w a r z C o n c e r t M e i s t e r N a t h a n R o s e n O r c h e s t r a M a n a g e r C l y d e S m i t h C h i e f C a r p e n t e r C a r l G r e e n C h i e f P r o p e r t y M a n G e n e T i e r n e y C h i e f E l e c t r i c i a n A u g u s t a B e s a n d W a r d r o b e M i s t r e s s

E X C L U S I V E M A N A G E M E N T : H U R O K A T T R A C T I O N S , I N C . 3 0 R O C K E F E L L E R P L A Z A , N . Y. C.

B R O A D W A Y " DeLuxe - C A B c o . Phone BRoadway 1-2-3-4

HEATHMAN P o r t l a n d ' s m o s t m o d e r n h o t e l s — l o c a t ­

e d in t h e c e n t e r o f b u s i n e s s a n d s o c i a l a c t i v i t y , c o n v e n i e n t t o t h e a t r e s , s h o p p i n g a n d f i n a n c i a l d i s t r i c t s . R a t e s s t a r t a t $ 2 . 2 5 w i t h b a t h o r s h o w e r . H a r r y E. H e a t h m a n , G e n e r a ! M a n a g e r .

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Program compiled and published by Gerald G. A c k l e n