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Transcript of PRODUCTION MOODBOARDS - Playing PRODUCTION MOODBOARDS Unused poster concepts and idea development...

  • © 2016 The Shakespeare Globe Trust. Permission granted to reproduce for personal and educational use only. Commercial copying, hiring, lending, is prohibited.

    Playing Shakespeare with Deutsche Bank

    PRODUCTION MOODBOARDS Unused poster concepts and idea development from designers Premm for the 2016 production of Twelfth Night.

  • © 2016 The Shakespeare Globe Trust. Permission granted to reproduce for personal and educational use only. Commercial copying, hiring, lending, is prohibited.

    Playing Shakespeare with Deutsche Bank

    “very contemporary” should feel fresh, modern, edgy...

    It’s about love being the person on the inside.

    The current refugee situation could be referenced or used as a launch pad.

    Ethnically mixed cast (eg Viola could be from Africa - but this is not definite) Cast quite young

    Viola mourning for her twin an important driver for the plot.

    Key images of this might be the shipwreck, the idea of things being ripped apart.

    - things that are broken being put back together - finding home and your soulmate - blurred lines (eg gender)

    About perspective; it’s one thing if you look at it one way, and another from a different angle.

    The strongest visual reference the sculpture of Bruno Catalano

    Twelfth/Night flipped title treatment With texturing/distressing the font

    The brief

    Notes from the production team to the designers

    - “very contemporary”

    - should feel fresh, modern, edgy...

    - It’s about love being the person on the inside.

    - The current refugee situation could be referenced or used as a launch pad.

    - Ethnically mixed cast

    - Cast quite young

    - Viola mourning for her twin an important driver for the plot.

    - Key images of this might be the shipwreck, the idea of things being ripped apart.

    - things that are broken being put back together

    - finding home and your soulmate

    - blurred lines (eg gender)

    - About perspective; it’s one thing if you look at it one way, and another from a different angle.

    - The strongest visual reference is the sculpture of Bruno Catalano

    - Twelfth/Night flipped title treatment with texturing/distressing the font

  • © 2016 The Shakespeare Globe Trust. Permission granted to reproduce for personal and educational use only. Commercial copying, hiring, lending, is prohibited.

    Playing Shakespeare with Deutsche Bank

    Route 2

    29.2.15

  • © 2016 The Shakespeare Globe Trust. Permission granted to reproduce for personal and educational use only. Commercial copying, hiring, lending, is prohibited.

    Playing Shakespeare with Deutsche Bank

    Route 1

    PLAYING SHAKESPEARE WITH DEUTSCHE BANK

    journeys end in lovers meeting

    11-18 march 2016

  • © 2016 The Shakespeare Globe Trust. Permission granted to reproduce for personal and educational use only. Commercial copying, hiring, lending, is prohibited.

    Playing Shakespeare with Deutsche Bank

    some are born great

    The blue colour indicating the sea but also the theme of sadness of Orsino’s unrequited love for Olivia.

    The word ‘Night’ upside down suggesting the lives of the characters are transformed by the arrival of Viola in the country.

    Wave design indicating the near drowning that starts the play.

    Image of ship suggesting the shipwreck that brings the twins to Illyria.

    The female and males outlines superimposed links with the theme of mistaken identity running through the play.

    The quote from the letter to Malvolio links with the theme of fate which affects many of the characters.

  • © 2016 The Shakespeare Globe Trust. Permission granted to reproduce for personal and educational use only. Commercial copying, hiring, lending, is prohibited.

    Playing Shakespeare with Deutsche Bank

    Route 4

    PLAYING SHAKESPEARE WITH DEUTSCHE BANK

    some are born great

    11-18 ma rch 20

    16

  • © 2016 The Shakespeare Globe Trust. Permission granted to reproduce for personal and educational use only. Commercial copying, hiring, lending, is prohibited.

    Playing Shakespeare with Deutsche Bank

    Route 6

    PLAYING SHAKESPEARE WITH DEUTSCHE BANK

    some are born great

    11-18 march 2016

  • © 2016 The Shakespeare Globe Trust. Permission granted to reproduce for personal and educational use only. Commercial copying, hiring, lending, is prohibited.

    Playing Shakespeare with Deutsche Bank

    Route 5

    11-18 march 2016

  • © 2016 The Shakespeare Globe Trust. Permission granted to reproduce for personal and educational use only. Commercial copying, hiring, lending, is prohibited.

    Playing Shakespeare with Deutsche Bank

  • © 2016 The Shakespeare Globe Trust. Permission granted to reproduce for personal and educational use only. Commercial copying, hiring, lending, is prohibited.

    Playing Shakespeare with Deutsche Bank

  • © 2016 The Shakespeare Globe Trust. Permission granted to reproduce for personal and educational use only. Commercial copying, hiring, lending, is prohibited.

    Playing Shakespeare with Deutsche Bank

  • © 2016 The Shakespeare Globe Trust. Permission granted to reproduce for personal and educational use only. Commercial copying, hiring, lending, is prohibited.

    Playing Shakespeare with Deutsche Bank

    FINAL POSTER DESIGN

    Media Partner

    What country, friends, is this?

    25 February – 19 March 2016

    Playing Shakespeare with Deutsche Bank

    Celebrating 10 years