Produc’on*Roles*and*the*Filmmaking* Process.* · Matthew, Marta, Ian, Bart - CAR 06:50 @ UEL Car...
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Collabora’ons Produc’on Roles and the Filmmaking Process.
Transcript of Produc’on*Roles*and*the*Filmmaking* Process.* · Matthew, Marta, Ian, Bart - CAR 06:50 @ UEL Car...
Collabora'ons
Produc'on Roles and the Filmmaking Process.
Director
The Director interprets the script and unifies the components of the film into something that bears his or her signature. This individual is like an orchestra conductor. The Director must be able to lead and control people, have them do what he or she wants them to do, yet remain on good terms. While in produc'on, the Director not only oversees actors, but also advises the Director of Photography, instructs the major technical people, administrates the flow of people, consults on budgets, and deals with outside pressures. The Director is ul'mately responsible for what happens on the set. (Kodak Film Crew)
Surround yourself with people more talented than yourself, and learn how to get the best out of them.
Andrei Wajda
“The good Lord gave the director two eyes – one to look into the camera, the other to be alert to everything that is going on around him.”
Ashes and Diamonds (1958)
It was during this film that I really became a film director. The key to being a director was knowing what not to direct. (Andrei Wajda)
Zbigniew Cybulski
Line Producer
The Line Producer runs the day-‐to-‐day opera'ons. This person makes the deals for loca'ons and transporta'on, secures extras for scenes, orders equipment, gets accommoda'ons for the cast and crew when they're on loca'on, and is on the set every day to ensure the produc'on runs smoothly. The Line Producer is generally employed from pre-‐produc'on through post-‐produc'on and reports to the Producer.
AD Assistant Director The Assistant Director (also A.D., First Assistant, or First A.D.) controls the shoo'ng schedule and is responsible for keeping the produc'on on schedule. By assuming responsibility for the rou'ne tasks, such as the call (summoning the actors, crew, and logis'cal support to the correct place at the right 'me), the Assistant Director allows the Director to focus on the crea've aspects of the film. The Assistant Director maintains order on the set, which is hopefully achieved by yelling "Quiet on the set!" The Assistant Director even has assistants of his/her own.
AD
“Quiet on Set” “Roll Sound” “Roll Camera” “Ac'on”
“DRIFT”
POLICE London Road Brentwood CM14 4QJ 0300 333 4444 HOSPITAL Nuffield Health Brentwood Hospital Shenfield Road Brentwood CM15 8EH +441277695695
CAST: 1 Peter Amr El-Bayoumi
[email protected] 07810881469
2 Sylvia Edyta Bubka
[email protected] 07946401328
3 Mirek Damian Dudkiewicz
[email protected] 07544800179
4 Andrew Harry Macqueen
[email protected] 07967709856
5 Laura Joanna Pope
[email protected] 07967111593
CREW 1 DOP Bartlomiej Sienkiewicz
07533431387 [email protected]
2 1st AD
Malwina Sworczuk 07783435995 [email protected]
3 Focuspuller Tabitha Beckman
07726772498 [email protected]
4 Clapper/Loader Zuza
07944510017 [email protected]
5 Grip Dawid Pietkiewicz
07727904848 [email protected]
6 Gaffer Daniel Russel
07886138307 [email protected]
7 Spark1 Cullum Ross
07963237445 [email protected]
8 Spark2 Ian Stowe
07786878715
9 Sound recordist Marcel
07940773074
10 Make Up Basia Mazgaj
07951562277 [email protected]
11 Art. Director/ Catering
Marta Rabikowska
07759612066 [email protected]
Journey Plan:
Matthew, Marta, Ian, Bart - CAR Leaving 06:50 @ UEL Car Parking
Rest of the Crew -TRAIN 07:05 and 07:15-Liverpool Str. Station
Amr- 07:45 Train @ Liverpool Str St Edyta- 09:22 Train @ Liverpool Str St Harry- 09:22 Train @ Liverpool Str St
Pick up times from Brentwood Station: 07:41- Daniel, Malwina + 3 others 07:50 - rest of the crew 08:18- Amr 09:58- Edyta+ Harry
12 Production Assistant/ Stills
Will Green 07969294680 [email protected]
DIRECTOR: Matthew Hawkins PRODUCER: Daniel Wyszynski DOP: Bartlomiej Sienkiewicz
PROSPECT FILM PRODUCTIONS CALL SHEET 01 BREAKFAST: 08.00-08.30 LUNCH FROM: 13.30 – 14.30 ESTIMATED WRAP: 20.00
SATURDAY 25th JUNE 2009 UNIT CALL: 08:00am
LOCATION: 19 Queens Road, Brentwood, Essex Cm14 4HE
WEATHER: Partly Cloudy/ Sunny intervals/ Possible rain 22° C
Producer: Daniel Wyszynski 078 8985 3928 0 7728630538 [email protected]
UNIT NOTES PLEASE ENSURE HEALTH AND SAFETY ON SET AT ALL TIMES.
SATURDAY Location Scene Synopsis D/N Ext/Int set-ups Props CHARACTER
08:00-08:30 Breakfast
7
Peter overhears the couple’s conversation D
Int
2
radio, dinner plate, books,newspapers, photograph 9:00
BEDROOM 10 Peter listens to the Arabic Radio N Int 2 Vest, trousers, radio
Peter Peter
2 Sylvia and Peter pass eachother on the stairs D Int 2 Shopping bags Sylvia, Peter 10:30/11:00
STAIRCASE 11
Peter meets Andrew D Int 2
Mirror,lunch bag,suitcase Peter,Andrew
13:30- 14:30 Lunch
4 Sylvia unpacks her shopping N
2
Shopping bags, pot, potatoes
Sylvia 14:30
KITCHEN 8 Sylvia and Peter clean after dinners
Int 2 Plates, bin, bowl, meal Sylvia, Peter
16:30
SPARE ROOM
12
Andrew explores his old room D
Int
3
3 cigarettes, old packet, old lighter
Andrew
18:30
GARDEN 9
Peter leaves bowl of food in the garden N
Ext
Freelance
Bowl, remins of food, beer
Peter
20:00 Wrap
CAMERA EQUIPMENT
ARRI MEDIA 3 Highbridge Oxford Road Uxbridge, Middlesex UB8 1LX
CONTACT Alistair Smith Tel: +44 (0)1895 457 100
LIGTING EQUIPMENT
LIGHT SOURCE FACILITIES
CONTACT JOHN: 078 3163 7308
Crew members staying overnight @ the location: Mathew, Marta, Ian, Bart, Daniel, Dawid, Will, Tabitha, Zuza
TRAINS BACK: Brentwood to Liverpool Str Station 16min/ 46min/ 56min after every hour 20:16 21:16 22:16 20:26 21:26 22:26 20:46 21:46 22:46 20:56 21:56 22:56
LOCATION MAP
Brentwood, Essex CM14 4HE, UK Link: <http://maps.google.co.uk/maps?f=q&source=s_q&hl=en&geocode=&q=CM14+4HE&sll=53.800651,-4.064941&sspn=18.703427,39.418945&ie=UTF8&ll=51.616324,0.300686&spn=0.009566,0.019248&z=16>
Loca'on Manager
A Loca'on Manager scouts out loca'ons for shoo'ng and arranges for permission to shoot in specific places.
Filming in Public Spaces
Local authority If you want to film on public land you will need permission from the appropriate local authority or council. They are responsible for public land, public buildings, roads and parking. The UK Screen Agencies can help you get in touch with the appropriate local authority contact.
Screen Agencies Crea1ve England T: +44 (0)844 8246042 E: [email protected] W: www.crea1veengland.co.uk Area: UK Film London T: +44 (0)20 7613 7683 F: +44 (0)20 7613 7677 E: [email protected] W: www.filmlondon.org.uk Area: Greater London
Crea1ve Scotland T: +44 (0)141 302 1700/1723/1724 F: +44 (0)141 302 1711 E: [email protected] W: www.crea1vescotland.com Area: Scotland
Police You will need the full co-‐opera'on of the local police force if you plan to film on a public highway or use special effects, explosives, fire arms (including replicas). You will also need permission to portray uniformed police officers or marked police vehicles on film. You should inform the local police force in wri'ng of any planned filming within its jurisdic'on. The UK Screen Agencies can help you arrange this process.
Filming on public roads
Before filming on a public road you must contact the local police and the Highways Department of the local authority. Both will need to make sure that your plans are safe and pose no threat to road users. If you plan to stage stunts, a stunt co-‐ordinator should be involved in any planning discussions. You will need details of the safety condi'ons covering any tracking vehicles you hire and also find out what permissions and rights clearances have been granted at the loca'on – for example, are you en'tled to film the signage on any commercial premises in the area?
Advice about permission and Rights clearances
If you film an actor inside a store or restaurant – you need wriden permission to use the loca'on and also to show the chain's name or trademark. If you film outside a store or restaurant you do not need permission to show its name or trademark – however, if the loca'on chosen is used to communicate a nega've message in your film (for example, a film about 'poisoned restaurant food') you may risk legal proceedings. You do not need to ask passers-‐by for permission to feature their faces in a film. Under UK law, the copyright of film shot in a public place resides with the filmmaker.
Camera Department Director of Photography or Cinematographer Camera Operator Focus Puller Clapper Loader DIT
DOP or CInematographer The Director of Photography (also DP, DOP, or Cinematographer) is responsible for the quality of the photography and the cinema'c look of the film. The Director of Photography transforms the Screenwriter's and Director's concepts into visual images. Using his or her knowledge of ligh'ng, lenses, cameras, and film emulsions, the Director of Photography creates the appropriate mood, atmosphere, and visual style of each shot to evoke the emo'ons that the Director desires. Working closely with the Director, the Director of Photography determines the camera angles, shot composi'on, and camera movement for every shot. The Director of Photography then decides upon the ligh'ng equipment and the type and number of cameras that will be required for shoo'ng. The Director of Photography orders the lights and cameras to be set up in such a way to adain the desired effect.
Sound Team
Sound Designer oversees all the audio elements of a mo'on picture Sound Recordist operates the sound-‐recording equipment on a set. Boom Operator operates the boom—a long, adjustable bar used to posi'on a microphone during filming.
Line Producer
Screenwriter Director Cinematographer Sound Designer
Produc'on Designer Art Director Wardrobe Make-‐up
Kodak Film Crew hdp://www.mo'on.kodak.com/mo'on/uploadedFiles/US_plugins_acrobat_en_mo'on_newsleders_filmEss_10_film-‐crew.pdf
