Prodipe 2013 catalogue - english

Monitoring • Speakers • Microphones • Accessories • Headphones • Interfaces • Softwares

BRIGHTTHE2013CHOICE

Being able to play a part in the creation of professional products that are practically identical in quality to the big name brands, but at affordable prices, has been a real challenge for us.

With prodipe the gamble has paid off. When a manufacturer is able to offer such high quality at prices that have never been equaled for this level of professionalism, then we’re right behind them.

We’ve been in this business for more than thirty years now and we respect it so much that we would never put our names to products that can’t provide the quality we want. And you don’t have to take our word for it. Just compare the products for yourselves and you’ll understand what attracted us to Prodipe in the fi rst place.

Prodipe make products that are up there with the top names we use in our everyday work.

WHEN YOU’VE TESTED THEIR PRODUCTS AGAINST THE BEST, THIS JUST LEAVES YOU WITH ONE CHOICE TO MAKE…THE BRIGHT CHOICE!

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Jean-Luc MassonCEO of IPE Music/Prodipe

Prodipe – a new brand of thinking

Claude SalmieriDrummer / Pianist / Composer

Ludovic LanenSound Engineer

• Live and studio accompanist for Ray Charles, France Gall, Michel Berger, Renaud, Don Cherry, Marvin Gaye, Véronique Sanson, Vladimir Cosma, Lalo Schiffrin, Yves Simon, Robert Charlebois, Francis Cabrel, Larry Carlton and Robben Ford.

• Member of Magma alongside Christian Vander, one of the three founder members (Yannick Top and Eric Seva are the other two) of STS

• Has been involved in some of the biggest musicals: Starmania, Tycoon, Notre Dame de Paris, etc.

• Today he plays with his jazz quintet, the Projection Jazz Series.

Ludovic Lanen has been a studio/live sound engineer for many years. He has worked with Francis Cabrel, the Orchestre National de Jazz, François Béranger, Patricia Kaas, Serge Lama, Claude Salmiéri, Bertand Lajudie, Paga Group, Michel Delpech, Francis Lalanne, Jean Félix Lalanne, Dee Dee Bridgewater, Gilbert Montagné, Rose Laurens, Chimène Badi, Yves Duteil, Zachary Richard and Nolwenn Leroy.

Summary

Monitoring P. 04>11

Speakers

Microphones P. 14>27

Headphones P. 30>33

TDC 8 / TDC 6 / TDC 5

Pro8 v2 / Pro5 v2

Pro10S / Pro8 3W

Pro6 / MS4C

CAB100 / CAB200

P. 04-05

P. 06-07

P. 08-09

P. 10-11

P. 12-13

TT1 / TT1 Pro / TT1 Instruments / MC1

V85 Lanen / M85 Lanen

STC-3D / ST1 / ST1 Condenser / ST USB

Duo A1 / RSL / Ribbon 1

TT1 UHF / TT1 UHF Duo

TT1 UHF Pack / TT1 Headset Lanen / Micro Lavalier

ST8 / ST4

Accessories

P. 14-15

P. 16-17

P.18-19

P. 20-21

P. 22-23

P. 24-25

P. 26-27

P. 28-29

Pro 880 / Pro 780 / Pro 980

Pro 580 / IEM3 / Pro3000BR / Pro3000W

P. 30-31

P. 32-33

Audio / Midi Interfaces P. 34>35

Softwares P. 36>37

Studio 88 Pro / Studio 22 Pro

Studio 22 USB / USB Midi Interfaces P. 34-35

Piano Score Unlimited Vol1 / Vol2

TimeStretch / My Voice / No Voice P. 36-37

With a level of transparency that defi es established norms. Each of us is born with ears and a sense of hearing. Some of us are more able to develop this sense of hearing than others, but that doesn’t mean that we should only be offered two types of sound quality – one for professionals and one for everyone else. Our solution has been to manufacture professional products at a price that makes them available to everyone, not just the thousands of professionals who use them! And you don’t have to take our word for it. Test out our commitment by testing our products.

FIRSTLY, WHO ARE WE? We’re a French company and our aim is to positively engage with globalisation. We are proud to have chosen second-to-none manufacturers who currently supply quality electronic components at exceptional value. We also have no hesitation in saying that these manufacturers are Asian. And to top it all, our partners in Asia also manufacture many of the bestselling brand name products on the market. By combining the savoir-faire of French engineers with the most effi cient Asian factories in the business, we have managed to create.

A RANGE OF QUALITY PRODUCTS THAT ARE ON A PAR WITH THE FINEST IN THE MARKET BUT AT UNBEATABLE PRICES.

Our research and development is carried out in France with regular input from Ludovic Lanen, who checks out how our prototypes perform in situ. When given the seal of approval, our products then go on to become professional tools that can rise to any occasion. All Prodipe products are used on the biggest stages or in the biggest studios. And to reach such a high standard of quality for such a low price we have had to adopt some very particular methods:

The moulds used for our products are fully depreciated moulds where possible – this keeps production costs down.

Our development has been based entirely on the quality of the main components, whether it be the electronic components, the parts used on all our products or the cartridges for our mics. This trick of the trade is one of the reasons behind our unbeatable quality at unbeatable prices.

Cutting out the middleman means that we can purchase our components directly from the manufacturer; that’s why we can offer an equivalent quality at lower prices. We also have our own distribution channels, reducing time to market costs by at least 30%.

So we focus our efforts on eliminating unnecessary spending without impacting on the core elements of the Prodipe product. Since the advent of global marketing and the increased fl ow of savoir-faire, a highly priced product is no longer a guarantee of high quality. We’re not trying to criticise the big names in the market, but invariably, a top of the range product is outside most people’s budgets. Money brings choice, but if you have limited means, our products represent unparalleled value. And please don’t be tempted to compare our products with lower priced brand name lines or cheap alternatives. When you compare a Prodipe product, compare it with the best the market has to offer and we know you’ll want to switch to Prodipe. WITH PRODIPE, YOU’RE PAYING FOR THE QUALITY, NOT THE BRAND

TDC5

TDC6

TDC5 TDC6

2 Way Bi-amplified Coaxial Near-field Studio Speakers

Low Driver 5.25“ Aluminium Cone 6.5“ Aluminium Cone

High Driver 1’’ Magnetically Shielded Natural Silk Dome

Power Rating 40 Watt Woofer, 20 Watt Tweeter 60 Watt Woofer, 20 Watt Tweeter

Frequency Response 60Hz-20KHz (+/-3dB) 50Hz-20KHz (+/-3dB)

S/N Ratio >92dB Typical A-weighted

Active Crossover Network

HF Adjust -2dB, -1dB, 0dB, +1dB

Input Impedance 20K Ohms Balanced // 10K Ohms Unbalanced

Input Connectors One XLR Balanced Input // One TRS Balanced/Unbalance Input // One RCA Unbalanced Input

Power Requirements 110-120V~/60Hz & 220-240V~/50Hz Select

Dimension 274.8mm(H) x 181mm(W) x 210mm(D) // 6Kg / PCS 306.5mm(H) x 210mm(W) x 251mm(D) // 8Kg / PCS

UPC : 3 760 010 252 895 UPC : 3 760 010 252 901

2 Way Bi-amplifi ed Coaxial Near-fi eld Studio Monitors

Low Driver 8’’ Aluminium Cone


Power Rating 80 Watt Woofer, 30 Watt Tweeter

Frequency Response 40Hz-20KHz (+/-3dB)


Active Crossover Network Active Crossover Network

HF Adjust -2dB, -1dB, 0dB, +1dB


Input Connectors One XLR Balanced Input // One TRS Balanced/Unbalance InputOne RCA Unbalanced Input


Dimension 350mm(H) x 250mm(W) x 280mm(D) // 10Kg / PCS

UPC : 3 760 010 252 918

The TDC range is elegant and compactMore compact speakers can be manufactured using coaxial technology because the tweeter is positioned at the centre of the woofer. Coaxial speakers offer an identical sound quality to the standard tweeter/woofer combination. The TDC range is versatile When placed fl at, on a stand or raised, the TDC behaves like a conventional pro speaker. But it is also versatile. Having a 20° angled cabinet means that you can put the TDC directly on a work surface, e.g. in front of where you sit next to your PC. The 20° angle directs the sound towards your ears for close proximity listening. Coaxial Coaxial technology has allowed the low and high-pitched sounds to come from the same point on the speaker, giving an exceptionally accurate stereo image and a uniformity in the timbre over a wider angled plane (horizontally and vertically). This type of speaker is more accurate than a standard speaker and we’re convinced that our new TDC coaxial range will quickly become a much sought after product by home studio pros, admirers of sound and users who expect nothing but the best.

MONITORING

TDC 8 (pair)

TDC 5 (pair)

8’’ bi-amplifi ed - 140 watt dynamic

5’’ bi-amplifi ed75 watt dynamic

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,,For those looking for loyalty, comfort, safety and low cost monitors without losing quality for the famous, the Prodipe is innovative within that market line.Product super suitable for any professional music.

Luizinho MazzeiRecording Engineer and Producer • Brazil

If you want to hear the music without the hype you should be listening to Prodipe.

Clarence McDonald

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,,Producer - Writer - Arranger – Keyboardist • USA

(pair)

Coaxial Studio MonitorsProdipe introduces an innovative range of monitors based on coaxial technology – TDC 5, TDC 6 and TDC 8. Robust, compact, versatile and also reversible, those monitors provide unparalleled accuracy and neutrality at PRODIPE prices.

4 5

NEW

NEW

TDC5

TDC 6 (pair)6’’ bi-amplifi ed90 watt dynamicNEW

8’’ bi-amplifi ed - 140 watt dynamic8’’ bi-amplifi ed - 140 watt dynamic

Robust, compact, versatile and Robust, compact, versatile and Robust, compact, versatile and Robust, compact, versatile and Robust, compact, versatile and Robust, compact, versatile and Robust, compact, versatile and Robust, compact, versatile and Robust, compact, versatile and Robust, compact, versatile and Robust, compact, versatile and Robust, compact, versatile and Robust, compact, versatile and Robust, compact, versatile and Robust, compact, versatile and Robust, compact, versatile and Robust, compact, versatile and unparalleled accuracy and neutrality at PRODIPE prices.unparalleled accuracy and neutrality at PRODIPE prices.unparalleled accuracy and neutrality at PRODIPE prices.unparalleled accuracy and neutrality at PRODIPE prices.unparalleled accuracy and neutrality at PRODIPE prices.unparalleled accuracy and neutrality at PRODIPE prices.unparalleled accuracy and neutrality at PRODIPE prices.unparalleled accuracy and neutrality at PRODIPE prices.unparalleled accuracy and neutrality at PRODIPE prices.unparalleled accuracy and neutrality at PRODIPE prices.unparalleled accuracy and neutrality at PRODIPE prices.unparalleled accuracy and neutrality at PRODIPE prices.unparalleled accuracy and neutrality at PRODIPE prices.unparalleled accuracy and neutrality at PRODIPE prices.unparalleled accuracy and neutrality at PRODIPE prices.unparalleled accuracy and neutrality at PRODIPE prices.unparalleled accuracy and neutrality at PRODIPE prices.unparalleled accuracy and neutrality at PRODIPE prices.unparalleled accuracy and neutrality at PRODIPE prices.

2 Way Bi-amplifi ed Coaxial Near-fi eld Studio Monitors


also reversiblealso reversiblealso reversiblealso reversible, those monitors provide


unparalleled accuracy and neutrality at PRODIPE prices.

The legendary range of monitors gets a facelift with Aluminum woofers After 10 years of loyal service, the Pro 5, Pro 8 and Pro 10S monitor speakers have been given a facelift. They are now available in version V2, each boasting an all aluminium woofer and new electronics for even more presence and neutrality.

I have been lucky enough to be able to try out the Prodipe Pro 8, monitors and I have to say that the sound is exactly the type of sound I want for my studio work. What an amazing defi nition for the price, better than any other product I know. I just can’t believe how good the quality is. Now I couldn’t do without them!

Fifi Chayed

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,,Bass player - Composer • France

PRO8 V2 PRO5 V2

5’’ Active Studio Monitors 75 watt 5’’ Active Studio Monitors 75 watt

Bi-amp Dynamic power

Drivers 1’’ silk dome (tweeter) and 5’’ aluminium composite (woofer)

Magnetically shielded drivers

Input XLR, 1/4“ TRS, RCA Controls: Level control, HF adjust

Amplifi cation 75 Watt 75 Watt

Frequency Response 45Hz-22kHz +/- 2.0dB 50Hz-22kHz +/- 2.0dB

Dimensions 381 x 265 x 304 mm 291 x 196 x 228 mm

Weight 13 kg 7 kg

UPC : 3 760 010 252 871 UPC : 3 760 010 252 864

PROS: Smooth, non-fatiguing sound / Affordable / Optional subwoofer increases

the LF extension and improves the performance of the Pro5s.

CONS: Somewhat ‘soft’ sound, lacking in tightness at the low end.

SUMMARY: Prodipe are generally very good at balancing cost against quality, and though I may seem a bit lukewarm about these speakers, don’t let that put you off trying them if space and cash are tight.

Sound On Sound Review – March 2011 - www.soundonsound.com

PRESS

PRO5 V2 (pair)

PRO8 V2 (pair)

PRO8 V2 (pair)

PRO5 V2 (pair)

75 Watt Bi-amplifi ed Pro Audio Studio Monitors

140 Watt Bi-amplifi ed Pro Audio Studio Monitors

5’’ Active Studio Monitors 75 watt

Bi-amplifi ed Pro Audio Studio MonitorsBi-amplifi ed Pro Audio Studio Monitors

Prodipe’s Pro 8 Monitors have a fantastic sound with excellent stereo imaging and tight punchy bass, ideal for many styles of music. Another particular favourite of mine is the Lamp Studio Pro Valve Microphone which is unbelievably smooth and fl attering to both vocals and acoustic guitar, it is also very versatile with its choices of cardioid, omni and fi gure of eight patterns making it attractive for all kinds of instruments, a true all rounder. Quite simply you can’t afford not to put these products on your wish list.

Damon Sawyer

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,,Engineer – Producer • United Kingdom

6 7

In a bid to ensure reliability and strength, Prodipe have gone for the type of high quality components that you’d normally expect to fi nd in top of the range equipment:

• The monitors have aluminium woofers, giving them more presence and allowing them to offer a very neutral, linear response from low to high and an enhanced dynamic stability.

• All the magnetic parts of the silk dome tweeters have been immersed in ferrofl uid for an improved sound quality in the higher frequencies

• The transducer magnets have been shielded by anodized steel covers and the passage from one transducer to another is via an active fi lter.

• The speaker casing is made of high density wood, giving a consistent sound quality.

• Unlike many other manufacturers, we have positioned the bass refl ex vent at the front of the speaker. This ensures a better decompression on the bass response and it also means that you can place the speaker wherever you choose.

. . .

. . .

• There are ample connectors for an all-round use: XLR or TRS 6.35 Jack for a symmetrical connection and a Cinch socket for an asymmetrical connection.

• The design of the crossover circuit lets the high and low frequencies run at their extreme settings without distorting the sound.

• A compact, elegant design with a nicely fi nished exterior.

NEW

NEW

Pro 8-3W (pair)woofer 90 watt - Mid 40 wattTweeter 20 watt

Pro10S V2225 watt amplifi ed

Already adopted by professionals, the Prodipe monitors have high sound quality with a greater linear frequency response, especially in low medium, which is clearer, and at the high end where the tweeter isn’t inclined to take over.

When I play in clubs internationally renowned in private evenings or during the Festival de Cannes, I am very picky about quality of material used. In my studio, I use the system Monitoring Prodipe Pro5 + Subwoofer Prodipe Pro10S because it fully meets my requirements.

Michaël Canitrot

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DJ and producer • France

Pro 10S V2

Driver 10’’ high excursion aluminum composite

Peak power 225 Watt

Magnetically shielded drivers

Input XLR, 1/4’’ TRS, RCA

Controls/Features Level, variable low-pass frequency, phase, 80Hz high pass

Amplifi cation 150 watts (RMS)

Frequency Response 30Hz-150Hz +/- 1.5dB

Dimensions 38.2 x 35.5 x 39.8 cm // 17,7 kg

UPC : 3 760 010 252 9183 Ways Active Studio Monitors

Low Driver 8’’ Magnetically Shielded Black Paper With Fibre Cone

Mid Driver 4’’ Magnetically Shielded Black P.P With Fibre Cone


Dome Power Rating 90 Watt Woofer, 40W Mid, 20 Watt Tweeter

Frequency Response 45Hz-22KHz (+/-3dB)


Active Crossover Network

Input Impedance 20K Ohms Balanced / 10K Ohms Unbalanced

Input Connectors One XLR & TRS BalancedUnbalanced Input / One RCA Unbalanced Input

HF Trim / HF Trim -2dB, -1dB, 0dB, +1dB, +2dB

UPC Right: 3 760 010 252 796UPC Left: 3 760 010 252 970

Intense Bass Associated with PRO 5 or PRO 8 satellites, the base transmitter Pro 10S allows you to create a perfectly adapted listening environment with high sound distribution and powerful bass reproduction.

3-Way Active Monitors for a subtle defi nition in the mid ranges.

Prodipe Audio Equipment has made our work process graceful and easy. The quality of each individual product is world class and the aesthetics are unparalleled. This is by far the most signifi cant upgrade we could have ever made for our studio. Prodipe embodies the vision of recording equipment to come over the next millenium.

Jose Cancela

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,,Composer - Producer – Songwriter • USA

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“ 3-Way monitors were so out of reach that having one for your home studio was unimaginable. It’s easy to understand why most home studio buffs opted for two-way.

2-Way monitors often suffer from vulnerability and a lack of defi nition in the mid ranges, whilst with 3-way each monitor can be optimized for a wider frequency band, giving a consistent sound from the basses through to trebles.Prodipe have created A NEW 3-WAY MONITOR THAT MEETS ALL OUR PROFESSIONAL REQUIREMENTS FOR AN AFFORDABLE PRICE. Now with the choice between a pairs of 2-way monitors and a pair of Prodipe 3-way monitors, it shouldn’t take anyone very long to come to “The Bright Choice”. “ Claude Salmiéri and Ludovic Lanen

NEW

NEW

MS4C (pair)

2.0 Coaxial Powered Speaker System

Designed for Professionals and Home-Studios

Low Driver 4’’ Magnetically Shielded kevlar Cone


Power Output 20 Watt RMS @1% THD+N Per Channel

Frequency Response 60Hz-20KHz

S/N Ratio >90dB typical A-weighted

Passive Crossover Network

Input Impedance 10K Ohms Unbalanced

Input Connectors RCA & AUX Unbalanced Input

Indicator Power on/off indicator on rear panel

Power Requirements 220-240V~/50Hz

Dimension 150mm(H) x 144mm(W) x 160mm(D) // 8 Kg/pair

UPC : 3 760 010 252 802

Pro 6 (pair)

90 Watt

A perfect balance of low-pitched to high-pitched for accurate response

Bi-amplifi ed

6’’ aluminium woofer and dual tweeters

90 watt dynamic and bi-amplifi ed power

Driver 2 x 1’’ silk dome (tweeter) and 6.5’’ Aluminium (woofer)

Input XLR, 1/4’’ TRS, RCA

Controls Level control, HF adjust

Amplifi cation 90 Watt

Frequency Response 150 Watt (RMS) // 40Hz-30kHz +/- 2.0dB

Dimensions 38.2 x 35.5 x 39.8 cm // 9 kg

UPC : 3 760 010 252 XXX

The Pro 6 monitors perfectly combine listening quality for the home studio, a sensible size for different work environments and the elegant good looks that you need when you spend much of your time working in the same room. The fi rst plus point is the faithfulness of the listening - the sound is very pleasant and has a slightly fl attering edge to it, even at low volume.

The second plus point is the little blue light which adds the Zen factor when you’re in a creative mood.

The fi nal plus point is the incredible price - and that’s when you’re extremely glad to be able to enjoy the benefi ts of the 21st century.

Jean-Félix Lalanne

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,,Guitarist - Composer • France

To listen to my music, I use Prodipe monitorings which are of excellent quality.

Vladimir Cosma

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,,Composer - Director – Violonist • France

10 11

The MS4C is half way between a studio monitor and a nearfi eld multimedia monitor.Robust, compact, versatile and also reversible, they are perfect for low budget professional monitoring.A 4” bi-amplifi ed coaxial monitor connected to a passive monitor, giving you quality and accuracy for backup work or when you are on the move, at very affordable price.For multimedia purposes (MP3, PC, DVD, digital keyboards), monitors MS4C supplies an incredibly good sound in any situation.

The new PRODIPE PRO 6 are not only elegant studio monitors, but by opting for a high end 6’’ aluminium woofer with dual added tweeters we have obtained outstanding results: the perfect balance of low-pitched to high-pitched for accurate response, excellent neutrality and maximum dynamism.If you place the Pro 6 monitors horizontally at ear level you can also enjoy a sound restitution for all your music that is more optimum and covers a wider area.And as always, our pro standard equipment is available to you at amazing price.

Revers ib le

Excel lent neutra l i ty

Multimedia Speakers 4’’

2.0 Coaxial Powered Speaker System

NEW

SPEAKERS

The purity of studio sound both on stage and at any other type of event

We started out in the music business more than thirty years ago and at the time the professional sound equipment we worked with was heavy, bulky and expensive, but great on sound quality.

Then lighter professional systems appeared, and although the sound quality didn’t change, the price of the equipment was still out of reach for most people. JBL is one of the brands that comes to mind - they really understood what professionals needed.

And after that, well, everything went a little crazy. We’ve had a stream of plastic products these last few years, each one as bad as the next, and the manufacturers expect us to believe that this new equipment is compact and affordable!

Sound is what we know best. When events organisers have had to rely on this type of plastic equipment, we fi nd it hard to listen to the results.

WITH PRODIPE’S HELP WE CAN GIVE YOU THE REAL McCOY ALL OVER AGAIN.

Check out the CAB 100 and the CAB 200.

Ludovic LanenClaude Salmiéri

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CAB100CAB200

CAB100 CAB200

2 Ways Coaxial Powered Speaker System

Low Driver 10“ Magnetically Shielded Black Paper With Fibre Cone 12“ Magnetically Shielded Black Paper With Fibre Cone

High Driver 3“ Magnetically Shielded Black Paper With Fibre Cone

Power Rating 100 Watt RMS 200 Watt RMS

Frequency Response 40Hz-20KHz (+/-3dB) 35Hz-20KHz (+/-3dB)


Passive Crossover Network


Input Connectors One XLR for MIC, Two TRS for Stereo & One TRS for INST

Output Connectors One XLR for Link Out

Bass / Treble -6dB +6dB adjustable

Volume STEREO, MIC, INST Independently adjustable and MASTER adjustable


Dimension 310mm(H) x 218mm(W) x 230mm(D) 500mm(H) x 372mm(W) x 370mm(D)

UPC : 3 760 010 252 819 UPC : 3 760 010 252 826

12 13

C for cabinet: we chose wood rather than plastic for a better resonance.

A for acoustics: these speakers will give you the right level of sound if you play an instrument (guitar, keyboard, vocals, drums, etc.), and when set up in pairs you will also have a sound system that works for any size event.

B for coaxial boomer. It probably hasn’t escaped your notice that we have gone for coaxial technology, i.e. the tweeter inside the boomer will give a very pure and linear sound from low to high notes. The sound is as close to a studio sound as you can get.

100 for 100 Watts RMS = CAB 100 for your instrument or smaller venues.

200 for 200 Watts RMS = CAB 200 for venues where you need a higher volume.

This equipment is all about delivering a sound that boasts power, purity and quality. Those speakers can be used on stage or at any other type of event; they can easily switch to being used as acoustic speakers:

• Two L&R 6.35mm stereo jack inputs: to connect instruments for stereo sound (digital keyboard, electronic drum kit, etc.) along with MP3 players, iPhones, PCs and DVD players.

• One 6.35mm HiZ mono jack instrument input: to connect electroacoustic instruments (guitar, violin, etc.).

• One XLR input: to connect a microphone.

• One XLR link output: to provide cascading signals to additional speakers or to hook up to another CAB speaker for extra amplifi cation.

• Each input has its own dedicated volume control and there is also a master control for the overall volume.

• Included a bass and treble equalizers for fi ne tuning.

New dimension

CAB100 CAB200

Independence for the GroupFor a group, those speakers are a very economical way to set up a sound system and maintain a pure acoustic sound.

A small group or ensemble - when connected as a pair to a mixing deck, the CAB 100 and the CAB 200 turn into front-of-house speakers for small venues such as cabarets, cafés and rehearsal rooms.

A group or orchestra - angled at 45° for accurate directivity, each musician can have his or her own near-fi eld speaker with customized settings.

The CAB 100 and the CAB 200 speakers provide a perfect sound system for any event.

Speakers can be used individually or in pairs to give a system which guarantees the purity of acoustic sound.

MICROPHONES dynamic

MC1

TT1 TT1 PRO

Dynamic

Polar Pattern Uni-directionnal

Sensitivity -49dB±3dB (0db=2.2mV/Pa) -49dBV/Pa (2.2mV/Pa)

Frequency Response 50Hz-15KHz 50-15000 Hz

Output Impedance 600Ω ±30% 600 O±30% at 1kHz

UPC : 3 760 010 251 973 UPC : 3 760 010 252 543

Dynamic


Sensitivity -49dBV/Pa (2.2mV/Pa)

Frequency Response 50-15000 Hz

Output Impedance 600Ω ±30% at 1kHz

UPC : 3 760 010 252 635

Dynamic


Sensitivity -55dB±3dB (0dB=1V/Pa at 1kHz)

Frequency Response 50Hz-16kHz

Output Impedance 400Ω±30% at 1kHz

3 760 010 251 614

The TT1 work also really well on electric guitar, capturing bite without edginess and plenty of lower-mid warmth.

At this price, you can afford to buy one as a spare mic - and who knows, it might just become a fi rm favourite!.

Sound On Sound – October 2010

PRESS

You shouldn’t let the price infl uence you, nor compare it to a low quality mic! Even though the price is exceptionally low, this mic offers an identical quality to many professional mics that I have used on the big stage. On my last visit to Asia I tested, compared and assessed the performance of more than a hundred cartridges alongside the engineers from the state of the art factory that we work with.This close partnership enabled me to develop the completely new TT1 and I can absolutely guarantee its performance.

,,

,,Ludovic LanenSound engineer • United Kingdom

14 15

video

video

This is a well balanced mic with a high output level. It is perfect for singers who want the highest standards, as well as conference speakers, presenters and entertainers who want a true reproduction of their voice. For Prodipe the quality has to be shared, that is why we develop such quality at affordable prices.The TT1 offers an identical quality to many professional microphones used on the big stage. The TT1 mic is supplied with mount.

Perfect for recording instruments

Multi used microphones

UPC : 3 760 010 252 543

The TT1 work also really well on electric guitar, capturing bite without edginess and plenty of lower-mid warmth.

The TT1 mic is supplied with mount.

This is a well balanced mic with a high output level. It is perfect for singers who want the highest standards, as well as conference speakers, presenters and entertainers who want a true reproduction of their voice. For Prodipe the quality has to be shared, that is why we develop such quality at affordable prices.The TT1 offers an identical quality to many professional microphones used on the big stage.

Multi used microphonesMulti used microphones

The TT1 cartridge has been specially designed for recording and reproducing the sound of acoustic instruments such as stringed instruments, wood, wind, guitars and percussion, either live or in the studio. The new, rugged TT1 Instruments mic has shown itself to be highly effective for amp micing (guitar, etc.).

Professional mics for stage vocalists designed to boost the person’s voice, especially in rock and other types of electric music. Neutral and respectful of natural timbre of the voice.

Professional dynamic microphones for vocalists

New generation of professional dynamic microphones for vocalists engineered to last

Cardioid

Cardioid

Cardioid

CardioidMC1Professional dynamic for vocalists

TT1 PRO INSTRUMENTS

recording instruments

Cardioid

INSTRUMENTS

video

TT1

TT1 PRO

UPC : 3 760 010 252 635

Frédéric Manoukian

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,,Conductor - Arranger • France

These mics are absolutely amazing! Everything about them pleases me - the technical side, which is every bit as good as the big name brands, and the price, which was unexpected. They’re perfect for studios that have to upgrade their equipment on a regular basis. I added the mics to my audio equipment straight away.

MICROPHONES dynamic

For over 25 years I’ve never been able to use anything other than my faithful condenser mic. After trying out a few of the Prodipe mics I settled for an MC1 Condenser for stage work; it’s very sensitive. And for recording work I opted for an STC-3D; it gives a beautiful texture to the voice, it handles anything you ask of it and the value you get for your money is amazing. Hats off to Prodipe!

Jean-Charles Gréau

,,

,,

Dynamic


Sensitivity - 49dB±3dB (0db=2.2mV/Pa)


Output Impedance 600 Ω ±30%

3 760 010 252 987

Crooner • France

16 17

V85 Lanen

NEW

NEW

A vintage look that oozes quality with a modern Prodipe sound that oozes technology

NEW

Prodipe have also invested in manufacturing a vintage style all metal mic body with a brilliant chrome fi nish. Yes, we’re bringing back the legendary mics of the 50s! The V85 features a dynamic Prodipe cardioid cartridge and an increased output level which has been painstakingly adjusted by Ludovic Lanen for maximum impact and maximum balance on stage or in the studio.

M85 LanenAn absolute must for vocalists

Dynamic

Frequency Response 50 Hz ~ 16 kHz

Pattern Uni-directional

Sensitivity (0dB=1v/pa at 1kHz): - 71 ±3dB

Impedance (at 1 kHz): 600 Ω ± 30%

Weight 42 g

UPC : 3 760 010 252 963

NEWNEW

M85 Lanen

The M-85 is strong, versatile, and fi tted with an anti-shock copper mesh. It has been fi nished in rubber paint, giving an extra comfortable grip and improved noise reduction when handled..

During the development of the mic M-85, we placed a huge emphasis on obtaining perfect neutrality in the frequency response because we wanted to be able to offer increased gain and at the same time, respect the rich harmony of the voice..

The M-85 is simple to use and manage with any type of equipment, the new cartridge offer a stunning mix of fi nesse and precision to restore the grain and colour of your voice.

During my time as a sound engineer I’ve used lots of different types of equipment and a whole plethora of brands. On trying the Prodipe range I realised that technically their products were just as good as the other brand names, which is incredible when you think of the price. Their studio monitors and mics have earned their rightful place alongside the rest of the studio’s gear. And what I’m going to say now I say in all sincerity. Prodipe are by far and away the least expensive of the major brands.

René Ameline

,,

,,Studio Ferber Sound engineer• France

Cardioid

CardioidA nice vintage shape with a modern sound technology

MICROPHONES condenser

PLUG & RECORD!

STC-3D

Prodipe are amazing! The only thing that’s budget about these mics is the price!

Adam Falkner

,,

,,Drummer - Currently the drummer and musical director for Amy Macdonald and One eskimO • United Kingdom

STC3D ST-1

Pressure Gradient Transducer True Condenser

Polar Pattern Uni/Bi/Omni Cardioid

Frequency Response 20Hz-20kHz 20Hz-20kHz

Sensitivity -31dB/-34dB/ -35dB±2dB(0dB=1V/Pa at 1kHz) -37dB±2dB (0dB=1V/Pa at 1kHz)

Output Impedance 200Ω±30% (at 1kHz) 100Ω±30% (at 1kHz)

Load Impedance ≥1000Ω ≥1000Ω

Self Noise 14/15/16dB A ≤20dB A (IEC 581-5)

Max. Input SPL 130dB (at 1kHz ≤1% T.H.D) // 140dB (with 10dB pad) 130dB (at 1kHz≤1% T.H.D)

Phantom Power Requirement 48V DC Phantom 48V DC

S/N Ratio 80/79/78dB Bass Filter: 10dB /octave at 100Hz

UPC : 3 760 010 251 553 UPC : 3 760 010 252 413

MC-1 Condenser Duo A1

Condenser High Quality Condenser Capsule


Sensitivity -37±3dB -35dB(0dB=1V/Pa at 1kHz)

Max. Input SPL ≥ 125dB( at 1 kHz) 135dB(at 1kHz 1% T.H.D)

Output Impedance 100Ω±30% (at 1 kHz)

UPC : 3 760 010 251 697 UPC : 3 760 010 252 703

PROS: Gently fl attering but smooth sound. Pad and fi lter switches. Three patterns: omni, cardioid and fi gure-of-eight. Includes case and rugged shockmount.

CONS: There are no obvious cons at this price.

SUMMARY: PIt’s in a fi ercely competitive market, but the Prodipe STC-3D performs well given its price range and is capable of excellent results.

Sound On Sound Review – October 2007 - www.soundonsound.com

PRESS

I am truly honoured to be a part of the Prodipe family. To try and keep it as concise as possible, because there are many adjectives I can use, let me say fi rst about the microphones... Excellentresponse both live and in the studio. The speakers, nothing short of astounding and I have sung your products praises to all within ear- shot. Onward and upward. Continue the great work.

Ellis Hall

,,

,,

ST-USB

Multi-instrumentalist - Singer - Song writer – Producer• USA

To equip my studio, I have confi dence in Prodipe.

Francis Cabrel

,,

,,Author - Composer – Interpreter • France

18 19

Cardioid

Bi

OmniUni/bi/omni directional for voice and instruments.Versatile voice/instrument microphone for studio or for live situations, with a high pass fi lter and a 10 dB fade margin for an immediate response in any situation. With its smoothness and neutrality, it will let you achieve an extremely effective sound pickup.

Professional mic for live and studio recording MC-1 Condenser

This high-quality fi xed-cardioid condenser will help your recordings shine. Choose the ST1 for vocals and solo instruments including guitar, piano, percussion & brass. For additional control, the ST1 includes a switchable pad and low-cut fi lter.

USB Studio Mic with Audio Card

Designed to attach straight into your PC or Mac, the ST-USB will bring vocal or instrument recordings alive! Highly accurate, and no need for any external power source, this mic works in the studio or on-the-road.

Prodipe’s Asio 2 multicard driverAdding Prodipe’s revolutionary Asio 2 multicard driver and a Prodipe audio interface has transformed the ST-USB into a fully-fl edged mic input for all your ASIO DAW’s compatible.

PLUG & RECORD!

ST-USBUSB Studio Mic

Cardioid

Full-range vocal condenser with low handling noise, MC-1 condenser mic brings you enhanced sensitivity and enhanced resolution. It is more sophisticated than a dynamic mic, giving you studio standard recording on stage. Must be connected to a 48V power supply and includes a low cut fi lter button (-10dB). MC-1 condenser mic is specially designed to last with a complex cartridge suspension patented.

Cardioid

From studio to stage

video

video

ST1

PROS: Open, natural sound / Rugged build / Highly resistant to popping / Affordable

CONS: None at the price.

SUMMARY: An affordable, hand-held capacitor mic that delivers high-quality sound, resists popping to an impressive degree, and is built to take the knocks of life on the road.

Sound and Sound - March 2012 - www.soundandsound.com

PRESS

Cardioid

In December 2011 I came to Paris with Georgios Sotiropoulos, my sound engineer, to record a new album and we were astonished when we discovered the Prodipe brand. We saw that Prodipe products were being used in the big French studios. When we compared their speakers and mics with the top brands, we realized that they were identical in quality. This aroused our curiosity even more, so we asked lots of questions and received lots of answers.The Prodipe brand is a result of the fusion between the know-how of French people in the music business and the talents of a manufacturer. If we look at the music profession, it’s not because earnings have gone down that the standard of performance has also gone down. Prodipe have understood this completely. They have the manufacturing skills and knowledge to produce cheaper equipment, but at the same time they have made sure that the quality of the audio hasn’t altered.sAll we hear is talk of crisis and austerity plans when we haven’t been responsible for what our politicians have done, well, it’s clear to us that a brand like Prodipe can make their mark in Greece.They can offer quality at a lower price. The value for money you get when you buy their products is phenomenal and that’s why we have opted for Prodipe.Test their products out for yourselves. Let your ears decide!

Nikola Vardis and

Georgios Sotiropoulos

,,,,

Nikola Vardis - Bass Player-Composer / Georgios Sotiropoulos - Sound Engineer• Greece

MICROPHONES condenser

The ribbon mic has amazing qualities that have made it a benchmark for sound professionals. It largely contributed to the success of the crooners, who enjoyed its especially warm and natural pickups. But as with tube mics, their high price, size and relative fragility meant they were replaced by more practical equipment - only a few purists have continued to work with them, deciding not to sacrifi ce sound over ease of use.

Now Prodipe and Ludovic Lanen have developed a new ribbon mic boasting a modern design and a price that at last makes exceptional quality available to smaller studios, home studio buffs and musicians.

Ludovic Lanen

,,

,,Sound engineer • United Kingdom

Ribbon Stereo Microphone (RSL) Ribbon1

Bi-directional

Frequency Response 30Hz-18kHz 25Hz-18KHz

Self Noise 17dB A

Sensitivity -50dB±3dB (0dB=1V/Pa at 1KHz)

Max.Input SPL 140dB (at 1kHz≤1% T.H.D) 148dB

Output Impedance 20Ω // Load Impedance: 1000Ω 250Ω

UPC : 3 760 010 252 390 UPC : 3 760 010 252 031

20 21

Duo A1(pair)

PROS: Inexpensive / Very versatile / Well-balanced tonality.

CONS: Unremarkable noise performance means it is best suited to close miking jobs.

SUMMARY: A cost-effective mic that can cover just about any project application in a capable manner

Sound On Sound Review – July 2009 - www.soundonsound.com

PRESS

Professional Microphones for Studio and Live recording

The A1 Duo is a pair of pencil condenser mics, equally at home in the studio and on stage.Perfect for stereo recordings of acoustic instruments and vocal groups.

The A1 mic is supplied with mount and shield.

Pressure Gradient Transducer

Polar Pattern Uni-directional

Frequency Response 30Hz~18kHz

Sensitivity -38dB±2dB (0dB=1V/Pa at 1kHz)

Output Impedance 100Ω±30% (at 1kHz)

Load Impedance ≥1000Ω

Self Noise 20dB A (IEC 581-5)

Max Input SPL 134dB (at 1kHz≤1% T.H.D)

S/N Ratio 74dB

3 760 010 251 607

The ribbon mic has amazing qualities that have made it a benchmark for sound professionals. It largely contributed to the success of the great singers of the past, who enjoyed its especially warm and natural pickups. But as with tube microphones, their high price, size and relative fragility meant they were replaced by more practical equipment - only a few purists have continued to work with them, deciding not to sacrifi ce sound over ease of use.

The ribbon mics are boasting a modern design and an affordable price for the exceptional quality, perfect for smaller studios, home studio buffs and musicians.

With the now affordable price of the Ribbon Stereo Lanen and Ludovic Lanen Ribbon 1, you will fi nally be able to rediscover:

• The warm and natural sounds of the 50s and 60s (jazz, rock and roll, and early pop).

• The speed of response obtained from the lightweight nature of a ribbon that comprises 2.8 micron width aluminum.

• A respect for the timbre of each instrument and a very natural reproduction of their respective sounds.

• An ability to manage very high sound levels (for example, guitar amplifi er at full blast).

• High-pitched sounds that are never aggressive (brass, metal percussion), even if the pickup is nearby.

• Figure-of-eight directional, so you can capture the atmosphere of the room from behind and almost completely isolate any sources that are on either side of the mic.

• In particular, the ribbon mic demonstrates its qualities when recording: Electric guitar amps, Drum kit overheads, Percussion instruments, Brass and woodwind, Horn sections, Acoustic piano, Acoustic guitar, Stringed instruments (solo), String sections, Choirs and orchestras, Voice.

Warm sound for purists

Bi

Ribbon1

Cardioid

video

video

Bi

RSL

RSL Ribbon1

MICROPHONES wireless

With 30 years of sound engineering under my belt, both in the studio and at the biggest live events, I would have to say that achieving a highly professional sound is my number one challenge, making quality the most important factor in the product design process.

What I’ve realized while working with Prodipe is that they use their knowhow to optimize the manufacture of exceptionally priced products without stinting on the quality that I’m after.

This brand has made professional standard equipment available to everyone and I’m proud to be on their team.

There’s no point comparing Prodipe with budget products or low price big brand equipment. You’re better off doing the opposite. Compare our products with the best the market has to offer and you’ll fi nd yourself switching to Prodipe.

PRODIPE - FOR MUSICIANS WHO WANT THE BEST.

Ludovic Lanen

,,

,,Sound engineer • United Kingdom

PRODIPE launches a range of wireless mics for every uses

TT1 UHF TT1 UHF Duo

16 selectable UHF channels 2x16 selectable UHF channels

Accurate System Diversity

Balanced Timbre

Frequency Range* UHF 740-786MHz

Channel 16 16x2

Frequency Stabilisation <±30ppm

Dynamic Range >90dB

Total Harmonic Distortion <0.5%

Cover Range 50M

TRANSMITTER

Transmitter power 10m Watt

Modulation FM

Maximum Deviation ±50KHz

High harmonic More than 40dB

Battery voltage AA1.5V×2

RECEIVER

Power supply AC100~240V/ 45-60Hz

External 12~18V

Power Consumption 5 Watt

S/N Ratio >90dB

P/N or F/N N Ratio >80dB

Receiving sensitivity 5dBu (SINAD=20dB)

Audio output XLR: 0~±300mV

MICROPHONE

Type Dynamic – Uni-directional

Frequency response 50Hz~15KHz ±3dB

UPC : 3 760 010 252 XXX UPC : 3 760 010 252 925

TT1 UHF DUO2 TT1 UHF mics for use with a 32 channel receiver unit2 x 16 selectable UHF channels16 selectable UHF channels

Balanced Timbre

The famous TT1 mic, now available wireless

TT1 UHF

I’ve played on a multitude of stages and in just as many studios. A constant thorn in my side has been the sorry state of the equipment on offer, especially at live events - the organisers have been inclined to set me up with an all-purpose mic and I just grin and bear it! Studio work, apart from at some of the legendary venues, means handling one or two ‘limited choice’ mics that have been picked out fi rst and foremost for their cost. It’s so good to be able to bring your own instrument and mics to home studios, the stage or anywhere else for that matter. Then the only thing left to worry about is the quality of the mix, because the sound is always top notch during miking. Finally there are high-performance, affordable mics. PRODIPE have really made an effort to design their mics for musicians like myself who only want the best, but who don’t want to spend a fortune getting it. The old days of ‘it’s not possible to have decent equipment at a decent price’ are long gone. A huge sigh of relief. And well done PRODIPE!.

Patrick Bourgoin

,,

,,Saxophonist / Flautist • France

22 23

16 selectable UHF channelsBalanced Timbre

TT1 UHFCardioid

Cardioid

MICROPHONES wireless

Over the years Prodipe has become a benchmark for audio pros. I regularly use Prodipe mics for my recording work. I fi nd them excellent.

Roland Romanelli

,,

,,Accordionist – Pianist – Composer – Arranger • France

When I came across Prodipe’s range of mics I was impressed by their look and by their size,which was just right for studio work, but what really struck me when I tested them was their quality.For a lot less money they were on a par with the brand name products.Now they’re an integral part of my equipment.

Georges Blumenfi eld

,,

,,

TT1 Headset LANEN

TT1 UHF Pack

The new Prodipe headset mic is specially designed for people on the move. It adapts perfectly to your morphology. Comfortable and light, it boasts a tailor made cardioid cartridge for singing and vocals.

TT1 UHF mic with adjustable headset mic

UPC : 3 760 010 252 949

* This equipment complies with the requirements of the R&TTE 99/5/CE European Directive (See section “Declaration of conformity“). The frequencies used are subject to license in Belgium and Germany. Before using the equipment, please act in accordance with the provisions of the legislation currently operating in your country.

2 x 16 selectable UHF channels

Balanced Timbre

Frequency Range* UHF 740-786MHz

Channel 16x2

Frequency Stabilisation <±30ppm

Dynamic Range >90dB

Total Harmonic Distortion <0.5%

Cover Range 50M

TRANSMITTER

Transmitter power 10m Watt

Modulation FM

Maximum Deviation ±50KHz

High harmonic More than 40dB

Battery voltage AA1.5V×2

RECEIVER

Power supply AC100~240V/ 45-60Hz

External 12~18V

Power Consumption 5 Watt

S/N Ratio >90dB

P/N or F/N N Ratio >80dB

Receiving sensitivity 5dBu (SINAD=20dB)

Audio output XLR: 0~±300mV

MICROPHONE

Type Dynamic – Uni-directional

Frequency response 50Hz~15KHz ±3dB

HEADSET

Type Back electret condenser

Frequency response 100Hz – 12,5KHz

UPC : 3 760 010 252 XXX

Direction Omni-directional

Frequency Response 30-18000H

Sensitivity -40dB±2dB(0dB=1V/Pa at 1K Hz)

Output Impedance ≤200Ω

Cable lengt 1 M

UPC : 3 760 010 252 956

Microphone + Receiver + Body Pack + Headset

Receiver + Body Pack + Headset

MICRO Lavalier

Manager of Marcadet Studios • France

NEW

24 25

UPC : 3 760 010 252 949

MICROPHONESwireless

TT1 UHF PackCardioid

Cardioid

MICROPHONES drums ST4

I’ve travelled the world for many years now as a professional drummer, but after my recent participation on ‘The Voice’ I’ve decided to become a singer, and this in addition to all the other things I do. Everywhere I go people tell me about Prodipe, emphasising the amazing quality and the incredible prices. So I thought to myself, maybe it was time to fi nd out more about the brand. After a little digging I learned that Prodipe was French and that they worked with Claude Salmiéri, one of the great drummers, and Ludovic Lanen, a sound engineer whose reputation goes before him. My next move was to put the products to the test. First I recorded my album and DVD with the Lanen Ribbon Stereo mic, the TT1 Instrument mic, the MC-1 mic and the Claude Salmiéri ST8 drum mic pack. I also used the STC-3D for my voice and it gave me just what I expect from a mic – warmth and accuracy. I did my mixing with the Pro Ribbon 8 speakers – I deliberately chose them because they’re spot on and they give a sense of space to my mixes. So far I’ve been lucky. I’ve had the best professional equipment money can buy, but I seriously wonder why we should be paying so much when professional quality at a reasonable price can be had by anyone. And as they say in their literature: “You’ll switch to Prodipe too once you’ve tested our products.” Well, I’m now a bona fi de Prodipe user.

Damien Schmitt

,,

,,Drummer – composer • France

The ST-4 pack is an offshoot of the ST-8 and has been designed for the type of acoustic setup you would expect to fi nd in a jazz club, musical group or orchestra – for live and studio recording.

The Claude Salmiéri pack consists of 8 microphones: • 2 dynamic mics for bass and snare drums. • 2 electrostatic A1 overhead mics.

The ST-4 set is supplied in a durable carrying case and includes 2 SHIELDS and 2 HOLDER MOUNTS to use with the overheads.

4 pieces professional drum microphone set

ST8 // ST4 • SD

Type Dynamic


Directivity Characteristic Cardioid

Sensitivity -54±3dB 0dB=1V/Pa at 1kHz

Output Impedance 250Ω±30% (at1kHz)

ST8 // ST4 • KD

Type Dynamic


Directivity Characteristic Hyper-cardioid


Output Impedance 200Ω±30%(at 1KHz)

ST8 // ST4 • A1

Type True Electrostatic Condenser

Directivity Characteristic Cardioid



Output Impedance 100Ω ± 30%(at1KHz)

Load Impedance ≥1000Ω

Equivalent Noise Level ≤22dB A IEC 581-5

Max. Input SPL 130dB THD≤1.0% at 1KHz

Bass Filter 12dB/octave at 100 Hz

Power Requirement 48V DC Phantom Power

UPC ST4: 3 760 010 252 468 // UPC ST8: 3 760 010 252 475

,,

,,Thank you for thinking about drummers in designing these microphones. Material of this quality...at that price! I only have one thing to say: that’s great Claude!

André CeccarelliDrummer – composer • France

26 27

X3X1 X3X1

X1 X2X1

video

ST8

Claude Salmieri drum mic pack ST-8 was designed to restore your playing with as much accuracy as possible.

The Claude Salmiéri pack consists of 8 microphones:• 1 dynamic unidirectional bass drum mic that faithfully reproduces the acoustic pressure of a bass drum.• 3 dynamic, unidirectional and ultra-versatile microphones for toms - you can also use them with other percussion instruments such as congas, bongos, etc.• As for the snare drum there is 1 dynamic unidirectional mic to accurately transcribe what is essential in playing snaredrums - attack and fi nesse.• 3 overheads (static condenser microphones) perfectly adapted to capture the different moods of drums and percussion instruments, but also ideal for the Charleston drum.

This pack also contains 3 shields and 3 clips to use with your overheads. The mic set is protected by an hard case.

The ST-8 set is supplied in a durable carrying case and includes 3 SHIELDS and 3 HOLDER MOUNTS to use with the overheads.

8 pieces professional drum microphone set

When a manufacturer is able to offer this quality with prices unequalled at this level of professionalism, I have to say, “Yes to Prodipe!”. I am committed to Prodipe because it’s a brand that listens to ”musicians”.

,,

,,Claude Salmiéri

Drummer - Pianist - Producer • FranceMAGMA with Christian Vander / He has participated on albums with artists as prestigious as Ray

Charles, Don Cherry and Marvin Gaye. Participation in some of the most well known comedy musicals such as Starmania, Tycoon and The Hunchback of Notre Dame. He has accompanied many French and

international stars such as Larry Carlton and Robben Ford. He is currently putting together his own trio, the Jazz Light Night and he has his own production label, BULLDOG MUSIC, SALMA RECORD

and producing young artists.

28 29

Professional mic standMic stand with extendable boom arm, very strong with a metal base for maximum stability.Boom/straight convertible tilter.

UPC : 3 760 010 252 376

Professional Shock mount PRO SHM 12SHM 12 is elastic suspending sock-proof brackets, which can reduce mechanical noise by more than 20dB.It is light, solid and easy to install, it also features a wide application range.

UPC : 3 760 010 252 734

ProfessionalShock mount PRO SHM 15FOR EVERY DIAMETERS 19 TO 54 MM- This microphone shockmount is designed to absorb vibrations from the fl oor and air, allowing a cleaner reproduction of sound. Suits medium diameter condenser microphones (often long / pencil style) with a diameter between 19 mm and 54mm.- Attaches to any regular Mic Stand.

UPC : 3 760 010 252 741

- This microphone shockmount is designed to absorb vibrations from the fl oor and

microphones (often long / pencil style) with a diameter between 19 mm and 54mm.

Professional Shock mount PRO SHM 8Shockmount is designed to absorb vibrations from the fl oor and air, allowing a cleaner reproduction of sound. Suits large condenser microphones.The shockmount screws onto any regular mic stand and boom

UPC : 3 760 010 252 758

Professional stereo microphone bar (For microphone Duo A1)

Mic bar with mounts for two mics – can be attached to a mic stand.

UPC : 3 760 010 252 369

stereo microphone bar

Professional Mic stand with extendable boom arm, very strong with a metal base for maximum stability.Boom/straight convertible tilter.

UPC : 3 760 010 252 376

Professional drum mic clamp (For microphones ST-8 and ST-4)

Drum mic clamp for tom-tom and snare drums.Thanks to their size and to their sturdiness, these clamps are the ideal support for your toms and snare drums mics:• Compact • Easy to fi x and to remove • The ribbon absorbs the noises and the shocks

UPC : 3 760 010 252 744

Prodipe Pop ShieldDampens the plosives (when you pronounce p’s and b’s)

and protects your mic during voice recordings.Filter with double acoustic screen made from high quality nylon mesh.

Demountable frame for cleaning/changing fi lter.Adjustable universal clamp fi xes securely to any mic stand.

Flexible metal goose neck for precise and stable positioning.14,5 cm diameter.

UPC : 3 760 010 252 000

MICROPHONES ACCESSORIES

Pro 880

Pro 980

Pro 780

PRO780 PRO980

Half open

Impedance 60Ω 32Ω

Sensitivity 95dB±3dB 101 ±3dB at 1kHz


Max. Input Power 600m Watt 30m Watt

UPC : 3 760 010 252 789 UPC : 3 760 010 252 642

Closed back

Impedance 32Ω

Sensitivity 96±3dB

Frequency Response 10-35kHz

Max Power 1500m Watt

UPC : 3 760 010 252 253

• Elegant design• Dynamic sound• Perfect balance with deep bass, solid mid range and crisp highs• Extra comfort with adjustable headband and leather ear cushions• Completely collapsible• Supplied in a semi-rigid case

Extremely practical format compact and flexibleThose headphones, half open and designed for a perfect and precise monitoring, are intended to the professional musicians. For the studio, home-studio and DJ.

Professional Studio Monitor Headphones

Professional Monitoring & DJ Headphones

Foldable Stereo Headphones

Pro 980Prodipes line of microphones, speakers and headphones have been a great addition to my studio. The clarity of my Pro5 & Pro8 monitors, as well as the Pro880 headphones have made them indispensable for playback: and the full range of microphones are perfect for recording the variety of instruments I use in my studio. I also congratulate Prodipe on the affordable pricing for their full range of products. This is great news for professional and amateur musicians alike, as it is now possible to economically equip a studio with professional audio equipment without compromising on quality. As a very satisfi ed Prodipe customer, I happily recommend Prodipe to anyone in the market for reliable, professional and affordable audio equipment.

Christopher Young

,,

,,Film composer • USA

30 31

Professional Monitoring Headphones Pro 880 is entirely closed and designed for a perfect and precise monitoring, for professional musicians, the studios and home-studios.

PROS: « ...Ideal for broadcasts, studios and home studios but also for DJs. Its design offers an excellent

isolation and an acoustic comfort. Moreover, it yields in a very practical compact format. Technically, this

headphone offers reinforced bass and a good balance of mediums and clear high frequency...».

Keyboard Recording - n°229 - www.keyboardsrecording.fr

PRESS

HEADPHONES

A complete range of headphones

I fi rst learned about Prodipe when I was working with Claude Salmiéri. Ever since then I’m always using at least one of their products on stage or in the studio. My home studio includes the superb Pro 8 monitors and an STC-3D mic for vocals.On stage I’ve opted for an authentic acoustic guitar sound with the Prodipe A1 mic. Quality like that on a tight budget is defi nitely going to up the creativity level.

Michel Deshays

,,

,,Guitarist-Writer-Composer-Producer-Interpreter • France

PRO3000BR

PRO3000W

Pro 580

IEM3

PRO3000

BR

This headphone has a very high quality listen. Aimed at musicians and ideal for DJ’s, it is comfortable, offering a balanced sound thanks to its bass boost. It can be used for long periods without causing hearing fatigue. Perfect for electronic instruments, virtual instruments, monitoring work, musical informatics.

Multi-purpose headphones

In ear monitors PRO3000BR PRO3000W

Operating Principle : Closed

Fashion: Supra-aural

Transducer Type Dynamic

Loudhailer 40mm

Impedance 32

Sensitivity 95dB 3dB


Max. Power 400m Watt

Rating Power 250m Watt

Cable About 3m (straight)

Plug 3.5mm+ 6.3mm

Net Weight 233g (with cable)

Norminal Headband

Pressure

Approx.2.8N

UPC : 3 760 010 252 994 UPC : 3 760 010 253 007

PRO580 IEM3

Closed

Frequency response 20 Hz -20 kHz 10Hz-22kHz

Sensitivity 105 dB±3 95 ±3dB

Impedance 32 Ohms 16Ω

Max. Input Power 200m Watt X

Supplied with a range of fl exible moulds for

maximum comfort.

UPC : 3 760 010 252 017 UPC : 3 760 010 252 659

32 33

The PRODIPE in-ear monitors (IEM3) have been ergonomically designed for musicians to ensure a complete seal from any external noise and an exceptional sound reproduction on stage, in a studio or on the move. Supplied with a range of fl exible moulds for maximum comfort.

Are you a musician? Someone who likes listening to music?

Prodipe has added colour to its range of headphones. At home, in the studio or even on the train – they’ll look good anywhere.

The new Prodipe 3000W and Prodipe 3000BR headphones are as classy as they are high performance, offering a professional sound alongside a brightly coloured, stylishly effective design.

Professional l istening in colour

PROS: High volume and reasonably fl at response / Low cost way to try in-ear monitoring.

CONS: Isolation level is lower than custom moulds, and varies from ear to ear.

SUMMARY: These affodable in-ear monitors are similar to many consumer products, but have been designed to play loudly and cleanly. How effectively the rubber grommets isolate you from outside sound depends very much on the shape of your ear canal.

Sound and Sound - March 2012 - www.soundandsound.com

PRESS

HEADPHONES

Studio22 USB

One stereo output (Headphone jack 6,35mm and line on 2xRCA)

44100 Hz / 48000 Hz, 16 bits

USB connection (Full speed)

Very low latency thanks to «Prodipe ASIO 2» driver

Windows XP/Vista/7 (Up to 64 bits) and Mac OSX

UPC : 3 760 010 252 628

Studio22 PRO (part 2/2) Studio88 PRO (part 2/2)

Microphone preamps with antialiasing fi lters and LCF

Phantom power switch on each input

Gain input on each input

HiZ switch on each input

Overhead LED on each input

2 RCA line inputs, mixed with the front inputs

2 jack outputs ¼» balanced coupled with 2 RCA connectors / THD+N : 0,005% (Total Harmonic Distortion + Noise) / SNR : 96dB

(Signal Noise Ratio) / Dynamic range : 93 dB / LPF fi lter

8 jack outputs ¼» balanced coupled with 2 RCA connectors / THD+N : 0,005% (Total Harmonic Distortion + Noise) / SNR : 96dB

(Signal Noise Ratio) / Dynamic range : 93 dB / LPF fi lter

1 stereo headphone output ¼“

Monitoring mix knob direct<>play

1 MIDI input (16 channels) / 1 MIDI output (16 channels)

Self-powered thru USB connector 5V DC / 1A(power supply optional, depending on the power available

on the USB connector )

Power supply (included) 5V DC / 1A

Windows XP, Vista, Seven or higher and MAC OS X compatible (no driver needed)

Windows XP, Vista, Seven or higher and MAC OS X (10.5 -> Lion) compatible

UPC : 3 760 010 252 536 UPC : 3 760 010 252 567

Studio22 PRO (part 1/2) Studio88 PRO (part 1/2)

2 audio inputs / 2 audio outputs 8 audio inputs / 8 audio outputs

1 MIDI input / 1 MIDI output

No 1 S/PIDF input / 1 S/PDIF output

Professional audio quality (high quality electronic components)

USB connection (1.1 and 2.0 compatible)

«Plug and play» (no driver needed)

2 combo inputs (XLR + jack ¼“) 8 combo inputs (XLR + jack ¼“)

THD+N : 0,01% (Total Harmonic Distortion + Noise) / SNR : 89dB (Signal Noise Ratio)

STUDIO 22 PRO

STUDIO 22 USB

STUDIO 88 PROSTUDIO 88 PROSTUDIO 88 PRO

STUDIO 22 USB

Transform your computer into a recording studio

Two inputs (jack 6,35mm) switchable microphone or high impedance for guitar or other compatible instruments.

+ CUBASE LE + ASIO 2 + PRODIPE VE (See more information page 37)

USB MIDI interfaces

Included Prodipe VE (Virtual Expander)PRODIPE VEMake music with all your MIDI software (sequencers, score editors). When you connect your computer to your MIDI keyboard, Prodipe VE becomes a genuine musical instrument, capable of recreating a full orchestra from its component parts in real time and without latency.It’s also a professional expander for live and session work. See details below.

Included MERGE functionThe MIDI USB Prodipe 4i4o is a convenient 4 in / 4 out, 64 MIDI channels, USB MIDI interface for PC and Mac computers. With the MIDI USB Prodipe 4i4o you can obtain perfect MIDI timing and performance at an extremely affordable price.

4IN 4OUT

1IN 1OUT

34 35

• Chipsets Texas Instrument High Quality. • On each input: combo plug (XLR + jack 6,35 mm) with phantom power, high impedance selector, gain setting and saturation indicator. • Included 2 RCA inputs mixed with front inputs.

CUBASE LE:• Based on the Steinberg Cubase advanced music production system used by professionals around the world.• Award-winning 32-bit fl oating-point Steinberg Audio Engine.• Up to 48 simultaneous audiotracks with 24bit/96kHz and 64 MIDI tracks.• Superb audio/MIDI recording, editing and mixing application.• Complete suite of 23 audio VST effect processors.• 25 instrument sounds for the included HALion ONE sample player.• AudioWarp system for time-stretching and pitch-shifting in real time.• Streamlined score editing and printing feature set.• Cross-platform for Windows and Mac OS X Universal Binary..

ASIO 2:• All Prodipe audio interfaces are shipped with a «Prodipe ASIO 2» driver. Can be used by all applications (Cubase for example) that require low latency. • The «Prodipe ASIO 2» driver has a built-in «Prodipe ASIO Merge®» function that lets you use several Prodipe audio interfaces simultaneously in your ASIO applications. • Latency : 2ms. • Audio data formats: 16, 24 or 32 bits.

PRODIPE VE:• Make music with all your MIDI software (sequencers, score editors). When you connect your computer to your MIDI keyboard, Prodipe VE becomes a genuine musical instrument, capable of recreating a full orchestra from its component parts in real time and without latency. • It is also a professional expander for live and session work.

TIMESTRETCH (PC only):(See more information page 37)

AUDIO / MIDI INTERFACES

THE LARGEST COLLECTION OF PIANO SCORES CONTAINED ON A SINGLE DVD-ROM FOR LISTENING TO OR PRINTING, ROYALTY FREE AND WITHOUT RESTRICTION. • 630 major works organized according to level of diffi culty • 2,500 pages of music to print • 26 hours of listening time (the equivalent to 20 audio CDs) • Windows XP/Vista/7 (Up to 64 bits).

MUSIC SCHOOLS / CONSERVATOIRES / MULTIMEDIA LIBRARIES / SCHOOLS / PIANO TEACHERS / EXPERIENCED OR NOVICE PIANISTS, CONCERT PERFORMERS / can give the scores out freely for lessons, exams, homework, etc. without them being considered as photocopies. (Babell, Bach, Beethoven, Bizet, Boccherini, Burgmuller, Chopin, Clementi, Corelli, Couperin, Czerny, Daquin, Debussy, Diabelli, Franck, Gluck, Gounod, Graupner, Gurlitt, Haendel, Hasse, Haydn, Hässler, Joplin, Krebs, Krieger, Lully, Martini, Massenet, Mendelssohn, Mozart, Pachelbel, Petzold, Purcell, Rameau, Scarlatti, Schubert, Schumann, Strauss, Tchaikovski, Telemann, Türk).

UPC : 3 760 010 252 116

Piano Scores Unlimited vol.1

A COMPLETE REPERTOIRE OF JAZZ, MODERN JAZZ, BLUES, POP, ROCK, BOSSA, LATIN, and BOOGIE... for lessons, exams, auditions and work at home.

FOR PIANO TEACHERS / EXPERIENCED OR NOVICE PIANISTS / SCHOOLS OF MUSIC / CONSERVATOIRES / MULTIMEDIA LIBRARIES / EDUCATIONAL ESTABLISHMENTS, ...

128 SCORES:• Can be printed and given out without being considered as photocopies or illegal fi le copies.• Each score has its own bass/drum accompaniment - can be exported as a MIDI fi le or an MP3 audio fi le.• JAZZ, LATIN rythms, BOSSA NOVA, MODERN JAZZ, BLUES, BOOGIE, ROCK... from beginner to intermediate level.• Windows XP/Vista/7 (Up to 64 bits).

UPC : 3 760 010 252 185

Piano Scores Unlimited vol.2

Change the tempo on your cds, and your wav, mp3 and wma fi les without adjusting the pitch and vice-versa

For copyists music teachers students by reducing the tempo of your CDs to a minimum, TimeStretch opens up a whole new world of possibilities.Musical dictation in all its forms is feasible from your audio CDs, but you can also choose a rhythm that allows you to analyze the myriad complexities of a particular piece, and this is available in nonstop play..

For everyone,• Extract parts of an audio CD / Extract the audio content of a video fi le or a DVD video• Create a compilation of titles on audio CD or mp3 player / Prepare your playlists for the big occasion.• Easily add ringtones to your cell phone by selecting the part you want from the chosen title.• Convert your fi les to WAV, MP3 or WMA.• Burn new audio CDS that include your new settings: tempo, transposition, selections, etc.• Windows XP/Vista/7 (Up to 64 bits).

Software available in French, English, German, Spanish, Italian, DutchUPC : 3 760 010 251 263

TIMESTRETCH

No Voice/My voiceNo Voice/My voice

Using your own audio CD’s, MyVoice allow you to mask the voice of singers in real time. You will be able to sing with the original musicians of your favorite bands

• Transpose, change the tempo, use studio sound effects, create your remixes, engrave your own audio CD’s.• Karaoke function with synchronized scrolling of words.• Ripper function to convert your audio CD’s in WAV or MP3 fi les.• Windows XP/Vista/7 (Up to 64 bits). Included a microphone.

Software available in French, English, German, Spanish, Dutch and Japanese.

UPC : 3 760 010 250 709

Audio CD vocal removal software for a Real Karaoke session

Be the singer, become the star!

36 37

SOFTWARES / DVD

38 39

Marc BercovitzComposer – arranger • France

“I used PRODIPE products every day for my job because they hold their own with many reference of the market that cost a great deal more. For all your new equipment: studio, homestudio ... please! Test by yourself and you will reach the same conclusion as me: this brand has become a reference and fully embodies the need for renewal of our profession ... So what saved the budgets used to promote artists, we all need that! And what professional equipment may be available to everyone. This is done with Prodipe.“

MiTcH LJDJ & producer • France

“When I’m not traveling, I work in studio productions that I will play. After comparing with other brands, I have chosen the monitoring system Prodipe Pro8 with subwoofer Prodipe Pro10S for a high quality record.“

Gary AtkinsComposer - Guitarist - Keyboardist - Arranger - Orchestrator - Copyist • Canada

“Prodipe monitors and microphones give me the sound I have been looking for. In my studio I use the Prodipe Monitoring pack (The PRODIPE Pro10 and the ProRibbon8s/ ProRibbon5s). This system allows me to monitor at low volumes without suffering from ear fatigue, and create the mixes I need. As Technology Co-ordinator of the Royal Conservatory of Music (Toronto), I use the same monitoring system and mics (Ludovic Lanen STC-3D Studio Microphone, Ribbon 1 Ludovic Lanen; and the TT1 Ludovic Lanen microphone). At the Conservatory we record everything from solo performances to full orchestras and our Prodipe mics are part of the tools we use to consistently deliver quality recordings. I love the sound that I get for live situations using the TT1; this is one great dynamic mic. For recording that sweet, smooth vocal sound I always reach for the Ribbon 1 Ludovic Lanen fi rst.“

Sandy Newman Lead vocalist of world famous Scottish pop/rock group Marmalade • United Kingdom

“I’m delighted with my new Pro 8’s. They are better compared to anything I have used in the past. The bass response is very tight with a soft and muiscal top end. I’ve also enjoyed listening to music for pleasure on this honest setup. I’m looking forward to continuing work on my new solo album with these monitors.“

Jean-Luc Escriva Writer-Composer-Interpreter • France

“As a singer and choral director I’m always on the lookout for the ‘must have’ mic. Recently I had the chance to try out PRODIPE’s range and I was pleasantly surprised by the accurate sound reproduction. Even better, the mics are great looking, solid and they feel really good.The value for money is excellent as well.I can’t speak highly enough of these mics - quality products available to a maximum number of people and nothing to fear from the bigger brands.“

Flora Purim Jazz Singer • Brazil

Her music has interwoven the life fabric of anyone with a passing interest in Latin and American jazz music for over 25 years.Her once-in-a-generation six-octave voice has earned her two Grammy nominations for Best Female Jazz Performance and Downbeat magazines Best Female Singer accolade on four occasions.Her musical partners have included Gil Evans, Stan Getz, Chick Corea, Dizzy Gillespie and Airto Moreira, with whom she has collaborated on over 30 albums since moving with him from her native Rio to New York in 1967. Her musical genius was inbred thanks to a Russian émigré father who played violin and a mother who was a talented pianist in her own right.Before leaving Brazil to escape the repressive military regime of the time, she had mastered piano and guitar and liberated an exhilarating vocal talent. After nearly four decades of extraordinary performance, Flora Purim has become synonymous with Brazilian jazz — her seductive voice intertwining effortlessly with native rhythms and exotic instrumentation.

“I recorded with microphones Prodipe, Ribbon 1, in studio and I felt in love.I do not want to use other microphones for my voice recordings.“

Patrice Küng Sound engineer - LOOBEELOO STUDIO: Julia Migenes, Patrick Bruel, Maurane, Maxime le Forestier, Manau, Dany Brillant and Cunnie Williams • France

“As far as I’m concerned, Prodipe is the best brand on the market. The Pro5 and Pro8 studio monitors easily do the same job as any other brand, except that other brands can cost over 1,000 euros.“

Frédéric Manoukian Arranger and musical director of TV programmes presented by Michel Drucker on France 2: ‘Samedi soir avec’, “Tenue de Soirée“, “Tour en Fête“ and “Cérémonie des Molières“ • FranceFor the last two years he and his Big Band have been accompanying Laurent Gerra’s shows (TV, shoots, etc.).He has just fi nished a double album for Pierre Perret and co-produced a show in tribute to the songs of Frank Sinatra.The Frédéric Manoukian Big Band has also accompanied Guy Marchand, Paul Anka, Robin McKelle, Sophia Nelson, Roberto Alagna, Johnny Halliday, Patrick Bruel, Nolwenn Leroy, Patrick Fiori, Liane Foly, Julien Clerc, Hélène Ségara, Tina Arena, Yannick Noah, Florent Pagny, Michel Leeb, Enrico Macias, Adamo, Pascal Obispo, Michel Delpech, Maurane, Laura Pausini, Marcel Amont, Nicole Croisille, Michel Fugain, Charlélie Couture, Jeane Manson and Michel Jonasz.

“I checked out plenty of speakers, but I eventually went for the Prodipe Ribbon 8 because the ribbon tweeter, in combination with a high quality woofer, gave a perfect sound from bass to treble.My decision was based on the brand’s expertise and attitude, but if you factor in the price as well, these speakers are defi nitely worth having. Congratulations to Prodipe for making this quality at this price.Prodipe have become a key player in the pro audio world.“

Daniel Carlet Director of Hocco Studios • France Hocco Studios has been a leader in musical rehearsals for the last 12 years. French and international show business professionals, as well as numerous amateurs, take advantage of the four studios for their rehearsals. The 1000m² of backline offers a full range of equipment which is regularly updated to meet the needs of a very loyal and discerning clientele.

“These mics are absolutely amazing. Everything about them pleases me - the technical side, which is every bit as good as the big name brands, and the price, which was unexpected. They’re perfect for studios that have to upgrade their equipment on a regular basis. I added the mics to my audio equipment straight away. All my Prodipe mics were used in the recording of Eva Marchal’s last live album in January 2007.“

Yvon Guillard Director of Hocco Studios • France Belongs to a class of musicians whose careers have developed through bold experimentation based on nonstop musical research.A classical training from a conservatoire combined with a natural affi nity for jazz, rhythm and blues paved the way for Yvon Guillard to work with the likes of Weidorje at one end of the spectrum and Jacques Higelin at the other, not forgetting Bernard Lavilliers, Véronique Sanson, Bill Deraime, Serge Gainsbourg, Magma, Youssou N’Dour, l’Affaire Louis Trio, the Silencers, Eva Marchal and Claude Salmiéri in the middle.

“Ribbon technology is the absolute mark of quality amongst sound professionals. With Prodipe I was pulled in by the excellent value for money of their ribbon-based audio systems, so I had no hesitation in choosing to equip my studio with a pair of Pro Ribbon 5 speakers and a Ribbon 1 mic for recording horns. This mic is capable of handling extremely high sound levels and yet it respects the timbre of the instruments and restores the sound as naturally as possible. The trebles are never aggressive, even with close miking. As for the speakers, they’re perfect for acoustic recording where timbre and space considerations are paramount.“

Tony MatchTONY MATCH was musically reared on famous jazz players and jazz labels. Now he has created his own style mixing elements of jazz, soul and breakbeat jazz. Since 1998 he has been involved in the Nu Jazz scene and worked with singers and musicians such as Flora Purim (Miles Davis, Stan), Mozez (Zero7), Awsa Bergstrom (Nick Cave, London Gospel City Choir), Jean Baptiste Laya (Christian Escoudé), Dynamax, DB Clifford, the songwriter Beth Hirsch, Sol, KaoriKaneko, Neelam. • France

“The RSL blew me away! When you compare it to classic ribbon mics, the Prodipe RSL offers a similar level of performance. It gives you everything you’d want from a ribbon mic - softness, roundness, warmth and a natural reproduction of the instrument sound, for example, with a guitar or any other harmonically rich acoustic instrument the RSL brings out the purity of the timbre and the presence of the instrument with incredible accuracy.The Prodipe RSL fi lls a gap in the market for this type of mic and my feeling is that no studio or home studio should be without one.“

See all the Artistswww.prodipe.com/en/artists

Professionals have adopted Prodipe

www.prodipe.com • [email protected]

Headquarter:20, Rue Clément Ader • ZA LES GLORIETS • 85340 • Olonne sur Mer • France

International Department:51, Rue de l’Echiquier • 75010 Paris • France

Prodipe is a division of IPE MusicAll our products are designed in France

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Prodipe 2013 catalogue - english

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Transcript of Prodipe 2013 catalogue - english