PROCEEDINGS - GBVERIC INCERTI, CLAUDE CADOZ 96 Demonstrations PadMaster: An Improvisation...
Transcript of PROCEEDINGS - GBVERIC INCERTI, CLAUDE CADOZ 96 Demonstrations PadMaster: An Improvisation...
PROCEEDINGS
International
Computer
Music
Conference Digital Playgrounds
Organized by theInternational Computer Music Association and
The Banff Centre for the Arts
September 3-7, 1995
Contents
8:30 -10:30 amMax Bell Auditorium
8:30 am
9:00 am
9:20 am
9:40 am
10:00 am
Sunday, September 3
Paper SessionAESTHETICS AND CRITICISM
Sound in Context: SoundScape Research and Composition atSimon Fraser UniversityBARRY TRUAX 1
Toward an Electroacoustic Tradition?ALESSANDRO CIPRIANI 5
For an Intelligent Use of Computers in Music CompositionSEVER TIPEI 9
A Survey of Gender Issues Related to Computer Music andStrategies for ChangeMARY SIMONI 13
The Algorithmic Muse: New Listening Paradigms and the Harmonies of ChaosKEVIN JONES 19
8:30 -10:30 amDonald Cameron Hall 300 Studio Reports8:30 am
8:50 am
9:10 am
9:30 am
9:50 am
10:10 am
CCRMA Studio ReportFERNANDO LOPEZ-LEZCANO 23
The International Digital Electroacoustic Music ArchiveMARCIA L. BAUMAN, THOMAS GERWIN 25
The Institute of Electroacoustics and Experimental Music at theVienna University of MusicTAMAS UNGVARY, PETER MECHTLER 27
The Electro-acoustic Music Studio at the Royal Academy of Music, CopenhagenIVAR FROUNBERG 29
Computer Music Studios at Michigan State UniversityMARK SULLIVAN 31
Computer Music at the University of BradfordANNA I. KATRAMI, PETER J. COMERFORD, BARRY M. EAGLESTONE 33
10:30 am - 5:30 pmMax Bell 150 All Day Demonstration
Audio Game Interactive PerformanceSILVIA M A T H E U S , TOM KELLER 35
I C M C P R O C E E D I N G S 1 9 9 5
11:00 am-1:00 pmMax Bell Auditorium
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11:30 am
11:50 am
12:20 pm
Paper Sessions
CHAOS, THEORY AND SYNTHESIS
A Physical Model of Recorder-Like InstrumentsM.P. VERGE, R. CAUSSE, A. HIRSCHBERG
Experiments with Chaotic OscillatorsRICHARD DOBSON, JOHN FITCH
Chaotic Predictive Modelling of SoundJ.P. MACKENZIE
Adding Vortex Noise to Wind Instrument Physical ModelsCHRIS CHAFE
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2:00 - 4:00 pmMax Bell Auditorium
2:00 pm
2:30 pm
2:50 pm
3:20 pm
Demonstrations
SynthBuilder Demonstration - A Graphical Real-Time Synthesis,Processing and Performance SystemNICK PORCARO, PAT SCANDALIS, JULIUS SMITH,
DAVID JAFFE, TIM STILSON 61
The FCurve Sound Generator with Granular SynthesisMARA HELMUTH, ALADIN IBRAHIM 63
Paper Sessions
ARCHITECTURE
Toward Modular, Portable, Real-Time SoftwareROGER B. DANNENBERG, DEAN RUBINE 65
Visual Programming in MusicGERARD ASSAYAG 73
The IRCAM Real-Time Platform and ApplicationsFRANCOIS DECHELLE, MAURIZIO DE CECCO 77
Score Views - An Object-Oriented Approach to a Graphical ComputerMusic Synthesis EnvironmentBRETT TERRY 84
4:00 - 5:00 pmMax Bell Auditorium
4:00 pm
4:30 pm
4:00 - 5:00 pmMax Bell 251 and 253MB 251
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APPROACHES TO PHYSICAL MODELLING AND SYNTHESIS I
State Space Sound Synthesis and a State Space Synthesiser BuilderP. DEPALLE, S. TASSART 88
Topology, Geometry, Matter of Vibrating Structures Simulated withCORDIS-ANIMA. Sound Synthesis MethodsERIC INCERTI, CLAUDE CADOZ 96
DemonstrationsPadMaster: An Improvisation Environment for Real Time PerformanceFERNANDO LOPEZ-LEZCANO 1 0 4
VI I C M C P R O C E E D I N G S 1 9 9 5
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MB 253 An Improvisational Accompaniment System ObservingPerformer's Musical GestureYUSHI AONO, HARUHIRO KATAYOSE, SEIJI INOKUCHI 106
Posters
A Hierarchical System for Controlling Synthesis by Physical ModelingPERRY R. COOK 108
General Wierdness with the Karplus-Strong StringTIM STILSON 110
Super-Spherical Wave Simulation in Flaring HomsDAVID BERNERS, JULIUS O. SMITH III 112
A Physical String Model with a TwistSTEVEN D. TRAUTMANN 114
MIDIVERSO: A Virtual Reality Music InstallationJUAN ANTONIO LLE6, ANDRES LOISEAU LAZARTE, ROGER GILABERT 116
A New Algorithm for Horizontal Spacing of Printed MusicLIPPOLD HAKEN, DOROTHEA BLOSTEIN 118
Vertically Read NotationSTEPHAN DUNKELMAN 120
A Computer Music System for Hierarchical Sound ConstructionDAVID P. CHAPMAN 122
A Software Compressor for Computer Music ApplicationsSTEVE NETHERTON, GARY S. KENDALL 124
Monday, September 4
8:30 -10:30 amMax Bell Auditorium Paper Sessions
COMPUTER MUSIC AND MEDIA
8:30 am Computer Music Workstations I Have Known and LovedSTEPHEN TRAVIS POPE 127
9:00 am On Performing a Listener: What is Missing, Paganini?INSOOK CHOI 134
9:20 am Male and Female Voices in Computer MusicHANNAH BOSMA 139
9:40 am Music, Sculpture, Light and Text: A Study in Installation ArtCHARLES BESTOR 143
8:30 -10:30 amDonald Cameron Hall 300 Studio Reports8:30 am Computer Music Across Disciplines in an Undergraduate Curriculum
BRIAN EVANS 144
8:50 am The Cincinnati Conservatory of Music, Computer Music StudioBRAD GARTON, TERENCE PENDER, DOUG GEERS IN CD ROM FORM ONLY
9:10 am NoTAM Studio ReportJ0RAN RUDI 1 4 6
I C M C P R O C E E D I N G S 1 9 9 5 vii
9:30 am
9:50 am
10:10 am
10:30 am - 5:30 pmMax Bell 150
La Trobe University Music Department: Studio ReportDAVID HIRST
The Centra Tempo RealeNICOLA BERNARDINI
The POOLman ProjectNICOLA BERNARDINI, GRAZIANO TISATO, MICHELE MANFRIN
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All Day PostersBandwidth Enhanced Sinusoidal Modeling in LemurKELLY FITZ, LIPPOLD HAKEN 154
Lemur - A Tool for Timbre ManipulationKELLY FITZ, LIPPOLD HAKEN, BRYAN HOLLO WAY 1 5 8
Real-Time Timbre Modifications Using Sinusoidal Parameter StreamsLIPPOLD HAKEN 162
11:00 a m - 1:00 pmMax Bell Auditorium
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12:00 pm
12:20 pm
11:00 am - 12:00 pmMax Bell 251 and 253
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2:00 - 3:30 pmMax Bell Auditorium
2:00 pm
2:30 pm
2:50 pm
3:10 pm
Paper SessionsISSUES IN INTERACTIVE PERFORMANCE
Interactive Works: New Problems and PotentialsSTEPHEN HORENSTEIN
An Automatic Jazz Accompaniment System Reacting to SoloISAO HIDAKA, MASATAKA GOTO, YOICHI MURAOKA
A Real-time Beat Tracking System for Audio SignalsMASATAKA GOTO, YOICHI MURAOKA
Score Following Using the Sung VoiceMILLER PUCKETTE
Real-Time Sound HybridizationNICOLA BERNARDINI, ALVISE VIDOLIN
DemonstrationsA Demonstration of the aXi0 ControllerBRAD CARIOU
Conductor FollowerBENNETT BRECHT, GUY E. GARNETT
Paper SessionsREPRESENTATION, RECOGNITION AND ARCHIVES
Using a Grammar for a Reliable Full Score Recognition SystemBERTRAND COUASNON, BERNARD RETIF
Music Library of the Future: A Pilot ProjectBRUCE PENNYCOOK
Audio Analysis for Content-Based RetrievalDOUGLAS KEISLAR, THOM BLUM, JAMES WHEATON, ERLING WOLD
PrediBase - Controlling Semantics of Symbolic Structures in MusicOLIVER ZAHORKA
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VIM I C M C P R O C E E D I N G S 1 9 9 5
4:00 - 5:00 pmMax Bell Auditorium
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4:30 pm
4:00 - 5:00 pmMax Bell 251 and 253MB 251
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3:30 - 5:30 pmMax Bell 151-160MB 151
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Paper SessionsAPPROACHES TO PHYSICAL MODELLING AND SYNTHESIS II
One and Two Mass Model Oscillations for Voice and InstrumentsX. RODET
Genetic Algorithm Optimization of Additive Synthesis EnvelopeBreakpoints and Group Synthesis ParametersANDREW HORNER, NGAI-MAN CHEUNG, JAMES BEAUCHAMP
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8:30 -10:30 amDonald Cameron Hall 300
8:30 am
DemonstrationsThe Clavette: A Generalized Microtonal MIDI Keyboard ControllerHAROLD FORTUIN 223
A Touch Sensitive Dance Floor/MIDI ControllerRUSSELL PINKSTON, JIM KERKHOFF, MARK MCQUILKEN 224
PostersPartial-Balancing Instruments with Dynamically Refreshed WavetablesRICHARD ORTON, ROSS KIRK, ANDY HUNT 226
Intuitive and Dynamic Control of Synthesized Sounds by VoiceI.S. GIBSON, D.M. HOWARD 228
CSOUND Granular Synthesis Unit GeneratorALLAN S.C. LEE 230
An Algebra for Time-Based ObjectsYANN ORLAREY, DOMINIQUE FOBER, STEPHANE LETZ 232
Cellular Automata Synthesis of Acoustic ParticlesEDUARDO RECK MIRANDA 233
Optimizing Software Synthesis PerformanceNICHOLAS THOMPSON, ROGER B.DANNENBERG 235
Predicting Chords in JazzBELINDA THOM, ROGER DANNENBERG 237
Composing Interactive Music: A Pedagogical Approach toTeaching Interactive CompositionTODD WINKLER 239
The Infinite Delay Line: Granulation as an In-Line EffectRUSSELL OVANS, DAVID MURPHY, TIMOTHY BARTOO 241
Toward a CLM Sound Localization Instrument EmployingModified Wavefront ReconstructionSTEVEN D. TRAUTMANN 243
Tuesday, September 5
Paper SessionsMOTION DETECTION AND GESTURE ANALYSIS
Interactive Dance/Music SystemsANTONIO CAMURRI 2 4 5
I C M C P R O C E E D I N G S 1 9 9 5
9:00 am
9:20 am
9:40 am
10:00 am
The Sentograph: Input Devices and the Communication of Bodily ExpressionROEL VERTEGAAL, TAMAS UNGVARY 2 5 3
Gesture Analysis Using 3D Acceleration Sensor for Music ControlHIDEYUKI SAWADA, SHIN'YA OHKURA, SHUJI HASHIMOTO 2 5 7
Making Motion Musical: Gesture Mapping Strategies forInteractive Computer MusicTODD WINKLER 261
Sensor Integration for Interactive Digital ArtTSUTOMU KANAMORI, HARUHIRO KATAYOSE, YUSHI AONO
SEIJI INOKUCHI, TAKASI SAKAGUCHI 265
8:30 -10:30 amDonald Cameron Hall 300
8:30 am
8:50 am
9:10 am
9:30 am
Studio ReportsDepartment of Music, University of California, San DiegoPETER OTTO, MILLER PUCKETTE
An Integrated Environment for Music EducationSTEPHEN ARNOLD, CELIA DUFFY
iEAR Studios Rensselaer Polytechnic InstituteCHRISTOPHER DOBRIAN
Multi-Participant Interactive Music ServicesS. ARNOLD, D.R. MCAULEY, K.C. SHARMAN
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10:30 am-5:30 pmMax Bell 150 All Day Demonstration
3-D Sound Demonstration: "Sex/Windows"GARY S. KENDALL 279
11:00 a m - 12:00 pmMax Bell Auditorium
11:00 am
11:20 am
11:40 am
Paper Sessions
PITCH TRACKING AND NOISE REDUCTION
Aspects of Pitch-Tracking and Timbre Separation: Feature Detection inDigital Audio Using Adapted Local Trigonometric Bases and Wavelet PackagesIGOR POPOVIC, RONALD COIFMAN, JONATHAN BERGER 2 8 0
A Least-Square Algorithm for Fundamental Frequency EstimationANDREW CHOI 2 8 4
A Two-Stage Automatic Adaptive Process to Remove Noisefrom an Audio SignalJONATHAN BERGER, MAXIM J. GOLDBERG, RONALD R. COIFMAN 288
11:00 am-12:00 pmMax Bell 251 and 253MB 251
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DemonstrationsIANA: A Real-Time Environment for Analysis and Extraction of FrequencyComponents of Complex Orchestral Sounds and its Application within aMusical RealizationTODOR TODOROFF, ERIC DAUBRESSE, JOSHUA FINEBERG 2 9 2
A Real-Time Spatial Sound Processor for Music andVirtual Reality ApplicationsJEAN-MARC JOT, OLIVIER WARUSFEL 2 9 4
I C M C P R O C E E D I N G S 1 9 9 5
2:00 - 4:00 pmMax Bell Auditorium
2:00 pm
2:30 pm
2:50 pm
3:10 pm
3:30 pm
Paper SessionsSYNTHESIS AND PROCESSING TOOLS
The Development of GiST, a Granular Synthesis Toolkit Based on anExtension of the FOF GeneratorGERHARD ECKEL, MANUEL ROCHA ITURBIDE 296
Bring Your Own Control to Additive SynthesisADRIAN FREED 303
Spectral Mutation in Soundhack: A Brief DescriptionLARRY POLANSKY, TOM ERBE 307
QUICKMQ: A Software Tool for the Modification of Time-VaryingSpectrum Analysis FilesSTEPHEN WILLIAM BERKLEY 311
Real-Time Granular Morphing and Spatialisation of Sounds withGestual Control within MAX/FTSTODOR TODOROFF 315
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- 6:00 pmBell Auditorium
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Paper SessionsWAVEGUIDE II: STRING AND PIANO
Developments for the Commuted PianoSCOTT A. VAN DUYNE, JULIUS O. SMITH III 319
Elimination of Transients in Time-Varying Allpass Fractional DelayFilters with Application to Digital Waveguide ModelingVESA VALIMAKI, TIMO I. LAAKSO, JONATHAN MACKENZIE 327
Commuted Piano SynthesisJULIUS O. SMITH III, SCOTT A. VAN DUYNE 335
Performance Expression in Commuted Waveguide Synthesis of Bowed StringsDAVID A. JAFFE, JULIUS O. SMITH III 343
DemonstrationsGenJam Populi: Training an IGA via Audience-Mediated PerformanceJOHN A. BILES, WILLIAM G. EIGN 347
Gabor Synthesis of Recurrent Iterated Function SystemsMICHAEL GOGINS 349
3:30 - 5:30 pmMax Bell 151-160MB 151
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PostersAdditive Synthesis with DIASS_M4C on Argonne National Laboratory'sIBM POWERparallel System (SP)HANS KAPER, DAVID RALLEY, JUAN RESTREPO, SEVER TIPEI 351
An Extendible Tool for CACHANS LUNELL 353
Overlap-Add Synthesis of NonStationary SinusoidsMICHAEL GOODWIN, ALEX KOGON 355
A Multimedia Environment for Computer MusicANNA I. KATRAMI, TOM INGALL 3 5 7
I C M C P R O C E E D I N G S 1 9 9 5
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8:30-10:30 amMax Bell Auditorium
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8:30-10:30 amDonald Cameron Hall 300
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Radiation of Musical Instruments and Improvement of the Sound DiffusionTechniques for Synthesized, Recorded or Amplified Sounds (Revisited)R. CAUSSE, P. DEROGIS, O. WARUSFEL 3 5 9
Music Generation from Moving ImageSHUJI HASHIMOTO, DINGDING CHANG 361
Circularity in Neural Computation and its Application toMusical CompositionGEORG HAJDU 3 6 3
Customisable Frameworks for Compositional ActivityTIM ANDERSON, ROSS KIRK 3 6 6
A Compositional Environment with Intersection and Interaction betweenMusical Model and Graphical Model: "Listen to the Graphics,Watch the Music"YOICHI NAGASHIMA, HARUHIRO KATAYOSE, SEIJI INOKUCHI 3 6 9
The GRID Musical-Signal Processing SystemI.J. TAYLOR, B.F. SCHULTZ 371
Wednesday, September 6
Paper Sessions
GRAPHICAL INTERFACES
Defining Spectral SurfacesROBIN BARGAR, BRYAN HOLLOWAY, XAVIER RODET, CHRIS HARTMAN 373
Capella: A Graphical Interface for Algorithmic CompositionHEINRICH TAUBE, TOBIAS KUNZE 377
A Human Factors Approach to Computer Music Systems User-Interface DesignRICHARD POLFREMAN, JOHN SAPSFORD-FRANCIS 381
A Manifold Interface for a High Dimensional Control SpaceINSOOK CHOI, ROBIN BARGAR, CAMILLE GOUDESEUNE 385
Paper Sessions
SIGNAL PROCESSING POT-POURRI
Towards Algorithmic Descriptions of Continuous Modulations ofMusical ParametersPETER DESAIN, HENKJAN HONING 3 9 3
Preprocessing for the Automated Transcription of Polyphonic Music:Linking Wavelet Theory and Auditory FilteringROLF WOHRMANN, LUDGER SOLBACH 3 9 6
Applying Balanced Model Truncation to Sound Analysis/Synthesis ModelsJ.P. MACKENZIE, I. KALE, G.D. CAIN 4 0 0
Voice Pitch Changing by Linear Predictive Coding Method to Keepthe Singer's Personal TimbreYOSHINARI SASAHIRA, SHUJI HASHIMOTO 4 0 4
Timbre Interpolation of Sounds Using a Sinusoidal ModelNAOTOSHI OSAKA 4 0 8
XII I C M C P R O C E E D I N G S 1 9 9 5
11:00 am-1:00 pmMax Bell Auditorium
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Paper SessionsNEURAL NETWORKS AND SIGNAL PROCESSING
Rhythmic Pattern Processing Using a Self-Organising Neural NetworkSIMON C. ROBERTS, MICHAEL GREENHOUGH 4 1 2
A Sound Synthesis by Recurrent Neural NetworkKEN'ICHI OHYA 420
Neural Networks for Modeling Time Series of Musical InstrumentsAXEL ROBEL 424
A Neural Network for Triad ClassificationTIM SHUTTLEWORTH, ROLAND WILSON 428
Neural Network Pitch Tracking Over the Pitch ContinuumI.J. TAYLOR, M. GREENHOUGH 4 3 2
DemonstrationsCsound TutorialLINDA IRWIN, MICHAEL ALCORN 4 3 6
The Distributed Real-Time Groove Network:A System for Real-Time Musical Collaboration on the InternetMATTHEW MOLLER, DAVID ZICARELLI 4 3 8
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4:00 - 5:30 pmMax Bell Auditorium
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Paper SessionsALGEBRAS AND ALGORITHMS
The Application of Differential Equations to the Modelling of Musical ChangeJ.L. LEACH, J.P. FITCH 4 4 0
An Artificial Neural Net for Harmonizing MelodiesDAN GANG, DANIEL LEHMANN 4 4 4
A Process Algebra for Stochastic Music CompositionBRIAN J. ROSS 4 4 8
Composing with Genetic AlgorithmsBRUCE L. JACOB 4 5 2
Algorithmic Generation of Temporal Forms:Hierarchical Organization of Stasis and TransitionCHRISTOPHER DOBRIAN 4 5 6
Paper SessionsSPECTRA AND TIMBRE
Clustering of Musical Sounds Using Polyspectral Distance MeasuresSHLOMO DUBNOV, NAFTALI TISHBY 4 6 0
A Systematic Approach to the Analysis of Music for TapeRAJMIL FISCHMAN 467
Sound Analysis, Comparison and Modification Based on aPerceptual Model of TimbreCHRISTOPHER JAMES LANGMEAD 4 7 5
I C M C P R O C E E D I N G S 1 9 9 5 XIII
4:00 - 5:00 pmMax Bell 251 and 253 DemonstrationsMB 251 Demonstrating MMorph: A System for Morphing Music in Real-Time
DANIEL V. OPPENHEIM 4 7 9
MB 253 The Sound of Fruits and Vegetables:Scientific Visualization with Auditory TokensGARY S. KENDALL, LONNY CHU 481
3:30 - 5:30 pmMax Bell 150 - 160 PostersMB 151 Harmonization of Musical Progressions with Genetic Algorithms
ANDREW HORNER, LYDIA AYERS 4 8 3
MB 152 Felix - The DIEM Multiple DSP Box - Still in ProgressSTEFFEN BRANDORFF, OLE CAPRANI,
PETER M0LLER-NIELSON, MORTEN LAVE 485
MB 153 Multimedia System for Shakuhachi TablatureTOSHIAKI MATSUSHIMA, RIE NAGASAWA 4 8 7
MB 154 Accurate Computer Simulation of Acoustic SpaceLEONARD MANZARA 4 8 9
MB 155 A Single Performer Controlled Interface for Electronic Dance/Music TheatreMARK A. BROMWICH 491
MB 156 An Implementation of Real-time Granular Synthesis on aMulti-Processor NetworkTAKEBUMI ITAGAKI, PETER D. MANNING, ALAN PURVIS 4 9 3
MB 157 A MAX Counterpoint Generator for Simulating Stylistic Traits ofStravinsky, Bartok and other ComposersMALCOLM E. BELL 495
MB 158 PPP - A Framework for Algorithmic CompositionTHOMAS NEUHAUS 497
MB 159 Graphical Control of Unit Generator Processes on the MIDAS System:A Digital VCS-3 DemonstratorROSS KIRK, PAUL WHITTINGTON, ANDY HUNT, RICHARD ORTON 4 9 9
MB 160 Genetic Algorithms as a Tool for Melodic DevelopmentDAVID RALLEY 501
MB 150 Sound Processing KitKAI LASSFOLK 5 0 3
MB 150 A Model of Pattern Processing for MusicHARUHIRO KATAYOSE, SEIJI INOKUCHI 505
MB 150 Fractal Structures and Formalized CompositionMAGNUS ELDENIUS 507
xiv I C M C P R O C E E D I N G S 1 9 9 5
Thursday, September 7
s 11:00 am-12:30 pmE Max Bell Auditorium
11:00 am
11:30 am
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12:10 pm
Paper SessionsWAVEGUIDE SYNTHESIS K WINDS
Explorations of Wind Instruments Using Digital Signal Processing andPhysical Modeling TechniquesMATTI KARJALAINEN, VESA VALIMAKI, BERTRAND HERNOUX,
JYRI HUOPANIEMI 5 0 9
Forward-Going Wave Extraction in Acoustic TubesTIM STILSON 517
Digital Waveguide Modeling of the Non-Linear Excitation ofSingle-Reed Woodwind InstrumentsGARY P. SCAVONE 521
Integration of Physical Modeling for Synthesis and AnimationPERRY R. COOK 525
11:00 a m - 12:00 pmMax Bell 251 and 253MB 251
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2:00 - 4:00 pmMax Bell Auditorium
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4:00 - 5:30 pmMax Bell Auditorium
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4:50 pm
5:10 pm
DemonstrationsThe Ensemble Member and the Conducted ComputerFORREST TOBEY
Musical Sounds, Animated Images with CORDIS-ANIMA andits Multimodal InterfacesCLAUDE CADOZ, JEAN-LOUP FLORENS, ANNIE LUCIANI
Paper SessionsGRAMMARS
Inverse Performance TheoryGUERINO MAZZOLA
A Model of Performance, Interaction and ImprovisationPAUL HUDAK, JONATHAN BERGER
Real Time Functional LanguagesSTEPHANE LETZ, YANN ORLAREY, DOMINIQUE FOBER
Paper SessionsCOMPUTER MUSIC AND CULTURE
Whose Playground, Which Games and What Rules?:Women Composers in the Digital PlaygroundANDRA MCCARTNEY
Music Engineering Technology: An Undergraduate CurriculumCLEVE L. SCOTT
The Residents: Musical Deconstruction of Popular CultureJAMES HARLEY, MARC COUROUX
Computer Music and the Pre(Anti(Post(Non(Modem))))DOMINIQUE M. RICHARD
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I C M C P R O C E E D I N G S 1 9 9 5 XV
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DemonstrationsThe Standard Instrument Space Libraries: Demonstrating the Power of ISEEROEL VERTEGAAL 573
Spatial Sound Effects in a Software Effects ProcessorGARY S.KENDALL, MATHEW D. MOLLER 575
A Musicians Approach to Physical ModellingMARK PEARSON, DAVID M. HOWARD 578
Posters
The CDP Composing EnvironmentMARTIN ATKINS, TOM ENDRICH 581
A Semiotic Approach to Music InteractionFERNANDO IAZZETTA 583
The Induction of Musical Structure Using CorrelationJASON D. VANTOMME 585
A Consonance Dissonance Algorithm for IntervalsCAMPBELL D. FOSTER 587
Interactive PerformanceJOEL CHADABE 589
Audio Analysis for Rhythmic StructureCRAWFORD TAIT 590
An Accurate Signal Representation for Sound Resynthesis Utilizing aTime-Frequency Mapping of the DFT-MagnitudeROBERT R. HOLDRICH 5 9 2
Audio-Visual Instruments in Live PerfomanceROSS KIRK, ANDY HUNT, RICHARD ORTON 595
Fractal Depth Structure of Tonal HarmonyTHOMAS NOLL 597
A Visual-to-Sound Interactive Computer Performance System 'Edge'SHU MATSUDA, TAKAYUKI RAI 599
Author Index
Key Word Index
601
603
XVI I C M C P R O C E E D I N G S 1 9 9 5